• l’année dernière
Once very widely used in Parisian constructions, gypsum plaster (which had turned the French capital completely white in the seventeenth century) has declined substantially in use due to the advent of modern forms of concrete and building materials. As we are now re-examining our production methods in order to find more sustainable and less carbon-intensive solutions, ciguë’s architects have investigated the contemporary potential of this endemic material.

Their research, conducted with the support of the FAIRE project accelerator, proposes investigating the potential use of gypsum plaster for slab production, an alternative to Portland cement, which currently accounts for almost 30.3% of the greenhouse gas emissions in France’s building industry. Their study also intends to prove the merits of gypsum plaster as a binder that’s capable of replacing natural aggregates (sand and gravel, currently facing depleted reserves) by construction rubble (crushed bricks, tiles, or Portland cement).

The research was supported by the Plâtres Vieujot gypsum plaster transformation factory (located in Soisy-sous-Montmorency in the Val d’Oise department) and by researchers from the Granulates & Materials Processing laboratory (GPEM) of the Materials and Structures (MAST) department at Université Gustave Eiffel, as well as the engineering consultancy Le Sommer. Findings have confirmed the base assumptions. Gypsum plaster concrete made from mixed reclaimed bricks and tiles exhibits very high compressive strength, puncture strength, and abrasion resistance. Mixes including reclaimed Portland concrete could be put to use for their mass and soundproofing properties. And, whatever the formulation ultimately used, gypsum plaster slabs make much better use of natural resources while substantially lowering greenhouse gas emissions compared to conventional concrete slabs.

Concerned with the exploration of other production methods at the nexus between building trades and know-how, ciguë’s architects aren’t aiming to promote an “all-plaster” approach. but rather, their aim is to inform a more comprehensive examination in the face of the excesses and constraints -that are the hallmarks of our era.

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Conducted by ciguë architects
As part of the FAIRE gas pedal of innovative projects, gas pedal of innovative architectural and urban projects launched by the Pavillon de l'Arsenal with the City of Paris and the support of the Caisse des dépôts, MINI and EDF

Film
Directed by Simon Pénochet
Produced by Blast Production
In collaboration with ciguë

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