La Promesa - Capitulo 519 - video Dailymotion
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00:00♪♪
00:30I promise you, I swear I won't let our dreams fall into disarray.
00:36Congratulations, but...
00:38But nothing, this is nonsense.
00:40You left the promise only weeks ago and now it turns out that you are engaged.
00:44Yes, because Jaco asked me to marry him and I said yes.
00:47The truth is that I expected another reaction from him, you know?
00:50It is still to be seen.
00:51May this be a joy, dear.
00:53If Mrs. Pia suspects something, I think we have to be more careful than ever.
00:56So none of the four of us will set foot in that room.
01:00But now we have discovered the letters.
01:02Precisely because of that, Marcelo, we could lose everything.
01:05So we have to stop.
01:06Yes, Teresa is right.
01:08And measure everything we say a lot.
01:10We never know who might be listening.
01:12Then I'm going to Lujan to see my son, Dieguito.
01:16And, well, I thought the same, I don't know, he would like to accompany me,
01:20that we were together, maybe.
01:22Yes.
01:23Yes, I want it, yes.
01:25He said yes?
01:26Well, he misses you.
01:28I'm going to be delighted.
01:30My fear is that you are going to rush.
01:33And I confess that I also get dizzy from time to time, but ...
01:37It happens to me when I'm with him.
01:39Once you do it, there is no going back.
01:40I know.
01:41I know this seems like the result of a robbery, but it is not, it is not.
01:44Really, Curro, it is not.
01:46I just want you to be happy.
01:48But I promise you that I will be.
01:50Who founded the refuge?
01:52Do you know him?
01:53I know him.
01:54And he is a very special man.
01:56He only thinks about others.
01:58But he prefers to stay hidden.
02:00If you thought I was going to say something about all this,
02:03you would never have trusted me to take the car.
02:05You know I have the power to change the turns, right?
02:09You won't dare.
02:11Get away from me.
02:15You know you get very pretty when you're alone, right?
02:18Get away, I say.
02:20Really?
02:21Do you really want me to kill you?
02:35Don't kiss me again, Lorenzo.
02:37Don't say something like that again.
02:38Calm down.
02:39Calm down.
02:40You don't have to get so aggressive.
02:42If you had said it, it would have been enough.
02:45You'd better calm down if you don't want to get into trouble again.
02:48This is the first time I do it and, of course, you've never been like this before.
02:51How dare you?
02:52Don't be shy.
02:54We know each other too well.
02:56Don't say that again.
02:59You want to leave things as they are, I understand.
03:02What happened will not happen again, I assure you, Lorenzo.
03:05Well, it's a shame because we have enjoyed a lot together.
03:10It can be seen that I have idealized the memories of the past and you see them as that, as memories.
03:15I'm not kidding.
03:17If you talk about this again ...
03:18I'm a grave.
03:19If you say something like that again ...
03:21I'll see you with Doña Leocadia de Figueroa.
03:24It has become clear to me.
03:26I swear you will regret it all your life.
03:29Calm down.
03:31I'm not one of those who beg for a woman's affection.
03:36It will be for fish in the sea.
03:38Then don't waste your time.
03:40Run, Carlos.
03:47Run.
04:17Run, Carlos.
04:18Run.
04:47Run.
04:48Run.
04:49Run.
04:50Run.
04:51Run.
04:52Run.
04:53Run.
04:54Run.
04:55Run.
04:56Run.
04:57Run.
04:58Run.
04:59Run.
05:00Run.
05:01Run.
05:02Run.
05:03Run.
05:04Run.
05:05Run.
05:06Run.
05:07Run.
05:08Run.
05:09Run.
05:10Run.
05:11Run.
05:12Run.
05:13Run.
05:14Run.
05:15Run.
05:16Run.
05:17Run.
05:18Run.
05:19Run.
05:20Run.
05:21But if this is a matter of time, I'm not going to be worth it.
05:47Can I know what you're doing?
05:50I'm sorry?
05:53Don't play dumb with me, Hanna. I've been talking to the fashion designer.
05:58I called him to ask him when he would have these new dresses ready.
06:01And do you know what he said?
06:03I guess he told him that I contacted him to cancel the order.
06:07Well, I don't know who gave you permission for that.
06:10But I think it's incredible that you don't value the efforts I'm making
06:13for you to have a decent wardrobe.
06:16I'm sorry I wasted your time.
06:18You're making me lose it now.
06:20I'd better go and call Mr. Sergio to continue with his work.
06:24Don't do it, please.
06:26What did you say?
06:28I have more than enough clothes.
06:29Well, that's what you think.
06:31Hanna, now you are Manuel de Luján's wife.
06:34You have to dress according to him.
06:37Look, you also know, like me, that the Marquis is not having his best time.
06:42I told you that was none of your business.
06:45Stop putting your nose in the book of promises.
06:48I'm just listening to what Mr. Marquis said about being more modest.
06:53That's all.
06:54One thing is to save money and another very different thing is to dress like a prostitute.
06:59Besides, we can't dispatch the Modesto like that.
07:02People will find out and think we're starving.
07:06Don't worry.
07:07I made sure to tell him it was a personal decision.
07:10Perfect.
07:11Then everyone will think you're the one who's starving.
07:13Well, let them think what they want.
07:15I've never lived from appearances and I'm not going to do it now.
07:20And what are you going to do with all this clothes?
07:23This clothes doesn't suit me.
07:25And what are you going to do with it?
07:27I'm going to fix it.
07:29Together with Teresa.
07:30But what are you saying?
07:32You are the wife of the future Marquis, please.
07:35Not a vulgar seamstress. This is ridiculous.
07:38Well, look, I'm going to do what suits me and the Marquis best.
07:42And anyway, don't worry.
07:44They're not inviting us to too many social events, so I won't be able to make a fool of myself.
08:01Are you sure about what you're saying?
08:03The numbers don't lie, Father.
08:05Rent is our main source of income.
08:08Well, that's why I think it's counterproductive to raise rents.
08:12The tenants could break the contracts and then we wouldn't even see a penny.
08:16Well, we could always talk to them and tell them the situation.
08:20And put them on the lookout for our shortcomings?
08:22No, we have to find another solution.
08:24Well, I don't know which one.
08:26Unless we find another source of income.
08:31Good afternoon.
08:33Good afternoon.
08:34Martina!
08:36What a joy!
08:38And even more so with that smile.
08:40We're working on the accounts of La Promesa.
08:43And...
08:44Do they fit?
08:46Well, let's say that it wouldn't be easy to fit the accounts of a farm as large as this one.
08:51But we don't want to bore you.
08:53See you later at dinner.
08:54No, no, no. I just wanted to talk to you.
08:56Yes, but at another time.
08:57It has to do with the farm.
09:00Look.
09:02And this folder?
09:04Well, that folder ...
09:06Do you remember the percentage of La Promesa that belonged to my mother?
09:11The one that she stole from the captain of the Mata?
09:13Exactly. The 25% that she stole from that grave.
09:18Well, now it belongs to me.
09:21What?
09:22Yes, since my mother doesn't plan to return to La Promesa soon, she has given it to me.
09:30Jacobo!
09:31What are you doing here?
09:32Well, I was told that I would find you in the library.
09:35I don't know if I'm interrupting something.
09:36No, no, no. No, don't worry.
09:39How are you finding each other, Jacobo?
09:41Well, very well. Right now I was looking at the gardens with Don Francisco and I have to confess that I am totally amazed.
09:47And you've only seen a small part of the farm.
09:50Oh yeah? Really?
09:52In fact, if you want, we can go for a walk and I'll show you my favorite places.
09:58Ah, well, it will be a pleasure.
09:59Yes.
10:00Gentlemen.
10:02Let's go.
10:27Does he come from the village?
10:29Ah, I haven't seen him. Sorry.
10:33Don't worry. I saw that he was thinking about his things.
10:36Yes.
10:39So, does he come from the village? He hasn't answered me.
10:42Ah, no, no.
10:44Well, I was taking a walk in the gardens with Mr. Monteclaro's company.
10:50Martina asked me to give him a little tour.
10:53Martina and you get along very well, don't you?
10:56Yes, we are cousins.
10:58And is she your favorite cousin?
11:02I think she's getting too fond of Sir Arthur Conan Doyle's novels.
11:08She wouldn't have started reading Sherlock Holmes, would she?
11:11No.
11:13It wasn't my deduction. Catalina told me this morning. I'm not that brilliant.
11:18Anyway, forgive me if I was indecisive.
11:20No, it wasn't my secret.
11:22That's what she told me. That you've been very close since you were kids.
11:26Yes, we've spent long seasons here in La Promesa and that has forged a good friendship.
11:33But not as much as to keep him aware of your intimacy, right?
11:38What do you mean?
11:40Last night when you introduced your fiancé Jacobo, you didn't seem to be aware of what he had done in recent times.
11:45I see. That's because Martina, when she left La Promesa, didn't leave many clues about his whereabouts.
11:51Yes, that story has seemed to me to be rambunctious, at least.
11:55It is. But the important thing is that Martina is back.
12:01I see.
12:06I'm leaving.
12:07Excuse me if I get in where I'm not called.
12:09But it's just that since I've seen you together, I've thought that you are ... well, something more than welcome cousins.
12:15Well, yes. He does get in where he's not called.
12:20So he's stuck.
12:22No. Of course not.
12:25I repeat that Martina and I are just cousins and that's it.
12:28And then why didn't he introduce her to me at the Ballester dance?
12:31And he reacted in a strange way.
12:33It's just that I didn't know who he was.
12:35And that's why he didn't tell his family that he had seen her at the dance?
12:38Look, enough already.
12:42Can I know what this interrogation is about?
12:45No, it's not an interrogation. It's just out of curiosity.
12:49But I'm sorry if I've bothered you.
12:51Well, yes. You've bothered me.
12:54I'm sorry.
12:56I'm sorry.
12:58I'm sorry.
13:00I'm sorry.
13:01Yes. You've bothered me.
13:03And for the future, I recommend that you don't get in where you're not called.
13:08What happened?
13:11Leave her alone.
13:26Is everything correct?
13:28Check the date.
13:29Father, apparently Aunt Margarita formalized these documents before she left La Promesa.
13:35If she had planned to leave for Canada, it makes sense for her to let her daughter go.
13:40So she doesn't plan to return?
13:43I don't know what Margarita is thinking.
13:45But we have to focus on what this affects us, on the situation we are in.
13:53At first glance, it's good news.
13:55Martina has always been a member of the family.
13:57Yes, she's closer to us than her mother.
14:02And this could change things.
14:06To begin with, Martina's percentage is out of the contract we're going to present to Lorenzo.
14:13Depending on how we've written it, yes.
14:17In other words, in a way, that part is guaranteed.
14:22Yes, but that part is Martina's, not ours.
14:24Yes, but it's practically back in our hands.
14:27Father ...
14:28It will be easier to deal with Martina when the time comes.
14:30I'm not saying otherwise, but that doesn't solve our problems right now.
14:35What we need now is to find a new source of financing.
14:39And sign that damn contract.
14:44I know.
14:52Drink that hot chocolate and you'll see how things will be different later.
15:00I wish, Simona.
15:01But it seems to me that now your remedies don't work.
15:04But what has happened?
15:06Until recently you were happy, happy.
15:09It's just that it can't be that bad.
15:11Unfortunately, yes.
15:14I'm filled with fear and I feel that my world is coming down.
15:19But those fears are normal.
15:21We've all been through those fears.
15:24Did you also think that you were going to die in childbirth and you were going to leave your children helpless?
15:29Well ...
15:30Yes and no.
15:31That it is not normal to have these so black scum.
15:34Let's see, miss, fears are free.
15:38Yeah, but I think I'm not going to survive childbirth.
15:41But what nonsense is that you're saying?
15:43In short, those omens have no foundation.
15:47But they can happen.
15:48Why wouldn't they happen to me?
15:50Besides, a pregnancy is already a very big risk for any woman.
15:54God watches over all of us.
15:57If not, humanity would not move forward.
16:00Not for everyone, Simona.
16:02There are some who stay on the road when they give birth.
16:05Yes, it is true that that also happens, unfortunately.
16:09Especially if you have twins.
16:11But there are also twins who are born every day from healthy mothers like you.
16:16And at night they sleep with their mother, one on each side.
16:19And that's what's going to happen to you.
16:21Just like your mother, Mrs. Carmen.
16:25No, Simona, I can't deny the reality.
16:28My pregnancy is being very problematic and it may not survive.
16:32And denying it will not make it disappear.
16:35But just now the doctor has told you that you are evolving very well and that you are out of danger.
16:41Yeah, but the worst of all is that if I die, my children will be at the mercy of Cruz.
16:45No, that's not true.
16:46That's why we are here.
16:48In a way, we are also family of those creatures.
16:52Yeah, yeah, I know that up there they will also take care of them.
16:55But no matter how hard they try, they won't be able to get rid of my stepmother.
16:59Look, Mrs. Marquesa has her things, but she's not a hero either.
17:05Do you want me to remind you how she treated me and Tomás when he came to this house?
17:10My mother had just died.
17:13No need, miss.
17:15I remember perfectly well that you and Tomás took refuge from her here, in the kitchens.
17:21Sometimes I dream of the memories of all that torture I lived.
17:25And the worst thing is that it hasn't improved.
17:27Quite the opposite.
17:29But you are strong now and you can face it.
17:33No, if I don't survive the birth.
17:36And if Cruz does the same to them as he did to me and I'm not there to protect them.
17:41And why would he do something like that to those innocent creatures?
17:44Well, because for her they are nothing more than bastards.
17:46Why do you think I asked my father for the palace of Cádiz?
17:49I don't know, miss.
17:51Well, to give them a safe home far from here and far from Cruz.
17:56What did his father tell him?
17:58Actually, it doesn't matter what he says, but what she says.
18:02And to no one's surprise, he refused.
18:04And I don't know what to do, Simona. I don't know what to do.
18:06Miss, stand up. Do me a favor.
18:09And leave those fears and those forebodings behind.
18:13And do me a favor to trust. Trust that everything will be fine.
18:26Samuel!
18:30Are you sure you can do that?
18:32María, you were here.
18:34Well, yes.
18:36I'm sorry I scared you and almost made you fall.
18:39Don't worry, these crutches are very resistant.
18:43And I couldn't stay in bed all day lying down.
18:48You know I'm in favor of you moving, but ...
18:52You don't have to do it yourself.
18:56María, were you here for something?
18:58No.
19:00Well, yes.
19:03I wanted to talk to you.
19:05Precisely.
19:08Really?
19:12Can you imagine why?
19:16About the mattress I asked you to take to the shelter.
19:19The mattress is important, but ...
19:21I was referring to something that affects us both.
19:25Yeah.
19:27About what happened between us.
19:31María, if I remember correctly, the last thing I asked you was ...
19:35to take the mattress.
19:37And hit him with the mattress. It has nothing to do with the mattress.
19:41Well, whatever it is, we'll talk about it later because now we have a visitor.
19:45Miss Ángela, what can I do for you?
19:48I have been told that Father Samuel was here and ...
19:50I thought it would be a good opportunity to meet him.
19:54Well, his wish would be that Father Samuel could go to the noble plant.
19:57What else? Are there borders in this palace?
20:00Besides, being how the father is, I understand that it would be a hard task for him.
20:04How are you, father?
20:06Better. Thank you very much.
20:09And who do I owe the honor to?
20:11Better. Thank you very much.
20:14And who do I owe the honor to greet?
20:17Of course, I do the introductions, there would be more missing.
20:20Miss Ángela, daughter of Mrs. Leucadia.
20:23Both guests of Mrs. Cruz.
20:26Pleased to meet you.
20:27Likewise.
20:28And Father Samuel, parish priest of Luján.
20:31Sorry if I don't get up, it's just that ... with my leg like this ...
20:34Don't worry.
20:35And I'm going to stick to the deal.
20:37If there are borders in this palace, there shouldn't be any between people either.
20:41I think it's appropriate.
20:43And can I ask ...
20:45ask you what happened to your leg?
20:48An unfortunate motorcycle accident.
20:51But thank God, I only broke my leg.
20:54Thank God. I wasn't going to leave one of his things lying around.
20:58I'm surprised that a member of the clergy uses such a modern means of transportation.
21:03It's been a long time since we left the chairs in the back.
21:06But yes, I guess everyone thinks I'm a somewhat peculiar priest.
21:11Yes, I know.
21:13And I have been able to verify it.
21:16I have visited that refuge where those poor people are served.
21:20Really?
21:22And ... how is that possible?
21:26Well ...
21:29I asked Miss Ángela for help to carry the mattress.
21:34Really?
21:37The mattress was very large and Marcelo could not carry it alone on the bike.
21:40So I asked Miss Ángela for help to carry it in the car.
21:46Thank you very much then.
21:48I appreciate it.
21:50And I hope Maria has also made special emphasis on the importance of this place not being known to the lords.
21:56Although the rule has already been broken, counting on you.
21:59Don't worry.
22:01Really, no one will know about me.
22:05To reach certain ears could mean your closure.
22:09That's the last thing I want.
22:11And I'm really impressed with what I saw there.
22:15Oh yeah?
22:16I was even moved.
22:18And I'm very curious to know how the place is carried forward like this.
22:22Well, in that case, if you have any questions, you have me here to clarify it.
22:53Still working at this time, sir?
22:55Yes. I'm afraid I'm late.
22:58Maybe you should take a break.
23:00I wouldn't like anything more.
23:02But I have to keep working.
23:04I don't advise it to you at this time.
23:06It may not go far.
23:08I have to keep trying.
23:09I insist, sir.
23:11It may be difficult for you to keep up with the accounts.
23:14You know what's going on, Romulo?
23:16It's not about finding a flaw in the balance sheet.
23:19The numbers don't lie, unfortunately.
23:21I'm very sorry, sir.
23:23I know it's not the first time we've been in this situation, but this time it's different.
23:27What do you mean, if I may ask?
23:32That we are in a very serious crisis.
23:35Much more than we can bear.
23:37I thought that the loan from Captain De La Mata would provide some liquidity.
23:42That money will be used to pay late debts.
23:45It will give us time, but it will not solve the problem.
23:47So what can we do?
23:49Wouldn't it be enough for us to keep tightening our belts?
23:52We have to do it.
23:54But that won't prevent the bankruptcy.
23:56Well, what you've said sounds devastating.
23:59I feel failed.
24:01No, that's not true, sir.
24:03Yes, it is, Romulo.
24:05I am responsible for supporting my family, my wife, this entire palace.
24:10And I can't even pay Hanna's modesty.
24:12I don't think that's a serious problem.
24:14I understand that she has underestimated that service.
24:17Besides, I know Mrs. Hanna and she doesn't care about that.
24:21That she doesn't care doesn't mean that I don't care.
24:25Sometimes circumstances put us in difficult situations to control.
24:30And this is one of them.
24:31Yes, and then we have no choice but to do what you are already doing.
24:36Move forward with perseverance and resisting.
24:40That's what I'm trying to do.
24:42Besides, it's not bad that 100 years last, sir.
24:45The Lujans will move forward once again.
24:47God bless you.
24:49Do you have any doubts about that?
24:51All of them.
24:53Besides, I can't allow it because I have to transmit security to everyone.
24:57In this family, there are two pregnant women who have to get to Buen Puerto.
25:00Yes, especially the one with Miss Catalina.
25:05She's the one who's more at risk.
25:07Precisely, that's what I wanted to talk to you about.
25:11About my daughter?
25:13Yes, look.
25:15I'm afraid I've made a small indiscretion.
25:19Although she hasn't seen me, I've heard something I shouldn't have.
25:23And you think I should be aware?
25:33I know you've come to see him, but I was very surprised to see how much Diego has grown.
25:39Yes, well, they see him and take good care of him. There's no more mystery than that.
25:43Well, your face lights up when you see him.
25:45I can't help it. It's my illusion and what makes me get up every morning.
25:50I understand perfectly.
25:52Yeah, I guess you would also have wonderful moments with Santos.
25:56Well, especially as a child.
25:59That's why now I'm surprised that we have such a great distance between us.
26:04Sorry, I didn't mean to bring up the subject.
26:06No, no, don't worry, don't worry.
26:08It helps me to know that you can learn a lesson from everything.
26:13What lesson?
26:14Well, you have to make the most of the time you spend with your children.
26:20Because then you don't know what life is going to give you.
26:23One day they are adorable and affectionate, and the next day they don't want to hear about their parents.
26:31Well, we had a good time, right?
26:36Yes, very good.
26:40I guess it's time to say goodbye.
26:43I guess so.
26:45I'll be in my office for a while, fixing some things for tomorrow.
26:49Yes, I'm not going to go to bed yet, it's early.
26:53Yes, yes, it's still early, of course.
26:57Yes, I'm going to take the opportunity to talk to Hanna and Maria, if you don't mind.
27:02Yes, of course.
27:13Have all those flowers removed, they are all wilted.
27:16Well, yes, ma'am.
27:17You're right.
27:19We'll put fresh ones tomorrow.
27:21I hope so.
27:22What I was missing was that the ones in the garden were also wilted.
27:25I don't know if you know the saying that goes,
27:28even if the storm roars and the flowers continue to open.
27:32Now you come to me with absurd proverbs.
27:34I'm sorry, ma'am. It was not my intention to bother you.
27:37I will immediately order them to be removed.
27:40I'm not angry about the flowers, but about Hanna.
27:44Yes, that woman would end up with the patience of the Holy Eye.
27:48She used to have the audacity to answer me, after cancelling the request of the modist.
27:53She is ungrateful and does not miss the opportunity to leave you badly in front of everyone.
27:58And the worst thing is not only what she does, but how she replicates me.
28:02With a parsimony and a shame that boils my blood.
28:05But you must be very careful with her, ma'am.
28:08Because every day that passes, she feels more powerful.
28:11I know, Petra. You don't have to come to me with news.
28:14If there is nothing else to look at, where does she come from?
28:17She was nothing more than a maid, a simple whore.
28:21And she has become the future Marquise of Lujan. Unheard of, I know.
28:25She managed to seduce her son, marry him and now get pregnant.
28:32The worst of all is that if we don't do something, she will get what she proposes.
28:38And what are you going to do, ma'am?
28:40Well, I don't know yet, but something will come to me.
28:45I am like the rock in front of the sea.
28:47No matter how much the waves hit me, they can't knock me down.
28:51That's true. I've never seen you faint or give up.
28:55And I'm not going to do it now.
28:57Maybe Hanna has taken advantage of me right now.
29:00But I will not rest until I get rid of her forever.
29:04Well, I don't know why, but I sense that you have already done something about it.
29:08That's right.
29:10With Hanna's movement, I have recovered the money that we gave to the modist.
29:15And what are you going to do with him, ma'am?
29:17Give it to that blackmailer.
29:19To the damn photographer, that Miguel Ángel Tornel.
29:23As soon as I have his money, he will give me the letter of the person who betrayed me.
29:28And as my suspicion is confirmed that it is Hanna who is behind all this,
29:32she can run away. Because I will attack her mercilessly.
29:36And that will show everyone who she belongs to.
29:41Sooner or later, my son will realize that that woman does not deserve his trust.
29:45And much less his love.
29:55Well, I understand, Mrs. Pia. If you have not argued or had a bad time with each other,
30:00I don't know where that bad atmosphere that Mr. Pellicer and you are talking about comes from.
30:04Well, I don't know how to explain it well, María.
30:06It's just that, being together, we are not comfortable.
30:11I see. But not even seeing Diego is not like that.
30:14Of course. And she should be happy and content, right?
30:16In fact, when she left the house on the avenue, she had a smile from ear to ear.
30:21But has it happened to her?
30:26Well, you don't have the face of a seal either.
30:28It's not the joy of the garden, but between a leek and a pine tree.
30:32So, what's up?
30:34More or less, yes, María.
30:38The thing is that things are not going well with Mr. Ricardo.
30:41Well, it's neither good nor bad, Hanna.
30:43I think that everything that has happened to us is really affecting us.
30:46And I don't want it to sound selfish, but the situation with Santos does not help him either.
30:51Selfish? Why?
30:52Well, selfish, María, because it bothers me to talk about the same thing all day.
30:55And I understand that for him it is important, of course.
30:57Well, it's just that Santos bores me a lot. And more to hear about him.
31:00Well, that's why it's different. Because I should be there to help him and support him in everything.
31:05And he is doing it. I am convinced that he is a good person.
31:09Well, I won't be such a good person when I'm ... I'm thinking about things.
31:17Oh, things like what?
31:19Well, things like ...
31:21Well, like leaving the relationship.
31:24Or more serious things, like ...
31:26Abandoning the promise.
31:28What?
31:29But what is that going to do for you?
31:32Let's see, I only think about that when I'm desperate, María.
31:34But it's just that the need I have is to escape, to run away.
31:38Yeah, to run away from Don Ricardo, as his first wife was supposed to do.
31:43Yes, and I don't know why those thoughts really come to me.
31:46Well, maybe because he has heard Santos give his mother's opinion about Don Ricardo and ...
31:50And he wonders if it can be true.
31:52No, I know that Ricardo is unable to hurt anyone, Hanna.
31:55At least that's what I think, in my moments of sanity, of course.
31:58Yeah.
31:59But I understand that he doesn't want to run into Gregorio.
32:03Well, no.
32:04That's just thinking about a mistreatment or a bad word.
32:07It's just that ... I get chills, really.
32:10Of course, boiled cat, cold water flows.
32:13It's not exactly like that.
32:16Yes, well, cold water is my harvest.
32:28The next day
32:38Another day, we are friega, friega.
32:41The rest of a breakfast that we have not eaten.
32:44This time complaining, as always, Candela.
32:46That you grumble more than you speak.
32:48It gives me courage.
32:49Don't try the curasanes that López made.
32:52Don't worry about that.
32:53I'm going to make you some toasts of colored butter that will take away your sense.
32:59Uh ... Miss Martina.
33:03Wasn't there anything in the breakfast that you liked?
33:06Can we prepare something else for you?
33:07No, no, no, not at all.
33:08Everything was perfect, as always.
33:10The only thing is that Jacob had never tried López's croissants.
33:13And he wanted to come down to congratulate you in person.
33:16Yes, indeed.
33:17They were delicious.
33:18Thank you very much, miss.
33:20Let me introduce you.
33:21They are Candela, Simona and López.
33:24A cook in a stove.
33:26How original.
33:27López, with his innovative ideas, is responsible for those flavors that you have undoubtedly noticed.
33:32Of course.
33:34And then there are Candela and Simona, who are more of the betrayal in the kitchen.
33:40A good combination.
33:41I give faith that the result is excellent.
33:43In fact, I would dare to say that this team would be the envy of any restaurant in the capital.
33:48We thank you very much for your words.
33:50And the gesture that you came down here to tell us.
33:53But it was not necessary.
33:54A maid would have commented on it and we would have received the same.
33:57Although it is also nice that they tell you personally.
34:00Excuse the interruption, Miss Martina.
34:03What is your visit due to?
34:05Well, nothing has happened.
34:07They are simply showing Jacob the palace.
34:09And we have decided to go down to the kitchens to personally congratulate the cooks.
34:14If so.
34:16Although to tell the truth, we have not only come to congratulate them.
34:20Ah, of course.
34:21How can we help you?
34:23Well, apart from introducing you to my fiancé Jacob,
34:26I also wanted to ask you if it was possible to prepare something special to eat.
34:33Of course.
34:34Something like what?
34:36Well, I wanted to delight Jacob with his favorite dish.
34:39Ah, very good.
34:40And what is your favorite dish?
34:42Faisan.
34:43Although I don't know if I will have time.
34:46Of course, the faisan is ...
34:47Of course.
34:48Without any problem.
34:49Yes?
34:50Of course.
34:51Thank you very much.
34:52Thank you very much.
34:53It is that you have not tried something like this in your life.
34:55I'm sure.
35:08Samuel, can you stop making efforts alone?
35:12María, I am never alone. God always accompanies me.
35:15Yes, but God is not going to appear to give you a hand and ...
35:18and to go down the stairs.
35:20You don't know that.
35:22Well, call me, Eres, whatever you want.
35:24But I stay calmer if Marcelo helps you.
35:27By the way, where is Marcelo?
35:29I'm afraid I was the one who fired him.
35:32He had offered to help me, María.
35:35And why did you do that?
35:37Because I have to take care of myself.
35:43Samuel, I repeat to you that you have to let yourself be helped.
35:45That when people are recovering from something like yours, they tend to go fast.
35:49And in the end, they hurt much more.
35:52Are you a doctor now?
35:55No, but everyone knows that.
36:00But I'm not ...
36:02I'm not everyone, María.
36:08And now go away, please.
36:10Samuel, you have to stop avoiding conflict now.
36:14María, I'm hungry and ...
36:18I want to go down for breakfast.
36:20Stop being silly, because we have to talk about what happened in there the other day.
36:25And the reality was that they kiss us.
36:44So we can't keep acting as if nothing had happened.
36:47Nothing has happened.
36:52And now I have to move so that if I stand up,
36:56my leg is loaded.
37:14And now I have to move so that if I stand up,
37:17my leg is loaded.
37:25Mr. Rui, nothing else comes to mind
37:28but to tell Miss Martina and her fiancé
37:31that Faizan was going to serve them to eat.
37:34So without begging God or the devil.
37:36And the worst, without taking into account the economic situation in which we are.
37:39Miss Martina doesn't seem to know any of that.
37:42And we don't have to inform her.
37:44Yeah, but how are we going to do it, Faizan? This is very expensive.
37:47Yes, and we had to order it in time.
37:49Well, the only thing I can ask for is forgiveness.
37:52But when Miss Martina was here,
37:54Faizan was here all week and I haven't been able to tell her no.
37:57That's clear.
37:58Well, calm down, calm down.
38:00Now what we have to do is find solutions.
38:02Well, I'm afraid we have no choice but to talk to Miss Martina
38:05and explain that, unfortunately, she will not be able to eat Faizan.
38:08We are not going to do that, Mrs. Arcos.
38:11We are going to call Mr. Marquez, who is in charge,
38:13and inform Miss Martina about this.
38:16Yes, you are right.
38:17But this complicates things much more.
38:20Because we can't make a fool of Mr. Jacob
38:22if we don't want rumors to start circulating.
38:24No, you're right, you're right.
38:26We can't allow him to go around talking about the miseries of the Lujan,
38:30who have not even been able to serve a meal to Faizan.
38:33So what are we going to do now?
38:35I don't know, you, Mr. Ruiz,
38:38what do you have in mind to solve these issues?
38:41Can you think of a solution,
38:43some alternative to hide, let's say,
38:46this with your culinary skills?
38:49But when he talks about alternatives,
38:52what does he mean exactly?
38:53What he did the other time,
38:55serving chicken or another type of bird instead of Faizan.
38:59In other words, cat by hare, as it is commonly said.
39:02But you have to swear that this is not going to get out of here.
39:07Yes, Mrs. Baeza, but Faizan has a very different flavor from all birds.
39:11And the texture is also very different.
39:13Yes, it is something that cannot be concealed by adding some spices.
39:17That's right, we can get imaginative with the elaborations,
39:20but with the raw material, miracles cannot be made.
39:26I think ...
39:28I think I know how to get out of this.
39:31You?
39:33And how are you going to do that?
39:38Faizan?
39:40Yes, it is Jacobo's favorite dish.
39:43And work, too.
39:46I know some of your cousin's literary tastes,
39:48but I wasn't aware of the cooks.
39:51Have you had time to talk about books?
39:54We have had time to talk about ...
39:57many things, really.
40:01Wow, wow.
40:03I don't know if you understand that tone.
40:07I don't want to be indiscreet, but I'm going to ask the clear ones.
40:12Is there something between Curro and you?
40:16Wow, a woman who doesn't walk on the branches.
40:21As you get to know me, it will seem less shocking to you, but yes.
40:26In a way, I am like that too.
40:28So I have no problem answering your question.
40:31And the answer is a resounding no.
40:34As for Curro and me, we get along terribly.
40:37That he is so forceful makes me think.
40:41That's why they say that stubborn loves are the most beloved, right?
40:47In this case, I am afraid that there is a lot of grumbling and no love.
40:50But why don't you ask yourself?
40:53I understand that you have a lot of confidence.
40:55After all, you are his favorite cousin.
40:58Curro has also told you that.
41:04I have to confess that I already did it.
41:07I already asked him.
41:09Oh yeah?
41:10And what did he answer?
41:13Well, it was quite cryptic.
41:17And it's weird, since I'm his favorite cousin, right?
41:22He just told me that you studied in Switzerland.
41:26Wow.
41:28That's a lot.
41:30It is that, according to Curro, he can be extremely crazy or completely hermetic.
41:36And now he has given you the second.
41:39Exactly.
41:41And that's why I decided to ask you.
41:44To know firsthand what place he occupies in my cousin's heart.
41:48Well, now you know.
41:50None.
41:51I don't occupy any place.
41:52And of course, he doesn't either.
42:01Good morning, Mrs. Darri.
42:05What's up?
42:07Is it a cleaning product?
42:10What do you mean?
42:12The cream, which has just been changed to tarro.
42:15That's none of your business, Teresa.
42:20As you say.
42:23Well, I want to tell you something first.
42:26As you say.
42:29Well, first I want you to clarify what you are doing,
42:32interrogating all the service of La Promesa,
42:34the most veterans specifically.
42:37I don't know what you mean.
42:40I mean the questions about a Lola who supposedly lived here, in Palacio, a while ago.
42:46Well, Lola is a very common name.
42:49But if you ask about her, how could you ask about a Lucia or a Carmen?
42:54Yes, that's right.
42:55Don't take me for a fool, Teresa.
42:58I don't do it, Mrs. Darri.
42:59And I'm sorry if I've made you understand that.
43:01I think I do, and I don't like it.
43:03Because I think you are very intelligent.
43:07But with a small defect, Teresa.
43:10You don't know how to lie.
43:13I don't usually do it either.
43:14Well, don't do it.
43:16And tell me what this is all about.
43:17What are the questions about a secret passage or a supposed Lola from the past?
43:21I assure you that they are just gossip from the break times.
43:25That's why the other day when I approached you, you shut up and talked about something else.
43:31I don't remember.
43:34Teresa, I think you and I have lived through a lot.
43:37And it seems to me that nothing can be more serious than what we went through that night.
43:43So I'm going to ask you one more time.
43:46What is going on?
43:47What is going on?
43:53Okay.
43:58I think we have discovered something very important.
44:02Something that you have discovered.
44:06I'm going to show it to you, Mrs. Darri.
44:09It will be better if you see it with your own eyes.
44:12Come with me.
44:18I'm very happy for you then.
44:20And me too.
44:22It's just that Jacobo is very, very special.
44:27I don't know, I think it's very difficult to find someone who understands you just by looking at you.
44:33Wow!
44:34Are you here?
44:36Good morning, mother.
44:37Yes, Martina was talking to me about her fiancé Jacobo.
44:41So if you don't mind, I'll stay too.
44:44So if you don't mind, I'll stay too.
44:47I am eager to hear from him.
44:49Since at the dinner the other night I was not very clear.
44:52How did you meet? Who exactly is his family?
44:57And is that a personal curiosity or is it for third parties?
45:02Third parties?
45:03I think what worries Martina is that those questions come from her friend, Mrs. Cruz.
45:09In that case, I'm afraid I'm the gossip.
45:14I've never heard of the Monteclaro last name and I'm curious.
45:19Well, it's not so strange that I don't know, mother.
45:21After all, you have been away from Spain for a long time and there will be many families that you don't know.
45:26That's true.
45:28But I think Cruz doesn't have many references of them either.
45:32Yes, what worries her is whether or not she belongs to a wealthy family.
45:38That's right.
45:39They are not absurdly rich, but they lack nothing.
45:44And do they belong to the nobility?
45:46Well, yes.
45:47Yes, his father has a title. He is the Baron of Monteclaro.
45:51Do you want to know anything else?
45:53I don't know, the bracelets that illustrate the family shield, for example?
45:58I can tell you, delighted.
46:02Eh ...
46:04Good morning.
46:05Good morning.
46:08I bring you a lemonade as a refrigerator.
46:13And since I see you, Miss, I could ask you a question.
46:16Of course.
46:18Have you already taken your fiancé to eat in town?
46:22Well, no. No, because I would have to take him to town.
46:25Well, I know that Don Jacobo knows the gardens, he knows the palace,
46:29but he does not know Luján and its charming places and corners.
46:35I don't know them either.
46:37I didn't even know they existed.
46:38Well, yes. Yes, there are.
46:40And it seems to me a wonderful idea, actually, but ...
46:43The point is that I had already notified the cooks to cook faisan and ...
46:47Well, don't worry about that, Miss Martina.
46:50I can let them know right now if you want.
46:52As you wish.
46:54Well, perfect.
46:55I'm going to propose to Jacob that ...
46:58I don't know, something tells me that he will be much calmer outside the walls of this palace.
47:02Well, if you'll excuse me.
47:22I thank you very much for your invitation.
47:24I would appreciate it if we settled this matter as soon as possible.
47:27At any time they will come to give me a notice to go have lunch with my family.
47:30Including that woman of such a humble origin of yours?
47:34I insist, let's get to the point.
47:36I think it's good.
47:37If it's okay with you, make me a delivery of the money.
47:43Here you go, what you asked for.
47:45What did you ask for?
47:51It's not that I don't trust you, Mrs. Marquesa,
47:53but there is a lot of swindler out there with the appearance of a great man.
47:57Is it all there?
48:01It's all there.
48:02Well, if now you have the goodness.
48:06This is the letter from the person who contacted me to give me the notice of the ...
48:12peculiarity of your son's wedding.
48:14Did he contact you again?
48:15I already told you that he only contacted me once and in this way.
48:18Very well. And who is it?
48:22I repeat that he did not contact me again.
48:24The man named Leo left me the money along with the letter.
48:28Leo?
48:45I suppose we have to wait for Cruz.
48:49Where are Martina and Jacobo?
48:52Well, Martina has decided to take Jacobo to eat in town.
48:56Oh, what a pity. I wanted to get to know that boy better.
49:02Sorry for the delay. I had an important matter to attend to.
49:08By the way, Martina and her fiancé?
49:11Right. Martina and her fiancé?
49:13Your keymaker suggested that Martina take Jacobo to town and she thought it was a good idea.
49:18It was a bit difficult for her to decide.
49:20I had already made the order in the kitchens to prepare faisal and she was in a hurry to leave.
49:25Well, we will enjoy it.
49:27I'm afraid I can't.
49:28I already said. It is a fairly expensive dish.
49:31We will have to dispense with this and other delicacies for some time.
49:35But I am sure that in the kitchens, with their good work, they will know how to compensate for it.
49:40I'm sure there will be no problem with that, father.
49:43There is no other choice, Manuel. We have to take it.
49:46The end of the promise does not pass for its best moment.
49:49Please, Alonso. In front of our guests.
49:52We can't hide it much longer, Ruth.
49:55And I prefer you to know my version of the facts.
49:57Don't worry. Not a word will come out of our mouths.
50:01Fine.
50:03I can only say that I am doing everything in my power to get out of this mess as soon as possible.
50:08We know, uncle.
50:10And let him know that he has all our support.
50:12This is a problem that affects us all and we all have to find a solution.
50:17And having said that, I would like to announce that Hanna has an idea to obtain new sources of income.
50:24What?
50:26And what sources of income have you been thinking about?
50:29I don't think Hanna knows more sources than Lujan Square.
50:34In aviation.
50:37What did you say?
50:39I think Manuel could go back to aviation.
50:51Do you know that I keep thinking about that refuge of yours, father?
50:54Does that speak well of you?
50:56I would love to continue helping.
50:58Does that speak well of you?
51:00I would love to continue helping.
51:01To the best of my abilities and obviously with total discretion.
51:05And what have you thought of?
51:07Well, I could continue to transport things.
51:09Like the mattress.
51:10The Lujans will not be surprised if from time to time I ask them for the car.
51:14Yes.
51:16It seems like a good idea.
51:18What I can't understand is how you have been able to pay for Mrs. Hacienda's cosmetics so expensively.
51:24Well, you'll see.
51:26It was hard for me to discern if that was true.
51:28Well, it's true.
51:29I was one of the maids of this house and I have a lot of honor.
51:32I hope that doesn't bother or bother you.
51:35Can you tell me where this came from, Mrs. Darri?
51:41I already told you that that palace is the inheritance that Don Juan left to his daughter and that she is not in favor of me giving it to you.
51:47Cruz only eats with potatoes if he wants.
51:49The only thing that bothers me about all this is that Cruz is not going to do anything with the property.
51:52Beyond preventing me from taking advantage of it.
51:54Neither the argument with your father nor the quarrel with Mr. Baeza were for so long.
51:58And maybe you are letting yourself be carried away by frustration.
52:02I can't keep living like this.
52:04With this burden.
52:05And what are you going to do, Santos?
52:07I think I have already decided.
52:10Can you tell me why so much urgency and so much intrigue?
52:15You see, Hanna, I brought you here to tell you something very important.
52:19What is it about?
52:20I have been investigating the strange behavior of Marcelo, Teresa and Vera.
52:24But Hanna, they have discovered something very fat.