Category
🎥
Short filmTranscript
00:00I didn't think you were so naïve.
00:02Don't call me that!
00:04What?
00:06Are you going to hit me?
00:08Again?
00:10Go ahead, ma'am.
00:12Do it.
00:14Hit me.
00:16If you can.
00:24There you go.
00:26Oh, Tomas, forgive me.
00:28Forgive me for being so imprudent.
00:30No, no, on the contrary.
00:32Explain to me how this happened,
00:34that my grandmother and Máximo San José
00:36were lovers?
00:38Are you sure?
00:40In the village, everyone commented
00:42that the marriage of Leonor San José
00:44was pure convenience.
00:46There was never love there.
00:48Instead, Máximo
00:50fell in love with MarÃa
00:52from the moment he met her.
00:54Did Leonor know?
01:00I can't believe this.
01:02What are you telling me?
01:04Did my dad know about all this?
01:06No.
01:08We were very young.
01:10I heard my mom
01:12talk to MarÃa.
01:14They were friends
01:16and they talked about their love for Máximo.
01:18Now I understand
01:20where all this hate comes from.
01:22Yes.
01:24Oh, Tomas.
01:26I'm sorry. Why did you call me?
01:28Yes, of course.
01:30Paulo wants to talk to you.
01:32About what?
01:34It's important that you talk to him.
01:36I'll walk you to the police station, okay?
01:38Yes, thank you.
01:48What's wrong, ma'am?
01:50Did the mouse eat your tongue?
01:52You can't get up?
01:54Do you need a wheelchair?
01:56I can bring it for you.
01:58They say
02:00there's no small enemy
02:02and you're an example of that.
02:04With your offenses,
02:06you don't value anything.
02:08No, I'm not offending you.
02:10I'm saying what I see.
02:12I recognize
02:14your reach,
02:16your malice.
02:18I'm glad you know
02:20I don't play games.
02:22I came to talk about the debt you have with us.
02:24Those who run
02:26usually stumble and fall.
02:30I don't want to get involved, ma'am.
02:32I want to be specific.
02:34I'm being specific.
02:36Are you in a hurry?
02:38Do what you think you have to do.
02:40What do you want?
02:42Stay with the factory? Try it.
02:44You just said
02:46do what you think you have to do.
02:48Don't say anything.
02:50Just do it.
02:54Fine.
02:56You don't want to listen to me?
02:58Then I'll have to warn everyone
03:00about what's going on here.
03:06I'm sorry to be the carrier of bad news
03:08for all of you,
03:10but what's coming to the factory
03:12is a catastrophe.
03:14Now that Mr. Enrique Olivares,
03:16the person who practically
03:18kept this place, is deprived of his freedom,
03:20there is no hope of payments,
03:22of buying raw materials,
03:24nothing that allows the factory to function.
03:28I don't want to lie to you,
03:30but the chocolate factory in San Jose
03:32has come to an end.
03:34They have to create a new plan.
03:44I'm sorry
03:46if I'm ruining
03:48your image of honor,
03:50but just a little bit.
03:52Yes,
03:54just a little bit of what I can do.
03:58How scary, Bea.
04:00You just did
04:02a stupid girl show.
04:04Why don't you leave
04:06already?
04:08I'm sorry.
04:14Sisters,
04:16now that we're together,
04:18I want you to know that things
04:20in the hacienda aren't good.
04:22It's starting to fall apart.
04:24Yes,
04:26and I still can't
04:28leave the hacienda or the factory,
04:30but for now
04:32I have to stay and face
04:34the problems of the factory.
04:36I'm sorry.
04:42I see you don't want to negotiate.
04:44I have nothing
04:46for you to negotiate.
04:48Go.
04:52Little girl,
04:54you're going to regret it.
04:56Stupid girl.
05:06Try it.
05:08Come on, try it.
05:16Your grandmother can ruin
05:18your life.
05:20I know, but I feel like
05:22if I leave my grandmother,
05:24I'm going to fail my mom.
05:26I feel like I have to be there.
05:28If you feel like that,
05:30you know you have our support.
05:32I think
05:34the three of us should cut
05:36any ties with Grandma.
05:38Even you, Nana. You should come with us.
05:44Are you deaf?
05:46Get out.
05:48Get out.
05:50Leave my coffee maker.
05:52Get out of here.
06:04Hello.
06:06Hello.
06:08Excuse me.
06:10Have a seat.
06:14Excuse me.
06:16Can I talk to you?
06:18Yes.
06:20Alicia.
06:22Alicia, yes.
06:34Do you think you can help me
06:36get to where she is?
06:38Yes.
06:40Of course.
06:44How have you been?
06:46How have you felt?
06:48Good.
06:50I have found
06:52a lot of memories,
06:54but I'm fine.
06:56I knew this was going to happen.
06:58I can imagine.
07:02How have you been?
07:04Good.
07:06I have a lot of work to do,
07:08but I'm fine.
07:10I want to tell you
07:12that you make
07:14a very nice couple
07:16with Lucia.
07:18Do you like her
07:20for my girlfriend?
07:22Yes.
07:24Of course.
07:26No, no.
07:28I'm sorry.
07:30Please ask your mom.
07:32She'll tell you what you're doing
07:34by asking a stranger.
07:40Well,
07:42I'm going to talk to this man
07:44to see if he decides to talk.
07:46Yes, of course.
07:48Come with me.
07:50Yes.
07:56You're welcome.
08:10These are your uncle's personal belongings, right?
08:12Yes. Who can I give them to?
08:14Let me. If you want,
08:16give them to him, please.
08:18They'll give them to you.
08:20Take them with Enrique Olivares.
08:24Tell me something. Are you okay?
08:26Do you think I can see him?
08:28Yes, yes.
08:30I don't think there's any problem.
08:32But honestly,
08:34do you feel okay?
08:36No.
08:38I've been a little nervous.
08:40I don't know what's going to happen now.
08:42I tried to leave the house several times
08:44because of the way
08:46we got along with my uncle.
08:48But it's hard.
08:50It's hard.
08:52What's hard?
08:54I feel like
08:56he...
08:58He took care of us
09:00and...
09:02I don't know.
09:16Valencia.
09:20Yes?
09:30What happened, Pau?
09:34Tomas told me you wanted to talk to me.
09:42Your sister hasn't come to see me.
09:44My uncle hasn't talked to her.
09:46I think he's
09:48trying to resolve some issues.
09:50Issues?
09:52Yes.
09:54What issues are more important
09:56than getting me out of here?
09:58No, I'll tell her to come
10:00to see you, uncle.
10:02Let her see what I can do.
10:04And I'm going to ask you something, Catalina.
10:06But I don't want you to tell anything to your damn sister.
10:08Got it?
10:10And be careful with playing me, Chueco, because I'm going to get out of here.
10:12And when I do, you'll see who I am.
10:14Did you hear me?
10:16Answer me!
10:18Why are you crying?
10:20Is there something you're hiding from me?
10:22Is there something... Yes, you told me everything.
10:24Uncle, it hurts. Let me go.
10:26What are you doing? Let her go.
10:28Let her go.
10:30You stay out of this.
10:32When I get out of here, we'll see each other.
10:34Let her go.
10:36Let me go, uncle.
10:42Are you threatening me?
10:44Do you want to get out of here to kill me?
10:46Maybe.
10:48I heard you. Say it!
10:50Do you want to get out of here to kill me?
10:52Yes, I want to kill you, imbecile.
10:54I want to cut you into pieces.
11:02The order Enrique gave me that night
11:06was that when the child was born,
11:08to kidnap him and...
11:14and kill him.
11:20I didn't want anyone to know
11:22about his existence.
11:26But when the baby was born,
11:32I saw it with my own eyes.
11:38I couldn't do it.
11:40I couldn't do it.
11:46Is he alive?
11:52Is my son alive?
11:54Is he alive? Tell me.
11:58Yes, Alicia.
12:00Your son is alive.
12:06Thank you, God.
12:08Thank you, God.
12:10My son is alive.
12:14I have news for you.
12:16You're going to stay here.
12:18You're going to be locked up here
12:20for the rest of your life.
12:22Enrique Olivares.
12:24I swear.
12:26You're scared.
12:28Poor thing.
12:32I see you're very worried
12:34about what happened to my ex-wife.
12:36It's none of your business.
12:38Delicious, isn't it?
12:40While you see women as miserable.
12:42Disgusting, misogynist!
12:44I see them
12:46as people.
12:48And I see them as flesh.
12:50Flesh.
12:52Catalina,
12:54it's time to get out of here.
12:56You're going to be left out.
12:58Why do you say that?
13:00Who are you to say that
13:02if you're not the authority here in this town?
13:04So who has it? You?
13:06Do you think...
13:08Yes, of course.
13:10Poor thing.
13:12Little niece.
13:14Let's go, Catalina.
13:16Little niece.
13:18Let's go.
13:20Did you talk to your aunt?
13:30I'm sorry, Alicia.
13:32I'm sorry, please.
13:34Where is she now?
13:38I don't know.
13:40Where did you leave her?
13:42In the orphanage.
13:44Where is she?
13:46In the orphanage. She's here in town.
13:48I left her there.
13:50In the orphanage?
13:52Here?
13:54Yes.
13:56No.
14:00She's alive.
14:02My son is alive.
14:04He's alive.
14:06He's alive.
14:08Alicia!
14:10Alicia, forgive me!
14:16Catalina, please don't get involved.
14:18Stay out of it.
14:20But he's my uncle.
14:22Yes, but he's also a criminal.
14:24You can't trust him.
14:26One thing is that he's your uncle,
14:28and another thing is that you don't see the danger
14:30he represents.
14:32My son is alive.
14:34My son is alive.
14:40Thank God.
14:42Thank God.
14:46My son is alive.
14:48He's alive.
14:50My son.
14:52Thank God.
14:54Thank God.
14:56Thank God.
14:58Thank God.
15:00I'm waiting for Alicia.
15:02I didn't want to leave her alone.
15:04She's talking to Paulo.
15:06I'm at Citlady's house with my sisters.
15:08Welcome.
15:10We're very excited about the new apartment.
15:12We're talking about how we're going to fix it,
15:14what we're going to put in it.
15:16How are you?
15:18A little tired, but I'm fine.
15:20I'll call you later.
15:24Delirio, I was thinking about you.
15:26Dr. Hernandez, how are you?
15:28I'm fine. I'm walking around with Delirio.
15:30It's a pleasure to see you.
15:34By the way, I'd like to ask you something.
15:36Did you meet my grandmother Maria?
15:42Tomas, you'll have to come to my house.
15:44It's a long story.
15:46I'll tell you later.
15:48See you at 8.
15:50Yes, of course. See you at 8.
15:52Okay.
15:54See you.
15:56Take care.
16:00Don't worry.
16:02Don't worry.
16:08Everything will be fine.
16:12I have to go.
16:14I'm going to the orphanage.
16:18Pablo told me
16:20that he gave my son there.
16:24Maybe you can tell me something about it.
16:30I have to go.
16:36Can I give you a hug?
16:38Yes.
16:48I love you.
17:18Nana.
17:20I know you very well.
17:22And I know you have something.
17:24What's wrong?
17:28Oh, my girls.
17:30What?
17:32I miss you so much.
17:34I miss you so much.
17:38But you have a place to go.
17:40And you'll always be welcome.
17:44As your name says.
17:48What makes you so sad?
17:58Look at this bastard.
18:02Where is that bastard?
18:04Nana.
18:06What are you doing here?
18:08Where is Israel?
18:10Where are you going?
18:12Come here.
18:14Do you think alcohol will cover your guilt?
18:16Do you really think so?
18:18Nana, let him go, please.
18:20No, no, no.
18:22No, miss.
18:24Let him kill me.
18:26It's better if he kills me right now.
18:28Why?
18:30This slow death
18:32makes me crazy.
18:34Stop it.
18:36Nana, stop it, please.
18:38Don't hit me with that.
18:40Forgive me, my love.
18:42Forgive you what?
18:44Talk to me.
18:46Talk to me, please.
18:48Talk to me.
18:50Do you want me to forgive you?
18:52Do you want me to forgive you?
18:54Please.
18:56Talk to me.
19:00Cata.
19:02Don't do what your uncle told you.
19:04He's manipulating you.
19:06I'm scared.
19:08If I don't do what he asks me to do,
19:10he'll get even angrier.
19:12Don't do anything for someone who doesn't deserve it.
19:14But he's my uncle.
19:16I know.
19:18But forget about him, please.
19:20You have me.
19:22You're not alone. We can go far,
19:24but don't help someone who hurts a lot.
19:26Please.
19:36That business you're in now has a future.
19:38Look at everything you bought.
19:40I'm glad we're going to raise our heads
19:42next to that truck driver.
19:44Sit down, Mom.
19:46Sit down.
19:48Do me a favor.
19:50Don't say such ugly things.
19:52React, please.
19:54You can't go on like this.
19:56I don't like trying to educate you
19:58or scold you.
20:00I'm your daughter.
20:02You're my mom.
20:04I'm just saying what I think.
20:06What you think doesn't work, Mom.
20:08I don't like the things you say,
20:10what you think, what you do.
20:12You can't go on like this.
20:14It hurts me that you're like this.
20:16Like this?
20:18Do I bother you that much?
20:20Does your mom bother you?
20:22You're ungrateful.
20:24But I'm the stupidest of them all.
20:26I made you believe that your life was perfect,
20:28that we didn't suffer.
20:30I ate the greens for you to taste the ripe ones.
20:32I want you to know once and for all
20:34that nothing you think about your life is real.
20:36All my life.
20:38Including yours.
20:40It's a big lie.
20:42Come here.
20:44Let's talk.
20:50Come on.
20:52Let's go, please.
20:54Let's go.
20:56Ma'am, please tell your husband
20:58not to come here anymore.
21:00Because when he comes, he drinks and drinks.
21:02And when he's really drunk,
21:04he starts having hallucinations
21:06and says a lot of nonsense.
21:08What does he say?
21:10I don't want to get into this,
21:12but I think it affected him a lot,
21:14Chévez's death.
21:16And when he's drunk,
21:18it seems like he talks to him.
21:20Shut up, Melona.
21:22Hey, where are you going?
21:24You have to tell me what's going on.
21:26Explain it to me.
21:28Explain it to me.
21:30Let's go home.
21:34What are you telling me, Mom?
21:38You never had a military father.
21:40He died in the war,
21:42like I told you.
21:44It's a lie.
21:46I went to college.
21:48I don't have a degree.
21:50What are you saying?
21:52I bought them
21:54so Jaime would think
21:56that he was winning the lottery with me.
21:58Jaime would think
22:00that he was winning the lottery with me.
22:06Your father was
22:08a professional
22:10swindler
22:12who deluded me.
22:14He got me pregnant.
22:16He deluded me.
22:22I had to clean houses
22:24in the United States.
22:26I had to clean bathrooms.
22:30I was humiliated
22:32in the worst way.
22:36And I had to endure
22:38everything
22:40so I wouldn't starve.
22:44My life was very hard.
22:46Very hard.
22:50And I was fragile.
22:52I was very small.
22:54I didn't know what to do.
22:58I just wanted the best for you.
23:02I wanted you to be a princess.
23:06I wanted you to have everything.
23:10I wanted you to suffer, my child.
23:14But I lied to you.
23:18I'm sorry, my child.
23:20I lied to you.
23:22I'm sorry.
23:34I love you very much, Mom.
23:36I love you very much.
23:38I love you too, my child.
23:42You are the light in my eyes.
23:52You are the light in my eyes.
24:00Gil, what is this?
24:02It's a date.
24:06Oh, so gentlemanly.
24:08Gentlemanliness must not die.
24:10It kills romanticism.
24:14All this was prepared by Mrs. Gloria Minerva
24:16with the best ingredients.
24:18How do you feel?
24:20Well, it looks delicious.
24:24But why dinner, Gil?
24:26Is there something I don't know?
24:28Yes.
24:30I love you deeply, Cata.
24:34You are the most beautiful woman I know.
24:36That's why I prepared a very special gift for you.
24:40What are you talking about?
24:44Gil, it's me.
24:46You are beautiful.
24:48I know you like me to draw you.
24:50It's the drawing I love the most.
24:54Gil, you are the best.
25:00I love you.
25:02I love my portrait.
25:04But above all,
25:06I love you.
25:08Well,
25:10to close with a golden brush,
25:12Cata,
25:14will you be my girlfriend?
25:16Formally my girlfriend.
25:20Yes.
25:22Of course, my love.
25:24Of course I want to be your girlfriend.
25:26But also your wife.
25:28Of course.
25:30I'm just going to make a lot of money
25:32to give you the life you deserve.
25:34No, Gil.
25:36I won't need anything from you.
25:38I want to see you happy
25:40always, Cata.
25:44Always.
25:46Always.
25:48Always.
25:50We prepared a hot chocolate for you.
25:52Good, my daughter.
25:54The story
25:56I'm going to tell you is a little bitter.
25:58We have to sweeten it
26:00with chocolate.
26:02Let's start at the beginning.
26:04Your grandmother's story,
26:06Tomas, is
26:08linked to the San Jose family.
26:10How?
26:12How?
26:13I really don't want to tell you this story,
26:15but Tomas asked me to and he has the right to know.
26:23Today I found out that our grandmother and her grandfather
26:28were lovers.
26:29Well, no, look, let's give him another name.
26:36The great love of your grandfather's life
26:39was Maria, Tomas' and Andres' grandmother.
26:53Grandma.
27:03Grandma.
27:09Grandma, let's go to the house.
27:17Leonor's parents were highly respected in the region.
27:21Of course, at that time,
27:23arranged marriages were still used
27:26and they committed Leonor to a very wealthy family
27:30and they married her to Maximus.
27:33No one really loved each other.
27:36That marriage started with the left foot.
27:39They say that Leonor spent her time crying
27:43and the hacienda became her prison.
27:47Mom.
27:49Maximus despised her.
27:52They said he even beat her.
27:55He said that Leonor was a bad person.
28:00They said he even beat her.
28:03But since Leonor was not educated,
28:05that honor, prestige and money
28:07were always above everything else,
28:10she endured the situation.
28:12All this turned her into what she is now.
28:16A bitter woman.
28:20Why didn't you ever tell us about this?
28:22Oh, honey, because in some families
28:25these kinds of stories are kept.
28:27They are ashamed of themselves.
28:29But where does Andres' grandmother come in?
28:33Everything was wrong in that marriage, honey.
28:36And Maximus found true love
28:41in Maria, in your grandmother.
28:45I'm sorry, but was my father Maximus' son?
28:51No, no, no.
28:53Jaime, your father,
28:54was already born when all this romance began.
28:57No.
29:00And Leonor, your grandmother,
29:02was able to endure humiliations and beatings,
29:05but what she never overcame
29:07was that the whole town found out that Maximus was cheating on her.
29:12Of course, she took all that courage from Maria.
29:17But if she didn't love Maximus?
29:19That doesn't matter.
29:21Remember that for her,
29:23honor, prestige and money are the most important things.
29:27♪♪♪
29:40Ahem.
29:42Did you tell Gabriela to talk to Tomas about the debt?
29:45Yes, Grandma, but...
29:48No, no, don't worry. I imagine she told you.
29:52I hired a lawyer to advise us here at the factory.
29:57I know what we're going to do.
29:59What did you think?
30:01We're going to file for bankruptcy.
30:03That will give us the opportunity
30:05not to pay the debts we owe neither Tomas nor Enrique.
30:08Those two bastards won't get a single cent
30:12split in half from this factory, you understand?
30:15Yes, but Grandma...
30:16Don't be afraid, Miriam.
30:18We're going to be reborn.
30:20We're going to get ahead.
30:22And you know why?
30:24Because this factory has our history,
30:28our prestige, our name, our life.
30:33Grandma, do you think it's for the best?
30:37Yes, yes, it's the best way out and the one I want.
30:41Enrique and that miserable niece
30:45will forget they're going to stay at the factory.
30:48Just like Tomas.
30:49His father brought us that thief who broke the distributor.
30:53Let him face the consequences.
30:56Let it be clear to them that no one makes fun of Leonor San Jose.
31:00Yes, ma'am.
31:09These aren't the time to be here.
31:12Where were you?
31:15I slept with Gil.
31:17Look, you don't know what he did.
31:21Sit down.
31:24I want to know.
31:26What did you talk to my uncle about?
31:29You went to see him, didn't you?
31:31No, I was at the retirement home, working.
31:35What were you doing visiting that old man?
31:41Let's see, silly.
31:43We're not going to play both sides.
31:45Either you're with me or you're against me.
31:49Do you understand?
31:53Let's go.
32:11Tomas, do you really think it's right to do this?
32:14Do you love Eva?
32:15Of course I love her, just like you love Gabriela.
32:18Then we're doing it for the love we feel for them
32:21and for our father.
32:22Let's go.
32:40Ma'am, Tomas and Andres are here.
32:45What are you doing in my house?
32:47You have nothing to do here.
32:53You have nothing to do here.
33:03Get out of my house.
33:05How dare you come in here?
33:08We came in peace.
33:11Didn't you hear me?
33:13Get out of here!
33:16We're here because...
33:20we want to talk to you.
33:22We know the origin of so much hatred.
33:26Let's talk about Maria, my paternal grandmother.
33:45So you found out where you're coming from.
33:51What's your origin?
33:53That's great, Tomas.
33:55Now I understand your hatred.
33:58You didn't want our father with Beatriz
34:01not because she was poor,
34:04but because you were angry and jealous
34:08that your daughter could live a love like...
34:12like the one you never had.
34:15Your grandmother got involved with a man
34:18and now she's with a married man.
34:22She didn't care to drag him down the path of perdition.
34:27You, out of spite,
34:29pushed Maximo into my grandmother's arms.
34:33She couldn't stand the deception
34:35because the people found out that her husband...
34:39didn't love her.
34:40Shut up.
34:42If my brother and I are here, it's to clear things up.
34:47Stop making others miserable
34:49because of the horror you turned your life into.
34:55One who carries that woman's blood
34:59can't even stand in front of me and look me in the eye.
35:04That woman was responsible for all the bitterness,
35:09the pain, and the suffering I went through.
35:12Ma'am, our grandmother wasn't to blame for anything.
35:17And neither were we.
35:19Do we have the right to be happy?
35:23Never.
35:25The blood of the Jimenez and San Jose can't mix.
35:32Understand that for Gabriela and Eva,
35:34you are extremely important.
35:38I beg you not to kill the love that still remains in them.
35:44Please.
35:57Ma'am, wait.
36:00Wait for me here.
36:10I couldn't sleep either.
36:12Now I understand all the hatred my grandmother
36:14has for Tomas' family.
36:16What is our fault for what our grandparents did?
36:19And for the war my grandmother fought all these years?
36:23None.
36:24But it's hard to understand that because of that hatred,
36:28she won't let my mother be happy with the love of her life.
36:32And now she's repeating the same story with us.
36:36Yes, I understand that.
36:42Gabi, are you there?
36:45Yes, I'm here.
36:47Hey, do you mind if I see you for a bit and we talk?
36:53Okay.
36:54I love you, Mom.
36:56Yes, I love you too.
37:07Leonor.
37:13Why don't you learn from your mistakes?
37:17What are you talking about?
37:19That you want to dominate everyone,
37:22but you don't realize that those around you are moving away.
37:28Máximo left her.
37:31Your daughter Beatriz left with my father.
37:32And Gabriela, who loves her so much, and Eva,
37:37did the same thing.
37:40Look.
37:41Look.
37:44She's all alone.
37:47You're wrong.
37:49You're wrong, Máximo.
37:54Máximo was a miserable man.
37:59My daughter found death by following Jaime.
38:02I have to speak to you in your language
38:04so you can understand that you were wrong.
38:11That's in the past.
38:13And you shouldn't forget it.
38:16Maria.
38:18Maria was to blame for everything.
38:23And do you want to know more?
38:26That ring you're wearing
38:28is where the symbol of love was buried.
38:32The one your proud father gave to Beatriz and you, to Gabriela,
38:37is full of lies, of pain.
38:50He's going to like this one a lot.
38:52I thought that was a gift
38:55that Máximo was buying me from all the gifts he gave me.
39:01I was his wife and she was his lover.
39:06I received his beatings and his disdain.
39:11And she, that jewel he gave me,
39:16my pain and my tears.
39:19Do you think that's the symbol of love?
39:25Here, that love was all that mattered.
39:31And what about me?
39:33No one cares about my pain.
39:36Get out of here.
39:37Take that ring with you.
39:39But you have to promise me one thing.
39:42Get out of here.
39:44Take that ring with you.
39:46But I warn you,
39:48when you put that ring on Gabriela,
39:50remember that it doesn't only represent love.
39:54It's full of pain, of bitterness.
40:00Go.
40:03Go.
40:12Go.
40:37Vera.
40:39Vera.
40:40I don't want to remind you of what we talked about yesterday.
40:42Don't you ever see my uncle again, do you understand?
40:44But why not?
40:45He's in jail.
40:47Why can't you be empathetic?
40:48Because I don't want to go crazy over you.
40:53You don't want to know your sister's ugly side, okay?
40:56Whatever it has to do with my uncle, I'll handle it.
41:00Get out!
41:01Get out!
41:04How much money are we talking about, officer?
41:09Because I have enough money
41:11to fix your miserable life from here until you die.
41:16Oh, Mr. Olivares.
41:20I'm a commander.
41:21It's the same thing.
41:24Armelio.
41:27You have a lot of money.
41:30You have the eyes of some of my colleagues
41:32that are not easy to handle.
41:36Are you talking about Joaquin?
41:37Yes.
41:39That bastard is the first one I'm going to charge him
41:42when he gets out of here for everything he's done to me.
42:01Learn to behave, Mr. Olivares.
42:03You don't follow the rules here.
42:08We'll talk later, Mr. Olivares.
42:11It's not convenient for you to see us talking together.
42:14Especially not Joaquin,
42:16who's one of your main enemies.
42:20What happened?
42:23Nothing.
42:27There's nothing I can do.
42:29She's in a lot of pain.
42:31She has so much bitterness that she can't forgive herself.
42:41I'm sorry, Mr. Olivares.
42:45Let's go, Joaquin.
43:01The bad grass has to be removed.
43:15And you are the bad grass, Tomas Jimenez.
43:45The bad grass has to be removed.