Category
🎥
Short filmTranscript
00:00You can't tolerate such a behavior in your house, it's unacceptable.
00:07If you still want to live in this house, you'll have to marry Bernardo.
00:11We had to convince them that our play was real.
00:15Do you know what an honor it is for me to marry you?
00:20I called you because I would like the three of us to talk about Adrián's return to the big house.
00:26If you called us to tell us this, you could have saved it.
00:29Because I'm not going back to the big house.
00:31Are you going to save me or do I have to take notes on the matter?
00:34Julio is capable of anything to get away with his own.
00:36And me too.
00:37Don't underestimate me.
00:39I'll go with you.
00:40You may have heard, by chance, that he is very fond of seducing women.
00:44Luisa!
00:46Do you know that my best friend, one of the people in the room ...
00:49The maid!
00:50I have never attended a birth.
00:51We are waiting for the midwife.
00:53Donatana gave notice to a day laborer, but he has not arrived yet.
00:56What the hell is going on up there?
00:58What's going on with Luisa?
01:00If Luisa gave birth ...
01:01If she gave birth, what?
01:03Neither she nor the child would have any chance of surviving.
01:18What's up, sir?
01:19I called because I have already made a decision regarding my link with Mercedes.
01:26After giving it a lot of thought,
01:29I have decided that I am not going to marry her.
01:33As much as you say that it was her reasons to surrender to Toribio de la Vega,
01:37I cannot allow something like this to stain the last name of the Calves de Aguirre.
01:42I don't understand, sir.
01:44Unfortunately, Mercedes will have to carry that macula for the rest of her life.
01:49I'm sorry it was my fault, sir.
01:51I don't know if it's your fault,
01:53but of course it is your responsibility.
01:56You have been indebted to her since she saved your life.
02:00And I will be eternally grateful for it.
02:04Why don't you show her your gratitude by doing what you had in mind?
02:10Mercedes and you can celebrate your link.
02:14Mercedes and you can celebrate your link.
02:18You have my blessing.
02:21Do I really mean it?
02:22Absolutely.
02:24But she ...
02:26She saw how she reacted when she met us in the living room.
02:29Yes.
02:30The idea is still not to her liking.
02:32In fact, she has not stopped trying to change her attitude for active and passive.
02:37And what did you tell her?
02:39The truth is that the decision is made and she has no choice but to accept her fate.
02:44I understand.
02:46It's the best thing for her, Bernardo.
02:49I would not like to force Mrs. Mercedes to contract nuptials with me against her will, but ...
02:55But?
02:57But I think the same as you.
02:59It is the best solution for her, given the problem she has.
03:03Not the best, Bernardo. The only one.
03:06You know what I feel for her forever.
03:09And you do not care that she has been dishonored.
03:13Yes, the truth is that yes.
03:16But in the end, she did it to save my life.
03:20There is only one thing that worries me.
03:23What?
03:25It will not be so easy to convince her to accept the commitment.
03:34Maybe there is something you can do so that she has no choice.
03:40I am all ears.
03:43Announce the commitment at the big house. Make it public as soon as possible.
03:49Without her consent?
03:51She will not dare to contradict it in public.
03:54She will accept her will without hesitation.
04:10I have a wound that does not heal over time
04:17For a betrayal that pierced my heart
04:22As if it were a fist
04:28That locked me in this cage
04:34That locked me in this torment
04:42Of silence and lies
04:45Everything I knew is getting further away
04:52I live dreaming
04:55With what fate decided to deny us
04:59Condemned to the taste of bitterness
05:04Dancing with madness
05:07Imagining that it is you
05:10I live dreaming, eternally waiting
05:16That in this wild valley
05:19Your light illuminates me
05:21That in this wild valley
05:24Your light illuminates me
05:29That in this wild valley
05:30Your light illuminates me
06:00Any news?
06:03No.
06:05He has not opened his eyes or reacted in any way.
06:12At least he has no fever. That's a good sign.
06:17What's going to happen, Don Athanasio?
06:22Luisa has to wake up.
06:25And if she doesn't wake up?
06:26And if she doesn't wake up?
06:28And if she doesn't get better before ...
06:30She already knows that it is not my specialty, Mrs. Adriana.
06:33But she will have to give an opinion.
06:39To give birth, you need to be aware.
06:43That's all I can tell you.
06:46Otherwise, the birth could end in tragedy.
06:52Are you telling me ...
06:53I'm telling you ...
06:55If Luisa doesn't open her eyes and the baby is there, they could die.
07:03Do we know anything about Mr. Rafael?
07:06Did he go looking for a midwife?
07:08Yes, he left, but the midwife was busy with a woman, with a complicated labor.
07:15That's what I feared.
07:18But he has left a man there.
07:20He will bring her to the farm when he is available.
07:24So I hope it's as soon as possible.
07:27And if not, well ...
07:29We have you.
07:40Luisa.
07:43Wake up.
07:47Wake up, please.
07:51Please.
07:54Wake up.
07:57Let's go.
07:59Let's go, Mrs. Adriana.
08:02Try to keep her interested.
08:06She has to be fine, because if things get ugly ...
08:10Luisa needs her strong.
08:13Do you hear me?
08:14She has to be very strong.
08:21What's going on?
08:24I have a note from your husband.
08:27But what does he want now?
08:29I'd better leave you alone.
08:36Do you want me to read it to you?
08:37Read it.
08:44Dear Adriana,
08:46I beg you to personally escape to the big house.
08:50I have to talk to you immediately.
08:52Attentively, your husband.
08:54I'm not going anywhere.
08:55Adriana, I beg you.
08:56No, Isabel.
08:58I left this morning.
09:00I'm not going to leave Luisa again.
09:02I can't tell her that.
09:04Well, tell her what you have to tell her.
09:07But this is my decision.
09:08And if she wants to see me, let her wait until tomorrow.
09:37The Mozos del Pueblo
09:44The Mozos del Pueblo
09:46go down the river on wooden boats
09:48that they have built themselves.
09:49That's right.
09:50Well, with their parents and their grandparents.
09:53And when they reach the end of the route,
09:55the youngest Mozuelas,
09:57who are in puberty,
10:00dance around them.
10:01And they put a kind of crown on them
10:04that they have made with flowers that they have collected in the mountains.
10:06And all this while other Mozos
10:08play the sound of the gaita.
10:11It's beautiful.
10:13It all sounds very ...
10:14Picturesque.
10:15Pueblerino.
10:17I was going to say.
10:19And you say that this is celebrated every year.
10:22That's right, on these dates.
10:23Not even the most torrential rains
10:25have ever managed to suspend a day in San Jerónimo.
10:28I would like to go this year.
10:30I have never been to any of these Pueblerino celebrations.
10:37Bernardo.
10:39Good evening.
10:42What are you doing here?
10:44I called him.
10:47What's up, Father?
10:50I have something to announce to you.
10:54Mercedes, please come with me.
10:55Please come with me.
11:04Despite the fact that your mother's wish,
11:06as you already know and I announced to you at the time,
11:08was for your aunt and I to marry you,
11:13recent events have made me change my mind about it.
11:18What's all this about?
11:20Aren't they getting married?
11:21That's right.
11:22That wedding is not going to be celebrated.
11:25For what reason?
11:27Circumstances have changed.
11:29But what circumstances?
11:31It doesn't matter.
11:32And I don't want to discuss this with you either.
11:35What's more, I don't want to make the reasons public.
11:38I just wanted you to know that
11:42I'm not going to marry your aunt
11:44because the one who will finally do it is Bernardo.
11:50I know that now it will be difficult for you to understand,
11:53but it's the best for everyone.
11:56The best for whom?
11:59I beg you, don't make a new spectacle.
12:01Dear ones,
12:03do you want to know the reasons why your father no longer
12:06thinks I'm worthy to be his wife?
12:07Mercedes, please.
12:08Because I tried to save Bernardo's life.
12:11The man who has kept him and this house the most faithful.
12:15It was me who sculpted him from the murder he had not committed.
12:21What a fool you are.
12:25For that reason,
12:28I will not be able to fulfill the last will of my sister,
12:32your mother.
12:34And I will have to marry a man I don't love.
12:38Life is unfair, sometimes.
12:41But you can be calm.
12:43I will not make any scandal.
12:45I will accept what your father has decided.
12:48For the good of all.
12:50Let's go.
13:09I bring you dinner.
13:11Doña Matilde has prepared it.
13:14I'm not hungry, Aya.
13:15Despite everything, you have to eat.
13:17I'm not hungry.
13:19Adriana,
13:21you haven't had a bite all day.
13:23I have a stomach ache.
13:25Do you want to get sick too?
13:27Is that what you want?
13:29No.
13:31What I want is for Luisa to wake up at once.
13:34If you don't want to eat,
13:36okay.
13:39But at least you have to rest.
13:40No.
13:43But at least you have to rest.
13:46How long have you been at the foot of this bed?
13:50Tell me.
13:53I'm fine, Aya.
13:55No.
13:57You're not.
13:59You look exhausted.
14:01I'm going to sleep in a while.
14:03No.
14:05You will sleep now.
14:07You will go to my bed and I will take care of Luisa.
14:08No, Aya.
14:10I can't leave her.
14:12I don't care what you want.
14:15I understand the affection you feel for Luisa.
14:18And that's precisely why you have to do it.
14:20She wouldn't like to see you like this either.
14:24Adriana, you have to rest
14:26for when that child is born.
14:28By then,
14:30you have to be strong
14:32and in full use of your faculties.
14:34Because Luisa won't be able to take care of her child alone.
14:38What if she doesn't wake up?
14:40What if it's her child?
14:42Don't even think about that.
14:44Because it won't happen.
14:46Now you have to clear your mind.
14:49Stop thinking about Majin
14:51and go to sleep.
14:55What if they all wake up?
14:57I'll let you know.
15:00You want to take care of Luisa
15:02and I want to take care of you.
15:05Now we have to have faith
15:07Luisa is in God's hands, my child.
15:16But first,
15:18go see your brother.
15:20God helped me to go to sleep
15:22and he still hasn't calmed down.
15:25Have you told him anything else?
15:27He knows
15:29that Luisa hasn't woken up yet,
15:31that she's not well
15:33and little else.
15:34He knows what he's seen.
15:36You'd better not be aware
15:38of the seriousness of the situation.
15:41Pedrito is very close to Luisa
15:44and I don't want him to suffer.
15:47I agree with you, my child.
15:50If Luisa manages to get over it,
15:52it won't be of any use
15:54to worry the child.
15:56And if she doesn't,
15:58God forbid,
16:00there will be time
16:02to give her the bad news
16:04and make her go through the pain.
16:06Promise me
16:08if there's any news, you'll let me know.
16:10Yes, of course.
16:19Thank you, my child.
16:34I love you.
17:04My child.
17:20At last.
17:25Come in.
17:27May I come in?
17:29Go away.
17:31Yes, come in.
17:35Aunt, what happened at the dining room?
17:41Don't...
17:43Don't worry.
17:45I'm sorry you and your brothers
17:47had to witness such a spectacle.
17:50That's the least of it.
17:52I'm not here to reproach you,
17:54but to know what's going on.
17:56Hasn't your father told you anything else?
17:59Only that he has reasons
18:01not to want to marry you.
18:02Why?
18:04Such a drastic turn of events.
18:07Aunt,
18:09what did he have to do to save Bernardo's life?
18:11That's what he did at the dining room, right?
18:13He did it to excuse Bernardo
18:15for a crime he hadn't committed.
18:17What did he have to do
18:19for Don Toribio to set her free?
18:23Alejo, it's better if you don't know.
18:25If you don't tell me,
18:27I'll ask my father or Toribio himself.
18:29Don't be silly.
18:30If you don't tell me,
18:32I swear to God that if it's Menester,
18:34I'll talk to that man.
18:37Alejo.
18:41Okay.
18:44But promise me
18:46what I'm about to tell you won't come out of this.
18:48I give you my word.
18:50You see,
18:52the captain of the Holy Armada
18:55was willing to end Bernardo's life.
18:57And we all knew he was innocent.
19:00So...
19:01Aunt,
19:03what did he have to do?
19:07I...
19:10I turned myself in.
19:13What?
19:15I let that man take me
19:17to excuse Bernardo.
19:22Alejo, don't worry.
19:23Forgive me.
19:25What?
19:27Why are you apologizing?
19:31Alejo,
19:33what's going on?
19:34I'm sorry.
19:35I'm sorry.
19:57You and I have had our ups and downs.
20:01But you have to make an effort to open those eyes, girl.
20:06You know there are a lot of people who love you.
20:09Adriana,
20:11Pedrita,
20:13Matilde.
20:15Even I have taken care of her, damn it.
20:18Why would I deny it?
20:20Those days are behind me
20:21when my threats made her suffer.
20:24I apologize
20:26a thousand times.
20:27Know that if I did it,
20:29it was for pure survival.
20:31I admire you a lot, Luisa.
20:34You are the bravest woman
20:36I have ever met.
20:40You got pregnant,
20:42you fought for your son,
20:46you worked hard to get him through,
20:49and always with your head held high
20:51and without being ashamed.
20:55You are an incredible woman.
20:57And that's why you have to wake up.
21:00Please.
21:02You have to bring that child into the world.
21:04Do you hear me?
21:06Please, Luisa, wake up.
21:08Fight for your life.
21:11Fight for that baby's life.
21:16Fight for all those who love her.
21:21Fight for your life.
21:27Fight for your life.
21:47How long were you there?
21:52I'm sorry, I didn't mean to interrupt.
21:54What are you doing here?
21:56I came to see Mrs. Adriana.
21:58I haven't seen her yet today.
22:00When I arrived, she was in her room,
22:02but she went to get more hot water.
22:07Has she come alone?
22:19She was hoping to see you with a bartender.
22:22The one I found was busy helping
22:24a woman give birth to a complicated baby.
22:27I left a man there so they could bring her
22:29when she was available.
22:31But I doubt they'll make it in time.
22:33Yes, Mrs. Adriana has already told me all that.
22:35And you haven't looked for anyone else?
22:37Yes, all over the region.
22:39But they're all busy with other births.
22:41They say it has something to do with the full moon.
22:43Yes, the full moon.
22:46Well, let's wait for them to arrive.
22:48And if that's not the case, Luisa is not alone.
22:50She has you.
22:54How is she?
22:57I don't want to lie to you, she's not well.
23:01And I'm afraid my help won't be enough.
23:03Don't say that, please.
23:05But it's what I think, Mr. Rafael.
23:09If Luisa doesn't open her eyes,
23:11we'll need God to help her.
23:24Miss Bárbara, what a pleasant surprise to see you here.
23:32I've come to see Irene.
23:34Do you want to sit down with me
23:36while I give you the notice?
23:38The truth is that...
23:40Tell Miss Irene.
23:42Tell her you have a visitor.
23:46Tell me, how is Luisa doing?
23:49How is Luisa doing?
23:52Unfortunately bad.
23:54No news.
23:57I'm sorry to hear that.
23:59If I can do something to make her anguish more bearable...
24:02Poco, you can do more than wait.
24:05I don't quite agree.
24:07Maybe I could distract her.
24:09Distract me?
24:11So as not to think.
24:13When I get overwhelmed by problems,
24:15it's good for me to go horseback riding.
24:16They say there are beautiful places around.
24:20What problems do you have?
24:23You'd be surprised.
24:25I can hardly imagine
24:27that someone like you has cares that torment you.
24:30Well, I have them.
24:32What do you say?
24:34Do you want me to ask the Duke for a pair of corsets
24:36and we go galloping around?
24:38I don't know what to tell you.
24:40I'm not very good at horseback riding.
24:42I could teach you.
24:44You think?
24:46I don't want to be a nuisance.
24:48You wouldn't be at all.
24:50I'm a good rider.
24:54Maybe you could
24:56take me up to your corset.
24:59Holding me to your back would be safer.
25:02I can't think of a better scenario.
25:04I could protect you.
25:11Please, do these strategies really work
25:14with women in court?
25:16What do you mean?
25:18Do you think I need to hold your back
25:20to feel protected?
25:23You've deceived me.
25:26I'm surprised you didn't come.
25:31I don't usually invite women in court
25:34to go horseback riding.
25:36In the Villa de Madrid, there are many more interesting things
25:38to do with a lady.
25:40That's what I've been told.
25:42What have they told you?
25:44That you like to seduce women.
25:48Who told you that?
25:50What else?
25:52Is it a lie?
25:54Neither truth nor lie.
25:56It depends on the lady in question.
25:58That's not what they say out there.
26:00If she told me what they say out there,
26:02maybe I could take it away from her.
26:04I have no interest in you taking anything away from me.
26:06You know what you do with your life.
26:08I've come to see Irene.
26:10Good luck.
26:12Barbara, it's a pleasure to see you.
26:14Likewise.
26:16How's Luisa?
26:18She's still the same.
26:20The atmosphere at home is distressing.
26:22I thought we could do something
26:24to distract my mind.
26:26You've come to the right place.
26:28Would you like a hot chocolate?
26:58Have you come to see Julio?
27:00Yes, he's the one who called me.
27:02But since you're here,
27:04I'd rather talk to you.
27:06Sit down.
27:09You tell me.
27:12You're in charge of this house, aren't you?
27:15I don't know if you're aware
27:17of the conversation we had yesterday,
27:19your son, my aunt and I.
27:21In the last few days,
27:23I've been busy in other ministries
27:25and I haven't had the chance to talk to Julio.
27:27You don't have to.
27:29I'll set the date.
27:31Yesterday, your son warned me...
27:33Sorry, he threatened me
27:35that if I didn't return to the big house,
27:37he'd take revenge.
27:39Why did he behave like that?
27:41He told me that if I didn't do it for the good,
27:43I'd do it for the bad.
27:45Is he really going to tell me
27:47that he didn't know about all this?
27:49I don't just doubt it, Mr. Duque.
27:51I think the initiative came from you.
27:54You're wrong.
27:56In any case, I'm sure
27:58that what my son wants
28:00is what's best for both of you.
28:02Please, don't be cynical.
28:04Your son only thinks about himself
28:06and, in any case, the Galvez de Aguirre.
28:07You're a Galvez de Aguirre now.
28:09I'm a Salcedo de la Cruz,
28:11now and always.
28:13And neither you nor anyone will tell me
28:15what I have to do.
28:17It's your husband who should tell you.
28:19He owes you respect.
28:21He lost that right when he sold my house
28:23in Villa de Madrid without my consent.
28:25I'm sorry to tell you
28:27that I didn't need your consent.
28:29Sign a contract, yes,
28:31but that doesn't mean it's your property.
28:33I won't return to this house,
28:34not even without them.
28:36Is that clear?
28:38I'm not the one who should make it clear.
28:40I'm not his wife.
28:42I'm his father-in-law.
28:44Do you want him to tell you?
28:46Do it.
28:48I'll go get him.
28:59Luisa is no longer a maid.
29:01How can she be if she only has one?
29:03I mean she's like a sister to them.
29:05Pedrito, her little brother,
29:07is very fond of her.
29:13Can I ask you a question, Miss Irene?
29:17Do you know that I do?
29:20What did you tell Miss Bárbara
29:22about my reputation in Villa de Madrid?
29:26I haven't told her anything.
29:28What do you mean?
29:29She's convinced that I'm a joker,
29:31a Don Juan,
29:33a pickpocket.
29:39And isn't he?
29:45I haven't been a saint,
29:47if that's what you're asking.
29:49I've had my ups and downs with women.
29:51I've lived my life.
29:53So what are you complaining about?
29:56I've lived my life.
29:57So what are you complaining about?
29:59You know that rumours and dust
30:01travel at the same speed
30:03in this small world of ours.
30:05Are you telling me that you were the one
30:07who told Miss Bárbara the story?
30:10I give you my word.
30:12Although I should have done it,
30:14as a good friend of mine she is.
30:16But I'm not a woman
30:18who likes to judge and speculate.
30:21And you do, but very well.
30:23Even so, I don't want my friend
30:25to go astray.
30:27What do you mean?
30:31I have the impression that Bárbara
30:33is starting to take an interest in you.
30:38Do you think so?
30:40That's what I think.
30:43That would make me very happy.
30:46Although I doubt it.
30:48With Miss Bárbara,
30:50I get the impression that I'm one step ahead
30:52and two steps behind.
30:54She won't make it clear to you.
30:55I know her.
30:57But believe me,
30:59you're not indifferent to her.
31:08I'm back.
31:10You didn't move the chips.
31:12I don't need to do that to beat you.
31:17I'll leave you two alone.
31:19Good luck and may the best one win.
31:21Or me.
31:23We'll see about that.
31:25Bye.
31:31What were you talking about?
31:33I thought I was interrupting something.
31:35Nothing.
31:37Nonsense.
31:39See you.
31:56Where the hell were you?
31:58Your father has been looking for you
32:00for a long time.
32:02I'm sorry to keep you waiting.
32:05Julio, I want to finish this as soon as possible.
32:08I need to go back to Luisa.
32:10You made me call you.
32:12Don't worry, I'll be quick.
32:14If I'm late, it's because my father
32:16was telling me about the tense conversation you had.
32:18He also told me that you were very rude
32:20and you spoke to him in very bad ways.
32:22My ways are the ones that are
32:23to someone who doesn't respect me
32:25or my will.
32:27Anyway, I haven't told him anything
32:29that he doesn't know.
32:31I'm not going back to this house.
32:33I understand.
32:35If you understand, I have nothing more to add.
32:37I do have something more to add, Adriana.
32:42One of your main complaints
32:44was that I acted behind your back, right?
32:46Yes.
32:48Good.
32:50Well, I'm telling you so that there are no misunderstandings.
32:53I'm going to sell the land
32:55that your father owned
32:57around the Villa de Madrid.
32:59What?
33:01It's nothing personal.
33:03But as you know, we need money
33:05to keep the farm afloat.
33:07Julio.
33:09That's all, dear.
33:11I just wanted you to know.
33:13Julio.
33:23Julio.
33:35Have you been able to collect over time?
33:38Whatever is necessary.
33:41What did you get?
33:43Herbal herbs.
33:45Herbal herbs from San Juan.
33:48Oregano, better than nothing.
33:53It's good for you.
34:03Can I help you?
34:05Please.
34:11I'll make a good infusion for Luisa with all this.
34:14With oregano?
34:16Yes, yes.
34:18It has a high content of minerals and acids.
34:20It will be good for her when she loses blood in labor.
34:23God willing, so be it.
34:25That will mean that she has awakened
34:27and that she can bring the world her creature.
34:32Still nothing?
34:38Isabel is with her.
34:41I didn't want to go into the room so as not to bother.
34:45She told me that the fewer people in that room, the better.
34:48Understandable.
34:50The truth is that I would like to see her.
34:54As I already told you, I have taken a lot of affection from that girl.
34:59I feel so sorry for her.
35:03That's why I would like to visit her if you let me.
35:08Tell this to Mrs. Isabel.
35:11Just like you're telling me.
35:14And I'm sure she'll like it.
35:20Maybe she will.
35:26What happens to her is so serious.
35:31Do you want to know the truth?
35:38If Luisa doesn't open her eyes, she and her son are in serious danger.
35:42Serious danger?
35:44Don't scare me.
35:46Poor girl.
35:48What bad luck I've always had.
35:51And yet she is tremendously brave.
35:54She is very good.
35:56But she is one of the few people for whom I would put my hand in the fire.
36:01You can trust her completely.
36:05I'm sure of it.
36:07Excuse me.
36:11Don't you dare.
36:16I just wanted to know how Luisa was.
36:19Any news?
36:21All the same.
36:38Put this on fire in a box.
36:40I'll be right back.
36:42Where are you going?
36:43To the big house.
36:45To look for something of great importance.
37:14Do you know?
37:17That creature of yours wants to get out.
37:23She wants to see the sunlight.
37:26To meet her mother.
37:29To see that incredible woman who has brought her life.
37:34May I, Mrs. Isabel?
37:36Of course, Mr. Alejo. Come in.
37:41How are you?
37:43Who knows?
37:45You haven't opened your eyes since you passed out.
37:49If you have something to do, don't worry.
37:52I can take care of myself.
37:53Really?
37:54Of course. I have free time.
37:56I'll stay to keep Luisa company.
37:59It would be good for me to go get some clean towels.
38:03I'll stay. Don't worry.
38:05Thank you. Excuse me.
38:06Excuse me.
38:12Luisa.
38:13Luisa, it's me.
38:15Alejo. I'm here.
38:17Can you hear me?
38:36Yes.
38:43I know I promised I'd teach you how to read,
38:45and God knows I will.
38:48But...
38:51I thought maybe while you're here,
38:54you'd like to hear what I've written just for you.
39:01This is the story of a desperate man.
39:03Desperate.
39:05Lost.
39:08Defeated by a life he had just begun to live.
39:14He was the happiest man in the world.
39:17Submerged in the darkest of the wells.
39:20And that day,
39:22when this story began,
39:25he had made a decision.
39:29He didn't want to keep living.
39:34Everything changed when I met her.
39:40Are you okay?
40:03Luisa.
40:05My love.
40:07My treasure. My life.
40:13Luisa, come back to me.
40:34I swear to God this won't end like this.
40:36I swear like my name is Adriana Salcedo de la Cruz y Millán.
40:39Can I know what happened?
40:41Didn't your brother tell you?
40:43No.
40:44Well, your brother, Julio,
40:45has called me again at the big house to tell me something.
40:48You know what?
40:49He wanted to tell me
40:50that he had made a decision
40:52that he wasn't even going to consult with me about.
40:54Adriana.
40:56What decision?
40:59Rafael.
41:00Rafael.
41:02Julio is going to sell some land
41:03that my father had on the outskirts of the Villa de Madrid.
41:07Land that my brothers and I inherited
41:09and that doesn't belong to him at all.
41:12Did you know about this?
41:14If I had known, I would have told you, Adriana.
41:22How can he be so insensitive?
41:28This idea came from Julio.
41:31This is my father's idea.
41:33How much land does your father have?
41:35I don't know exactly.
41:38I think I know what you're after, Adriana.
41:41All this is part of a strategy.
41:43They're going to sell all your property
41:45until you give up your third arm.
41:48What?
41:49They won't stop until you return to live in the big house.
41:54I'm not going back to that house, Rafael.
41:56Calm down.
41:58Then get ready to see how I give up
42:00all of your father's property.
42:03Don't you dare tell me again that Julio is a good person.
42:07Don't you dare mention such a lie to me again.
42:28How did it go at the big house?
42:31I've been playing with Irene for a while,
42:33but it hasn't helped me much.
42:36I'm still anxious.
42:38I understand.
42:41I was going to go for a ride on a horse with this star.
42:45But I don't want to be alone.
42:47I don't want to be alone.
42:49I don't want to be alone.
42:51I don't want to be alone.
42:53I don't want to be alone.
42:55I don't want to be alone.
42:57I don't want to be alone.
43:01I'm sorry.
43:02That's what Mr. Leonardo had proposed to me
43:04and it was funny to remember.
43:07How are things going between you two?
43:09They're not moving forward.
43:11Although...
43:13Mr. de Guzmán has been very attentive
43:15and very concerned about me lately.
43:20What's the matter? Why the long face?
43:23Be careful with those intentions.
43:26Are you going to give me the sermon again?
43:28I just want to warn you.
43:30And what about the freedom and independence of the women
43:33you've told me so much about?
43:35I'm still faithful to those ideas.
43:36Really?
43:37Yes.
43:38Then why do you still warn me about Mr. Leonardo?
43:41I only warn you so that you don't confuse
43:43the kindness of Mr. Hito with your intentions.
43:47What intentions do you have with me?
43:49I don't know.
43:50It's something you have to discover for yourself.
43:52I trust you.
43:54You're a smart and judicious woman.
43:57And I will continue to be.
43:58I'm glad.
44:01What is it that scares you so much?
44:04There are men who see women only as fun
44:08and don't think about the consequences of their actions
44:10or that they can hurt them.
44:12And haven't you thought that maybe there are women
44:14who also like to have fun
44:16and who don't care about the consequences of their actions either?
44:23No.
44:28Sol.
44:30Do you have a moment?
44:31Mrs. Adriana wants to see you.
44:33What happened to Luisa?
44:36She wants to see you, but I don't know anything else.
44:54I beg you to help that girl.
44:57Her life is in your hands
44:58and no one can do anything for her but you.
45:02Have mercy on Luisa
45:04and don't let anything bad happen to her
45:06or her son.
45:11Make her wake up, please.
45:14Make her wake up, I beg you, sir.
45:17Make her wake up.
45:20Make her wake up, I beg you, sir.
45:23Make that girl open her eyes
45:24so she can give birth to her son.
45:42I didn't want to interrupt you.
45:44I came, just like you, I suppose,
45:46to pray for that poor girl's soul.
45:49How is Luisa?
45:52Everything is still the same,
45:54except that the forecast gets worse every now and then.
45:57What a pity.
45:59What bad luck she has had.
46:02What's happening to Luisa is not the result of bad luck.
46:06Oh, no?
46:07Of what, then?
46:09Of the lack of previous care.
46:11She should have kept at rest.
46:13She should have stopped working days ago.
46:16And who stopped her?
46:18What?
46:20I told her to let it go,
46:22to rest,
46:24not to overdo her efforts,
46:26but she refused.
46:28She insisted on working until the last day without rest.
46:31I wish I had insisted more.
46:33And now, if you'll excuse me, I'll go see how she's doing.
46:37One last thing.
46:40I hope you'll be discreet with Luisa's situation.
46:44Nobody has to know what's happening
46:46or what's not happening in my house.
46:49I wouldn't like to be the food of the region.
47:04These are all the documents my father had
47:06and that we brought from Villa de Madre.
47:10What are you looking for, exactly?
47:15I don't know yet.
47:18But I need you to help me examine them all carefully.
47:23Of course. I'm glad to be of help.
47:26Sol, my aunt can't find out about this.
47:30That's why I asked her to come to the kitchen,
47:32because she rarely sees the pizza
47:34and she won't catch us red-handed.
47:37I don't want Barbara or Pedrito to find out either.
47:40What's going on, Mrs. Adriana?
47:42Mrs. Adriana?
47:45I need to know exactly what property my father owned.
47:49Julio has decided to sell it all.
47:51I'm sorry to hear that.
47:53That's why I don't want to worry my brothers ahead of time.
47:57This is my responsibility and my fault,
48:00because that man is my husband.
48:03I'd rather fix it before it becomes a problem for them.
48:07I understand. Let's do it.
48:12Let's go.
48:42Do you want me to make you an infusion?
48:45I'm scared.
48:48I don't mind. Maybe a blanket will help you.
48:52No.
48:56This is what I went to the big house for.
49:01You shouldn't blame yourself or torment yourself.
49:04What happens to Luisa is not your fault.
49:07I know.
49:09And maybe I can't help her.
49:13Don Atanasio, no matter how good Galeno is,
49:15there are things that have no solution.
49:20What happens? Why do you look like that?
49:24My God, Don Atanasio, what's going on?
49:29Nothing.
49:31Nothing.
49:33Nothing.
49:36It's obvious there's something.
49:41Don Atanasio, there's something you're not telling me.
49:43It's because of Luisa, right?
49:45She's worse than we all think.
49:47That's not it.
49:49Then what is it?
49:51What has tormented her so much?
49:53What makes her feel all this anguish?
49:56It's because of Mrs. Matilde.
49:59The guilt is killing me.
50:03It's suffocating me.
50:06The guilt, why?
50:08I shouldn't be taking care of that girl.
50:11I shouldn't even be here.
50:13What are you talking about?
50:16I can't take it anymore.
50:20I can't.
50:22I can't.
50:29I need to tell someone,
50:31and you're the only person I can trust.
50:35Of course, of course.
50:39But what's going on?
50:41Why can't I take care of Luisa?
50:47Because I'm a liar.
50:50I'm a liar, Matilde.
50:53What are you talking about?
50:59I'm not a liar.
51:04I've never been one.
51:10I lied to you.
51:29What's that?
51:35It's my parents' parish register for the wedding.
51:39I didn't know my father kept it.
51:43That's normal.
51:45Especially if his mother passed away.
51:48It's something that gains even more value over time.
51:52It's something that gains even more value over time.
51:59I don't know how much they loved each other.
52:04I still remember them,
52:06sitting in the living room in front of the fireplace,
52:09talking and laughing as if nothing mattered to them.
52:15It's not normal.
52:18No, it's not.
52:20I haven't seen him again at any wedding.
52:25Maybe that's why I believe in love,
52:29and that it was the same for me.
52:44What's going on, Sol?
52:46What have you discovered?
52:50You won't believe it.
52:58You still don't know what's going to happen, do you?
53:00Adriana.
53:01Mrs. Atanasia has known it since...
53:03Don't say it, please.
53:04You have to get better.
53:06Don't leave me, too.
53:08Is she going to die?
53:10What is she doing here? Why isn't she with Luisa?
53:13There's a party.
53:14Of course there is.
53:15In the Royal Palace.
53:17Damn!
53:18Victoria.
53:20Mrs. Mercedes has agreed to make an announcement to a server.
53:23So soon?
53:24I'd like to ask her for something else.
53:26When were you going to tell me?
53:28I announced it during dinner.
53:29Don't you want Lobo to go out running to tell you?
53:32You'd open a detail for your part.
53:35The deed to the properties that my father owes us to his death.
53:39Of course.
53:40It's outrageous.
53:42Take a seat and I'll tell you why I needed to see her as soon as possible.
53:46There's something that worries me.
53:48When I told you what I did to save Bernardo's life,
53:52did you apologize?
53:53If she was forced to lose her virtue, it was my fault.
53:56What are you talking about, Alejandro?