冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2025年2月12日 石川・加賀が生んだ伝統染「加賀友禅」
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TVTranscript
00:00We've finally arrived at the Kagayuzen headquarters.
00:04Last time, you came to Tokyo.
00:10In fact, in the previous episode where we introduced the hand-drawn Yuzen of Tokyo,
00:15we had a conversation with three Yuzen artists and three Yuzen craftsmen.
00:23Is there anything you absolutely won't do?
00:26For me, it's snowing.
00:30You dropped it.
00:32I'm very meticulous when it comes to drawing.
00:35If I give up on my work, I'll start snowing.
00:38It's been a while since I've moved, so I'm really good at making beer.
00:42I'll start drinking beer in the morning and start snowing.
00:45That's great.
00:46This conversation was really interesting.
00:49At this time, Tetsuya Shishime, a former artist of Kagayuzen, who came to Tokyo,
00:55won a prize at the Golden Trophy.
00:59I flew to Kanazawa.
01:04Hello.
01:05Hello.
01:06It's been a while.
01:08I'm finally here.
01:10Welcome to Kanazawa.
01:12Last time, you came to Tokyo.
01:15Thank you very much.
01:16I'm happy.
01:17Thank you very much.
01:18Nice to meet you.
01:19Nice to meet you.
01:20This is Kagayuzen's gallery, right?
01:23Yes.
01:26This is it, right?
01:27Kagayuzen's new competition.
01:29That's right.
01:30You won a prize, didn't you?
01:32Thank you very much.
01:34Congratulations.
01:35Thank you very much.
01:36I'm lucky.
01:37You're not lucky.
01:39What prize did you win?
01:41The name of the prize is a little long.
01:43Is it long?
01:44I can't remember.
01:46I'll get used to it.
01:47Okay.
01:50This time, Shishime won a prize
01:53at the Ishikawa Prefectural Traditional Industry Promotion Competition.
02:03This time, Shishime will show us the latest Kagayuzen.
02:08It's new.
02:11The modern sensibility is alive.
02:15Kagayuzen is evolving more and more.
02:19And I got to try Shishime's work.
02:23The colors are different.
02:25You can incorporate your own story into this story.
02:30That's true.
02:32Furthermore, from Shishime.
02:35How is it?
02:36Don't you want to try coloring?
02:38What?
02:39Again?
02:41I want to do it.
02:42In the traditional industry,
02:45Tominaga Ai said,
02:47I'm going to destroy the dojo.
02:49There's a rumor about it.
02:51What's that?
02:54He went to Shishime's studio to destroy the dojo.
02:59What happened?
03:02I did it.
03:04I did it.
03:07I'm not crying.
03:08I'm not crying.
03:09So he decided to collaborate with Shishime.
03:30Before looking at Shishime's work,
03:33let's look at others.
03:37Wow.
03:38It's a big cube.
03:40That's interesting.
03:42This is a child's painting.
03:45The artist is a young woman.
03:48The modern sensibility is alive.
03:51Kagayuzen is evolving more and more.
03:54That's true.
03:57Kagayuzen is based on the idea of Yuzen-zome.
04:01It was created by Yuzensai Miyazaki.
04:04It was established by creating new patterns one after another.
04:11Eventually, the five colors of Kaga,
04:14such as Ai, Enji, Oudo, Kusa, and Kodai Murasaki,
04:19became the feature of Kagayuzen.
04:24However, Shishime's work...
04:27Is this the feature of Kagayuzen?
04:32I don't think so.
04:33You don't think so?
04:36I think it's a special feature of Kagayuzen.
04:40The process is different.
04:43As a creator,
04:45I want to express what I'm impressed with.
04:50I like to do what I want to do,
04:54regardless of rules and traditions.
04:58That's why I do this job.
05:01Shishime has won many awards.
05:09He won the Shinshin Award at the 2009 Dento Kagayuzen Kougei.
05:15He won the Kinsho Award in 2012.
05:21At the opening ceremony of the Rugby World Cup,
05:24he created a kimono inspired by Namibia.
05:27He's a great artist.
05:33How about this?
05:35What is this?
05:37What does it look like?
05:38A scale?
05:40It's a mushroom.
05:42A mushroom?
05:43I made this for a young girl who's still training.
05:47It's her first time making a kimono.
05:49I wanted to show her what I had in mind.
05:55A mushroom?
05:56Yes.
05:57It's new.
06:00Finally,
06:01your work is...
06:03Empty.
06:04Empty?
06:05Empty.
06:06Empty?
06:08It's very...
06:10It's very different.
06:12It's totally...
06:14Yes, it is.
06:16But it's beautiful.
06:17Is it a snowy landscape?
06:19Yes, it is.
06:20It's beautiful.
06:21It's very beautiful.
06:22I wanted to create a snowy landscape.
06:27Can I touch it?
06:28Yes.
06:29It's sparkling.
06:31It's beautiful.
06:33It's a cold spring day.
06:35There's a story in the mountains.
06:38Two lovers are warming each other up in the cold.
06:43They're shaking together in a dark place.
06:47Because they're warm,
06:48they can feel each other's tenderness.
06:51At that moment,
06:52the color of the world changes.
06:56It's white, but there's color in it.
06:58The warmth of the sun,
07:00the hope of the future.
07:02I wanted to express those things.
07:04So, I made this kimono
07:07with my own feelings.
07:11It's romantic.
07:13I'm a romanticist.
07:15You're a romanticist.
07:18You're a romanticist.
07:20It's wonderful.
07:22I want to wear this kimono.
07:27I made this kimono specially for her.
07:31It's a beautiful piece of work.
07:37The person who wears this kimono
07:40has the ability to incorporate her own story
07:43into this story.
07:45That's right.
07:46Which obi should I wear?
07:51It's beautiful.
07:52I want to add the joy of being lost.
07:56And then,
07:57Mr. Shishime made a suggestion.
08:00What do you think?
08:01Don't you want to try coloring?
08:03What?
08:04Again?
08:06I want to do it.
08:08Right?
08:09I really want to do it.
08:10I really like coloring.
08:12In the traditional craft world,
08:14there is a rumor that
08:16Tominaga Ai is going to break the dojo.
08:20What's that?
08:23I'm going to break the dojo.
08:25That's great.
08:28I'm going to use it.
08:30Tominaga Ai's dojo breaking.
08:32I'm going to break the dojo.
08:35It's very high quality.
08:38I'm going to do it.
08:41I want to do it.
08:42I'm going to break the dojo.
08:45She rushed to Mr. Shishime's studio
08:48and challenged Tominaga Ai to break the dojo.
08:51Mr. Shishime's unique feature is
08:55a colorful pattern.
09:01Put the glue on the line that is less than 1mm
09:05and color it.
09:13If you move your hand even a little,
09:16the colors will mix and you will fail.
09:23It's so detailed.
09:26She is going to challenge
09:30the coloring of Kawasemi,
09:32which requires detailed brushwork.
09:35Let's do it.
09:38Where should I start?
09:41Wait a minute.
09:43Where should I start?
09:44Is it thin here?
09:46Yes.
09:47Can you do it?
09:48You can do it slowly.
09:51Do you want to try it?
09:52Yes, I'll try it.
09:54It's so thin.
09:55It's so thin.
09:59Wow.
10:02It's a moment of tension.
10:05Just by touching the first line,
10:07you can do it easily.
10:11Isn't it impossible?
10:13I'll do it.
10:15It's warm.
10:17It's electric so that it doesn't bleed.
10:20I can't see it.
10:22Oh, no.
10:25Wait a minute.
10:26I can't see it.
10:27Wait a minute.
10:31It's serious mode.
10:32I need glasses.
10:46You are good.
10:49You are good even though it's your first time.
10:51I'm not crying.
10:53You are good.
10:55You are great.
10:56What do you mean by not crying?
10:58Crying means that the color bleeds.
11:01So, when you see a kimono,
11:03if you say,
11:04I'm crying here,
11:05people will recognize you.
11:06I'll use it.
11:08I'm crying.
11:13Crying means that the color bleeds.
11:17Look at this.
11:19I'm not crying.
11:23It's beautiful.
11:25I don't want to be torn apart like this.
11:28Let's do blurring.
11:30Let's do blurring.
11:31Wait a minute.
11:33I need to stand out here.
11:36Mr. Shishime has made it more difficult.
11:40He is going to try a subtle gradation called blurring.
11:46Let's paint this part with a light color.
11:52And before it dries.
11:55Before it dries.
11:56Before it dries.
11:57Before it dries,
11:58while it's wet with this dark color,
12:01I'll paint the edges.
12:04I see.
12:05It dries quickly, doesn't it?
12:07That's right.
12:08It's small.
12:09However,
12:10when it's wet,
12:12blurring means that there is a lot of dye in this stick,
12:18so if you apply more, it will cry.
12:20So it's not good if it dries,
12:22but it's not good if it cries.
12:24That's the secret.
12:25That's difficult, isn't it?
12:28Now it's time to try blurring.
12:31Can he succeed?
12:36I think it was a little short.
12:40I can't see this.
12:46Wow.
12:48I'm scared.
12:51Move carefully to the end.
12:54It's amazing that you haven't cried yet.
12:58You're struggling.
13:02You're really good.
13:03Really?
13:04Yes.
13:05And now I'm going to go back here, right?
13:07Yes, the edge.
13:12But I can't see the border here.
13:16The corner here.
13:18The corner hasn't been colored yet.
13:20Just a little bit.
13:22Here, right?
13:23Yes.
13:31You did it.
13:34You did it.
13:36I did it.
13:39You didn't cry.
13:40I didn't cry.
13:42I did it.
13:43You didn't cry.
13:44I did it.
13:45I did it completely.
13:46I did it.
13:47You did it.
13:48You did it.
13:49You did it.
13:50You did it.
13:51I'm sweating a lot.
13:57But this is one wing,
14:00and depending on the part of the wing,
14:03you can change the length of the legs
14:05to make it look more three-dimensional.
14:07You can also adjust the length of the blur.
14:10This is amazing.
14:12This is amazing.
14:14He managed to succeed without crying.
14:18That's great.
14:20But because he has such fine technology,
14:24he was able to create such a delicate and elegant kimono.
14:30Once again, I was able to see how great the artist's technology is.
14:35And now, I have an important announcement to make.
14:40This time, Tetsuya Shishime and I,
14:43Tomina and I,
14:44have decided to make a collaboration of Kaga Yuzen.
14:49First, I thought about the design of Yuzen,
14:52and then Tetsuya Shishime will finish the work.
14:55So I thought a lot about it.
14:59I thought that the Yuzen that Tetsuya Shishime drew was very beautiful,
15:03so I wanted to make Kaga Yuzen with the image of Japanese seasons,
15:07spring, summer, autumn, and winter.
15:11I thought it would be difficult to express the seasons in one work,
15:16so I made four Kaga Yuzen images
15:19based on the image of Japanese seasons.
15:25The pressure, the excitement,
15:29and the fact that I was able to take a step forward
15:34to the stage that I wanted to go to,
15:37it wasn't a trial, but I was able to take a step forward.
15:42Each season has its own place,
15:46and each season has its own way of expressing itself,
15:51so I want to put in as much as possible
15:55the parts that the viewer can relate to,
15:58such as love.
16:00The four finished Kaga Yuzen images
16:03will be sold as Tomina's love,
16:06Tetsuya Shishime's Kaga Yuzen,
16:09and Shiki's love.
16:13The program will continue to broadcast the progress of this project.
16:18I'm really looking forward to it.
16:21Please look forward to what kind of Kaga Yuzen will be made.
16:30Craftsmen who try to weave traditional culture into the future.
16:34Let's take a look at such a new future.
16:38Mirai Action
16:43Hitoshi Maida is a Kaga Yuzen craftsman
16:46who sees the future of Kaga Yuzen
16:48and creates not only kimono, but also Kaga Yuzen.
16:55Maida's family has been engaged in the Maida Senga Crafts for generations.
17:00His father is also a Kaga Yuzen artist
17:03who has won the Yushu Award at a traditional Japanese craft exhibition.
17:08He is also responsible for spreading Kaga Yuzen.
17:14Maida is making a glass Yuzen panel.
17:20The shoken fabric used in kimono
17:23is dyed with traditional techniques of hand-written Kaga Yuzen.
17:28By unifying it with glass in a hot air bath,
17:32it is finished in a glossy color like Yuzen-nagashi.
17:39When we wash the fabric,
17:42there is a unique beauty in the water.
17:46Not only when we make a beautiful moment,
17:50but also when we lock it in the glass,
17:53we want to share the same beauty with our customers.
17:59Maida's glass Yuzen panel.
18:04It is now popular not only in Japan, but also internationally.
18:10Maida wants people to be interested in Kaga Yuzen
18:13by spreading this work.
18:18I want people to enjoy Yuzen
18:23and buy it because they want to keep it for a long time.
18:30I think Yuzen will continue to make interesting things in the future.
18:41I've used up everything.
18:45When it comes to practical patterns, it's difficult.
18:49But in order to make something good,
18:51I stick to it and don't compromise.
18:55Many traditional crafts were damaged in Noto Peninsula.
19:01In November of last year,
19:03an event was held in Ishikawa Prefecture,
19:05and I also participated in it.
19:09In the talk session,
19:11I talked with Maida Hitoshi,
19:14who makes glass Yuzen panels,
19:17and Yumeri Kato,
19:19who just joined the company last year.
19:23I also talked with Mina Takaoka,
19:26the representative of Hakuza,
19:29and Hidenori Hiraoka,
19:31who is a young craftsman.
19:33They talked about traditional crafts
19:36from their respective positions.
19:39I think I will be on the teaching side from now on.
19:45I think it's a good opportunity
19:48to make traditional crafts interesting
19:51and to make children want to do it.
19:54In the program,
19:56I will continue to introduce the current situation
19:59of traditional crafts in the North,
20:01and the movement towards reconstruction.
20:03Tominaga's love of tradition and the future
20:05is on TVer and Hulu.
20:07Please subscribe to it.