冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2025年2月5日 高知の伝統旗「フラフ」
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TVTranscript
00:01There's a cute one.
00:07Excuse me. Hello.
00:09Hello.
00:11Nice to meet you.
00:13Likewise.
00:14What are you making now?
00:16Tapestry.
00:18This is a mini-fluff.
00:21I started making something like this when I was your age.
00:24Is this a mini-fluff?
00:25Yes, it is.
00:27When I was your age, the biggest one was the smallest one.
00:32But I started making it so that it's easy to decorate in the room.
00:36Fluff is a traditional craft of Kochi that wishes for a healthy growth of a boy.
00:47It's a big flag with a picture of Kintaro, Momotaro, and Musya.
00:53As a gift from parents, relatives, and neighbors,
00:58the scene of a vivid fluff fluttering in the sky of Satsukibare is a scenic view of Tosa.
01:07This time, I experienced making a fluff at Yoshikawa Somemono store, which makes such a traditional fluff.
01:16I put too much strength in my shoulders.
01:21I put too much strength in my shoulders for the first time.
01:24It's so funny.
01:26I put the most strength in my shoulders.
01:28I thought I couldn't fail.
01:32Can I give this to the viewers as a gift?
01:35Yes, I think you can.
01:42So, I give the fluff I made with Mr. Yoshikawa to the viewers as a gift.
02:06Wow, it's so big.
02:08This is also fluff.
02:10It's so big.
02:14I have to fix this.
02:17Wow, it's so cool.
02:19Is it a picture frame?
02:20Yes, it is.
02:25Mr. Takeshi Yoshikawa, the fifth generation of Yoshikawa Somemono store.
02:30Mr. Yoshikawa inherited the traditional fluff technology.
02:37In 2011, he was chosen as one of Tosa's most outstanding inheritors of traditional fluff technology.
02:50How long have you been running this store?
02:55I used to work as a carpenter in the Edo period.
03:01My predecessor, Mr. Kintaro, was a carpenter in the Ansei period.
03:08He was the same age as Mr. Sakamoto Ryoma.
03:11What is the purpose of the fluff?
03:16It's the same as koinobori.
03:20In order to celebrate the birth of a boy,
03:25a boy was born in Nagasaki and was given a fluff of this size as a gift.
03:33The origin of the fluff is said to date back to the Edo period.
03:39There is a theory that a Dutch merchant imported the fluff from Nagasaki.
03:48It is said that the English word for fluff, or the Dutch word for flag,
03:54was derived from the Tosa language.
03:59A long time ago, I used to go to Nagasaki with my coach.
04:05I heard that there was something like this in Nagasaki, so I came to his house.
04:11My coach said,
04:13if there was something like this in Nagasaki,
04:16why don't you build something many times bigger than this and call it a fluff?
04:20Something bigger than Nagasaki.
04:22How do you decide on the design?
04:25There were a lot of Oseki designs,
04:29such as Kintaro and Amushamono.
04:33This is the bridge of Gojo, isn't it?
04:35Yes, it is.
04:37Lately, I've been asked to make Kintaro on a whale.
04:43Not Koi?
04:44No, not Koi.
04:46I try to do as much as I can.
04:49It's hand-dyed, isn't it?
04:51I don't use any machines.
04:54There is a workshop in the back, so I hope you can see it.
05:02Oh!
05:04Here you are.
05:05It's a workshop.
05:06This is what the workshop looks like.
05:09This is where I work.
05:12Now, he is going to start painting the huge fluff that the whale swims on the ocean.
05:19He showed me how to do it.
05:23Let's paint these.
05:26No, no.
05:27Let's paint these.
05:30No, no.
05:31I'm going to use water like this.
05:33Oh, water.
05:35Like this.
05:36Why are you painting with water?
05:38I'm going to paint here,
05:42but I want to make it blurry.
05:46That's why I'm using water.
05:48I see.
05:49There are places where I don't use water and places where I do.
05:52Whales don't use water at all.
05:56I see.
05:58Now, I'm going to add color.
06:03Let's just do this part.
06:05Yes, please.
06:06Light blue?
06:07I want to make it blurry like this.
06:13I want it to look like this.
06:19It's good like this.
06:22Is it okay to make it blurry?
06:24I want to make it blurry as much as possible.
06:27The upper part?
06:28Yes, the upper part.
06:29It's okay to make the lower part dark.
06:34I think that's the easiest way to do it.
06:36So, I'm going to use this color.
06:37Are you making a gradation?
06:39Yes, I'm making a gradation.
06:41Would you like to try it?
06:43Are you going to try it?
06:45I think it's good to try it.
06:47Can you do it?
06:49Can you do it?
06:51I think it's very difficult.
06:55I'm going to add color to the fluff that has been set up.
07:00I'm going to try it, too.
07:05Should I start from the middle?
07:07Yes, that's fine.
07:09You can use the flow.
07:11Yes, like that.
07:13You're doing a good job.
07:18I'm going to do it.
07:19Oh, it's blurry.
07:22If you do it evenly like that...
07:26Evenly?
07:28It's better to put the power evenly.
07:31This is difficult.
07:35It's a habit.
07:37It's sticking out.
07:38Of course, it was my first time experiencing it.
07:42It was difficult to paint one color in this big frame.
07:51This is difficult.
07:53Oh, it's out.
07:55Oh, it's out.
08:02You're doing a good job.
08:11It's difficult.
08:13It's difficult at all.
08:15You're doing a good job.
08:17It's really difficult to paint one color at a time.
08:20We'll see how it turned out later.
08:26You put such a big thing in front of the house like a flag.
08:32That's right.
08:33You put it up and let it fly in the wind.
08:36That's right. It hasn't changed much since then.
08:40The fluff was originally made with the image of a large amount of cotton.
08:46However, it is said that it has grown more and more because people in the area want to make something bigger and more conspicuous.
08:58When I was able to build a 11-meter-tall firewood pillar, I built it.
09:05At that time, everyone in the neighborhood came and helped me.
09:11On that night, I put a lot of tables in a place like this and held a party as a guest of Tosa.
09:18At that time, I brought a child with me.
09:22I was small, so I knew who was there.
09:28I was able to build a community in the area.
09:32Because you have this.
09:34I was able to build a community in the area at an event in Oseku.
09:39In the old days, I used to show everyone with a big one.
09:46After all, it is difficult to clean up after that.
09:51That's right.
09:52It's impossible for people who live in an apartment.
09:54After all, the small ones became my table and became my main work.
10:01Fluff was originally made for the sake of tango, but it seems that it has been made to decorate small things in the room according to the times.
10:12Now it can be sent as a celebration of Hinamatsuri, opening and closing.
10:22Is this the color of the sea in Kochi?
10:24The color of the sea in Kochi is like this.
10:27It's beautiful.
10:29It's different from the sea in Japan.
10:31It's the Pacific Ocean.
10:32I'm going to do the back with this.
10:37Oh, the back.
10:39I see.
10:40It's almost done.
10:41Do you do the back?
10:42I do the back.
10:44I do.
10:46Are there people who don't do it?
10:49I don't know if I do this, so I don't think I'm doing it.
10:54But I don't really like that kind of thing.
11:03If you do the front and do the back, the front will have a deep color.
11:11By painting from the back.
11:13By painting from the back.
11:15And it's easy to get rid of unevenness.
11:18So I try not to do that.
11:22Some people say it's the same even if you don't do the back.
11:28But I think it's better to be careful about what you can't see.
11:36I see.
11:40I'm going to add a dark color.
11:42You don't have to do this alone.
11:47I thought it would be better to add a little dark color.
11:51I see.
11:52I'll do it halfway.
11:54Where do you put the dark color?
11:55No, it's around the bottom.
12:01Like this.
12:02Like this.
12:12It's not that big of a deal.
12:20Would you like to try this?
12:22It looks difficult.
12:23No, it's not.
12:27You should start from here.
12:28I'll start from this side.
12:31I don't think I can do that long stroke.
12:34I think it's easier to do it here.
12:49You put too much pressure on your shoulders.
12:54You put too much pressure on your shoulders at first.
12:57You don't have to put so much pressure on your shoulders.
13:00It's so funny.
13:02It's the most you can do.
13:04It's so funny.
13:05You're doing great.
13:07I'm sorry.
13:10I can't fail.
13:19When did you start making fluff?
13:24I had to make a big one for my family.
13:30I've been helping out since I was in the 4th grade.
13:35Why did you want to make this fluff?
13:40I didn't want to do it because I didn't want to do it.
13:43It's hard work.
13:46I thought I could do it because I was able to go to college.
13:51I saw a lot of people coming and being grateful.
13:57I thought it was a good job to make people happy.
14:04I also liked it.
14:08You liked it.
14:09I didn't hate it in my heart.
14:15I still like the process of coloring in white.
14:22I think that's what happened.
14:27You're flexible.
14:29No, I'm used to it.
14:31I'm just doing it randomly.
14:35I use my nerves the most when I draw faces.
14:41Especially when I draw eyes.
14:45It's weird if the ball of the eye is off by 1mm.
14:49It's just a little thing.
14:52When I draw a face, I do it in the middle of the night.
14:56I'm late because I don't get a call and I don't get in the way.
15:02I see.
15:03I want to be in a time when I can concentrate the most.
15:08What do you use this for?
15:11What?
15:12What do you use this fluff for?
15:15I haven't decided yet.
15:18I want this.
15:21But it's your masterpiece.
15:26Can I give this to the viewers as a gift?
15:29Yes, I think you can.
15:35I'm going to finish it up.
15:38That's amazing.
15:45I help her make the fluff.
15:48I draw a powerful whale jumping out of the sea.
15:52I think black is good.
15:55I'll do it.
15:56Can you do it?
15:58I think this is good.
16:01Compared to the beginning, it's completely empty.
16:05You've gotten used to it, haven't you?
16:06I've gotten used to it.
16:07Right?
16:08At first, you seemed to have a lot of strength in your shoulders.
16:12I was too scared.
16:14It's scary, isn't it?
16:15It's scary.
16:16Yes, it's good.
16:18Yes.
16:19That's it for my help.
16:24After this, I gave her a name.
16:29Ikkei is the mark of Mr. Yoshikawa.
16:35I also drew it.
16:37Actually, this was the most difficult.
16:42It's difficult, isn't it?
16:43It's difficult, isn't it?
16:44It's shaking.
16:45It's in the air.
16:46If you look at it like this...
16:50It's done.
16:52Can I give this to the viewers as a gift?
16:54Yes.
16:55I'm going to finish it up.
16:57I think I can do it in about a month.
17:01Yes.
17:02If it's not a rainy day or a day with good weather, it's going to be a mess.
17:08It doesn't go as I imagined.
17:10I really don't like that.
17:12That's why I sometimes don't get a job when it's rainy.
17:19Here is the fluff that Mr. Yoshikawa finished over a month.
17:26It's cool.
17:29I don't even know where I painted it.
17:33Many traditional crafts were damaged in the Noto Peninsula itself.
17:38One year from the Noto Peninsula itself.
17:41Suzuyaki, which has the charm of the calm beauty of foreign food, was also greatly damaged.
17:48The writer Junichi Ariga is one of them.
17:52The house collapsed and it was no longer possible to work.
17:57Mr. Ariga, who lives in Bizen City, Okayama Prefecture, is the one who reached out to him.
18:04Now, Mr. Ariga is working in Bizen City.
18:09I heard the story.
18:12I didn't think I'd be accepted.
18:20Both Suzuyaki and Bizenyaki were baked without the glaze called yakishime.
18:26There was such a common point.
18:28I thought that if I did it, it would be Bizen.
18:36In the meantime, Kyodogama, which is located in the Suzu City Tourist Center, was restored.
18:44In December of last year, Mr. Ariga and his young colleagues re-opened the kiln for the first time after the disaster.
18:53For this day, he baked about 100 pieces of work made in the workshop in Bizen City.
19:00I got together with young people and baked a kiln.
19:03I felt like I was going to restart from here.
19:13I felt like I was one step ahead.
19:21Mr. Ariga's Suzuyaki, Wajima-nuri, and Noto-jofu, the traditional crafts of Noto, were restored.
19:29The future of Noto will be made at the Nihonbashi Mitsuko City Main Store on February 26.
19:38What is lined up there is something that has not been broken by the earthquake.
19:45It will be something that we have created by overcoming the earthquake.
19:50I would like you to see it.
19:52I would like you to see the things we made with our souls.
20:00I would be happy if you could come.
20:04Tradition and the Future of Kaminagai are on TVer and Hulu.
20:08Please subscribe to our channel.
20:11Next time, we will challenge the color of Kagayuzen in Ishikawa Prefecture.
20:15We will challenge the color of Kagayuzen in Ishikawa Prefecture.
20:18We will challenge the color of Kagayuzen in Ishikawa Prefecture.
20:20We will challenge the color of Kagayuzen in Ishikawa Prefecture.
20:22We will challenge the color of Kagayuzen in Ishikawa Prefecture.