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00:00:00You
00:00:30Yeah
00:00:33Yeah, do you believe on say a you eat up on a action shop
00:00:37The minister doesn't feel it on GMC. The song the Tajik on the show. Hey, that's not I don't know. What's that?
00:00:44Come through on the shores in Margarita. It's an emblem. Don't
00:00:48jump on a person
00:00:52If you don't at all use cuisine service applicable
00:01:00It's not only that
00:01:21Get some on there
00:01:30I
00:02:00Don't
00:02:30I
00:02:51See
00:02:53I
00:02:58Don't
00:03:19Yeah, I'm messy
00:03:23Oh
00:03:46Yes, what's up with that
00:03:50Oh
00:03:53It's a clear tone
00:03:57I don't even
00:04:08So Kyoko
00:04:12Alibazi
00:04:15Because of some of the middle area to school stay home, I mean what I said, so I'm sitting this
00:04:23Oh
00:04:53Oh
00:05:00Madame ring kouyami, oui, vous aurez bientôt sa canton n'est pas
00:05:07Il ya vrai dire on ne manque pas de jeunes cuisiniers motivés et ambitieux
00:05:12Pour ce qui est de la cuisine là je n'ai rien à voir là-dedans
00:05:17Merci pourquoi ces seulement maintenant que vous voulez venir travailler chez nous
00:05:23Ah
00:05:25Excusez-moi
00:05:27Je ne parle pas
00:05:29Est-ce qu'on peut faire venir un traducteur en japonais s'il vous plaît
00:05:39Bien
00:05:53Oh
00:06:23Oh
00:06:31But I see a connoisseur de hotel a kid a yua
00:06:35You want ginger
00:06:38Michelin de Hoshi otori taikara desだから三穀レストランのランブラージでもう一度やり直したいと思って日本から来ました
00:06:47Venez donc pour vous faire une réputation
00:06:49Réputation
00:06:52Exactement
00:06:54Est-ce que c'est tout de même si primordial que ça finalement et n'y aurait-il pas autre chose de plus essentiel pour la cuisine vous ne
00:07:02Pensez pas le k-1 odyssey Michelin de Hoshi n'a pas en quête d'être un temps d'essai
00:07:08Son nom
00:07:11Hoshi no torenai yori ni no ii wake deshika
00:07:13Image
00:07:15Sauf que vous-même vous n'avez jamais eu d'étoiles et vraiment pas de quoi se vanter
00:07:22Pourquoi tenez-vous absolument à décrocher une étoile au michelin french chef touché yori atarashikutei oishi yori tsuki surunara
00:07:31Michelin de Hoshi omezasu no tozen da to omae masu
00:07:34Aji no kizuna hito sorezore des ichiban oishi yori o kimeru nara
00:07:39kakkan teki na kizuna shitsuyo desu yo ne
00:07:41Kizuna desu ne
00:07:43Ima no ryouri kai de
00:07:45Ichiban chuuboku saretete te shinrai sareteru kizuna sore michelin desho
00:07:53Dattara
00:07:56Michelin no hoshi de shoubu suru shika nai desu yo ne
00:08:04Testoshite
00:08:11Oh
00:08:18They don't you what
00:08:20Hey, yeah, we don't even want risk everything fair
00:08:24with the Trois Autres
00:08:26about the love of our team
00:08:32Yes, yes
00:08:39Excuse me
00:08:41You pass along to tia
00:08:44Ja
00:08:47Atomic mission a war
00:08:49The name are not a chance
00:08:53See you play with it. Let's keep job country
00:08:57see you play
00:08:59This is my cousin. Yeah, but blasts is support
00:09:04Monsieur monsieur
00:09:08Monsieur
00:09:12Oh
00:09:34Thank God if it's a move
00:09:36Ah
00:09:38Thank you
00:09:40Oh
00:09:42Oh
00:09:44Oh
00:09:46Oh
00:09:48Oh
00:09:50Oh
00:09:52Oh
00:09:54Oh
00:09:56Oh
00:09:58Oh
00:10:00Oh
00:10:02Oh
00:10:04Oh
00:10:19No, that's got
00:10:21Oh
00:10:51No, but you are not a corner
00:10:53I'm gonna have to look at any of that that I already know you've got a torn it's good. I don't think I'm gonna say it's a little
00:11:21Oh
00:11:40Mm-hmm
00:11:43Kono cap see no no, it's kind of simple I get up at the gunya
00:11:47Oh
00:12:17Julia did you?
00:12:20Say not to kill Banna
00:12:22Let's go. You know, but I'm not ski
00:12:25Deputy and I see don't
00:12:29Person of a week. Yeah, it's more of a day to do this. What I make me fun. I'm not so she I wish
00:12:39You have a decision to be
00:12:42Wait
00:12:47I
00:12:59Guess if it you move up like that, so we'll be on the little person
00:13:10Another let's go feel no Obama not stand up
00:13:18Oh
00:13:20Hyaku-hyuro
00:13:22Koukaku stand so chun-chun Harai Nikunante Nihonji Marichi day. Hey, what's that?
00:13:28So they should follow grandpa. Are you took them?
00:13:33What I see no, it's about the cookie do
00:13:37Baka
00:13:39You are it. Oh, I
00:13:41Can hold it. It's a wishy-washy
00:13:44I did I eat you can take you there. Okay. You can't make it. Oh, so yeah, it's a man
00:13:49We do not miss a day. I take youには
00:13:51You only need to sit in the key. That's got Irina. No, I'm glad you know, ain't you?
00:13:54You didn't even know me so that's a little a bit of a
00:13:58Hey, what's that? Can't hold it. I know
00:14:01I'm not that's good to create a cap scene. No. Oh, yeah. Oh, they got you tattooed. It's cool. You got tons
00:14:09What does he got some June and I don't need to eat it. Okay. Yeah, I don't have a son. Do you think that's good?
00:14:15I don't know what I eat. I don't know
00:14:17So look, yes, I'm a walker
00:14:21Look, what's up?
00:14:25What's up, could you could I you know, I'm gonna do to chew bone you can't eat my man. Yeah, I'm gonna die
00:14:31Why did you never mind? You gotta know what I'm gonna do. It's a beautiful story. What do you think that?
00:14:36Who's it's a sensor no total doesn't it a so that I'm not ticklish. Hey, okay
00:14:40You don't think it's a beacon day. I'm a little Italy. So you don't eat each other's money
00:14:45So I'm gonna move to the kitchen. Oh, no good. You didn't tell you that. I hope I thought they were at least
00:14:52Another no, no, no, no, no, no
00:14:56See you play the lungs TV to be silly clip. Yeah, I guess you are going to do what you tell it
00:15:03I'm ready. Oh, it's painful. You
00:15:09Diversity of Mitsubishi restaurant with me to miss a silly oldie
00:15:17Hey, I'm sure wait, you don't hate it is a bottle cuisine. Oh, yeah
00:15:33I
00:16:03I
00:16:05I
00:16:07I
00:16:09I
00:16:32Miss interesting
00:16:35Okay, we'll let it be easy
00:16:37Was it recall a on a puzzle
00:16:54Then I have been a to be Alvin
00:16:58Maybe you'll smile. You can see I can you stay cap scene. It'll suffer an oil dish. Yeah, get a hit. Oh, she's not this one a pity
00:17:08You
00:17:30Oishi
00:17:37You
00:17:41Go to Oishi
00:17:46J
00:17:48Sona Nakamoto no monja. I don't
00:17:56Yeah
00:18:02None the other shooting it's clean. I know
00:18:07You
00:18:37I
00:18:42Don't know Kimochi that's no no, no, no, no, no, no
00:18:50Hoshi, I got a movie. So I got an idea
00:18:52No, it's a tissue
00:18:54She told you
00:18:57She'll stop me. Say, okay. Don't go to God. Sorry. I thought that
00:19:01No, Hoshi
00:19:07There was a
00:19:10Sorry, I'll see you
00:19:19Man says took your you'd be okay
00:19:22It's about you. What's up? It's a
00:19:25She's like a kid. She's a miss you and it's your
00:19:29So you can't do it
00:19:32But I see another song case ticket
00:19:36France the nihon jin de futatsubo shot on the Natsuki Sonoma Mitsubishi my you mayじゃないなんて言われてた
00:19:45No, no
00:19:50Yeah, it's up to me
00:19:53Some name my no snow Kaida, no, I'll give you something. It's going to take off. That's not a joke
00:20:02You don't know can't call you soon enough to know you'll die Gina Kaida. Oh, but you can watch that shit
00:20:07Obama, that's key. Why do you hold no, hajida?
00:20:11Don't know
00:20:12No, no, I do this
00:20:14Suki cut the yoku, you know
00:20:16I'm not done or you'll do it. I'll tell you what I'm not in Cuba, sir
00:20:19But
00:20:50It's
00:20:55You know, it's on the same coconut recipe still or it that I didn't want you to go to nine, you know
00:21:01It's me
00:21:03Can you wish you got it?
00:21:05Come with a decade. It's not only only it's covered. It doesn't I don't tell you how I got it
00:21:11So I don't get it. I don't know
00:21:13What does he want?
00:21:16You know
00:21:19Tokyo did you know you have to move? She was he took to what's gonna cut
00:21:25They shouldn't soon they thought how I got in there
00:21:29Yes, I'm a ton
00:21:32Demo doh
00:21:34Demo Michelin no Hoshigahakirame. I don't have to
00:21:38marry no Mitsubishi day
00:21:41It's kind I know so don't
00:21:43You know Saki Tenaga Ebi no HB. I'll tell you how to kill you. I got that
00:21:51Keto Toka soy no conchina kun
00:21:55What does she know Hoshio Toro?
00:22:01Say no, I'm a nine-day
00:22:05Party I'll do it. Don't let me come back to you now. I know you
00:22:13Oh
00:22:43Okay, I know
00:22:45Let's do that. Yeah, I know what it is. You need
00:22:49What am I
00:22:51Mom, you should I know Hoshigahatsuiti do you wanna miss it? Yeah, I thought I can I don't know. I'm Tava Hoshigahatsuiti
00:22:56Dr. Anthony, so he liked it
00:23:00What it'll be shown you Hoshio to live with you
00:23:05Tell me that you should be sick. I achieve a grand mezzanine. It's good to know
00:23:13We're gonna come out of the Anthony Hoshio trusted
00:23:43You
00:24:02Now you stand on the waters
00:24:06Yeah, they've committed Sanjuma Misa got you don't you know, it's got a good time you guys got
00:24:13Yeah, so they're not gonna say cut you a dose of no tomorrow, but so I can say go open soon
00:24:18Oh, man, it's gonna come on. That's it. I don't know what to do. There's nothing cool. Yeah, but I already
00:24:23post it, okay
00:24:25tempera, you know, yeah
00:24:27It's more than a little
00:24:32Nishi Azabu, no, she Yoshizumi, Shirogane. No, no, she approved me. So you chose I know how to talk about that
00:24:38Come shoot you need to go Michelangelo
00:24:42Tokyo no, he's okay. Oh, yes, we'll do monkey. Come here Hoshio. Tommy, so I need to have some juice. What's got a 10% you see tonight?
00:24:49So not you French about you again, Mitsubishi. No French. No, thank you
00:24:53Nihonjin no French if the Mitsubishi, Ottawa Shinagawa, no contest. I'm so you can look at that
00:24:58So you need to look at me. So I don't know that he died
00:25:00So you know today no Tokyo French. Oh, you know, I don't go
00:25:03Oh
00:25:05So they won't eat it up open. Can I was going to end the hitotsubo? She'll talk to me not me. Oh, yeah monogatari
00:25:11Nina mini stay Mitsubishi. Oh
00:25:14What do you know Tokyo number one? You know, I got skinny. I don't miss bonus. I'm a conglomerate
00:25:21Odyssey
00:25:22Hoshio, Tommy, so I need to talk Hoshio to send to you. She came here. So I'll go to my survey. Oh, yeah
00:25:27Moschino, Hoshio, Otis, you know, I got that
00:25:31Sonomichi, I'll talk to you soon. Oh, I must say
00:25:35Toshikani
00:25:37Uchiha Hoshio, Shina, Ulysses, Jose Ortega, D'Arnaud, that you might change again. Can't you know stick it up?
00:25:42Mamoru, Tom, Johnny
00:25:43Fiasco, Mina, Jumida
00:25:46Or that you got Tokyo number one that they go to show me sir. Oh, yeah, it's a indeed Mitsubishi, Ottawa
00:25:51We
00:25:55Can you say so say no to all I hate you
00:25:59Don't you know they are you don't you like I got you some sunshine
00:26:09Yeah, yeah, I'm just a macho macho
00:26:12Masha
00:26:15We're going to go to a rich one for each number
00:26:18I'm going to say you should ever talk on the site sent on the French. I got it
00:26:22You know, I thought it was you don't want to see you. You need to watch me. Don't look at you. I did it
00:26:34Shifu
00:26:37I think you mean
00:26:39I do not say much
00:26:42I'm going to be too much. Yeah, I'm ready to show
00:26:46ってる
00:26:47Yes, I'm a son. What did you say?
00:26:50Joan
00:26:52Obama
00:26:54Okay, baby, not that the tunnel is in it, you know
00:27:00Come on, sir
00:27:02No, I don't know a super bowl
00:27:09You know
00:27:17What about
00:27:19What I want to go I'm a team a ton of course this one you want to see kind of a pairing date
00:27:25Thank you, Gabrielle
00:27:27What I should be such a complete this
00:27:30Hakushin say omoto may not be sure I'm not gonna be out of it. I said
00:27:33I'm not under no shock. I'm a witch. I have to tell you that but I still don't think I could never come out of the hostel
00:27:39It was a and my friend
00:27:46Almost you don't talk to me. I don't want to see it. Yes, it was a
00:27:51It's a lot of work. No, so far. I said you don't want to see me new day. Oh, yes. Yes. Come on, sir
00:27:58You didn't know
00:28:00Don't you come on toy that's excuse me?
00:28:08Just say I'm not looking at us
00:28:13Don't say I got to know I should I know you should I know chose I end up
00:28:16Hey
00:28:20That emotion I'm sure I know you're not
00:28:23Thank you. Okay. I need to keep my no-code. Oh, but I got it. Sorry
00:28:27Hoshi, you may think that I didn't you'll hold on my dick. Come on. Sorry. Sorry. That's come I did us
00:28:34Hitotsuboshi Chicago new to do that. I think I should know how to do that. I don't think that's what she
00:28:40told me I wish to do that. What do they look at you? No, it's about a CD. It's what she
00:28:44Sonata Mary the course of the country
00:28:50What does he does she wants to thank you for notary
00:28:53Thank you. What don't you want? She couldn't you stay she holds pretty cool. That's the way
00:28:57Scapulo puree. Oh, come so sassamono toe. Toe. He did Kaori's kiss. I'll be there. Misha
00:29:06You know, I didn't make it look on
00:29:14I
00:29:24Might know about that
00:29:27bonito ones that can
00:29:29keep me to Hananopi
00:29:32Shukudai not a lasting new cook will come out if you get us to do it. You're not good. It's got time
00:29:44I
00:29:56Don't know how do you know me? You can't so sassam. You know, I'm a seat. Oh, it's a lot of success today
00:30:01Oh, I'm sorry. Good. I
00:30:04Didn't want to know what I couldn't make it out of it at all. It's cool. I'm sorry
00:30:09Okay
00:30:11Oh, so there's no money. I don't need you to do that. Why do they
00:30:22Mean you almost messed up
00:30:29So show me that
00:30:33I don't know that much
00:30:35I got the stuff
00:30:38What's awesome? I mean
00:30:40I don't know that much money. Did I not submit it? No, I don't know that day
00:30:45I don't know that no car chose I need that you need us to do it. Oh, we touch it. That's that you only saw that
00:30:51I don't know
00:30:52Moritz. Okay, that's a today. They cannot release our coach master
00:30:55I
00:31:25Shouldn't you like
00:31:28What a check me my condominium in there again
00:31:33You'll cook so much
00:31:35I'm not don't have to go back in there. Can I go now?
00:31:38Check me service. You know, I'm gonna do it. You know, I'm talking to you
00:31:43Check no, you know, come on. Come on. You got me tight. So you did I not got that order. No, you're
00:31:49I don't know what I'm not a check that you
00:32:02I don't know. Come on. Let's show me say what I'm a you don't have it. I don't know where you go. It's a
00:32:09Sighting
00:32:19Oh
00:32:32I'm not that they don't know he's Tony get out of it. They don't know
00:32:40Nani stand off
00:32:43I
00:32:46Mean I'll get it's kind of come
00:32:49It's my son. No good. Yeah, I'm gonna go there. I shall not have it. I'm gonna come in. I got a
00:32:57She will have to move it good
00:33:01Honey, yeah, what an old lady boy she go home
00:33:05Hey
00:33:07What's on the car but can you see my day? Oh, yeah. No, you're talking to me. Oh, no, I don't need you know, you don't talk
00:33:14What about you wanna see me say I'm part of the show
00:33:21Night night night
00:33:25No, you can't see it's to come on that's the kind I know you know, how's it going? Oh, yeah
00:33:31I
00:33:41Don't disconnect Michelin
00:33:45It's more Dory not a little service. I think you'll be here. I don't want you to go
00:33:48What did you know she's so I didn't want you to come out. I still have hearing no I know great
00:33:53Oh, don't stick with us. I won't let each one. Do you get it?
00:33:55Shogun, yeah, I'll tell you about all kind of you can't hold it
00:33:59You put you got cause me I said you can't tell me a lot better pairing. No, I know how to go show show
00:34:03Come on. Come on. Come on. Come on. Come on. Come on. Come on. Come on. No, sir
00:34:08Which guy up there will be soon or not? I don't know. God. I can't talk with it
00:34:12No, this is it. I don't know. You can't go chef. Oh, yeah, don't eat cookie. So good
00:34:16I ought to say I say Santa don't you think you'll sit on my couch?
00:34:19I'm gonna push me right here. So maybe Michelangelo can't get it. I don't get it. I don't know
00:34:25What's going on?
00:34:55Oh
00:35:06Yeah, I'm a soon not there I keep I think there
00:35:13My shit, I'm a
00:35:16You
00:35:19You're a key jacket. Oh, come on. Oh, yeah. He's a toy motorcycle. You know caboose no miso soup this
00:35:23Oh, they were on you get this over here at the new car. Ah, we know total cabbages. I got a monster. Do you?
00:35:29So you more up there?
00:35:31Oh, but I'm not you got none. They were so good. I don't know you cook. Oh, I was shook this you
00:35:35Oh
00:36:05No comments
00:36:09Those no no, no, no, no, no, no, no
00:36:28No, no, no, no, no, no, no
00:36:35I came to get an autograph.
00:36:38I came to introduce you to a woman.
00:36:40This is Hayami Rinko.
00:36:43I'm Aizawa Kamehito.
00:36:44Rinko, are you a cook?
00:36:48I'm sorry, I haven't done anything.
00:36:52I'm a female chef.
00:36:53That's wonderful.
00:36:54I've decided to open a restaurant with my girlfriend.
00:36:57I haven't decided anything yet.
00:36:59Would you like to do it together?
00:37:01Rinko, do you have money?
00:37:04What?
00:37:05Didn't you ask me that at first?
00:37:11I knew it.
00:37:12I'll do anything for the sake of cooking.
00:37:15And be careful not to hurt a woman.
00:37:20Would you like to do it together?
00:37:25Of course.
00:37:27Would you like to drink?
00:37:28Of course.
00:37:29I'll never drink.
00:37:33I don't want to be deceived.
00:37:35Let's go.
00:37:53Is it cold today?
00:37:54Yes, it is.
00:37:55I'll have three servings.
00:37:57Okay.
00:37:58The noodles are almost ready.
00:37:59Okay.
00:38:00Here you are.
00:38:03Can I borrow this?
00:38:04Sure.
00:38:08Hey.
00:38:09Yes?
00:38:10How many times do I have to tell you?
00:38:12It's impossible for you to be the last one.
00:38:16I'm fine.
00:38:18And I'll make it in time for the opening.
00:38:33I'm so angry.
00:38:40Hey.
00:38:41Mr. Kyono.
00:38:43Mr. Obana?
00:38:44Yes.
00:38:46He's trying to open a new restaurant.
00:38:49It's too late for him.
00:38:52Hey, Shohei.
00:38:54I won't refuse even if you invite me.
00:38:56Of course.
00:38:57You introduced me to Mr. Kyono.
00:39:01How's it going?
00:39:02It's going well.
00:39:04I'm in charge of the buffet at the motel.
00:39:07I see.
00:39:09How about you?
00:39:12I'm thinking of getting married.
00:39:16I see.
00:39:18It's going well for you, too.
00:39:19Yes.
00:39:21If you have a family, you should date Mr. Obana.
00:39:26Why are you so worried?
00:39:28Because you're more important to Obana than anyone else.
00:39:31I don't care.
00:39:38Is that all?
00:39:42Mitsuboshi.
00:39:43If you're going to aim for it, it's Mitsuboshi.
00:39:45I applied because I wanted to do something serious.
00:39:47I have a consultation about Mr. Obana.
00:39:49Let's say hello for now.
00:39:51Starting a restaurant means giving life to the government.
00:39:55I'm sure he'll come back to destroy Obana.
00:39:57Why don't you come to my house?
00:39:58It's natural to pull out in this world.
00:40:01He's definitely needed in my restaurant.
00:40:03There's no one else who wants to work with Mr. Obana.
00:40:06I know more about cooking than anyone else.
00:40:08I like cooking like a fool.
00:40:15Is it Michelin?
00:40:17Thank you for calling.
00:40:18No, no.
00:40:19It's reserved.
00:40:21From Michelin to this office.
00:40:24What do you think of this year's course?
00:40:27I have nothing to say to Chef Tango about cooking.
00:40:30I'd like to hear Mr. Kyono's opinion, who won two awards in Paris with Obana.
00:40:36Gaku is researching thoroughly from ingredients to cooking methods.
00:40:42I'm making a dish to get a guarantee.
00:40:45When I was used by the owner, I was inferior to Obana.
00:40:51Obana doesn't have the ability to take in other people's opinions.
00:40:57Tango is a great talent.
00:41:02Let me know if you get a call from Michelin.
00:41:06What are you going to do?
00:41:08Kyono.
00:41:10If he's here, I can get people together.
00:41:12Hey, is Mr. Kyono that important?
00:41:15He's definitely needed in my restaurant.
00:41:17He's definitely needed.
00:41:19And who are you?
00:41:21I'm Koichi Serita.
00:41:23I came to see the job site.
00:41:25Job site?
00:41:27You were doing that?
00:41:28It's true that I'm going to make the world's best grand maison.
00:41:31I want to make a big dream or romance.
00:41:33I applied because I wanted to do something that I could really put my life into.
00:41:37Are you inexperienced?
00:41:38I've been working part-time at a bar for half a year.
00:41:41By the way, my specialty is omiyaki soba.
00:41:43It's the best.
00:41:44Is it okay?
00:41:45I can feel it.
00:41:46Give me your number.
00:41:47Okay.
00:41:49But we haven't decided to open a restaurant yet.
00:41:54I'll definitely open a restaurant.
00:41:55I'll call you when I'm ready.
00:41:57Okay.
00:41:58I'll wait for your call.
00:42:00Let's aim for the top together.
00:42:02Please.
00:42:06I found one.
00:42:07It's a part-time job, right?
00:42:09You should find a part-time job.
00:42:11How long are you going to sit there?
00:42:1510 minutes later
00:42:46I'll do it.
00:42:47You're good at it.
00:42:56Amelie, did you have fun today?
00:42:57Yes.
00:43:08Today's...
00:43:09Today's...
00:43:11What's wrong with this wine list?
00:43:13I tried my best to lower the alcohol content.
00:43:15The average alcohol content is 25%.
00:43:17It's too high.
00:43:18But the alcohol content of wine is usually around 50%.
00:43:2125% is the minimum.
00:43:22It's rude of you to lower it any more.
00:43:25What are you talking about?
00:43:28Can you run a restaurant?
00:43:31The 10-year survival rate of a luxury restaurant is only 1%.
00:43:35Anyone can do it to survive.
00:43:39Are you trying to trick me?
00:43:43I'm not tricking you.
00:43:44I made another wine list.
00:43:49Please use this.
00:44:05Excuse me.
00:44:06I was surprised.
00:44:07I'm sorry.
00:44:08Did you go with Obana?
00:44:11I need to talk to Obana.
00:44:14What did he say?
00:44:15He won't leave the house.
00:44:17Can you do something for me?
00:44:19Please.
00:44:20I'll have some more.
00:44:23Please.
00:44:28I'm sorry.
00:44:30Sit down.
00:44:32What do you mean?
00:44:33When I see someone in trouble, I can't leave them alone.
00:44:37Especially a woman.
00:44:39Did you trick me and bring me here?
00:44:41No, I'm not lying.
00:44:43If I hadn't brought you here, I would have been threatened to sit here for the rest of my life.
00:44:47You...
00:44:49Don't get involved with people who have nothing to do with you.
00:44:50I don't have anything to do with you.
00:44:51We're partners who open a restaurant together.
00:44:54Here you are.
00:44:55I'm sorry.
00:44:57I'm sorry?
00:44:59A cook apologizes for cooking.
00:45:02I just don't want to apologize.
00:45:08That's...
00:45:09Is that a rice bowl?
00:45:10Yes.
00:45:11Kyono and I used to train in Paris.
00:45:14This is his favorite food.
00:45:16Did Kyono train in Rambla?
00:45:20It's an old story.
00:45:21It's Kusukusu Aramezon with five kinds of meat.
00:45:26Bon appetit.
00:45:29Please.
00:45:33Kusukusu Aramezon
00:45:43It's a little smelly.
00:45:46Why don't you add yuzu?
00:45:49Don't be stingy with the taste of our memories.
00:45:52What?
00:45:53This is a tomato stew seasoned with garlic and meat by adding anise and cardamom.
00:46:00I'm sure it goes well with yuzu.
00:46:03It's a woman's idea.
00:46:04Men should eat this much.
00:46:07That's because you two were young.
00:46:10You should eat yuzu now.
00:46:14And if you're going to eat in Japan, you can eat rice instead of Kusukusu Aramezon.
00:46:20No way.
00:46:23It's useless to say anything to him.
00:46:25No one has ever asked me about cooking.
00:46:30Why did you quit being a cook?
00:46:37For example, if you make an omelet with the same egg and butter,
00:46:45the taste will change depending on the person who made it.
00:46:49It's strange.
00:46:52When I was training,
00:46:55I was told for the first time that I had to eat the food of a cheeky junior from Japan.
00:47:01No matter how hard I try, there are things I can't fill.
00:47:06That junior?
00:47:08At that time, there were many students in Lombardy.
00:47:11It needs a little sweetness.
00:47:12It's a fish, so it's better to make it sour with vinegar.
00:47:15After that, I had no place to go.
00:47:19So I gave up being a cook.
00:47:23Then we started Escoffee together.
00:47:27He was in charge of the shop's personnel, management,
00:47:32management of the hall, wine management,
00:47:34the ventilation of the toilet door,
00:47:36and even the wrinkles of an apprentice cook's apron.
00:47:39He was perfect.
00:47:41Most of all, he is a cook who trained with me in Lombardy.
00:47:47He knows cooking better than anyone,
00:47:50and he likes cooking like a fool.
00:47:54I was thinking of making Escoffee the best restaurant in the world.
00:48:02I really thought that if I was with him, it would come true.
00:48:07There is no other man in the world who makes me think that way.
00:48:28What is this?
00:48:29About 300,000 yen.
00:48:30Did you have that?
00:48:31I had a loan to Escoffee.
00:48:34You carried all that, didn't you?
00:48:36After I went bankrupt, I couldn't work anymore,
00:48:39so I asked Tango for a loan.
00:48:42That's why you went to Tango's shop, right?
00:48:47Make money with that.
00:48:49Then you can work with me again.
00:48:51Don't fuck with me!
00:48:54There's no way I can make money with this!
00:48:56You broke it!
00:49:06I'm sorry.
00:49:20The chef is responsible for all the dishes.
00:49:25The contamination of the allergen is your fault!
00:49:29If you hadn't hit the manager over there,
00:49:33the restaurant would have been safe!
00:49:36You hit him for no reason.
00:49:40You didn't care about the others.
00:49:45Yes.
00:49:47I hit him because he made fun of my cooking.
00:49:56Do you think you can work with such a selfish person again?
00:50:02Hey!
00:50:04If you want to start a restaurant,
00:50:06you have to give your life to the chef.
00:50:10You want me to give my life to such a person again?
00:50:13Don't fuck with me!
00:50:15It's not just about money.
00:50:18I have the honor of being saved by the owner of Eto.
00:50:23I can't quit school for you!
00:50:31I'm sorry.
00:50:38Let's stop.
00:50:41I can't.
00:50:42It's just the beginning.
00:50:54Today,
00:50:57I want to talk to you.
00:50:59This female chef.
00:51:01She came to my house a few days ago.
00:51:03She came to my house with a man.
00:51:05She was trying to seduce you.
00:51:09Maybe she was trying to seduce you.
00:51:14I was invited, but I refused.
00:51:16I have a job.
00:51:19Why did this woman invite you?
00:51:25Who is the man who came to my house with a woman?
00:51:30It's Obana.
00:51:35I'm Obana Natsuki.
00:51:41Obana came to Tokyo?
00:51:45Is she the allergic chef who was called the shame of Japan?
00:51:50This is interesting.
00:51:53I'm trying to open a new restaurant with her,
00:51:56but it's impossible.
00:52:00No one will follow me.
00:52:10This is my part-time job information.
00:52:13Stop it.
00:52:24I've seen you in the magazine a few times.
00:52:29I've seen you in the magazine a few times.
00:52:33It was delicious.
00:52:37Would you like to come to my house?
00:52:40What?
00:52:41If you want to come, I'll tell you my knowledge and skills.
00:52:45I'm thinking of opening a restaurant in Singapore.
00:52:48It's up to you.
00:52:50It's up to you.
00:52:53Are you worried about Obana Natsuki?
00:52:57Why?
00:52:59I heard it from my boss.
00:53:02You're being deceived.
00:53:05If you're worried about Obana, you don't have to worry.
00:53:08It's natural to be attracted to this world.
00:53:12It's the common sense of restaurant management.
00:53:15Of course, I'll leave the choice to you.
00:53:17I'm serious.
00:53:19I'll leave the choice to you.
00:53:21I'm serious.
00:53:23I want to work with you.
00:53:28Let me think about it.
00:53:32Do you have to go this far?
00:53:35Obana and I trained in the same restaurant.
00:53:39It's a disadvantage for Gaku to have the same chef in Tokyo.
00:53:43But if you're going to make such a mediocre chef the chef of another restaurant,
00:53:48I can't agree with you.
00:53:50It's a waste of time.
00:53:52A young and talented chef will rot.
00:53:54If you can't use it, you can cut it.
00:54:12Welcome back.
00:54:14How did you get in?
00:54:17I was talking to him.
00:54:19Anyway, I found a good building.
00:54:21Let's go see it together.
00:54:26Don't come in without permission.
00:54:30I'm sorry.
00:54:33But I really want to cook.
00:54:37Are you looking for a part-time job?
00:54:39Not yet.
00:54:41I asked you to leave as soon as possible.
00:54:45What do you think I am?
00:54:48Is it a middle-aged woman who can stay for the time being?
00:54:51Or is it a rich man?
00:54:54You said you were a partner in making the world's best Grand Maison.
00:54:58Don't say such a dreamy thing.
00:55:01No one wants to work with you.
00:55:04No matter where I go, no matter who I ask, I always hear bad things about you.
00:55:08You can't make the world's best Grand Maison with that.
00:55:13It's a shame.
00:55:15Don't be ridiculous.
00:55:17I've been on this road for 30 years.
00:55:24I know.
00:55:27There's no way a person like you would choose a partner
00:55:32when you're a terrible cook like me.
00:55:37But I respected you.
00:55:40I think that's why I got carried away.
00:55:49But enough of this dreamy talk.
00:55:52Mr. Towns asked me to come here.
00:55:57He said he would accept me as a part-time employee.
00:56:02I will accept his invitation.
00:56:11I see.
00:56:13It's over.
00:56:16Please leave.
00:56:19Mr. Towns asked me to come here.
00:56:22He said he would accept me as a part-time employee.
00:56:25I will accept his invitation.
00:56:38It was when you ate my shrimp.
00:56:50It was delicious.
00:56:54Yes.
00:56:59It was very delicious.
00:57:07It's been a while since I remembered
00:57:10how happy I was when I first started cooking.
00:57:14I was so happy when you said it was delicious.
00:57:20That's why I chose you as my partner.
00:57:25No one has ever been able to see through my cooking perfectly.
00:57:37You have talent.
00:57:41If you have any problems at the restaurant,
00:57:45you can count on me.
00:58:30I'm sure he'll say yes.
00:58:33No problem.
00:58:36I don't think so.
00:58:50Hello.
00:58:51I'm Gaku from the restaurant.
00:58:53Thank you for your help.
00:58:56Yes.
00:58:58I see.
00:59:01I understand.
00:59:02Excuse me.
00:59:04Yes.
00:59:09From Michelin.
00:59:11What's the star?
00:59:13Two stars!
00:59:15Yes!
00:59:19Let's have a toast.
00:59:25You all did a great job.
00:59:27I didn't get three stars,
00:59:29but I got two stars in the second year of the restaurant.
00:59:32Let's do our best until next year.
00:59:34Yes!
00:59:42You came to the right place.
00:59:44I just got a call from Michelin.
00:59:46I got two stars.
00:59:49I see.
00:59:51Congratulations.
00:59:54You made up your mind.
00:59:56Yes.
00:59:57Welcome to our new restaurant.
01:00:07What's this?
01:00:10It's 10 million yen.
01:00:12I'm going to pay off Kyono's debt.
01:00:17Rinko.
01:00:18If it's not enough, you can ask for more.
01:00:20What are you talking about?
01:00:21I came to get Kyono out of this restaurant.
01:00:27Are you kidding me?
01:00:29I won't let you do that.
01:00:32In this world, it's common sense to pull out.
01:00:36It's the common sense of restaurant management.
01:00:38Are you underestimating me?
01:00:40You're a woman, so don't underestimate me.
01:00:42Do you think Kyono will follow an unknown chef like you just to pay off her debt?
01:00:50Kyono.
01:00:52You're not going to do anything stupid again, are you?
01:00:56Yes.
01:00:57I know how frustrated you were when you gave up being a chef.
01:01:04I've been obsessed with stars.
01:01:09I thought I could get a star if I worked hard.
01:01:13But when I ate your long-tailed lobster,
01:01:18I felt the difference in power that I couldn't hide.
01:01:22So I decided to quit being a chef.
01:01:26And then he said,
01:01:29Why don't we get a star together?
01:01:31Why don't you get a star with me?
01:01:33Let's make the world's best Grand Maison together.
01:01:35How about making the world's best Grand Maison together?
01:01:42That's stupid.
01:01:44It's like opening a cultural festival.
01:01:53When I heard that, I wanted to try it.
01:01:58You know Kyono better than anyone else.
01:02:03Your cooking has the power to move people.
01:02:09As Kyono said,
01:02:13you're the worst person ever.
01:02:16You're selfish and you don't listen to anyone.
01:02:20But I think you're just clumsy.
01:02:25You're the worst person ever.
01:02:29You can't make such a delicious dish.
01:02:33I'm sorry.
01:02:34Who did it?
01:02:37I'm sorry.
01:02:43It's all my fault.
01:02:45You issued a visa and passport for the restaurant.
01:02:49There are more than half of the immigrants.
01:02:51Do you know what they think?
01:02:53What do you mean?
01:02:54There's a possibility of terrorism.
01:02:58Are you suspecting our staff?
01:03:03I think there are people who are connected to this organization.
01:03:07Hey!
01:03:08Try it again!
01:03:10Don't be stupid.
01:03:12Don't be stupid!
01:03:34To be honest, I don't know what the result will be.
01:03:38But I can tell you this.
01:03:40All the dishes in our restaurant
01:03:42are dishes that Kyono can recommend to customers with confidence.
01:03:47We promise that we will only make dishes that you can offer to customers with pride.
01:03:54You don't know anything!
01:03:56You don't know anything!
01:03:57Kyono!
01:03:58Why don't you make a restaurant with me and Obana?
01:04:01Kyono!
01:04:02Please help me!
01:04:04Please!
01:04:05Kyono.
01:04:06You know what kind of person he is, right?
01:04:33He's an illegal immigrant.
01:04:36What?
01:04:38Didn't he go to Tango?
01:04:41That's what he said.
01:04:43He thought that if he left the restaurant, he would come here.
01:04:49He's an impudent old man.
01:04:51He's a stupid old woman who knows he'll come here.
01:04:57There's one more.
01:04:59One more?
01:05:02One more?
01:05:09It's not for you.
01:05:12Rinko has repaid my debt.
01:05:15From now on, I will work for her.
01:05:23You did a good job, right?
01:05:25Praise others from time to time.
01:05:28You can use your mouth.
01:05:3340 bowls.
01:05:35The rent is 500,000 yen.
01:05:37Isn't it too far from the station?
01:05:40Oh, I see.
01:05:43Well, the access is bad.
01:05:45But it's more suitable for our restaurant to taste food from a distance.
01:05:52Right?
01:05:53Customers who come to our restaurant will definitely come back.
01:05:58We will create a restaurant that serves such food.
01:06:02What should we do?
01:06:04The name of the restaurant.
01:06:05Me?
01:06:06If Rinko wasn't here, this project wouldn't have started.
01:06:09You should decide.
01:06:14Grand Maison Tokyo.
01:06:16What's the concept?
01:06:17Make the best Grand Maison in the world in Tokyo.
01:06:20That's all.
01:06:21That's all.
01:06:22What are you talking about?
01:06:24Are you really going to take the stars?
01:06:26What are you talking about?
01:06:27You are the one who will take the stars.
01:06:29What?
01:06:30The chef of Grand Maison Tokyo is Rinko Hayami.
01:06:34I can't say my name.
01:06:36And I promised you that I would take the stars.
01:06:41Then I will take the first star in Tokyo.
01:06:44Three stars.
01:06:46If you aim for it, it will be three stars.
01:06:49No way.
01:06:51No way.
01:06:52No.
01:06:53The restaurant of Rinko Hayami, Grand Maison Tokyo,
01:06:57will be a new French restaurant with three stars.
01:07:13This is a good color.
01:07:15Next is red.
01:07:20My name is Kuzumi.
01:07:22That famous food writer.
01:07:24I'm going to open a new restaurant in Tokyo next year.
01:07:27I'm going to say hello to you today.
01:07:30Nice to meet you.
01:07:32Hello?
01:07:33I'm Kuzumi.
01:07:34It looks like you're really going to open a restaurant.
01:07:37Mr. Oba Nagatsuki.
01:07:38I see.
01:07:39I can't believe it happened.
01:07:41Is it the Nuts Incident three years ago?
01:07:45That was a murder mystery case.
01:07:47At that time, someone purposefully bought allergenic food.
01:07:52I'm sure he'll come back to kill Oba.
01:07:56Is the person who was called the shame of Japan buying in Tokyo?
01:08:01Who is this?
01:08:02I know him.
01:08:03How are you today?
01:08:07It's a lot of luxury for a scientific experiment.
01:08:10Where did you get that?
01:08:11I got two stars.
01:08:16Are you so happy to be next to me?
01:08:18No.
01:08:19I got two stars in a French restaurant in Tokyo where the judge is said to be stricter than Paris.
01:08:29I'm looking forward to it.
01:08:31Your new challenge.
01:08:34I'm looking forward to it.
01:08:37I'm looking forward to it.
01:08:38I'm looking forward to it.
01:08:39I'm looking forward to it.
01:08:40I'm looking forward to it.
01:08:41I'm looking forward to it.
01:08:42I'm looking forward to it.
01:08:43I'm looking forward to it.
01:08:44I'm looking forward to it.
01:08:45I'm looking forward to it.
01:08:46I'm looking forward to it.
01:08:47I'm looking forward to it.
01:08:48I'm looking forward to it.
01:08:49I'm looking forward to it.
01:08:50I'm looking forward to it.
01:08:51I'm looking forward to it.
01:08:52I'm looking forward to it.
01:08:53I'm looking forward to it.
01:08:54I'm looking forward to it.
01:08:55I'm looking forward to it.
01:08:56I'm looking forward to it.
01:08:57I'm looking forward to it.
01:08:58I'm looking forward to it.
01:08:59I'm looking forward to it.
01:09:00I'm looking forward to it.
01:09:01I'm looking forward to it.
01:09:02I'm looking forward to it.
01:09:03I'm looking forward to it.
01:09:04I'm looking forward to it.
01:09:05I'm looking forward to it.
01:09:06I'm looking forward to it.
01:09:07I'm looking forward to it.
01:09:08I'm looking forward to it.
01:09:09I'm looking forward to it.
01:09:10I'm looking forward to it.
01:09:11I'm looking forward to it.
01:09:12I'm looking forward to it.
01:09:13I'm looking forward to it.
01:09:14I'm looking forward to it.
01:09:15I'm looking forward to it.
01:09:16I'm looking forward to it.
01:09:17I'm looking forward to it.
01:09:18I'm looking forward to it.
01:09:19I'm looking forward to it.
01:09:20I'm looking forward to it.
01:09:21I'm looking forward to it.
01:09:22I'm looking forward to it.
01:09:23I'm looking forward to it.
01:09:24I'm looking forward to it.
01:09:25I'm looking forward to it.
01:09:26I'm looking forward to it.
01:09:27I'm looking forward to it.
01:09:28I'm looking forward to it.
01:09:29I'm looking forward to it.
01:09:30I'm looking forward to it.
01:09:31I'm looking forward to it.
01:09:32I'm looking forward to it.
01:09:33I'm looking forward to it.
01:09:34I'm looking forward to it.
01:09:35I'm looking forward to it.
01:09:36I'm looking forward to it.
01:09:37I'm looking forward to it.
01:09:38I'm looking forward to it.
01:09:39I'm looking forward to it.
01:09:40I'm looking forward to it.
01:09:41I'm looking forward to it.
01:09:42I'm looking forward to it.
01:09:43I'm looking forward to it.
01:09:44I'm looking forward to it.
01:09:45I'm looking forward to it.
01:09:46I'm looking forward to it.
01:09:47I'm looking forward to it.
01:09:48I'm looking forward to it.
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01:09:50I'm looking forward to it.
01:09:51I'm looking forward to it.
01:09:52I'm looking forward to it.
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01:09:54I'm looking forward to it.
01:09:55I'm looking forward to it.
01:09:56I'm looking forward to it.
01:09:57I'm looking forward to it.
01:09:58I'm looking forward to it.
01:09:59I'm looking forward to it.
01:10:00I'm looking forward to it.
01:10:01I'm looking forward to it.
01:10:02I'm looking forward to it.
01:10:03I'm looking forward to it.
01:10:04I'm looking forward to it.
01:10:05I'm looking forward to it.
01:10:06I'm looking forward to it.
01:10:07I'm looking forward to it.
01:10:08I'm looking forward to it.
01:10:09I'm looking forward to it.
01:10:10I'm looking forward to it.
01:10:11I'm looking forward to it.
01:10:12I'm looking forward to it.
01:10:14I'm looking forward to it.
01:10:15I'm looking forward to it.
01:10:16I'm looking forward to it.
01:10:17I'm looking forward to it.
01:10:18I'm looking forward to it.
01:10:19I'm looking forward to it.
01:10:20I'm looking forward to it.
01:10:21I'm looking forward to it.
01:10:22I'm looking forward to it.
01:10:23I'm looking forward to it.
01:10:24I'm looking forward to it.
01:10:25I'm looking forward to it.
01:10:26I'm looking forward to it.
01:10:27I'm looking forward to it.
01:10:28I'm looking forward to it.
01:10:29I'm looking forward to it.
01:10:30I'm looking forward to it.
01:10:31I'm looking forward to it.
01:10:32I'm looking forward to it.
01:10:33I'm looking forward to it.
01:10:34I'm looking forward to it.
01:10:35I'm looking forward to it.
01:10:36I'm looking forward to it.
01:10:37I'm looking forward to it.
01:10:39Did you notice?
01:10:40No, I didn't.
01:10:42How come you didn't notice?
01:10:43Do you like me?
01:10:46I do.
01:10:51No, no.
01:10:52I don't think so.
01:10:55Meanwhile,
01:10:57a woman noticed what Shohei was thinking.
01:11:03Hey.
01:11:05What's up?
01:11:06Nothing.
01:11:09I don't feel like there's nothing.
01:11:14Hey.
01:11:15I can't stand your face.
01:11:17What?
01:11:18I can't stand the way a man is sulking.
01:11:22What do you know?
01:11:26You cook so much every day.
01:11:30You can't make anyone eat the food you really want to eat.
01:11:34Do you know how a chef feels?
01:11:39If you really want to make someone eat your food,
01:11:42there are many ways to do it.
01:12:00I'm home.
01:12:01Welcome home.
01:12:04It smells so good.
01:12:13It's delicious.
01:12:18If you really want to make someone eat your food,
01:12:21there are many ways to do it.
01:12:31What's up?
01:12:34Did something happen?
01:12:36No, nothing.
01:12:37It's different.
01:12:38What's different?
01:12:39It's different from yesterday.
01:12:41Did something happen?
01:12:43Why do I have a good feeling about this?
01:12:46Hey, something must have happened.
01:12:48Seriously, there's nothing.
01:12:51That's suspicious.
01:12:54I'm scared of women.