- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- Uncle Tom's Cabin is an anti-slavery novel by American author Harriet Beecher Stowe.
- "John John" is the name of an old Greek male doll. John John was the male counterpart of Greek fashion doll "Bibi-bo", which was the Greek competitor of Barbie in the 80s.
- Petros Fyssoun is an old actor.
- The Prime Minister and his political party are fictional. However, Dalia's mention of "the previous Prime Minister" actually refers to the real Prime Minister of Greece at the time, Kostas Karamanlis, and his wife Natassa.
- Super Paradise is a very trendy beach in Mykonos.
- Marousi is a district of Athens.
- There is Greek custom related to sneezing. When someone sneezes, someone else gives them a number. The digits of this number are added up, to form another number. Then the nth letter of the alphabet is calculated. It is then said that someone whose name starts with that letter is thinking of the person that sneezed.
- Kojak is an old TV series, staring Telly Savalas (who was completely bald).
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
- Uncle Tom's Cabin is an anti-slavery novel by American author Harriet Beecher Stowe.
- "John John" is the name of an old Greek male doll. John John was the male counterpart of Greek fashion doll "Bibi-bo", which was the Greek competitor of Barbie in the 80s.
- Petros Fyssoun is an old actor.
- The Prime Minister and his political party are fictional. However, Dalia's mention of "the previous Prime Minister" actually refers to the real Prime Minister of Greece at the time, Kostas Karamanlis, and his wife Natassa.
- Super Paradise is a very trendy beach in Mykonos.
- Marousi is a district of Athens.
- There is Greek custom related to sneezing. When someone sneezes, someone else gives them a number. The digits of this number are added up, to form another number. Then the nth letter of the alphabet is calculated. It is then said that someone whose name starts with that letter is thinking of the person that sneezed.
- Kojak is an old TV series, staring Telly Savalas (who was completely bald).
All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.
Category
📚
LearningTranscript
00:30Did you let Foti and Alexis out?
00:31Yes!
00:31So, you have to get out of the toilet.
00:34Come here and show me how!
00:36Come on!
00:37Since he's at the entrance, you have to get him out somehow.
00:42Zouvoulia, send my dad to talk to him.
00:44Tell him the story with Huda, who was at the art school.
00:47Was my dad at the art school?
00:48No, my dad was at a wedding. You know, the one at Gitsa, in Grefenna.
00:51But you describe it very well. You say that he was inside.
00:54And the truth is that he would have been there if the wedding hadn't happened.
00:56Alexis and your dad have to do something, Foti. But what?
01:00I found it!
01:00What?
01:01Foti, get your dad. Give him to Alexis.
01:03Zouvoulia, listen to me carefully.
01:06Okay.
01:15I'm going. As soon as I'm ready, I'll let you know.
01:30Zouvoulia! Zouvoulia! Zouvoulia!
02:01Do you hear me?
02:02Yes!
02:03Thomas is looking for the general.
02:05He'll turn off the lights, he'll hold his breath, and in the dark,
02:09we'll find the chance to kidnap you.
02:11Well done, Thomas! Did you see my Thomas?
02:20Now!
02:23Quickly! Quickly!
02:25Ilias, you're pushing me!
02:26Get down!
02:30What's going on?
02:32Happy birthday to you!
02:36Happy birthday to you!
02:41Happy birthday, dear Mouta!
02:46Happy birthday to you!
02:56I saw it in my sleep, I was holding a gun
02:59and a lot of robbers were passing by me.
03:02And in the storm and in the snow,
03:05I was shooting and making shots.
03:07I was an angel of Charlie, of Charlie, of Charlie,
03:10I was wearing golden arrows in my eyes.
03:13I was an angel of Charlie, of Charlie, of Charlie,
03:16I was hunting thieves in the mountains.
03:24I saw it in my sleep, I was drinking tea
03:27and I was calling the boss.
03:29And they told me the slogan, how he will love me
03:32and how I will travel to the peaceful place.
03:35And I was an angel of Charlie, of Charlie, of Charlie,
03:38I was wearing golden arrows in my eyes.
03:40And I was an angel of Charlie, of Charlie, of Charlie,
03:43I was hunting thieves in the mountains.
03:46Did it come out?
03:47No.
03:48The cake came out.
03:50And the light came.
03:53We didn't make it.
03:55And now there is a man there and he is watching me
03:57because I am wounded.
03:58I can't go back.
04:09Is there a plan B?
04:16I don't believe it.
04:17I knew I shouldn't have come.
04:19The candle took me in her neck.
04:22How did the candle light up the universe?
04:25Couldn't they have just put a candle?
04:27That wasn't a cake, that was a flying saucer.
04:32I wonder where she is eating at this hour.
04:35What are the others doing?
04:37It's the only solution.
04:38If they can't get out of there, we'll get this out.
04:41Yes, but that's not how they'll get out, that's how they'll all get out.
04:43I'm in.
04:44Yes, don't listen to nonsense, right now.
04:46What do you mean?
04:47Stop it.
04:48Let's do it.
04:50Who's going to do it?
04:51Me, I've done it before.
04:53When?
04:54On Fridays.
04:55In high school?
04:56Which one?
04:57In the beginning.
04:58Then I ate a lot.
05:09100.
05:11The bomb has been planted in the house of Baro Iben.
05:19You have to understand.
05:21Miss Hilton is on the island of Incognito.
05:24She won't accept any visit, except if she wants to.
05:27And no disturbance whatsoever.
05:30There is no reason to worry.
05:32First of all, we are all humans and humans are as they should be.
05:35Serious, discreet.
05:42Excuse me.
05:44Oh my God!
05:45Kalia!
05:50Bomb!
05:51That's how we'll all get out.
05:53Both of us.
05:57Perfect.
05:58What do you mean?
05:59You didn't get it?
06:00No.
06:01Look.
06:08Ladies and gentlemen.
06:09I'm sorry we have to interrupt this beautiful evening.
06:12First of all, I would like you to keep your distance.
06:16And then cooperate with the authorities in order to evacuate the place.
06:20As there is a warning that there is a bomb in the building.
06:24It is very likely to be a farce.
06:27However, if you don't mind,
06:29please follow the security guards outside to check the place.
06:32Come on, please.
06:34Please, everybody, let's all go outside.
06:37It will only take a minute.
06:39Please.
06:53What's going on?
06:54I can't hear you. They're coming out.
07:09Go, go, go!
07:10Go, go, go!
07:27Go, go, go!
07:28Go, go, go!
07:36Andriy, taxi!
07:37What?
07:38To the garage!
07:41Go, go, go!
07:43What's going on, guys?
07:45Let's go!
07:47Come on!
07:56Damn it!
07:58Let's go.
08:04Hello!
08:06What are you doing here?
08:07Us?
08:08Nothing, we're just sitting.
08:09In the toilet?
08:10No, you know Marinela.
08:11She's building a house in Eretria.
08:13We thought we'd come here to get an idea.
08:15Baths, fireplaces, things like that.
08:18You're going to put him in?
08:19Are you okay?
08:20There's a bomb in the house.
08:22Oh, my God!
08:23I'm glad I didn't have time to go to the kitchen.
08:25Not in your kitchen.
08:26In this one here.
08:28Oh, in this one.
08:31We don't care if it's in this one.
08:32It's ours.
08:34Go outside, now!
08:39Go outside, now!
08:40Go!
08:41Go outside!
08:42Go!
08:43Go outside!
08:44Go outside!
08:45Go outside!
08:46Go outside!
09:02Oh, my God!
09:03You're not going anywhere.
09:04What are you talking about?
09:05You're not going anywhere.
09:08Where are you taking us?
09:09Does it matter?
09:12Go on.
09:14Calm down.
09:21Where are you taking him?
09:22Thomas!
09:23Who are you?
09:24Didn't you hear the ladies?
09:26Thomas.
09:27Who's Thomas?
09:28Barba Thomas with the same name.
09:31Get out of the way.
09:32They're not going anywhere.
09:33Thomas.
09:34Be careful because my hand is shaking.
09:36Right?
09:37You don't want to get in trouble, do you?
09:39Neither do you with all the police around.
09:42Who's going to save you after this?
09:44Can you imagine?
09:46So tell me, what are you going to do?
09:48If we assume that the ladies are not going to move from their positions.
09:51Are you going to shoot them?
09:54Here, in the cold?
09:56And they're not going to catch you?
09:57They're going to catch you.
09:58Look, all the police in Mykonos are around you.
10:03Or are you going to ask for permission from the police chief?
10:06If possible, go a little further to clear us up.
10:09Don't tell me.
10:10Did you come here to play me crazy?
10:12Crazy?
10:15Do you think what I'm telling you is crazy?
10:18The logical evolution of things.
10:21If you shoot us, they'll catch you.
10:24It's impossible for us to leave with you.
10:28So, what are you going to do?
10:31We're done.
10:32You didn't see us, we didn't see you.
10:34We're done.
10:36Come on, my boy, don't get tired.
10:38I saw the tanks at the Polytechnic and I didn't go back.
10:41Now I'm going to do it for your boyfriend.
10:43Were you at the Polytechnic?
10:44At Gitsa's brother's wedding in Grevena.
10:46But don't do it, please.
10:48Would I have saved in Grevena?
10:50A thousand times to be at the Polytechnic.
10:52Why? What do they have in Grevena?
10:54Leave me alone, because from the moment I met you,
10:56I'm about to get in touch with all the villages of Greece.
10:58Oh, Marie, you're smart.
11:00Tomas, do you have relatives in Grevena?
11:03Siblings.
11:04I see.
11:05And you're left-handed.
11:07Are you going to kiss him?
11:08Leave me alone, my man, we have issues here.
11:10And finally, you've been looking for her for a year.
11:12Let's calm down.
11:13Are you going to kiss him or not?
11:16Don't talk to a lady like that.
11:18I told you I'm not.
11:19Let me say what I know.
11:21I repeat.
11:23There are three solutions.
11:25The first one is to start shouting among the people
11:28that you're a murderer.
11:30That you're covering up another murderer.
11:32To say that we know about Stavrianidis.
11:34About Venetopoulos.
11:36About the girl in Thessaloniki.
11:38But without evidence, they'll think we're crazy.
11:40The second one is to shoot us here and now,
11:43but you'll be left-handed.
11:45And the third one is that nothing happens between the two of us.
11:48And to let us have a good time.
11:51And that you know that if you're lucky, we might meet again.
11:56What do you choose?
12:21I thought I was going to die.
12:23I can't believe I came out alive from there.
12:26What are you doing? Where are you?
12:28How are you, Marie?
12:29Christ and the Virgin Mary.
12:31Dad, what did you tell him?
12:32You could only see him.
12:34That's what I'm telling you.
12:35What did you tell him?
12:36Stop it.
12:37She's dead, too.
12:38What can you do?
12:39Let me see you.
12:41I can't believe I'm seeing you again.
12:43I can't.
12:44I can't.
12:45I can't.
12:46I can't.
12:47I can't.
12:48I can't.
12:49I can't.
12:50I can't.
12:51I can't.
12:52I can't.
12:53I can't.
12:54I can't.
12:56I can't.
12:58I can't.
13:03Okay.
13:07Yaourti?
13:14I think Mr. Strange is looking for you.
13:16Yes, I'm coming.
13:19I don't know what to do with my life.
13:21I don't know what to do with my life.
13:23I don't know what to do with my life.
13:25I don't know what to do with my life.
13:27I don't know what to do with my life.
13:29I don't know what to do with my life.
13:31I don't know what to do with my life.
13:33I don't know what to do with my life.
13:35I don't know what to do with my life.
13:37I don't know what to do with my life.
13:39I don't know what to do with my life.
13:41I don't know what to do with my life.
13:43I don't know what to do with my life.
13:45I don't know what to do with my life.
13:47I don't know what to do with my life.
13:49I don't know what to do with my life.
13:51I don't know what to do with my life.
13:53I don't know what to do with my life.
13:55I don't know what to do with my life.
13:57I don't know what to do with my life.
13:59I don't know what to do with my life.
14:01I don't know what to do with my life.
14:03I don't know what to do with my life.
14:05I don't know what to do with my life.
14:07I don't know what to do with my life.
14:09I don't know what to do with my life.
14:11I don't know what to do with my life.
14:13I don't know what to do with my life.
14:15I don't know what to do with my life.
14:17I don't know what to do with my life.
14:19I don't know what to do with my life.
14:21I don't know what to do with my life.
14:23I don't know what to do with my life.
14:25I don't know what to do with my life.
14:27I don't know what to do with my life.
14:29I don't know what to do with my life.
14:31I don't know what to do with my life.
14:33I don't know what to do with my life.
14:35I don't know what to do with my life.
14:37I don't know what to do with my life.
14:39I don't know what to do with my life.
14:41I don't know what to do with my life.
14:43I don't know what to do with my life.
14:45I don't know what to do with my life.
14:47I don't know what to do with my life.
14:49I don't know what to do with my life.
14:51I don't know what to do with my life.
14:53I don't know what to do with my life.
14:55I don't know what to do with my life.
14:57I don't know what to do with my life.
14:59I don't know what to do with my life.
15:01I don't know what to do with my life.
15:03I don't know what to do with my life.
15:05I don't know what to do with my life.
15:07I don't know what to do with my life.
15:09I don't know what to do with my life.
15:11I don't know what to do with my life.
15:27More!
15:41Ah! Look at this!
15:43Ah! Look at this!
15:44Ah! Look at this!
15:45Ah! Look at this!
15:46Ah! Look at this!
15:47Ah! Look at this!
15:48Ah! Look at this!
15:49Ah! Look at this!
15:50Ah! Look at this!
15:51Ah! Look at this!
15:52Ah! Look at this!
15:53Ah! Look at this!
15:54Ah! Look at this!
15:55Ah! Look at this!
15:56Ah! Look at this!
15:57Ah! Look at this!
15:58Ah! Look at this!
15:59Ah! Look at this!
16:00Ah! Look at this!
16:01Ah! Look at this!
16:02Ah! Look at this!
16:03Ah! Look at this!
16:04Ah! Look at this!
16:05Ah! Look at this!
16:06Ah! Look at this!
16:07Ah! Look at this!
16:08Ah! Look at this!
16:09Ah! Look at this!
16:11Ah! Look at this!
16:12Ah! Look at this!
16:13Ah! Look at this!
16:14Ah! Look at this!
16:15Ah! Look at this!
16:16Ah! Look at this!
16:17Ah! Look at this!
16:18Ah! Look at this!
16:19Ah! Look at this!
16:20Ah! Look at this!
16:21Ah! Look at this!
16:22Ah! Look at this!
16:23Ah! Look at this!
16:24Ah! Look at this!
16:25Ah! Look at this!
16:26Ah! Look at this!
16:27Ah! Look at this!
16:28Ah! Look at this!
16:29Ah! Look at this!
16:30Ah! Look at this!
16:31Ah! Look at this!
16:32Ah! Look at this!
16:33Ah! Look at this!
16:34Ah! Look at this!
16:35Ah! Look at this!
16:36Ah! Look at this!
16:37Ah! Look at this!
16:38Ah! Look at this!
16:39Ah! Look at this!
16:40Ah! Look at this!
16:41Ah! Look at this!
16:42Ah! Look at this!
16:43Ah! Look at this!
16:44Ah! Look at this!
16:45Ah! Look at this!
16:46Ah! Look at this!
16:47Ah! Look at this!
16:48Ah! Look at this!
16:49Ah! Look at this!
16:50Ah! Look at this!
16:51Ah! Look at this!
16:52Ah! Look at this!
16:53Ah! Look at this!
16:54Ah! Look at this!
16:55Ah! Look at this!
16:56Ah! Look at this!
16:57Ah! Look at this!
16:58Ah! Look at this!
16:59Ah! Look at this!
17:00Ah! Look at this!
17:01Ah! Look at this!
17:02Ah! Look at this!
17:03Ah! Look at this!
17:04Ah! Look at this!
17:05Ah! Look at this!
17:06Ah! Look at this!
17:07Ah! Look at this!
17:08Ah! Look at this!
17:09Ah! Look at this!
17:10Ah! Look at this!
17:11Ah! Look at this!
17:12Ah! Look at this!
17:13Ah! Look at this!
17:14Ah! Look at this!
17:15Ah! Look at this!
17:16Ah! Look at this!
17:17Ah! Look at this!
17:18Ah! Look at this!
17:19Ah! Look at this!
17:20Ah! Look at this!
17:21Ah! Look at this!
17:22Ah! Look at this!
17:23Ah! Look at this!
17:24Ah! Look at this!
17:25Ah! Look at this!
17:26Ah! Look at this!
17:27Ah! Look at this!
17:28Ah! Look at this!
17:29Ah! Look at this!
17:30Ah! Look at this!
17:31Ah! Look at this!
17:33I'm not the only one who's been left a virgin.
17:54Come here, my dear.
17:57Ah!
17:58Spirakos, you're back too?
18:00When did you come?
18:01This morning.
18:02This morning?
18:03How come we didn't see you at the port?
18:05We didn't leave Mykonos.
18:06We rented a bus, we went to Tinos, and we took the boat from there.
18:09Why?
18:10Because there was a problem.
18:11Did that useless apostate you were looking for tell you anything?
18:14Oh, you know, he happened to know Dona!
18:17That Dona!
18:18Young man!
18:19We told him that.
18:20Because, as I've said many times, you stand tall in difficult situations.
18:24Theopoula, Dona is a young man because she stands tall in the toilet.
18:27I don't know about difficulties.
18:29What do you mean?
18:30Never mind.
18:31Mother!
18:32She's not here yet.
18:33When did she see me?
18:34Is she watching me?
18:35Come again.
18:36How are you?
18:37How was your day?
18:38Good, good.
18:39Very good.
18:40Bravo, I'm very happy.
18:44Do you want anything else?
18:46Theopoula!
18:47Garithalia!
18:48You know, Theopoula also got you a present.
18:51Really?
18:52Mother, where is she?
18:53You got her, didn't you?
18:55Did she choose it herself?
18:57Yes, because that afternoon I went to the supermarket.
18:59Market?
19:00Paradise!
19:01I also had a hope.
19:03Here you are.
19:08It's nice.
19:11But it's a bit long, mother.
19:13This girl will drive me crazy.
19:15Now she's blaming the trousers.
19:17She's right, Theopoula.
19:19This is for a very tall woman.
19:21Because my son was a woman.
19:25It doesn't matter, I'll cut it.
19:27Thrasos!
19:28Thrasos!
19:29She'll make us all look like her.
19:32The only thing I can think of is that Venetopoulos told them something,
19:35that he gave them some evidence and that's how they got here.
19:37Did they come for a vacation from Cluj?
19:39Absolutely.
19:40They're still looking.
19:41They're still looking.
19:42But what and who?
19:44And if you don't find him now, the one they're looking for.
19:49Apostolos!
19:50I forgot to tell you.
19:51A few days ago, a little red-haired girl came to me.
19:54She was a little girl with a weird hairstyle.
19:56And they wanted something from you.
19:57I think it's about your father.
19:58I know, I know.
19:59I found them.
20:00We talked.
20:01Okay.
20:02Bye.
20:03Bye.
20:13You are unacceptable!
20:15I mean, I can't stand what you're doing.
20:17It's ridiculous.
20:18But leave me here to cook
20:20and have me come up with a plan
20:22and you, as a whole channel,
20:24got up and left.
20:26I can't believe it.
20:28Last night, Alpha got up and left.
20:30And to say that they went to Mykonos,
20:32they all went to Marousi.
20:33I've been dancing for 42 hours,
20:35from cliquettes to Kalamatianos.
20:37I have no other repertoire.
20:38You had, you didn't have, you burned me.
20:40That's right.
20:41Besides, between us, the brain was already burned.
20:43But the day will come, I feel it,
20:45when I'll do the 0.1
20:48and I'll become a director
20:50and then everything will change.
20:52And I'll do it.
20:53I'll make it.
20:54What is this?
20:55What?
20:56Here, in your reality.
20:57Minus 0.4.
20:59Wrong printing.
21:01We called Joe and he clarified it for us.
21:03It's 0.0.
21:05I had you ready.
21:06You want to do 0.1 too.
21:07This is the minus.
21:08We said wrong.
21:10Thiros didn't come with you?
21:11He came, he'll be here tonight.
21:12Why? Where is he now?
21:16I get it.
21:17With her.
21:18It's a great experience.
21:20I don't know about you,
21:21but I really enjoyed it.
21:23I felt like an antartic again.
21:28She took the bait.
21:29She thought she had us in her hands.
21:31Zumbuli, don't you eat?
21:33I stay.
21:34I wish I could hear that too.
21:38Well done to the kids too.
21:39It was a great evening.
21:42It was a great evening.
21:43It was a great evening.
21:49I don't exist for you.
21:52My life is empty.
21:55Yet I watch you.
21:58I miss you at night.
22:00I looked at you, I spoke to you.
22:03But you didn't answer me.
22:06And the cockroach ate me.
22:09You were probably talking to me.
22:13Mykonos, you wanted to see me?
22:15What do you mean now?
22:16I'm fine.
22:1937 and 6.
22:217 and 3, 10.
22:23And 6, 16.
22:25P.
22:26Piretos.
22:27Kriades.
22:28It doesn't matter.
22:29I say Kriades,
22:30we have you to say silly things in here.
22:32Come on, Spyro, you too.
22:33If you yell at her,
22:34I don't think it will go well.
22:36What did she say?
22:37Nothing, my God.
22:39She saw the girl with us.
22:41How did she see her?
22:42No one saw me in this house.
22:44Are you crazy?
22:45Are you logical?
22:47Spyro.
23:00So what can she do?
23:01Stay in the house
23:02and not go out
23:03so that nothing gets stuck?
23:04Become hypochondriac?
23:06It's the cold of autumn.
23:08What are you worried about?
23:10And you're not alone.
23:12We are here to take care of her.
23:17I want you to listen to me.
23:19I don't want anything else.
23:21Just this.
23:22Listen to me sometimes.
23:24I'm listening to you.
23:25Yes, listen to me
23:26and then go and do your thing.
23:28Yes, but you're yelling at me too.
23:30You don't understand what you're yelling at.
23:32I said I'm sorry.
23:33When didn't we hear it?
23:39I'm saying it now.
23:41I'm sorry.
23:42Well done.
23:44I'm sorry.
23:45Let's say something nice now.
23:48Mother has booked tickets
23:50for David Copperfield, Spyro.
23:52Really, Theopoula?
23:54Yes, yes.
23:56What are you writing there?
23:58Nothing.
23:59After all,
24:01my first grandson let me come.
24:04He will let you, Mrs. Sofia.
24:06And we are right in front of the first seats.
24:09But he only found three.
24:11It doesn't matter.
24:12I'm going with the kids.
24:13I really want to go.
24:15There you go.
24:16You will go to David Copperfield.
24:17What else do you want?
24:18Everything is yours.
24:19You can practice and everything.
24:21My boy.
24:22And I, mother, want to hug you.
24:24You don't know how happy I was
24:26for what you did for me today.
24:28I mean the ticket.
24:31Thank you very much.
24:34You will sit in the first row,
24:36seat 27.
24:38It's a room with a bubble of hair.
24:41They send you a picture,
24:43so that no mistake is made.
24:46You can do it, David.
24:48Believe in yourself and you will make it.
24:51And don't worry about the Acropolis.
24:53You are wasting her time.
24:56What is important to us
24:58is that you are happy.
25:00You are wasting her time.
25:02What is important to us
25:04is that you are happy.
25:06For whatever you need,
25:08call us at any time.
25:11Kisses, Theopoula.
25:16There you go.
25:17And have a good stay.
25:23Hello.
25:24Hello.
25:25I can hear you.
25:26What do you want?
25:27I would like to talk.
25:28About what?
25:45Aman!
25:46Mrs. Dalia!
25:50Alexi!
25:51Mrs. Dalia?
25:52Alexi!
25:53What are you doing here?
25:55Why are you dressed like this?
25:57I don't know.
25:58She called me.
25:59Which one?
26:03You, Alexi?
26:04Where is Mr. Xanakis?
26:06I came to inform you
26:08about your show tomorrow.
26:10Oh, yes.
26:11Of course, you can inform me.
26:13Of course.
26:14I'll go inside.
26:15No, no, no.
26:16You'd better go to the living room.
26:20So, Alexi,
26:22inform me about my show tomorrow.
26:25I mean, in the afternoon.
26:27What should I do?
26:28Why are you asking?
26:30What am I asking?
26:31I have a gig with the guys.
26:33Where again?
26:36Luckily, he didn't put any ink
26:39and only wrapped them in aluminum foil.
26:41Otherwise,
26:42he would have become gloomy now.
26:44I'll put it on for you next time.
26:45There won't be a next time.
26:48I'm in love.
26:50I'm in love.
26:52Before, I just didn't want Dracula to take him.
26:54Now, I want him.
26:55He's my man.
26:57He's my hero.
26:58He's like those guys in the movies,
27:00like...
27:01Kojak.
27:02Superman.
27:03I don't know what you're saying.
27:04Kojak, Kojak.
27:05I still have his image in my mind.
27:09How did he come in front of us to save us?
27:11With what courage?
27:12What determination?
27:13No other man has ever done anything like that for me.
27:17That's what I was thinking last night
27:19when I was alone.
27:20And I cried.
27:21I cried.
27:22I cried.
27:23I cried.
27:24I cried.
27:25When I was 12 years old,
27:27I had a duck, Tzouli.
27:29We lived in Capri then.
27:31One morning,
27:33Tzouli jumped on the lawn mower.
27:36The gardener didn't have time to pull her
27:39and the whole garden was full of wings and feathers.
27:46We couldn't save her.
27:49What's going on now?
27:52Do you think our problem is in women's stories?
27:56So many years I've been there,
27:58on the lawn mower,
27:59and how was the lawn mower?
28:01I've never looked another man in the eye.
28:04And now I have this one,
28:06with Mari,
28:07who's made such a mess.
28:09This is not fair.
28:11God doesn't see from above.
28:13This woman has been alone for so many years.
28:15I'm the only one you want.
28:17If you don't brush them,
28:19you'll pull your hair.
28:21Now, in your city...
28:23Stop it!
28:24Stop it, Mari!
28:25What's going on?
28:26It's just started.
28:28It's a very exciting story.
28:30When is the party?
28:31When is it with the priest?
28:32When is it with the doudouka?
28:33What's all this about the lawn mower?
28:35Anyway, Tzouli,
28:36we didn't come here to talk about the lawn mower.
28:39This issue,
28:40personally,
28:41is very difficult for me.
28:42Okay, you're right.
28:43I'm sorry.
28:44Tzouli,
28:45if you want the lawn mower,
28:47one day,
28:48you'll go,
28:49you'll take it,
28:50and you'll rent it.
28:51You'll put it down,
28:52and you'll make it look like it belongs to someone else.
28:55As long as you don't learn it by heart.
28:57So far,
28:58he's learned it all by heart,
28:59you idiot!
29:00So, on our subject,
29:01how are we going to approach Pavlos?
29:03Very simply,
29:04we'll go and tell him what we want.
29:05But we have to find a way
29:06to gain his trust.
29:08A journalist
29:09doesn't reveal his sources so easily.
29:11Things will be different with him.
29:13Besides, he's a critic.
29:14Critics aren't easy people.
29:16They can be hospitable,
29:17simple-minded,
29:18but they don't trust each other.
29:20They get on well with each other first.
29:22I see.
29:23I'll tell you what we're going to do.
29:25That's what I was afraid of.
29:26Ah!
29:27Show me a little trust once.
29:29You'll see,
29:30as soon as he sees us,
29:31we'll win it right away.
29:33Don't waste the euros.
29:35You'll lose your hair.
29:45I don't think it's a good idea.
29:48I don't want to talk about hair.
29:50It's right.
29:51Everything is right.
29:52I'll tell him,
29:53but I know it better than anyone else.
29:54Here, take the potty.
29:55Shh!
29:56What?
29:57Nothing.
29:58It's one thing to open and see five foreigners,
29:59and another thing to see people from his country.
30:01I wouldn't put us like this in my house.
30:03Especially these losers.
30:05We're here.
30:15Good evening.
30:18Are you Mr. Pavlos Manobiroianakis?
30:21Yes.
30:22Mr. Manobiroianakis,
30:23we would like to talk to you
30:24about something very important.
30:26Come in.
30:45It's a terrible story.
30:48It's been so many years
30:49and I still haven't forgotten it.
30:51A blind man is in prison.
30:54And from what you're telling me,
30:55he's dead now.
30:58It's a shame for Venetopoulos.
31:00Very sad.
31:01And we were so close
31:03to finding out the truth.
31:08But you too, right?
31:10Yes,
31:11but we're a bit blind.
31:13We don't know who we're chasing.
31:15Who?
31:16Well, then.
31:17It's very complicated.
31:18We understand that.
31:20But who are you?
31:21Do you know?
31:22I know a lot.
31:24I have evidence in my hands
31:25that if we combine them with yours,
31:27we might reach the end.
31:29I hope so.
31:31Then maybe you can tell us...
31:34What was that?
31:35It's nothing.
31:36Don't worry.
31:37I have a master in the basement.
31:40With all we've been through?
31:42It was just a little noise.
31:43I understand.
31:45You're not in danger here.
31:47At least that's what I want to believe.
31:49Stavrianidis may have been under surveillance all the time,
31:53but I wasn't discovered.
31:57All the evidence you're talking about,
32:00does it exist somewhere?
32:02Yes.
32:03Can you give it to us?
32:05Or at least show us?
32:07Show you?
32:08Yes.
32:09At least.
32:10Where is it?
32:11I haven't seen it.
32:13It's in a safe place, for better or for worse.
32:16Otherwise, it's not possible today.
32:19You're talking about the masters.
32:21Whatever.
32:22Whatever we say and whatever you see,
32:25it has to be in those four words.
32:28Right.
32:30So, when...
32:32The day after tomorrow?
32:34Can you do it?
32:35We can.
32:36Now that we're at the end,
32:37will we go back?
32:39I brought you here for their sake,
32:41not to destroy my house.
32:43Fine.
32:44So, we're going.
32:46See you tomorrow.
32:48Take care.
33:10What's going on?
33:20Guys, we're done.
33:21Did you get it?
33:22Yes.
33:23He knows a lot.
33:24When he sees it,
33:25he'll tell us.
33:26We'll say we know it,
33:27and boom,
33:28the bomb will explode.
33:29I hope so.
33:30I'm worried about Mathavio.
33:31Wasn't he supposed to finish his work today?
33:33Why?
33:34Don't make a mess in the meantime.
33:35Don't let the others discover him.
33:36We're thinking positively.
33:37You told me.
33:38He told us the place is safe.
33:40They haven't discovered him.
33:41Guys, we're done.
33:42Don't look for him.
33:43He's the man.
33:44He's the missing link.
34:09We admit it, Pantos Pavlos.
34:11You're not putting it down.
34:13You're trying.
34:16I just don't understand the reason.
34:19Whatever you do,
34:21in two days,
34:22everything will be over.
34:29Yes?
34:30What happened?
34:32They're here.
34:35They're here.
34:38The next day
34:56You don't know him.
34:58He was ahead of everything.
35:00He's not up to date.
35:02Of course he is.
35:03They're a combination.
35:08You're always right.
35:12If you're alone,
35:14I'm here,
35:15waiting for you.
35:17I'm Sonia,
35:19and I want to hear you.
35:21To call you.
35:23You're talking.
35:25You're alone.
35:26I know it.
35:28If you want to talk to me,
35:30take me to this number,
35:32and tell me everything.
35:37The next day
35:42Hi.
35:43It's Sonia.
35:45Hey, Sonia.
35:47I'm Theopoula.
35:48I'm alone.
35:49I've moved up to the office.
35:51I miss her and Spyros.
35:53They went to the police with Amalia.
35:55But it's better here,
35:57because I can't stay with the other one.
35:59What are you doing?
36:00I don't know.
36:01It's the first time I've met a woman.
36:03Anyway,
36:05will you tell me what you're wearing?
36:07I'm not wearing anything.
36:09What do I wear?
36:11I only wear clothes.
36:13You're doing the best job.
36:15The place is on fire again today.
36:17In the meantime,
36:18we've installed air conditioners,
36:20but the other one is bothered by it,
36:22and she's turned the house into an oven.
36:24And my son is taking her place.
36:26I'll only disconnect the air conditioner
36:28that bothers Garofalia.
36:30If you're hot,
36:32I'll bring you the radiator from the storeroom.
36:34Do you understand?
36:35He's putting me in the oven
36:37so I can get hot,
36:38because the air conditioner bothers Garofalia.
36:40Are these things logical?
36:42Yes.
36:43Garofalia bothers me too.
36:45Why don't you disconnect it?
36:47That's what I should have told him.
36:49But I know why the air conditioner bothers her.
36:52Because it's high.
36:53When she sees it, she gets mad.
36:56Whatever.
36:57I'm in trouble again.
36:59And I was going to tell you on Sunday.
37:01Yes.
37:02Let me tell you.
37:03What's your name?
37:04Theopoula.
37:05Theopoula.
37:06Because I think we've lost it a bit.
37:09Do you want to hear it from the beginning?
37:11Where are you now?
37:13In the bathroom.
37:14Well done.
37:15I'm in bed.
37:17I'm snoring.
37:19Do you want to snore too?
37:22I did a PAP test last Easter.
37:24I'm fine.
37:25In the meantime, last week,
37:27I had a fever.
37:29I don't know how it happened.
37:31As soon as I saw the tests,
37:33I had a stroke.
37:35It's psychological.
37:37I have four days to act.
37:40Do you act normally?
37:52Hello.
37:54It's me.
37:55The line is down.
37:57In the meantime, I told you,
37:59last week,
38:01I came to my cousin's house,
38:03who is also a pharmacist.
38:05And I told her,
38:06the air conditioner has to be turned on.
38:09Yes.
38:10It warms you up.
38:11It warms you up.
38:12It has to be turned on.
38:13That's what I told her.
38:15So,
38:17in the last month,
38:18Miss Antonopoulou has been injured
38:21with her car,
38:22and fortunately lightly,
38:24seven passengers.
38:26All together?
38:27No, of course,
38:28in different cases.
38:29She hasn't even reached the point
38:31of bowling with the passengers on the street.
38:33Bowling?
38:34You know,
38:35it's that game with the...
38:36I know, I know.
38:38Also,
38:39she has fallen with her car
38:40in the shop's window
38:42with a gun,
38:44on a wall,
38:46and today,
38:47she lost her eighth victim,
38:49a plain-clothed minister.
38:51Strangely,
38:52none of her victims
38:53have submitted a statement.
38:56Of course,
38:57the last one didn't make it
38:58because she was selling
38:59illegal CDs.
39:00And why should they submit a statement?
39:02These things happen.
39:04Every two days,
39:06and with the same driver,
39:07I haven't seen him again.
39:08Besides him,
39:09our Amalia is a golden girl.
39:11That's what I'm telling him,
39:13that I'm a very good girl.
39:15Antonopoulou, calm down.
39:16Because I'm telling lies.
39:17Amalia.
39:18Anyway,
39:19I wasn't at fault for the accident.
39:21And who was at fault for the accident?
39:23Was it the wrong electricity?
39:25And your humor, Mr. Mayor.
39:27Really,
39:28where do you live?
39:29Because, you know,
39:30if you live nearby...
39:31Grandma!
39:34What I don't understand,
39:36Mr. Mayor,
39:37is why you called us.
39:41I want to talk to your people.
39:44Maybe they know
39:45what's going on.
39:46He doesn't say anything to us.
39:48He nods his head
39:49and says he won't do it again.
39:50But he doesn't talk.
39:52For hours and hours.
39:56Amalia,
39:58do you want to talk to us?
40:09No.
40:10Why?
40:11I don't want to.
40:12I want us to leave.
40:14Leave her alone, Mr. Mayor.
40:16We'll find her.
40:17It won't happen again.
40:18Come on,
40:19when are we leaving?
40:20Antonopoulou, calm down.
40:21What did I do again?
40:26You won't talk to them?
40:28Leave it to us.
40:32You got on my nerves.
40:34On and off.
40:36Everything at half price,
40:37everything.
40:38I'm telling you, Sonia.
40:39I went again yesterday
40:41and I got four Burnouzo towels.
40:44Two for me
40:45and two for my Vasilis.
40:46And three towels for the legs,
40:48for the butt.
40:49These Burnouzo towels
40:50will be useful, of course.
40:52Wait.
40:53What happened?
40:55Go inside and tell her.
40:57The food will be ready in half an hour.
41:06Tell me that what we felt
41:11wasn't just for one night.
41:15Just for one night.
41:18Tell me that what we felt
41:23wasn't just for one night.
41:27Just for one night.
41:28Enough!
41:33What is this?
41:34Nylon.
41:35Yes, I know that.
41:36Why are you singing it?
41:38I decided to sing.
41:42And all these people
41:44who don't buy your CD?
41:46I haven't released them yet.
41:47I'll release them on Christmas.
41:49And I didn't get much.
41:51The last one is at the hospital.
41:53Easy.
41:54Forget that you sold an illegal CD.
41:57It is supposed that piracy kills music,
41:59not the opposite.
42:01Anyway, I don't understand
42:03why you are singing
42:05with all these accidents.
42:07I come back from work at 7 a.m.
42:10exhausted, tired,
42:12exhausted,
42:13exhausted,
42:14exhausted,
42:16I was too sleepy on the wheel chair.
42:18The worst feeling!
42:20Did you drink and work?
42:21Yes, at Tourloutourlou.
42:23What is that?
42:24It's a parade at the center.
42:25Do you want to see me?
42:26Come!
42:27But don't buy fruit salad
42:29because you eat many...
42:30This is what I am trying to say.
42:32Be careful.
42:33Ask her boss to leave today.
42:35We have responsibility.
42:38All right.
42:39All right, but give up.
42:41What are the guys doing?
42:42Preparing a girl's wedding
42:44You're a businessman, I'm afraid.
42:46They'll hear you outside.
42:48Yes, we're getting ready.
42:50Not a business, a visit.
42:52If all goes well, it will be decisive.
42:55Is there a problem?
42:57No.
42:58She told me a word, though.
43:00It doesn't matter, that's why we're here.
43:04So, Mr. Manobirogenaki, what do you say?
43:06Will you help us find someone else?
43:08Me? Or you?
43:10You come into my house,
43:12you hold me captive and you don't know what you want.
43:15These five want something from you.
43:17What do you think?
43:19I don't even know who you're talking about.
43:25Your son told me they were looking for you.
43:27My son?
43:29Did you see my son?
43:31What did he do?
43:33He's alive.
43:35As far as I know, it depends on you.
43:38What?
43:43Yes?
43:45Hello.
43:47I'm Fotis, from yesterday.
43:49Hello, Fotis.
43:51I wanted to know if you have the right evidence.
43:54I know, I know.
43:56Yes, I have them.
43:58Good.
43:59So, what do you say we come tomorrow at five?
44:01Is that okay?
44:02Good.
44:03You'll all come together, right?
44:05Of course, all together.
44:07Good, good, good.
44:08I'll be waiting for you.
44:10Tomorrow at five.