Category
š„
Short filmTranscript
00:00:00Are you sure you want this?
00:00:21Good lingerie.
00:00:22Shut up.
00:01:22No.
00:01:23Yes.
00:01:52You're a good girl.
00:02:12You're a good girl.
00:02:40What are you going to do to me?
00:03:09Leave it.
00:03:10Leave it.
00:03:11Leave it.
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00:04:08All right.
00:04:09I'll be right down.
00:04:19You're not going to leave, are you?
00:04:22I'm afraid he's a major client.
00:04:24Wait a minute.
00:04:26Aren't you going to untie me?
00:04:31I don't think so.
00:04:33Gaines, I love you.
00:04:35Stefan.
00:04:37Stefan.
00:04:38I love you.
00:05:08I love you.
00:05:38This isn't funny, Stefan.
00:05:52God damn it.
00:05:53I don't want to play anymore.
00:05:54I don't want to play anymore.
00:06:22I don't want to play anymore.
00:06:50I don't want to play anymore.
00:07:10I don't want to play anymore.
00:07:11I don't want to play anymore.
00:07:12I don't want to play anymore.
00:07:13I don't want to play anymore.
00:07:14I don't want to play anymore.
00:07:15I don't want to play anymore.
00:07:16I don't want to play anymore.
00:07:17I don't want to play anymore.
00:07:18I don't want to play anymore.
00:07:19I don't want to play anymore.
00:07:20I don't want to play anymore.
00:07:21I don't want to play anymore.
00:07:22I don't want to play anymore.
00:07:23I don't want to play anymore.
00:07:24I don't want to play anymore.
00:07:25I don't want to play anymore.
00:07:26I don't want to play anymore.
00:07:27I don't want to play anymore.
00:07:28I don't want to play anymore.
00:07:29I don't want to play anymore.
00:07:30I don't want to play anymore.
00:07:31I don't want to play anymore.
00:07:32It's a pretty high price to pay for a fashion faux pas.
00:07:39Yeah.
00:07:42But she was...
00:07:44Struggled after she was tied up.
00:07:45Right.
00:07:48Kinky.
00:07:49Someone broke in through the back door downstairs.
00:07:53Well, any other sign of a third party?
00:07:55Nope.
00:07:57Where's the guy?
00:07:58Out at the pool, having a bit of a sit-down.
00:08:00I should say.
00:08:01And his credit rating.
00:08:09So, uh...
00:08:11Jesus Christ knows you're playing golf.
00:08:12He is Jesus Christ.
00:08:13He thinks he's Arnold Palmer.
00:08:15I wish he was that quick in the lab.
00:08:18Hey, where's your partner?
00:08:19Ex-partner.
00:08:20Hopefully in the sack with some young hunk.
00:08:30I got you.
00:08:35I got you.
00:08:40I got you.
00:08:41Come on.
00:08:45Sorry.
00:08:47It's automatic.
00:08:48Do I look like a drug dealer?
00:08:50You look like a cutie pie.
00:08:54Am I not like manly or hunk?
00:08:56Something like that.
00:08:57You're really not a stroke man either, don't you?
00:09:02Oh, do you need some stroking?
00:09:04Uh-uh.
00:09:05I think I can arrange that.
00:09:08Uh-huh.
00:09:17What ever happened to the missionary position?
00:09:19It's ancient history.
00:09:23What?
00:09:25I was just thinking about you falling against that door.
00:09:29Oh, no, no, that was a lucky shot.
00:09:31Oh, no, it wasn't.
00:09:34Okay, okay.
00:09:36Get up.
00:09:37Where are you going?
00:09:38Try and do it again.
00:09:39Oh, come on, Frank.
00:09:40No, come on.
00:09:42Come on, try and do it again.
00:09:48Are you all right?
00:09:50Sorry, it's just, you know, that's my training.
00:09:53You're just a civilian.
00:09:55I am, huh?
00:09:59You don't have to be ashamed of it.
00:10:01All right, I don't know about this judo shit you've been doing,
00:10:04but I've taken some boxing, okay?
00:10:06Let's see what you got.
00:10:07Give me your best shot.
00:10:08Oh, come on, this is stupid.
00:10:09No, come on.
00:10:10Just give me your best shot.
00:10:11Go for it.
00:10:12Come on, hit him.
00:10:14Oh, shit.
00:10:17Got it.
00:10:18Why'd you make me do that, Frank?
00:10:21Are you okay?
00:10:22Yeah.
00:10:23It's been fun, all right?
00:10:25Real fun.
00:10:26I'm sorry.
00:10:27Let me put some ice on it.
00:10:29You broke it.
00:10:31I'm rich.
00:10:52Well, I hope you had enough time to think up a good one.
00:10:57Alabama.
00:10:59Let me just have the truth.
00:11:02I guess that'll have to do.
00:11:04Ben McGowan, L.A.
00:11:05I'm sorry.
00:11:06Stephan Alexandros.
00:11:08I'm a designer.
00:11:09Yeah, I know, I know.
00:11:10The lingerie line.
00:11:12You familiar with it?
00:11:13Great stuff.
00:11:14The girls love it.
00:11:15What's with the giffing?
00:11:16It's not a giffing.
00:11:17You know what I mean?
00:11:20So, tell me, what happened?
00:11:23I received a fax from a major client.
00:11:26He said he had to see me right away.
00:11:28He was on his way over.
00:11:30The man buys 100,000 units.
00:11:33I was obliged to drop whatever I was doing and see him.
00:11:38At the time, Barbie and I were...
00:11:42What?
00:11:44Well, we were playing a little bit.
00:11:49Slap and tickle?
00:11:52Yes.
00:11:53Our client.
00:11:55Yes, we were sexually involved.
00:11:57You like to pry women up?
00:12:00Personally, Mr. McGowan, I can take it or leave it.
00:12:03I'm afraid Barbie's insistent.
00:12:05I see.
00:12:07I left her as you found her.
00:12:10Minus the necktie?
00:12:13Are you always so crass?
00:12:15Occupational hazard.
00:12:18I waited for the client. He never showed.
00:12:21What's the client's name?
00:12:23Mr. Hellstreet.
00:12:24Don't bother.
00:12:25My butt were already checked.
00:12:27I had a chance to look at the fax.
00:12:30No letterhead, no outgoing phone number.
00:12:33You didn't find that at all.
00:12:35I had no reason to.
00:12:37Why don't you find out who penetrated my security system?
00:12:41How long were you waiting for?
00:12:4515, 20 minutes.
00:12:47So someone broke in, cleaned her clock, and left.
00:12:51All in 20 minutes.
00:12:53I simply saw her.
00:12:56I think there's a simpler explanation.
00:13:00I didn't kill her, Mr. McGowan.
00:13:06Stay in touch.
00:13:14May all the good men gone.
00:15:44What are you doing?
00:16:06You're wasting it.
00:16:14You're wasting it.
00:16:44You're wasting it.
00:17:14You're wasting it.
00:17:44You're wasting it.
00:17:47You're wasting it.
00:17:50You're wasting it.
00:17:53You're wasting it.
00:18:12I'll let you live.
00:18:15You're not going to use that on me now, are you?
00:18:19Dana, how the hell did you get in here?
00:18:23The door was unlocked.
00:18:25Bullshit.
00:18:26Close enough.
00:18:27So who's the chickie?
00:18:30Stacy?
00:18:32Yeah, Stacy.
00:18:33This is Dana.
00:18:35Hi.
00:18:37Is that your wife?
00:18:38No, it's my partner, ex-partner.
00:18:42Look, why don't you go back into the bedroom and wait for me?
00:18:46Are you sure it's okay?
00:18:47Oh, don't worry, Stacy.
00:18:48He's like a brother to me.
00:18:50A little brother.
00:19:00Dana, what the hell are you doing here?
00:19:02I thought you'd locked yourself away for the weekend to play with some young boy toy.
00:19:05He didn't measure up.
00:19:07Let me guess, you lost another one.
00:19:10Talk to me if I can't take a joke.
00:19:13Want a beer?
00:19:14Sure.
00:19:28Oh, you still have this out.
00:19:30How touching.
00:19:33Yeah, it reminds me of a happier time.
00:19:36Two rookies just starting out.
00:19:40You know, we both seem to have a problem with relationships on our own.
00:19:44Why don't we try and, you know, work it out?
00:19:46Try it again.
00:19:47Oh, please.
00:19:48We nearly killed each other last time.
00:19:50Yeah, but the sex was great.
00:19:53Aren't you getting enough, Nick?
00:19:54Shit, I gotta get back to, uh...
00:19:57Oh, hold up, hold up, hold up.
00:20:00So, uh, are you investigating any nice serial murders or anything?
00:20:05You're not a cop anymore.
00:20:06Why don't you wait till your private license comes in,
00:20:08and you can investigate all you want.
00:20:10Oh, come on, Ned, give me a break.
00:20:11I'm going stir-crazy here.
00:20:13So you come here for some action?
00:20:15Why don't you go start a bar fight or something?
00:20:18So what's this?
00:20:19Nothing.
00:20:20Just another sad story.
00:20:23A model named Barbie Dale.
00:20:27Barbie Dale?
00:20:28Yeah.
00:20:31Where's the on-site report?
00:20:33At the precinct.
00:20:35What's the cause of death?
00:20:37Look, I have a girl in my bedroom.
00:20:40What's the cause of death, Ned?
00:20:43Strangulation, that's all.
00:20:46Her wrists and ankles are tied.
00:20:48Yeah, he tied her up for sex.
00:20:49Says it was her idea.
00:20:51No priors.
00:20:52We're looking for her relatives.
00:20:55She doesn't have any.
00:20:58How do you know?
00:21:00I know her.
00:21:02You do?
00:21:03We went to high school together.
00:21:05We were best friends even through college, and then...
00:21:08I'm sorry, I didn't know.
00:21:12What about this guy?
00:21:14He's frank.
00:21:15What?
00:21:16Circumstantial evidence.
00:21:17Come on.
00:21:21Witnesses.
00:21:22He has an alibi, sort of.
00:21:24Butler said he did go outside to wait.
00:21:26So he did it before.
00:21:28Somebody broke in.
00:21:30Oh, he could have faked that, Ned.
00:21:32Well, it's also possible that she wanted him to strangle her.
00:21:34What?
00:21:35I hear it's a pretty kinky way to get off.
00:21:38Okay, okay.
00:21:39So what if she didn't want to be choked?
00:21:41He still killed her.
00:21:42Well, you're talking about involuntary manslaughter.
00:21:44A judge is going to slap his wrist,
00:21:46and the taxpayers would have lost a lot of money on a worthless trial.
00:21:50Since when does a cop become judge and jury, Ned?
00:21:53We don't have enough to indict.
00:21:55He was well-connected, all right?
00:21:56It's complicated.
00:21:57We don't have enough to bring him in.
00:21:59We have to take an opinion poll before we arrest somebody?
00:22:01No, we don't have enough to indict.
00:22:03And it's not we anymore.
00:22:05Leave it alone.
00:22:06This is why I quit.
00:22:08Everyone is so worried about covering their ass, you can't do your job.
00:22:14That's not true.
00:22:16If he's guilty, I'll get him.
00:22:19Sure.
00:22:31Okay.
00:22:49Perfect.
00:22:51Randy!
00:23:01Randy!
00:23:26Mmm, yes, perfect.
00:23:31Oh, yeah!
00:23:48Hi.
00:23:49Hi.
00:23:52Are you here for the modeling job?
00:23:55Modeling job?
00:23:57I don't know.
00:23:58Is it worth it?
00:23:59I don't know.
00:24:00It's different.
00:24:02Yeah.
00:24:09He looks kind of cute.
00:24:21Yellow.
00:24:29He's an arrogant prick.
00:24:31Really?
00:24:33Don't let that nice guy act fool you.
00:24:42And if he caught me?
00:24:44Well, you heard what happened to his last girlfriend.
00:24:47No.
00:24:54Moira, next.
00:24:55Jerry, you missed your cue.
00:24:57Sorry.
00:25:02Visitors aren't allowed in this area.
00:25:05Well, I was just gonna...
00:25:06You'll have to leave.
00:25:10Well, actually, I wanted to talk to you about a modeling job.
00:25:17Well, you may have what it takes, but you don't do anything about it.
00:25:22Perhaps you should come back after you've cleaned up a bit.
00:25:27Okay.
00:25:58I think I should go.
00:26:00I have to get up early for the shoot tomorrow.
00:26:03You're allowed to have a little pull with the boss.
00:26:07You do?
00:26:08Mm-hmm.
00:26:11Okay.
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00:31:28I went down to the precinct.
00:31:29Can't you knock?
00:31:31Nothing I have not seen before.
00:31:35I hear you want the forensics reports?
00:31:37So?
00:31:38It is illegal.
00:31:39You are not a cop.
00:31:41So what are you going to do, arrest me?
00:31:43I ought to.
00:31:46What I'm trying to do here is find out who killed my friend.
00:31:48Okay. I'll let you in on the forensic report.
00:31:51There's some unidentified fibers.
00:31:53Could be a third person, could be anyone.
00:31:55Stefan said he had workers in the house recently.
00:31:57What about the broken window?
00:31:59No prints.
00:32:01Fiber that doesn't match Stefan's outfit, but...
00:32:03So he could have changed his clothes.
00:32:05He could have broken the window earlier.
00:32:07Yeah, so it's a big fat zero.
00:32:09Leave it alone, Dana.
00:32:10Look, I told you, if he's guilty, I'll bring him in.
00:32:12Why don't you take him in for questioning?
00:32:14I mean, he doesn't seem that tough.
00:32:16Even a guy like you should be able to wring a confession out of him.
00:32:19You seem to be pretty comfortable bending the law.
00:32:22These strong-arm tactics of yours, they're gonna get you hurt.
00:32:25Yeah, yeah.
00:32:27So what about the other models? They have anything to say?
00:32:29Nothing interesting.
00:32:31Same old story. Afraid of losing their job.
00:32:34I mean, I wish I could get one of them to talk to me,
00:32:36but it's such an inside business.
00:32:40Ned, you're a great guy.
00:32:44I am?
00:32:59Excuse me.
00:33:00We want to talk to you about a modeling job.
00:33:02Please.
00:33:04I see you can clean up.
00:33:06Thank you. I'd really love to work for you.
00:33:08Fine. Have your agent submit a composite.
00:33:11I don't have an agent.
00:33:13Oh, um, do you have a portfolio?
00:33:16What?
00:33:18Pictures, honey.
00:33:20Oh, yeah, I might have a few snapshots.
00:33:22Look, I don't have time to play duckies and bunnies with you.
00:33:25Oh, please. It would really mean a lot to me.
00:33:27I think Stefan's a genius.
00:33:30He is.
00:33:33What's this?
00:33:35Another newbie.
00:33:37Hmm. Well, since the photo shoot's in a couple of days
00:33:40and we have to replace Barbie...
00:33:43see what you can do with it.
00:33:45But she doesn't have any pictures.
00:33:50Hmm.
00:33:54Well...
00:34:03Hmm.
00:34:05Hmm.
00:34:08Hmm.
00:34:13Send her to parallel.
00:34:38Hi.
00:34:42Hello.
00:34:44I'm Cassandra Hudson. I'm a model.
00:34:47No, you're not.
00:34:49Not until you've been photographed by Paolo Santorini.
00:34:53Well, you have a high opinion of yourself.
00:34:56It's not an opinion. It's a fact.
00:34:58Oh.
00:35:00Well, Stefan sent me.
00:35:03Ah.
00:35:05Ah.
00:35:09Well, come in.
00:35:11Let's see what Stefan has brought me.
00:35:17So do you think...
00:35:19Shh. I'm looking.
00:35:36Well, you're very beautiful.
00:35:38Thank you.
00:35:40That's not a compliment.
00:35:42It's a fact. Right.
00:35:44Good.
00:35:46But there's more to modeling than looks.
00:35:49Come with me.
00:35:51Put this on.
00:36:21Okay. Um, where do I change?
00:36:29Okay.
00:36:31So do you shoot a lot of Stefan's models?
00:36:34I'm the only one he loves besides himself.
00:36:37Beauty is a fragile thing.
00:36:39One frown, one dark shadow, and it's gone.
00:36:52So, um, did you know Barbie Dale?
00:36:57Barbie Dale.
00:36:59I knew I had to shoot her from three quarters left.
00:37:02I knew she had a mole I had to airbrush out.
00:37:09I knew she was a bitch before 10 a.m., but did I know her?
00:37:13No.
00:37:21No.
00:37:51No.
00:37:57Now, you and I must make love.
00:37:59Excuse me?
00:38:01I must fall in love with you, and you must fall in love with this.
00:38:05You must be as free and intimate as you would be with the man of your dreams.
00:38:09Yeah, whoever he is.
00:38:11You'll find him.
00:38:13How will I?
00:38:15For now, he's here.
00:38:17Love it like a lover.
00:38:19Tease it. Spoil it.
00:38:21Punish it.
00:38:23Go on.
00:38:33That is mild like any love lost.
00:38:47Fall in love with me.
00:39:17It's good.
00:39:37More than good. Spectacular.
00:39:40God, I've never felt like this before.
00:39:48Am I interrupting something?
00:39:51Uh, no. You're right on time.
00:39:54I brought some of Spahn's designs like you asked.
00:39:59Um, this will be interesting.
00:40:18Of course, sir.
00:40:20Don't get the banging in the room.
00:40:32Open up.
00:40:36What?
00:40:38I don't know.
00:40:40I'm afraid of you.
00:40:43Your desires are strong.
00:40:52This is the new lover for Spahn.
00:40:55The new lover.
00:41:01The lover wants you to be submissive now.
00:41:04Truly enjoy yourself. You are a perfect pleasure to the lover.
00:41:35Okay. Thank you a lot.
00:41:38That was fantastic. Thank you.
00:41:41I can't wait to see the proofs.
00:41:46Cassandra.
00:41:52We don't have to stop just because he's gone.
00:41:56The new lover wants you to be submissive.
00:42:04Oh.
00:42:11My baby.
00:42:17Everything's gone.
00:42:19Oh.
00:42:32Oh, I got this feeling, boy.
00:42:38Oh, and I hope it's the going to last.
00:42:43It's something about a fantasy I'm dreaming of, baby.
00:42:50Ooh, let's move.
00:42:54Ooh, baby, let's move.
00:42:58I can see the fear in your eyes.
00:43:05We know we're gonna bother us now.
00:43:10Oh, no.
00:43:13Just take my hand.
00:43:15I've got a plan. Ooh, yeah.
00:43:20Baby, let me show you.
00:43:27There's no need to worry.
00:43:30Everybody's gone.
00:43:40Everybody's gone.
00:43:43Everybody's gone.
00:43:47Everybody's gone.
00:44:02What's up, man?
00:44:05You want a dress?
00:44:07Yeah, so?
00:44:09And makeup? I didn't even know you owned makeup.
00:44:12So what's up?
00:44:14Oh, here.
00:44:16Wanted to deliver that myself.
00:44:19A private detective license.
00:44:23Yeah, and a recommendation letter.
00:44:26Yeah, see, I only say shitty things about you to your fans.
00:44:29Hardworking, competent, proficient, investigative sense.
00:44:34I didn't know you knew how to spell proficient.
00:44:36Oh, that's the font I get.
00:44:38Thank you.
00:44:41Oh, that's better.
00:44:43You haven't done that in a long time.
00:44:45It's just that I really appreciate it, that's all.
00:44:47No, there's something else going on.
00:44:49Makeup, dress.
00:44:51You haven't looked like this since, uh...
00:44:53Since Michael? Yeah, well, it's time to move on, as they say.
00:44:56Yeah, and about time, too.
00:44:58You know, you've got a nice set of legs.
00:45:00Great ass.
00:45:03Who's the lucky fella?
00:45:05Someone I just met.
00:45:07How long is this guy gonna stick around for?
00:45:09Well, at least I'll learn their names before I screw him.
00:45:12Oh, this guy's history tomorrow.
00:45:14Oh, yeah, I don't really see you setting a shining example of domestic bliss.
00:45:18I just haven't found the right one yet.
00:45:20Well, gotta go.
00:45:22Hey, you, uh...
00:45:24You haven't taken a contract out on Stefan or anything.
00:45:27No.
00:45:29We're just gonna let it go.
00:45:31What else can I do?
00:45:33See you, big guy.
00:45:47Ah, Cassandra. Your timing is perfect.
00:45:52So how are they?
00:45:54See for yourself.
00:45:56Oh, my God.
00:45:58What, you don't like them?
00:46:00Are you kidding?
00:46:02They're beautiful.
00:46:04Of course.
00:46:09That's how your lover sees you.
00:46:11Oh.
00:46:16You must get tired of making love to women all day long.
00:46:20It's exhausting, but someone's gotta do it.
00:46:26So how long have you worked for Stefan?
00:46:28I don't work for Stefan.
00:46:30I don't work for Stefan any more than I work for my other clients.
00:46:35Well, you don't seem to like him.
00:46:38The man is a fake.
00:46:40He pretends to be such an artist, but his work is nothing.
00:46:44It is all derivative.
00:46:46Well, he certainly seems successful.
00:46:48Well, if you measure success by how much money you have, then yes, he is successful.
00:46:52But I see him for what he is.
00:46:54A fraud.
00:46:57But enough about the man.
00:46:59I shouldn't burden you with my troubles.
00:47:01I'll select a few prints and put them in your folder.
00:47:06Listen, Carl.
00:47:09I want to thank you for yesterday.
00:47:11No problem. Here, these are perfect.
00:47:15Does what happened yesterday...
00:47:20Does that happen with all your models?
00:47:23No.
00:47:25You are different.
00:47:28I am?
00:47:30I mean...
00:47:33It seemed like, you know, that you were getting excited yesterday, too.
00:47:38Was it because of Terry?
00:47:40Terry does not excite me.
00:47:42I was jealous of what she was able to do with you.
00:47:45Thank you.
00:47:51Let me take you to this wonderful Italian restaurant this evening.
00:47:55I'll pick you up a date.
00:47:58Sure, but I'll meet you here, okay?
00:48:00If you like.
00:48:06So how about this one?
00:48:08This is good.
00:48:10This one?
00:48:11Yes.
00:48:15Her name is Moira.
00:48:17But she's Miss Jones to you.
00:48:19Remember to smile at everybody and be easy to get along with.
00:48:22Nobody wants to deal with your attitude.
00:48:24Ask the other models if there's anything you don't understand.
00:48:27And don't let them know it's your first job.
00:48:29Okay, I'll be fine.
00:48:30Everything's in your portfolio.
00:48:33I'll be fine, don't worry.
00:48:35I just want you to do that.
00:48:38Thank you.
00:48:44Oh, yes, fine.
00:48:46Friday at four?
00:48:48Whoever you want.
00:48:50Oh, yes, she's available.
00:48:54Okay, good.
00:48:56Fine. Bye.
00:49:02Well, very nice.
00:49:04Thank you.
00:49:05He recommends you highly. He doesn't do that very often.
00:49:13Fine.
00:49:17We'll try you for a while.
00:49:19Come on.
00:49:25Sign in downstairs. Don't be late.
00:49:27I'll fire you.
00:49:30Stefan.
00:49:32What do you think of our little newbie now?
00:49:35I see you survived the mad latin.
00:49:37Oh, yeah, he was terrific.
00:49:39Don't let him hear you say that.
00:49:41He's conceited enough as it is.
00:49:43Good job, Moira.
00:49:46Cassandra?
00:49:48Cassandra?
00:49:50Oh, I'll show you to our dressing room.
00:50:03This is terry.
00:50:05This is your dressing table.
00:50:07Use the make-up there.
00:50:09Hey, it's you.
00:50:11Hi.
00:50:13Hi.
00:50:15Welcome to the nuthouse.
00:50:17Wear this.
00:50:19Fittings are in 15 minutes.
00:50:21I expect you to be ready.
00:50:27Boy, she's a real sweetheart.
00:50:29We'll get used to her.
00:50:31So, um, are you replacing barbie?
00:50:34Barbie?
00:50:36Yeah, the girl they found in stefan's bedroom.
00:50:38Oh, yeah. What happened?
00:50:40I think stefan got carried away
00:50:42And strangled the poor girl with the nylon.
00:50:45That guy can be pretty kinky sometimes.
00:50:47Really?
00:50:49Yeah, from what I hear, anyway.
00:50:51What does he have to say about it?
00:50:53He swears he didn't do it.
00:50:55Hey, maybe they're just friends.
00:50:57Hey, maybe the butler did it.
00:51:02Well, did barbie have any enemies?
00:51:04Barbie couldn't spell enemies.
00:51:08Terry, stefan needs you now.
00:51:24Very good, kitty.
00:51:28Okay, show it to me now.
00:51:30The diamond wasn't big enough.
00:51:33Good, yes.
00:51:35Again.
00:51:40I want to go straight to swimsuit.
00:51:42As soon as we finish lingerie,
00:51:44We'll do the dominatrix line in the amphitheater, okay?
00:51:47All the models are ready.
00:51:49Oh, and our new girl?
00:51:51There she is.
00:51:53She looks terrifying.
00:51:55She looks beautiful.
00:51:57All right, ladies.
00:51:59Let's shoot some pictures.
00:52:01Cassandra, are you enjoying yourself with us?
00:52:03Well, good, then let's see it, please.
00:52:08Relax.
00:52:10You've already got the job.
00:52:12You're alone with your lover.
00:52:14All right, let's pick up the pace now.
00:52:16Change the music.
00:52:25Good.
00:52:32Good.
00:52:36Good, yes.
00:52:38All right.
00:52:43All right.
00:52:47Good.
00:52:49Good.
00:52:55That's good.
00:52:57Very sexy.
00:52:59Yes, yes.
00:53:01Love it.
00:53:06Together.
00:53:08I want to see some thighs.
00:53:10Yes.
00:53:19Good.
00:53:25Good.
00:53:27A little bit tighter again.
00:53:49Good.
00:53:53Good.
00:53:57Good.
00:54:01Good.
00:54:05Good.
00:54:09Good.
00:54:13Good.
00:54:15Good.
00:54:26Okay, ladies, thank you very much.
00:54:28That's a wrap.
00:54:36You did very well up there.
00:54:38Oh, thank you.
00:54:42Here we go.
00:54:44For your first time.
00:54:46It wasn't my first time.
00:54:48You're a little too transparent to lie.
00:54:50That's what makes you so good up there.
00:54:52Your all raw skin, that exposed nerve.
00:54:55Everything affects you, doesn't it?
00:54:58Must be very tiring being you.
00:55:01Don't you ever get tired?
00:55:03I'm far too busy enjoying myself.
00:55:08Well, you certainly worked hard today.
00:55:11Intense.
00:55:13You deserve a little bit of R&R.
00:55:16Why don't you join me for dinner tonight?
00:55:19Well?
00:55:21Don't say no.
00:55:23I'd have to give you a raise to prove it wasn't sexual harassment.
00:55:27Okay.
00:55:29Good.
00:55:31Go and change.
00:55:33Do you like Chinese?
00:55:35Yeah.
00:55:37Yeah?
00:55:43Okay.
00:55:53God, it's windy out there.
00:55:55No, it's freezing.
00:55:57Hey, looks like you have an admirer.
00:56:00Wow.
00:56:04Congratulations.
00:56:06Let's turn tonight into a celebration.
00:56:08Paolo.
00:56:10Someone made an impression.
00:56:13I forgot.
00:56:21Paolo.
00:56:23Hi, it's Cassandra.
00:56:25So, how did it go?
00:56:27It went great.
00:56:29Thank you for the beautiful flowers.
00:56:32They're not as beautiful as you.
00:56:35Well, listen, the reason I called about tonight...
00:56:39The reason I called about tonight...
00:56:41Can we do it some other time?
00:56:43Why? Something come up?
00:56:45Yeah, Stefan wanted me to go to dinner.
00:56:48I see.
00:56:50Well, what was I supposed to say?
00:56:52How about no?
00:56:54Come on.
00:56:55Try to understand.
00:56:57Oh, I do. He's your boss. You must be polite.
00:56:59And he can help your career.
00:57:01And Paolo, well, you've already got everything you can out of him, haven't you?
00:57:04No, no, it's not like that at all.
00:57:06Isn't it? I've seen it before.
00:57:09Well, ciao, baby. Enjoy yourself.
00:57:15He hung up on me.
00:57:22Boy, you don't waste any time, do you?
00:57:29It's my latest design.
00:57:31What do you think?
00:57:33It's gorgeous.
00:57:35Turn a little bit. Let's see how it moves.
00:57:39Hmm.
00:57:49Hmm.
00:57:51So, do you always date your employees?
00:57:54Actually, no. I try to avoid it.
00:57:57It can lead to problems.
00:57:59Like Barbie was a problem?
00:58:04Tragic.
00:58:09Well...
00:58:11I guess you don't believe the rumors.
00:58:14What?
00:58:17That I killed her.
00:58:20Otherwise, you wouldn't be here.
00:58:26This fell off your shoulder.
00:58:30Did you?
00:58:34What possible reason would I have?
00:58:36Oh, I don't know.
00:58:39You loved her and...
00:58:41No.
00:58:43I didn't have a chance to love her.
00:58:47Let this fall off a little more.
00:58:49She was... She was blackmailing you.
00:58:54About what?
00:58:57I make lingerie.
00:59:00I have closets, yes, but they have clothing in them.
00:59:03I have closets, yes, but they have clothing in them.
00:59:06Not skeletons.
00:59:15This flows very nicely over your skin.
00:59:24What's the secret that you hide?
00:59:29Nothing.
00:59:31You just make me nervous.
00:59:33About something else.
00:59:35Something deep inside of you.
00:59:42Why are you looking at me that way?
00:59:45So I can see past your viewing...
00:59:48into your soul.
00:59:51Are you a fortune teller?
00:59:53No.
00:59:55But I can see...
00:59:57that you don't like being controlled.
01:00:02No.
01:00:06You've developed a very tough exterior...
01:00:10to conceal the little girl inside of you.
01:00:15You sealed it.
01:00:32Oh, God.
01:00:36I think this is going to be fast.
01:00:38I want to be sure this is the little time we really have.
01:00:48You're right.
01:00:52It's late.
01:01:01What are you doing, girl?
01:01:12Put your hair up, take your hair down.
01:01:15Put your makeup on.
01:01:17Change your makeup.
01:01:19Oh, God.
01:01:21Cassandra, do you remember when you asked me if Barbie had any enemies?
01:01:24Yeah.
01:01:26Well, I was going through her stuff the other day...
01:01:28and I found this note.
01:01:31And it just seems kind of weird.
01:01:33Let me see it.
01:01:37After all we had together, I'm sorry you have to go.
01:01:42It's not signed.
01:01:44Do you think it's from a jealous lover or something?
01:01:47I don't know.
01:01:51Well, I gotta go. I'll see you later.
01:01:53See you.
01:01:55Bye.
01:02:25Bye.
01:02:38I would like to see you in my office for a moment.
01:02:46We don't usually entertain clients in our rooms.
01:02:50You must be...
01:02:52very special.
01:02:54Okay, enough. I should be.
01:02:57Hey.
01:02:59I thought it was special.
01:03:01Special, but not in control.
01:03:03Oh.
01:03:05You tell me what to do.
01:03:07Yeah.
01:03:09Anything you say, lady.
01:03:11Shut up.
01:03:13Come on. Let's see what you look like.
01:03:15Like I said, anything you say.
01:03:20Why don't we get rid of those shoes?
01:03:24Oh, right.
01:03:49Uh-huh.
01:04:11Uh-huh.
01:04:19Uh-huh.
01:04:49Uh-huh.
01:05:19Okay.
01:05:49Uh-huh.
01:05:55So, how do you like it here, Cassandra?
01:05:58I like it.
01:06:00Well, you know, when we finish shooting the fall catalog,
01:06:03we have to lay off most of the models for a while.
01:06:06But if you're interested,
01:06:08I could probably find something for you to do around here.
01:06:12Like what?
01:06:14Well, that would depend on you.
01:06:16You know, the buyers would probably like you.
01:06:20You're not married, are you?
01:06:24Look, I'm not sure...
01:06:28If you're talking about what I think you're talking about,
01:06:31I'm not interested.
01:06:36I was talking about networking and making some contacts.
01:06:41But I don't think that you have the right attitude.
01:06:44And if you have any misconceptions about this discussion,
01:06:47I would keep them to myself.
01:06:51If you want to keep this job.
01:06:59Hi.
01:07:01Could you get Terry for me?
01:07:03Sure. One second.
01:07:05Terry, you have a visitor waiting in the lobby?
01:07:09Okay.
01:07:12Okay.
01:07:15What the hell are you doing here?
01:07:17Pursuing an investigation.
01:07:19By going undercover as a model?
01:07:21Shh. Someone will hear you. Come out here.
01:07:30You could go to jail for this.
01:07:32Oh, what is that, a threat?
01:07:34No, I'm just saying there's a killer out there.
01:07:36Well, at least you admit it.
01:07:38Of course I do, and I'm doing everything I can to catch him.
01:07:40What do you think I'm doing here?
01:07:42That is a good question.
01:07:44One of the models may have turned up a clue, though.
01:07:46Well, if you got something, you better let me look at it.
01:07:48Jesus. More trouble now than when we were partners.
01:07:51Well, thanks a lot.
01:07:58It's a red herring, okay?
01:08:00A red herring? Doesn't that sound like a death threat to you?
01:08:03No. It could be anything.
01:08:05Oh, come on. Aren't you at least curious about the typewriter that it was typed on?
01:08:08Give me this thing. No!
01:08:10This is my investigation. Don't try and second-guess me.
01:08:13Well, maybe someone should.
01:08:15Don't pull this on me.
01:08:17You can't stop me.
01:08:19Maybe I'll just go tell the captain. He could rescind your private dick license.
01:08:23Oh, you...
01:08:25Ned, I've been looking for you.
01:08:28I see you met Cassandra.
01:08:30Yeah.
01:08:31Ned's our favorite detective.
01:08:33Are we still going out?
01:08:35Oh, yeah. Just give me a second.
01:08:37I'll go check my messages.
01:08:39Thanks.
01:08:41Her favorite detective?
01:08:43Jesus, Ned, you're screwing the suspects.
01:08:45Terry's not a suspect, and I'm not screwing her.
01:08:47She's just a friend of mine.
01:08:49Oh, that is such bullshit.
01:08:51You know what? Why don't you go tell the captain?
01:08:53Whatever it is that you think you know.
01:08:55I may have something to tell him, too.
01:08:58And what's that?
01:09:02You don't know shit.
01:09:04Terry?
01:09:06Yeah, but there's something to know, isn't there?
01:09:13Bye.
01:09:15Bye.
01:09:34Bye.
01:10:04Bye.
01:10:06Bye.
01:10:34Bye.
01:11:04Bye.
01:11:06Bye.
01:11:34Bye.
01:11:36Bye.
01:11:38Bye.
01:11:40Bye.
01:11:42Bye.
01:11:44Bye.
01:11:46Bye.
01:11:48Bye.
01:11:50Bye.
01:11:52Bye.
01:11:54Bye.
01:11:56Bye.
01:11:58Bye.
01:12:00Bye.
01:12:02Bye.
01:12:04Bye.
01:12:06Bye.
01:12:08Bye.
01:12:10Bye.
01:12:12Bye.
01:12:14Bye.
01:12:16Bye.
01:12:18Bye.
01:12:20Bye.
01:12:22Bye.
01:12:24Bye.
01:12:26Bye.
01:12:28Bye.
01:12:30Bye.
01:12:32Bye.
01:12:34Bye.
01:12:36Bye.
01:12:38Bye.
01:12:54Met you, son of a bitch.
01:15:00Oh
01:15:02Oh
01:15:29Cassandra
01:15:32Yes, what are you doing here pardon me miss I didn't mean to frighten you
01:15:38Mr. Alexandra's requests the presence of your company
01:15:43now
01:15:52I didn't know why I felt so
01:15:54restless and
01:15:58And I realized it's because you weren't here
01:16:02I
01:16:04Know it's funny. I feel like you know me better than anyone has ever known me
01:16:09But I've just met you
01:16:12Let your mind feel what your heart is telling it
01:16:17Last time I listened to my heart I got hurt
01:16:21Release yourself in the prison of your past conditioning your fears lie in the realm of the
01:16:32Now you've lost me I
01:16:35Am NOT the demon from your past
01:16:39Accept me
01:16:41here and now I
01:16:46Don't know why I'm doing this
01:16:51Because you felt it too
01:16:54What
01:16:57That last night was an end as well as a beginning
01:17:03And what does that mean
01:17:05Well an end of
01:17:08Searching for someone that we don't know
01:17:11But we're sure we'll recognize once we find them
01:17:14in the beginning
01:17:16Of everything wonderful that happens after that
01:17:24Talk like a poet
01:17:29What's wrong with that
01:17:32Poets lie
01:17:37The words lie let's tell the truth I
01:17:44Don't even know you you could be a real bastard you could be up
01:17:53Yeah
01:17:57Are you
01:18:02Yeah
01:18:32You
01:19:02You
01:19:32You
01:20:02You
01:20:32You
01:20:53You thirsty
01:21:02I
01:21:32You
01:22:02You
01:22:32I
01:23:02I
01:23:12Didn't find you in the bedroom
01:23:16Put the gun down
01:23:21It's just about everything that's happened here
01:23:24What are you doing?
01:23:27Nothing I was just restless
01:23:31I don't care for that
01:23:33No, I think I've had enough for one night. You know what? I think I need to come home. I'm really not feeling well
01:23:38I'll sleep here. I'll take you home in the morning. No. No, I I think I feel much better at home
01:23:44You know your own bed at all
01:23:46Can I change your mind? No
01:23:49Oh
01:23:51What's wrong
01:23:55Just have a lot to think about I'll drive you home
01:24:00Good guy Cassandra, what's gotten into you?
01:24:18I
01:24:48You
01:25:18You
01:25:48You
01:26:18You
01:26:37Dana
01:26:43What are you doing here?
01:26:44well
01:26:46Laura called said the silent alarm phone. So
01:26:49Checked it out. Noticed your car
01:26:52Figured you're up to something
01:26:54Boy, you do a lot of favors for these guys. Hey
01:26:57Still handling this investigation remember, so why wouldn't she call me?
01:27:02Yeah, I bet she calls you for a lot of favors
01:27:06meaning
01:27:09Payments in this ledger match deposits I found to your personal bank
01:27:17Been a busy girl
01:27:20Jesus you're getting paid to turn a blind eye to what's going on here and you get to screw the models as a bonus
01:27:26You know what? That makes you a
01:27:29Crooked cop only human Dana. That's all you got sick of the bullshit and quit the force. And what did you get?
01:27:35Zip no pension nothing. I just want to put a little something away
01:27:39For my future before I walk away
01:27:47Yeah, as far as I know the call girl service all more
01:27:53Did she kill Barbie Barbie's got nothing to do
01:27:57You don't think that I killed her. Do you someone did look the note that Barbie got it was typed on Stefan's typewriter on his
01:28:04notepaper
01:28:07Maybe I should bring him in
01:28:10You've been killing this investigation from the start
01:28:13Maybe you should walk away. Okay, just go. Will you go with that ledger, Dana?
01:28:20In a safe place, why don't you give it to me? Hey, yeah, right
01:28:26Look stay where you are
01:28:30Me Ned your old partner
01:28:33Look, I saved your life once don't make me take it now. Just give me the ledger and I'll leave
01:28:42I
01:29:13Got a lot of questions and I want some answers
01:29:17I'll answer anything you want. Just relax
01:29:21Did you know Moira is running prostitution ring from the modeling agency
01:29:27She wouldn't do something like that. Oh, yeah
01:29:31I've got the ledger to prove it
01:29:33name states fees for services rendered I
01:29:39Find it hard to believe you didn't know anything about this
01:29:42So you think she or I killed?
01:29:47Yeah
01:29:52Still open your heart that I'm innocent. I told you I never listened to
01:29:59Well, thank you for coming back here and giving me a chance to defend myself I mean after all we've had together
01:30:09That's the same thing you said to Barbie
01:30:13I
01:30:32Had to assume that you were dangerous me
01:30:34Well, you run out of my house waving a gun in my face and then you run back in waving it even more frantically
01:30:41You might be the murderer I'm a private detective
01:30:47Yeah, why don't you call the station surprised, you know martial arts why because I'm a designer
01:30:55Look untie me. Let me go not until I get some answers first
01:31:03What are you looking for I'm looking for Barbies murderer and have you found him maybe I'm looking at him
01:31:11What did you mean when you said after all we had together
01:31:16That's one of my favorite sayings
01:31:19Expresses the stream of life
01:31:40I
01:32:03Really kind of liked you
01:32:08Why'd you do it Terry
01:32:11Stefan belonged to me
01:32:15What can you see that
01:32:18He was coming back to me and then you came along it's not fair
01:32:25Why the note I
01:32:28Saw you in the picture with Ned in his living room. I just knew you were a cop or something
01:32:35See, I gave you the note. So you were Ned would arrest him. But no, what did you do?
01:32:41Come here and screw him
01:32:46This time
01:32:49After I killed a little slut he's going down if I can't have him no one can
01:33:03Yeah, check on her
01:33:10I
01:33:13Was gonna be next yes, there's a woman shot 427 studio Vista
01:33:40I
01:33:42I
01:33:44I
01:33:46I
01:33:49I
01:34:09I'm glad she turned out to be the killer. Why I'd hate to have to arrest you really and why is that?
01:34:18Cuz I'd like to have you around for a while
01:34:48I
01:35:18You