Dawson's Creek Season 1 Episode 1 Pilot

  • 2 days ago
Dawson's Creek Season 1 Episode 1 Pilot
Transcript
00:00I'll be right here I love this movie
00:23It's one of the Oscars, isn't it?
00:28Gandhi.
00:29Spielberg was robbed.
00:30This is before he uncovered Peter Pan syndrome.
00:31A Gandhi?
00:32I mean, why give an Oscar to a movie you can't even sit through?
00:34Five o'clock this morning, all of the airline's scheduled flights were cancelled, leaving
00:35...
00:36They're due?
00:37Yeah.
00:38She likes big air.
00:39It must weigh a lot.
00:40How did she walk up, Ray?
00:41Where are you going?
00:42Home.
00:43Spend the night.
00:44No.
00:45No.
00:46No.
00:47No.
00:48No.
00:49No.
00:50No.
00:51No.
00:52No.
00:53No.
00:54No.
00:55No.
00:56No.
00:57No.
00:58No.
00:59No.
01:00No.
01:01No.
01:02No.
01:03No.
01:04No.
01:05No.
01:06No.
01:07No.
01:08No.
01:09No.
01:10No.
01:11No.
01:12No.
01:13No.
01:14No.
01:15No.
01:16No.
01:17No.
01:18No.
01:19No.
01:20No.
01:21No.
01:22No.
01:23No.
01:24No.
01:25No.
01:26No.
01:27No.
01:28No.
01:29No.
01:30No.
01:31No.
01:32No.
01:33No.
01:34No.
01:35No.
01:36No.
01:37No.
01:38No.
01:39No.
01:40No.
01:41No.
01:42No.
01:43No.
01:44No.
01:45No.
01:46No.
01:47No.
01:48No.
01:49No.
01:50No.
01:51No.
01:52No.
01:53No.
01:54No.
01:55No.
01:56No.
01:57No.
01:58No.
01:59No.
02:00No.
02:01No.
02:02No.
02:03No.
02:04No.
02:05No.
02:06No.
02:07No.
02:08No.
02:09No.
02:10No.
02:11No.
02:12No.
02:13No.
02:14No.
02:15No.
02:16No.
02:17No.
02:18No.
02:19No.
02:20No.
02:21No.
02:22No.
02:23No.
02:24No.
02:25No.
02:26No.
02:27No.
02:28No.
02:29No.
02:30No.
02:31No.
02:32No.
02:33No.
02:34No.
02:35No.
02:36No.
02:37No.
02:38No.
02:39No.
02:40No.
02:41No.
02:42No.
02:43No.
02:44No.
02:45No.
02:46No.
02:47No.
02:48No.
02:49No.
02:50No.
02:51No.
02:52No.
02:53No.
02:54No.
02:55No.
02:56No.
02:57No.
02:58No.
02:59No.
03:00No.
03:01No.
03:02No.
03:03No.
03:04No.
03:05No.
03:06No.
03:07No.
03:08No.
03:09No.
03:10No.
03:11No.
03:12No.
03:13No.
03:14No.
03:15No.
03:16No.
03:17No.
03:18No.
03:19No.
03:20No.
03:21No.
03:22No.
03:23No.
03:24No.
03:25No.
03:26No.
03:27No.
03:28No.
03:29No.
03:30No.
03:31No.
03:32No.
03:33No.
03:34No.
03:35No.
03:36No.
03:37No.
03:38No.
03:39No.
03:40No.
03:41No.
03:42No.
03:43No.
03:44No.
03:45No.
03:46My head is in the clouds, my feet have left the ground, my life is turning around, around.
04:01There's a rare voice inside my head, it's telling me to run like mad,
04:09walls and barrels, stars and sunsets, hey, hey, hey, yeah, hey, hey, hey, yeah.
04:18Every heartbeat, every kiss just makes me wonder what all this is.
04:26It is soaps of armor, hearts and barrels, hey, hey, hey, yeah, hey, hey, hey, yeah, hey, hey, hey, yeah.
04:56Hit it harder, hit it real fast, alright, let's do it.
05:01No, no, cut, cut, cut, hey, it's like a three count you gotta wait for, come on.
05:27Fight, Peyton.
05:29Come on, Joey, Peyton.
05:32What was that about?
05:34Come on, before she's established on the dock, it's not scary.
05:37You did it again, you grabbed my ass.
05:40Like you even have one.
05:42Guys, we're way behind schedule, alright, we've got two weeks.
05:45I'm not gonna make the festival.
05:47I'm not playing the festival.
05:48Hello, cooperation.
05:49Hey, it's Meryl Streep's fault, okay, I'm doing the best I can.
05:52Fight me.
05:58Hey, pretty girl, I'm not a fool.
06:07Oh, well, I'm out of drops.
06:10Hey, pretty girl, hey, pretty girl.
06:17Hey, pretty girl, I wanna know you.
06:23Hey, pretty girl, I wanna show you.
06:28Hey, pretty girl, hey, pretty girl.
06:32Hey there.
06:33Hi, I'm Paisley.
06:35Hi.
06:36Nice to meet you.
06:37I'm Dawson.
06:38You're Dawson, Dawson, yeah, I know, we met before.
06:41I'm Jen.
06:42Oh, the granddaughter from New York, okay.
06:44Right, right.
06:45Wow, you look different.
06:47Puberty.
06:48Hi, I'm Joey.
06:49I live down a creek and we've never met ever.
06:54So, Jenny, are you just visiting?
06:56Yeah, my grandfather's aorta collapsed and so they had to replace it with this plastic tube
07:02and my parents sent me to help out for a while.
07:05So you'll be going to school here then?
07:06Yeah, 10th grade.
07:08Hey, cool, us too, yeah.
07:10Oh, good.
07:13Look, my grandma's waiting, I should go, but it was really nice to meet you guys
07:18and I'll see you in school.
07:21If not sooner, yeah.
07:24If not sooner.
07:26Nice.
07:38Think she's a virgin, you wanna nail her?
07:40We just met.
07:41I don't waste it more than it was.
07:42I mean, greater men would be nailing right now, you know what I mean?
07:45Attack.
07:46Hook it up.
07:57Oh, God, Mom!
07:58Oh, hi, son.
08:01Your mother and I were...
08:03Um, just discussing whether or not...
08:06We needed a new coffee table.
08:09Hi, Pacey.
08:10Hi, Mr. Leary.
08:12Mrs. Leary.
08:13Hi, Pacey.
08:15Oh, don't look so red, Dawson, it could be worse.
08:18You know, Mrs. Leary, I really love that new hairdo.
08:22Oh, thank you, Pacey.
08:25I thought you had to work today.
08:27We're running late.
08:28I should get going.
08:30Okay, Mr. Man-Meat, I'll see you later.
08:34Mom!
08:35Mom!
08:41Mom!
08:42Mom!
08:43Mom!
08:44Mom!
08:45Mom!
08:46Mom!
08:47Mom!
08:48Mom!
08:49Mom!
08:50Mom!
08:51Mom!
08:52Mom!
08:53Mom!
08:54Mom!
08:55Mom!
08:56Mom!
08:57Mom!
08:58Mom!
08:59Just the victim I'm looking for.
09:00No, Cody, not again.
09:02I'm being tested on this one.
09:04Here, just a taste.
09:08Orgasmic.
09:09Where's Bess?
09:10If you want to wear my things, fine.
09:12They're fairly useless to me at this point,
09:14but that means you put them back where you found them.
09:18Got it?
09:19Got it.
09:20I'm way too pregnant to be digging underneath your bed.
09:23So stay out of my room. Got it?
09:26I'm gonna knock her silly, I swear it.
09:28Good for this.
09:35Orgasmic.
09:42So if your dad is Mr. Manmeet,
09:45does that make you Mr. Manmeet Jr. or Mr. Manmeet II?
09:48You'd have to drag the creek to find your body, Bess.
09:51Does Forrest Gump go in the comedy or drama section?
09:55How many times are you gonna ask that?
09:57It goes in the drama section.
09:59Thank you, Dawson.
10:03Can you say wet brain?
10:06Can you say wet brain?
10:08I'm sorry, what did you say?
10:11Did you toss a negative, disparaging remark my way?
10:16Because if you did, and correct me if I'm wrong,
10:20I'd like to remind you who you are.
10:22I know, I know, your dad owns the place.
10:25No, I'm talking about in the huge, rotating world of life.
10:31And who am I, Nellie?
10:34Nobody.
10:36That's the point.
10:38You're not there, you don't even exist.
10:41Because if you did,
10:43I might have to respond to your pathetic,
10:47little under-the-breath one-liners.
10:50But instead, I take comfort knowing you're vapor.
10:58Non-existent, nothing.
11:05Oh my God, look at her.
11:19That's respect, man, she's somebody's mother.
11:22I have it on pretty good authority that mothers have excellent sex lives, alright?
11:30Good afternoon, can I help you?
11:33Yes, you can. This is my first time here, and I'd like to rent a video.
11:38Excellent.
11:40Just fill that out, and you shoot us over a credit card.
11:46Thanks.
11:48You new in town? Because I haven't seen you in here before.
11:52Yes, I am. My name's Tamara. What's yours?
11:56Pacey, nice to meet you.
11:59Oh, there you go, Pacey.
12:03Um, do you think I could help you locate a video this afternoon?
12:08Maybe. I'm in the mood for romance.
12:11We keep the new releases against...
12:14Oh no, I'm vintage, all the way.
12:20The classics are in the...
12:22Where would I find The Graduate?
12:24The Graduate is the one...
12:28Where the older woman Anne Bancroft seduces the younger man Dustin Hoffman?
12:33Checking.
12:35Right there, actually. Thanks.
12:38Is there anything else we can help you with?
12:40Oh no, that should do it. How much?
12:42Pay when you return.
12:44Don't forget your credit card. Yeah, right here.
12:48Enjoy the film.
12:50I will.
12:53It was nice to meet you, Pacey.
12:56Oh, yeah.
13:05What'd the drool do?
13:07She was flirting with me.
13:09I thought she was laughing at you.
13:11No, she wanted me!
13:12She wanted Dustin Hoffman.
13:14I...
13:27It felt like springtime on this February morning
13:32In a courtyard birds were singing in your grave
13:38Hey.
13:40I'm still recalling things you said to me
13:44How's your granddad?
13:46He's breathing. Good sign.
13:50It's just my grandma that presents the challenge.
13:52She's got this praying mentality, which is really awkward since I don't do the whole God thing.
13:57Uh, what you got here? Let's see.
13:59Creature from the Black Book, uh, humanoids from the deep swamp thing?
14:05It's research. I'm making a movie.
14:08Really? Yeah.
14:09You're kind of young to be so ambitious.
14:11Fifteen. Spielberg shot it on 8mm when he was thirteen.
14:15In my movies, what's the attraction there?
14:18I reject reality.
14:21Oh.
14:25Would you like to see my studio?
14:37Hmm. Long shot here.
14:40Uh, Spielberg fan?
14:43Pretty much worshipped the man in a God-like way, yeah.
14:46Oh, revealing.
14:47I have his career chronicled up on my wall.
14:49If you notice, everything is arranged in receding box office order.
14:52Starting with the blockbusters. Jurassic Park, E.T., Jaws, Indiana Jones series.
14:58And if you follow it to my critically acclaimed wall, I have Schindler's List in the color purple.
15:05Also for humility purposes, I also keep his letters. 1941 and always.
15:13In limited but accessible view.
15:16Are you familiar with obsessive reality disorder?
15:19It's beyond that.
15:21See, I believe that all the mysteries of the universe, all the answers to life's questions, can be found in a Spielberg film.
15:28It's a theory I've been working on. You see, whenever I have a problem, all I have to do is look to the right Spielberg movie, and the answer's revealed.
15:37Are you considered a 12-step program?
15:40With? We like that around here.
15:45We're very smooth.
15:59Actually, in all seriousness, the Boston Film Critics have this program for junior filmmakers.
16:04Heavy competition. Deadlines in two months. I'm really under the gun.
16:08Jennifer!
16:16I better go. Don't want her to erupt.
16:30I'll see you at school.
16:32Bye.
16:33Bye.
16:45Joey, hey, where you been? Come on, sit down.
16:49Watch this.
16:54772-5982. Back to you, Bob.
16:59Did you put mom sleeping with her co-anchor?
17:02Where'd that come from?
17:04Watch.
17:06982. Back to you, Bob.
17:10It's the thing about her bees. They're too soft.
17:13Back to you, Bob.
17:15You're reaching. I mean, why would your mom be sleeping with her co-anchor? Your dad's the perfect male specimen.
17:21I don't know, but I think they are.
17:23You're just looking for conflict. Everything's a potential script to you. Accept your perfect life, Dawson. It's reality.
17:315982. Back to you, Bob.
17:35Cleanup continues to...
17:375982. Back to you, Bob.
18:07Good morning, good morning.
18:38What are you doing?
18:40I was just saying good morning.
18:45Your breakfast is ready.
18:50I'm glad I'm here, Gramps.
18:54You better hurry. You don't want to be late your first day.
19:06You know, I don't usually eat in the morning, Gramps. I appreciate the fuss and all, but my eyes barely open before noon. It's just a coffee fix, and I'm sad.
19:17Well, remember that in the future.
19:22So tell me about this Dawson guy next door. He looks so different. He used to be kind of short and compact.
19:29You stay away. That boy is trouble.
19:33Aren't they all?
19:36Well, what about the girl who lives down the creek? Joey, I think her name is?
19:42That girl from down the creek has been crawling in the bedroom window of that boy from next door for the past ten years.
19:51Neither goes to church. I believe they're what you call the wrong element.
20:00Right.
20:10Say grace, dear.
20:14That's okay. You can do it.
20:16It would be nice if you did it.
20:20I don't think so, Gramps. Thanks, though.
20:24Is there some reason you don't want to thank our Lord this morning?
20:29You know, Gramps, I really didn't want to get into this since I only just got here, and I'm kind of prone to headaches and all.
20:36But, you know, I don't do real well with church and the Bible and this prayer stuff.
20:43I beg your pardon?
20:47I don't covet a religious god, Gramps. I'm an atheist.
20:55I get knocked down, but I get up again. You're never gonna get me down.
21:18This is my life.
21:22Hi, I'm Nellie Olson.
21:25Nellie as in Little House on the Prairie?
21:27I know, I know. Little House on the Prairie was like my mom and dad's favorite show.
21:32But no preconceptions, okay? I'm not like her at all.
21:36I'm Jen.
21:38From New York. I know.
21:41How's your grandfather? He has us all worried. He's still on the prayer list at church. You party?
21:47Excuse me?
21:49Party.
21:53Party as in do I like to have a good time or parties and drinking is drugs?
21:58It's subjective.
22:02I like to have a good time. Substance free.
22:05Maybe we should call you Nellie.
22:09See ya.
22:12Hey. How's it going?
22:15I could really use a cigarette.
22:17You smoke?
22:18I quit. I'm just a little tense.
22:20Well, you're hiding it well.
22:22I have a great denial system.
22:24It's the first day we're all a little tense. It'll get easier.
22:27Good.
22:28How's your schedule? They screwed it all right. Who do you have first period?
22:31Brinson, biology.
22:34I was just heading that way.
22:36Oh, yeah.
22:49Shit.
22:51It's Maura.
22:53Hello, Casey.
22:55I'll tell you what. Why don't you call me Miss Jacobs during school hours?
22:59All right. Of course.
23:19Hey. Hi.
23:23I was hoping we'd have a class together.
23:27Here we are.
23:41Mrs. Bates.
23:45Mrs. Bates.
23:49Psycho.
23:53You know the film?
23:55Anthony Perkins. Janet Leigh. Universal. 1960.
23:58Little known fact.
24:00Did you know that Hitchcock surprised Janet Leigh with freezing cold water in order to get her to scream so effectively?
24:05Who are you?
24:07Dawson Leary.
24:08Then I take it you'll be at my fifth period film lab.
24:11Actually, that's why I'm here.
24:13There's been some confusion with my schedule.
24:15I was denied admittance to your film class.
24:18Then you must be a sophomore.
24:21And that's not a good thing?
24:23There's a very popular class, Dawson. Seating is limited.
24:26There's a waiting list. Priority goes to upperclassmen.
24:30Well, that's stupid.
24:31Excuse me?
24:32Who made that rule?
24:33I did.
24:40Why are you so adamant?
24:42Passion, Mr. Gold.
24:45Pure, mad-driven passion. Movies are my life.
24:48Oh, I see.
24:51I'm sorry.
24:53I'm not coming across well at all here.
24:56The point is, I'm going to be a filmmaker.
24:58It's my life's ambition. It always has been.
25:01How many students do you have in this class who can say that?
25:05This is a small town, Mr. Gold. There's not a lot of opportunity for me.
25:10You don't have the power.
25:12You could easily override this bizarre rule that denies students their education.
25:17You're very convincing, Dawson Leary.
25:20But I'm afraid the class is maxed out.
25:24I wish I could make case-by-case exceptions, but that would be unfair and problematic.
25:29I'm sorry to say no is my definitive answer.
25:33But no, period.
25:36It's a complete sentence.
25:40Hey, Joey, Joey.
25:43Can I ask you something kind of out of the front?
25:47Sure.
25:49Are you and Dawson a thing?
25:52No, we're just friends.
25:54Like we're going to be, I hope.
25:58No, my Grams warned me about you.
26:01She says you're severely troubled.
26:03Well, no offense, but your Grams is correct.
26:06What's she rag on you?
26:08Pick a topic.
26:09There's my dad, the in-prison convict, or my sister, impregnated by her black boyfriend.
26:14Your father's in prison?
26:16Conspiracy to traffic marijuana in excess of 10,000 pounds.
26:19Wow.
26:21So then where's your mother?
26:23Oh, she had this cancer thing. It got her.
26:27So then you live with your sister?
26:29And the black boyfriend.
26:32He likes you, you know.
26:34Who, the black boyfriend?
26:35Dawson.
26:38Don't abuse his feelings.
26:51Okay, the bald man is Mr. Herman.
26:53He teaches a timid calculus class at CACSA 45-9.
26:56Last year he opened fire, took out two students in a custodian.
26:59Pled justifiable homicide.
27:01They didn't have a hall pass.
27:04Woman in the funky black dress, periodic drinker.
27:07Black side up, your two glasses of cheap wine, and one's to town with your dress over.
27:11Singing Neil Diamond songs.
27:14You look good.
27:16I should bring you into a bunch of my dialogue.
27:19Oh, we're supposed to be working, Dawson.
27:21Yeah, um, would you mind taking a look at, um, F3?
27:24I'm having a climax issue.
27:26Sure.
27:32Tamara, or Miss Jacobs.
27:36How was the graduate?
27:38Just as I remembered.
27:41Are you looking for romance tonight?
27:44Why, you got any suggestions?
27:47Uh, have you ever seen the Summer of 42?
27:51Refresh my memory.
27:54Well, it's about a beautiful woman who seduces a young boy on the verge of manhood.
28:01It's a favorite.
28:04I, uh, could reserve it for you if you'd like.
28:09Actually, tonight I'm going to see that new film playing at the Rialto.
28:14Yeah.
28:16It's getting great reviews.
28:19Oh, yeah?
28:21Well, uh, I guess maybe I'll, uh, check it out then.
28:28If you want to.
28:35Oh, man. Video Woman is my new English teacher, okay?
28:39You, me, the movie's tonight. We are stalking a faculty member.
28:42Excuse negative.
28:44What? I actually have the possibility of losing my virginity in a high-level fantasy fashion.
28:49Casey, go home. Walk your dog. It's not going to happen with the English teacher.
28:54Not tonight. That's not the plan, man.
28:57I just want to familiarize her with the gaze, the smile, the charming features.
29:02You know?
29:04Don't do this to yourself.
29:06Listen, it is a fact that a large percentage of older women are attracted to young boys on the verge of manhood.
29:11Okay? It keeps them feeling young. I read that in Cosmopolitan.
29:14What did you ever read in Cosmopolitan?
29:16Listen, I have three menstrually diverse sisters, okay?
29:19Cosmo is my savior.
29:21What do you need me for?
29:23Rural support, okay? It'll be cool. You can invite Miss Teen New York.
29:33That sounds good.
29:35Unless somebody's beating you to it.
29:41Come on, man. Get in there. Be assertive. You talk to her, alright?
29:46You know, you should be the one reading Cosmo. It'll build your female esteem.
29:50Go on.
29:58Dustin! Hey, how's it going?
30:00Pretty good.
30:02I see you've met Roger Fulford.
30:04Yeah. Nice guy.
30:06Yeah.
30:08Chopped quarterback by day, schizophrenic transvestite by night.
30:11Oh, really?
30:12He has what you'd call a Tory-spelling complex. He's partial to Victoria's Secret.
30:16Just so you know.
30:18But can he run in pumps?
30:21Hey, uh, Casey is co-directing a trip to the movies tonight. Nothing big, just a few of us.
30:26Would you like to come?
30:28Yes.
30:36Hey, Joey.
30:38I need to deliver.
30:40Uh-oh.
30:41I have this semi-quasi-date with Jen tonight. We're going to the movies with Pacey, and I need you to come with us.
30:45I'd rather go down it in a plane crash.
30:47Come on, it's gonna be really weird. Just two guys and Jen. You could even an out.
30:51Well, so it would appear like a double date?
30:53Sort of, but not really. Pacey's on this formal mission.
30:56There's no formalism, no way.
30:58It's not like a date, Dave. It's just so that Jen won't feel uncomfortable.
31:01We wouldn't want that.
31:03Come on, Drew, please.
31:05Please, please, please, please, please, please, Joey.
31:09Please.
31:11Whatever.
31:12Thank you. You're the best. I mean it.
31:14Look, I know you're worried about our relationship and everything, but I told you, nothing has to change.
31:19We can talk about anything.
31:27Where exactly are you going?
31:29Well, Dawson has a gun, and we thought we'd go knock over a few liquor stores and then go for some tattoos.
31:35Why do you talk like that?
31:37I am simply trying to establish a rapport with you that's based on humor.
31:41I'm completely harmless, you'll see.
31:44I'll just be back by ten.
31:46I can do that.
31:48Thanks for being so cool about this. I thought you were going to chain me up to a chair or something.
31:53Not at all. You want to go to the movies, go.
31:56Have fun, just as long as you come to church with me on Sunday morning.
32:01I knew there was going to be a catch.
32:04Grimms, I'm sorry, but you're going to have to give up on this one.
32:08I'm afraid I insist.
32:11I'm firm about my beliefs. Please respect them.
32:15Look, I know what happened in New York church, or do you go to church?
32:20Look, I know what happened in New York church, or do you go to church?
32:25Let me determine that.
32:27Church isn't the answer, not for me.
32:30But I promise you I will keep an open mind and honor and respect your beliefs for as long as I'm here.
32:36The decision has been made. You will do as I say. You are under my guard.
32:41You know, I'm trying really hard to keep my rebellious nature in check.
32:50I'll tell you what, Grimms. I'll go to church when you say the word penis.
32:55You stop that talk.
32:58It's just a word, Grimms. Clinical and technical. Penis.
33:06Grimms, I really love you, but you're going to have to lighten up.
33:10I'll see you later.
33:21All right. Dad, I'm out of here.
33:25What do you think?
33:28I thought all the waitresses could wear scuba gear.
33:33Completely impractical.
33:35This whole aquatic-themed restaurant idea gets worse on a daily basis.
33:40Shift. Your mom's on.
33:44Watching her work is the best foreplay.
33:48I'm out of here.
33:50Have fun. Play safe.
33:53Condom chat is premature.
33:55It's never too early.
33:57What is up with the sex?
34:00It's all anybody thinks about anymore. Sex, sex, sex.
34:04What is the big deal?
34:06Sex is a very big part of who we are as human beings.
34:10Does that mean we have to go hump the coffee table?
34:13If sex is so important, then how come Spielberg has never had a sex scene in one of his movies?
34:19He keeps it in its proper place in film, as should we in life.
34:27I'll be home early.
34:31Back to you, Bob.
34:40Whoa. Hold on a second.
34:43Hurry.
34:44Gratitude's got to go.
34:56Oh, shit.
35:04No.
35:08No. Plot them together like this.
35:15You hold onto this, and every half hour to an hour, you excuse yourself to go touch up.
35:21Got it?
35:37Pacing forward, be yourself.
35:43So do you plan on staying the whole school year?
35:45Well, that depends on my grams, really, and my mom and dad.
35:51Hey, Joey, I love your lipstick. What shade is that?
35:54Wicked red. I love your hair color. What number is that?
35:58That's excuse Joey. She was born in a barn.
36:01That's okay. Joey, I just do highlights.
36:05So, uh, Jen, you a virgin?
36:08That's mature.
36:09Well, because Dawson is a virgin, and two virgins really makes for a clumsy first encounter, don't you think?
36:14You were gonna die.
36:16I just thought it'd help, you know, cut to the chase.
36:19No, it's okay, Dawson. Yes, I am a virgin, and how about you, Joey? Are you a virgin?
36:25Please.
36:26Years ago. Trucker named Bubba.
36:30Where's my perfume?
37:00Back in a bit.
38:01So, Jen, you a size queen?
38:05Excuse me?
38:07Well, how important is the size to you?
38:09Joey.
38:10Well, you know, being a virgin, I guess I haven't really given it much thought. How about yourself, Joey?
38:15I'm torn.
38:17You and me outside now.
38:19What do you think, Dawson?
38:21I'm gonna kill you. I'm gonna kill you here.
38:23Did you notice the long fingers?
38:27Did you notice the long fingers?
38:38It's Ma.
38:39Hi. I see. What are you doing here?
38:42Just checking out the movie. I came with some friends.
38:46Oh, good. I'm glad.
38:48Yeah, but I can sit here with you, you know.
38:51Want that done?
38:52No, but...
38:54Oh, wait. By the way, Summer of 42 is officially reserved in your name.
38:59Oh, Pacey, look. I don't think you understand...
39:01No, no, no. There's nothing. There's nothing.
39:03I could, uh, even come over. We could watch it together. Maybe, uh...
39:08Pacey, are you sure you don't want to go sit with your friends?
39:12Who's this guy?
39:14Hey, quiet!
39:16Sorry.
39:18Tammy, is this kid bothering you?
39:19No, Benji.
39:22Miss Jacobs invited me herself, hmm?
39:24Not exactly. Look, Pacey, you have got to understand.
39:27I was only renting a movie.
39:30Look, why don't I help you find your seat?
39:38Are you twiggy? What is your problem?
39:40My problem is that from the moment Little Miss Highlight showed up,
39:42you haven't said one word to me.
39:44Crap! That is pure crap, and you know it.
39:46All I know is that all your blood is rushing down
39:48and you can't even acknowledge another human being is even present.
39:51Look, I like her, okay?
39:53Sue me. I thought you were my friend.
39:55Where is a little understanding?
39:56Oh, I understand everything.
39:58I'm tired of understanding.
40:00All I do is understand.
40:04Joey!
40:07Nothing penetrates with you, Dawson.
40:09You're so far removed from reality,
40:11you can't even see what's right in front of you.
40:14What are you talking about?
40:16Life, it's friggin' fairytale and you don't even know it.
40:20You just want conflict for that script you're writing.
40:25It's tough living in the movies.
40:28Grow up.
40:40So I walked you to your door.
40:42Oh, not with grams waiting to pounce.
40:45Oh, that's strange.
40:46Yeah.
40:53So...
40:55So...
40:58It was a really repulsive evening.
41:00Uh-huh.
41:08You know, this is all my fault.
41:11I know I don't possess much power in the universe,
41:14but I feel completely responsible for tonight, Dawson.
41:17No, I...
41:18I pulled the pin, I tossed the grenade.
41:20I...
41:22I got a B.O.L.
41:24Right?
41:25No, no, no.
41:26You're a loser, Dawson.
41:28You're...
41:29You're very sweet.
41:31Smart.
41:33You've got a great sense of humor.
41:35You're...
41:36You're cool without being really obnoxious about it.
41:41You're very, very talented.
41:46You've got clear skin.
41:48Big plus.
41:52No.
41:55Thank you, Dawson.
41:57Things were not so great for me in New York, and...
42:02They're kind of scary right now, so...
42:11Um...
42:13Um...
42:15I should go.
42:17But...
42:18Thanks for everything, Dawson.
42:22But, um...
42:24I'm just gonna pretend we kissed, okay?
42:41Oh!
42:54What are the chances?
43:00Hey, Steve.
43:01You okay?
43:02I'll live.
43:03Wait.
43:04Talk to me a second.
43:07About what?
43:08The graduate of the summer of 42.
43:10Which would you rather discuss?
43:13I'd like to clear up this misunderstanding.
43:16I understand you perfectly well, Miss Jacobs.
43:22I'm so sorry.
43:23You shouldn't be, because you're a liar.
43:26How can you say you were just renting a movie key?
43:29Because it's the truth.
43:31It's a crock.
43:33The truth is, you're a well-put-together, knocked-out-of-a-woman
43:36who's feeling a little insecure about hitting 40.
43:39So when a young, virile boy such as myself flirts with you,
43:43you enjoy it.
43:44You entice it.
43:45You fantasize about what it would be like
43:47to be with that young boy on the verge of manhood.
43:51Because it helps you stay feeling attractive.
43:55Makes the aging process a little more bearable.
43:58Well...
44:00Let me tell you something you blew with, lady.
44:03Because I'm the best sex you'll never have.
44:12You're wrong about one thing, Pacey.
44:18You're not a boy.
44:29God.
44:31I'm sorry.
44:34God.
44:43I'll see you in school, Miss Jacobs.
44:59The greater Boston area shows some fine weather...
45:15What are you doing in there?
45:18Hanging with the close.
45:23What happened tonight, Joey?
45:26They doubt.
45:30What is going on between us?
45:33I have no idea.
45:37I know I have this incredibly perfect life
45:40and I completely underappreciate it.
45:42Yeah, you do.
45:43I'm sorry I was such an insensitive male.
45:46Thought I was above it.
45:51I don't want to lose you, Joey.
45:55What we have is the only thing that makes sense to me.
46:00I know.
46:05When I saw you at the movie theater with that lipstick on,
46:08I remember thinking how pretty you looked.
46:13I mean, I ignored it, but I thought it.
46:17Yeah?
46:19But that was it, Joey.
46:24It didn't go any further than that.
46:27When I saw you going for Jen's hand,
46:34it's not like I wanted to be the one holding your hand.
46:41I just didn't want her holding it.
46:46So where does that leave us?
46:53It's all so complicated.
46:57We're growing up, Dustin, that's all.
47:01Even Spielberg outgrew his Peter Pan syndrome.
47:12Where are you going?
47:16I can't sleep over anymore.
47:18And we can't talk to each other the way we used to.
47:21I mean, there's some things we just can't say.
47:24No, that's just not true. Joey, I could tell you anything.
47:27Yeah? How often do you walk your dog, huh?
47:30What?
47:32You know what I mean. What time of day? How many times a week?
47:54Good night.
48:08See you, Dustin.
48:11See you, Joey.
48:25Oh
48:28Why you look so sad
48:32The tears are in your eyes
48:36Come on and come to me now
48:42Don't
48:45Be ashamed to cry
48:49Let me see you through
48:53Cause I've seen the dark side too
48:58When the night falls on you
49:02You don't know what to do
49:05Joey!
49:08Usually in the morning, it can't occur.
49:13I'll stand by you
49:17I'll stand by you
49:21Won't let nobody hurt you
49:25I'll stand by you
49:29Take me under to your darkest hour
49:34And I'll never desert you
49:50I'll stand by you
50:20I'll stand by you
50:23I'll stand by you
50:26I'll stand by you

Recommended