Dawson's Creek Season 1 Episode 2 Dance
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00:00God, look at her.
00:02Yeah.
00:03I'll tell you what, why don't you call me Miss Jacobs during school hours?
00:07Making a movie.
00:08You're kind of young to be so ambitious.
00:10I was denied admittance to your film class.
00:12Sorry, but no is my definitive answer.
00:15And we can't talk to each other the way we used to.
00:17I don't want to lose you, Joey.
00:20I'm the best sex you'll never have.
00:26Look, I know what I saw.
00:27It was big and it was ugly and it attacked me.
00:29And it's still out there just waiting.
00:31I may not believe you, Stephanie, but I believe in you.
00:41What? What? Come on.
00:43What?
00:44Sorry, Dawson, he is just too repelling.
00:48Joey, you're going to have to kiss him.
00:50I cannot and will not kiss that cretin.
00:53It's a movie. You're playing a character. It's not pacing or kissing.
00:57So is a sea serpent from the deep. Cite the difference.
01:00But you're not aware of his evil alter ego. You're in love.
01:03Forget it.
01:04A movie doesn't work without a kiss, Joey. It's a love story.
01:07It's a horror movie, Dawson.
01:09It's an homage with a heavy allegorical slant.
01:15But he's so un-kissworthy.
01:21Do it for me.
01:23I don't want to regurgitate on camera.
01:25Why don't you kiss him?
01:27Because my lips are reserved for someone else.
01:32Have you kissed Little Miss Someone Else yet?
01:35There's no need to rush fate.
01:37Well, don't wait in the eternity, Dawson.
01:39I mean, she's from New York where things tend to move faster.
01:42Well, then so how enchanting to meet a strapping young man who doesn't have sex on the brain.
01:49I hope she's asleep at night.
01:51Joey, you heard it for yourself. Through her own admittance, she's a self-proclaimed virgin.
01:55For another second.
01:57Jen happens to be a bright, intelligent young woman who is clearly in charge of her own body.
02:03I'm not suggesting leather straps and Crisco. Just a kiss.
02:07Jen and I will definitely kiss, don't you worry.
02:11Question is, will your lips ever find Pacey's?
02:14I vote for an extensive rewrite.
02:16Well, that's too bad.
02:19Because you definitely have kissing lips.
02:22What?
02:24Check that out.
02:28You give a good lip.
02:31You know, Joey, you could always just close your eyes and think of someone else.
02:41Explain to me the Crisco.
02:44My heart is in my hands
02:49My head is in the clouds
02:53My feet have left the ground
02:56My life is turning around
03:01Every voice inside my head
03:06Is telling me to run like mad
03:11Bows and arrows, stars and sunsets
03:19Every heartbeat, every kiss
03:23Just makes me wonder what all this is
03:28Suits of armor, hearts and arrows
03:32Hey, hey, hey, yeah
04:03Get your tickets now.
04:05Mr. Gold, got a sec?
04:08What is it, Dawson?
04:12Um, well, I've been thinking about what you said.
04:16And you were right not to let me into your class.
04:21I'm glad you gave it some thought.
04:23I did.
04:25I am, however, in a bit of a jam.
04:28See, I have study hall fifth period in the library.
04:30And it's really crowded in there.
04:32It's a major overflow.
04:34It's sweaty and unpleasant.
04:36And I talked to Mr. Givens about switching study halls.
04:38And he seemed to think that, with your permission, I could just spend study halls with you.
04:44Fifth period?
04:47That's exactly when film class is.
04:50Now that's an uncanny coincidence.
04:54You will not be part of the class.
04:56You will sit in the back and be quiet.
04:58You will not participate or involve yourself in any way.
05:00Great, great. Thank you, Mr. Gold. Thank you.
05:02I really, this is a big deal.
05:24Good morning, Ms. Jacobs.
05:26Good morning, Pacey.
05:29Can we talk?
05:31Oh, you know, this isn't your class.
05:33So, um, I'll see you later.
05:36No.
05:38We really need to talk.
05:41Well, we have nothing to discuss.
05:44Except homework, which there's none, so you can run along.
05:49There's a lot to discuss.
05:52We could start with the open-mouthed kiss, if you'd like.
05:57I don't know what you're talking about.
05:59And I'm going to have to insist that you leave this classroom immediately.
06:02Listen, I'm just as confused about this as you are.
06:05Pacey, please.
06:08Nothing happened.
06:11There was no kiss.
06:13Please don't.
06:18Your tongue was in my mouth.
06:23You're not being fair.
06:35Good morning, everyone.
06:37Okay, I'm not going to be able to come to the film class for support like I was hoping,
06:41which means we're going to have to work overtime if we want to meet the festival deadline.
06:44We're going to have to shoot all weekend.
06:46Joey, this means no lip about giving Pacey lip.
06:49I'm reaching a breaking point with this whole kiss thing.
06:52I'm not gorged with this either, okay? It goes both ways.
06:55Huh.
06:57Joey, major revelation.
07:00All right, I think I know a way to make you the happiest actress in the world.
07:04You know how you die at the end of the movie?
07:06How would you like to die sooner?
07:08Like, tomorrow.
07:10What do you mean?
07:12Okay, your character in a surprise attack is killed violently,
07:15but your beautiful but bright cousin from New York
07:18arrives just in time to find your mutilated body.
07:21No, dude, I think you're on to something here.
07:24Wait, wait, wait, if this means I'm going to be like...
07:26No, no, no, it's perfect.
07:27See, this nullifies the kiss issue and puts you back behind the camera with me where you belong.
07:32Well, but, I mean, haven't you already shot a lot of stuff with Joey's character?
07:36It's an easy cover.
07:38That's better this way. It's so unpredictable.
07:40The audience is never going to see it coming.
07:42It's like Janet Leigh in Psycho.
07:43Drew Barrymore in Scream.
07:45Oh, a rip-off of a rip-off.
07:47I really think it fits right in line with the whole tone of the piece, don't you think?
07:51You're right, Dawson.
07:53It's perfect.
07:56Okay, someone explain to me the state of Catherine's mind as she drove Heathcliff away.
08:01Oh, it was her tragic and dysfunctional way of letting him know she loved him.
08:08Yes, that's the obvious interpretation of the moment.
08:12However, I think it goes deeper than that.
08:15For some reason, this story is regarded as some great love story.
08:20But the reality is that Heathcliff and Catherine never belonged together.
08:26They never should have been together.
08:28Catherine was essentially a mess.
08:30Heathcliff was basically a decent guy who had a lot to learn about life
08:35and who was inherently better off without some whimpering, mentally unstable wet rag following him around.
08:42The whole thing was wrong. It never should have happened.
08:47Bronte should have saved her ink.
08:53So, we'll have to move fast if we want to enter the film festival.
08:57We can make it. The script is done. The movie's boarded.
09:00And we did a lot of the work over the summer.
09:02And let's move on to story. Have you solved your third act problem?
09:05M-Mr. Gold?
09:06Yes, Dawson.
09:07Would that be the Boston Film Festival?
09:09Yes, that would be. They have a junior video level competition.
09:14Okay, third act.
09:16I've just been injured in the big game with Tyler.
09:18My throwing arm crushed, the bone broken in three places.
09:22But I refuse to tell the coach because he won't let me play at homecoming if I do.
09:27Remember, we want the audience asking, can he do it?
09:31Will the team win the big game?
09:34Remember, this is autobiographical.
09:36So, if anybody has any questions, I was there. I lived it.
09:39Come talk to me, alright?
09:43Helmets of Glory.
09:46Chronicles last year's football season.
09:48And get this, Mr. Cliff Quarterback himself is writing, directing, and starring in it.
09:53Oh, a story, Sam.
09:55This is serious, Joe.
09:57You're entering at the film festival.
09:59Why film festival? This is pre-immediate competition.
10:02And it's a sports film.
10:04A thin and pedestrian sports film.
10:07The epitome of everything you're against.
10:10Could life be more cruel?
10:13Hi, I'm Cliff.
10:16Hi, I'm Jed.
10:18This isn't happening.
10:21I know that being the new kid can be kind of traumatic.
10:24So if there's anything I can do to take the edge off.
10:27Introduce you around.
10:29Take you out.
10:32That's really sweet of you.
10:34Can I let you know? I mean, I'm still just getting settled in.
10:37Sure, sure, absolutely.
10:39And it was nice to meet you, Jed.
10:41Short for Jennifer.
10:43You too, Cliff. Short for Clifford.
10:55I told you, Dawson.
10:57They move fast in New York.
11:02Dad.
11:04Hey, Dad.
11:06Have you seen my camcorder?
11:08Filming today?
11:10Yeah, Joey gets decapitated.
11:12It's in my bedroom on the night table, your mother's side.
11:16You might want to take the tape out.
11:19You can get arrested for that in some states.
11:26Um, I have a question.
11:29I have a question.
11:33It's kind of a girl-slash-relationship question.
11:37And I don't want to go to your head that I'm soliciting fatherly advice or anything.
11:41But, because I clearly don't condone yours and Mom's perverse sex life.
11:46But I'm not too proud to admit that my own inexperience is hindering my current feminine relations.
11:53Well, what's the question?
11:55Mechanics of kissing.
11:58How can I help?
12:05I'm interested in technique.
12:07There is no technique, Dawson.
12:09You just put your lips together and go.
12:13Yeah, but what makes a good kiss?
12:16The first time I kissed your mother.
12:18Now, don't get too detailed.
12:28And we were out on a boat.
12:34And your mother's lips were chapped from the sun.
12:37And she asked me if she could borrow my chapstick.
12:39So, I took it out.
12:42And I put some on my lips.
12:45And then I leaned over and kissed her.
12:51The chapstick was really smooth.
12:54It just slid onto her lips.
12:56And the sensation was amazing.
13:02I mean, the chemistry was already there, you know.
13:04But this was just one of those things that cemented it, you know.
13:10So, forget about it.
13:13And, most importantly, romantic.
13:19See, and here I thought you were all about sex.
13:22But we still jumped each other.
13:25But you gotta have romance.
13:28It's all about romance.
13:31And chapstick.
13:37But the kiss itself.
13:40What did you do?
13:44Well, here.
13:47Give it a try.
13:49No!
13:51Come on, this is a big father-son moment here.
13:55You asked for it.
14:05Now, moisten your lips.
14:10Dad, this is ridiculous.
14:12No way. The trick is, it's your bottom lip.
14:15You gotta keep it relaxed, alright.
14:18You wanna let it have a mind of its own.
14:21You want it to dance.
14:24With hers.
14:38Close your eyes.
14:49It's beautiful.
14:56That was good.
14:59Yeah.
15:03Cool.
15:12Um, forget this ever happened.
15:19Thanks.
15:28See you tonight.
15:31No, no, no, no. I can't. He's downstairs.
15:38Okay, but then I'm hanging up.
15:42Okay.
15:45Okay, I promise. I promise.
15:48Later.
15:50Okay, bye.
15:57Joey, what are you doing?
16:00I was just looking for Dawson. We're filming today.
16:03Oh, that's nice.
16:06Yeah, I'm gonna get killed today.
16:11Oh, that's nice.
16:16Be careful out in the sun. It's hot today.
16:19We're sunblock.
16:24See you later, Mrs. Leary.
16:26You too, Joey.
16:31Mrs. Leary.
16:36I know.
16:40I know.
16:53Stephen?
16:58Stephen!
17:11Oh!
17:22And cut! Beautiful.
17:25Guys, that looked really good.
17:28Perfect. That could not have gone any better.
17:31Oh, Joey, you die so well.
17:34Dawson, can we get another one of those? Because I so love that image.
17:38No, we're behind schedule. Moving on.
18:02Hey, Joey, let me help you get that blood off.
18:05Oh, it's okay. I can get it.
18:08No, come on. I don't mind at all.
18:10Not a problem.
18:13Oh, it looks like it's really stuck on there.
18:16I can get it.
18:23Here, let's cover you up.
18:31You have nice breasts.
18:34I mean, don't get the wrong idea. I'm completely hetero.
18:37I'm just commenting girl to girl.
18:40You have a really nice body.
18:45I'm too tall.
18:47No, you're not at all. You're commanding.
18:50I mean, come on. I wish I had your stature and your long legs.
18:53My body's a mess. I'm too short.
18:56My hips do this weird thing.
18:59And my face is shaped like a duck.
19:02And I hate my breasts.
19:04Are you serious?
19:06Yeah, I mean, it's completely normal to hate the way you look.
19:17You don't look like a duck.
19:20You know that's the nicest thing you've said to me since we met?
19:33Joey, I plan to make it really hard for you not to like me.
19:44Don't worry. I'll help you find your cousin.
19:47That's so sweet of you. I can never thank you enough.
19:56Whoa, cut!
20:00Cut! Pacey, what the hell are you doing?
20:03I'm kissing, man. What does it look like I'm doing?
20:06Snorkeling. That's not the way it's scripted. Are you okay?
20:09Yeah, no, no, no, I'm fine.
20:12It was just a kiss, Dawson.
20:14And you know what? Honestly, I think we should have another, yeah?
20:17No, no kiss. I'm cutting the kiss.
20:20Wait a second. You can't cut the kiss.
20:22Yes, I can. I just did, alright? It's not working.
20:25Okay, it doesn't make sense for our new character to be kissing her dead cousin's boyfriend.
20:30Right? The kiss is officially cut.
20:32Alright, so then is that a wrap? Because I've got plans tonight, you know?
20:35Yeah, that's a wrap.
20:36Yeah, actually, I should get going too. Bye, guys.
20:39Jen, wait up.
20:42And, uh, what are you up to this evening?
20:45Well, it just so happens that the woman of my dreams is going to be at the school dance tonight.
20:51And I plan on attending.
20:54Lucky her.
20:55So, in honor of the school dance tonight, I've rented Saturday Night Fever for Stayin' Alive in Greece.
21:00In lieu of going?
21:02Yeah. It'll be a John Travolta night of interpretive expression.
21:06You see, this way, we can dance and our feet never have to move.
21:10I can't, Dawson. I'm sorry.
21:13What, do you have more enticing plans?
21:15Oh, actually, I'm going to go to the dance.
21:17Oh.
21:19I'm sorry, I didn't know you wanted to do the whole movie night thing.
21:22It's okay.
21:24Are you going alone?
21:26No, actually, Cliff Elliott asked me. He thought it would be a good way for me to meet some new people.
21:33Okay.
21:35Come on, don't look so down. It's not like a date or anything.
21:37He just asked me if I wanted to go and I said yes.
21:42Okay, well, call me confused, but that's the definition of a date, Jen.
21:48I know. You're right.
21:51I just wanted to go, you know?
21:53I mean, I'm new here and it just sounded like fun.
21:58Why don't you drop by? We could dance.
22:02No. I got a date with Travolta. I wouldn't want to disappoint him.
22:06Well, I'll see you later.
22:08Okay.
22:12See you.
22:13Bye.
22:15Cliff.
22:17Cliff Elliott.
22:19What's that about? I don't get it. How could she be attracted to him? What's he got?
22:23Well, we could start with his chest measurement and work down.
22:26No, no. No, no. Be on the external.
22:30There's nothing going on up here. It's head fumes. The guy, he's lightweight.
22:33His script is ludicrous. His story sense is even worse.
22:36I don't think his cinematic prowess is the attraction to us.
22:39What kills me is she was so open about it, you know?
22:42Like, well, I'm going to the dance with Cliff. Like, it wouldn't bother me.
22:46I respect her candor and all, but it's a little on the thoughtless side.
22:49Completely thoughtless.
22:52At this very moment, they're slow dancing.
22:55Her arms are wrapped around his waist, and they're moving to some stupid cheesy 80s song,
22:59and he's whispering things into her ear and to kind of make her giggle and toss her hair off to the side.
23:05Every once in a while, their eyes meet, and they shift awkwardly because they know it's all coming down
23:09to that one moment at the end of the night where he leans over and tells her what a great time she's had.
23:14He asks her if they can do it again, and she just smiles in that sexy, teasing way that she has.
23:18It's not really teasing, but just sexy, and says, I'd like that.
23:22And then their lips meet. Their mouths come together.
23:26Their tongues find each other. I can't. I can't take it.
23:30You're so dramatic.
23:32I don't get it. I don't get it.
23:37What did he do that I didn't do?
23:40He asked her out.
23:43I'm going to the dance.
23:45What?
23:46I'm going to the dance.
23:48What?
23:49It's my only recourse.
23:50Why?
23:51Because Jen is there.
23:53In the arms of another man? I mean, why torture yourself?
23:56I'm an artist. Torture is a prerequisite.
23:58Are you coming or not?
24:00You get through, Dawson.
24:02I mean, this little movie plot you've got going may not end the way you want it to.
24:05I'm the one who should be kissing her, Julie, not some J.Crew ad.
24:09I can do it. I can make my bottom lip dance.
24:12It's going to happen. I am going to kiss the girl.
24:15This is so pathetic, Dawson.
24:19But I'm not above witnessing your hormonal suicide, so come in.
24:25Give me two seconds. I've got to check my hair.
24:33We probably won't discuss the telephone until after dinner or so.
24:39Might be late.
24:49I'll shoot for midnight.
24:52Bye.
24:54Whoa.
25:00Good night, Mrs. Larry.
25:02Joey, you scared me.
25:06Look, we need to talk.
25:09Do you remember my mom, Mrs. Larry?
25:11I just want to clear up this morning.
25:13My mom was the best. She was an incredible woman.
25:19My dad, however, didn't always see that.
25:22He cheated on her for as long as I can remember and it tore her apart,
25:26crippling their relationship and nearly destroying the entire family.
25:30Why are you telling me this, Joey?
25:32Because your actions affect others.
25:34They bleed into the lives of those around you and...
25:37You don't understand.
25:38No, you don't understand.
25:40My mom got cancer and died so you do the math.
25:45You know your reasons for doing what you're doing?
25:51They can't possibly outweigh the everlasting damage that you're creating.
26:00Does Dawson know?
26:02Know what?
26:11How to dance.
26:13I told her we were going.
26:15I know how to dance.
26:18Yeah, right. Let's go.
26:25Have fun tonight, Mrs. Larry.
26:32Bye.
26:56Fortunately, this is a victory dance.
26:58Oh, and did you make the winning play?
27:00Oh, you're here, aren't you?
27:04You know, that could have been my exit cue, but somehow you pulled it off.
27:08I sold it.
27:10Yeah, it's your smooth, yet unassuming. It's very enjoying.
27:14Is there anything that you're not good at?
27:17Yeah, dancing. I'm rhythmically challenged.
27:21Prove it.
27:31Oh, yeah.
27:54I didn't really like it.
28:01Evening, Miss Jacobs.
28:05Hello, Pacey. How are you this evening?
28:10Confused, perplexed, bewildered, mystified, a thesaurus of emotion.
28:18You know, I'm the chaperone, and I should make the rounds.
28:24Would you like to dance tomorrow?
28:30Oh, that's not a good idea, Pacey.
28:36Of course it's not a good idea.
28:39If things were different, would you?
28:46I have to go.
29:00Oh, they make such a cute couple.
29:08What exactly is your plan?
29:11I didn't get that far.
29:13Well, you better write something quick, because in some world sectors, what they're doing is known as foreplay.
29:27Did you dance?
29:29No.
29:30No, you didn't. Come on.
29:32Dawson, this is certifiable.
29:34It's easy. You just move around, shake your ass back.
30:00We lost her.
30:02Maybe she's with your brain.
30:15You're pretty good at this.
30:19Hi, you guys.
30:21Hi.
30:22You made it.
30:24Yeah.
30:25Hi, guys. Do you know Cliff?
30:27Hi.
30:28Hi.
30:29We have film class together, right?
30:32Not exactly. It's my study hall days.
30:35But Dawson has a very good eye.
30:38Yeah, he does.
30:40He's got a good eye.
30:42He's got a good eye.
30:44He's got a good eye.
30:46Thanks.
30:47But Dawson is a very talented filmmaker.
30:50Oh, yeah? You in the movies?
30:52I dab.
30:54Cool.
30:58I'll see you.
31:01You can that one brilliantly.
31:17Hey.
31:19Hey, Dawson. Where have you been?
31:21I've been looking all over for you.
31:23Well, you know, you're there.
31:25I was hoping we could dance.
31:27What about Cliff?
31:29Well, if you'd rather dance with him.
31:32You know what I mean.
31:34Well, you know what I mean.
31:36You know what I mean.
31:38You know what I mean.
31:40You know what I mean.
31:42You know what I mean.
31:44You know what I mean.
31:46It's a song, Dawson.
31:48It's a three-minute distraction from life.
31:50Come on, you might get upset.
31:52You're not going to be in this date at all.
31:54Forget I asked.
31:56Jen.
32:02This is embarrassing.
32:04Let's blow.
32:06No, I'm enjoying my misery.
32:10And while you stand here on the dock pontificating,
32:13the little USS Jenny is sailing farther and farther out to sea.
32:17Haven't you had enough?
32:19No, I'm still breathing.
32:21Dawson, you hardly even know this girl.
32:23No.
32:25That's the magic of it, Joey.
32:29True, Jen stepped into my life not more than two seconds ago,
32:32but already I feel that connection.
32:39The bonds that are meant to be together.
32:43You call it wish fulfillment,
32:45a delusion of the highest analyst in order for joy.
32:47I'm telling you, something primal exists between us.
32:51You're scaring me, Dawson.
32:53You're doing this Frankenstein hide thing.
32:55I mean, one minute you're Dawson,
32:57the next you're a psycho alter ego.
32:59I can't even see a creature from your own movie.
33:01So be it, Joe.
33:03I can't explain it any better, Joey.
33:05The girl's a mystery to me,
33:07but I feel like I've known her my whole life.
33:13I mean,
33:15it's like the way I feel about you.
33:19She...
33:21She challenges me the way you do.
33:23She...
33:25She could be you.
33:27Except...
33:29she's Jen.
33:31She's Jen.
33:37Let me just remind you
33:39how your little allegorical horror movie-slash-love story ends.
33:43The creature doesn't get the girl.
33:45He dies a violent, bloody, horrible death.
33:51Rest in peace, Dawson.
33:53It was nice knowing you.
33:55Where are you going?
33:57Mighty Dead, remember?
34:01Yeah.
34:17It's time for a rewrite.
34:23Oh, excuse me.
34:25I'd like to cut in.
34:27What are you doing, Dawson?
34:29Actually, I don't want to cut in.
34:31I'd like to take over.
34:33I'd like to thank you, Cliff, for showing Jen such a great time
34:35for the earlier part of the evening,
34:37but I'm here now in sound-minded body,
34:39and I can take it from here.
34:41What are you talking about?
34:43Yeah, Dawson, what are you talking about?
34:45You and me.
34:47Me and her.
34:49Cliff, I know it's a little confusing right now,
34:51but all you really need to know
34:53is that Jen and I have something going on,
34:55and it's a little bit raw and undefined right now,
34:57and it's my attempt to clarify the situation.
34:59So I'd like to ask you to manly step aside
35:01so that I might have a moment
35:03with the object of my desire.
35:05Jen, who is this guy?
35:07Dawson, what are you doing?
35:09Hey, you're going to have to leave now.
35:11Okay, this is too weird.
35:13No, I think you need to go.
35:15I'm staying.
35:17What's going on, Jen?
35:19Do you want to be with this guy?
35:21Why don't you just go?
35:23Why don't you go?
35:25You know, I'll tell you what.
35:27I'll make it easy for both of you.
35:29I'll go.
35:35This could easily be
35:37the single most horrific night of my life.
35:39I'm a simp.
35:43Joey, how could you let me do that?
35:45See, I knew this would turn against me somehow.
35:47We knew it would all be my fault.
35:51And Pacey, my nonexistent friend,
35:53I'm sorry, man.
35:55I was otherwise engaged.
35:57At least I didn't desert you.
35:59I came back.
36:01Who is this mystery woman you keep alluding to?
36:05Fortunately, the mystery woman remains a mystery
36:07even to me.
36:13You know, at this moment,
36:15Jen's lips are probably pressing against Cliff's.
36:17Don't go there.
36:19You know what?
36:21It's my stop, kids.
36:23Mañana.
36:25Hi.
36:27Hey, hon.
36:29How'd it go?
36:31Brought you a doggy bag.
36:35So, is Dawson home yet?
36:39I think our son is busy kissing
36:41the girl next door for the first time tonight.
36:43Sounds romantic.
36:45Do you remember our first kiss?
36:47Of course I do.
36:49It was our first date.
36:51You took me to the movies.
36:53The one where Mary Tyler Moore
36:55was just this horrendous mother.
36:57Ordinary people.
36:59No, that was it.
37:01No, that wasn't it.
37:03That was our second date.
37:05Wait, it was in your car at a stoplight.
37:07I remember you leaned over and you kissed me.
37:09No!
37:11Yes, it was!
37:13I can't believe you don't remember our first kiss.
37:15I remember.
37:17I don't think you remember.
37:19I remember every moment.
37:21It is the single most
37:23vivid memory of my life thus far.
37:25Honey, I'm sorry.
37:27It's late. I've had a long night.
37:29And there I was
37:31giving our son advice
37:33on how to deliver the most memorable kiss
37:35only to discover that I am an utter failure.
37:37Mmm.
37:39I know.
37:41I know.
37:43We went for pizza.
37:45It was that terrible restaurant where you rubbed the red pepper in your eye.
37:47Third date.
37:49You know, you just need to quit.
38:05How are those lips?
38:07Still chapped?
38:09Maybe you don't want to know.
38:39This cannot be
38:41happening.
38:49Miss Jacobs?
38:53Hi, Pacey.
38:55Oh, I feel this strange
38:57familiarity creeping over me.
38:59I thought it might
39:01be appropriate.
39:03Give us a chance
39:05to do it all over?
39:07Only change the ending.
39:09I'm sorry, Pacey,
39:11about my behavior.
39:13This is
39:15without question
39:17the most
39:19absurd thing
39:21I have ever done.
39:23Not to mention punishable
39:25in a court of law.
39:27It was just a kiss.
39:29No.
39:31It was more than that.
39:37Look,
39:39what I did was deadly wrong.
39:41And I could stand here
39:43and try to explain to you my
39:45hopelessly troubled state of mind.
39:47Because you do deserve
39:49an explanation for my behavior, but
39:51well,
39:53instead of feeding you ten years of therapy,
39:55I was hoping that maybe
39:57I could get by with a simple apology
39:59and hope that I haven't
40:03left any
40:05permanent scars. I am sorry, Pacey.
40:07What I did was wrong
40:09and I am sorry.
40:11Now,
40:13where do you get off taking all of the
40:15responsibility for this?
40:17I may just be fifteen,
40:19but I'm well beyond the age
40:21of accountability.
40:23Maybe not within the confines
40:25of the judicial system,
40:27for me.
40:31My lips kissed back.
40:35Right? I kissed you back.
40:39Fair enough.
40:41And you know what?
40:43I don't regret that at all.
40:47You shouldn't either.
40:53But this can't happen again.
40:55From now on, our relationship
40:57is strictly teacher-student.
40:59I...
41:01I want that clear.
41:03And for it to object?
41:05It's not up for discussion.
41:09You know it has to be this way,
41:11Pacey, for all the obvious
41:13and not-so-obvious reasons.
41:15This is so unfair.
41:21I'm not good with girls
41:23and...
41:25and I finally meet someone.
41:37Don't worry, Pacey, that'll change.
41:41Trust me.
41:47Night.
41:53Night.
42:03Jo,
42:05let's assess.
42:07What have we learned
42:09from tonight's 90210 evening?
42:11We should always stay home
42:13on a Saturday night and watch movies,
42:15because the remote on the rewind of life
42:17does not work.
42:19No, it doesn't.
42:21It's only a problem now that I've
42:23officially ruined it with Janet.
42:27It's officially over.
42:29It never began, Dawson.
42:33You know, I do feel like
42:35the monster from my movie.
42:39There's something inside me
42:41that I can't control.
42:43It's like I have no balance anymore.
42:45Everything's either high or low,
42:47hot and cold, black or white.
42:49I'm not in the middle ground anymore.
42:51I mean, nothing's just okay.
42:55I'm too tired to philosophize, Dawson.
42:59Do me a favor.
43:01If I get like this again, and I'm sure I will
43:03before this adolescent growth process
43:05is over,
43:07the next time, just chain me to my bed
43:09and wait till my moment
43:11of clarity to come.
43:13Can I use leather straps?
43:16Not until you explain the Crisco.
43:20You are such a sphincter.
43:22You really are.
43:24I mean, I can't understand
43:26how someone so self-aware
43:28can be utterly clueless.
43:36Oh, man.
43:46What do I do?
43:50It's your call.
43:56Well, I've pretty much
43:58rasterized the evening.
44:00I may as well complete it.
44:02No one's left standing.
44:06Can I pack on you, Joe?
44:09Yeah, you can pack.
44:16Wish me luck.
44:21Good luck, Dawson.
44:25I hope you get your kiss.
44:45Good luck.
45:03I'm beginning to feel like your TV set.
45:08I didn't know what to say.
45:11First...
45:21I am really angry, Dawson.
45:24I know.
45:30What do you want from me?
45:32What do you want from me?
45:39I want to know what's going on between us.
45:42When does that question
45:44have to be answered tonight?
45:48I'm sorry about tonight, Jim.
45:50I...
45:52I got scared.
45:54Scared I was becoming the Friend.
45:57Oh, God, the Friend.
45:59How awful.
46:02I feel like I'm becoming that Friend
46:04who you come over and tell all your boy adventures to.
46:07I don't want that to be the case.
46:09I...
46:11want to be your boy adventure.
46:25Catch me both.
46:32No.
46:34Not at 15, you can't.
46:37It's too complicated.
46:53So I'm interested.
46:56In what?
46:59An adventure.
47:04What do I have to do?
47:11You can kiss me.
47:24You know, I really am a cliché, Dawson.
47:29In New York, I was moving fast.
47:31I was moving really, really fast.
47:35So fast, I kept stumbling
47:37and falling.
47:43Here, I feel like, for the first time
47:45in a long time,
47:47I'm walking at a steady pace
47:49and I'm afraid that if I kiss you,
47:51my knees may buckle
47:53and I may stumble
47:55and I don't know if I can
47:57do it now.
48:18Would you like to dance?
48:23Sure.
48:25No.
48:28I've been wanting to dance with you all night, Dawson.
48:43See,
48:45the kiss is
48:47just the end result.
48:49It's not what's important.
48:51It's all about desire
48:54and wanting
48:58and romance.
49:01Yeah.
49:04And romance.
49:24I never knew
49:26the art
49:28of making love
49:32Though my heart aches
49:34with love for you
49:39Afraid and sure
49:41I'd let my chance
49:43go by
49:47A chance that you might
49:49love me too
49:53You're handling me
49:56and you say goodbye
50:00I watch you walk away
50:04Beside the lucky guy
50:08Oh, you will never know
50:12The one who loves you so
50:16Though you don't know me
50:23I love you
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