Tak zwana ludzkość w obłędzie 1998
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00:00:00Tsk-tsk-tsk-tsk-tsk!
00:00:02Grrrrrrr!
00:00:04Hmm!
00:00:06Tup-tup-tup!
00:00:07Grrrrrrr!
00:00:11Aaaaaaaaah!
00:00:13Grrrrrrrrr!
00:00:18Grrrrrrrr!
00:00:20Hee-hee-hee-hee-hee!
00:00:24Theatre!
00:00:25Oh!
00:00:26Theatre!
00:00:30Grrrrrrr!
00:00:33Grrrrrrr!
00:00:38Grrrrrrr!
00:00:42Grrrrrrr!
00:00:47Grrrrrrr!
00:00:50Grrrrrrr!
00:00:52Grrrrrrr!
00:00:55Grrrrrrr!
00:00:57Grrrrrrr!
00:01:00Grrrrrrr!
00:01:03Grrrrrrr!
00:01:07Grrrrrrr!
00:01:28Tsk-tsk-tsk-tsk!
00:01:36Grrrrrrr!
00:01:45Tsk-tsk-tsk!
00:01:52Tsk-tsk-tsk!
00:01:58Car-fax! Car-fax!
00:02:00Hellicone! Hellicone!
00:02:02Car-fax! Car-fax! Hellicone!
00:02:04Caryfax Helicon.
00:02:34Caryfax Helicon.
00:03:04Caryfax Helicon.
00:03:06Caryfax Helicon.
00:03:08Caryfax Helicon.
00:03:10Caryfax Helicon.
00:03:12Caryfax Helicon.
00:03:14Caryfax Helicon.
00:03:16Caryfax Helicon.
00:03:18Caryfax Helicon.
00:03:20Caryfax Helicon.
00:03:22Caryfax Helicon.
00:03:24Caryfax Helicon.
00:03:26Caryfax Helicon.
00:03:28Caryfax Helicon.
00:03:30Caryfax Helicon.
00:03:32All countries unite
00:03:34among yourselves.
00:03:38Demons of all countries
00:03:40unite in a sin.
00:03:46Bublikov, Bublikov,
00:03:48at the camera,
00:03:50throw the whole reserve to the left!
00:03:52Caryfax, Caryfax, Helicon, Helicon, Caryfax.
00:03:54What? Caryfax and Helicon at 500 meters?
00:03:56Well, let the boats hit the water from the front!
00:03:58Caryfax, Caryfax, Helicon, Helicon, Helicon.
00:04:00Helicon, Helicon, Helicon.
00:04:02The commander of the right section?
00:04:04Well, I've already talked to the commander of the left wing.
00:04:06Throw the whole reserve to the left!
00:04:08Caryfax, Caryfax, Helicon, Helicon, Caryfax.
00:04:10Caryfax, Caryfax, Helicon, Helicon.
00:04:12I...
00:04:14am...
00:04:16from Overni.
00:04:18And there, and there,
00:04:20and here,
00:04:22and here!
00:04:24Hello?
00:04:26Waves 375.
00:04:28Caryfax, Caryfax, Helicon, Helicon, Caryfax.
00:04:30Oh, these lodges!
00:04:32These lodges are working on me,
00:04:34murderously!
00:04:36Lodge No. 8,
00:04:38in which there is a reserve.
00:04:40Therefore, we take
00:04:42lodge No. 7
00:04:44and with lowered curtains.
00:04:46Who is this blonde?
00:04:48Me?
00:04:50I am from Overni.
00:04:52And there,
00:04:54and there,
00:04:56and here!
00:05:00Sometimes...
00:05:02Sometimes I am so terribly
00:05:04sad with you.
00:05:06So sad,
00:05:08that I would like to do something terrible for a while.
00:05:10Or
00:05:12for someone to tire me out.
00:05:14As long as I get rid of
00:05:16this unbearable sadness.
00:05:18I beg you,
00:05:20today is the only good evening
00:05:22in the last months.
00:05:24You are naked.
00:05:26Do you understand? Naked and dressed up
00:05:28at once.
00:05:30What a perversion!
00:05:32You are a disgusting erotoman.
00:05:34You don't understand anything, my dear.
00:05:36You are an automaton,
00:05:38a monstrous erotic automaton.
00:05:40Enough!
00:05:42Or I will stop ruling over myself.
00:05:44You have already once
00:05:46stopped ruling over yourself.
00:05:48These lodges,
00:05:50these lodges
00:05:52these lodges
00:05:54work for me
00:05:56murderously.
00:05:58These lodges,
00:06:00these lodges work for me
00:06:02murderously.
00:06:04Mieciu, to me,
00:06:06life without you
00:06:08makes no sense to me.
00:06:10And when you say you are tired of naivety...
00:06:12These lodges,
00:06:14these lodges
00:06:16work for me
00:06:18murderously.
00:06:20Act I.
00:06:22Exhaustion.
00:06:24Act II.
00:06:26Artificial cultural isolation.
00:06:28Act III.
00:06:30Revolution.
00:06:32For the revolution itself.
00:06:34So let's have fun.
00:06:36So let's have fun.
00:06:38According to growth,
00:06:40not everyone
00:06:42kills the ax of the one
00:06:44in front of him.
00:06:46Go on. Act III.
00:06:48Ha, ha, ha!
00:06:50Act V.
00:06:52Ha, ha, ha!
00:06:54Act VII.
00:06:56And so on.
00:06:58Ha, ha, ha!
00:07:00What a wonderful
00:07:02fun!
00:07:04Ah!
00:07:08After such a struggle
00:07:12you have to give up.
00:07:16After such a struggle
00:07:20you have to give up.
00:07:36For now he runs away
00:07:38like a mad hare.
00:07:40Let's catch him
00:07:42like a hare.
00:07:44It's time to run away, like a hare and an express.
00:07:47Let's chase it, let's chase it, like a hare and a dog.
00:07:50It's time to run away, like a hare and an express.
00:07:53Let's chase it, let's chase it, like a hare and a dog.
00:07:56It's time to run away, like a hare and a dog.
00:07:59It's time to run away, like a hare and an express.
00:08:02Let's chase it, let's chase it, like a hare and a dog.
00:08:05It's time to run away, like a hare and an express.
00:08:08It's time to run away, like a hare and a dog.
00:08:11It's time to run away, like a hare and an express.
00:08:14Let's chase it, let's chase it, like a hare and a dog.
00:08:17It's time to run away, like a hare and a dog.
00:08:20It's time to run away, like a hare and an express.
00:08:23Let's chase it, let's chase it, like a hare and a dog.
00:08:44It's time to run away, like a hare and a dog.
00:08:47It's time to run away, like a hare and a dog.
00:08:50It's time to run away, like a hare and a dog.
00:08:53It's time to run away, like a hare and a dog.
00:08:56It's time to run away, like a hare and a dog.
00:08:59It's time to run away, like a hare and a dog.
00:09:02It's time to run away, like a hare and a dog.
00:09:05It's time to run away, like a hare and a dog.
00:09:08It's time to run away, like a hare and a dog.
00:09:11It's time to run away, like a hare and a dog.
00:09:14It's time to run away, like a hare and a dog.
00:09:17Let's chase it, like a hare and a dog.
00:09:20It's time to run away, like a hare and a dog.
00:09:23It's time to run away, like a hare and a dog.
00:09:26Oh, here, in Epistopheus.
00:09:29Oh, here, in Epistopheus.
00:09:32Oh, how I like it here.
00:09:35It's better than Jochimbin's.
00:09:44It's better than Jochimbin's.
00:09:58I have the most beautiful legs in the world.
00:10:14From the matriarchy of ultra-hyper-construction,
00:10:22like a flower of transcendental lotus,
00:10:29I swim among the waves.
00:10:38I swim among the waves.
00:10:55You know what?
00:10:57Let's play a game.
00:11:00Everything will be as in a dream.
00:11:02I'm scared. I don't know what it is.
00:11:04Don't be scared, silly.
00:11:06You first. You're older.
00:11:08Don't be scared, silly.
00:11:10It's bitter, but it's good.
00:11:12Everything will be fine.
00:11:14Everything has to be fine.
00:11:27Oh, how I like it here.
00:11:31My neck is getting harder.
00:11:39I see some monsters.
00:11:44But they're good.
00:11:47That's how the fires are erased.
00:11:51I'm scared.
00:11:53It was so bitter.
00:11:55It's nothing.
00:11:57I feel strange.
00:11:59My head is like a stick.
00:12:01Don't think.
00:12:03Don't think.
00:12:05Everything will be as in a dream.
00:12:09Now I feel good.
00:12:12Everything is moving.
00:12:15Alone.
00:12:17I don't know where.
00:12:19I hear such bells in my ears.
00:12:21So small.
00:12:24They must be silver.
00:12:27Yes.
00:12:29Now the dream begins.
00:12:38A new plague of undemocratized,
00:12:42filthy art.
00:12:44A dream is a purely individual event,
00:12:47and no one will create a collective dream on stage.
00:12:50But you don't suffer.
00:12:52You look at it from the side.
00:12:54You're not in the theatre.
00:12:56Get out of this theatre of pure form.
00:12:58It's not in the theatre.
00:13:00It's a cellar.
00:13:09I have terrible feelings today.
00:13:12Tell me when you didn't have bad feelings.
00:13:15You hide your feelings from unhappiness,
00:13:17which will never come.
00:13:19And so you poison your life and me and yourself.
00:13:22Enough!
00:13:24Enough!
00:13:26Don't call fate.
00:13:33Yes.
00:13:35I knew it was you.
00:13:36Yes.
00:13:38I knew everything.
00:13:40Give me a signal.
00:13:42Three white stars and one green one.
00:13:44We're giving up.
00:13:46We're giving up.
00:13:48They've found the commander's place.
00:13:51Oh, I want and I can't.
00:13:55I can't get even a spark from you.
00:14:00How fortunate it would be to see your gaze directed at me.
00:14:05The gaze you often look at,
00:14:08at those damned Bohemians.
00:14:11It's been so long.
00:14:13I want to meet you.
00:14:15Rosika, remember me.
00:14:18Ma'am, we're friends.
00:14:21I played in Oshbudavar in Pest.
00:14:25I also played in Tivoli and Monika Bar in Temerzwarze.
00:14:30I was even in Tingle in Bucharest.
00:14:35Rosika, remember me.
00:14:37But, ma'am, I'm an actress.
00:14:41I'm not yet a friend of all the suspicious people
00:14:46in all of South-Eastern Europe, ma'am.
00:14:49Don't insult my wife, you dead prayer.
00:14:54Have mercy, Mr. Allamiable.
00:14:59Ach, tov tov tov...
00:15:29A dream is a purely individual event, and no one will create a collective dream on stage.
00:15:36You are despicable!
00:15:38You don't understand me at all.
00:15:40You are just an egoistic, pre-aesthetized male.
00:15:45If I wanted, I could have thousands of lovers, but I don't want them.
00:15:49I want at least a little bit of true feeling.
00:15:52I love you as if you were my own child, and in return for that I have only ingratitude.
00:15:59Your hellish, erotic ideas without feelings are something terrible.
00:16:04You betray me with these monsters, these cubistic monkeys,
00:16:08and then you leave me only with your body,
00:16:11which burns me with a tiring, icy splendor.
00:16:16If only you could kiss me once, not like a wise automaton, but like a lover.
00:16:24Go, have pity on me. There are so many sufferings above me,
00:16:27real ones, for example, my attitude to you.
00:16:30You don't see them at all, you invent them yourself.
00:16:34Undoubtedly, I am an erotoman.
00:16:41And nothing more.
00:16:45I wanted you to be like that, in the background of this hell.
00:16:48You have to decide, you have to make a decision today.
00:16:52I'm starting to have an advantage. It's going well.
00:16:59I give up.
00:17:01And if so, then good.
00:17:05We will reach an agreement.
00:17:11The times are changing. They are changing.
00:17:15I, I will always make a good dinner.
00:17:19But will these Bohemians resist what will come?
00:17:22That is the question. That is the question.
00:17:26They only say in the city that they are going to make a good dinner.
00:17:31But I don't know if they will.
00:17:35That is the question.
00:17:37They only say in the city that the committee of fighting new art,
00:17:43well, you know, this department of the secret government,
00:17:47is going to punish Comedia dell'arte in its pure form in all theatres,
00:17:52with the exception of the worst shoes.
00:17:56They are going to let you on stage completely free.
00:18:00Dressed however you want.
00:18:03And only then are you going to do the comedy that comes to your mind.
00:18:08One this, the other that, one through the other.
00:18:12Surprising the worst things.
00:18:15Until the last breath.
00:18:18And it's supposed to be free, pure form.
00:18:20It's supposed to replace those old ceremonies for Cybele, for Tisza and for Adonis.
00:18:25What?
00:18:26Well, those stories you wrote a book about.
00:18:33Cover this monkey like a parrot's coat.
00:18:38Let it stop squawking and squawking.
00:18:56Result is not a relation.
00:19:02It is a relationship.
00:19:05Implication.
00:19:09Implication is relation.
00:19:13Dualism, IPN and XN can never be eliminated.
00:19:21Despite the constant change of a certain order of smallness,
00:19:28an order of partiality of IPN,
00:19:32it is necessary to accept,
00:19:35due to the necessity of accepting the beginning of a given IPN.
00:19:45Implication is relation.
00:19:51Result is not a relation.
00:19:57It is a relationship.
00:20:00Implication.
00:20:05Implication is relation.
00:20:09Daibnitz, Husserl and Bolzano.
00:20:13Rasek, Hisek and Beano.
00:20:18Of course, the ideological reflection of this fact will be such,
00:20:21that they have to understand it only as a shift.
00:20:24Well, listen, comrade Abramovsky.
00:20:28As long as you stick to the point of despair.
00:20:31As much compromise as absolutely necessary.
00:20:35You see, absolutely necessary.
00:20:38One decree, the second, the third and the locks.
00:20:41You see, there is such an agrogemalia.
00:20:43You have to cut.
00:20:45After sitting down, we will take these monkeys with us.
00:20:48The concept of IP implies the concept of an unlimited hierarchy of IPN,
00:20:53according to their independence, uniformity and complications.
00:20:57A, T, O, T, S, B, T, IPCN 1, IPCN 2.
00:21:01Everyone in my walls.
00:21:04Everyone without exception.
00:21:06Of course, everyone of the best kind.
00:21:08I have always been myself, despite all the duality.
00:21:11This lens, which, like Rembrandt and Rubens,
00:21:14shadowed Picasso, Matisse, and even Derrida and Severino.
00:21:17I am omnipotent, I am the urn of choice of Alfa and Omega's history.
00:21:21Objectivism.
00:21:23I am like the spirit that rose above the waters in the times of chaos.
00:21:28Of the inherited values, the only value of our times is this.
00:21:32My paintings.
00:21:33The works of the great martyrs of the metaphysical drum.
00:21:36Unlucky maniacs, not victims.
00:21:40Some social ideas, Christian, Buddhist or syndicalistic.
00:21:44For me, it doesn't matter.
00:21:47Always be like this.
00:21:53Don't think, don't analyze anything, and I will always love you.
00:21:57Even after death.
00:22:01Well, Mr. Seras-Rybanga, well...
00:22:05The fact that your gallery will be appreciated, segregated and condemned to destruction, including the impressionists.
00:22:16Meanwhile, that's all.
00:22:17Then we will continue to segregate.
00:22:20You love these new directions.
00:22:22I know about it.
00:22:23But for the good of humanity, you will have to get rid of them.
00:22:27Humanity doesn't need maniacs to help.
00:22:30Humanity itself chooses prophets, not clowns,
00:22:33who use the blinding of the party from stupid quarrels of the party catechists.
00:22:37But this will be avenged.
00:22:39This must be avenged.
00:22:41They forbade me to sit in the kitchen.
00:22:44And here I feel so bad, so horribly.
00:22:49And I said...
00:22:51Well, I said...
00:22:53God forbid I didn't say it, but I said it.
00:22:56And now you will see, you will see what they will do
00:22:59with these lady's bohomians.
00:23:01They will throw it all together and burn it.
00:23:04That's what they will do.
00:23:06Our goal is to sanitize the existing product of plastic arts,
00:23:11and then to stop further production, which is only a complete degradation.
00:23:18That's right.
00:23:20It's Dregrengolada.
00:23:22Well said, my friend.
00:23:25Go on.
00:23:27We start with the most wonderful gallery and the greatest connoisseur.
00:23:31Everything has to go seemingly voluntarily.
00:23:33All artistic perversion possibilities have to be destroyed immediately.
00:23:39Only things that raise the spirit of social discipline will remain.
00:23:44And those that can be used for the exploitation of national values,
00:23:48such as meat, such as fertilizer.
00:23:52Oh, yes, yes, yes, yes.
00:23:54Fertilizer. Great.
00:23:56We will do it properly.
00:23:59Then we will be best friends.
00:24:01Right?
00:24:04I am...
00:24:06Abu'l Puto.
00:24:08Colonel.
00:24:10And commander of your president's guard.
00:24:12Fertilizer.
00:24:13Fertilizer for the creation of new transformations,
00:24:17more human, and less, so to speak, animal.
00:24:21We do not dream of taking ownership and the initiative of individual capital.
00:24:28These elements turned out to be necessary.
00:24:31Unfortunately, we have to destroy the very center of evil,
00:24:36and this is art.
00:24:38It is the only stick between the spokes of a cart
00:24:42that carries humanity in the direction of complete automation.
00:24:47We will destroy the seed.
00:24:49We can sleep peacefully.
00:24:51That's right, Mr. Balandashek.
00:24:53We will sleep peacefully.
00:24:55Like stag beetles.
00:24:57Like real stag beetles.
00:25:00Let me finish, Melchior.
00:25:04Art is a social law.
00:25:08It confirms and asserts,
00:25:11and even affirms the value of individual,
00:25:17that is, personal,
00:25:19inalienable,
00:25:21and therefore lost features.
00:25:26God, do not betray our cause.
00:25:33Your heart belongs only to us.
00:25:35Only.
00:25:38So you will create a school.
00:25:42Although the master is angry.
00:25:47Creation 46.
00:25:53The concept of IP implies the concept of an unlimited hierarchy of IPNs
00:26:00according to their independence,
00:26:03uniformity,
00:26:06and complicity.
00:26:09IPNs.
00:26:11IPNs.
00:26:13People are like the most wonderful memories of themselves.
00:26:21And they live.
00:26:25They are reality.
00:26:31No one will ever find out
00:26:36how beautiful life was.
00:26:41We are waiting for the cruel creation,
00:26:45for the cowardly, grey, destroyer.
00:26:52In dancing, I am straightforwardly omnipotent.
00:26:57Everything will be fine.
00:27:02My legs, my legs.
00:27:06I have the right to die.
00:27:10Completely at will.
00:27:12My normal life was a torture chamber.
00:27:15Now I see, under the influence of cocaine,
00:27:20there is no tragedy.
00:27:23This is wonderful.
00:27:27And my ideas, which you do not know,
00:27:32are already in motion.
00:27:53The head is made of wood,
00:27:57made by a well-known sculptor.
00:28:01And these hands are made of gypsum,
00:28:06an old cast from the school of woodworking.
00:28:11And the rest?
00:28:14The rest is made of wood.
00:28:19And the rest?
00:28:22The rest is made of gypsum.
00:28:25Richard, have mercy. Why did you come here?
00:28:29To destroy the only evening in my life?
00:28:32I have come to the conclusion that theatre and poetry
00:28:36are arts that rule over all absolute existence.
00:28:41The qualities that make up different individual existences
00:28:46may be different.
00:28:48Maybe there is no color on Mars,
00:28:51but there are qualities.
00:28:53X1 or X2.
00:28:55But if a given species is already at the level of the hierarchy of existences,
00:29:02that it creates concepts,
00:29:04and can move and act,
00:29:07then it does not matter
00:29:10whether they are sounds, colors or qualities.
00:29:13X1 or X2.
00:29:16And even Xn-1
00:29:21must have poetry.
00:29:23It must have theatre.
00:29:26Theatre is the construction of actions,
00:29:29of individual existences capable of progressive movement in space.
00:29:33So you understand that painting and music
00:29:37may not exist somewhere.
00:29:39There are or are not in their place
00:29:42the arts of X1
00:29:45or X2.
00:29:49But poetry
00:29:54and theatre
00:29:56must exist everywhere.
00:29:58Everywhere where there are existences
00:30:01that are at a certain level of hierarchy.
00:30:06I'm proud of this idea.
00:30:09I'm proud that I'm an artist in the theatre.
00:30:12But why are you destroying the theatre?
00:30:15By destroying the theatre,
00:30:18I'm destroying you completely.
00:30:21I'm destroying you because I love you.
00:30:24And I can't live without you.
00:30:36Perfect.
00:30:52The AT-1 is gone.
00:30:56The world has lost its grip on the icy logic of my system.
00:31:00No, no, no.
00:31:02I don't want anything.
00:31:04my own death. I want to be alone.
00:31:11You see, it's all because I'm the only one.
00:31:18They say it, but they don't understand.
00:31:22They don't understand that this is what it's all about.
00:31:25And yet, it's all about this, but not like this,
00:31:29but differently, completely differently, you see?
00:31:32Alfred is a bastard, you see?
00:31:35Me, with some drivers, and with some specialists.
00:31:43And that's not what it's all about.
00:31:46I can't express it.
00:31:48There, and elsewhere, at the same time,
00:31:52I can't express it.
00:31:55I'm surprised by the presence of people I don't know.
00:32:00And I don't know why I'm surprised by this.
00:32:05You're misinformed.
00:32:07I've taken over all your correspondence
00:32:09you've been accumulating for a long time.
00:32:11We already have 30 companies,
00:32:13a new intelligence organization,
00:32:15and not in style, but everything according to your brochure.
00:32:19Albert, your son.
00:32:30You're misinformed.
00:32:32I've taken over all your correspondence
00:32:34you've been accumulating for a long time.
00:32:36We already have 30 companies,
00:32:38a new intelligence organization,
00:32:40and not in style, but everything according to your brochure.
00:32:44My only work, 36 pages,
00:32:47including all your poetry,
00:32:49on 36 pages, to make the biggest mess
00:32:52that has existed since the French Revolution.
00:32:54You have newspapers here, Uruguay, Paraguay, Honduras, Venezuela,
00:32:57Japan, everything you want.
00:32:59You're famous all over the world.
00:33:01Your name has spread all the fame.
00:33:04And it's not because of some stupid science, art, or crime,
00:33:08but because of solving the problems of all humanity.
00:33:11This is great.
00:33:13I'm proud of you.
00:33:16Pedestrian! Pedestrian!
00:33:19Pedestrian me, sooner or later.
00:33:22I can't live without a pedestrian.
00:33:25I stand in praise of the Most High
00:33:28at the crossroads of two dying worlds.
00:33:32This is all slavery!
00:33:37The only beauty on earth
00:33:41turns into dust and rubble.
00:33:46Our world has come to an end
00:33:51because of a white cat.
00:33:54This is all slavery!
00:33:57No one will ever know
00:34:01how beautiful life was.
00:34:05We are waiting for the fast creation
00:34:09of the proud grey decay.
00:34:21TWI TWI TWI TWI TWI TWI TWI TWI TWI TWI TWI TWI
00:34:30It seems to be some kind of ugly decay.
00:34:35Something sticky,
00:34:39without arms and legs, lies on me.
00:34:42I don't know if it's a body without limbs
00:34:47or what kind of a tower.
00:34:50It seems so huge to me,
00:34:54like a tower.
00:34:57And I walk so big
00:34:59in these foreign rooms
00:35:01and I look at myself,
00:35:03another, also different.
00:35:06I run like a little mouse
00:35:10in the same rooms
00:35:14and then...
00:35:19Do you know this sentence?
00:35:22We are only in the greatest order
00:35:24when we are in the greatest disorder?
00:35:28I know it.
00:35:30I know it well.
00:35:34We are volunteers.
00:35:36We belong to the Volunteer Battalion.
00:35:40We are volunteers.
00:35:42We belong to the Volunteer Battalion.
00:35:48We are volunteers.
00:35:50We belong to the Volunteer Battalion.
00:35:57We are volunteers.
00:35:59We belong to the Volunteer Battalion.
00:36:02We belong to the Volunteer Battalion.
00:36:11Excuse me, what kind of observation is this?
00:36:15I'm not an insect under a microscope.
00:36:20Aim at this gentleman.
00:36:24Prepare your weapon.
00:36:26Aim.
00:36:27Fire!
00:36:32Fire!
00:36:33Fire!
00:36:34Fire!
00:36:35Fire!
00:36:36Fire!
00:36:37Fire!
00:36:38Fire!
00:36:39Fire!
00:36:40Fire!
00:36:41Fire!
00:36:42Fire!
00:36:43Fire!
00:36:44Fire!
00:36:45Fire!
00:36:46Fire!
00:36:47Fire!
00:36:48Fire!
00:36:49Fire!
00:36:50Fire!
00:36:51Fire!
00:36:52Fire!
00:36:53Fire!
00:36:54Fire!
00:36:55Fire!
00:36:56Fire!
00:36:57Fire!
00:36:58Fire!
00:36:59Fire!
00:37:00Fire!
00:37:01Fire!
00:37:02Fire!
00:37:03Fire!
00:37:04Fire!
00:37:05Fire!
00:37:06Fire!
00:37:07Fire!
00:37:08Fire!
00:37:09Fire!
00:37:10Fire!
00:37:11Fire!
00:37:12Fire!
00:37:13Fire!
00:37:14Fire!
00:37:15Fire!
00:37:16Fire!
00:37:17Fire!
00:37:18Fire!
00:37:19Fire!
00:37:20Fire!
00:37:21Fire!
00:37:22Fire!
00:37:23Fire!
00:37:24Fire!
00:37:25Fire!
00:37:26Fire!
00:37:27Fire!
00:37:28Fire!
00:37:29Fire!
00:37:30Fire!
00:37:31Fire!
00:37:32Fire!
00:37:33Fire!
00:37:34Fire!
00:37:35Fire!
00:37:36Fire!
00:37:37Fire!
00:37:38Fire!
00:37:39Fire!
00:37:40Fire!
00:37:41Fire!
00:37:42Fire!
00:37:43Fire!
00:37:44Fire!
00:37:45Fire!
00:37:46Fire!
00:37:47Fire!
00:37:48Fire!
00:37:49Fire!
00:37:50Fire!
00:37:51Fire!
00:37:52Fire!
00:37:53Fire!
00:37:54Fire!
00:37:55Fire!
00:37:56Fire!
00:37:57Fire!
00:37:58Fire!
00:37:59Dirt? What for?
00:38:02Then fertilize it with whatever you want.
00:38:05It won't grow without fertilizers.
00:38:07I'm telling you.
00:38:09Well, be happy.
00:38:12You have a woman, you have money.
00:38:15You'll be happy.
00:38:18Lead, art expert!
00:38:21March to the gallery!
00:38:29I've had enough of all these fancy things.
00:38:38I'm fed up with ordinary things.
00:38:46I'd like to have something completely new today.
00:38:55And then do something very...
00:39:01In dancing, I'm straightforwardly omnipotent.
00:39:05Diversity of experiences will never hurt.
00:39:10I took an accelerated course of life as a whole.
00:39:15Counting from some seventh year of life,
00:39:18I'm straightforwardly turning around.
00:39:21I didn't believe that such changes, in such a short time,
00:39:25in a man like me, consolidated,
00:39:29could happen to you.
00:39:32Boring, Mr. Robert!
00:39:34Complete emptiness!
00:39:36Nothing amuses me anymore!
00:39:38I will one day turn into a vampire
00:39:42who will release all the monsters of the world from their cages.
00:39:46The world is a stack of senseless fighting monsters.
00:39:52Here I have a bomb,
00:39:55which is the most explosive of all the ho-explosive bombs in the world.
00:40:02And I have a short decision.
00:40:04The arrival of the intellect takes away the courage of action.
00:40:09Fear of oneself is not a legend, it is a fact.
00:40:17Humanity is also afraid of itself.
00:40:22Humanity goes crazy as a collective.
00:40:30Individuals know it,
00:40:33but they are powerless.
00:40:36Your powerlessness makes me go completely crazy.
00:40:41I would like you to look at me when I, you know,
00:40:45this one, but I won't say with whom...
00:40:48Vsekhbabio!
00:40:50I would like to be like a female prayer
00:40:53who devours her partners from the head to the end,
00:40:57who, nevertheless, don't stop, you know...
00:41:00Vsekhbabio!
00:41:03Aaaah!
00:41:07Everything is falling out of my hands
00:41:09because of this hideous erotic rise.
00:41:13Stupid tribes,
00:41:15this is such a thermos for tea!
00:41:18Quelle expression grotesque!
00:41:21I have the most beautiful legs in the world.
00:41:29It's your class of conscious perversion.
00:41:32I would like to be as class-conscious as that whore.
00:41:35Perverse, like a female.
00:41:37Suck her, suck her...
00:41:39Aha!
00:41:40You are disgusted by the rejections of conscience.
00:41:43Everyone can have rejections.
00:41:45You can afford it.
00:41:47But doing so that you don't have them,
00:41:50they can't.
00:41:52You are weak.
00:41:54Weak scum.
00:41:57Our times can't even stand on a canal in a bigger style.
00:42:02It's Babylon with that satan.
00:42:26Salira, commungo, salira, commungo, salira, commungo, salira...
00:42:37Just this morning it was noted
00:42:39the general destruction of all the modern art
00:42:42and I'm glad that in the afternoon it will be recorded
00:42:44as a moment of beginning of making
00:42:46this wonderful conclusion.
00:42:49Further production is forbidden by death penalty,
00:42:52which will be blinded by sulfuric acid for two years
00:42:55with special pipettes.
00:42:58Musicians, in the same case,
00:43:00will have their hands cut off
00:43:02and their ear drums removed,
00:43:04and so on, and so on,
00:43:06also for two years before death.
00:43:08Long live automatism!
00:43:10Bye, bye, bye.
00:43:12One bohomian less or more.
00:43:15For this evening, for three hours,
00:43:17state censorship has been lifted.
00:43:19Everything is to appear in a new form
00:43:21and not cramped.
00:43:23And we, gentlemen and ladies,
00:43:25for the sake of this wonderful hall
00:43:27and we will dance with a pure belief
00:43:30that the whole of humanity rises behind us,
00:43:33purified from the impurity,
00:43:35from the heavy, as I would say,
00:43:37impurity of modern plastic art.
00:43:39Long live our faithful connoisseur.
00:43:42Bye.
00:43:43One bohomian less or more.
00:43:47Mr. Calixte,
00:43:51dear God,
00:43:54I can't stand it
00:43:56that I will be crying with you.
00:43:59It is a necessity.
00:44:01No one will avoid this necessity.
00:44:03Gentlemen, I will help you to endure it.
00:44:06We will open a ball here today,
00:44:08we will have fun,
00:44:10we will drink, we will have fun
00:44:12and it will bloom
00:44:14for a new life,
00:44:16for a new world.
00:44:18Something has to die
00:44:20to create a new one.
00:44:26And cuckoo?
00:44:29Are you not crying anymore?
00:44:31Are you laughing already?
00:44:34Mr. Balandaszek,
00:44:36Mr. Balandaszek,
00:44:39are you laughing already?
00:44:42Hey!
00:44:44You agreed voluntarily,
00:44:47voluntarily is the basis.
00:44:50The rest will go like a feather.
00:44:53Saira, come and go!
00:44:56As the French say.
00:44:59Saira, come and go!
00:45:02One bohomian less or more.
00:45:05Well, well, without sentiments.
00:45:08We are going to change,
00:45:10and then the ball.
00:45:12Ball, ball, ball, ball.
00:45:17Ball, ball, ball, ball.
00:45:33I will replace you
00:45:36with your
00:45:39Picassos and Czyżewskis.
00:45:43I, Spika.
00:45:48Yours, Spika.
00:45:51One bohomian less or more.
00:45:56Don't you know that tonight
00:45:58you will think about all this in a completely different way?
00:46:01You have not known demonic women yet.
00:46:05What is demonism?
00:46:07You will learn it
00:46:09The sun will flow into the zodiac's son
00:46:11to the last degree of azimuth,
00:46:13overpressure, spectral analysis
00:46:15in its annual perihelion.
00:46:17Stop it.
00:46:19They robbed everything that had any value.
00:46:23You forget that they also despise me.
00:46:26What I will be after this evening
00:46:28is none of your business.
00:46:30And be what you want.
00:46:32You never understood me.
00:46:34You don't understand me.
00:46:36This is about great things,
00:46:38and she is always her own,
00:46:40and I, and I, and I.
00:46:42And let all the lightning
00:46:44together with your love,
00:46:46theatre, husband.
00:46:48And yet you are evil.
00:46:50Evil to the core.
00:46:52Even when you reject me badly,
00:46:54you reject me brutally,
00:46:56in a disgusting way.
00:46:59Now I'm going to change.
00:47:02I have terrible feelings.
00:47:05Go wherever you want.
00:47:07I will stand it.
00:47:09I will go where no one will find me.
00:47:13And go wherever you want.
00:47:15Now I don't care about anything.
00:47:19At the president's order,
00:47:21the performance of the play
00:47:23The Independence of the Triangles
00:47:25has been cancelled.
00:47:27Today you will perform
00:47:29in the hellish farce de l'arte
00:47:31without a title.
00:47:33The audience was not announced
00:47:35after the performance.
00:47:37Who would have known
00:47:39to know the title of the comedy
00:47:41de l'arte in its pure form
00:47:43before its end?
00:47:52I will go where no one will find me.
00:47:55There I will create my new soul
00:47:57out of rubble.
00:47:59I will make it out of mud,
00:48:01I will make it out of rubbish,
00:48:03I will make it out of pieces of squashed dishes,
00:48:05I will make it out of squashed dents,
00:48:07I will make it out of excrements,
00:48:09I will make it out of crickets,
00:48:11I will make it out of scraps,
00:48:13I will make it out of all kinds of things,
00:48:15but I will make a composition
00:48:17that will make you all shine
00:48:19with the earth's beauty
00:48:21of the finished work of art.
00:48:23The material is indistinguishable.
00:48:25Apparently, it was necessary.
00:48:27I accept everything.
00:48:29Am I alone?
00:48:33And I absolutely don't know.
00:48:35First of all,
00:48:37who am I?
00:48:39Second of all,
00:48:41what am I for?
00:48:43Thirdly,
00:48:45no, no, no,
00:48:47there is no third point,
00:48:49I thought.
00:48:51Who and what for?
00:48:53These are two basic human questions.
00:48:55How?
00:48:57There is
00:48:59one more question.
00:49:01How?
00:49:03And I will answer it
00:49:07if the first two remain unanswered.
00:49:11It doesn't matter how.
00:49:15Do you understand
00:49:17what these words mean?
00:49:23I am
00:49:25and that's enough for me.
00:49:55I am
00:49:57and that's enough for me.
00:49:59I am
00:50:01and that's enough for me.
00:50:03I am
00:50:05and that's enough for me.
00:50:07I am
00:50:09and that's enough for me.
00:50:11I am
00:50:13and that's enough for me.
00:50:15I am
00:50:17and that's enough for me.
00:50:19I am
00:50:21and that's enough for me.
00:50:23I am
00:50:25and that's enough for me.
00:50:27I am
00:50:29and that's enough for me.
00:50:31I am
00:50:33and that's enough for me.
00:50:35I am
00:50:37and that's enough for me.
00:50:39I am
00:50:41and that's enough for me.
00:50:43I am
00:50:45and that's enough for me.
00:50:47I am
00:50:49and that's enough for me.
00:50:51Ah!
00:50:53What a wild idea!
00:50:55Colonel, I warn you.
00:50:57If they take any of my weapons,
00:50:59I will slit my throat.
00:51:01Immediately.
00:51:03And you won't find out anything.
00:51:05Never.
00:51:07I'm the end of this thread.
00:51:09Why didn't you
00:51:11do it earlier?
00:51:17I couldn't decide.
00:51:19Now it's over.
00:51:21I'm on the other side.
00:51:23I'm on the other side.
00:51:25Hello? The commander of the 3rd Corps?
00:51:27General Czajko?
00:51:29Listen and note. 13th Division.
00:51:31The section is 4 km long
00:51:33from Brzuchowice to Światynia.
00:51:35I strangled her
00:51:37because I loved her too much.
00:51:39Maybe it's a mistake,
00:51:41but it is.
00:51:43Now I only want to serve the army.
00:51:45Now I only want to serve the army.
00:51:47You can't refuse me anything.
00:51:49I'll pay for everything at the front.
00:51:51Ah! I also killed
00:51:53a certain colonel.
00:51:55I don't remember his name.
00:51:57I know everything. I don't ask for more.
00:51:59We're going to the front.
00:52:01To the front, you fool.
00:52:03No one has ever seen such a front.
00:52:05Before they discover that no one else could have done it,
00:52:07only you, we'll be far from here.
00:52:09Tengiz is crazy about you.
00:52:13But I like such people.
00:52:15I need them.
00:52:17And I will defend them.
00:52:19It's a dying race.
00:52:25IPCN race.
00:52:27IPCN race.
00:52:31Or maybe I'm also
00:52:33a madman?
00:52:35Hello?
00:52:37Hello, commander of the 3rd Corps?
00:52:39General Czajko?
00:52:41Listen and note.
00:52:4313th Division, section 4 km long
00:52:45from Brzuchowice to Światynia.
00:52:49With a whiff
00:52:51of deafening
00:52:53rush of the avalanche
00:52:55downwards,
00:52:57where a madness is brewing
00:52:59among the soft black
00:53:01shafts,
00:53:03scattered pieces
00:53:05of meat and tortured
00:53:07balls.
00:53:09With a whiff
00:53:11of someone's
00:53:13foreign breath,
00:53:15the brain fills up
00:53:17among the steel fissures
00:53:19and the blood-red
00:53:21tails of comets
00:53:23and meteors.
00:53:25It's all going to hell.
00:53:27There are corpses everywhere.
00:53:29We crossed the street on foot, the driver ran away,
00:53:31they took our car.
00:53:33We saw a strange scene.
00:53:35The princess was wearing a dress.
00:53:37What am I saying?
00:53:39Everything is like a dream.
00:53:41Our division doesn't exist.
00:53:43Everything is gone.
00:54:07Our division doesn't exist.
00:54:09Everything is gone.
00:54:11Our division doesn't exist.
00:54:13Our division doesn't exist.
00:54:15Our division doesn't exist.
00:54:17Our division doesn't exist.
00:54:19Our division doesn't exist.
00:54:21Our division doesn't exist.
00:54:23Our division doesn't exist.
00:54:25Our division doesn't exist.
00:54:27Our division doesn't exist.
00:54:29Our division doesn't exist.
00:54:31Our division doesn't exist.
00:54:33Our division doesn't exist.
00:54:35Our division doesn't exist.
00:54:37Our division doesn't exist.
00:54:39Our division doesn't exist.
00:54:41Our division doesn't exist.
00:54:43Our division doesn't exist.
00:54:45Oh, how good it is!
00:54:47How good!
00:54:49Sometimes I feel
00:54:51as if everything is so good,
00:54:53so very good,
00:54:55that tears stand in my eyes
00:54:57from this impersonal bliss
00:54:59which seems to fill everything.
00:55:01which seems to fill everything.
00:55:03Who is it?
00:55:11It's a hazy one,
00:55:13shot on the street
00:55:15from the outflow of blood.
00:55:17It's a hazy one,
00:55:19shot on the street
00:55:21from the outflow of blood.
00:55:33There is nothing,
00:55:35only we have remained a secret government
00:55:37and we have to play our comedy to the end.
00:55:39Like a bottle of vodka,
00:55:41whether you want it or not,
00:55:43you have to drink it in company,
00:55:45pronounciamento.
00:55:47Life will still make sense,
00:55:49the revolution is still hanging in the air.
00:55:51We will still emerge,
00:55:53we will make a comedy out of life,
00:55:55de l'arte, in its pure form,
00:55:57like Christ.
00:55:59Hello, hello,
00:56:0121st Infantry Regiment of Brzuchowice,
00:56:03Lipa Wielka.
00:56:05Battalion 2, Brzuchowice.
00:56:07Battalion 2, Brzuchowice.
00:56:09Stapkota 261.
00:56:11Stapkota 261.
00:56:13Fortified area,
00:56:15the second battery,
00:56:17the 1st Division of the 5th Regiment,
00:56:196-inch moors.
00:56:21Immediately move the reserve to the left.
00:56:232 craters 30 meters to the left
00:56:25from the blue houses
00:56:27by the road to the temple.
00:56:29Hello, signals headquarters!?
00:56:31Listen carefully, Generale Kłykeć,
00:56:33the battle will not take place,
00:56:35it's an order!
00:56:37Hang the surrender signal at all sections.
00:56:39All units, after receiving the signal
00:56:41Long live humanity.
00:56:50Colonel, we give up bloodshed in the name of humanity.
00:56:57Go and inform my side legion.
00:57:11I'm not afraid of you.
00:57:23Ping.
00:57:25OK.
00:57:27Good, Valor.
00:57:29That's a ping.
00:57:32Pass.
00:57:36I feel fear.
00:57:40But not before what will happen.
00:57:45A completely new fear, which is the strange ridiculousness of our situation.
00:57:54For the first time you seem so terribly ridiculous to me.
00:58:00Together with me alone.
00:58:04So...
00:58:24We rush forward.
00:58:29Without stopping.
00:58:32Breaking the neck.
00:58:37And we'll see what will come of it.
01:00:32To be continued...