Category
🎥
Short filmTranscript
00:00And for you to dance with the rich flavor...
00:08Davis!
00:10Javier.
00:11Where are you going?
00:13To Helen's house?
00:15Oh, look, she can't take care of you. What a shame.
00:17She's busy preparing lunch for me.
00:20Preparing lunch for you?
00:22What surprises you?
00:24Helen is my little sister. She's mine.
00:26So you better go home.
00:27It's enough that you see her at school.
00:29Helen is my friend since we were kids.
00:31Let's see, understand one thing.
00:32There is no friendship between a man and a woman.
00:35So you better get out, okay? Get out.
00:38Get out, get out.
00:42And that chain?
00:44Oh, don't fool me.
00:45With that you wanted to take it from me?
00:46With that nonsense?
00:47Give it to me.
00:48Give it to me.
00:49You're going to touch my idiot again.
00:51Stupid, take it on at once.
00:52Helen is going to be mine.
00:54Okay?
00:55And at your prom party, I'm going to give her a coat.
00:58And you don't know how much I'm going to enjoy it.
01:00Okay?
01:01Hey, what's wrong with you?
01:03Davis, why are you hitting him? What's wrong with you?
01:20Johnny?
01:22Johnny Orozco?
01:24Yes.
01:25I am Fiorella, Marcial's girlfriend.
01:28Ah, of course.
01:30Marcial told me about you.
01:31Marvelous, huh?
01:32Really?
01:33Yes.
01:34Me too, aunt.
01:35He values you a lot.
01:36Within Nectar, the ones I respect the most, obviously, are Marcy and you because you sing reggio.
01:41Do you like cumbia?
01:42I'm not going to lie to you, more or less.
01:44But I'm also an artist.
01:45I dance, I model.
01:47Marcio didn't tell you any of that?
01:48No, no, no, not at all.
01:50He didn't tell me anything.
01:51Well, now you know.
01:52And between artists, we have to get together to talk.
01:55He's a producer, he doesn't have that sensitivity that we have, you know?
01:59Besides, he doesn't understand that being known is very difficult among so many people.
02:04But the important thing is not to be known, but to do a good job and the rest comes alone.
02:09I didn't ask you to kill Basilio, asshole.
02:12Don't get me involved in that kind of thing.
02:14Shut up, you idiot.
02:15You should be grateful.
02:17Thanks to me, you're going to keep getting your shit out of the talent of Orozco.
02:21Or do you want to be the miserable guy from before?
02:24No, of course not.
02:26I want to grow.
02:27I want to open up the field and succeed in music.
02:30That world has its grace.
02:32Then, Montero, keep working for me and you'll have my blessing.
02:38With your support, Jackal, I can be your best ally.
02:43As long as I'm in the Nectar group, you won't have any problems with the Coups.
02:48Do you want to be the bravo of bravos here in Peru?
02:51That's right.
02:52I want to be better than Johnny.
02:55Give me the opportunity and I swear I can be your best ally in this country.
02:59We'll see.
03:02We'll see, Montero.
03:04Anytime.
03:09Cheers.
03:12Cheers.
03:18I don't regret anything.
03:20Damn you, Orozco.
03:22Damn you.
03:29Marcial.
03:30Marcial.
03:31Marcial, what's wrong?
03:32Marcial.
03:33Marcial, honey.
03:34Marcial.
03:35Marcial, are you okay?
03:36Marcial.
03:37Help.
03:38Honey.
03:39Call an ambulance, Johnny, please.
03:40Marcial.
03:41Honey, please.
03:42Honey, please react.
03:43Honey, please react.
03:45Helen, I just wanted to go to your house to talk to you, but this idiot...
03:48Shut up, man.
03:49Can you leave?
03:50He's completely out of his mind, don't you see?
03:52No, Helen.
03:53No, I swear.
03:54I just wanted to go to your house to have fun with you, to tell you that we were always going to be friends.
03:58That's all.
03:59I swear.
04:00You come to have fun with me, Davis, and you end up hitting my...
04:06My boyfriend.
04:08How do you want us to remain friends?
04:11Things are not like he says, Helen.
04:13I was just defending you.
04:15You idiot, you just hit me in the face.
04:17Can you stop lying and leave?
04:19He doesn't respect you, Helen.
04:21He doesn't respect you.
04:22Enough!
04:24I just saw you hitting him.
04:26Please leave, Davis.
04:32You don't know him, Helen.
04:34He doesn't respect you.
04:35I don't want to hear you anymore.
04:37That's enough.
04:40Please leave.
04:56Let's go home to cure you of this, okay?
04:59Does it hurt a lot?
05:00No, no, no.
05:01No, don't worry.
05:02It wasn't that bad.
05:04I don't want to imagine that I would have done that crazy thing if I wasn't close.
05:08Are you sure you didn't provoke him?
05:10Davis is impulsive, but he's not violent.
05:12He's defending me, Helen.
05:14Look, I know he's your friend, but that guy is not okay.
05:17So you better stay away from him, okay?
05:20Let's go.
05:38The beautiful girl that I left
05:40Is a flower that I will never forget
05:43Those beautiful eyes that I looked at
05:45For my love they may cry
05:48Those red lips that I kissed
05:50Today they will ask for my name
05:52Listen, Davis.
05:54After that, you better forget about Helen forever.
05:59You have to look at other girls.
06:01I just went to her house to tell her that...
06:05That she and I were always going to be friends.
06:07Whatever happens.
06:09Because friends love each other, Tavito.
06:11Friends take care of each other.
06:13I will never allow anyone to hurt you.
06:17Just as I will not allow that Javier to hurt Helen.
06:20I know, I know, brother.
06:22But you did everything you could, right?
06:25You better leave it there.
06:27Rather, so much being aware of Helen's life
06:29You're going to run out of lead couples.
06:31Have you thought of someone?
06:32I don't care about that now, Tavito.
06:34Brother, you have to be more careful.
06:36Look, there are a lot of girls who are...
06:39I know.
06:40I know, I know, I know, I know, I know, I know.
06:44I know who can be your lead couple.
06:47Do you remember that girl from my dance?
06:49Lupita?
06:50Lupita?
06:51Uh-huh.
06:52Lupita?
06:53Sure.
06:54I don't know, Tavito.
06:55Brother, she's cool.
06:56Besides, she's always asking me about you.
07:00Oh yeah?
07:01When?
07:02All the time.
07:03She always tells me...
07:04Oh, and...
07:06When are you going to introduce me to your little friend?
07:08The one from the Nectar group.
07:12The Nectar group?
07:13I'm going to kick their asses, Tavito.
07:15Seriously.
07:16Hey, there's my brother.
07:19Where is he going?
07:23He won't be screwing her again, right?
07:25He just got out of jail.
07:27You don't know him.
07:29They say he's looking for a job, but I don't believe a word he says.
07:33I'm sure he's up to something.
07:35I'm sure.
07:38Come on, we have to follow him.
07:39Follow him?
07:40What, now he's a detective?
07:41Brother, we have to follow him.
07:43Come on, hurry.
07:45My dad!
07:46My dad, my dad!
07:47Mr. Yoni, where's my dad?
07:48Please, let me go!
07:49Don't worry, Natalia.
07:50Your dad collapsed.
07:52He passed out.
07:53It was all very fast.
07:54We don't know why.
07:56Good morning.
07:57Good morning.
07:58Patient's family, Marcial Montero.
07:59I'm his fiancée, doctor.
08:00How is he, Marcia?
08:01Is he okay?
08:02I'm too anxious.
08:03Mr. Montero has suffered a pre-heart attack.
08:05For the moment, he will have to remain under observation.
08:08A pre-heart attack, my dad?
08:09Doctor, doctor, I'm his daughter.
08:11Please, please, let me see him.
08:13Please, just for a little while.
08:14Not for now, I'm sorry.
08:16We have to wait for him to stabilize first.
08:18And I'm his future wife.
08:19Can't I see him?
08:20No one can come in, please.
08:22Excuse me.
08:24Ah!
08:25Did you hear that, Daniel?
08:26Doctor, you're a pain in the ass.
08:28Daniel, shut up, please.
08:29Yes, shut up.
08:30We've had enough of what's going on
08:32to listen to your complaints.
08:34I'm sorry, Nati.
08:35But I care so much about your daddy
08:37that I can't control myself.
08:45Why is it taking so long?
08:47And what is Mr. Mielke's store doing?
08:50Oh, he's crying.
08:51He's crying?
08:53I don't think so.
08:55How is he going to cry over poor Mr. Mielke?
08:57He's an old man.
08:58Put him in.
08:59Yes, yes, yes.
09:00Ready.
09:01Now, Mr. Mielke, you tell me
09:02what else you're going to take him inside.
09:03Now, without you.
09:04Anything, you know, right?
09:06He's working.
09:08No, no, no.
09:09He's going to do something right now.
09:10You'll see.
09:11I'm sure.
09:12Nicaragua is working.
09:14Hey, Taito, don't be blind.
09:16He's helping Mr. Mielke.
09:17The poor guy has the right to give tips.
09:19That's all.
09:22What's wrong?
09:24Taito, is that face okay?
09:27Yes, but...
09:29Does he really want to do things right?
09:51What's wrong?
09:52Where am I?
09:53Mr. Montero.
09:54He's in the clinic.
09:56He had a high-stress picture
09:57that caused him a pre-heart attack.
09:59What?
10:01Please, don't get up.
10:03What he's had, fortunately,
10:04hasn't happened to older people,
10:05but now he must rest.
10:07And we'll talk after his routine
10:08and his diet.
10:10But...
10:11How did it all happen?
10:12How did I get here?
10:13How did I get here?
10:14How did I get here?
10:15How did I get here?
10:16How did I get here?
10:17How did I get here?
10:18How did I get here?
10:19How did I get here?
10:20How did I get here?
10:22Fortunately, your girlfriend and Mr. Orozco
10:23acted quickly.
10:25Orozco?
10:27Johnny Orozco?
10:29That's right.
10:30If they took a little longer,
10:32maybe you and I
10:33wouldn't be talking right now.
10:35I can tell you that he just woke up.
10:37Your daughter is desperate to see him.
10:43So you saved my life, Johnny.
10:51Your father will be fine.
10:52You'll see.
10:54Soon he'll be like new
10:55and back home.
10:56Thank you, Mr. Johnny.
10:58It shows that you are
10:59a very, very good person.
11:01And I'm glad that my father
11:02has someone like you so close.
11:05No, your father has
11:06a peculiar personality.
11:08I've known him since I was a child.
11:10We're both from the neighborhood,
11:11from Coyique.
11:12That's where we were born,
11:13that's where we grew up.
11:15And we've come this far
11:16fighting it, suffering it.
11:18That's why I value you so much.
11:21You saved him.
11:23You brought him here
11:25and Mr. Johnny,
11:26it's something I'll never forget.
11:28I'm glad we saved him,
11:29right, Johnny?
11:31Because we were with Marcy
11:32at every moment.
11:35Doctor, how is my father?
11:37Mr. Montero just woke up.
11:39Oh, that's great, Doctor.
11:40Can I come in to see him?
11:41No, I'll go in first.
11:42I'm his daughter.
11:43I'm his future wife.
11:44I was with him at every moment.
11:45So I'm going to go.
11:46Don't worry, please.
11:47If you want,
11:48you can both come in at the same time.
11:55Oh, Marcial.
11:56Thank God you're okay, brother.
12:01Jolly.
12:02Jolly.
12:03Marcial, how are you?
12:04Panchito.
12:06Everything is under control, it seems.
12:07The doctor told us he woke up.
12:09Well, let's go in then.
12:11It's better that I don't see you here.
12:12You were about to leave.
12:13If he sees your face, he'll give you another one.
12:14And there's the song.
12:15How do you speak, little brother?
12:17Hey, Kike.
12:18You were fighting with him in the morning.
12:20Johnny is right.
12:21I don't think it's a good idea
12:22for you to see him, man.
12:23Panchito.
12:24Marcial is very rude to me.
12:26But I don't wish him any harm either, right?
12:28You know me, Johnny.
12:30In spite of everything,
12:32we're going to keep working together.
12:34Right?
12:43Dad!
12:45Please, miss.
12:47Let's try not to generate strong emotions in the patient.
12:50Remember that you are only allowed to see him for a moment.
12:53The gentleman has to rest.
12:55Don't worry, doctor.
12:56I'll take care of everything.
12:57If necessary, I'll take this little one over there too.
13:03I'm sorry.
13:05Why, my love?
13:07I shouldn't have gone to your office
13:10and I gave you a cold.
13:11Maybe that's why...
13:12No, my love.
13:14You have nothing to do with this.
13:15I'm the one who has to control my food,
13:17my drink,
13:18my stress.
13:20That's all.
13:21Marcial, you don't know how much you've worried us.
13:23From now on, I'm going to take care of you.
13:25We're going to exercise, eat healthy,
13:27no more drinking.
13:28We're going to go out and do some exercise in the park.
13:30What do you think?
13:31Exercise?
13:32No.
13:33Don't overdo it either.
13:35Okay, but someone has to take care of you
13:37and I'm going to do that.
13:38I'm going to take care of you too, dad.
13:40Oh, really?
13:41At least this has helped.
13:43So that you two can be together in the same place
13:45without pulling each other's hair.
13:48Yes.
13:50Well, dad.
13:51You better not say anything.
13:53You rest, relax.
13:55We're going to take care of you.
13:57And whatever you need,
13:59we're going to be outside.
14:00Or at least I'm going to stay outside all day.
14:03I love you very much, my love.
14:05I love you both.
14:12I love you.
14:18Hi, baby.
14:20Oh, baby.
14:22You're already so big.
14:24How are you?
14:25What are you doing? Cooking?
14:27We have a lot of orders.
14:28We're going to blow it up.
14:30How did it go with Helen, son?
14:32Helen? Helen?
14:34It's the girl you told me about, right?
14:35How did it go?
14:37Everyone knows about my life.
14:39Does it air on television or what?
14:41Tell us, how did it go?
14:43Bad.
14:45I was with her boyfriend, who's a jerk,
14:48and he started saying horrible things about her,
14:52and I couldn't take it, and I punched him in the face.
14:54Well done, Davis! Well done!
14:57What do you mean, well done, Katy?
14:59No, son, violence won't take you anywhere.
15:01Oh, Evita, but what did you want me to do?
15:04The boy spoke badly of the girl.
15:06Who was I going to tell?
15:07Oh, please, I ask you not to speak like that of the young lady?
15:09No, not at all.
15:11I mean, you're good, but you're not smart.
15:13You know what, aunt? I should have said that.
15:16Because then Helen got mad at me and asked me to leave.
15:19You see, silly girl.
15:22I'm going to my room.
15:23Something smells burnt, doesn't it?
15:25Oh, the food!
15:26Oh, no, the food!
15:28It's burnt, because of all the gossip.
15:31All the gossip.
15:35The great Mangelito Montero!
15:38How's my mom?
15:41Have you come to see if I'm already dead?
15:43How are you, Marcial?
15:45I'm fine, like a roble, brother.
15:47I'm already bored of being here and I want to leave.
15:49Besides, this Saturday we have to play in the Guaralino.
15:51No, no, no, don't worry.
15:53Today, rest, and we'll see tomorrow.
15:56Marcial.
15:58I wanted to apologize to you, compadre.
16:11All good, QuintÃn.
16:12Our friends fight from time to time, right?
16:15And I, for my part, promise to stop with my friends.
16:19Hey, Marcial, but you're lucky for the dolls.
16:22You're lucky for the dolls.
16:25Hey, Marcial, but you're lucky for the punches.
16:28Do you remember when the jackal's criminal beat you up?
16:32I would have seen Marcial,
16:33he put himself in front of the jackal,
16:35and the jackal, boom, punched him.
16:38So we're not going to give you a single peso more, understood?
16:44Calm down, calm down, calm down.
16:46You speak to me well, understood?
16:51I would have liked to see that, compadre.
16:54Hey, but since that time, we haven't seen the jackal anymore.
16:56He disappeared.
16:57Good, Marcial.
16:59You scared that damn thing.
17:03Jackal.
17:05How long did it take you to come, Montero?
17:07You've become a very busy man.
17:10You can't just look at your face like that anymore.
17:12Like that? And you almost disfigured it.
17:14Who the hell do you think you are to hit me like that?
17:16Come on, Marcial, calm down, man, calm down.
17:20I only deposited a quota of realism to our theater.
17:24Oh yeah? Next time I'm going to deposit you, then.
17:27Let's see.
17:29After that, I don't even trust you anymore.
17:33Huh?
17:34Well.
17:35I bet I'd put my hands to the fire for you.
17:39Well, yes.
17:40You see? You see?
17:42And that's thanks to my work.
17:44To which I put a quota of realism,
17:47because I fulfilled my role as a devil.
17:54But well,
17:55speaking of theaters,
17:57I've invited you here precisely because...
18:01because...
18:02let's say...
18:03I would like to expand my...
18:06my theater of operations.
18:09I'm being honest with you.
18:11I don't have many friends in Peru.
18:13And I already told you.
18:15One is never a prophet on his land.
18:18And...
18:19I need an operator.
18:21An operator?
18:22That's right.
18:24I've been thinking, Montero, and...
18:26I want to have a presence in the Peruvian musical circuit.
18:30It's time, isn't it?
18:32Don't you think?
18:34And I would like...
18:36I would like a man...
18:38who is ambitious.
18:40Who can manage all my business...
18:42there in Peru.
18:46Are you asking me to be your partner?
18:49Isn't that what you wanted?
18:50Yes, of course!
18:53You have proven to be an intelligent man, Montero.
18:56But why settle only with the Nectar group?
19:00I can help you...
19:02to be the best musical producer in Peru.
19:06And all you have to do...
19:08is make sure I get my share...
19:10of all the profits...
19:12of the represented groups.
19:13That easy.
19:15Well, yes.
19:16It's easy.
19:18Thank you, Chacal.
19:19Thank you for this opportunity.
19:20I knew you would be very excited about the idea.
19:24I still...
19:26can't believe it.
19:31And I hope, Montero...
19:33that you don't break your word.
19:35Of course not.
19:36Of course not, Chacal.
19:37Your business is secured.
19:39Trust me.
19:39Very good, Montero.
19:41Very good.
19:42That's it.
19:47And that criminal must be very far away, right?
19:50I'm sure he's doing it wrong.
19:52No one is so successful committing crimes that way.
19:55I can hear you, little brother.
19:56I can hear you.
19:57Come on, guys, stop it.
19:59Don't think about that guy.
20:00He's not going to get away.
20:01Mami.
20:02We have to think that we will be a success in Guaralino...
20:04and in all the trattocadas.
20:06Because he's going up, dad.
20:08Take care, machito.
20:11And today we'll have a beer in your name, Marcelito.
20:36People say that you are not a lady
20:41People say that you are a sinner
20:46For having so many loves in life
20:51That your love is full of lies
20:57People say that you are not a lady
21:03People say that you are a sinner
21:09For having so many loves in life
21:15That your love is full of lies
21:21That your love is full of lies
21:25You are a sinner, sinful woman
21:30But my heart loves you and adores you more
21:35You are a sinner, sinful woman
21:40No matter what the world says
21:43I love you, lady
21:51I love you, lady
22:01I love you, lady
22:05People say that you are not a lady
22:10People say that you are a sinner
22:15For having so many loves in life
22:20That your love is full of lies
22:25You are a sinner, sinful woman
22:30But my heart loves you and adores you more
22:35You are a sinner, sinful woman
22:40No matter what the world says
22:43I love you, lady
22:51I love you, lady
22:56I love you, lady
23:01I love you, lady
23:06I love you, lady
23:11I love you, lady
23:20I love you, lady
23:51Impeccable. Impeccable, Marcial.
23:55Hey, tell me, why did you bring me here?
23:58Don't worry, it's safe.
24:00Chacal, I'm handling everything perfectly here.
24:02Why don't you go back to Argentina?
24:04And how did you get all this money?
24:07Because in the end, you weren't going to be the owner of Nectar.
24:10I even gave you a heart attack.
24:13Well, if you have to get a penny out of here and out of there to be happy,
24:16it's done, right?
24:18Ah, damn, what a firmness, man.
24:22Good, good, but be careful.
24:25Be careful, Marcial, with your games.
24:27It can't be so obvious.
24:28It's what you get out of your pressures, Pochacal.
24:30But don't worry.
24:32These artists are only good for singing.
24:34You show them some numbers and they get dizzy.
24:36It's Chinese for them.
24:37They'll never realize.
24:39Never.
24:40And again, with a lot of love, the Nectar group, for you.
24:58And this?
25:13What I picked.
25:16And...
25:21For the old man's medicines.
25:25Thank you, Aaron.
25:27Thank you very much.
25:35Welcome, Mrs. Montero.
25:51Lorela de Montero.
26:06Thank you very much.
26:34Son.
26:36Thanks for coming out, daddy.
26:38I know...
26:40I know you're upset, Cholito, but...
26:43Let's get along, okay?
26:46Look, whenever you want, come visit me.
26:49I'm just going to stay here, okay?
26:50I don't care where you're going to stay.
26:53I don't care about you at all.
26:57You made my mom cry.
26:59And you destroyed our family.
27:00And that's something I'll never forgive you for.
27:06Did you forget this?
27:08We don't want anything from you in the house.
27:20Panchito.
27:23You're my son.
27:25I love you.
27:28Cholito.
27:30Leave him there.
27:34I'm not your son anymore.
27:38I just want you to leave.
27:40Let's go.
27:43Get out.
27:46Get out! Don't you hear me? You're deaf! Get out!
27:55Cholito.
28:09Cholito, please.
28:24Explain this to me, Natalia.
28:26You take math and throw the exam in the trash so I don't see it.
28:29Dad, don't exaggerate.
28:31You've never cared about those things anyway.
28:33How many times have you done this?
28:35If it weren't for Fiorella, I wouldn't have found out.
28:38What does Fiorella have to do with my life?
28:41And what do you want me to do?
28:42Keep quiet when you do stupid things?
28:45Oh, Marci, I asked you not to yell at him.
28:48I'm sorry, Nati, but you have to tell your daddy.
28:51From now on, Fiorella will be aware of all your homework and the grades of your exams.
28:56No, dad, please don't.
28:57Enough, Natalia!
28:59I don't want another fight.
29:06I'm sorry, Nati.
29:08I'm sorry for your life.
29:38I'm sorry for your life.
30:08I'm sorry for your life.
30:09I'm sorry for your life.
30:10I'm sorry for your life.
30:11I'm sorry for your life.
30:12I'm sorry for your life.
30:13I'm sorry for your life.
30:14I'm sorry for your life.
30:15I'm sorry for your life.
30:16I'm sorry for your life.
30:17I'm sorry for your life.
30:18I'm sorry for your life.
30:19I'm sorry for your life.
30:20I'm sorry for your life.
30:21I'm sorry for your life.
30:22I'm sorry for your life.
30:23I'm sorry for your life.
30:24I'm sorry for your life.
30:25I'm sorry for your life.
30:26I'm sorry for your life.
30:27I'm sorry for your life.
30:28I'm sorry for your life.
30:29I'm sorry for your life.
30:30I'm sorry for your life.
30:31I'm sorry for your life.
30:33Ahora....
30:34Que triste estoy ,he perdido ese cariño que era mio ,Lina muchachita donde andaras?
30:37Busco tus carición,tus besos,tu Amor
30:55hasta cuando vas a seguir asà johnny
30:58Mira al hermano
30:59Look at him, brother.
31:02David deserves it.
31:05Give him a chance.
31:08He's your son.
31:29He's your son.
31:32He's your son.
31:35He's your son.
31:38He's your son.
31:41He's your son.
31:44He's your son.
31:47He's your son.
31:50He's your son.
31:53He's your son.
31:56He's your son.
31:59Do you want to dance, David?
32:02Not right now, Lupita, but in a little while.
32:05But I want to dance.
32:07In a little while, Lupita, please.
32:12Hey, David!
32:15What are you doing here?
32:18I don't eat.
32:20Well, don't you fit all the sandwiches that you're going to realize?
32:24I don't have anything at night.
32:26Where are you?
32:27Dance!
32:29No, David. I don't feel well right now.
32:32In a little while, please.
32:34Brother, don't tell me you're going to stay.
32:36Look at Jelly.
32:41Do you want to look like a scoundrel in front of her?
32:44No.
32:46Hurry up.
32:48Well, if you don't get Lupita to dance, I'll do it.
32:52And you're going to look like the scoundrel of the prom.
32:55Do you want that?
32:57Yes, I'm going to go.
32:59Yes, I'm going to go.
33:02No, I'm serious.
33:13Come with me.
33:21Lupita, do you want to dance with me?
33:25Let's dance!
33:27Where are all the mommies?
33:30Here and there!
33:32Urban Lupita, come on!
33:38Come on!
33:40Come on!
33:42Your body is sweating.
33:46All the radio stations are listening to this dance.
33:50Turn up the volume.
33:52More, more, more!
33:54Turn up the volume.
33:55More, more, more!
33:57Turn up the volume.
33:59More, more, more!
34:01Turn up the volume.
34:03More, more, more!
34:05Turn up the volume.
34:11My beautiful girl.
34:13My love.
34:16Oh, Johnny.
34:19Thank you, my love.
34:24I can't believe you took the trouble to prepare all this.
34:29Chuelita, I'll do anything for you.
34:37Besides, we have to take advantage of the fact that Davis is at his party and that Pierrito is sleeping.
34:44Because now we have time for just the two of us.
34:47You will never stop being a romantic, will you, Johnny?
34:53Yes.
35:24I fell in love with your smile.
35:31And now I'm so sad.
35:37And I have lost that affection that was mine.
35:46Tell me, little girl, where will you go?
35:50I'm looking for your caresses, your kisses and your love.
35:55Tell me, little girl, where will you go?
35:59I'm looking for your caresses, your kisses and your love.
36:09It must be Davis.
36:11He forgot his key.
36:13I'll open it.
36:15Chuelita.
36:19Chuelita.
36:27Surprise.
36:29Surprise.
36:31Little in-laws.
36:33It's good to see you.
36:34What are you doing here?
36:36Well, Tito thought that since Davis is at his party, we could keep you company.
36:41Yes, and we brought chicken to the embers.
36:45Look, don't worry because we already have dinner.
36:47Luckily you have good teeth, Johnny.
36:50Little daughter, we're going to bring more dishes.
36:53Let's go, mom.
36:55Johnny, son, will you have a young cheese?
36:58Yes, of course, in the kitchen.
37:01No, don't worry, I'll bring it.
37:06Little in-law, I only ask you for a minute with my wife.
37:10Just one.
37:18Hey, baby.
37:20Hey, hey, hey, hey, hey.
37:28Hey, hey, hey, hey, hey.
37:32¡Eee, eeeemy!!
37:44How pretty she is dancing.
37:47What?
37:49What did she say?
37:50Nothing
37:51No, no, how come nothing?
37:53Did you say Daviz dances pretty?
37:54Did she say that?
37:56Come here?
37:58Come here, come here Helen, come here!
38:00What are you doing to me, Jesus understand?
38:02Let's dance.
38:04Come here, come here.
38:06What's wrong with you?
38:08Do you like Davis or not?
38:09What?
38:10Answer me, do you like him or not?
38:11No, no.
38:13Why are you hesitating? Are you not sure?
38:15Hey, enough!
38:16Don't you realize I'm with you?
38:20You're so insecure.
38:21Hey, what's wrong with you? Come here.
38:22Let go of me.
38:23I'm not insecure, okay?
38:26We have to dance, okay? We have to dance.
38:28Let's dance.
38:32Let's dance, let's dance, let's dance.
38:34Let's dance, let's dance, let's dance.
38:36Let's dance, let's dance, let's dance.
38:38Let's dance, let's dance, let's dance.
38:40Dear students, please come closer.
38:42Tonight the school has prepared a very special surprise for you.
38:46A great singing contest!
38:53The winner will take home a box of imported chocolates from Brazil
38:58to the richest chocolate in the world.
39:00Let's see, who will be the first?
39:02Just a box of chocolates, at least a box.
39:04Don't be mean!
39:06Don't be mean!
39:08Look at this, I'm going to dedicate it to you.
39:10Come here.
39:11Me?
39:12Let's see, a round of applause for this boy, please.
39:14He deserves it.
39:22Hello everyone, I'm Javier Rengifo.
39:24I'm the second voice of Jonny Orozco in the group Nectar.
39:30I'm going to give him a private concert.
40:01Kiss your magic eyes.
40:03When they look at me, I feel real.
40:05Your magic eyes, happiness.
40:07The light of your eyes, tears will fall.
40:10Beautiful roses that will bloom.
40:15Thank you, thank you.
40:21Are you going to let him win?
40:23What can I do, Tavo?
40:24Just let him shine.
40:26If he thinks he has talent, he doesn't even believe it himself.
40:29Very good, very good.
40:31Now you are going to applaud.
40:32And the contestant who has the most applause will be the winner.
40:35Applause for the boy, please.
40:41Very good.
40:42It won't be easy to beat him.
40:44Let's see, is there anyone else who wants to delight us with their voice?
40:47Here my friend Davis.
40:48What are you talking about?
40:50Tell him, tell him, come on, a round of applause for him.
40:52Davis, Davis, Davis.