• 4 months ago
Transcript
00:00And for you to dance with the rich flavor...
00:08Davis!
00:10Javier.
00:11Where are you going?
00:13To Helen's house?
00:15Oh, look, she can't take care of you. What a shame.
00:17She's busy preparing lunch for me.
00:20Preparing lunch for you?
00:22What surprises you?
00:24Helen is my little sister. She's mine.
00:26So you better go home.
00:27It's enough that you see her at school.
00:29Helen is my friend since we were kids.
00:31Let's see, understand one thing.
00:32There is no friendship between a man and a woman.
00:35So you better get out, okay? Get out.
00:38Get out, get out.
00:42And that chain?
00:44Oh, don't fool me.
00:45With that you wanted to take it from me?
00:46With that nonsense?
00:47Give it to me.
00:48Give it to me.
00:49You're going to touch my idiot again.
00:51Stupid, take it on at once.
00:52Helen is going to be mine.
00:54Okay?
00:55And at your prom party, I'm going to give her a coat.
00:58And you don't know how much I'm going to enjoy it.
01:00Okay?
01:01Hey, what's wrong with you?
01:03Davis, why are you hitting him? What's wrong with you?
01:20Johnny?
01:22Johnny Orozco?
01:24Yes.
01:25I am Fiorella, Marcial's girlfriend.
01:28Ah, of course.
01:30Marcial told me about you.
01:31Marvelous, huh?
01:32Really?
01:33Yes.
01:34Me too, aunt.
01:35He values you a lot.
01:36Within Nectar, the ones I respect the most, obviously, are Marcy and you because you sing reggio.
01:41Do you like cumbia?
01:42I'm not going to lie to you, more or less.
01:44But I'm also an artist.
01:45I dance, I model.
01:47Marcio didn't tell you any of that?
01:48No, no, no, not at all.
01:50He didn't tell me anything.
01:51Well, now you know.
01:52And between artists, we have to get together to talk.
01:55He's a producer, he doesn't have that sensitivity that we have, you know?
01:59Besides, he doesn't understand that being known is very difficult among so many people.
02:04But the important thing is not to be known, but to do a good job and the rest comes alone.
02:09I didn't ask you to kill Basilio, asshole.
02:12Don't get me involved in that kind of thing.
02:14Shut up, you idiot.
02:15You should be grateful.
02:17Thanks to me, you're going to keep getting your shit out of the talent of Orozco.
02:21Or do you want to be the miserable guy from before?
02:24No, of course not.
02:26I want to grow.
02:27I want to open up the field and succeed in music.
02:30That world has its grace.
02:32Then, Montero, keep working for me and you'll have my blessing.
02:38With your support, Jackal, I can be your best ally.
02:43As long as I'm in the Nectar group, you won't have any problems with the Coups.
02:48Do you want to be the bravo of bravos here in Peru?
02:51That's right.
02:52I want to be better than Johnny.
02:55Give me the opportunity and I swear I can be your best ally in this country.
02:59We'll see.
03:02We'll see, Montero.
03:04Anytime.
03:09Cheers.
03:12Cheers.
03:18I don't regret anything.
03:20Damn you, Orozco.
03:22Damn you.
03:29Marcial.
03:30Marcial.
03:31Marcial, what's wrong?
03:32Marcial.
03:33Marcial, honey.
03:34Marcial.
03:35Marcial, are you okay?
03:36Marcial.
03:37Help.
03:38Honey.
03:39Call an ambulance, Johnny, please.
03:40Marcial.
03:41Honey, please.
03:42Honey, please react.
03:43Honey, please react.
03:45Helen, I just wanted to go to your house to talk to you, but this idiot...
03:48Shut up, man.
03:49Can you leave?
03:50He's completely out of his mind, you see?
03:52No, Helen.
03:53No, I swear.
03:54I just wanted to go to your house to make amends with you.
03:57To tell you that we were always going to be friends.
03:59That's all, I swear.
04:00You come to make amends with me, Davis, and you end up hitting my...
04:06My boyfriend.
04:08How do you want us to continue being friends?
04:11Things are not like he says, Helen.
04:13I was just defending you.
04:15You idiot, you just hit me in the face.
04:17Can you stop lying and leave?
04:20He doesn't respect you, Helen.
04:21He doesn't respect you.
04:22Enough!
04:24I just saw you hitting him.
04:27Please leave, Davis.
04:32You don't know him, Helen.
04:34He doesn't respect you.
04:35I don't want to hear you anymore.
04:38That's enough.
04:40Please leave.
04:56Let's go home to make amends, okay?
04:59Does it hurt a lot?
05:00No, no, no.
05:01Don't worry, it wasn't that bad.
05:04I don't want to imagine that I would have done that crazy thing if I wasn't close.
05:08Are you sure you didn't provoke him?
05:10Davis is impulsive, but he's not violent.
05:12He's defending me, Helen.
05:14Look, I know he's your friend, but he's not okay.
05:17So you better stay away from him, okay?
05:20Let's go.
05:38The beautiful girl that I left
05:40Is a flower that I will never forget
05:43Those beautiful eyes that I looked at
05:45For my love they might cry
05:48Those red lips that I kissed
05:50Today they will ask for my name
05:52Listen, Davis.
05:54After that, you better forget about Helen forever.
05:59You have to look at other girls.
06:01I just went to her house to tell her that...
06:05That she and I were always going to be friends.
06:07Whatever happens.
06:09Because friends love each other, Tavito.
06:12Friends take care of each other.
06:13I will never allow anyone to hurt you.
06:17Just as I will not allow that Javier to hurt Helen.
06:20I know, I know, brother.
06:22But you did everything you could, right?
06:25You better leave it there.
06:27Rather, so much being aware of Helen's life, you're going to be left without a partner.
06:31Have you thought of someone?
06:32What? I don't care about that now, Tavito.
06:34Brother, you have to be more careful.
06:36Look, there are a lot of girls who are...
06:39I know.
06:40I know, I know, I know, I know, I know, I know.
06:44I know who can be your best partner.
06:46Do you remember that girl from Milonza?
06:48Lupita?
06:50Lupita?
06:51Uh-huh.
06:52Lupita? Of course.
06:53I don't know, Tavito.
06:54Brother, she's cool.
06:56Besides, she's always asking me about you.
07:00Really?
07:01When?
07:02All the time. She always tells me...
07:04Oh, and...
07:06When are you going to introduce me to your little friend?
07:08The one from the Nectar group.
07:12What Nectar group?
07:13He's the one who took out the bodies, Tavito.
07:15I don't know.
07:17Hey, there's my brother.
07:20Where is he going?
07:23He won't be screwing her again, right?
07:25He just got out of jail.
07:28You don't know him.
07:29They say he's looking for a job, but I don't believe a word he says.
07:33I'm sure he's up to something.
07:35I'm sure.
07:38Come on, we have to follow him.
07:39Follow him?
07:40What, now he's a detective?
07:41Brother, we have to follow him.
07:43Let's go, quick.
07:45My dad!
07:46My dad, my dad!
07:47Mr. Yoni, where's my dad?
07:48Please, let me go!
07:49Don't worry, Natalia.
07:51Your dad collapsed.
07:52He passed out.
07:53It was all very fast.
07:54We don't know why.
07:56Good morning.
07:57Marcial Montero, patient's relatives.
07:59I'm his fiancée, doctor.
08:00How is he, Marcia?
08:01Is he okay?
08:02I'm so worried.
08:03Mr. Montero has suffered a pre-heart attack.
08:05For the moment, he will have to remain under observation.
08:08A pre-heart attack, my dad?
08:09Doctor, doctor, I'm his daughter.
08:11Please, please, let me see him.
08:13Please, just for a little while.
08:14Not for now, I'm sorry.
08:16We have to wait for him to stabilize first.
08:18And I'm his future wife.
08:19Can't I see him?
08:20No one can come in, please.
08:22Excuse me.
08:25Bruno!
08:26Did you hear that, Daniel?
08:27Doctor, you're a pain in the ass.
08:29Daniela, shut up, please.
08:30Yes, shut up.
08:31We've had enough of what's going on
08:33to listen to your complaints.
08:35I'm sorry, Nati.
08:36But I care so much about your daddy
08:37that I can't control myself.
08:46Why is it taking so long?
08:48And what is Mr. Melky's store doing?
08:50Oh, he's crying.
08:53Sometimes I think he's capable.
08:54How is he going to make poor Mr. Melky cry?
08:56He's an old man.
08:58Put him in.
09:00Now, Mr. Melky.
09:01You tell me what else to do,
09:02and you take him inside.
09:03Now, without you.
09:04You know what to do, right?
09:06He's working.
09:08No, no, no.
09:09He's going to do something.
09:10You'll see.
09:11I'm sure.
09:12Nicaragua is working.
09:14Hey, Taito, don't be blind.
09:16He's helping Mr. Melky.
09:17The poor guy just needs to give a tip.
09:19That's all.
09:21What's wrong?
09:23Taito, is that face okay?
09:25Yes, but...
09:27Does he really want to do things right?
09:50Oh.
09:58What happened?
10:00Where am I?
10:01Mr. Montero.
10:02He's in the clinic.
10:04He had a high-stress picture
10:05that caused him a pre-heart attack.
10:07What?
10:09Please, don't get up.
10:11What you've had, fortunately,
10:12didn't happen to older people,
10:13but now you must rest.
10:15And we'll talk after your routine and your diet.
10:18But...
10:19How did everything happen?
10:20How did I get here?
10:22Fortunately, your girlfriend and Mr. Orozco
10:23acted quickly.
10:25Orozco?
10:27Johnny Orozco?
10:29That's right.
10:30If you took a little longer,
10:32maybe you and I
10:33wouldn't be talking right now.
10:35I can tell you that he just woke up.
10:37Your daughter is desperate to see him.
10:43So you saved my life, Johnny.
10:50Your father will be fine.
10:51You'll see.
10:52Soon he'll be like new
10:53and back home.
10:55Thank you, Mr. Johnny.
10:57It shows that you are a very,
10:58very good person.
11:00And I'm glad that my father
11:01has someone like you so close.
11:04No, your father has
11:05a peculiar personality, right?
11:07I've known him since I was a child.
11:09We're both from the neighborhood,
11:10from Coyique.
11:12That's where we were born,
11:13that's where we grew up.
11:15And we've gotten this far
11:16fighting for our lives.
11:17Suffering.
11:19That's why I value you so much.
11:21You saved him.
11:23You brought him here.
11:25Mr. Johnny, it's something
11:26I'll never forget.
11:28I'm glad we saved him,
11:29right, Johnny?
11:31Because we were with Marcy
11:32all the time.
11:35Doctor, how is my father?
11:37Mr. Montero just woke up.
11:39Oh, that's great, doctor.
11:40Can I come in and see him?
11:41No, I'll go in first.
11:42I'm his daughter.
11:43I'm his future wife.
11:44I was with him all the time.
11:45So, I'll go in first.
11:46Don't worry, please.
11:47If you want,
11:48you can both go in at the same time.
11:55Oh, Marcial.
11:56Thank God you're okay, brother.
12:01Yoli.
12:02Yoli.
12:03Marcial, how are you?
12:04Panchito.
12:06Everything is under control, it seems.
12:07The doctor told us he woke up.
12:09Well, shall we go in then?
12:11It's better if he doesn't see you here,
12:12that he doesn't see you.
12:14It's better if he doesn't see you here, Kike.
12:15You're about to give him a heart attack.
12:17If he sees your face, he'll give you another one.
12:18And that's where the song comes in.
12:19How do you speak, little brother?
12:22Hey, Kike.
12:23You fought with him in the morning.
12:25Johnny is right.
12:26I don't think it's a good idea
12:27for you to go in and see him, man.
12:28Panchito.
12:29Marcial, I really don't like him.
12:31But I don't wish him any harm either, do I?
12:33You know me, Johnny.
12:35In spite of everything,
12:37we're going to keep working together.
12:39Right?
12:43Dad! Dad!
12:45Please, miss.
12:47Let's try not to generate strong emotions in the patient.
12:50Remember that you can only see him for a moment.
12:53The gentleman has to rest.
12:55Don't worry, doctor.
12:56I'll take care of everything.
12:57If necessary, I'll take this little one over there too.
13:03I'm sorry, dad.
13:05Why, my love?
13:07I shouldn't have gone to your office
13:10and gave you a heart attack.
13:11Maybe that's the reason why...
13:12No, my love.
13:14You have nothing to do with this.
13:15I'm the one who has to control my food,
13:17my drink,
13:18my stress.
13:20That's all.
13:21Marcial, you don't know how much you've worried us.
13:23From now on, I'm going to take care of you.
13:25We're going to exercise, eat healthy,
13:27no more drinking.
13:28We're going to go out and do some exercise in the park.
13:30What do you think?
13:31Exercise?
13:32No.
13:33Don't overdo it either.
13:35Okay, but someone has to take care of you
13:37and I'm going to do that.
13:38I'm going to take care of you too, dad.
13:40Oh, really?
13:42At least this has helped.
13:44So that you two can be together in the same place
13:46without pulling each other's hair.
13:48Yes.
13:50Well, dad,
13:51you better not say anything.
13:53You rest, relax.
13:55We're going to take care of you
13:58and whatever you need,
14:00we're going to be outside.
14:01Or at least I'm going to stay outside all day.
14:03I love you very much, my love.
14:05I love you both.
14:13I love you too.
14:19Oh, David, my love.
14:22Oh, what can I say about David.
14:24You're already so big.
14:26How are you? What are you doing? Cooking?
14:28Yes, we have a lot of orders.
14:30We are bursting.
14:32And how did it go with Helen, son?
14:34Helen? Helen?
14:36It's the girl you told me about, right?
14:38How did it go?
14:39Everyone knows about my life.
14:40Yes.
14:41Tell us.
14:42How did it go?
14:44Bad.
14:46He was with his boyfriend,
14:47who is a jerk.
14:49And he started saying that
14:51he said horrible things about her.
14:53And I couldn't stand it
14:54and I punched him in the face.
14:55Well done, David.
14:56Well done.
14:58What do you mean well done, Katy?
15:00No, son.
15:01Violence is not going to take you anywhere.
15:03Oh, Evita, but what did you want me to do?
15:05The boy spoke badly of the girl.
15:07So who was going to tell him,
15:08why don't you talk like that about the girl?
15:10No, not at all.
15:12I mean, one is good, but one is not.
15:14You know what, aunt?
15:15I should have said that.
15:17Because then Helen got mad at me
15:18and asked me to leave.
15:20You see, silly girl.
15:22I'm going to my room.
15:24Something smells burnt, doesn't it?
15:26Oh, the food.
15:27Oh, no, the food.
15:29It's burnt.
15:30Because of gossip.
15:32Everything is gossip.
15:34The great Marcelito Montero.
15:36How are you, my brother?
15:39Have you come to see if I'm already dead?
15:41How are you, Marcial?
15:43I'm fine.
15:44Like a roble, brother.
15:45I'm already bored of being here.
15:46I want to leave.
15:47Besides, this Saturday
15:48we have to play at the Guaralino.
15:49No, no, no.
15:50Don't worry.
15:51Today, rest,
15:52and we'll see tomorrow.
15:55Marcial.
16:04I wanted to apologize to you, brother.
16:16All good, Quintín.
16:17Friends fight from time to time,
16:18don't they?
16:20And I, for my part,
16:21promise to stop with my friends.
16:24Hey, Marcial,
16:25but you're lucky
16:26for the puñetazos.
16:27Do you remember when
16:28the criminal from El Chacal
16:29beat you up?
16:30Sure.
16:32I would have seen Marcial.
16:33He stood up to him
16:34and El Chacal, boom,
16:35gave him a puñetazo.
16:38So we're not going to give you
16:39a single peso more,
16:40understood?
16:44Calm down, calm down, calm down.
16:47You speak to me well,
16:48understood?
16:51I would have liked to see that,
16:52buddy.
16:54Hey, but
16:55since that time
16:56we haven't seen El Chacal anymore.
16:57He disappeared.
16:58Good, Marcial.
16:59You scared that bastard.
17:02El Chacal.
17:04How long did it take you
17:05to come to Montero?
17:07You've become
17:08a very busy man.
17:10You can no longer
17:11look at your face like that.
17:12Oh yeah?
17:13And you almost disfigured it for me.
17:14Who the hell do you think
17:15you are to hit me like that?
17:16Come on, Marcial,
17:17calm down, man,
17:18calm down.
17:19I only deposit
17:20a quota of realism
17:21to our theater.
17:23Oh yeah?
17:24Next time I'm going to
17:25deposit you, then.
17:27Let's see.
17:28After that,
17:29after that,
17:31I don't even trust you anymore.
17:35I bet
17:36I'd put my hands
17:37on fire for you.
17:39Oh yeah?
17:40You see?
17:41You see?
17:42And that's thanks to my work.
17:44To which I put
17:45a quota of
17:46realism
17:47because I fulfilled
17:48my devil's role
17:49to the fullest.
17:54But hey,
17:55speaking of theaters,
17:57I invited you here
17:58precisely because
18:00because
18:02let's say
18:03I would like to
18:04expand my
18:05my theater of operations.
18:09I'm being honest with you.
18:11I don't have many friends in Peru.
18:13And I already told you.
18:15One is never a prophet in his land.
18:18And
18:19I need an operator.
18:21An operator?
18:22That's right.
18:24I've been thinking, Montero,
18:25and
18:26I want to have a presence
18:27in the Peruvian musical circuit.
18:30It's time, isn't it?
18:31Don't you think?
18:33And I would like
18:35I would like a man
18:37to be ambitious.
18:39To be able to manage
18:40all my business
18:42there in Peru.
18:45Are you asking me
18:46to be your partner?
18:48Isn't that what you wanted?
18:50Yes, of course.
18:52You have shown
18:53to be an intelligent man
18:54Montero.
18:56But why settle
18:57just with the Nectar group?
19:00I can help you
19:02to be the best
19:03musical producer in Peru.
19:06And all you have to do
19:08is make sure I'm part
19:10of all the profits
19:11of the represented groups.
19:13That easy.
19:15Well, yes.
19:16It's easy.
19:18Thank you, Chacal.
19:19Thank you for this opportunity.
19:20I knew you would be very excited about the idea.
19:24I still
19:26can't believe it.
19:31And I hope, Montero
19:33that you don't break your word.
19:36Of course not.
19:37Of course not, Chacal.
19:38Your business is secured.
19:39Trust me.
19:40Very good, Montero.
19:41Very good.
19:42That's it.
19:47And that criminal
19:48must be far away, right?
19:50I'm sure he's not doing well.
19:52No one is so successful
19:53committing crimes that way.
19:55I can hear you, brother.
19:56I can hear you.
19:57Come on, guys. Stop it.
19:59Don't think about that guy.
20:00He's not going to get away.
20:01Okay.
20:02We have to think
20:03that we will be a success
20:04in the Guaralino
20:05and in all the tratocadas.
20:06Because Nectar
20:07goes up, dad.
20:08Take care, Panchito.
20:11And today we'll have a beer
20:12in your name, Marcelito.
20:23¡Marcelito!
20:24¡Marcelito!
20:25¡Marcelito!
20:26¡Marcelito!
20:27¡Marcelito!
20:28¡Marcelito!
20:29¡Marcelito!
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22:07¡Marcelito!
22:08¡Marcelito!
22:09¡Marcelito!
22:10¡Marcelito!
22:11¡Marcelito!
22:12¡Marcelito!
22:13¡Marcelito!
22:14¡Marcelito!
22:15¡Marcelito!
22:16¡Marcelito!
22:17¡Marcelito!
22:18¡Marcelito!
22:19And your love is full of lies
22:25You are a sinner, a sinful woman
22:30But my heart loves and adores you more
22:35You are a sinner, a sinful woman
22:40No matter what the world says
22:43I love you, my lady
22:48You are a sinner, a sinful woman
22:53You are a sinner, a sinful woman
22:58You are a sinner, a sinful woman
23:03You are a sinner, a sinful woman
23:08You are a sinner, a sinful woman
23:13You are a sinner, a sinful woman
23:19You are a sinner, a sinful woman
23:43Impeccable. Impeccable, Marcial.
23:47Hey, tell me, why did you bring me here?
23:50Don't worry, it's safe.
23:52Chacal, I'm handling everything perfectly here.
23:54Why don't you go back to Argentina?
23:56And how did you get all this money?
23:59Because in the end, you weren't going to be the owner of Nectar.
24:02You even had a heart attack.
24:04And how did you get all this money?
24:07Because in the end, you weren't going to be the owner of Nectar.
24:10You even had a heart attack.
24:12Well, if you have to get a penny out of here and out of there to be happy,
24:16you do it now, don't you?
24:18Ah, damn, what a firmness, man.
24:22Good, good, but be careful.
24:24Be careful, Marcial, with your games.
24:26It can't be that obvious.
24:28It's what you get with your pressures, Pochacal.
24:30But don't worry.
24:32These artists are only good for singing.
24:34You show them some numbers and they get dizzy.
24:36It's Chinese for them.
24:37They'll never notice.
24:39Never.
25:10And this?
25:12What I picked.
25:15And...
25:20For the old man's medicines.
25:24Thank you, Aaron.
25:26Thank you very much.
25:35Welcome, Mrs. Montero.
25:39Your name and mine.
25:41Your name and mine.
25:43That little tree.
25:45Where is it written?
25:48Your name and mine.
25:51Fiorella de Montero.
25:54I had never cried.
25:56Your name and mine.
25:59That little tree.
26:01Your name and mine.
26:04My beautiful.
26:07Where is it written?
26:10Your name and mine.
26:12Your name and mine.
26:14That little tree.
26:17Where is it written?
26:19Your name and mine.
26:21Your name and mine.
26:24Your name and mine.
26:28Get out!
26:34Son.
26:36Thanks for coming out.
26:38I know...
26:40I know you're upset, Cholito, but...
26:43Let's get along, okay?
26:46Look, whenever you want, come visit me.
26:49I'm going to stay here.
26:50I don't care where you're going to stay.
26:53I don't care about you.
26:57You made my mom cry.
26:59You destroyed our family.
27:01And that's something I'll never forgive you for.
27:06Did you forget this?
27:08We don't want anything from you in the house.
27:20Pachito.
27:23You're my son.
27:25I love you.
27:28Cholito.
27:30Leave him there.
27:35I'm not your son anymore.
27:38I just want you to leave.
27:41Let's go.
27:43Get out.
27:46Get out! Don't you hear me? You're deaf! Get out!
27:55Cholito.
28:09Cholito, please.
28:13I wanted her to be the first and only one in my life.
28:19I'm tired of suffering and crying.
28:24Explain this to me, Natalia.
28:26You take math and throw the exam in the trash so I don't see it.
28:29Dad, don't exaggerate.
28:32You've never cared about those things.
28:34How many times have you done this?
28:36If it weren't for Fiorella, I wouldn't have found out.
28:39What does Fiorella have to do with my life?
28:41And what do you want her to do?
28:42To stay quiet when you do stupid things?
28:45Oh, Marci, I asked you not to yell at her.
28:48I'm sorry, Nati, but you have to tell your dad.
28:51From now on, Fiorella will be aware of all your homework
28:54and the grades of your exams.
28:56No, dad, please don't.
28:57Enough, Natalia!
28:59I don't want another fight.
29:06I'm sorry, Nati, but it's for your own good.
29:11I'm sorry.
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