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00:00You
00:05Could ruin ana no pueden ser hermanos es imposible
00:08Si que lo son el propio curo me lo dijo de sus labios escucharías mal julio
00:12No pensé que tú estabas al corriente de verdad es evidente que no martina metido la pata hasta el fondo
00:19por favor sobre todo no le cuentas nada curro lo peor es que destruzado una relación por mi estupidez
00:25lo único que les voy a pedir es que no cuenten nada
00:27She doesn't want her origins to be known and we're nobody to divulge them.
00:30Of course not, no, no. Who do you think we are?
00:32Yes, it cost me 700 German soldiers and 28 officers.
00:38What the hell? What are you doing? Are you crazy?
00:40I'm sorry, sir.
00:42Be careful, for God's sake.
00:43What a piece of crap.
00:45I ripped off this page so as not to ruin the rest.
00:47I hadn't finished reading it yet.
00:49Yes, it seems to me that you are not going to read it anymore.
00:51Look, aunt, I'm not someone to lecture anyone.
00:53But I have the firm suspicion that the Count of Ayala wants to marry you to get his share of the promise.
01:00I'm sorry to be so crude with you.
01:02Stay out of it, girl. Forgive him.
01:05This is a matter between Lope and me.
01:07The boy is very sorry.
01:10It has been a betrayal of my trust.
01:12Lope has revealed a secret that simply belonged to me.
01:15It was our fault because we told him a lot about the tongue.
01:18They don't insist. I don't think this has a solution.
01:20You're not going to decide now or ever.
01:22No, that's not true, Catalina.
01:24I just need a little more time.
01:26I'm going to make it easier for you, boy.
01:28And I'm going to decide for both of us.
01:30I don't want you to suffer, and less because of me.
01:33So take your bags and go.
01:35And I wish you with all my heart that you are happy.
01:39Mr. Pellicer has complained about you several times.
01:42What?
01:44That must be a misunderstanding, ma'am.
01:47I'm sure that's the case.
01:49That's why I want you to solve it as soon as possible.
01:52It's not time to make mistakes.
01:54Yes, ma'am.
01:56The warden said he threw the gun in a certain place.
02:00And it was right there where we found him.
02:02With that, little more can be done to prevent him from going to prison.
02:09There must be another explanation.
02:11Mr. Baeza is guilty of the death of Gregorio Castillo.
02:16Mr. Pellicer, know that I have a lot of influence over Mrs. Marquesa.
02:20I managed to get Pia Darre to stop being the key to this palace.
02:24And in the same way, I can make you leave with just a snap of your fingers.
02:30Do it.
02:32Do it, but if I leave this house, my son will come with me.
02:37Here it is.
02:42Is this it?
02:43Yes.
02:46Let's take a look.
02:52It's for Ricardo.
02:53He came from here.
02:55You should be ashamed of your daughter.
02:57You should be ashamed of your daughter.
02:59Why my daughter?
03:01Catalina...
03:05Catalina is pregnant.
03:17What's with those faces? Don't you want to toast?
03:20Let's go, please.
03:21No, I'm not going. The best part is coming.
03:23Let's get out of here, I said.
03:24I don't want to go. Besides, I've only told the truth.
03:26Let's get out of here.
03:27I'm going to stay for dinner.
03:28Get out of here right now.
03:29I want to have dinner.
03:30Shut up.
03:31Get out.
03:32Catalina, your family has to know.
03:34What's wrong with this man?
03:37Well, maybe the count didn't express himself well.
03:42No.
03:44I think the word pregnant doesn't have many interpretations.
03:48I say it because of the state of imprudence in which he was.
03:51They say that drunkards and children only tell the truth.
03:54And the phrases are the argument of the lazy ones.
03:57That's also what they say a lot.
03:58Damn it, please.
03:59I think...
04:00I think...
04:01that the count has expressed himself better than well,
04:04even in an eloquent way.
04:06Eloquent?
04:07I've made you drunk like a cube.
04:08You didn't even hear what he said.
04:10I'm not so sure about that.
04:12Uncle,
04:13you'll see that now the good one is sleeping
04:15and tomorrow he doesn't remember anything.
04:18He probably just wanted to hurt Catalina.
04:20Have you seen the conditions in which he came?
04:22It couldn't be coherent.
04:24It's not the kind of thing that someone invents because yes, Martina.
04:27Unless the spiritual ones enliven creativity.
04:30Well, whatever it is,
04:32the last thing this family needs is another scandal.
04:37God.
04:40God.
05:10God.
05:11God.
05:12God.
05:13God.
05:14God.
05:15God.
05:16God.
05:17God.
05:18God.
05:19God.
05:20God.
05:21God.
05:22God.
05:23God.
05:24God.
05:25God.
05:26God.
05:27God.
05:28God.
05:29God.
05:30God.
05:31God.
05:32God.
05:33God.
05:34God.
05:35God.
05:36God.
05:37God.
05:38God.
05:39God.
05:40God.
05:41God.
05:42We are like a jump to the D3
05:47We are love when you live life to death
05:51A long way to go
05:55In the promise you will be a matter of luck
05:59We are like a jump to the D3
06:03We are love when you live life to death
06:08A long way to go
06:12In the promise you will be a matter of luck
06:37In the promise you will be a matter of luck
07:07In the promise you will be a matter of luck
07:11In the promise you will be a matter of luck
07:15In the promise you will be a matter of luck
07:19In the promise you will be a matter of luck
07:23In the promise you will be a matter of luck
07:27In the promise you will be a matter of luck
07:31In the promise you will be a matter of luck
07:35What did you say?
07:37Let's get out of here.
07:39Let's go.
07:56You have to forgive me for arriving so late.
07:58I was busy with the shopping and you know what time it is.
08:02Don't worry, we have excused you for your absence at dinner.
08:08Did I miss something?
08:11No, it was a very normal dinner.
08:16Are you sure? You don't seem very happy.
08:22It's just that...
08:26Something happened that I didn't expect.
08:29And it is?
08:32I don't know if it's convenient to talk about it with you.
08:35Not because I don't trust you.
08:37But because it affects the family and third parties.
08:42Well, it's always good to talk about things.
08:45And doing it with someone from outside sometimes gives us a perspective that we hadn't contemplated before.
08:53Well...
08:55In short...
08:57Don Pelayo didn't come to dinner until it was already started.
09:01And when he showed up, he was in a very worrisome state of drunkenness.
09:07What are you telling me?
09:09And the worst of all was not that state of drunkenness, but the announcement he wanted to make to the whole family.
09:16The what?
09:20That Catalina is pregnant.
09:24And what did Catalina say?
09:27Has she confirmed it?
09:29No.
09:30Has she denied it then?
09:31No, neither one nor the other.
09:34She got up and pushed Pelayo out of the dining room and ...
09:38My God, what a situation.
09:41And if what the count said is true ...
09:44I don't want to tell you the consequences of a pregnancy out of wedlock for the reputation of the Lujan family.
09:51And for the life of my cousin Catalina, which is the most important thing.
09:53That goes without saying, yes.
09:55I don't know your cousin very well, but I value her.
09:59Let's hope the pregnancy thing is not true.
10:02It would be a very bitter trance for her.
10:04I just hope this has been a delirium of Pelayo because of the drunkenness and that's it.
10:08I hope it's just a delirium.
10:12And about ...
10:15the pregnancies out of wedlock ...
10:19I wanted to talk to you about the conversation we had about ...
10:24that Hanna and Curro could be brothers.
10:27It's not that they could be, it's just that, according to Curro, they are.
10:31The more I think about it, the less I can believe it.
10:36I don't know them as much as you do, but I do believe it.
10:41Could you tell me everything you know again?
10:45If I know, I don't know much either, Martina.
10:48What Curro told me is that he and Hanna are brothers,
10:52the two sons of Don Lorenzo, but of different mothers.
10:56And Hanna is the daughter of the captain of the Mata with a maiden of La Promesa.
11:03It's just ... it seems so strange to me.
11:07It seems impossible to me.
11:10But why?
11:11It's not because of Don Lorenzo's moral rectitude, because ...
11:14he does much worse things, we already know that.
11:17So ...
11:20Hanna gives Curro four years.
11:24Four or five years before Curro was born,
11:27the captain could not seduce any maiden of La Promesa,
11:30because he did not step on La Promesa.
11:32Come on, he hardly stepped on Spain.
11:34How can you be so sure?
11:36Because as I understand it, the captain was living in Cuba
11:39several years before the war.
11:41But when it started, he wanted to escape the conflict.
11:46So Hanna had to be born before the war started?
11:50Exactly.
11:51And I know all this because my uncles are always recriminating Lorenzo
11:55for escaping wars.
11:57In fact, when he returned to Spain, he was sent to Morocco
11:59and he did practically the same.
12:02So what Curro told me ...
12:06It has to be a ...
12:08It has to be a hoax.
12:11And this surprises me a lot,
12:13because I know that Curro hates lies.
12:31Oh my, what a face, what's with the piquilla?
12:34Has something happened up there?
12:36Something, Candela, something little.
12:38The marimorena has been set up.
12:40It has been unbearable.
12:42María, why don't you tell us right away?
12:44Well, since they don't have vilo ...
12:46Count Dañi, who showed up at the dining room
12:48when everyone was already having dinner.
12:50Let's see, María.
12:51Arriving late is rude, but come on.
12:54No, it's not just that.
12:55Mrs. Simona, who has shown up,
12:57misaligned, in the dining room,
12:59and with a merluza ...
13:01What?
13:02With a merluza, I'm waiting for you.
13:04Drunk?
13:05Drunk, drunk, but drunk.
13:07What a shame.
13:08Let's see if ...
13:10It's not good to arrive late
13:12and in a drunk state to a dinner,
13:14but come on, it's not that bad.
13:16It's not just that, Mrs. Simona.
13:18The drunk food has arrived,
13:21misaligned, and on top of that ...
13:23He sat at the table as if nothing.
13:25No, no, he didn't sit down, he dropped a bomb.
13:27Since you don't know what I said
13:29about Miss Catalina,
13:32hold on, I'm coming.
13:34Oh, mother.
13:35She's pregnant.
13:40Mrs. Simona, you had to know something about all this.
13:42You want me to tell you everything?
13:45No, no, no, I didn't know anything.
13:47Well, even if I had known,
13:49I wouldn't have told you either.
13:51A single pregnancy.
13:53Come on, what the gentlemen lacked,
13:55as it is.
13:56Now you will see how long it takes to get married.
13:58Well, let's see, let's see.
14:00We don't know if the pregnancy is true, do we?
14:02Exactly.
14:03And also, as you said, Maria,
14:05Don Pelayo was very drunk.
14:12Does it take a little to set up a colloquium or not?
14:15Come on, everyone to work.
14:17Don't you like us to talk, Mr. Pellicer?
14:20Don't tickle me, Mrs. García.
14:24And why, if I don't think you have it?
14:27What do you think if we go back to work?
14:29A great idea.
14:31It's great, don't worry.
14:33Well, let's go.
14:56Thank you very much for the lover,
14:58after that one, sir.
15:00I didn't have to worry about these things.
15:05Of course I'm worried, sir.
15:09And I feel like I'm wasting time.
15:12But not looking for you.
15:14So what do you mean?
15:17I mean that the investigation is moving forward.
15:19The days go by and you are still here,
15:21locked up unfairly.
15:23And surely the murderer is still out there.
15:26Who knows if he's thinking of killing again.
15:28No, not that the investigation is stopped, sir.
15:31Well, that's what I think.
15:33And why do you say that?
15:48Because I've been talking to Sergeant Gordino.
15:51And he made me understand that the investigation is practically concluded.
15:54And you know why?
15:55I can't imagine.
15:57He says that with your testimony and the evidence gathered,
15:59he can close the case if he wants to.
16:01Well, that's good news then.
16:03No, it's not.
16:04Yes, it is.
16:05Sir, your attitude is desperate.
16:07You know that.
16:08Sir, don't get angry.
16:09And less with Sergeant Gordino.
16:11If he came to this conclusion,
16:13it was because I made it easier for him.
16:15I know.
16:16And very badly done on your part, I'm telling you.
16:18Well, he's right.
16:19If he gets angry, it's better that he doesn't do it with Sergeant.
16:27Mr. Baeza, the real murder is still out there.
16:30Well, that's according to your conviction, not the sergeant's.
16:35I know.
16:37If the sergeant doesn't want to do what he has to do,
16:39we'll have to be the ones who do it.
16:41No, sir, that seems like an unfortunate idea to me.
16:43Well, not unfortunate, crazy, I would say.
16:45I'm not going to give up.
16:51Mr. Baeza, act now that you can, okay?
16:55The cold of this tent can get into your bones,
16:58especially at night.
17:08Does the lady prefer to eat something else?
17:11The lady could not eat without a bundle of wind.
17:14As you wish, sir.
17:17And on top of that, they make us wait.
17:20Where will Catalina and Pelayo be?
17:22Something tells me that one of them is sleeping with the girl.
17:26Well, it's better for them to show up here,
17:28the two of them, the girl and Catalina.
17:30Especially her,
17:31who didn't even come back to the dining room after last night's fright.
17:34Well, Cruz, she'll give you the appropriate explanations.
17:38What do you think?
17:39No, I don't think so, nor am I overpatient.
17:42What?
17:43Do you think the time has come for you to call Catalina
17:46or do we not deserve an explanation?
17:48Yes, I think so.
17:51Teresa.
17:52Yes, sir.
17:53Please, tell my daughter that we are waiting for her.
17:57She and Don Pelayo.
17:59Right now, sir.
18:02Since when do you ask for things in favor of service?
18:05It's not too much.
18:07Of course, that's why things happen.
18:20Do you know what we're going to do, miss?
18:22I can imagine.
18:24I've been coming down to see you for years.
18:28I'm sure if you eat a little, you'll calm down.
18:31Have you had breakfast yet?
18:34No, and not because I'm hungry.
18:36In its natural state.
18:40It's just that I didn't want ... I didn't want to go down to the dining room.
18:44To avoid them all,
18:46I couldn't face the truth and ...
18:49Well, it's useless.
18:51Because Pelayo left last night.
18:54I know, I know.
18:58What this man did has no justification.
19:01Well, he drank, Simona.
19:03And luckily he didn't say everything, because otherwise ...
19:06You say it, well.
19:08But let him say it, no.
19:10And now, don't stop, the alcohol made him sing.
19:13No, because it's to hit him with the ...
19:15the knee on all the scenes.
19:17It's neither good nor good, miss.
19:19Because you have to take responsibility for your actions.
19:21And if you are so brave to fight uncontrollably,
19:24you are also to assume the consequences, I mean.
19:29And now you laugh?
19:31No, Simona, you're very funny.
19:35The clown Simona.
19:38If I laugh because I don't cry.
19:42What scares you, miss?
19:44You know it perfectly.
19:47I'm overwhelmed by all this.
19:49It's all so strange.
19:51It's as if I had to climb a very high tower and ...
19:54and feel the vertigo even before climbing.
19:58And don't tell me that I already told you, please.
20:01I hate to be told that.
20:03Okay.
20:05If you don't want to hear it, I won't tell you, but ...
20:08If I tell you or not, you have to breastfeed.
20:12Excuse me, miss.
20:14Your father is asking for you in the dining room.
20:17I'm going now.
20:33How can one present himself like this in front of those who pretend to be his future in-laws?
20:38By presenting yourself like this, do you mean with the truth in front of you?
20:42He's drunk.
20:43He's smoking, come on.
20:45Well, because what Ayala said is not the right time.
20:48Anyway, you're right about that.
20:50It is true that Pelayo has never been a saint in my devotion, but beyond that,
20:54last night was ...
20:56an unjustifiable defection.
20:58An absolute indelicacy.
21:00Please, we were having dinner.
21:02And suddenly that pediatrician stands here and lets loose what he lets loose.
21:05And in a deplorable state.
21:13I am willing to tell the truth.
21:17Good daughter.
21:18That's already something.
21:22I wanted to apologize for what happened last night.
21:26But only for the forms, because what Pelayo said is ...
21:29It's true.
21:32I'm pregnant.
21:36Very good.
21:37You let it go like that and you stay so wide?
21:41Well, it's ...
21:43It's a pregnancy, it's something natural, right?
21:45Yes, yes. Very natural.
21:47A lot.
21:48You just need a little detail.
21:50And you are the daughter of the Marquis of Lujan and you are single and uncompromising.
21:55Well ...
21:56There are even more details than you can imagine.
21:59Do you want me to tell you?
22:02For God's sake.
22:04Daughter.
22:05Can you tell us everything?
22:08Because you are making me understand that there is something else.
22:12Yes, there is something else.
22:15I need an apology.
22:17My apologies.
22:19For the delectable behavior I had last night.
22:22I beg you to forgive me, I was overwhelmed because ...
22:25Because neither Catalina nor I know that we have not acted in the best way.
22:30But there is no more remedy.
22:32And the reality is that we are expecting a child.
22:35The two of us.
22:39And I wanted to take the opportunity to apologize to you, Catalina.
22:43For embarrassing you in front of your family.
22:46I promise you, and I also promise all of you,
22:49that I am willing to make up for my mistake.
23:09And what is that?
23:11Money.
23:12But it's not for you.
23:14It's for Mrs. Adarre.
23:16It's not much, but ...
23:18Well, at the moment it's all I've been able to get.
23:22I don't know if I understand Mr. Pellicer.
23:27Mr. Marquez has confirmed the order given by his wife.
23:31Mrs. Adarre will not be able to return.
23:34Mr. Marquez has confirmed the order given by his wife.
23:37Mrs. Adarre will not be able to return to work on the promise.
23:40What a surprise.
23:42The Marquis doing what the Marquise wants.
23:45Don't worry, I don't think Mrs. Pia has any hope that her luck will change.
23:49I can imagine.
23:52And in this way, why don't you give him the money?
23:55I don't see why.
23:57Well, because you are the one who managed to get rid of the Marquis.
24:01And are you sure you're happy to see him?
24:05No.
24:06If you limit yourself to fulfilling the task I just gave you, it will be enough.
24:12Are you sure?
24:14Yes.
24:17I don't want Mrs. Adarre to be deceived.
24:19It's not me who is giving him this money.
24:21It's the Marquis.
24:22As an apology for not being able to return his job.
24:25And also as an act of goodwill.
24:30In addition to the maintenance that I already received for Diego.
24:35As you say.
24:38Do you want anything else?
24:39No, that's all.
24:41Thank you very much, Miss Fernanda.
24:53It seems that everyone has proposed to bore me with such a visit.
24:56You have some things.
24:58This is endless.
25:00Let's see, what is your excuse for coming?
25:02Well, look, I had to do some errands in Lujan.
25:05And that's why I went to see Mrs. Pia, who, by the way, sends her a lot of affection and ...
25:10And I just happened to see you.
25:12And how is the boy?
25:14Very well.
25:16That's the important thing.
25:22I brought you some piñatas.
25:24To see if the child is a little sweet.
25:27Thank you very much.
25:29Encourage me, right?
25:31I already tell you that I'm going to eat them anyway.
25:35And why don't we talk about a circumstance that is not mine?
25:39Tell me, for example, about your relationship with Mr. Manuel. How are things going?
25:43Well, there is not much news.
25:47Oh yes.
25:49Has something happened?
25:51No, nothing special, but ...
25:54Manuel seems to have to go to a social event and wants me to accompany him as his partner.
25:58And what social event are we talking about?
26:01It must be a small thing, as Manuel told me.
26:04Like an intimate snack that he has organized with Don Jacobo, the son of the Marquises de Moguer,
26:09and with the rest of his friends.
26:11Yes, I know them, yes. The Moguer, the Lujan, they appreciate each other a lot.
26:15And Mr. Manuel's idea is wrong.
26:18Well, it seems to me that an intimate meeting is the perfect scenario for you to debut as the promised one.
26:26Besides, it's not going to happen in reality.
26:28As you think. I really don't know if I fit in with all those people.
26:33You know how to get involved anywhere. You know how to be there and you have an intelligent and pleasant conversation.
26:39Well, it's between the service, but ...
26:41Intelligence doesn't understand surnames, miss. Be yourself. You'll see how you're doing. Enjoy.
26:47And if you don't know what to do, well, don't do anything, just sit down and smile.
26:54I hope everything goes well.
26:57I hope.
26:59This is ridiculous. You are here, in prison, and I'm telling you all this about the snack.
27:04No, not at all. Besides, if you're doing it, it's because I asked you to go.
27:10Anyway, I'm going to have to go. I don't want Mrs. Petra to give me a good scolding.
27:13No, yes, of course. Go, go. Don't provoke the beast for my sake.
27:19I want you to know that all the service people send you memories and many kisses and hugs.
27:24Very good. Well, go, go. It's not too late.
27:28Don't lose hope.
27:30I won't.
27:44Come on, what's up? What's wrong with you?
27:47I was thinking about Mrs. Pia.
27:50It's very unfair, Candela. It was already unfair when she stopped being a key master,
27:54but it's even more unfair that they don't let her come back, not even as a maid. There is no right.
27:58And on that subject, I would get very angry.
28:01Yes.
28:03I don't know what to do.
28:05I don't know what to do.
28:07I don't know what to do.
28:08I will continue to be a maid as a maid. There is no right.
28:10And I would get very angry about that subject.
28:13It's just that the poor thing went through a lot and I feel ashamed to wear this.
28:18And what is that?
28:19Money.
28:20I'm going to give Mr. Pellicé from the market so that Mrs. Pia can be intrigued.
28:24As if he was going to arrange something.
28:26Look, Maria, in everything from before I have to give you the reason why you wear it, but not the money thing.
28:34And why?
28:35Well, I'm going to explain it to you in a well-explained way.
28:37And I want you to go ahead, okay?
28:39I'm fine with everything good that happens to Mrs. Darre
28:42because she's going to win.
28:44And this is good news.
28:47Oh yeah?
28:48Yes, miss.
28:49Because you say that that money is not going to fix anything.
28:52And I don't agree with that.
28:54You think that Mrs. Pia, huh?
28:56She already receives an assignment from the Marquis.
28:58A good quarter, go ahead.
29:00To pay for Diego's education.
29:03And thank goodness.
29:04And now with the help of the Marquis.
29:06Well, he's not going to see her anymore while he's looking for something.
29:11Yeah, Mrs. Candela.
29:12And another thing I should tell you.
29:14Mrs. Darre doesn't have any more suitors because she doesn't love us.
29:18And what does that have to do with it?
29:19A lot.
29:20She's a pretty woman.
29:22A figure to look at,
29:23and a hair that draws attention.
29:25Come on.
29:26Mrs. Pia is not going to have a problem finding love either.
29:30Yes, yes, if that's true.
29:31Although she has a career that I wouldn't want for myself.
29:35With how sensible she is and the bad eye she has for men.
29:38She's totally right.
29:39What do you want?
29:40That she had to go through death to get rid of her husband.
29:43And then resurrect as Jesus Christ.
29:46Come on, give me the money.
29:47If you want, I'll take it to the house of the Beni.
29:49And in passing, I can tell Diego that I really want to hit him with a guillotine.
29:53Well, one, two, three, whatever you want.
29:55But if you don't mind.
29:56Of course I don't mind.
29:59And now, another thing I should tell you.
30:00No matter how unfair it seems to you,
30:02we have to thank the Marquis for not having left Mrs. Pia helpless.
30:07Because that would have been the easiest thing for him.
30:09It was just missing, of course.
30:11Because all this story of going through death of Mrs. Pia,
30:14Mr. Marquis gave her his blessing.
30:16Another thing is that now the Marquise does not want Mrs. Pia back.
30:18And the Marquis brought her back.
30:20You'll see how they find out about that.
30:22He would be ashamed.
30:24That's what the truth has today when it leaves you bad.
30:27So, you think this envelope is because the man feels guilty.
30:32As I see it.
30:35As I see it.
30:57I need to settle our differences.
31:03I need to settle our differences.
31:07I need to settle our differences.
31:15But do you really think what I've done is so serious?
31:18Do you really think it's Mrs. Simón and Mrs. Candela?
31:20I trust them.
31:23I don't know if the solution is for us to be angry forever.
31:31Tell me something, please.
31:35You're not going to tell me the word again.
31:37You want to stop talking to me about all this,
31:39as if I were a puppet of a little girl.
31:43I'm sorry.
31:45What you did was very serious.
31:48I don't know.
31:49And I've explained it to you.
31:51Yes.
31:53And you didn't convince me.
31:57There are no enough arguments to justify the betrayal you've done to me.
32:01I haven't betrayed you, my love.
32:03Of course you have.
32:04I haven't done that.
32:09You can put as many nuances as you want.
32:11It wasn't a premeditated betrayal.
32:13It was a betrayal from the beginning.
32:15It wasn't a premeditated betrayal.
32:17It was an abrupt betrayal.
32:19But it was a betrayal.
32:24Look, I don't know where I read it or who said it,
32:28but I think it's true.
32:32Trust is won with a thousand acts and lost with just one.
32:35Please.
32:36No.
32:39You betrayed the trust I had placed in you.
32:43And that trust was everything to me.
32:45Do you understand?
32:54Maybe you're right.
32:58And the most logical thing would be to stay together forever.
33:03What are you saying?
33:06Are you saying we won't see each other again?
33:08Are you saying we should ignore each other?
33:10Is that what you want?
33:13Yes.
33:18Look, you have to be careful with what you're saying.
33:29I've been thinking about leaving La Promesa.
33:33No.
33:34No, don't say that.
33:36It's already been decided.
33:39I'm leaving in a few days.
33:41I'm leaving in a few days.
34:05It does look half as good as it really is.
34:08Of course.
34:09It must have cost you a fortune.
34:11Well, the occasion deserves it.
34:13I think so.
34:14Of course.
34:15And you're going to look perfect with the dress.
34:17It's so ugly.
34:18But I love it.
34:20We've done the final touches and you have to try it again.
34:24I don't think it's necessary.
34:26You're just going to show off.
34:27And you're going to look like a glove.
34:29You're going to look beautiful.
34:30We haven't talked about the hairstyle yet.
34:33That's true.
34:34I think you're going to look great like this.
34:36You're going to leave your sweet face uncovered.
34:40I think I'd look more loose.
34:42Loose, Teresa? You poor thing.
34:45But I'm not rich either, Maria.
34:47Well, for now.
34:49I'd prefer you to wear a loose part.
34:51So when the sun hits you,
34:53you can appreciate your golden color more.
34:55Oh my God.
34:56Between the sweet face and the sun, I don't know what to tell you.
34:59What is it?
35:00Stop saying nonsense.
35:01It's all the glory.
35:02Well, it's very tight.
35:05Let's see.
35:12You look beautiful.
35:17Good afternoon.
35:19Manuel.
35:22What's going on?
35:24The snack has been suspended.
35:27Apparently, my friend Jacobo has suffered an indisposition.
35:35I'm sorry.
35:43Mmm.
35:44This is almost done.
35:45Almost, almost.
35:47Two minutes and it's done.
35:51What are you doing?
35:52Yes.
35:53Two minutes and it's done.
35:57What are you doing?
35:58I'm going to pee.
35:59Where to?
36:00First to change, and then I'm going to see Mrs. Pia.
36:03Because today I have an afternoon off.
36:06Oh, come on, love.
36:07I'm crazy to see her and the child, I won't even tell you.
36:10Ah, normal.
36:11I'm also going to take some money.
36:12Ah, and that?
36:13Don Alonso, I want to compensate him for the fact that his wife has refused to let Mrs. Pia come back.
36:19That still has to be said.
36:21It's going to be hard.
36:22Well, yes.
36:24Give him a very strong hug from me.
36:26I'll give it to him.
36:27And don't stop telling him that he can count on us for whatever he needs.
36:31I'll tell him.
36:32The truth is that things are not that easy.
36:35But at least if he knows that he can count on us, then ...
36:39Something else is happening to you, right?
36:41Ah, what things you have.
36:42Come on.
36:43What is what?
36:45You know.
36:46It's for Miss Catalina, right?
36:49That's right.
36:51Last night I lied.
36:52Oh, Simona.
36:54I had known for a long time that Miss Catalina was waiting for me.
36:59I was surprised that you didn't know.
37:01I mean, you tell her everything.
37:03Don't worry.
37:04I don't take it badly.
37:06Thank you, Candela.
37:08I understand perfectly well that you won't tell anyone.
37:10Candela couldn't fail Miss Catalina.
37:13Of course not.
37:15And now the truth is that ...
37:16I don't care because everyone knows it, but ...
37:19But I suffer.
37:20Because you know that I love her like a daughter.
37:23And I'm worried about her future.
37:25Well, what do you want me to tell you, huh?
37:27It doesn't seem so serious to me either.
37:28Because, look.
37:29The young lady is healthy.
37:30She has money.
37:32And she has the father of her child by her side.
37:34Besides,
37:36she's not going to be the first girlfriend to get married.
37:40Nor will she be the last.
37:41Because as Reza has said,
37:43when passion squeezes,
37:45there is no baguette.
37:47Still, Candela, I'm worried.
37:50I can't help it.
37:52When things start to go wrong,
37:54then ...
37:55no one deserves them.
37:58Come on, go.
38:00I'm going.
38:01Don't go without me.
38:02Goodbye.
38:03A kiss to Diego.
38:04Yes.
38:14Well, don't let it get to you either.
38:16It's not worth it.
38:18Well, it will pass.
38:19Nothing happens.
38:20Of course it does.
38:22And you will see that when Don Manuel's friend recovers,
38:25he will organize another snack.
38:27And if it's not a snack,
38:28then it will be any other party.
38:30But the important thing is that Mr. Manuel wants to introduce you to society.
38:33And with that you have to stay.
38:35I mean,
38:36you are better.
38:38I'm better.
38:39Teresa, not so much.
38:40Hey!
38:41Hey!
38:43Thank you very much.
38:44And not only for helping me so much,
38:46but for ...
38:47for being there whenever evil comes.
39:06I understand that you will finally not be able to go to Miriam.
39:09I understand.
39:11What a shame.
39:14Although you shouldn't be sad.
39:16Because believe me, it's much better this way.
39:19What do you mean?
39:22That this is too much for you, Hanna.
39:26You don't care about that.
39:27No.
39:28I don't care.
39:30But ...
39:31I really mean it for your own good.
39:33Because not a few elections,
39:35not the advice of your friends,
39:37not even that dress,
39:38are going to turn you into something you are not,
39:40and you will never be.
39:43And really,
39:44it's better not to have gone,
39:45than to go and make a fool of yourself.
39:47And what do you know, Mrs. Petra?
39:49Well, I know what the whole writing community knows.
39:52And the chorus says it.
39:54Although the mop is dressed in silk,
39:57the mop stays.
40:00Honour, yes.
40:05I'm sorry.
40:12Don't listen to her, Hanna.
40:15It's complicated.
40:17That wolf gets along very well in the bathroom.
40:19The only talent he has.
40:31Manuel?
40:33Right now I'm not the best companion.
40:37You never are.
40:39But we love you.
40:41I prefer to be alone.
40:45Do you want another coffee?
40:51It's clear that it doesn't matter what I say, right?
40:54No.
40:55No, of course not.
40:59Why are you like this?
41:00Why are you like this?
41:04Because the snack my friend was celebrating,
41:08Jacobo, in a week his palace has been cancelled.
41:12What?
41:13I mean, are you like this because of a snack?
41:17No.
41:19I'm like this because that snack was important.
41:22Hanna was going to accompany me,
41:23it was going to be our first social act.
41:26With how beautiful she was going to be with Leonor's dress.
41:30And do you know why it was cancelled?
41:35Because of an abdominal indisposition.
41:41That hurts.
41:43Yes, and I miss her.
41:48Do you miss her? Why?
41:54Well, it doesn't matter, it's my business.
41:56Work.
41:58Do you miss her? Why?
42:00Let's see.
42:01I find it strange that a meeting was cancelled,
42:04scheduled for next week,
42:06because today the host had an abdominal indisposition.
42:11I mean, they've seen it so badly
42:13that they know it won't be good for next week.
42:17Yes, I think work has just made me feel better.
42:21It makes me feel better.
42:23Please.
42:25Make you feel better?
42:26Where are you going?
42:29I overheard Aunt Cruz talking on the phone.
42:33I didn't want to pay attention
42:35because I didn't hear what she was saying or who she was talking to, but...
42:40Now I think it makes sense.
42:43Right?
42:46Are you saying my mother has been manipulating my back
42:49so that Jacobo's family would withdraw their invitation?
42:52It's what it seems.
42:57So that snack has been cancelled?
43:01No.
43:04They've decided not to invite us thanks to my mother.
43:22Pass me a hammer, please.
43:27Here it is.
43:28Thank you, Lope.
43:39Those are the umbrella rods you were talking about, María.
43:42There you have them, Simona.
43:43You've turned them into lightning.
43:45Into radios, María.
43:46I told you, radios.
43:48And this, more than fixing the bike,
43:50haven't you just destroyed it?
43:52Well, it's your turn, Candela.
43:54What you have to understand
43:55is that the wheel has to be perfectly circular,
43:59so that the lightning fits.
44:00Radios.
44:01That's it, radios.
44:02Anyway, I'm off.
44:04There are a lot of bikes,
44:06and not so many free afternoons.
44:08Bye.
44:09Enjoy.
44:16This is known as knitting a metal spiderweb, Simona.
44:19Totally.
44:20Now that it's taking so long...
44:21Nothing.
44:23I don't think so.
44:24I didn't think doing something so simple
44:25would be so hard.
44:27Me neither.
44:28What I do know is that if the wheel isn't perfectly circular,
44:31we've wasted time.
44:41And there are some...
44:44that don't fit.
44:46Let's see.
44:48No.
44:49Let me do it.
44:52I have to be careful not to get stained.
44:57Olé!
44:58There we go.
45:00Thanks, Lope.
45:02Well done, well done.
45:03As my mother used to say.
45:04This is getting rounder than Mrs. Simona's empanadas.
45:08My empanadas?
45:09I've been surrounded by Andalusians all this time,
45:11and I'm still surprised how exaggerated you are.
45:14Nothing exaggerated, Mrs. Simona.
45:15Expressive.
45:16Oh, is that so?
45:17Is that it?
45:18And do you think that's going to hold up
45:20to the weight of the bike or the one that goes up?
45:22Man, not like that.
45:23We still have to put the camera and the roof on.
45:26Well, yes, it's tiring.
45:28Have you fixed a bike?
45:29No, no.
45:30It's just that Marcelo isn't fixing a bike.
45:31He's building it again.
45:33Hey, Lope is right.
45:35It's not the same.
45:36Exactly, Lope.
45:48The last thing I needed from Fusca's visits.
45:53You told me to focus on controlling,
45:55that in the promise everything would be fine,
45:57and that's what I'm doing.
45:58Within the possibilities.
45:59I knew I could trust you.
46:02The cooks also miss you.
46:04Of course.
46:05Between one and the other,
46:06they miss me a lot.
46:07They miss me a lot.
46:08They miss me a lot.
46:09They miss me a lot.
46:10They miss me a lot.
46:11They miss me a lot.
46:12They miss me a lot.
46:13They miss me a lot.
46:14They miss me a lot.
46:15They miss me a lot.
46:16Between one and the other,
46:17you're going to end up fattening me up in here.
46:20How are you?
46:21Good.
46:22Good, but good, good,
46:23or good to get out of the way?
46:25No, good.
46:26Given the circumstances,
46:27which you can see what they are,
46:29here one is governed by other things.
46:31You have no choice.
46:32What things?
46:33Today I had a good day.
46:35Not only did I receive Mr. Manuel's visit,
46:37he has also come to see me,
46:39Miss Expósito,
46:40and now you introduce yourself.
46:42I have no complaints.
46:43And if I had,
46:44I would be an ingrate.
46:45Those things.
46:49All this makes me very confused.
46:52Romulo, I confess,
46:54I'm not going to lie to you.
46:55What do you mean by all this?
46:57Well, you're here in prison,
46:59accused of something very serious,
47:00awaiting trial,
47:01and you don't seem to care.
47:03Yes, I do care.
47:05But I'm worried about my luck,
47:07because it's clear
47:09that it doesn't depend on me,
47:10so why should I worry?
47:12No, you know what worries me?
47:15I keep thinking about Mrs. Darri
47:18and her luck,
47:19and I've found out that the Marquise
47:21doesn't want me to work at the house again.
47:23That's right, unfortunately.
47:26Can I ask you something?
47:27Whatever you want.
47:29Intercede for her before Mr. Marquise.
47:32I've already done it, Romulo.
47:34And what?
47:35Well, it didn't help at all.
47:37Don Alonso has come to say that,
47:39very sad.
47:40He can't contradict his wife.
47:42With those words?
47:44Maybe not, but similar.
47:46Yes.
47:47He felt so frustrated by the situation
47:49that he even gave me money
47:50to give it to Pia
47:51so that she could move on
47:52until I find a new job.
47:54Something is something.
47:55No, it's something more than that.
47:56Because Pia has already received money
47:58from the Marquise gentlemen
48:00who help her take care of Dieguito.
48:02No, this new help from the Marquise,
48:04this is an act of honor.
48:06Of course it is.
48:08Don Alonso is a good man.
48:11And you are also a good man, Ricardo.
48:15If you say so.
48:19Hey, are you okay?
48:20Because you look bad.
48:21Yes, don't worry.
48:23Nothing strange happens to me.
48:24It's just that I'm here and there's no air
48:26and I can't move.
48:27Well, if that's all.
48:29Yes.
48:32And how are things going with your son?
48:36I don't know what to tell you.
48:37Bad.
48:38As always.
48:40Well, right now he's doing the job
48:42you asked him to do
48:43before they locked you up.
48:45What job?
48:46Yes.
48:47For Mr. Marquise.
48:48The job for which he has to go
48:50to Puebla de Tera and Vialquino.
48:53Ricardo,
48:54I don't know what you're talking about.
49:08Santos.
49:11How was your trip?
49:14Come on.
49:17I wasn't expecting you back so soon.
49:21Well.
49:24I find you tired.
49:26I'm going to the kitchen
49:27until they bring you something.
49:28No, no, no.
49:29Don't worry, Mr. Arcos.
49:31The truth is that I'm not hungry.
49:33I'm just tired.
49:35I'm not hungry.
49:36I'm just tired.
49:38No.
49:40I wasn't expecting you back yet.
49:43I see.
49:47I also expected that
49:50my trip would last longer.
49:53That means something went wrong.
49:58You found out something about your mother.
50:00Something you didn't like.
50:02That's it, right?
50:05Yes.
50:09Son, what's wrong?
50:11What have you found out?
50:21You won't believe it, Mr. Arcos.
50:36Why didn't you come to dinner with us?
50:39We don't waste time with frivolities, do we?
50:41And you're being insolent.
50:42I don't allow you to talk to me like that.
50:44Does he deserve something better?
50:45Don't treat your mother like that.
50:47Can I know what you have against me?
50:52If we stick to the last thing,
50:55this afternoon I found out
50:56that my friend Jacobo canceled his snack.
51:00Why?
51:01Sudden indisposition of the father's stomach.
51:03Wow.
51:04I'm so sorry.
51:05I hope he recovers soon.
51:07I doubt it.
51:09Because the snack was in a week.
51:11So if they canceled it now,
51:13it's because they expect a long convalescence.
51:17So it seems.
51:19Don't play dumb, Mother.
51:20And don't take me for a fool.
51:22We both know that indisposition is a lie.
51:25I don't understand anything.
51:26What are you talking about?
51:27What I'm talking about, Father,
51:28is that this supposed illness doesn't exist.
51:30What nonsense is that?
51:31It's not nonsense.
51:32It's clear.
51:33That convalescence is nothing more than an excuse
51:35to cancel the invitation.
51:36And it's also clear that it was my mother
51:38who called the Marquise
51:39to expressly ask me to cancel that invitation
51:42and thus avoid presenting Hanna in society.
51:44That's a lie.
51:46What first actress has missed the scene?
51:50Alonso, you're not going to believe what he's saying, are you?
51:52The truth is that I don't care.
51:54I am delighted that the presentation
51:56in society will not take place.
51:58Because that would be the ultimate nonsense.
52:00We agree on that.
52:01Manuel, when are you going to understand
52:03that if you insist on being with that young woman,
52:05you will always have your mother and me in front of you?
52:08That's not going to change.
52:09So don't insist.
52:10I insist, and I will insist, Father.
52:12And don't use euphemisms of bad death.
52:14I'm not with that young woman.
52:15Hanna is my fiancée.
52:17And I'm going to marry her,
52:18whoever I want.
52:19Whoever I want.
52:21Whoever I want.
52:23And so that you can see that my determination
52:26And so that you can see that my determination is firm,
52:28I'm going to inform you of the decision I've made.
52:31I'm scared.
52:32Me neither.
52:35I want Hanna to abandon her duties as a maid
52:38and move in with us to the noble plant.
52:50Your father has deceived you in a deliberate way.
52:54And you're right, Santos.
52:55If you go face to face with him,
52:57he's going to try to deceive you again.
52:59So what you have to think about very well is the next step.
53:02Right now we have to be very smart
53:04if we don't want to risk losing our son forever.
53:07Get that into your head.
53:08Whoever sows winds, picks up storms.
53:10And now it's time to bite your fists and hold on.
53:13I would like to tell him I quit.
53:16Are you saying goodbye?
53:18Yes, I prefer to see it that way.
53:20Yes.
53:21Until recently I didn't know you, and now we're getting married.
53:25That's how love works.
53:28Yes, it has strongly impacted me.
53:31But even so, there are many things about you that I don't know, Ignacio.
53:35López, after everything you've done to me,
53:36you can't ask me to trust you.
53:38So what's going to happen to us?
53:41Does it mean the end of our relationship?
53:44The fact that my secret can come to light changes everything.
53:47Are you going to throw everything we have overboard for a mistake?
53:49Marcelo, what was so serious that it happened?
53:52Why did you have to take refuge here in La Promesa and pretend to be married?
53:55Don't even try it, María.
53:58Something very big has to be done to keep that silence.
54:02What can I tell you?
54:04I'm not a criminal.
54:06And I've never hurt anyone on purpose.
54:08It's not that I have special affection for Mrs. Margarita,
54:11but that woman must know things she doesn't know.
54:16This wedding is not good for anyone.
54:18Especially not for her.
54:21Is it really that bad?
54:24I know Clement too well.
54:26You'll find it very funny to have lied to me about all this about Hanna,
54:29but it's not funny at all.
54:31Look, Julia ...
54:32I don't look at anything, I work.
54:33You'll find it very funny to laugh at me like that,
54:35but I find it a terrible pleasure.
54:36How are you so sure I'm cheating on you?
54:38You were able to fulfill the order that Mr. Padeza gave you.
54:40That's right.
54:41I had planned to get close to the little guy to get him in the mood.
54:44I see.
54:45It's true that I have a lot of work to do.
54:47I don't know if I'll find the space to do it today.
54:49Stop lying.