Igra sudbine, Epizoda 1149,Igra sudbine 1150 ,Igra sudbine 1149,Igra sudbine Epizoda 1150, Igra sudbine Epizoda 1149,Epizoda 1150 Igra sudbine ,Epizoda 1149 Igra sudbine
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00:00What was that?
00:13Where did we stop?
00:18Domination, right?
00:21Can I have a look?
00:32This is what I'm talking about.
00:35A classic demonstration of power.
00:37Almost a rapist.
00:40Okay, let's not exaggerate.
00:43You know what kind of journalists are.
00:45They tell a story, the better the title, the better the sales.
00:49I wouldn't be surprised if they didn't exaggerate this time.
00:53Well, I honestly think the journalist made a fool of Andrija and then provoked him.
00:59Wait, are you defending him now?
01:01Who, me?
01:02Yes, you.
01:03No, no.
01:04I just want to calm the situation down and find some rational explanation.
01:12Explanation?
01:13Yes.
01:16Excuse me.
01:23Journalists, here.
01:25Take this.
01:27There.
01:28Never enough titles.
01:29Yes, never enough titles.
01:32Where are you going?
01:33I'm sorry, but I'm not in the mood right now.
01:36I can't stay here, I have to go.
01:38Okay.
01:39This is for free.
01:40Thank you.
02:00Good day, here you go.
02:02Nice place.
02:05Is it for sale?
02:06No.
02:07I'm sure it's not.
02:09What a shame.
02:11What a shame.
02:13What's your name? Milo?
02:15Yes.
02:16Milo Kupus?
02:17Yes.
02:18You're doing well.
02:19Nice, tidy, clean.
02:21Nice atmosphere.
02:23I'm trying, what can I say.
02:25It's going to be even better now, because we've improved the place.
02:29Of course.
02:30Let's have some rakija.
02:34What can you say?
02:35How did you improve it?
02:37The oven.
02:40It's not really an oven, but a pigsty.
02:44The best in the world.
02:45One man, Mido from Kosmaj, brought it to us.
02:48The best.
02:50When it's so good that he doesn't open the oven himself,
02:53it's better for you.
02:54No, Mido has a lot of plans.
02:57This is just a temporary solution, so to speak.
03:02It's good for him, it's good for us.
03:05There must be a catch.
03:06I mean, as soon as he invests so much.
03:08The opposite.
03:10I mean, I got it from him.
03:12Because I can see exactly when someone has money.
03:15But someone almost wanted to rob him.
03:18No way.
03:20Really?
03:21How could that be?
03:23It looks like a woman.
03:26A woman, and a divorced woman.
03:29Yes, yes.
03:32She wants it.
03:34She wants him to marry her.
04:00I'm sorry, I didn't mean to bother you.
04:15Come on.
04:17You're already known for not bothering me.
04:19What does that mean?
04:21It means that...
04:22Can you shut up a little?
04:24Please.
04:28I'm sorry.
04:38Here I am.
04:40The room.
04:43Did I make you happy?
04:45Of course you did, and you surprised me.
04:49I hope it was positive.
04:50No, no, you don't ask those stupid questions.
04:53How did you get here so fast? Where did you call me?
04:55From Verona.
04:56Ah, from Verona.
04:57I mean, it's literally an hour and eleven minutes from there.
05:01You took an hour to get here.
05:03Sit down, man, sit down and tell me what you found in Verona.
05:09Do you want coffee?
05:10I do.
05:15I'm asking.
05:16Why are you asking?
05:17Who's asking?
05:25I don't know.
05:30Okay, and what are we going to do now?
05:32This is hell.
05:34For a start, it would be best to turn off the phones.
05:38Can we put those phones down?
05:40I don't want to.
05:41And how are we going to do this?
05:43Come on, take it easy.
05:45This won't last forever.
05:47I wouldn't say so.
05:49I just got a message from Obrica.
05:51And what does it say?
05:52The journalists occupied the entrance to the building.
05:54Horrible.
05:56Obrica and Gala are fighting over it.
05:58Okay, hold on.
05:59What's the matter with you? This is not a war.
06:02I wouldn't say so.
06:04Come on, turn that phone off.
06:06I won't.
06:07How can I do it without a phone?
06:08I don't care. Turn it off.
06:10I won't. It's a consequence of your behavior.
06:13What, it's my fault?
06:15Wait, you're threatening the journalists?
06:17Are you crazy? What's wrong with you?
06:19I just told the idiot to stay in his place.
06:23And he seems to have put you in your place now.
06:26We'll see.
06:27Just tell me, how much did you want to stab him?
06:30That's not serious in the slightest, Andrija.
06:32Jovana, please, don't piss me off.
06:34Please.
06:41Can you turn off the phone?
06:44Thank you.
06:45Girls, is it okay if you leave us alone for a while?
07:15I'm sorry.
07:23Here you go.
07:24Where did you get the cheese?
07:26Pour it out.
07:27What's new?
07:28New? What do you want?
07:30I just wanted to tell you that you're more handsome than the parking manager today.
07:34Who?
07:36Are you kidding me?
07:37What does that mean, the parking manager?
07:40I don't know what it means.
07:42These are stupid jokes.
07:44They're not stupid at all.
07:46Do you know that today the parking manager is more wanted than anything else?
07:50Whoever finds the parking manager right away, he's the winner.
07:53Are you drunk today? What's wrong with you?
07:56I'm fine.
07:58What do you mean?
07:59I was looking for you.
08:00Me?
08:01Yes.
08:02I was asking about your health, Mr. Midov.
08:06And I was asking if this was your place.
08:10Really?
08:11Yes.
08:12What is he going to do? He came here from Vidlice, right?
08:15And there was also Tamburica.
08:19Who?
08:20Miki Tambur.
08:22And he wanted to...
08:24He asked if you sell this brand.
08:28Miki Tambur?
08:29Yes.
08:35Did you see that, Milo?
08:37I didn't.
08:38They all feel that something is wrong.
08:41They're all drunk.
08:44What did Tambur want? Did he offer you some money?
08:48No, because I think...
08:51He doesn't have any.
08:53Where are you guys?
08:55Good day, good day. Happy first day at work.
08:58Uncle Mido.
09:00Trimanović is going to Kosmaj.
09:02He needs to bring the bajadere.
09:06What?
09:07What happened? Why are you looking at me like that?
09:10No, I'm not looking at you. I'm fantastic if you're interested.
09:14And you're going to have to try to be as good as possible today.
09:19Why is that?
09:22You had Ljeposava here. Your ex-wife.
09:25My wife? Ljeposava?
09:27No, mine.
09:28She's not a normal mother. I don't know what she's looking for.
09:31And this is Panchetta.
09:32Listen, I have to see Ljubinka.
09:35I have to finish something. I'll be back soon.
09:37Wait, are you crazy?
09:39What am I supposed to do with your booze if she comes back?
09:43Panchetta, please.
09:45Sit down with her, have a cup of tea, coffee, rakija, whatever you want.
09:49I'll be back soon.
09:50Mido!
09:51Come on!
09:52Mido?
09:53Come back here!
09:55He's running away.
09:57He's running away?
09:58And what does he expect from me now?
10:00If Ljeposava comes back, I'm going to be here,
10:02I'm going to be here, I'm going to be here.
10:04No, no, no.
10:05No, no, no, no.
10:06I won't be able to, Milo.
10:07I won't be able to.
10:08I've been like this for a day, half a day.
10:10I have everything to get rid of you from here like a fucking cat.
10:14What is this?
10:16That's whiskey.
10:17On the account of the house.
10:19That is, on my account, to calm down.
10:21Me, to calm down?
10:22That's it.
10:23Look, Milo.
10:24From Luka's booze in Milan,
10:27I don't like alcohol anymore.
10:30Okay.
10:32What kind of chaos is this?
10:34We'll talk later.
10:45Did you threaten that journalist?
10:48Come on, sit down, please.
10:49I won't sit down, I want you to answer me.
10:51I didn't.
10:52What's all this, Andrija?
10:54Front page, call the journalist,
10:56the journalist in front of the building?
10:58Let's be a little more precise.
11:01I didn't threaten him at first.
11:03But later, he took me out of tact.
11:07He took you out of tact, and you threatened him with demolition.
11:11He was the first to mention demolition.
11:14I ironically said yes.
11:17He answered like that, I don't know.
11:18You ironically told him you were going to demolish the newsroom.
11:21No, that's not irony, that's a threat.
11:23That's a serious threat.
11:24Come on, what am I supposed to do now?
11:25I can't go back.
11:26You've been bothering me a lot lately.
11:28Me?
11:29With what?
11:30With your profile, your position, your age.
11:33You can't allow yourself to behave like that.
11:35I'm telling you, he was reckless.
11:37He was a coward.
11:38And remember, I was warned.
11:41I'm sure I would have knocked him out.
11:44Not better than better.
11:46That would have definitely fixed the situation.
11:48Definitely fixed the situation.
11:50I'm sorry, did you come to bury me?
11:51No, no, I came to help you.
11:53To help me?
11:55Like that?
11:56Listen to me.
11:58Call that Laura.
12:00And see what she said about your close relationship.
12:04I've only heard that woman once in my life.
12:07Looks like it's time for you to hear her a second time.
12:29It's nice what you're doing.
12:31It's nice and humane what you're doing to avoid children.
12:35And I believe it's very hard.
12:37Well, yes.
12:40How's the collection coming along?
12:44How's it going?
12:45It's going...
12:46It's going well.
12:47I'm kidding.
12:48It's going somehow, but...
12:51First, we found that money.
12:53I'll tell you the whole story about money another time.
12:55But that's...
12:56Somehow we got the money.
12:58We found great people for the job.
13:01And then it all turned upside down.
13:03And then it all turned upside down.
13:05For cats and mice.
13:08And how?
13:09Well, when autumn hung its yellow flags.
13:12Yes.
13:14I'm kidding.
13:15When I...
13:18That's how they say it.
13:20When I fell hopelessly in love.
13:27Yes, that was well-known.
13:30And what happened then?
13:32And then the remote control came into being.
13:35So, now we're under public accusation
13:38of demolishing and destroying Milan
13:40instead of sewing Aljina.
13:42I'm like a demolition man.
13:44Demolition man.
13:45I don't know how to say it.
13:46Ragazzi.
13:47Demolition man.
13:49You just have some problems.
13:51Just problems.
13:53This is my main problem.
13:55Please.
13:56Be quiet.
13:58Where are you?
14:00Where are you from?
14:02I was driving for an hour, so I got lost.
14:04Literally for an hour and 11 minutes.
14:06Tell the boys to come.
14:08I'm glad you came.
14:10Maybe you can fix my problematic brother.
14:13There's no help for him.
14:15Do I have to take you out for dinner?
14:17No, I'm taking him for a walk.
14:19I'll see him for dinner.
14:21This is the first normal thing I've heard in 10 days.
14:24But it's better to order that ice cream
14:26and stay in the room.
14:28We should stay in the room.
14:29There's ice cream next to that...
14:31Yeah, there's ice cream,
14:32and there's a paparazzo chasing you,
14:33so it's better to go.
14:34They'll have ice cream here,
14:35which is hard for us.
14:36Okay, we've made a deal.
14:38We'll stay in the room and eat ice cream.
14:40I'm glad I saw you.
14:42Enjoy it, so we don't get bored.
14:44See you.
14:45Bye.
14:50Now I'm going to get a professional haircut.
14:52It's not enough for you.
14:54I know.
14:55I know you well.
14:56It's not enough.
14:59The Menace
15:20Hello?
15:22Hello.
15:23Are we back online?
15:25No, I'm just saying hello.
15:27Good day.
15:28Tell me, Milena.
15:30I'd like to invite you to a drink at the business club.
15:35Well, that's impossible.
15:38Why is it impossible?
15:40You can't invite me to my club.
15:43Only I can invite you.
15:45You're the owner of the business club.
15:47I didn't know that.
15:49Well, now you do.
15:51Do you want to go somewhere else?
15:54The business club at nine.
15:57They'll go right in.
16:27Hello.
16:32Hello.
16:35Who's that?
16:37Andrija Bošnjak.
16:40Hello, Andrija. Who are you?
16:42I just wanted to thank you.
16:44For what?
16:46For the wine and the whole arrangement you made for me.
16:51I'm not sure what you mean.
16:53What do you mean?
16:55Well, you invited me while you were breaking the club with Luka.
16:59I didn't mention you.
17:01Are you sure?
17:04Yes, I'm sure.
17:06Just like I know I didn't demolish the club.
17:09I broke two glasses.
17:16Hello.
17:18Once again, thanks for the wine.
17:23You're welcome.
17:42Let me ask you something.
17:44Does Luka think he's charming?
17:46Obviously not.
17:48The minute he smells the money, he goes wild.
17:50It's not like that at all.
17:53I'm telling you.
17:55Come on, Milo, stop bragging.
17:57Who else breaks clubs?
17:59Except some criminals and spoiled kids.
18:02What's this?
18:04The whole apartment has been moved to Maldives.
18:07It's just that they're not fucked.
18:09Seriously, guys. I need Mido.
18:11Where's Mido? Have you seen him?
18:13Mido ran away from his ex-wife.
18:15She's not happy yet.
18:17Wait.
18:18Where are those pigs without chocolate?
18:21Trivanović must be working.
18:23Where's Trivanović?
18:25Is there anyone left drunk in the apartment?
18:28Why are you so upset?
18:30Let's talk about the stars.
18:33You're not from here.
18:48Hey, Aleksa.
18:50Have you thought about how you're going to deal with this
18:53Lukin chaos?
18:55We've compiled the messages we've sent to Fešavić.
18:59Yeah?
19:01Do you think that's going to help?
19:05I sincerely hope so. I'm still waiting for an answer.
19:08Why are you quiet? Say something.
19:11Why am I quiet? I'm not quiet. I'm here. I'm thinking.
19:14I'm thinking.
19:16One of those, what do you call it,
19:19explanations, warnings, what you wrote,
19:23maybe it'll pass.
19:25But twice? It's hard.
19:27It's hard until our little Luka and Laura
19:31calm down a bit.
19:33You're right.
19:35Although there's one circumstance that could help us.
19:38Yeah? Which one?
19:39What is it?
19:41A monster has appeared.
19:43If that doesn't calm him down, he won't do anything.
19:47A monster?
19:49Where did he come from?
19:53Well, okay.
19:55It's nothing.
19:57Let him remember each other.
19:59She's a good girl.
20:01Maybe it'll be good for this chaos.
20:04I know.
20:06Let's not talk about it.
20:08Okay.
20:21Tell me a bit more about the collection.
20:24The collection...
20:26You know what I'm interested in?
20:28I can tell you, but what are you interested in?
20:30The creations.
20:32Stop.
20:34What do you mean, creations?
20:35I mean, I like them.
20:37I can show them to you later.
20:39Do you like what you do?
20:41I like what I do.
20:43I mean, the job is hard.
20:45It's a bit like this, but...
20:47Okay, every job is hard.
20:49I don't know if every job is hard,
20:51but this one is...
20:53It's dynamic, it's hard,
20:55but I like it.
20:57I think you can't do this without passion.
20:59Luka, you got a great opportunity.
21:01Well...
21:02Yes.
21:04I'm happy because of you.
21:06I'm happy because of you.
21:08You think you're happy because of me,
21:10but I'm happy because of you.
21:12We got a great opportunity,
21:14we got a serious contract.
21:16And then we seriously thought about it,
21:18and invested that contract,
21:20everything we got,
21:22and since we have love and passion,
21:24we invested everything in this,
21:26and we want to make sure this is good.
21:28And what about the scandal?
21:30I don't know.
21:32If everything is as you say,
21:34then...
21:36I don't know why I don't dedicate myself to work.
21:38Well, I mean...
21:41I didn't...
21:43Why do you need that?
21:45I can't explain.
21:47I just can't.
21:49Those are some of my weaknesses that I'm learning,
21:51and that's how it is.
21:53Well, you can't let them rule you.
21:56Okay, Senika,
21:58I'll accept your advice.
22:00You can't let them rule me.
22:02I'll introduce you to Laura,
22:04and you can let them do whatever you want.
22:06You don't have to.
22:08I have to.
22:10You don't have to.
22:12I mean, you really don't have to.
22:14He's a bit too reliable for my taste.
22:16Then you should hang out like this.
22:18You know what?
22:20When it comes to taste,
22:22I've eaten everything,
22:24and you have chocolate,
22:26give me some.
22:28You can't eat everything.
22:30Give me some chocolate.
22:32You're a dog.
22:34You know what?
22:36Your friend, Laura,
22:38she's the same way.
22:40You can't eat everything.
22:42Are you crazy?
22:44You have to...
22:46Give me some chocolate.
22:48Give me some chocolate.
22:50Let's go.
22:52Let's go.
22:56Come on, eat.
22:59Let's go.
23:02Let's go.
23:17Hello, Mido.
23:19How are you?
23:21Where are you, Miki?
23:23Sit down, please.
23:25I want to pay this bill.
23:27This?
23:29No.
23:30The point is,
23:32as a guest,
23:34I pay the host.
23:36If you want to take me somewhere,
23:38I don't mind,
23:40but some other time,
23:42some other place.
23:44I pay here.
23:46I love people with a firm attitude,
23:48like yours.
23:50Thank you.
23:52What's new?
23:54I wanted to tell you something
23:56about Nebojsa.
23:58Nebojsa and I
24:00don't always get along,
24:02so I wanted to ask you
24:04not to mention her.
24:06That we used to sit together,
24:08talk, hang out.
24:10Oh, that.
24:12Don't worry.
24:14I noticed
24:16the tension between you two.
24:18Miki, that's normal.
24:20I'm a parent, I know what it's like.
24:22But it'll get better.
24:24You'll get through it.
24:26Believe me.
24:27The best thing to do
24:29is to have a full stomach.
24:31Please, order something to eat.
24:33I can't eat on my own.
24:35Come on.
24:47You know what I'm interested in?
24:49You tell me
24:51what the astrological aspects are
24:53when it comes to the cooperation
24:55between Maldives and Piano.
24:57I don't know anything else.
24:59What are you talking about?
25:01She's crazy about tracers.
25:03You found something to tell me.
25:05We have a dominant line here
25:07that says
25:09if Leposava moves to Belgrade,
25:11all of us from Belgrade
25:13will move to Kosmaj.
25:15Is that right, Mrvica?
25:17Is that what it means?
25:20Who told you to move to Belgrade?
25:22I don't think...
25:24I see you all agreed,
25:25so I thought I should help out.
25:27You're helping out
25:29because you're on my account.
25:31Okay, Leposava.
25:33Why do you keep dragging it out?
25:35Why don't you just have fun?
25:37I didn't ask you anything.
25:39Mile, where's Mido?
25:41I don't know.
25:43He didn't give me any notice
25:45or a word.
25:47Is he with Panchetta?
25:49No, she's alone at home.
25:51Maybe she's sleeping.
25:53Okay, he's moving.
25:55Hurry, hurry.
25:57That's a good conclusion.
25:59Maybe he's in Fejm
26:01with a certain Miki Tambur
26:03that I know well.
26:05Where's that place?
26:07Two streets down, one traffic light, two roads.
26:09Two streets down.
26:12Oh,
26:14what a tough woman.
26:16She was so far away.
26:18Okay, she's leaving.
26:20Yes.
26:22Okay.
26:25Okay.
26:32Nego,
26:34Miki,
26:36can I ask you something?
26:38Can you explain to me
26:40how it all works?
26:43Here's the thing.
26:46In the city,
26:48in good places,
26:50there are a few
26:52small business areas.
26:53Miki,
26:55I need a cafe.
26:57I know what you need.
26:59I know why you work for Maldives.
27:01But look,
27:03this is the future.
27:05Believe me.
27:07Think about it.
27:09You know I'm always at the source of information.
27:11Okay, I understand that.
27:13But,
27:15I don't understand
27:17how that business plan works.
27:19Do you understand?
27:20Some things are not clear.
27:22Here's the thing.
27:24It's a trend in Belgrade
27:26to have a few small restaurants
27:28to order food.
27:30Now, imagine that instead of
27:32one big restaurant
27:34where you'll save a lot of money,
27:36you have a few small restaurants.
27:38That's how it works.
27:40So,
27:42a few small restaurants
27:44to order your phenomenal food.
27:46Minimum investment,
27:47at least 20.
27:49Just a little.
27:51It makes sense.
27:53That's the job.
27:55Think about it.
27:57Mido.
27:59Miki.
28:01My wife.
28:03My ex-wife.
28:05Miki.
28:07That's what I thought.
28:09What's her name?
28:11Leposava.
28:13Nice to meet you, Miki.
28:15Miki Tambura.
28:17Mido, let's go.
28:19We have to go to Kosmaj.
28:21Okay, Leposava, let's go.
28:23Take it easy.
28:25Just pay the bill.
28:27Please.
28:32Hi.
28:34Guess what I have for you.
28:36What? I hope it's good news.
28:38Great news,
28:40but you'll never guess what it is.
28:42I won't even guess.
28:44Okay, okay.
28:45What?
28:47Wait, where did that come from?
28:49Well, she's in Italy,
28:51and these guys heard about it.
28:53That's phenomenal.
28:55It's like she knew exactly when it was going to happen.
29:08Is it possible for you to wash the dishes in the hotel room?
29:11I wash the dishes because this is my room.
29:13My room.
29:15You wash the dishes,
29:17and I do the dishes.
29:19I agree.
29:21I'm sorry.
29:23Did you know that you and I tried two things?
29:25What?
29:27What's what?
29:29What did we try?
29:31Tell me, what did we try?
29:33I don't know.
29:35You don't know what we tried?
29:37We tried to...
29:39Well, maybe it just wasn't the right time.
29:45I don't know.
29:54Where are you all from?
29:57I know I'm here.
29:59I know I'm in Belgrade, if you really want to know.
30:02You know, huh?
30:04That's why you stayed without Bayadere's order.
30:06Because it's all locked up there.
30:08You can't take anything.
30:15You can't take anything.
30:24Aha.
30:26So,
30:28you want to stop
30:30the psychotherapy with me?
30:34This is not psychotherapy anymore.
30:37Then what is it?
30:39It's turning into a private meeting, isn't it?
30:41But,
30:43it helps me.
30:56These are the rules
30:58of life and competition.
31:01You know, they all come to Belgrade
31:04to get rich, you know.
31:07But it's not really about money.
31:08They have to share something with us.
31:11Domorocin, right?
31:24Who is she to you?
31:26Why are you acting like that?
31:28How am I acting? I'm asking you nicely, who is she to you?
31:31She's my friend, as they say.
31:33She's a monster.
31:35She's a monster.
31:36She's my friend, as they say.
31:38She's a monster.
31:40She's very dear to me.
31:42We had some moments together in the past.
31:47That's it.
32:01When is the next therapy with Milena?
32:04I won't go to her anymore.
32:07Why?
32:10Because she didn't realize?
32:13Well, it's simple.
32:15She won't go.
32:30He kissed you.
32:32There was no other way for him to do it.
32:33I'm telling you the truth.
32:35I'm telling you the truth.
32:37I'm telling you the truth.
32:39Who initiated that kiss? You or him?
32:42I'm telling you, he did.
32:44Are you sure?
32:59Voice tabloid.
33:00Voice tabloid.
33:03Please, give me the manager, Kostu Zeljkovic.
33:06Tell him that Andrija Bošnjak wants to talk to him.
33:12Andrija Bošnjak? Where are you from?
33:14Yes, it's me.