Igra sudbine 1150 Epizoda - Igra sudbine 1150 Epizoda

  • 3 months ago
Igra sudbine, Epizoda 1151,Igra sudbine 1150 ,Igra sudbine 1151,Igra sudbine Epizoda 1150, Igra sudbine Epizoda 1151,Epizoda 1150 Igra sudbine ,Epizoda 1151 Igra sudbine

Category

📺
TV
Transcript
00:00What?
00:01I hope it's some good news.
00:03Great news, but you'll never guess what it is.
00:06I won't even guess it, at least tell me.
00:08Okay, okay.
00:09Zvrk is at Luka's.
00:11What?
00:12Uh-huh.
00:13Wait, where did that come from?
00:15Well, it's the same in Italy.
00:16They've heard each other, and...
00:18Well, that's phenomenal.
00:20That's great.
00:21That's great.
00:22That's great.
00:23That's great.
00:24That's great.
00:25That's great.
00:26That's great.
00:27That's great.
00:28Well, that's phenomenal.
00:30It's like she knew exactly when to come.
00:33Yeah.
00:34Wait, do you think something will happen between them?
00:36Well, I honestly hope so.
00:38Now, considering how chaotic it is, that would be phenomenal.
00:41Yeah.
00:42God, I hope so too.
00:45Well, let's hope so.
00:46Let's hope so.
00:47What's wrong with you?
00:49I don't know.
00:50Come on, a little more.
00:51A little more.
00:52That's too little.
00:53Nice, rub it in.
00:54Yeah.
00:55I'm kidding.
00:56It's good.
00:57It's good.
01:01That's a different story.
01:05Can you wash the dishes in the hotel room?
01:08I wash the dishes because this is my room.
01:10My room.
01:11My room.
01:12And then there are my dishes, and then I wash the dishes.
01:15You should.
01:16I agree, actually.
01:17Yes.
01:18I'm sorry.
01:19You know what?
01:20Do you know that there are two attempts between us?
01:22What?
01:23What, what?
01:24What?
01:25What did I try?
01:26Come on, tell me, what did I try?
01:28I don't know.
01:29You don't know what I tried?
01:31Oh, no.
01:33Oh, no.
01:34Beat him.
01:36Four and two.
01:38Four and two.
01:44I lived for this.
01:46God, I'm so happy.
01:49Agica.
01:51Ask him.
01:52He wants to be your mom.
01:54Ask him.
01:55Who do I love the most in the world?
01:57What?
01:58I think it's Razvojc.
01:59Huh?
02:00Razvojc.
02:01Okay, one more.
02:02Come on.
02:04Okay, this time I can tell you.
02:09I'll tell you.
02:10I'll tell you.
02:11You made me forget all my dreams.
02:13Yes, you made me heal all my wounds.
02:18And that I have what I need the most again.
02:21I have a family.
02:23Are we really going to be a family?
02:26We are already a family.
02:28Look now.
02:30Oops.
02:32I'm sorry, please.
02:33I had some obligations and I had to tell you that.
02:35No.
02:36You're completely crazy.
02:37Come on, completely.
02:38Well, that's why you love me completely.
02:40Okay, it's not just because.
02:42Do you have anything else?
02:43I mean, do you have anything else besides Agica?
02:46Well, there is.
02:48Because you're a great man.
02:50Just that?
02:51What, my advanced Serbian beauty?
02:53Yeah, you know how much of that I have?
02:55How much?
02:56This much.
02:57There's so little.
02:58Do you hear her?
02:59Do you hear her?
03:00For no reason.
03:01Let's be honest now.
03:02Are you happy that you and your dad are getting married?
03:06Well, yes.
03:07Yes, so there's nothing.
03:08Here.
03:09The judge said, he's in charge here.
03:10It's time for the wedding.
03:12I just have to finish another formality.
03:16We tried to...
03:17Well, actually, maybe it just wasn't the right time.
03:21I think that's the main thing now.
03:23It wasn't the right time, and that's why it didn't work out.
03:26Either that, or you always looked at me like a friend.
03:29I looked at you like a friend?
03:30What the hell are you talking about?
03:32I don't know where I saw you.
03:33Here's how.
03:34How did I look at you?
03:35I looked at you completely like a non-friend.
03:36I looked at you completely differently.
03:37No, let it be.
03:38Let it be.
03:39It wasn't the right time.
03:40Okay, I agree.
03:41Well, you know what?
03:42You know what?
03:43It's rare for a girl to boast that she's been trusted twice in her life,
03:47for the same guy,
03:48and never married him.
03:53Are you sorry?
03:54No.
03:56I mean,
03:58who knows why it's so good.
04:00I...
04:03I'm satisfied with my life.
04:06That's nice.
04:07That's nice, I'm glad to hear that.
04:12And...
04:15How are you after everything that happened with...
04:19I'm okay.
04:21I mean, I'm great, really.
04:23Like you said, who knows why it's so good.
04:25Yes.
04:27And Aki?
04:32She's good.
04:34She's growing.
04:36Is she missing you?
04:42A lot.
04:45But okay, you know what?
04:46I mean...
04:48We have to push through what we came here for.
04:50We're here for a reason.
04:52I'm doing all this because of him.
04:54All because of him.
04:56This could change his life.
04:57I want to go back.
04:58I don't want him to think that my dad is a loser.
05:01I want to go back,
05:02and that he has a dad who is a successful businessman.
05:06I agree.
05:09And you?
05:10How did you end up here?
05:12Me? I...
05:13I was waiting for you to come.
05:16I'm speechless.
05:17Yes, this is one of my favorite countries.
05:20And it's really beautiful here.
05:22Beautiful.
05:24Who would've thought we'd meet here?
05:27Yes.
05:30Somehow it turned out...
05:33as if you were closer to me.
05:40I'm sorry.
05:56What can I say?
06:03Where are you all from?
06:06I know I'm here.
06:08I know I'm in Belgrade, if you really want to know.
06:11You know, huh?
06:12I know.
06:13That's why you stayed without Bayadere's recommendation.
06:15Because everything is closed there.
06:17You can't take anything.
06:38I'm sorry.
06:48Hey, Laura.
07:09What's all this about, Milena?
07:17I've decided to stop working with you.
07:21I think it's best if you stop coming to my sessions.
07:39Here you go.
07:40Thank you.
07:41Thank you.
07:42Miki.
07:43We'll see each other again.
07:44We'll see each other again.
07:45I'm glad we met.
07:46Me too.
07:47Come on, Mido.
07:48Hurry up.
07:49Okay, I'm a Pole.
07:50Come on.
07:51I'm not in a race.
07:52We'll catch up.
07:53Where did this Mido come from?
07:56Like every sheep that came to Shishan.
07:59He came from the village of Maograd.
08:09Do you have a girlfriend?
08:11Yes, I do.
08:12This is...
08:13Laura.
08:14I mentioned her to you.
08:15Laura, this is...
08:17This is Zrko.
08:18She's my...
08:19She's a friend from Belgrade.
08:20A friend from Belgrade.
08:21From Belgrade?
08:22Yes.
08:23That's nice.
08:24Where are you from?
08:25I'm in Verona at the moment.
08:27Are you here for work or...
08:28I'm working, yes.
08:29In a program for children and refugees.
08:31That's a kind of humanitarian work, isn't it?
08:34That's nice.
08:35You'll be fine.
08:36I guess that's why you like solidarity and holding hands.
08:42I'll be downstairs in my room if you need me.
08:44See you later.
08:45Okay.
08:46See you.
08:58My God.
09:01It's more dangerous than the photos from the portal.
09:04It's not always like this.
09:05This just happened.
09:06Otherwise, it's not...
09:07I don't believe you.
09:08You don't think so?
09:09Yes.
09:10But...
09:12Anyway, I wouldn't want to make a problem for you.
09:15What problem?
09:18I don't know what you mean.
09:19I mean, because I'm here.
09:21Because she found us here.
09:24I mean, it was obvious that she's not real.
09:26What are you talking about?
09:27What did we find?
09:28Did we do something wrong?
09:29No.
09:30That's it.
09:32Okay.
09:33Where are you going?
09:34I have to go.
09:35It's late.
09:36Because it's late.
09:37I'm begging you.
09:38It's late, yes.
09:39And now you have to go where?
09:40To Verona?
09:41At 11 o'clock.
09:42Literally at 11 o'clock.
09:43Seriously.
09:44I'll take the room here.
09:45If you want, I'll take the room.
09:46A great room.
09:47Luka, I literally have a night train.
09:50And you have to go back to your life.
09:54I know.
09:57Okay, yes.
10:00I would like to see you again.
10:03Yes.
10:05If the opportunity arises.
10:07Yes.
10:32Aha.
10:34So...
10:35Do you want to stop the psychotherapy with me?
10:41This is not psychotherapy anymore.
10:44Then what is it?
10:47It turns into a private meeting, doesn't it?
10:52But it helps me.
10:55Yes.
10:56That's my job.
10:58But what about that non-business part?
11:03Okay.
11:04Like this.
11:06I can apologize for everything that happened.
11:10To take full responsibility for myself.
11:14And to say that that kiss came somehow spontaneously, didn't it?
11:21That's just a phrase.
11:22What does spontaneous mean?
11:26Let's call things by their name.
11:30It didn't happen.
11:32It didn't happen.
11:34We were already in love.
11:37But you didn't realize it, did you?
11:41And then...
11:43Then I had an instinct to help you.
11:47And little by little, little by little...
11:50You felt it.
11:53I'm sorry I didn't realize it.
11:57You don't have to apologize to me.
11:59But I do think that therapy has no purpose anymore.
12:03That's my professional opinion.
12:06Because of one kiss?
12:09Because of many things.
12:12I'm sorry and...
12:14I have to go.
12:29I'm sorry.
12:38You see...
12:43These are the rules of life and competition.
12:49They come to Belgrade to hunt, to get rich.
12:55But it doesn't work like that.
12:57They have to share something with us.
13:00To my parents, right?
13:03Yes, yes.
13:05Did Mido pay for everything?
13:08Yes, he paid and left a nice sum.
13:11It's good when they pay.
13:14Listen to me now.
13:17If this woman who was with Mido shows up again...
13:22According to her...
13:23Maximum love and service.
13:27Is that clear?
13:29I understand, boss.
13:31She's still his...
13:33Top half.
13:40Let's go.
13:54I'm sorry.
14:04Who is it?
14:06It's me.
14:19Did you follow Drugarica?
14:21Yes. What's the problem?
14:23Who is she to you?
14:25Why are you acting like that?
14:27How am I acting? I'm asking you who she is.
14:29She's Drugarica to me.
14:31She's a beast.
14:33She's very dear to me.
14:35We had some moments together in the past.
14:40That's it.
14:42Can I know what moments?
14:44It's the past, so I don't know what's important.
14:46What do you mean?
14:48How did you come here?
14:50How did you get into trouble if it's the past?
14:54I didn't know you were alive.
14:56I didn't know she was coming.
14:58So, I don't know.
15:00So, she came unannounced.
15:02It doesn't seem naive to me.
15:05What do you mean?
15:07Why didn't you introduce me as your girlfriend?
15:10How do you know I didn't introduce you?
15:13I came with her.
15:14We talked about a lot of things.
15:16We ate, we slept, we talked, we hung out.
15:19We didn't hide.
15:21Come on.
15:23I can't believe what you're doing to me.
15:26This is not good at all.
15:28What's wrong?
15:30I think I'm having another anxiety attack.
15:34Is that it?
15:36No.
15:40Are you okay?
15:42Are you going to lie down?
15:45Maybe, yes.
15:47Let's go.
16:06When is the next therapy with Milena?
16:08I won't go to her anymore.
16:09I won't go to her anymore.
16:13Why?
16:15I mean, why?
16:17Is it because she's conscious?
16:19No.
16:21It's simple.
16:23She's not going.
16:25Okay, what did she tell you?
16:27That you gave up?
16:29Nothing.
16:31She just agreed.
16:33Just like that?
16:35I mean, I'm sorry, but I don't know
16:36which psychotherapist would just accept
16:39that a patient stops going to therapy overnight.
16:42She's not going.
16:44What's so strange about that?
16:46I told you before that
16:48I'm not for that psychotherapy.
16:51But, look, she's one of the best.
16:54I mean, she'd probably find a way
16:56to come to you and give you a chance.
16:58Well, she didn't.
17:00What can you do? It happens.
17:04Actually, you know what?
17:07It's easy for me that you're not going to therapy with her anymore.
17:11Really?
17:13Yes, yes.
17:15I mean, look, she can be the best in the world.
17:18It's not normal that you and I go to the same therapist.
17:21And I don't think it's professional
17:23that she agreed to cure a married couple.
17:26Okay.
17:28I like the way you think
17:30and the way you support me.
17:32Well, to be honest, I would never force you.
17:34Thank you.
17:36But it means
17:38that you still want to try.
17:40And that's enough for me.
17:42Have you thought about who you're going to see now?
17:45No.
17:47I haven't thought about that yet.
17:49You're not going to give up completely, are you?
17:52Listen,
17:54I've had enough of those affairs with psychotherapists.
17:57I'm going to take a break
17:59and then I'll think about it.
18:01I'll see what I'm going to do.
18:04Okay.
18:12Cheers.
18:16To you, too.
18:34Hey.
18:50Good morning.
18:52Good morning.
18:54How are you? Did you get over the attack?
18:57I'm better.
18:59Thank God.
19:01Wait, we have to go to work.
19:04What time is it?
19:06We have to go to work.
19:08What's wrong?
19:10We have to go to work.
19:12Do you know what we're going to do
19:14if we don't go to work right away?
19:16Nothing, we're not going to come.
19:18Nothing.
19:20We're going to knock these two out.
19:22We have to go to work.
19:24They can wait,
19:26but I can't.
19:31I can't.
19:50God,
19:52this is terrible.
19:54This doesn't make sense.
19:56I'm a man of manners.
19:57I don't want to be an outcast in a teenage club.
20:01This is terrible.
20:03God forbid.
20:05Give me some water.
20:07If these journalists
20:09continue to camp in front of the building...
20:12I'm more worried about your throat.
20:14You sound like you've been through a lot.
20:16And when you were whistling,
20:18when you let me go,
20:20I was shaking like a brain.
20:22My throat isn't whistling,
20:24it's too fine.
20:25And that Andrija,
20:27I don't know what he is,
20:29he's been whistling so much
20:31that there's a lot of chaos.
20:33Thank you.
20:35We always support the boss of the company
20:37we work for.
20:39I support him.
20:41Bobo, I support him.
20:43Listen, Bobo,
20:45I didn't want to say anything bad,
20:47but the fact is that the entrance is blocked,
20:49no one can come in or out.
20:51And what do we do now?
20:53The last exit is free.
20:55God, what a lunatic.
20:58Hello?
21:00Tabloid Glas.
21:03Please give me the manager,
21:05Kostu Zeljkovic.
21:07Tell him that Andrija Bošnjak wants to talk to him.
21:12Andrija Bošnjak?
21:14Where are you from?
21:16Yes, it's me.
21:18I just want to tell you
21:20that I will sue you
21:22if you don't dismantle the nonsense
21:23that you've been spreading.
21:25The golden rule of tabloid journalism
21:27is not to silence affairs,
21:29but to dismantle them.
21:31And what did you dismantle?
21:33Nothing from what you published is true.
21:35Our sources say it is.
21:37What sources?
21:39I was provoked
21:41by your journalist's nonsense.
21:43How true?
21:45I was on my way,
21:47so I don't know who you called.
21:49You don't know?
21:51What news did you publish?
21:53I'm not used to it.
21:55But how exactly did our journalist present himself?
21:58I can't remember.
22:00Palikuć, something like that.
22:02I'm not sure.
22:04I don't know his last name.
22:06Maybe he doesn't even work here.
22:08How did you publish it
22:10when you don't even know
22:12where the affair comes from?
22:14It's simple.
22:16No newspaper can deny such affairs.
22:18But don't worry.
22:20You will easily dismantle everything.
22:21We will give you a lot of space.
22:23I can't remember
22:25how to dismantle tabloids.
22:27But the news is in the middle of a tabloid scandal.
22:31And it looks like a victim
22:33of a sly deception, unfortunately.
22:35Whose?
22:37I can try to find out the source of the news.
22:39I would be grateful to you.
22:44Palikuć,
22:46you're bluffing,
22:48aren't you?
22:50I'm such a fool.
23:03I'm telling you, it's total chaos.
23:05The journalists have occupied the company.
23:07They're busy interviewing Andrija.
23:09When we're at Andrija's,
23:11I have something to tell you.
23:13What?
23:15He won't come to my therapy anymore.
23:17I knew he would give up.
23:19He didn't give up,
23:21but I gave him up.
23:24Why?
23:28Well...
23:32He kissed me during the session.
23:34What?
23:36How did that happen?
23:39It happened.
23:41I mean, at one point,
23:43I collaborated.
23:45Okay, so you confessed.
23:47You told me.
23:49And...
23:51Then he helped me.
23:54He kissed you.
23:56There was no other way to help you.
23:58I'm telling you the way it happened.
24:01Okay, who initiated that kiss?
24:04You or him?
24:06I'm telling you, him.
24:08Are you sure?
24:11I'm sure, Bobo.
24:13What's wrong with you?
24:15Come on, please.
24:16You didn't confess during the session.
24:34Why are you so quiet today?
24:39I'm thinking.
24:41About what?
24:42I'm thinking about that monkey Luka.
24:46Oh, how he mixed up the water again.
24:50And all for his own loss.
24:54I don't know how to help her.
24:57You don't know, Milan?
24:59You don't know because you don't know the main thing.
25:02You don't know what happened in Milan.
25:04I don't know.
25:06In Milan, Luka was visited by who?
25:10I don't know.
25:12She went to Milan to visit Luka.
25:14Okay, she was always a good girl.
25:17She was always with him.
25:19No, she's not a good girl.
25:21Okay, okay.
25:23You know what?
25:25It all turned out so weird with that girl.
25:29What?
25:31She was sick.
25:33Yes.
25:35I'm sorry.
25:37I don't know if she's alone.
25:39What do you think?
25:41You and Kaja?
25:43No.
25:45No, because I can't find a wife for myself because of the inheritance.
25:52Don't.
25:54What's going on with that?
25:56Nothing's going on with that.
25:58Nothing?
26:00No, until she gets married.
26:02What does Kaja say about that?
26:04I mean, how does she see things?
26:05Well, Kaja is sober, smart, but she understands.
26:12She understands the circus, and she understands that I need money.
26:16Well, if she doesn't give it to you, then where is it?
26:19She won't give it to me because I don't give her dignity.
26:24Dignity.
26:27Yes, Kaja is just like that.
26:30Dignity.
26:32She's a good girl.
26:34Money is money, Mila.
26:36It's stupid to waste it.
26:39Look what people do for money.
26:42Here's Alex and Luke.
26:44They went to Milan for money.
26:46Why would they go to Milan?
26:48It's not the same, Pancic.
26:50They went there because of the memories of the late Ada Kanacki.
26:54Not just for money.
26:56What are you talking about, Mila?
26:58And the glass is in the house.
27:00Yes, it's in the house.
27:01Maybe it is.
27:03Do I have to tell you that?
27:05Oh, my people.
27:07You talk, you know.
27:09So, how does it stand here?
27:12Hey.
27:14Hello.
27:16Hello, people.
27:18What's up?
27:20How are you?
27:22Beauty and the beast.
27:24What?
27:31What?
27:42Bobo.
27:44I need you urgently.
27:46Excuse me, just ten minutes to calm down.
27:49What's wrong?
27:51Nothing, I'm just worried about...
27:53What is it? Are you crying?
27:55Nothing, I just need ten minutes to calm down.
27:58Do you want to tell me what's wrong?
28:01Okay, if you don't want to tell me what's wrong,
28:04then you don't have ten minutes.
28:06Okay? Find another place to settle down.
28:09Okay, you're right.
28:11Are you okay now?
28:13I am.
28:15Okay.
28:17Call that number from your phone.
28:21What do I have to say?
28:23You have to say that you had a missed call from that number
28:27and ask that person to introduce himself to you.
28:31Okay.
28:34Do we understand each other?
28:36It's very important for me to get that person's name.
28:39Okay?
28:41Okay.
28:49Hello?
28:51Good afternoon.
28:53I'm sorry, I had a missed call from this number.
28:57Well, your number seems familiar to me.
29:01I thought maybe my brother changed the number of his phone,
29:04so it was very important to me.
29:07Can I know who I'm talking to?
29:10Thank you. Nice to meet you.
29:15Vito Mirtutic.
29:26Vito Mirtutic.
29:30Honey, you have a couple of days to prove your love to me.
29:34By the way, nothing from my income and money.
29:36That's it. Bye now.
29:38First time.
29:39Here.
29:54It's not my fault that I'm hurting you.
29:57I understand you.
29:59You know, the time has come
30:02that when someone gets a little more money,
30:04everyone tries to get rid of him.
30:06You're right.
30:07Listen, here's what we'll do.
30:09We're coming to Belgrade tomorrow,
30:11so we'll have a nice walk and try out all the places.
30:15Okay.
30:17See you then.
30:19Bye.
30:20Bye.
30:37I'm asking you to be more careful in the future,
30:41because next time it won't be so easy.
30:44Okay.
30:46Let's say goodbye now.
30:47Cheers.
30:49Cheers.
30:51Okay, it's okay.
30:54You.
30:57It's okay.
30:59The owner of the club accused the management of Milano Fashion Week.
31:02I'm sorry.
31:16I was at Milena's.
31:20She told me that she stopped the therapy with you.
31:27How do you know that I was at the therapy?
31:29Milena told me.
31:31You know we're friends.
31:46Nojmka, are you okay?
31:48Yes, I'm okay.
31:50Are you sure?
31:52I'm fine, I'm fine.
31:54Don't worry about me.
31:56Let's just get this over with.
31:58Get some rest, Mom.
32:00Let's go to your room.
32:02I'll take this.
32:04Can you do it yourself?
32:06Yes, yes.
32:08Hold on.
32:09I'll be right back.
32:25You tried to cheat on me,
32:27not to say you're cheating,
32:29but my brain is still working.
32:31How can I cheat on you?
32:34I just want to ask you,
32:36why don't you dress up nicely
32:37and come here to Belgrade?
32:40To Belgrade?
32:42To fly over half the world?
32:44Yes.
32:57Why are you crying?
32:59I don't understand.
33:01I didn't kiss you,
33:03I kissed Milena.
33:05Exactly.
33:07I'm sorry.
33:29Yes, it's me.
33:31Go ahead.
33:33I just got a call for a trial.
33:37I'm sorry.
33:50Andrija, all those women,
33:52all those other women got from you
33:54everything they wanted, and I...
33:56Hey!
33:58Enough!
34:07BELGRADE