Igra sudbine, Epizoda 1148,Igra sudbine 1148 ,Igra sudbine 1149,Igra sudbine Epizoda 1148, Igra sudbine Epizoda 1149,Epizoda 1148 Igra sudbine ,Epizoda 1149 Igra sudbine
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00:00What do you think? Believe me.
00:02Here I am, people.
00:04What did I tell you?
00:06This arrest is killing me.
00:09All day.
00:11Work, work, arrest, arrest, thank you.
00:13Hey, move your hands a little now.
00:15Is it clear to you? First the job, then love.
00:17I was waiting for you.
00:18What did you think?
00:20What do you want? Arrest, arrest, arrest, arrest.
00:22What else do you want to do?
00:23You're not going to lie down and let the money fall on its own like this?
00:26Where have you been?
00:28Where have you been?
00:29I was arrested.
00:30Where have you been, man?
00:31God, all day long.
00:32This is my child.
00:33Wait, I'll pay.
00:34Get out of here.
00:35It was a shame.
00:36You take off your shirt, sit there.
00:37Yes.
00:38I have to, I have to.
00:39I'm arresting, man.
00:40You're arresting.
00:41You're arresting.
00:42Listen to me well.
00:43I called you because of the next thing I'm going to tell you.
00:46Every morning from today you will come from Kosmaj, this Bajadere.
00:52Nice to bring to Belgrade.
00:55Did we understand each other?
00:57Wait, wait, wait.
00:58What's not clear to you?
00:59No, no.
01:00Well, everything.
01:01Because I have, I arrest people, I have my job.
01:04What are you doing?
01:05You're telling me you're not going, aren't you?
01:07How?
01:08You want to, son, you want to.
01:10You want to, you see.
01:12And that's with rotation.
01:13Every day you have to bring them and take them up.
01:17You will be the most wanted inspector in Belgrade.
01:20I gave you that title.
01:23Inspector on Bajadere.
01:25That's right.
01:26Wait, wait.
01:27Okay, people, stop, stop.
01:28Do you understand that I'm the police?
01:30I arrest, I don't bring Bajadere.
01:32I have my job.
01:33People, come on, come on.
01:34What are you doing?
01:35Shake it all.
01:36I'm done with your boss.
01:37Don't be afraid.
01:38Do you have any questions?
01:41We're going to drink.
01:44Okay?
01:45Come on, come on.
01:46You, watch what you do.
01:47And you, daughter, let your phone ring.
01:50Come on.
01:51Come on, what are you looking at?
01:55Bajadere's son.
01:59You see me?
02:00Here you go, here you go, here you go, my Svetlana.
02:02Here you go.
02:03Here you go.
02:04I can't believe there's chocolate here.
02:07This will be a miracle.
02:09We'll break it.
02:10What are you talking about with that chocolate?
02:12They were sweet, salty, salty.
02:14Wonderful.
02:15Sweet, sweet.
02:26I'm listening.
02:35Is this Andrija Bošnjak?
02:38Who is this?
02:39Nikola Žiković, journalists of the daily Glista Voice.
02:42I apologize for the inconvenience.
02:44Where did you get my number and phone number?
02:46Would you answer one question of mine?
02:49I think you are interested.
02:51Let me hear the question first.
02:52Then I'll see if I'm interested.
02:54What is your connection with the fashionable manager from Milan, Lauro Djordjevic?
02:59Nothing in particular.
03:01One of my former companies has rented the space by chance.
03:06What do you mean by that?
03:09I mean exactly what I said.
03:12You rent the last space in the world by chance?
03:16Nothing is by chance for me, but this time it just happened.
03:20What do you mean by calling a close acquaintance with you?
03:25Listen, boy, you're bothering me.
03:29I am responsible for my statements, but not for others'.
03:33That's why I called you.
03:35That woman demolished a football club in Milan.
03:38Did you make her do it?
03:40If it's so easy for you, I did.
03:44I made her do it.
03:48I'm sorry she didn't catch you, too.
03:53I'm such a fool for talking to you.
03:56What was it?
03:58Nothing, some journalist is mistreating me by talking about Laura, about Luka.
04:02Okay, just don't let him provoke you.
04:06Okay.
04:07What did he ask you?
04:08He asked me the same thing as you.
04:11How am I related to Laura.
04:14And what did you tell him?
04:15What's there to tell him?
04:17I have no idea what kind of woman she is.
04:18I mean, I don't know her.
04:19I've never seen her in my life.
04:22Why did she tell that story?
04:24To protect herself from you?
04:35I could eat a whole pig.
04:39I can imagine what you eat.
04:41It's better than chocolate.
04:42I can't anymore.
04:43Carlo!
04:45Hi.
04:46It's good that you came.
04:47The whole team is here.
04:50Wait, what happened?
04:52What happened?
04:53Wait, you didn't hear anything?
04:54What?
04:55No, what's going on?
04:56Luka is on all the portals.
04:58Which portals?
04:59Did he set Milano on fire?
05:01No, he demolished a club drunk.
05:03Let me see.
05:05What's going on?
05:06Oh my.
05:07Look, look, look.
05:09God, he pulled me so hard.
05:11When he did all this, God, I got so much.
05:14Look at this.
05:16I can't take this anymore.
05:18I can't.
05:19I can't.
05:20Ok, ok, calm down.
05:32Do you have any suggestions?
05:34Now you should listen to us.
05:36Ok, you two.
05:37Enough with this blaming.
05:39I mean, really.
05:40Really.
05:41Let's all listen to what Paolo has to say on this topic.
05:45I mean, he has the most experience in these situations.
05:48Thank you, Lenka.
05:51Alex gave a suggestion that I didn't agree with at the beginning.
05:57But now I see that we can't do anything else.
06:02So, we're still going to the media.
06:05He thinks that I'm giving a public apology.
06:08I don't get it.
06:11We're going to make an official document.
06:15As a message to the management at Milan Fashion Week.
06:20Ok, and what are we going to say?
06:23It should be both demands and apologies.
06:28Yeah, except if we didn't honor Laura.
06:30What? I'm sorry for something that someone else did.
06:33It doesn't matter...
06:34Laura!
06:36If you don't honor Fato La Festa, no one would do anything.
06:40And you don't give a statement for the media, but for the agency.
06:43That's right, we have to show the seriousness and business loyalty that protects the fashion week.
06:51I agree.
06:56We should learn from this.
06:58Learn from what? What are you talking about?
07:01We've put together something like this.
07:03Let's hear it.
07:05We are deeply sorry for the events that prevented the organization of Milan Fashion Week
07:11and the appearance of one of the biggest fashion shows in the world.
07:16I'll send you this.
07:18Ok.
07:26Nothing, then. I'm going with Kai.
07:29Come on.
07:30Do you have the keys?
07:31I have everything.
07:32Come on.
07:33Bye, guys.
07:34Bye.
07:35See you.
07:39I can't believe it.
07:40This shook you so much, didn't it?
07:42Not so much.
07:46I want to help him all the time.
07:49He's always making trouble.
07:51I hit him with the slippers, I stand calmly in front of him.
07:54I know.
07:55It doesn't hurt.
07:56I know.
07:57I know.
07:58What are you going to do now?
08:00I don't know.
08:01You can't do anything. He's a grown man.
08:03Let him go.
08:04Who's grown?
08:05Him.
08:06He's not as ugly as Jaslice.
08:09Oh, my dear.
08:13I love that fool as if I had a son.
08:16And I can't help him.
08:18I understand you.
08:19I understand you.
08:20I have the same trouble with my daughter.
08:24That idiot Trivanović is crazy.
08:27I don't know what I'm going to do.
08:29I have everything.
08:30Everything is easy with children.
08:32Easy.
08:33It's easy to talk about what we don't have.
08:36What are we going to do?
08:38Tell me about it.
08:41What's wrong with that guy?
08:51What's wrong with him?
08:54Your father.
08:57Mido?
08:59No.
09:00Bogdan.
09:02Ljubinka.
09:03Mido.
09:04Yeah, man, I feel like I'm being tortured, like I'm an alien, you know?
09:13I mean, what is this?
09:16Why are you here, if you're not working?
09:20What do you think?
09:23I'm here to be a lover in the name of the people, you know?
09:29You know? And that.
09:31I'm not here to be a fool, you know?
09:34Listen, Mido entrusted you with this important task, because he values you.
09:39He values me?
09:41To transport piglets?
09:43No, what are you laughing at? I'm serious.
09:45Then tell him to value me a little less, please, do me a favor.
09:48I think you got it tragically, believe me.
09:51Believe me, Ljubinka.
09:53Ljubinka, I'm telling you, it's not about that.
09:57I won't have time for you and me.
10:00Every morning I go there, I take, then I'm a policeman, then I'm a transporter, then I'm...
10:05I don't know what I become, you know?
10:08All day long. And where are you here, where are we here?
10:13Well, I know you don't like it, but I'm happy about it.
10:27It's not easy with children, but it's not easy for me with adults.
10:32My God, Pančet, we both know that.
10:37Let's take Mido as an example of my husband, Tikomir.
10:42Your husband?
10:43Him.
10:44We'll throw him on the carpet now.
10:46We will.
10:47Because now we're transporting him.
10:49Him.
10:50He's hanging out there, right?
10:52In exotic destinations, in the program of a protected witness.
10:57Really?
10:58He's protected like a polar bear.
11:01And what am I?
11:02No one will protect me.
11:04That's what I'm asking.
11:06Everything as if it's coming, everything as if it's coming.
11:09He's just looking for a reason not to have it.
11:11But because he's transferring, because he doesn't like it, he knows.
11:16Right? He knows.
11:17And you, Marica Rintaj.
11:19He's mad.
11:20He's mad.
11:21He's mad.
11:22He's mad because I'm working with you.
11:26Look at him.
11:28It was a shame.
11:29It was a shame.
11:30Come on, his name is Mileta, so he's mad at him.
11:33Imagine.
11:34Why doesn't he call me?
11:36Why doesn't he tell me?
11:38He won't.
11:39You hear?
11:41Look, Pančet.
11:43I'm begging you.
11:44Something came to my mind.
11:46Come on, listen.
11:47I'm seriously asking you.
11:48Could I, for example, invest in that program for the protection of witnesses?
11:55Come on, I'm begging you.
11:56Look, if you have a chance,
11:58look, so that I don't have to think about it any longer,
12:01so that I can rest a little longer.
12:03Believe me.
12:04Help me, I'll pay for everything.
12:08Don't laugh at me.
12:09Come on, let me go.
12:10We've already started talking later.
12:12It's time to go.
12:14Come on, Vajrond.
12:16You're right.
12:17Come on, let's have another drink and go.
12:18I have to find my scissors.
12:19No, where did she go with that idiot Trivanović?
12:24Easy.
12:25How are we going to wrap his neck?
12:27You have no idea.
12:28Come on, take it easy.
12:29Come on.
12:30Easy.
12:31Come on, see you.
12:47NIGHT
13:06Is that you?
13:07How could you?
13:08How could I what?
13:09How could you stand on the side of Paul and Aleks?
13:11I stood on their side because they were right.
13:14Why were they right?
13:15Yes, we have to look at the situation and we have to apologize.
13:18Why, Luka? A couple of broken glasses?
13:20That's not a reason for arrest. I mean, whoever did it.
13:23Laura, it's not a reason for arrest, I agree.
13:25But since we can't find out who put us there,
13:28then we have to get the best out of this situation.
13:30But how can't you understand that if we give a notice to the management,
13:33we admit a mistake?
13:34Okay, please, justice aside.
13:36We have to lower the ball and show humility.
13:39Fuck it, we threw it and that's it.
13:41I didn't.
13:42I'm not ashamed of you.
13:44I'm not ashamed of you. What are we going to do now?
13:47Maybe you're not ashamed of me, but you're turning me down.
13:49Who's turning you down? What are you talking about?
13:51Come on, sit down. Here's your tea. Let's have a nice cup of tea.
13:54You betrayed me.
13:56How did I betray you? Laura, wait!
14:05What are you doing?
14:14What are you doing?
14:34Andrija, what is this?
14:36I don't know, something stupid. What is it?
14:41Look what's going on here.
14:45Come on, calm down.
14:47What is it? Why are you so nervous?
14:50How can we calm down? What are we going to do?
15:04You can't believe how I pulled him.
15:07Yes, it's strange to me, because he usually doesn't give any statements
15:11to the media, journalists, nothing.
15:13He made me a journalist of the daily newspaper Glas,
15:17not to be a tabloid, you know.
15:19Congratulations, so he believed, he believed the story.
15:22You can't believe how easy it was.
15:24Yes.
15:25Bravo, maestro, that's it.
15:27What's not clear to me?
15:29How is it possible that such an experienced man
15:31doesn't fail on Mestalka?
15:33Because he's untouchable.
15:36He thinks everything is possible, you know,
15:38that no one can do anything to him.
15:40Arrogance, my dear, ego.
15:42Bravo, you knew which card to play, bravo.
15:46Arrogance is your best field for deception.
15:49That's right.
15:52Listen, now you go.
15:53Yes, I will.
15:55THE CALL
16:11Oh, Kostya.
16:12THE CALL
16:23Ljork?
16:24Where are you?
16:25Here I am.
16:26What do you mean, here I am, man?
16:28You're not a hundred years old.
16:29Where are you, how are you?
16:30I'm fine, and you?
16:32Well, I'm...
16:34I'm just OK.
16:36Aha.
16:37And where are you calling me at this moment?
16:41Well, Luka, you were with me when I had problems,
16:44when I was in treatment after the transfer.
16:47Well, OK, wait, don't call me just because you feel you owe me.
16:51It's not just that.
16:54Yes, OK, OK.
16:56What's important now, and what's most important,
16:58is that your statement went well, and that it ended well.
17:03Well, it wouldn't end well if someone didn't pay.
17:07And I never asked who it was.
17:10Well, that's what I wanted to tell you.
17:12Thank you, and I appreciate that.
17:14But, um, where are you?
17:17Well, here, next to the table, I'm just walking.
17:21They say, it's written on the clock,
17:23I have to make 10,000 steps a day,
17:25and then I'm walking all day.
17:27Where are you?
17:29Well, I'm...
17:31I'm here, somewhere near Milan.
17:34In Lombardy.
17:37How did you...?
17:41Hello?
17:42Hello?
17:43Hello?
17:44Hello, are you there? I mean, I'm here.
17:47Can you hear me?
17:49Yes, yes, yes, you say you're close to Milan,
17:52so, close to Milan, in Italy, yes, in Italy.
17:56OK.
17:58Well, you know, I'd love to see you, but...
18:01But...
18:03I'm in such trouble, I don't know how to remember.
18:07I'm not going to ask you anything about details,
18:10I just wanted to let you know, and...
18:14I'm here for you.
18:17Well, thank you.
18:18Thank you, it means a lot to me.
18:21THE INCIDENT
18:30You know, Andrej told me a pretty straightforward story
18:33about the incident that happened.
18:38About the incident?
18:39Yes.
18:43Remind me.
18:45Well, that you didn't realize.
18:48Oh, that!
18:50It was nothing special. Everything's fine.
18:53What do you mean, nothing special?
18:56I mean, he told me he'd come and help,
18:59but he's talking about it as if it happens every day,
19:02as if it's a normal thing.
19:05Well, it's uncomfortable that it happened in the office,
19:08but it's great that someone was there, right?
19:12And that's exactly Andrej.
19:14I couldn't, God forbid, be alone, right?
19:17Well, yes.
19:19Andrej did something nice behind your back.
19:22Well, I guess it's expected from a man.
19:25It would be strange if he didn't do anything.
19:27I know, that's true.
19:29But he could have called for emergency help,
19:31instead of playing the savior.
19:35Yes, you're right.
19:38You know what the problem is?
19:40This isn't the first time.
19:42He's doing it all the time.
19:44As if he has a constant need to save women.
19:48That's the perfect topic for a session for him.
19:54You're right.
19:56You just don't want to fall into unconsciousness.
20:01He told me you were talking about
20:04female ungratefulness.
20:07Una,
20:09I advised you not to overdo the sessions.
20:13He told me himself.
20:15And that's that.
20:17I'm not going to explain further.
20:19Okay.
20:23Tell me, what's new in terms of sex?
20:28If you ask me,
20:30there's nothing new.
20:36Yes.
20:43I'm sorry.
20:59Where's Mido?
21:01I don't know.
21:03And you?
21:05How long have you been here?
21:07You Maldives are a bunch of ruffians.
21:09I don't know what the hell Mido is doing in this bar.
21:12Maybe he saw the style.
21:14And the friendship that rules here.
21:17Friendship with Panchetta.
21:19I'm sure of that.
21:21What do you want?
21:23To tell me when Panchetta comes to the bar.
21:25At noon. Why?
21:27He's definitely coming with Mido.
21:29You can't tell anyone I'm here.
21:32I have to find out what they're up to.
21:36Do you threaten everyone?
21:39Only those who depend on me.
21:43Well, no one here depends on you.
21:46So, what do you want?
21:48In this hole you call a cafe,
21:51you're all moneyless.
21:53And I bring money, so you depend on me.
21:56Mido brings the money, not you.
21:58Just call me again and you'll see whose money it is.
22:02Now make me a cup of coffee.
22:04Don't be too smart.
22:06Okay.
22:13I still don't know how we got to the point
22:17where sex is a matter of domination.
22:22That's nice.
22:24Andrej is a dominant man,
22:27and I want to balance him.
22:29On what plan?
22:31On every plan.
22:33I just want to be fair.
22:35How exactly?
22:37Why is it so strange?
22:39I live in the 21st century.
22:41Women have managed to fight for some rights.
22:44That's true.
22:46But you're Andrej Bošnjak's wife,
22:49so I'm asking how.
22:52Do you think it's impossible to compete with him?
22:56I'm not sure I like the word competition in this context.
23:01Me neither.
23:03But that's reality.
23:06So?
23:08What are you planning?
23:10How many women, companies, and how much money do you need?
23:15For starters,
23:18I don't have any.
23:21And?
23:23It doesn't look like it's going to change.
23:28I see I'm going to be overwhelmed after this session.
23:32Okay.
23:33Let's turn things around.
23:36Do you think Andrija's dominance is measured by his money and his companies?
23:42No.
23:44I mean, that's the majority of his life.
23:47He's been focused on that all his life,
23:50and the fact is that without all that, he wouldn't have had self-confidence.
23:54There.
23:55Maybe that's a more concrete word.
23:57Self-confidence.
23:59Maybe we should work on that.
24:01Well, we don't really have the material to talk about self-confidence.
24:05Every woman can win.
24:08Women's power.
24:10What do you mean by that?
24:14Leadership.
24:16Men's understanding.
24:18That's where women's strength lies,
24:21which a man can get from everything.
24:27Maybe there's a tiny chance
24:30that I'm not going to be overwhelmed after this session.
24:44You don't like this coffee.
24:47No one's ever complained.
24:50Because they don't have the same taste as I do.
24:53So, who's the owner of Maldives, Pancetta?
24:58Come on, say something.
25:01The owners of this place are Aleks and a certain Luka.
25:07But Pancetta raised them from a young age,
25:11and you can't understand that, it's a long story.
25:14Pancetta is responsible for everything.
25:16And where are Luka and Aleks?
25:19They're in Milan.
25:23And where's Pancetta's husband?
25:25He's in Milan, too. No, he's not in Milan.
25:28He's abroad.
25:30Bravo for Pancetta, he's got them all.
25:33Maybe that's how it works, but it's not like that at all.
25:37You have no idea, little one.
25:39Everything works the way it does.
25:43Listen, I'm going now.
25:46Thank you.
25:47Don't even say I'm here, otherwise...
25:57Of course not.
25:58I have to tell everyone you were here.
26:05I think men and women will never fully understand each other.
26:09Why?
26:10Because, first of all, men's solidarity is much stronger
26:13than the domination we've been talking about for a long time.
26:17Sorry, it's Boba.
26:19I wouldn't say it's not urgent.
26:21It's OK.
26:22Hello?
26:23I can't, I'm on a meeting.
26:26Just this.
26:27Look at the link I sent you.
26:43Hello.
27:01Good day, sir.
27:13Good day.
27:23What is it?
27:33I told you I'm close.
27:38This is what I'm talking about.
27:41A classic demonstration of power.
27:43Almost a rapist.
27:46OK.
27:47Let's not exaggerate.
27:49You know what kind of journalists are.
27:51They tell the story, the better the title, the better the sales.
27:55I wouldn't be surprised if they didn't exaggerate this time.
27:59I honestly think the journalist cheated on Andrija,
28:02and then provoked him.
28:12OK, and what are we going to do now?
28:14This is hell.
28:16For a start, it would be best to turn off the phones.
28:20Boba, put my phone down.
28:22OK.
28:23How are we going to do this?
28:25Take it easy.
28:26This won't last forever.
28:28I wouldn't say so.
28:30I just got a message from Dobrica.
28:32What does it say?
28:33Journalists have occupied the entrance to the building.
28:36Horrible.
28:37Journalists have occupied the entrance to the building.
28:40Horrible.
28:41Dobrica and Gala are dealing with him.
28:56With whom?
28:57What are you talking about?
28:59What does that mean, boss?
29:02What do you mean?
29:04These are stupid traffic lights.
29:06They're not traffic lights at all.
29:08Do you know that today parking is more important than anything?
29:11Whoever finds the parking lot first, he wins.
29:14Do you have shoes today?
29:16What's wrong with you?
29:18I'm fine.
29:30They're going to the apartment.
29:32They're going to the apartment.
29:36First we found the money.
29:38I'll tell you about the money next time.
29:41We somehow found the money.
29:43We found great people for the job.
29:46And then everything turned upside down.
29:48And then everything turned upside down.
30:03Hello?
30:05Good afternoon.
30:07Did we come back to you?
30:09No, I'm just saying good afternoon.
30:12Tell me, Milena.
30:14I'd like to invite you to a drink at the business club.
30:19That's impossible.
30:21Why is it impossible?
30:33Hey, Alexa.
30:35Have you thought about how you're going to solve this look-in-house?
30:40We've put together the messages we've sent Fashion Week.
30:44Yeah?
30:46Do you think it's going to be good?
30:49I sincerely hope so.
30:51I'm still waiting for an answer.
31:03Hello, Mido. How are you?
31:05Where are you, Miki?
31:07Come on, sit down, please.
31:09I want to pay this bill.
31:11Can I?
31:12This?
31:13No.
31:14My son paid for lunch yesterday.
31:16I'll bring it today.
31:18My custom is to pay for the host's lunch as a guest.
31:32I see you're all here.
31:34I thought I could help you.
31:37You're helping me by taking my money.
31:40I'm glad you're here.
31:42Why do you keep asking for money?
31:44Why don't you come and have a drink with us?
31:47Shut up. I didn't ask you anything.
31:49Milena.
31:50Where's Mido?
32:02Hello.
32:04Who's that?
32:06Andrija Bošnjak.
32:08Hi, Andrija. How can I help you?
32:11I just wanted to say thank you.
32:14For what?
32:32You