Igra sudbine, Epizoda 1146,Igra sudbine 1146 ,Igra sudbine 1147,Igra sudbine Epizoda 1146, Igra sudbine Epizoda 1147,Epizoda 1146 Igra sudbine ,Epizoda 1147 Igra sudbine
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00:00We'll see you in a bit.
00:13It's not ringing.
00:15We're wasting our time on that phone.
00:17It's off and won't turn up. That's it.
00:20But it's so fucked up that it's fucked up
00:25more than I ever thought. I can't believe it.
00:27We have to find another solution to convince her.
00:32You think we're cheating on her?
00:35That's what you think.
00:37No, no, no. Wait, wait. You know what I was thinking?
00:39I was thinking that maybe it's a better solution
00:43to overcome our fear and really get married.
00:48I'm for that.
00:50Really?
00:51Yes.
00:52But I think that's the hardest option
00:55and that we need to come up with a better solution.
00:58Yes, yes, you're right.
01:00We need to come up with a better solution.
01:02Hey!
01:03Hey!
01:04Hi!
01:05My dear!
01:07Hey, man!
01:09Hey, man!
01:10I think you have a visitor.
01:12Let's go.
01:14What's up?
01:15Listen.
01:16I heard about my aunt from Australia.
01:20She's rich and has a lot of money.
01:22I think I should inherit a lot of money from her.
01:26But she's looking for some additional information
01:30and she's a bit of a snitch.
01:32Really?
01:33And you know what?
01:35I suggest you call her and tell her
01:38that you're a friend of Mileta Kupus.
01:40Don't call her Kupus. She doesn't know me.
01:43And tell her that you're her friend
01:46and that we're getting married.
01:50It's a Montenegrin trick, you know?
01:53She's yours.
01:54I don't believe it.
01:56She can, but she's 10% mine.
02:023%, that's a lot.
02:0315%.
02:045%.
02:0710%.
02:08Okay.
02:14Come on, let's go.
02:16We're wasting time.
02:20I'm sorry.
02:30Hello, Senka.
02:31Hello.
02:33Are you working?
02:34As always.
02:36I won't keep you long.
02:38I just need some information.
02:40Go ahead.
02:42Did you check the Belgrade Apartments company?
02:46Yes.
02:47Why are you interested?
02:49Is that information accurate?
02:51It is.
02:52Did you do it on Andrija's orders?
02:55Of course, I always do it on his orders.
02:58Is that okay?
03:01You came to tell me that it's okay
03:03that I do it on my boss's orders, right?
03:06You're lucky.
03:08I hope so.
03:10But in the next period,
03:12he'll need your full assistance
03:14and your blind loyalty.
03:16What do you want to tell me?
03:19I want to tell you that arrogance
03:21is the beginning of the end of all great people, Senka.
03:24What exactly is the connection
03:26between your great wisdom and this story?
03:29Oh, there is.
03:31Andrija has always been arrogant,
03:33especially lately.
03:36There.
03:37That's all, Senka.
03:39Thank you.
03:40You're welcome.
03:46Hello.
03:53Hello.
03:55Andrija, Jovana was at the office just now.
03:57What did she want?
03:58She acted strangely.
03:59I think she tried to threaten her.
04:01Do you have any idea what's going on?
04:03Senka, how many times have I told you
04:05not to pay attention to minor provocations?
04:08It didn't seem that way to me.
04:10It always seems that way.
04:11Sorry, I have to go.
04:13I'm leaving the office.
04:15All right.
04:28Hello.
04:29Hello.
04:30Hello.
04:31Hello, auntie.
04:35Melania.
04:36Good afternoon, auntie Melania.
04:38This is Nenad Seljanovic.
04:41Milo, it's Kuma.
04:43He's waiting.
04:45What are you waiting for, Kuma?
04:47We're waiting...
04:49We're waiting for the wedding.
04:51We're waiting for the wedding, auntie.
04:53But before we get him married,
04:56Milo has to pay me back the debt.
05:01We heard that it will be
05:03that money from the inheritance.
05:05So if we can somehow finish it,
05:08so he can pay me back that money.
05:10Then we'll wait another six months.
05:13I would wait, auntie.
05:16I would wait.
05:17Who would I wait for if not for Kuma?
05:19Kuma is not a debt.
05:21But auntie...
05:25I owe money, auntie,
05:28to these Zelenas.
05:31Zelenas, auntie.
05:33They are dangerous guys.
05:35They threaten me.
05:37They sent me to jail, believe me.
05:40They want to cut off my fingers.
05:43And I'm sorry for my fingers.
05:45I'm sorry because I'm a pianist, auntie.
05:49You're taking my money.
05:54Money, auntie...
05:56We were thinking,
05:58who would it be if not for auntie?
06:00Right?
06:01Aunties are kind.
06:03Aunties are gold.
06:04Aunties are angels.
06:06Me, my auntie.
06:08Let me tell you.
06:10My auntie raised me.
06:12She raised me from a kilo of meat.
06:15When I was little,
06:17she gave me everything.
06:19She gave me money,
06:20even when I didn't have any.
06:22She bought me...
06:23First, she bought me food.
06:25She bought me a car.
06:28She gave me everything, auntie.
06:31And she took me everywhere.
06:34She took me to weddings.
06:37She took me to funerals.
06:39She took me to baptisms.
06:41She took me to all kinds of funerals.
06:44Thanks to my auntie.
06:47I'm so glad for your auntie and you.
06:50When she's so good,
06:51let her repay your debt
06:53until Mila gets married.
06:55Hello?
06:57Hello?
06:58No.
06:59Auntie...
07:00She's calling me.
07:02She's so angry.
07:05You can't talk to her like that.
07:08What happened?
07:09He's not a normal man.
07:11He took her money.
07:13You're exaggerating.
07:15Let her go.
07:16And now?
07:17Let her go.
07:18You lied to me.
07:20What did I lie to you about?
07:22Calm down.
07:23Take me to her.
07:24Give me a Montenegrin beer
07:26so I can calm down.
07:28I don't want to get drunk.
07:30You can't get along.
07:32Whiskey, one minute.
07:34Easy, easy.
07:35What did I do?
07:36Easy, we'll fix it.
07:38I think I...
07:40You're crazy.
07:42You're crazy.
07:53What do you want to talk about today?
07:56Women's ungratefulness.
07:58What about ungratefulness?
08:00Okay, okay.
08:02There's that, too.
08:03It's not all black and white.
08:06But this is what presses me.
08:09I'm mostly surrounded by women
08:12who show ungratefulness.
08:15Maybe we should approach this topic
08:18in a different way, or change it.
08:21I'm sorry if I said something wrong.
08:24That's a negative connotation.
08:27I didn't want to be rude.
08:30I just feel that way.
08:34Maybe it's your feeling,
08:37but it could threaten others.
08:41What can I say?
08:44I won't be unprofessional in any way.
08:48I understand.
08:50But I notice that you generally
08:52show ungratefulness towards women.
08:54And that could affect UNO.
08:57But I helped UNO a lot.
09:00And what did I get in return?
09:03Ignorance.
09:04Abandonment.
09:06That's not true.
09:08UNO values everything you've done for it.
09:11Then why don't they show it?
09:14Do you know how much I've helped women?
09:17When they asked me for it,
09:19and when they didn't ask me for it?
09:22I'm sorry.
09:27I'm sorry.
09:37I just want to say that...
09:41Maybe you like to play the role of a savior.
09:45I mean, all men like to do that.
09:49So in the end, we'll be accused of it.
09:54No, I just wanted to say...
09:57I'm sorry.
09:59Are you okay?
10:01I'm fine.
10:04Hey, hey, hey.
10:22Luna.
10:34Are you okay?
10:52You wanted to see me?
10:57I'm begging you.
11:00Buy me a bottle of the most expensive champagne.
11:04And order me some snacks from that Italian restaurant.
11:07Oh, we're in a good mood today.
11:11I feel like I'm launching a Tesla rocket.
11:16What are we celebrating?
11:18Femininity.
11:20That's nice, but is femininity possible in this male world?
11:24Absolutely.
11:25And you know why?
11:27It's completely different from men,
11:30and then it surprises the opponent.
11:33As proof, I'm launching a rocket on the moon.
11:37I'm not sure I understand you, but it sounds nice.
11:40Go get the champagne.
11:57Thank you.
11:59Now you've saved me, too.
12:01From whom?
12:03From myself.
12:05I got scared.
12:07From yourself?
12:09And from you.
12:15And from me?
12:18Yes.
12:23Well, I got scared of you, too.
12:26Why?
12:28Just like that.
12:30Is it better now that we're both scared?
12:33No.
12:35It would be easier if I knew the reason.
12:39The reason is...
12:42that I could fall in love with you.
12:46That's not an authentic emotion.
12:50Then what is it?
12:53Well, it often happens in dreams,
12:56as part of an emotional transfer.
13:00I know, I know.
13:02But do I like it?
13:17Hi, Karl.
13:19What is it?
13:21Nothing.
13:28I'm going to bed now.
13:47Where have you been, friend?
13:50What's wrong with you?
14:01It's still spinning in my head.
14:04It's best if you go back to your room.
14:07Lie down.
14:09Come on.
14:11I just don't know why.
14:13Is it because of...
14:16you?
14:18The conversation, or the low pressure?
14:22I would like this to be the first.
14:44What happened?
14:46We have to find out as soon as possible.
14:49Someone followed them and photographed them.
14:51Why do you think so?
14:52Look at all the footage.
14:54Do you think someone did it on purpose?
14:57I don't know. We can't know for sure.
15:01We have to talk to him.
15:04Do you know where they are?
15:06We'll see.
15:16You didn't call me.
15:18Neither did Laura.
15:20What are we going to do now?
15:22I don't know, Alex.
15:23We can't do anything right now.
15:26Maybe we should send a demon to the media?
15:29No, no, no.
15:30That would be counterproductive.
15:33The media has already placed the case.
15:36We can't do anything right now.
15:38So what do we have to do? Sit down and shut up?
15:43Exactly.
15:47We'll wait for things to calm down.
16:05I'm glad to see you.
16:07I'm glad to see you too.
16:11I almost pushed him up.
16:14These serious people don't let anyone in.
16:18X-rays, radars, scanners.
16:21Alcohol test.
16:23They controlled me.
16:25They thought there was a bomb inside.
16:27They shook me.
16:29One of your guys tried to stab him in the ear.
16:31The other one is a rat.
16:33I told him where I was going.
16:36They just raised their hands.
16:38Look how beautiful it is.
16:40It's like you're not going anywhere without this rat.
16:42The rat is like a beggar.
16:44That's my dog.
16:46I'd take him for a walk sometimes.
16:52You know what I think?
16:55The path to the human heart is the best rat.
17:02Let him see it.
17:04I came to talk to you.
17:06Let's make a deal.
17:08I'm begging you.
17:10No problem.
17:12But we're not going to sit here.
17:14I'm taking you on a lunch break.
17:16Where?
17:18To the restaurant.
17:20I'm taking you.
17:22No, no, no.
17:24I'm not taking you.
17:26I'm not taking you.
17:28I'm not taking you.
17:30Whatever you say.
17:32I'm paying for lunch.
17:36I'm not taking you.
17:38I'm not taking you.
17:40I'm not taking you.
17:42I'm not taking you.
17:48No, no, no.
17:50This is against all rules.
17:58Alright, I suppose so.
18:01I suppose so, but...
18:04What are we going to do now?
18:08I'm sorry, but I can't.
18:13Okay, but it happened, right?
18:19I knew for sure that your arrival was a bad idea.
18:22I just didn't know why.
18:26Okay, I couldn't even imagine that it could be like this.
18:31I don't know.
18:35Okay.
18:37It's not good to blame each other.
18:44I agree. There's no point.
18:47Yes, it happened and that's it.
18:55This is so unfair to the UN.
19:00Yes, I agree.
19:04But please, don't get upset about it.
19:07It will stay this way.
19:10Of course, it has to stay this way.
19:14Okay, calm down.
19:15I am calm.
19:18Okay.
19:22Can we continue the meeting?
19:26I don't think so.
19:28It would be best if you left.
19:31We're done for today.
19:33I'll call you when I decide what we're going to do next.
19:39Okay.
19:41If that's the case, then there's no point in me coming, right?
19:47That's what I think.
19:49So, it would be best if I recommended you to another therapist.
19:54Please.
19:56We've talked about this a hundred times.
19:59Don't get upset.
20:24I'm sorry.
20:40Where have you been? Why didn't you call?
20:42Take it easy. We're not here for an exam.
20:44Did you see the news?
20:45We saw the news.
20:47This is a set-up.
20:49Well, you thought something like this could happen.
20:52How did I know this was going to happen?
20:55I'm always positive.
20:57Maybe you're thinking a little too positively,
20:59considering you're in our collection.
21:01It's not just about that. We're in this together.
21:03This is about you. I'll talk to you later.
21:05Now we have to find out who's behind all this.
21:07I'll ask around.
21:09I've already asked around.
21:10And?
21:11A certain journalist, Miki, plotted the affair
21:14with two other Irish paparazzi.
21:17Okay, who is he? What do you know about him?
21:19I don't know anything yet, but I'll find out.
21:21Hey, guys, what's going on?
21:23Paula and I will explain everything to you.
21:26See you later.
21:52Come on, my dear, don't be afraid.
21:54How are you?
21:55Welcome.
21:56It's good to see you.
21:58Look, don't be afraid.
22:01I've been thinking.
22:04Every change in the business environment
22:06brings new challenges, doesn't it?
22:08I think it will work with me.
22:11Look, I'm a serious man,
22:13and I know there will be a lot of business problems.
22:19In that sense, I need your support.
22:23Okay, I'm listening.
22:26Look, here's the thing.
22:29If it's heard, and when it's heard, of course,
22:31that I have a good product,
22:33I'm 100% sure that some crazy drug lord
22:36will come and shoot me, you know?
22:39In that sense, I need...
22:48What?
22:49You don't understand?
22:51No.
22:54I need this.
22:57A raincoat.
23:00You understand, I need protection,
23:02you need to help me.
23:03And look, I'll pay you back.
23:06Don't think about it, please.
23:08What do you think?
23:09Look, Ido.
23:10Tell me.
23:11I don't do such things.
23:13Don't be afraid.
23:15Take it easy.
23:17I'll help you.
23:19Because you're my friend.
23:21And no one will judge you here.
23:24And you won't pay for that.
23:26Look.
23:27Because I'm a policeman who does his job honestly.
23:31My job is to arrest bad guys
23:34and protect good people.
23:36That's right.
23:37If my goodness is good,
23:38look, thank you.
23:40Thank you.
23:41I know you're a good man, look.
23:43But you have to let me at least pay for lunch.
23:46That doesn't matter.
23:47Please.
23:48No, no.
23:49Look, you can just walk over me.
23:51Please.
23:52Where are we going?
23:53Ido.
23:54You're my guest.
23:55And you've hosted me enough.
23:57It's okay if I stay.
23:59After all, this is my guest's restaurant.
24:01Really?
24:02That's right, I have to pay for lunch.
24:04I didn't know they were your guests.
24:06Good day.
24:07Good day, good day.
24:09Mio Vuko.
24:11That's him.
24:13How did you recognize me?
24:15Well, okay.
24:16Thanks for asking.
24:18This is my good friend, Mido.
24:20Nice to meet you.
24:21Miki Tambura.
24:23Nice to meet you.
24:24Mido.
24:25Nice to meet you.
24:31Could we have a drink?
24:33Sure.
24:34Boy.
24:38Please.
24:45All of our portals have already taken over the news.
24:47I saw it.
24:48Please, read me one more so I can enjoy it.
24:50Listen.
24:51A miracle in Milan.
24:52A Serbian scandal shook the fashion week.
24:55A naive Belgrade citizen fell into the clutches of the fashion mafia,
24:59whose representative is his co-founder Laura Djordjevic,
25:03a well-known first date and predator of the fashion scene.
25:07It seems that only Luka Kanadjic,
25:09who is known for being a fashion icon,
25:12is not familiar with these facts.
25:15Pictures of a scandalous show,
25:17a demolished luxury restaurant,
25:19the damage is indescribable.
25:21What does this scandal have to do with
25:24a well-known Belgrade businessman,
25:26Andrija Bošnik?
25:28Wow.
25:29Music to my ears.
25:31No, no.
25:32And the photos?
25:33I massacred them there.
25:35I wouldn't be surprised.
25:37And listen to this.
25:40The couple is in an alcoholic state,
25:42brought to the nearest police station.
25:45An anonymous Belgrade citizen and a fashion icon on a pole of shame.
25:50What will Andrija Bošnik say
25:53with whom Laura is in a close business relationship?
25:57Or maybe not just in business.
26:00Brilliant.
26:01And what is the name of that famous Italian tabloid
26:04that started it all?
26:06Correira della Negro.
26:08That's their most famous and most popular portal.
26:12Specialized for fashion week.
26:14Full of hits.
26:15Please, read me the comments.
26:17Wait, there are over a hundred of them.
26:19Read me the most popular ones.
26:21Wait, wait.
26:22And the rich are crying.
26:24The truth will reach all those thieves and perverts.
26:28Drunk fool.
26:29He came to conquer the world of fashion,
26:31and conquered the headlines of the tabloid.
26:34Yes, yes.
26:35Please, run and buy me a printed version.
26:38Well, I want to, but...
26:40You know what I'm interested in?
26:41I'm interested in what Andrija will say when he reads all this.
26:44He will be delighted.
26:45He loves publicity.
26:47No, I mean...
26:48I'm just worried if he'll read it.
26:50He doesn't open those tabloids.
26:53Don't worry.
26:54We'll give him one of his robins.
26:58What are you saying?
27:04I don't know.
27:19Hey, did you steal something from me?
27:22I'm trying to figure out why this happened.
27:25Well...
27:27We'll find out, I guess.
27:29We'll figure it out.
27:31Yes, I already have some information.
27:33What information?
27:35I called the editor-in-chief of Dela Negra.
27:37And what did he say about Dela Negra?
27:39He said that Miki is from Belgrade.
27:41Of course he's from Belgrade.
27:42He said it.
27:43It has to be someone from Andrija.
27:44Yes, but there's no proof that he's from Andrija.
27:47I don't know about the proof, but...
27:49This is definitely not a coincidence.
27:55Well, cheers.
27:56Come on, man, don't refuse.
27:58You never refused.
27:59No, not even now.
28:00Cheers.
28:01Cheers.
28:02When my son brings his friend here,
28:04it's very important to me.
28:06Sure, I can imagine, sure.
28:08Mido is a real friend.
28:10Yes.
28:11And a good man.
28:12Yes, I am.
28:13I haven't seen you around here before.
28:15Well, you couldn't, because he just came
28:18and is trying to start a business here in Belgrade.
28:20That's right.
28:21Really?
28:22Yes, yes.
28:23What kind of business?
28:32Yes.
28:37Andrija.
28:38Yes?
28:39Have you seen this?
28:40What?
28:42This?
28:44You don't like it?
28:45No, I have to sit down.
28:46Sit down, sit down.
28:49What happened?
28:50It looks like Luka and Laura
28:52have demolished a cafe in Milan.
28:55Well, okay.
28:56You know Luka has a short temper.
28:59Well, okay.
29:00You know Luka has a short temper.
29:16It looks good, don't you think?
29:18I agree.
29:19It looks good, don't you think?
29:24Wow, I can't believe it.
29:27What a surprise.
29:30Where have you been?
29:32Just what I wanted.
29:33Here you go.
29:35If you want to drink coffee, be healthy.
29:49He came all the way here.
29:50He came all the way here.
29:51You know,
29:52that five-year-old
29:53doesn't follow the world.
29:57She's not Chelsea Clinton.
29:59She's a genius.
30:03She's a friend.
30:04You see,
30:05you won't get rid of her so easily.
30:21What do you do for a living?
30:24I used to work in the police
30:27for national security.
30:30Lately,
30:31I've been taking care of my son.
30:34That's right.
30:35That's how it should be.
30:36But,
30:38tell me,
30:39how much of that square do you need?
30:42I mean,
30:43what would you like to have
30:44that special square?
30:51I don't know.
30:59Have you seen the website?
31:01What's wrong with you today?
31:03With all those websites,
31:05for God's sake.
31:06And, of course,
31:07you don't care about that.
31:09The fact that Luka
31:10broke some bar down there,
31:11I'm telling you,
31:12I won't give you five bucks for that.
31:14Andrej, that's not the point.
31:22Hey, dear.
31:23How are you?
31:25Hello?
31:27I'm here.
31:29I'm not well.
31:30Talk to me.
31:31Don't worry about me.
31:32I feel
31:33pretty weird.
31:35I didn't realize it today.
31:37Seriously?
31:52Who's calling you?
31:53Who's calling me?
31:54Who's calling me?
31:55Who do you think is calling me?
31:57Ljubinka.
31:58Okay, why?
32:02Tell me, Ljubinka.
32:03It's not Ljubinka, Zete.
32:05It's not.
32:06It's Mido.
32:21I'm not going to call you.
32:24But...
32:25I forgot to ask you something.
32:28Say it.
32:32Why are you coming back
32:33so early from therapy?
32:34Is everything okay?
32:51You