Igra sudbine, Epizoda 1124,Igra sudbine 1124 ,Igra sudbine 1125,Igra sudbine Epizoda 1124, Igra sudbine Epizoda 1125,Epizoda 1124 Igra sudbine ,Epizoda 1125 Igra sudbine
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00:00The following is the story of a young woman who is in love with her husband.
00:06Move!
00:11Move!
00:14Tell me, what have you done?
00:16I can't tell you. I've made some moves and I'm waiting to see how things will develop.
00:22Do you think I'm going to sit on my back?
00:25That I'm going to sit like your guests, who you talk to all day long?
00:29What are you talking about? It's important that we have a plan.
00:32We have a plan, but I don't know anything concrete.
00:35I can't tell you anything concrete, so you wouldn't be in danger.
00:38If you come to me like this, if you don't succeed, I'm going to pull your hair out.
00:43Don't worry.
00:44I have to worry, and you should start worrying too, because you're going to suffer in return.
00:50Was that a threat?
00:51No, it was just a foreshadowing.
00:53If the plan doesn't work, I'm going to throw you out on the street.
00:57I hope you're aware of that from the start.
01:00Everything will be fine. Don't worry, everything will be fine.
01:03Get out.
01:05Get out.
01:22Yes?
01:25Bobo, hello.
01:26Hello.
01:29It's wonderful to see the director in his chair again.
01:33You should know that I like it.
01:35I need to take a break from my problems.
01:38You're a man who just solved the tone of papyrology.
01:41Come on, problems at work are zero compared to private problems.
01:47I agree.
01:48Listen, this is how you work. Ten hours, you concentrate.
01:51There's no time for depression, you know?
01:54Yes, yes.
01:55Private life is sometimes harder to control than business life.
02:00That's why I'm here, to be honest.
02:04Listen, I've been thinking.
02:07We should move Vanja to Senka's office.
02:12Oh, nice. Where's that coming from?
02:15Well, Senka controls her a bit, you know?
02:18Aha, so you've had a really good inspiration since this morning.
02:23It seems so.
02:25I'm begging you.
02:26Yes?
02:27Can you tell her that?
02:29Yes, of course.
03:02Do you see that our pianist Kinja has risen?
03:07Oh, Dobrica, what are you talking about?
03:09She's dead, you're a normal man.
03:11Have you ever heard of humor? Do you know what humor is?
03:13I know what humor is.
03:14Or do you laugh only when they put three beers in front of you and a kilo of roasted wings?
03:22That's what I think.
03:24Dobrica, I really love music.
03:26I'm sorry, but if you're going to mention the harmonica, the violin and the drums, I don't care.
03:31You know what? I've heard that she plays the harmonica better than the piano, just so you know.
03:38Oh, look at you. You don't understand anything.
03:41What don't I understand?
03:43Listen, listen.
03:45Do you hear this?
03:47What?
03:48Do you hear?
03:49Except for the fact that she plays so beautifully, breathed in, and she's twitching.
03:54She's just singing in her ears, like a butterfly.
03:58Like a wounded butterfly.
04:02Listen.
04:03We could make some chicken for the barbecue, you know?
04:09You see, even though she's separated from Trivanović, she's still in a good position.
04:16Listen.
04:17Do you hear the sound of that star?
04:21Hope?
04:22Do you hear? Because hope dies last.
04:24Do you understand that it's a romantic story, very beautiful?
04:28You don't understand anything.
04:30You know what? We can't figure out what the female brain thinks.
04:35You don't understand?
04:37What don't I understand?
04:38You don't understand anything. You don't know anything.
04:44What do you think, we should really make that chicken for the barbecue?
04:49What chicken?
04:50You suggested it a little while ago.
04:52Maybe you're really stupid.
04:55You can go.
05:13You're still here?
05:36What do you mean, I'm still here?
05:40Yes, you don't know.
05:42What's that?
05:45You got a move-in.
05:47Move-in?
05:48Yes.
05:49And where do they move me?
05:52At Cenka's.
05:54Why?
05:56I have no idea. I just heard that we don't sit together anymore.
06:01I see you're really excited about that.
06:04Me?
06:05I'm not at all.
06:07I'm just advising you to start packing right away.
06:12I think I didn't ask for your advice.
06:15Okay, you don't have to pack. I don't care.
06:20And tell me, whose decision is that?
06:24I think you should ask the director.
06:32Why do I have the impression that you were worried about that?
06:36Me?
06:37Yes.
06:39And I don't know where that impression came from.
06:55Bye.
06:57Bye.
06:59Freedom.
07:28Stop whistling like that.
07:31My brain is broken.
07:33Seljo, do you know that some people say that only bad people don't like music?
07:40That's music. It looks more like a door scratch than music.
07:44Oh God, what are you talking about?
07:46Who sings, doesn't mean evil.
07:50Don't you sing, buddy? You're whistling.
07:53No, that's not whistling, that's Slavoj Poj.
07:58Only if Slavoj is not dead.
08:01Come on, let Slavoj live.
08:03And eat that burek.
08:05And don't talk to the fat mouth of the peasant, fill your mouth.
08:08But how do I talk when I eat?
08:10Come on, don't tease me.
08:15What did you say that melody was called?
08:20Slavoj Poj.
08:22That's how Ljubinka and I met.
08:24That's the sign when she should come to see me in the mirror, and when I should come in.
08:30So you're talking, buddy.
08:32That's what I'm talking about. Those are the codes.
08:34You're here, and she's there in space.
08:37That means she hears you whistling.
08:42I don't really think she hears me now.
08:46I'm practicing not to be different from the real Slavoj.
08:50Why are you laughing?
08:52Wait a minute.
08:53Why are you laughing?
08:54That's the telephone sex.
08:58Telephone sex?
09:00Come on, don't talk to those full mouths.
09:03And wipe that greasy mouth.
09:04What telephone sex?
09:06We've refined ourselves.
09:07Telephone sex.
09:09Where's your phone here?
09:10What is it?
09:12I'm sorry to tell you where your phone is.
09:14Let me practice.
09:34Yes?
09:36Good evening.
09:40Good evening.
09:41Yes, exactly as agreed.
09:43In a second, exactly.
09:44What we agreed on, on a glass of wine.
09:47Yes, yes, yes.
09:50Here?
09:51Thank you.
09:52Here, take it.
09:53Thank you.
09:58I'd say, welcome, but your apartment, so...
10:02It's not mine, it's yours.
10:05See, when you're in the room, the room is yours.
10:09Really?
10:10In the name of the room.
10:11In the name of the room, cheers.
10:17Good.
10:18We'll have to lock the door.
10:20Why?
10:21Do you think we should lock it?
10:24I mean, I don't have to, but purely for your safety.
10:29I have to think of the world.
10:31My apartment will be safe for me.
10:36This wine is great.
10:38It's great.
10:39God, I can, I can choose anything.
10:43You can, God.
10:44I can.
10:45And you know what?
10:46I have to tell you.
10:47What?
10:48Men look like wine.
10:49Do they?
10:50The older you get, the better you get.
10:53Like a cat, huh?
10:55Here you go, cheers.
10:57That's what I'm telling you.
10:59Here you go, Mido Pianović.
11:00Mido, Mido.
11:01You know what?
11:02I notice that every morning when I wake up in front of the mirror.
11:05Is that so?
11:06You are like wine.
11:07Cheers.
11:08Cheers.
11:21He did that on purpose.
11:24Of course.
11:25He put you by the shadow so I could not hear you talk.
11:30Horrible.
11:31Yes.
11:32Do you know what that means?
11:34That means that he started a counter-offensive.
11:41But I'll tell you, I'll figure out how to get to him.
11:44He won't be able to do that.
11:45I don't doubt that.
11:47And I think he's starting to show off a bit.
11:49To whom? To you?
11:50No.
11:51Why show off?
11:52But you took over the job while he was sitting at home
11:55worrying about his private life.
11:57That's right.
11:58You see how much the initiative in this company is worthless.
12:02Yes.
12:03It's not worth it.
12:05No, no, no, he won't be able to do that.
12:07He won't be able to do that, Vanja.
12:10What do you see there?
12:11Do you think I have a fever?
12:13Well, you're a little hot.
12:14Yes, I'm hot.
12:15But that's because of stress.
12:16Because of stress, what else?
12:18I'm getting sick because of that man.
12:20Do you see that?
12:23Please tell me, what time is it?
12:25Too late.
12:26Too late?
12:27I work until late, I'm getting sick because of him and his games.
12:31But you didn't deserve that.
12:32I didn't deserve that.
12:33You know what?
12:34I can't get sick now.
12:35I can't stay at home.
12:36I have to come here to work.
12:38Now is the key moment of the fight.
12:40I have to work.
12:43I really think it's the smartest thing to go home and sleep.
12:45Yes.
12:46I need energy.
12:48Let's go.
12:49Wait, wait, wait.
12:51What's wrong with you, dear?
12:52I can walk.
12:53Wait.
13:03Wait.
13:11Are you crazy?
13:12What? I'm not crazy.
13:13But I am.
13:14I am.
13:15Don't tell me that.
13:16Oh, my God.
13:17Don't tell me.
13:18I saw you, I saw you.
13:20What's up?
13:21Don't tell me that, I saw you.
13:23I saw you when you look at the closet.
13:25I saw you.
13:26I saw you, but I didn't touch you.
13:28Don't tell me that.
13:29Well, don't tell me.
13:30She's a good woman, you know.
13:33But she's not a woman. She's a man!
13:36A man-woman!
13:37I mean, she's a man-woman!
13:39She's not for me!
13:41Why not?
13:42I didn't see her.
13:43Don't tease me.
13:44You know what she is?
13:45She's a living fire.
13:47Maybe you don't get it because you don't know her enough,
13:50but believe me, she's a living fire.
13:52I believe you, but where can I find her?
13:54I'm so jealous.
13:55Look how much she is.
13:56She's a good woman, but she's afraid to call people on the phone.
14:00I'm so jealous.
14:01She's a good woman, but she's afraid to call people on the phone.
14:04Where can I find her?
14:06You see, I don't need her.
14:08What do you need?
14:12You're a woman who has everything I need.
14:16Really?
14:19You want to have some fun?
14:22You want to have some fun?
14:24Why not?
14:26It's fun.
14:30It's fun because it's fun for you.
14:32Is that so?
14:33If it wasn't fun, I wouldn't call myself fun.
14:37When it's fun, we all have fun.
14:41We don't care.
14:47I enjoyed it.
14:48The food was so good.
14:50It was great.
14:55Let's take a break.
14:57Let's take a break.
15:04Let me tell you something.
15:06You're dear to me.
15:08Really?
15:09But you don't have money for a woman like me.
15:14What are you talking about?
15:16I said it.
15:17I'm a woman who likes to enjoy life.
15:20I like to travel.
15:22I don't mind spending money.
15:24I don't mind spending money.
15:27You don't have to think about it.
15:29You think I don't have money.
15:34Where are you going?
15:36Where am I going?
15:38I'm going to hit you.
15:40Hit me?
15:42I'm going to hit you.
15:44Look how long you are.
15:46Look how long you are.
15:48I have so much money.
15:50I'd spend it all.
15:52But I'm going to spend 500 euros.
15:54I like you.
15:56I'm going to spend it all.
15:58Then I'm going to come back.
16:00Then I'm going to come back.
16:02So you can walk me to a million dollars.
16:05Then I'm going to lock you up in a bank.
16:08So you can run away.
16:21I didn't know it was so nice to be in the mountains.
16:25It is.
16:27In my village,
16:29there are parrots.
16:32And a cat in a cage.
16:34Mara.
16:36Where are you kids?
16:38Where are we?
16:39Did you see where we are going?
16:41I need something.
16:42I don't know where that man is.
16:44I don't know.
16:47Why are you nervous?
16:49Me? I'm always nervous.
16:51Of course I'm nervous.
16:53I don't sleep all day.
16:55I work.
16:57I work hard.
16:59Because I have you.
17:01Lebovic is in front of me.
17:03I'm nervous.
17:05I'm nervous.
17:09If you don't like it,
17:11I'm going.
17:13Oh, my God.
17:16Milena.
17:18You just said that,
17:20and never again.
17:22You won't make illusions on that account.
17:24Illusions?
17:26That's what I said.
17:28I'm ashamed of you.
17:29Do you even know what it looks like
17:31when I like someone?
17:33It's like you're walking in Golgotha.
17:35I know.
17:37I know if I read you like a book.
17:39I know everything.
17:41I'm a man of blood and flesh,
17:43and I see how little you talk.
17:47Milena.
17:49Mind your own business.
17:51Don't think.
17:53You have no capacity.
17:55Leave me alone.
17:57I asked Mida
17:59because we have an agreement
18:01for a combination.
18:03What do I have to justify myself to you?
18:05Am I normal?
18:07Am I crazy about you?
18:09Oh, my God.
18:11Where are you going?
18:13I'm going to change.
18:15Am I crazy?
18:17I'm crazy about you.
18:19Oh, my God.
18:21What she said in the end
18:23is absolutely true.
18:25I love her a lot.
18:27She's so beautiful.
18:29And while the mosquito
18:31is eating the cow,
18:33the cow is peeing.
18:35Come on.
18:37While the grandmother is watching us.
18:39It's not romantic.
18:47Oh, my God.
18:49You're so broad.
18:51If you come next time,
18:53I'll rent a walkway just for me.
18:55What did you say?
18:57What you heard.
18:59I can't live without you.
19:01Listen.
19:03What?
19:05I'm fed up with my own
19:07suburban superiority.
19:09Without any account and movement.
19:11Oh, no.
19:13I wouldn't leave you here.
19:15Listen to me.
19:17Who are you talking to?
19:19You.
19:21I'm ashamed of you.
19:23Come down.
19:25What are you talking about?
19:27Come down.
19:29Let's hear it.
19:35Of course.
19:37You probably got in the bad man.
19:39I don't know.
20:03I don't know.
20:05I'm not drunk.
20:09Thank you, Mila.
20:11Thank you.
20:13Thank you for inviting me to dinner.
20:15Thank you for the wonderful company.
20:17Your name.
20:25Here.
20:27It's a nice beer.
20:29Really?
20:31Yes.
20:33Is it because of work?
20:35Because of work.
20:37I have to go.
20:39I'm sorry.
20:41Tell me.
20:43The studio is cancelled.
20:53Yes?
20:59Hi, Milena.
21:01Hi.
21:05Is everything okay?
21:11I think you should know something.
21:13What?
21:17You should watch out for noise.
21:31I'm sorry.
22:01What's going on here?
22:05As far as I can see, it's a serious job.
22:07No, it's not that.
22:09I just checked the battery.
22:11Oh, yes, the battery.
22:13Two legs and two arms.
22:15Did the battery bring you wine?
22:17Women, leave me alone.
22:19I changed the battery this morning.
22:21They offered me a glass of wine.
22:23Let me pass.
22:25I'm ashamed of you, Milo.
22:27You act like a climacteric chick.
22:29What do you want?
22:31Do you want to break your belly?
22:33Do you want us to build a dome?
22:35Do you want to be ashamed?
22:37I will be ashamed.
22:39I'm ashamed of you, Milo.
22:41I brought you here.
22:43What are you doing?
22:45Go do your job.
22:59What do you think about the refusal?
23:01The owner raised the purchase price by 30 percent.
23:03What are you talking about?
23:05I can't believe it.
23:07I'll call you later.
23:09Are you okay?
23:11No.
23:13What happened?
23:15The studio refused us.
23:17The studio refused us?
23:19How can the studio refuse us?
23:21I don't know.
23:23I don't know.
23:25I don't know.
23:27How can the studio refuse us?
23:29The owner raised the purchase price by 30 percent.
23:31If we agreed on one price,
23:33the price will go up.
23:35How can the price go up?
23:37I don't know.
23:39Please call him.
23:41I can't believe it.
23:43If you agree on a price...
23:45I'm sorry.
23:47It's not your fault.
23:49This is my mistake.
23:51Okay.
23:53We have to go.
23:55Tell Paola
23:57to come to the studio.
23:59I'll call Alex.
24:01This is horrible.
24:03I can't believe it.
24:11How do you think I should behave?
24:15Una thinks that you and Andrija
24:17have a relationship.
24:19Of course,
24:21a business relationship.
24:23What a coincidence.
24:25At first, I thought
24:27it was love,
24:29but then I realized
24:31that there is a bigger problem.
24:33Bigger than love?
24:35Yes.
24:41Una thinks
24:43that you are manipulating Andrija.
24:45She is crazy about money.
24:47Okay.
24:49I shouldn't have told you this.
24:51What's wrong with you?
24:53We know each other.
24:55Of course you will tell me.
24:57No, no, no.
24:59I just violated the code.
25:01Patients must trust me
25:03if I think this makes sense.
25:05Milena, you are alive.
25:07You have a friend.
25:09Please calm down.
25:11That's me.
25:13Just because you are my friend.
25:15Please,
25:17ignore this information.
25:19And thank you
25:21for worrying about me.
25:27Does Una often
25:29talk about me at the sessions?
25:37That's all I'm going to tell you.
25:39You've told me enough.
25:49Thank you.
26:01I've been waiting for you.
26:05Is everything okay?
26:07Yes.
26:09Wait a minute.
26:11What is it?
26:15Everything is fine now.
26:19Thank you.
26:25Ljeposava,
26:27what do you want from me?
26:29A woman's head?
26:31Don't be crazy.
26:33You've been crazy your whole life.
26:35You are obsessed with work.
26:37You wanted to be successful.
26:39Who knows
26:41what you've been up to.
26:43Ljeposava,
26:45I'm just trying to be a good host.
26:47Do you understand?
26:49I'm trying to change the battery.
26:51A good host?
26:53I didn't know.
26:55We've become a mess.
26:57Do you want to put your services
26:59in the price list?
27:01Ljeposava,
27:03this conversation
27:05doesn't make any sense.
27:07It makes sense.
27:09Because I'm going to drink your blood.
27:11Because you drank mine.
27:13Don't change the subject.
27:15Ljeposava,
27:17she's just a young, crazy woman.
27:19Leave her alone, please.
27:21I was crazy too.
27:23Yes, yes.
27:25You seem to like it.
27:27Tell me, do you like her?
27:29Tell me.
27:31Ljeposava,
27:33I'm telling you nicely.
27:35Like a man to a man.
27:37Stop it!
27:39We've become a mess.
27:41This conversation doesn't make any sense.
27:43Ljeposava,
27:45I don't care who you like.
27:47And I don't care who you like.
27:49Get out.
27:51Get out.
27:53Get out.
27:55Get out.
27:57Get out.
27:59Let me go.
28:01Let me go.
28:11About our future together.
28:13About passion.
28:15About love.
28:17About travels.
28:21Okay.
28:23Honey, we need to
28:25calm down a bit.
28:27You know?
28:29Because you see the situation.
28:31We need to calm down a bit
28:33and then we'll think about it.
28:35Well,
28:37those who don't have ambitions
28:39have thought about it patiently.
28:41Take me somewhere.
28:55The owner decided
28:57not to raise the price of the purchase
28:59because it's clear to him
29:01that we don't have much time
29:03to find a new space.
29:05The move would only complicate things.
29:07That's the situation now.
29:09I'm very sorry
29:11for everything that happened.
29:13It's my and Laura's fault.
29:15Come on, people, what are you doing?
29:17What are you doing now?
29:27Get out.
29:29Get out.
29:31Get out of here.
29:33Get out of here.
29:35Calm down.
29:37Calm down?
29:39No one is normal here.
29:41Not you, Skosmaj,
29:43not these Belgrade people.
29:45You are always in my sight.
29:47Always.
29:49Focus on the important things.
29:51On the money I promised you.
29:53Look what he's talking about.
29:57Yes, yes.
30:27Mmm, chicken wings.
30:43We'll manage not to crash.
30:45Okay, guys, take it easy.
30:47Don't let me distract you.
30:49Okay, don't distract us.
30:51You tell us what to do.
30:53We're two under tension.
30:55I don't want to talk about who's to blame and who's not.
30:59That's not important now.
31:01What we need to do now is to agree on what we're going to do.
31:05What are we going to do?
31:07Are we going to accept Pavel's proposal or not?
31:09That's the question.
31:11The first one to arrive on time.
31:22The first one to arrive on time.
31:31Oh, good morning, Pancetta.
31:35Good morning, Mido.
31:37What is it?
31:41Nothing.
31:51Migo, how's work?
31:54Let me tell you.
31:56Boring.
31:58I don't feel like it, but I have to.
32:00What can I do?
32:02She didn't say it was boring.
32:04On the contrary.
32:06I'd say it's very dynamic.
32:08Believe me, she's not right.
32:12She's not right.
32:16She's not right.
32:18She's not right.
32:20She's not right.
32:22I don't believe it.
32:24If I had heard it some other way...
32:26I'd have told you.
32:28You better have.
32:30If you had known...
32:32And you didn't say it was her...
32:34I'll pull you hair out!
32:36She's not right.
32:38She's not right.
32:40Why, exactly, tell me?
32:52Well, because I fell for it, and because of the whole situation.
32:57Please, don't get carried away by these things, alright?