Igra sudbine 1146 Epizoda - Igra sudbine 1146 Epizoda
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Transcript
00:00I'm here, Tihomir, I'm here. I'm not silent, I'm listening to what you're saying.
00:15I have no reason to go crazy. You know, I don't open just any knife.
00:21And I don't even know what that means to you. You're lucky, dear knife.
00:27Yes, yes. Well, you know what, my dear, I'm just trying, I'm giving everything I have
00:35for Moldova to be an attractive place. That's right, attractive.
00:41To work, to expand the business. Do you understand what I'm saying?
00:46Well, whatever, Tihomir, understood or not understood.
00:52But that's how I am, I have to earn every month to pay people a salary.
00:57Contribution. Do you understand? Or maybe you forgot that, tropical boy.
01:04Aha, that's right. Well, what do I have to ask you?
01:14Well, you're not here, Tihomir. You're not here, you're there. I don't know where you are.
01:23I understand. That's the only thing I understand, that you had to leave.
01:29Yes, I understand that.
01:36Tihomir, that Mido is a nice man, he's stable, he's a gentleman.
01:43He owns those apartments on Kosmaj and he owns that bakery.
01:51I don't know where the problem is. What do you have to judge him for?
01:56Don't you believe in my judgment? I gave my word.
02:00Well, yes, I'm a woman of my word. Did you forget that too?
02:05I made a deal with him, I started, and I'm going to finish it now.
02:10What's not clear?
02:14Well, who's pushing you into the corner? You pushed yourself.
02:20Well, all you had to do was push and let go of your ego.
02:25He's the one who's pushing you. Shame on you.
02:29Who's pushing you? Hello? Tico?
02:35Tihomir?
02:37Tico?
02:50What do you want?
02:51You're still asking?
02:52Why do you look like this?
02:53What does your behavior look like?
02:55What behavior? How do I behave?
02:56You behave like you're 14.
02:58But what? What did I do? What's the problem?
03:00The problem is that you go out with our business partners and drink until morning.
03:04That's the problem.
03:05Okay, we go out, we drink, I'm going to relax a little.
03:07What else would I recommend to you?
03:09We came to rest.
03:10We didn't come to rest, brother.
03:12So it's not all at work.
03:13I have to rest a little, I'm tired, I'm going to relax.
03:15That's why we came.
03:16You spent 3,000 euros, are you normal?
03:19I spent 3,000 euros.
03:20Okay, that's 3,000 of our euros.
03:22So what? I spent it, what do you want from me?
03:24Okay, look, business is business.
03:26You want to tell me that?
03:28Man, that woman is in charge of our money on the project.
03:31The woman who saved us from the abyss.
03:33Do you understand that?
03:34Yes, the one you brought us to.
03:36So get yourself together.
03:38Okay, here's what we'll do.
03:39I'll get myself together, and you relax.
03:41And believe me, everything will be okay.
03:43Believe me.
03:44Did you forget how important it is to us?
03:45No, I didn't forget anything, brother.
03:47I didn't forget anything.
03:48But I remembered those things.
03:49I remembered how it is when I feel good.
03:52I feel good after a long time.
03:54I'm begging you to stop.
03:56You're just happy because of the wrong things, but ...
03:58I know you're happy.
03:59Get yourself together, I'm begging you.
04:22Here I am!
04:29This is great, Miki.
04:31A real emotional horror.
04:34What's the story?
04:36The story is a bomb.
04:38It will cause horror and tongue-twisters.
04:42They love that.
04:44I know.
04:45Listen.
04:46Look, a naive Belgrade citizen,
04:49previously destroyed on the Belgrade bank,
04:52in a business scene,
04:54previously destroyed on the Belgrade bank,
04:57in a business scene,
04:59in a business scene,
05:00comes to Milan to try his luck.
05:02Well, even now.
05:04I'm listening carefully.
05:05Look.
05:06The center of world fashion is blinded by Milan's brilliance.
05:10In the face of fashion week,
05:12he is ready to invest the last euro in his project.
05:16Oh, it's not good.
05:19And it won't be good.
05:21Because he falls into the trap of an unscrupulous predator
05:24from Milan's fashion circles.
05:27This is the picture, right?
05:29It's good.
05:30Don't interrupt me.
05:32I have a lot of inspiration.
05:33Are you writing?
05:35I'm recording.
05:36That's right.
05:37Even better.
05:38Listen to me.
05:39In the continuation, we should add...
05:42Are you writing?
05:43...that Neza Sitalaura cast an eye,
05:46and she is ready to cast an eye on Andrija Bošnjak.
05:51That's from reliable sources.
05:54Miki.
05:55Miki.
05:56From the most reliable sources.
05:58Of course, I'm not anywhere.
06:00You don't sign me anywhere.
06:02I don't exist.
06:03Do you understand?
06:05I see.
06:06Listen.
06:07I'll call you when I'm a little bit more
06:09on these poor people.
06:11And call me with a tongue for a tooth.
06:13Do you understand?
06:14So you don't make a mistake.
06:16I hear you, Kozal Ivan.
06:17Bye.
06:20Andrija Bošnjak
06:24And?
06:25What do you say?
06:26Look.
06:30What do I say?
06:31What do I have to say?
06:35I don't like at all
06:37that Mido will come to Ljubljana.
06:39You know?
06:41It seems to me that he will change the energy of the place.
06:45That's all I think.
06:47What's bothering you?
06:48If I can only know.
06:49If you have diabetes,
06:51I can run for a long time,
06:52because it's not a problem at all.
06:54I'm not bothered by anything,
06:55but I remember
06:56how good coffee was drunk here once.
06:58You know?
06:59And good wine was drunk.
07:00So quality domestic brandy was always.
07:03Well, you're still going to drink it.
07:04I don't know what wouldn't be drunk.
07:07I don't know.
07:08I just think that Mido,
07:09when he brings his bottles
07:11and that,
07:12what's it called,
07:13that he realizes
07:14that everything will change.
07:16You know, Deljko,
07:17you're a total moron.
07:18No, I'm not.
07:19Yes.
07:20Because there are pig larders.
07:22The most beautiful thing that has ever happened in Maldives.
07:25Do you know why?
07:26Why?
07:27Because there is food.
07:28Do you know why that's good?
07:29Why is that?
07:30Because when there is food,
07:31then you drink more.
07:33And one plus one is two,
07:34bigger market,
07:35more money.
07:36You know what?
07:37Let me tell you something.
07:38It is well known that
07:39one Yoko Ono
07:40destroyed the Beatles.
07:42And who knows what Mido will do
07:44when he throws them all over Maldives.
07:46Mother of God,
07:47holy,
07:48all holy,
07:49what a connection
07:50Yoko Ono
07:51has with pig larders.
07:53May God kill you,
07:54not to kill you.
07:55Milo, everything
07:56in the universe,
07:57in nature,
07:58everything has a connection.
07:59Everything is connected.
08:00Deljko,
08:01can I ask you
08:02humanly
08:03to leave?
08:05Have a good day at home.
08:06Have a good day.
08:08Yoko Ono,
08:09and now this.
08:14THE END
08:24Hi.
08:25Hi.
08:27Am I bothering you?
08:29No.
08:30How can I help you?
08:34I would like to ask you
08:36a private question,
08:37if it's not a problem.
08:41Well, in this company
08:42everything has become
08:43a private matter,
08:44so,
08:45just go ahead.
08:48Why did Andrija
08:49join Laura's protection?
08:53Jovana Andrija
08:54doesn't know Laura.
08:56But she knows
08:57that many years ago
08:58she was at a job interview.
09:00Yes, but she doesn't remember.
09:01She couldn't even remember
09:02what her name was.
09:03Before that,
09:04why did she
09:05join her protection?
09:08See, Andrija
09:09didn't join anyone's protection.
09:10He just defended
09:11his personal integrity.
09:14Really?
09:15It didn't look like that to me.
09:16Unlike you,
09:17you know he keeps his word.
09:21That's just what you think.
09:23It's admirable
09:24how much you defend your husband.
09:25Except for the facts.
09:27Yes.
09:29But the truth
09:31is a little different.
09:33Right?
09:36What's the truth?
09:41So,
09:42what's the truth?
10:02Something about the city
10:03and I thought
10:04I'd stop by
10:05to see how it's going.
10:07What's wrong with you?
10:09You look different to me than in that room.
10:13What do you mean different?
10:16Don't get offended, but you look like a hipster.
10:20Mrvice Debeljko.
10:22Mrvice, Debeljko is now with a reduced brain capacity.
10:28That's how it is.
10:30It doesn't matter. It's not a compliment.
10:32You saw me at the faculty. I looked like Einstein.
10:37Albert.
10:40What is this?
10:42It smells like Zavi tea.
10:44Zavi tea, Zavi tea.
10:46This was sent by the host Mido.
10:48Don't forget about Zavi tea.
10:50And a little domestic brandy.
10:53Do we have forks and knives?
10:56We don't have them yet.
10:59Step back.
11:01We can find some.
11:03Take this.
11:05You're a hipster.
11:07Let's go over there.
11:09Let's find some forks and knives.
11:12Where?
11:34Bro, what's going on with Luka?
11:37I talked to him. We'll see.
11:40You talked to him. Look at the time.
11:43So?
11:45He's still not here.
11:47I'm starting to lose my mind.
11:50Why?
11:52Because I told you about the problem between him and Laura.
11:55And now you're getting on my nerves.
11:58I noticed something was going on.
12:00You're not to blame for that.
12:02If it's your problem, it's my problem.
12:05If it's your problem, it's my problem.
12:08Luka can solve his own little obsession.
12:11Okay.
12:13What are you going to do?
12:16I'm going to have fun with the woman who's carrying my child.
12:20And I'm going to organize the party I promised.
12:23Really?
12:25Where are we going?
12:27We're not going anywhere.
12:29Everyone's leaving.
12:32Can I?
12:34Yes.
12:38What are you doing?
12:41I'm writing.
12:43You see?
12:50Come on, come on.
12:52Look how he's looking at you.
12:54Come on, don't be shy.
12:56But I like this.
12:58Come on, come on.
13:00Welcome.
13:02This is our party.
13:04This is the party for Donček.
13:06Come on.
13:11It's starting to warm up.
13:14This is good.
13:16Pour some more.
13:18Help yourself.
13:20Let's eat.
13:22This is so good.
13:26It's great.
13:28You're a real glutton.
13:30I can eat a lot.
13:32Come on.
13:34One more.
13:38This pork is so good.
13:40My mouth is watering.
13:42Can you just shut up for once?
13:45If you can.
13:47I'm a visual type.
13:49I can see it all.
13:51I didn't show you the picture.
13:53My mouth is watering.
13:56I can see it.
13:58This place is beautiful.
14:00It has its own atmosphere.
14:02It's cozy.
14:04Cozy.
14:06What?
14:08It's cozy.
14:10Does Pancheta always own this place?
14:12Is she the owner?
14:14No.
14:16She was never the owner.
14:18Let me put it this way.
14:20The owners are Luka and Alex.
14:25They're not here now.
14:27So I'm asking everything.
14:29Pancheta.
14:31Pancheta.
14:33I don't know.
14:35If she's not the owner,
14:39how could she have a partnership with Midom?
14:45Are you crazy?
14:47I'm asking you something.
14:49Did you come here for coffee,
14:51or to spy on me?
14:54Look me in the eye.
14:56If you don't get it,
14:58you can ask me.
15:00Or call Pancheta.
15:02I'm just thinking.
15:04Hello.
15:06Hello, nice to meet you.
15:08How are you?
15:10How are you?
15:12You should have come to town.
15:14You and I had a deal, right?
15:16Oh God, what is this?
15:18The roasted pig is here.
15:20Let's take a break.
15:22Kosmaj is waiting for us in Belgrade.
15:26Kosmaj!
15:28Cheers!
15:30Cheers!
15:32Cheers!
15:34Cheers!
15:36Cheers!
15:38Kosmaj!
15:40Cheers!
15:51Good day.
15:54Good day to you.
15:59Today we can start
16:01by you telling me
16:03what you want us to do.
16:05I don't want to do anything today.
16:10We're not going to talk?
16:12No, I don't think so.
16:14I'm actually interested in
16:17Why did you agree
16:19to do therapy with Andrija?
16:22Well, Andrija is my patient,
16:24like everyone else.
16:26And my job is to have patients, right?
16:28Okay, but you didn't even consult me
16:30about that.
16:32Well, to be honest,
16:34I thought you were talking about it.
16:36Imagine, we're not.
16:38Somehow you brought us
16:40to a dead end.
16:42Okay, I understand your concern.
16:44But...
16:49I'm sorry.
16:53I think you have every right
16:55to be confused.
16:57If you want, I'll fire Andrija.
17:01I don't really understand
17:03why you agreed to work with him.
17:07I made a mistake.
17:09I thought there was a chance
17:11it wouldn't be unpleasant,
17:13but as I said,
17:15I'll fire Andrija.
17:17Okay, now there's no need
17:19for sudden moves.
17:21I mean, for now.
17:24Here, you think about it,
17:26and I'll do
17:28what you want.
17:32I don't understand why
17:34I have to work with you.
17:36Maybe because I'm one of the best
17:38in the city. I don't know.
17:40Okay, but you could have
17:42worked with someone else
17:44who was just as good as you.
17:46Yes, but Andrija insisted on me.
17:48But why?
18:01Why did we split up here?
18:03Don't act crazy.
18:05I don't know what you're talking about.
18:07No, really, no.
18:09Okay, I can refresh your memory
18:11We agreed that I know
18:13where Mido keeps the money
18:15and that I'll get a percentage.
18:17Oh, that agreement.
18:19Okay, it existed,
18:21but since the information
18:23wasn't accurate, I don't know
18:25about the agreement.
18:27I did my part of the job.
18:29I want a percentage.
18:31What percentage? There's no money.
18:33All the money is with Mido.
18:35Okay, in that case,
18:37you owe me at least a bonus.
18:40Really.
19:04He probably left
19:06because of you.
19:08But why because of me?
19:10Because you need to control things.
19:12Maybe you'd talk
19:14during one of your sessions.
19:16What would he get out of it?
19:18I mean, all of this is,
19:20at least you'd admit, weird.
19:22Maybe, but that's how
19:24he'd see your sessions.
19:26I'm telling you, it's a matter of control.
19:30Okay, what do we do now?
19:32For starters, I suggest
19:34that you don't talk during the sessions.
19:36Let it flow like that,
19:38with a deal.
19:40And that will solve the problem?
19:42Well, that's how you'll avoid
19:44psychological games.
19:46Okay, that's smart.
19:50But, tell me,
19:52what do you want to talk about today?
19:58About...
20:00intimate relationships.
20:02That's sex for me,
20:04but this is the perfect opportunity
20:06to ask you why you're avoiding that word.
20:08I'm tired of saying it.
20:10I suppose
20:12nothing happened on that plan.
20:14How could anything happen?
20:16I don't understand.
20:18You're explaining an obstacle to them.
20:20Well, of course, there's no intimacy
20:22between the two of us
20:24because those...
20:26women are constantly
20:28around him.
20:342nd day
20:38In that Cosma...
20:42Everything on the floor...
20:46Everything is the same...
20:48Everything is the same...
20:52Beer on the floor...
20:58Give me a little wine.
21:00A little wine, please.
21:04Come on, come on.
21:06Come on, come on.
21:09What is this?
21:10It's nothing.
21:12It's just that you're so good that you came.
21:16Yes, you are love.
21:18You are a pro.
21:20What are you doing?
21:21You are pushing.
21:22What are you doing?
21:23Why are you crumpling in the middle of work time?
21:25Are you normal?
21:26Fatty, fatty.
21:27Go to the table.
21:28Go to the table.
21:29Go to the table.
21:30Come on, try to help me.
21:31Try to help me.
21:33What is this, dear?
21:35Panči, we slaughtered a pig.
21:41It was Mrvica.
21:42It was.
21:43It was Mrvica.
21:44It was.
21:45Because it's a man.
21:46And he brought the pigs.
21:49He brought Panči the brandy.
21:51And I took our wine.
21:53While he was spying on the premises.
21:57Shut up.
21:58Go to the bar.
21:59Go to the bar as you know and know.
22:01Go or you won't drink to serve me the guest.
22:03Go.
22:04At all.
22:05Go.
22:06Nothing.
22:10My God.
22:13Nothing.
22:14Nothing at all.
22:19Please, Mido.
22:21Oh, Pančeta.
22:22Old house.
22:23What's new?
22:25What's new?
22:26Here I am in Maldives.
22:28Isn't it, Mido?
22:30Why did you send Mrvica to Maldives?
22:33He drank Debeljka and Mileta with your brandy.
22:37Pančeta?
22:38I didn't send anyone.
22:42As for Mrvica, I only know that Ljeposava sent him to Kraljevo to finish something there.
22:49Ljeposava.
22:50Oh, my God.
22:51You're in that mess.
22:53Ljeposava.
22:54I should have guessed.
22:56This is her butter.
22:58She, she, don't doubt that.
23:00That's evil.
23:01You hear?
23:02But look, there's one good thing about that.
23:04The combination is starting to work for us.
23:07Super.
23:09What combination is working for us?
23:12Ours.
23:14Our combination of brandy and pig.
23:16Do you understand?
23:17Listen to me.
23:18This was actually our first tasting.
23:22Okay, okay.
23:23Okay, Mido.
23:24It will be good.
23:25You see?
23:26I'm coming soon with the first orders of pig.
23:29We're going to make a miracle.
23:33Come on.
23:34Come on, come on.
23:35It's going to be okay.
23:36Come on.
23:38All of this.
23:40I'm going to eat a mushroom.
23:42Mushroom.
23:55Yes?
24:00Just be careful with the table, please.
24:03Who is it for?
24:06For you, Andrija.
24:07Who else would it be for?
24:09God, what a beautiful bouquet.
24:11Look at it.
24:13Beautiful.
24:14It's really beautiful.
24:16With taste.
24:18It's really beautiful.
24:20It's really beautiful.
24:21It's really beautiful.
24:22It's really beautiful.
24:23It's really beautiful.
24:25It's really beautiful.
24:27Who is it from?
24:29Can you please go to my office and wait for me there?
24:42And who gave it to you?
24:44It's not important.
24:47Okay, I've decided not to spread the word about the company.
24:50Now you can tell me.
24:53I can.
24:55But you won't.
24:58Somehow.
25:00Just tell me.
25:01I mean, if there's a secret, there will be a secret.
25:03Secret?
25:05In this company where so many women work?
25:08Please.
25:10Okay, why don't you tell me then?
25:13Because I'm sure you'll try to find out yourself.
25:23I'm sorry.
25:36Do you think that other women are the cause of the lack of sex with Andrija?
25:41I think he's lost his mind.
25:43Here.
25:44It's a good opportunity to calm him down.
25:46Well, I'm trying.
25:47But I don't know where those women come from anymore.
25:49I don't trust them.
25:50Both at work and off work.
25:53Should she remind you that you're her husband?
25:56Maybe you work together, but when you come home,
25:59you have to turn over a new leaf.
26:02And so every day.
26:05Yes.
26:06Until he comes here.
26:09I'm not saying it's easy, but you still play two roles.
26:13His wife,
26:14and his colleague.
26:16Are you aware of that?
26:19And him?
26:20Is he aware of that?
26:22I'm not saying.
26:23He should do something about it.
26:27Well, I bet you're helping him.
26:30Well, I'm not telling you about his sessions,
26:33so I'm not going to tell him about yours either.
26:38Did I ask you to do that?
26:40No.
26:42I'm just saying that you should take up the territory
26:45when you're in the role of a woman.
26:48Milena, it's getting harder and harder.
26:52I think you'll feel better that way.
26:54You won't mess up the roles,
26:56and it'll be easier for you and Andrija.
27:03I want to ask you something.
27:07Would you like to have sex with Andrija?
27:12Why are you asking me that?
27:14Yes or no?
27:16I don't think it's appropriate for us to talk like this.
27:19Of course it's not appropriate, believe me.
27:22I think he'd like to have sex with you.
27:26Uh-huh.
27:27And how did that happen?
27:30Well, at one point, he thought we were talking about you,
27:35not me.
27:36And yes, I went over this with you,
27:38and I think it's very appropriate at this point.
27:41Let it be.
27:43And in what context did you think you were talking about me?
27:48In the context of...
27:51sex.
27:58Tell me, what do you want to drink?
28:00I want Pelinkovac.
28:01Pelinkovac, nice.
28:02And what's your name?
28:03Mima.
28:04Mima, nice.
28:05Nice, Mima.
28:06And tell me, Mima, what do you want from me?
28:10For you to promote me a little on your website.
28:13Don't worry about a thing.
28:15It's over for you.
28:16I'm worried.
28:17No, we're not going to do that on you.
28:20We're going to do it on you.
28:21Right?
28:22Don't be so grumpy.
28:35Thank you.
28:44Thank you.
28:46Thank you.
28:50What did you think?
28:52Red juice instead of wine?
28:55You see, I have to show solidarity with you now,
28:57since you don't drink alcohol.
29:02Cheers.
29:04Cheers.
29:15What do you want from me?
29:17Most of the women who work with me,
29:19who surround me, I'm the boss.
29:20And you know that.
29:21Yes.
29:22As well as you know that they're in love with you.
29:24Well, maybe you should be proud
29:26of what your husband wants from you.
29:28It may look like that.
29:30But I have a problem with you for some reason.
29:33I'm constantly in a different plan.
29:36I think you're thinking too much.
29:38Oh, okay.
29:39I'll think about that later.
29:50I'm disappointed that I joined this business plan with Meade.
29:55I really can't, ma'am.
29:57You know what?
29:58I'm only interested in whether he thinks
30:00that I'm going to be like this,
30:02and drag him to the grave of his life.
30:04I will, of course.
30:05I'm like Magarac, who drags.
30:07I'm going to fall apart in this house.
30:22Did you recover from the shock
30:24that auntie made us from Australia?
30:26I did.
30:27And I decided that I won't ask anything from you anymore.
30:32Just that you'll marry me
30:34when I take the money.
30:37Okay, kid, stop fooling me.
30:39Really?
30:40Just kidding.
30:41Okay, but you know what?
30:43I still have to confess something to you.
30:45What?
30:57Oh, Miki, bravissimo.
30:59Bravissimo, Miki.
31:01Great.
31:02Come on.
31:03Come on, give me new information.
31:05Hello.
31:07Dolce Vita.
31:08Dolce Vita.
31:09How did you say it?
31:10Mime, right?
31:11Dolce Vita.
31:12Do you know what Dolce Vita means in Italian?
31:28And I still can't ask
31:30how it is at the session with Andrija?
31:33You can't, but I'll tell you one thing.
31:36I think Andrija would like
31:38something much more than a session with me.
31:42What do you mean exactly?
31:58Oh, how did you remember me?
32:00We haven't heard from each other for a long time.
32:02Yes, aunt, because I work a lot
32:06and I didn't have time to call you.
32:11If you work a lot, you earn a lot.
32:27Cheers.
32:33Excuse me, guys.
32:35What?
32:36They arrested Luca and Lauro.