Igra sudbine, Epizoda 1141,Igra sudbine 1142 ,Igra sudbine 1141,Igra sudbine Epizoda 1142, Igra sudbine Epizoda 1141,Epizoda 1142 Igra sudbine ,Epizoda 1141 Igra sudbine
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TV ve DiziDöküm
00:00♪♪
00:10♪♪
00:20♪♪
00:30♪♪
00:40-♪♪
00:50Who?
00:52-♪♪
01:00-♪♪
01:04Good day.
01:07He was good.
01:10I'd say he's still good.
01:13Successful.
01:15How well did the famous lawyer Andrija Bošan visit me?
01:19You don't have to flatter me.
01:21I have no intention.
01:23I just haven't seen you since the divorce, so...
01:26I have the impression that we'll be friends again.
01:29Really?
01:30Mhm.
01:33Laura Đorđević from Milan contacted me to inform you
01:36that she's going to file a lawsuit against you
01:38for mobbing and business fraud.
01:41Her?
01:43-♪♪
01:53-♪♪
02:00What now?
02:02Since when have you been hanging out with my ex-husband?
02:05-♪♪
02:14So?
02:15Who stole the gun?
02:18Ljepo Sava.
02:19My ex-wife.
02:22What's she going to do with her gun?
02:25Don't worry, I think she wants to kill me, man.
02:30Well, let me tell you, she looks like that.
02:33Save me, please.
02:35I don't want to look for a long time.
02:38Is she...
02:40romantic?
02:41Well, a little, yes.
02:42But look, there's no reason.
02:44I don't think there's any reason for that.
02:47Well, okay, what's her motive then?
02:50It looks like she's mad that I want to move to Belgrade
02:53and open a bakery there.
02:56Eh.
02:57And why do you want to kill her?
02:59Eh, you don't know her, man.
03:01You don't know her, you don't know her.
03:04Well, for God's sake, Mido.
03:06Disarm her.
03:07For God's sake, man.
03:08You're a man.
03:09Me?
03:10I can't, for God's sake.
03:11I'm telling you, I can't.
03:13Why?
03:14Well, you're a man, too.
03:16And you're the boss.
03:18And if you laugh, you're disarmed.
03:20Eh.
03:21You hear?
03:23Okay.
03:24If you say so, I will.
03:27Oh, man, that's in the 90s.
03:29Do you hear?
03:30She wouldn't dare.
03:31Me?
03:32She would shoot me like a bird.
03:34Hm.
03:36Eh, thank you very much for that honor, Mido.
03:39Okay, when should I come then?
03:41Tomorrow, Neso.
03:43Eh.
03:44There will be a bajadera and there will be a rakija.
03:47That's right.
03:48There will be, there will be.
03:49If you like it, Sava.
03:50Don't screw up tonight.
03:51Come on, barricade yourself there.
03:54Go into the room, lock yourself up well.
03:56And what will I do, my martyr, Neso?
03:58I lock you up, you get black every night.
04:01Eh.
04:02Come on.
04:03Come on, okay, see you tomorrow.
04:05Come on, come on, bye.
04:07Come on.
04:18The state is not normal.
04:20What kind of mobbing?
04:22For mobbing, for sure.
04:23But I'm not sure why it will bother you even more.
04:26That space is mine.
04:28I can do whatever I want with a price.
04:31Well, you can't.
04:32You can't because you signed the contract.
04:34Did we switch to you again?
04:37We switched to you because I assume
04:40that this indictment will be very, very different.
04:43So, we'll see each other, Jovana.
04:46We'll see each other very often.
04:49Except, of course, if you don't agree to that offer.
04:52Well, I can't do anything, that little whore.
04:54And if you keep insulting her like that,
04:57in my opinion, that accusation can go on and on.
05:03Well, it can only spit in my face.
05:09Well, I wouldn't say that.
05:16If you ever complain to Andrija Bošnjak about me,
05:19I'll come to Milan.
05:21The price of the contract doesn't matter.
05:23Not a single price.
05:25You're getting out of my business space
05:27because that's how I want it.
05:30How did she agree to film me?
05:34Besides, that's no proof in court.
05:37You're sure to lose your job
05:40because of moral consequences
05:42for something that's not valid in court.
05:45Anything.
05:48Jovana,
05:51I'm going to sue you for adultery.
05:53I mean, you're lucky that
05:55people like you don't get fired.
05:58I'm begging you
06:00to agree to the price of the contract
06:03and then, maybe,
06:05this accusation won't even come.
06:10To give up just like that, without a fight?
06:12My suggestion is to give up without a fight
06:14and to sign the contract.
06:17Otherwise,
06:19this video that you just heard
06:22will go in the media.
06:24I mean, you know how harsh the media can be
06:27and it can be really complicated.
06:30I don't know. Think about it.
06:34I'll call you back soon.
06:49Oh, God.
06:59Wait, wait, wait.
07:01Did you just ask me?
07:05Where did you get that?
07:07Yes.
07:08I'm just asking.
07:10I can't ask.
07:12No one asks that.
07:14Are you asking me, Milan?
07:16No.
07:17No?
07:19You never know.
07:21That's what I want to say.
07:23I don't understand.
07:25I've never thought about it.
07:27I have no idea.
07:29We haven't been in touch for a long time.
07:32People don't think about it often.
07:35I haven't either.
07:37What will I do until it happens?
07:39What happened to you, Milan?
07:41Are you fed up with that bohemian life in a tavern?
07:44You decided to change.
07:46You're fed up with taverns,
07:48you're fed up with drinking,
07:50you're fed up with women.
07:52You decided to have a family.
07:54Are you trying to say that I don't know what a tavern is?
07:57That I've never been to a tavern with a red tablecloth?
08:00That I've never seen a singer sing?
08:02No, no.
08:03Do you want a family?
08:04No.
08:05No?
08:06Why not?
08:08If it's a yes or a no,
08:10then I'd think about it.
08:12I want money.
08:14What money?
08:15What money?
08:16Please.
08:17What money?
08:18What money?
08:19What do you want money for?
08:21Who am I?
08:22I said money.
08:23I said money because
08:25it's for the stability of the family.
08:28I want to say money.
08:30And business focus.
08:32Okay, I understand.
08:34But let's do it this way.
08:36I understand everything.
08:37But since I don't know if I want it or not,
08:40let's pretend you're inviting me now
08:42so I can decide if I want it or not.
08:44Can I?
08:46Yes, you can.
08:47I think it's about time
08:50that I...
08:54that I say it.
08:56When...
08:58When...
09:00When the man
09:02decides
09:04to come
09:06and say...
09:08Mile!
09:09Mile!
09:10Mile, what?
09:11Mile!
09:12Mile!
09:13Mile!
09:14Mi...
09:15What happened?
09:16What happened?
09:17Mile!
09:18Mile!
09:19Mile, are you okay?
09:20Mile!
09:21Mile!
09:28Why are you so quiet?
09:29I'm asking you nicely.
09:30Since when are you and Luka best friends?
09:33I'm not even friends with her.
09:35Really?
09:36She?
09:37What do you mean?
09:38And who else is that Laura?
09:40Her lover or his?
09:44Well...
09:46I had to make a deal
09:48with Luka.
09:50He bought the space anyway.
09:52And he has the right to it.
09:55How come I don't know about that space?
09:57And about Luka?
09:59Because last night you said
10:01you didn't want to listen to stories, so...
10:06So, she...
10:07He bought the space
10:09from me.
10:11I mean, from my company.
10:14And how come you didn't know about that?
10:16Andrija, you're constantly
10:18covering me up with your business stuff.
10:20And when it's something really important,
10:22you keep quiet about it.
10:23No, actually,
10:24I don't even want to know.
10:27I'm nervous
10:28because of our relationship.
10:31And...
10:32What's the problem with our relationship?
10:34What's the problem?
10:36We're breaking up, Andrija.
10:37We're breaking up.
10:41Come on,
10:42continue.
10:43We're listening to you.
10:46We haven't even slept yet.
10:48What do you mean, we haven't slept?
10:50What are you talking about?
10:51We sleep together every night.
10:52Andrija, please.
10:53I don't mean in that context.
10:54Don't be crazy.
10:56Okay.
10:57So, it's the same story again.
10:59First.
11:02First.
11:03You didn't want
11:05to go to the honeymoon.
11:06Right?
11:08Second.
11:11And you asked yourself
11:12if you should have married me.
11:15Do you want to continue?
11:18Have you perhaps
11:19realized
11:20that all of this
11:21is the reason
11:22for what's happening now?
11:25All of this is your confusion.
11:28There are a lot of problems.
11:29We're constantly having problems.
11:31Okay, Andrija,
11:32but I'm going to the psychotherapist
11:33and I'm trying to solve it.
11:34And you're acting
11:35as if everything is fine.
11:40Wait, wait.
11:41What are you trying to tell me?
11:54Get up!
11:55Get up!
11:56What happened?
11:57Get up!
11:58Come on, move her.
11:59Come on.
12:00What do you mean, move her?
12:01Help me to lay her down.
12:02Oh, my God,
12:03you're so heavy.
12:05Mila, come here.
12:06Come on.
12:07You can't do this.
12:08Look at him.
12:09Here, here.
12:10Mila, you have to die.
12:11Where are you?
12:13What happened?
12:14Why are you
12:15running around like this?
12:16I don't know.
12:17He asked me to come,
12:18but...
12:19But what?
12:20You rejected him?
12:21I didn't reject him.
12:22I didn't get to talk to him.
12:23I just collapsed.
12:24Mila!
12:25Mila, what did he tell you?
12:28What is this?
12:29What is this?
12:30Huh?
12:31Huh?
12:32What is this?
12:33Mila, look at me.
12:34Mila.
12:35Mila, are you okay?
12:36Listen to me.
12:37You don't have to get married.
12:38You don't have to do anything.
12:40You don't have to do anything.
12:42Just be good.
12:45This is the end.
12:48But...
12:49What?
12:50What?
12:51What did he say?
12:52What did he say?
12:53I usually don't listen to him.
12:54And when I used to listen to him,
12:55I didn't understand anything.
12:56What, Mila?
12:57What are you talking about?
12:59What?
13:00Money.
13:01Money?
13:02Money.
13:03Look at me.
13:04Coffee.
13:05Coffee?
13:06Coffee.
13:07Look at me.
13:08Look at me.
13:15So what?
13:16We'll pretend that it's normal that you reject me.
13:19No, no.
13:21We won't.
13:22But you know what led to all this, right?
13:26You played the main role in everything.
13:28Listen, Andrija.
13:29I've been through a hard time.
13:31But as you can see,
13:32I'm trying to get over it.
13:33I'm going to therapy.
13:34I've been trying, too.
13:36You've been trying.
13:37And what now?
13:38You're giving up on everything.
13:40Did I say that?
13:44Wait.
13:46Why don't you visit Coach Milena Borazović?
13:50It would be nice.
13:52What?
13:55What is it now?
13:58I'm not going to see a psychotherapist.
14:00What's wrong with you?
14:01I'm sorry, sir.
14:02I didn't recognize you.
14:03Why not?
14:04What?
14:05Am I crazy?
14:06I'm fine with you.
14:07Una.
14:08You had a problem.
14:09I found a psychotherapist.
14:11We don't solve all problems the same way, right?
14:14Why don't you try?
14:15Believe me, it would be nice.
14:16It would be nice for both of us.
14:19Because I would be in danger.
14:21What?
14:22Andrija.
14:23The session didn't hurt anyone.
14:25It can only hurt the therapist or not.
14:29Una.
14:30I would be exposed.
14:33I'm begging you.
14:34It would look like Andrija Bošnjak going to see a psychotherapist.
14:38Why?
14:39He's always giving good examples to other people.
14:42And I believe there are a lot of people here who are ready for that coach.
14:45I totally agree with you.
14:47But I don't have to be that example.
14:48Why not?
14:51Because it's a risk.
14:56A risk.
14:57A risk?
15:00Well, you're risking a lot more, Andrija Bošnjak.
15:06What?
15:09For example, staying single.
15:17Have a nice day.
15:25Come in.
15:26Come in.
15:27What are you waiting for?
15:29Don't be afraid.
15:30Sit here.
15:33Look at me.
15:36The gun means a lot to me.
15:40Right?
15:41It means a lot.
15:43Who do you work for?
15:44Me or her?
15:46I don't care about the gun.
15:47I don't care about her.
15:48I don't care about her.
15:49I don't care about her.
15:50I don't care about her.
15:51I don't care about her.
15:52I don't care about her.
15:53She threatened me with a gun.
15:55She told me not to tell you anything.
15:57I think she's crazy.
15:58Come on.
16:00Good morning, Columbo.
16:01I know that all my life.
16:03Yes, sir.
16:04You have to behave.
16:05Go, please.
16:06And take that gun.
16:07Go, please.
16:08Who?
16:09You.
16:10Me?
16:11You?
16:12Are you crazy?
16:13Me, take it?
16:14You take it, if you dare.
16:15Me?
16:16She threatened me with a gun.
16:17What if she uses it?
16:18Who cares if she uses it on me?
16:21We'll leave that for tomorrow.
16:25What if she doesn't use it on you?
16:28What if she threatens you?
16:30Me?
16:31Yes.
16:32She's my wife.
16:33So what?
16:34You're divorced.
16:36Just let her try.
16:37Just let her try.
16:40I'm divorced.
16:41What do you care?
16:43We live under the same roof.
16:45We live under the same roof.
16:50Let it be what it is.
17:07What will he find us now?
17:09He's lying here as if we're not going back tomorrow.
17:12I'm speechless.
17:14Oh my God.
17:16We're going back to Belgrade tomorrow.
17:19Come on!
17:21I don't know what to do.
17:22Do you think we'll be better off?
17:24I don't know.
17:26I don't know what to say.
17:30What are you thinking about?
17:34Don't you think it's suspicious that this jerk
17:37mentions inheritance,
17:41testament,
17:43and money?
17:44He's a jerk.
17:46It's hard to talk to.
17:48When a jerk talks about Baba Gaja,
17:50he talks about cabbage and chicken.
17:52And not about the testament and money.
18:00What are you doing?
18:01These are Mileta's things.
18:03I'm going through Mileta's things.
18:06Why?
18:07Because the proof that I'm right
18:11is right here.
18:19What's that?
18:21What's what?
18:22What's what?
18:23What's what?
18:24What's what?
18:26What's what?
18:32Testament.
18:34Testament?
18:36Mileta's things.
18:39From Australia.
18:42It says that Mila will get
18:48half a million Austrian dollars.
18:53Australian dollars?
18:54That's what I said.
18:55Come on!
18:56If she gets married
18:58in the next six months.
19:03What?
19:05He's a jerk.
19:08That's why he wants me.
19:13Go to hell!
19:15Go to hell!
19:34You set me up.
19:36What now?
19:38Problems with the team building?
19:40You set me up with Luka.
19:43What's going on, Jovana?
19:45Her husbands have joined forces
19:47to protect a small island.
19:49I really don't know what you're talking about.
19:52You reminded me of that.
19:55Did you change the price of the space?
19:58Don't be crazy.
20:00By the way,
20:01that whore decided to record me on the phone, Andrija.
20:05The more you talk,
20:07the less I understand you.
20:09You're being crazy.
20:10This was your idea and I know it.
20:12And I know you gave it to your lawyer.
20:15Who?
20:17Listen, my lawyer has a lot of clients.
20:20Maybe it's a coincidence.
20:21Yes.
20:22And then Mrmot wrapped it in chocolate.
20:25Andrija?
20:26Mom?
20:42Mom?
20:44What's wrong? Why are you crying?
20:47You know what?
20:49I don't want to be alone here.
20:51It's not fair.
20:53I've always dreamed of a bright city
20:56and wide boulevards.
20:58And what did I get?
21:00Candles.
21:01And tractor headlights.
21:04Take it easy.
21:06Maybe it's not all that bad.
21:08Come on, don't cry.
21:10Of course it's bad.
21:12Nido is working behind my back.
21:14He's making a retreat for you and him.
21:16And I'm not in that story.
21:18I don't know what to tell you.
21:20Nothing.
21:21It's clear that he thinks I'm not for Belgrade.
21:24And that we should stay here, in these apartments.
21:27But Belgrade is close.
21:29So?
21:30You can come to the city in half an hour.
21:33You can come whenever you want.
21:35You don't understand anything.
21:37What don't I understand, Mom?
21:39What are you talking about?
21:41About loneliness, honey.
21:43That's what I'm talking about.
21:52I LOVE YOU
22:00Okay.
22:03I think I didn't forget anything.
22:08I think that's it.
22:10I wrote down everything in order,
22:12what I need to do,
22:14what meetings I need to make,
22:16and what I need to get for the company.
22:18Please, try to finish it today.
22:21I LOVE YOU
22:26Is there anything you want to ask me?
22:28I would like to ask you something,
22:30but I don't want you to bother me.
22:32It's private.
22:33I won't bother you.
22:36I don't know how.
22:38I don't like it.
22:40What do you mean?
22:42We've been together for half a year.
22:44What's wrong with that?
22:46That's what I'm talking about.
22:49What's wrong?
22:52Well, I have the impression
22:54that you're moving away from me.
22:57You're avoiding me.
23:03What do you mean?
23:06I just see and feel it.
23:08You used to lean on me a lot.
23:11You don't want me to burden you, do you?
23:15You've never burdened me.
23:17And now you're avoiding me.
23:21But...
23:23I just have too much work.
23:26You see for yourself.
23:28Well, okay.
23:30It's always like that.
23:32You always had a lot of work,
23:34but you also had time for me.
23:36And now you don't have it.
23:38So...
23:40Another woman in my environment
23:43is not happy with me?
23:47No.
24:00I really don't know how to deal with all of them.
24:11Where's Trivanović?
24:13He left for Belgrade.
24:15Don't worry about him, boss.
24:18Do you love him?
24:20Well, he's nice to me.
24:23I think it's love.
24:25Well, if you're blind, then it is love.
24:28What do you mean?
24:30Well, you're blind from love
24:32because you don't see how stupid my daughter is.
24:35Mom, please don't start.
24:37I'm right. He's a cop.
24:39And he let himself lose his gun.
24:42He didn't lose it.
24:44They stole his gun.
24:46I think he's not for you.
24:48Who's for me?
24:50Well, if the two of us were together in Belgrade,
24:54I would find a real man for you.
24:57I want Trivanović.
24:59I don't want a real man.
25:02I WANT TRIVANOVIĆ
25:11Hello, Andrija.
25:13What's the occasion?
25:15I wanted to invite you to a business club tonight.
25:18What's the occasion, if I may know?
25:20I'll tell you in a blink of an eye.
25:23I can't talk on the phone.
25:25It's 8 p.m. tonight. May I?
25:27You may.
25:29I guess you're happy.
25:31Happiness killed the cat.
25:33See you at 8 p.m.
25:53What should I do now?
25:55I'd rape her first.
25:58I have to get her out of the cell.
26:01It looks like you have to.
26:03You think so too?
26:05Listen, avoid the trial at all costs.
26:10I really want to do it.
26:12How could you be so, let's say, stupid?
26:15I don't know. I didn't think it through.
26:17I'm sick of it.
26:18Sick of going over the phone?
26:20What should we do now?
26:22Do you really think she'd let that video go public?
26:25Why would she let it go public?
26:28Listen to me.
26:30In the past, the court of public opinion was much worse than the court of justice.
26:35Now she's pushing us into a corner.
26:37She's pushing us into a corner. What should we do?
26:39How do we get out of that corner?
26:41You know what?
26:43Maybe she was talking about me.
26:46But she's still not a chess player.
26:49Come on, thank God.
26:52Let's drink to that
26:54and to your next move.
27:09Vote.
27:21Come on!
27:24Get up!
27:25No, no, no.
27:27What, what, what...
27:29Come on, tell me now how you wanted to leave me.
27:40We'll have to move out of the office.
27:43Really?
27:44Yes.
27:45Wait, what does that mean?
27:47It means we're stopping the collection
27:50This fashion week could be dangerous.
27:56Did you hear what I said?
27:58I heard you, Aleks, I'm sorry.
28:00I just have...
28:02a few things to think about.
28:20Are you looking at Jovana?
28:23Yes.
28:24She's here tonight, too.
28:26Not enough women, number one.
28:31There are two, three...
28:38Who are they?
28:50I'll tell you, but you have to promise you'll take me out tonight.
28:53I promise.
28:55I gave her an offer she couldn't refuse.
28:58Sorry, I didn't recognize you this morning.
29:02Cheers.
29:03Cheers.
29:08Okay.
29:10So, what now?
29:13Okay.
29:15So, what now?
29:31Timo?
29:33Okay, if you don't want to talk, I can start.
29:35No problem.
29:37Yes.
29:38I read the will.
29:40Don't talk to me.
29:42I was really surprised, you know?
29:45I didn't think you were the kind of person
29:47who looks at things personally.
29:49I really didn't think you were that kind of person, you know?
30:03Mrvica, come here.
30:07How are you?
30:09I'm fine.
30:11What are you doing?
30:14I'm going to bed.
30:16I'm really tired.
30:18It's not time to sleep.
30:20You have to do something for me tomorrow.
30:23I'm going to bed.
30:34It could be dangerous.
30:36In what sense?
30:38It could be manipulation between patients.
30:42Do you think we're telling the truth?
30:46It's not completely true, but...
30:49It will always be on your mind
30:51that your wife is going to a session with me.
31:06For the last day of rest
31:08and for a wonderful stay in Kosovo.
31:11It's the fourth, God forbid, it's the last day.
31:14You're coming to us again, to Pljanovic.
31:17When will you come to Belgrade?
31:21Let me know what's going to happen to these apartments
31:25when you move out.
31:41I knew it would be turbulent,
31:43but I didn't expect everything to go wrong.
31:47The most important thing now
31:49is to solve the problem of space.
31:52It's not easy at all.
32:06We're leaving soon.
32:08What's going on? Is it an emergency?
32:11No, this is the police.
32:15I'm going to see what's going on,
32:17and you should get ready.
32:19I'm going to see...