Sto para 5 - S01E21 - English subtitles

geso101
geso101
  • 2 months ago
S01E21
- "at 5 (minutes) to (the hour)" is a Greek idiom, equivalent to "at the last minute".
- Beth Logan and the Forresters (including Thorne) are characters from the American soap opera "The Bold and the Beautiful".
- Larissa and Trikala are Greek cities.
- Zouboulia's phrase about Larissa, Trikala etc. is a reference to an old well-known TV advertisement for a clothes store. The name of the owner of the store was "Sarafis" and the ad went like: "Sarafis in Trikala, Sarafis in Athens, Sarafis in Paris and now Sarafis in Larissa".

All rights belong to their rightful owners. This video is for educational purposes only: to help learners of Modern Greek and also help non-Greek people understand the Greek culture. This is a fan translation, as no official professional translation of the show exists.

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Transcript
01:00I don't know how they're going to find me.
01:02I'll change my name at the hotel, of course.
01:04I'm a new owner, I can't make any changes.
01:07Right.
01:08How do you say it?
01:10Hotel Dahlia.
01:13What?
01:17Do you think they'll understand what an owner is if you say Hotel Dahlia?
01:20They won't understand from me.
01:21From the hotel?
01:23Dahlia is a lot then.
01:25Why don't I have a tape recorder to record them?
01:30What?
01:33Ah!
01:34You said it!
01:36But you...
01:38Yes?
01:39You thought of everything.
01:40Bravo!
01:41That's why they call you MacGyver.
01:42That's why.
01:53I saw it in my sleep, I was holding a gun
01:56and a lot of thieves were passing by me
01:58and in the storm and in the snow
02:01I was shooting and making shots
02:03and I was an angel of Charlie, of Charlie, of Charlie
02:06I was wearing golden earrings in my boots
02:09and I was an angel of Charlie, of Charlie, of Charlie
02:12I was chasing thieves in the mountains
02:20I saw it in my sleep, I was drinking tea
02:23and the boss was calling me
02:25and he told me how much he loved me
02:28and how I was going on a trip to the Pacific
02:30and I was an angel of Charlie, of Charlie, of Charlie
02:33I was wearing golden earrings in my boots
02:36and I was an angel of Charlie, of Charlie, of Charlie
02:39I was chasing thieves in the mountains
02:56Troy, New Zealand
03:09He bought all of this?
03:11It's huge!
03:14How do they get rid of polys?
03:17Oh, Zulu, what an idiot you are
03:19You come in here
03:20and all you notice is how they get rid of polys
03:22When we first saw the virgin, you should have asked her
03:24Why didn't you ask? Doesn't she have a door?
03:26No, she doesn't.
03:30Wow, look how dressed up everyone is.
03:33Just don't say goodbye.
03:34Why didn't you tell me to dress up?
03:36We said goodbye more often.
03:38We haven't seen each other in a long time.
03:40I feel like Beth Longan when she went to Forrester for the first time.
03:43Michael Thorne!
03:47Kid, two more champagnes, please.
03:49From the royal suite.
03:50And strawberries, because they ran out.
03:52Take all the cherries, don't spoil them.
03:57Hi.
03:58I'm here.
03:59We're upstairs, in the pool.
04:00Kid, what did they tell you?
04:01What are you?
04:02Is this why you brought us here?
04:03To hang out in the pools?
04:04Did you bring the papers from the dentist?
04:06Or did you send them to the old gynecologist?
04:08Look at the room first, and then talk.
04:10Kid, we're not as cheap as you.
04:12We came here for a mission.
04:15Wake up.
04:16Where's the other one? I have to pick her up.
04:23Perfect champagne.
04:24Do you like the soup?
04:26No cream?
04:27Have some cream, then.
04:31Fedon brought us strawberries from Drama 1.
04:34Red cream.
04:36I haven't had better wine.
04:38You don't know what they put in these bottles.
04:40Guys, let me tell you something.
04:42I only enjoy these simple daily pleasures with you.
04:45And I never went to our house in the pool alone.
04:48Ever since I met you.
04:50Ever since I met you?
04:52Don't even think about it.
04:54Before we met, we were bored.
04:56So they invited me to their palace, and I said no.
04:59Isn't the view amazing?
05:01With the Parthenon.
05:03Yes, it's great.
05:04Be careful, though, that there's no door.
05:07When I said that...
05:09No, no, no, it's great.
05:11In my opinion, it's an overrated building.
05:16What?
05:17It's being modernized.
05:19Really?
05:20I prefer pyramids.
05:22Have you been to Zubi?
05:23Where is it?
05:24Can you see it from here?
05:25From the back balcony.
05:26I can't get up now.
05:27I've been there when I was little.
05:29These are ancient.
05:30They don't have windows, of course.
05:32Why do they build them like that?
05:34One doesn't have windows, the other doesn't have doors.
05:36They wouldn't have discovered the vaults.
05:38The scientist spoke.
05:39I'm dizzy.
05:40Because of the wine?
05:41Because of the discussion.
05:42Let me tell you.
05:43Enough with the ancient architecture.
05:45The wine has hit you in the head and you don't know what you're saying.
05:48You were talking about me.
05:56It's like snow.
05:57What does it say?
05:58It's fine.
06:01You're not leaving again, are you?
06:04No, I quit.
06:06What about you?
06:08Everything went well.
06:09Did you get him out?
06:12Him and his brother.
06:15He had a brother?
06:16Is he alive?
06:19What does the old man say?
06:21Did he learn about the accident?
06:23No.
06:24Will you tell him?
06:25Me?
06:26From where?
06:27I don't know anything.
06:29He'll try to clear you up again.
06:32I know.
06:34That's why I have to find those five, no matter what.
06:37Has Makaritis learned anything?
06:40If I tell you...
06:42What?
06:44I went to his house after the accident.
06:46I found strange things.
06:48Ropes, blood...
06:50What does that mean?
06:52I don't know.
06:53But it doesn't occur to me that I moved faster than I should have.
06:56I had to watch him first, learn all his movements...
06:59and then support him in Paris.
07:02Maybe you weren't in time.
07:04And you were in his place now.
07:08You did well.
07:09Don't think about it.
07:11As for those five, we'll find a solution.
07:14How?
07:15We'll find it.
07:17You have to worry about something else right now.
07:21What?
07:22Don't let anyone else kill you.
07:27Do you know that I don't sleep at night?
07:29You have to tell him.
07:31What?
07:32That you know what he's up to.
07:34That you know how he intended to kill you.
07:36What?
07:37You're under attack.
07:38Show him your teeth.
07:40Show him that he needs you.
07:43If you're so passive, tell him what you did.
07:48That you killed the other two.
07:51Only then will he trust you.
07:53If you make him afraid of you, he's not afraid of anything.
07:58He's afraid of the truth.
08:02In the first and second rentals,
08:05when the rent was renewed,
08:07the same name was mentioned.
08:08Kastelis Konstantinos.
08:09Nice, that's him.
08:10He killed her.
08:11Go get him.
08:12What?
08:13Aren't you coming?
08:14Martha!
08:15Come here, I need you for a job.
08:17Stop it, Maria.
08:18Leave the girl alone.
08:19We just found someone who owns the office.
08:22Martha!
08:23Akiro!
08:24We don't know if this person exists or if he's a fake.
08:28We'll start with the hope that he's not a fake.
08:30We'll start with the hope.
08:32Where do we end up?
08:33Zumbuli Agrosouzevis.
08:36Not this one again.
08:38Who is it?
08:39I don't know.
08:41Yes?
08:42You know, I haven't decided yet.
08:45Should I think about it today and call you tomorrow?
08:49Okay.
08:50Okay, bye.
08:52Who was it?
08:53From work, about the pots.
08:55What pots?
08:56I sell pots from house to house.
08:58I went yesterday and didn't see him, but I'm not sure,
09:01because I found something else this morning.
09:03I sell pots from pizzerias.
09:05Ah, I like both.
09:07I'd say yes to both.
09:08Can't you combine them?
09:10So, he sells pots from pizzerias?
09:12Does he exist?
09:13Come on, it's enough.
09:15So, how many pots are there in the list?
09:1762.
09:18His name is Konstantinos, but he has...
09:19Leave Konstantinos out of it.
09:20It could be someone's son and the phone number is his father's.
09:23Or the opposite.
09:24Exactly.
09:25So, for better or for worse, let's not exclude anyone.
09:27Exclude from what?
09:28From our investigations.
09:29Ah!
09:30We'll investigate again.
09:32I like it when we investigate.
09:34Stop it!
09:35And we'll investigate 62 pots that exist in Athens?
09:38That's the plan.
09:39I see.
09:40I see.
09:41Nice plan.
09:42And then we'll go somewhere else.
09:43Pots in Larissa, in Trikala, in New York.
09:45Perfect!
09:46I've never been there.
09:47In New York.
09:48In Trikala.
09:49What's New York?
09:50In New York, I have...
09:51I've been there.
09:53And we have to find an excuse to go to all of them.
09:56And we have to wait for everyone.
09:58We have to talk to them.
09:59How are we going to find out which one of them is involved in the accident?
10:06The pots!
10:09I'm glad you've finally decided.
10:11Because a girl has appeared.
10:12And that means a lot to us.
10:14Thank you.
10:15Of course, you'll have to reconsider some things about your appearance.
10:19What things?
10:20You have to be more feminine.
10:22Meaning?
10:23First of all, the shoes.
10:24What's with the slippers?
10:25Are you going to wear heels?
10:26I don't have heels.
10:30We'll bring you back next time.
10:32I hope she accepts.
10:33If she doesn't, I'm going to buy the company and I'm going to sell it to her.
10:37That's right.
10:38You have to charm the customer.
10:40You have to hypnotize him.
10:41And for God's sake, don't let him talk.
10:44I'll make him angry.
10:45You have to talk all the time.
10:46If the customer talks, it's only to express his or her opinion about your products.
10:51To express his or her doubts.
10:52Never to say a good word about the product.
10:54That's why you have to make sure he doesn't talk at all.
10:57We don't want the opposite.
11:00The first contact.
11:01What happens on the phone is very important.
11:04He has to trust you from the start.
11:06In order for him to open his house for you and make an appointment,
11:09you have to win him over on the phone.
11:11And then you won't have the appearance with your presence.
11:14He won't see you.
11:15So, in this conversation, you have to be very sweet and gentle.
11:20We're done.
11:21Good.
11:22When do I start?
11:26So, as I said.
11:27We pick up the phone.
11:29The first thing we tell them is that they have won a set of pastas.
11:32Pasta dishes, that is.
11:34That's what they say.
11:35And then we tell them the fairy tale about the appearance.
11:38Nice.
11:39We start to clean the pots.
11:42Have you read anything?
11:43Because I haven't.
11:44I couldn't because it was very difficult.
11:46They are recyclable.
11:47And they are shipped to Norway from the number one cooking industry in Europe
11:50with exports to America, Australia and Japan.
11:52They have a two-year warranty.
11:54They are easy to wash.
11:55They don't stick, thanks to the traditional solution with HN3.
11:58A substance that protects them from abrasions, hits, walls...
12:00That's enough.
12:03Aren't you going to tell me?
12:04Will each of them pick up the phone somewhere else?
12:06Until we get the set, we only call once.
12:09We'll hear the voice and we'll act accordingly.
12:11You pick up the popular ones and the women of the village.
12:14I pick up the difficult ones and the difficult ones.
12:17And the women of the village pick up the Italian ones.
12:19Perfect.
12:20I pick up.
12:22Why do I pick up the women of the village?
12:29Hello.
12:30Congratulations.
12:32You just won a pasta set.
12:34Is that you, Eleni?
12:38I see you every day, Eleni.
12:40I want a plate of dishes.
12:42What do you want?
12:43Yours.
12:46Bye.
12:58I think you're on the wrong track.
13:01Why do you say that?
13:02If you tell me to go out on the streets and sell pots,
13:05you're supposed to be looking for the killers of a girl.
13:09Yes, but I explained to you that these two could be connected.
13:12I believe you.
13:13And well done for discovering it.
13:15Your mistake is that you're not following the right path.
13:18You leave the murder and go elsewhere.
13:21Like your sister, who hasn't decided what she is.
13:24Actress, singer, dancer.
13:26She's doing Madonna right now.
13:28And right after that, she'll start singing the song of happiness.
13:33I thought you'd find it smart.
13:37You have to continue from where you stopped.
13:41From here.
13:44What is this?
13:45You were looking for the killers, and you don't know who they are?
13:49Where did you find the photo?
13:50I went to the archives of the newspapers and searched.
13:53Why?
13:54To help you.
13:57And I didn't just find this.
13:58I found more.
14:00What more?
14:06Your food is very tasty.
14:08Thank you.
14:09Do you like your mother?
14:15Now that you're alone, why should you eat what is ready?
14:19When is your grandmother coming from the elementary school?
14:21Next week.
14:23You told me about marriage. Did she go?
14:25Marriage?
14:28You're dreaming.
14:31What did you say, mother?
14:33She says marriage.
14:35Her sister's grandson is getting married.
14:38Why didn't you go?
14:40I was in a hurry.
14:41I wanted to go too.
14:43Why are you in a hurry to go to the elementary school?
14:46You should stay here and get well.
14:48You think I'm in a hurry?
14:50After the adventure you had, you're not in a hurry to travel.
14:54First of all, you don't like marriages.
14:56Who said that?
14:57Don't you remember?
14:58You didn't want to come to my wedding with Vassilis.
15:00We forced you to come.
15:02Theopoulos has seen it, and I remember it.
15:04What are you talking about?
15:06I wouldn't go to my son's wedding.
15:08You didn't want to come.
15:10If I didn't go, we wouldn't get married.
15:13Because what did I say?
15:15I didn't get it.
15:17Better.
15:19But it was a nice wedding.
15:21And of course, I have to say it.
15:23Mother didn't worry about the expenses.
15:25She invited a lot of people.
15:27For the show.
15:29The church was full. Do you remember?
15:31Yes, yes.
15:32But it's a pity that it happened with Paranifakis.
15:35Who?
15:36Don't you remember?
15:37He had a stone in the rice that we gave to the world.
15:40He didn't take it seriously.
15:42He threw it and hit him in the buttock.
15:44Poor guy.
15:45I wish he hadn't died.
15:47He changed his position at the last moment.
15:49What job does he have to go to the grave?
15:52He should have kept the veil.
15:54What?
15:55Theopoula.
15:58Should I bring the sweet?
16:00Yes, go.
16:01I'll be right back.
16:12I have to go to Aktel.
16:14I have to go to the Didimourikos.
16:16Come on.
16:17She'll be back in a week, Theopoula.
16:19Don't make her feel bad that she left.
16:21Why did she leave?
16:22Then find out if Kondi is pregnant.
16:24How can I find out?
16:25Ask her.
16:26I don't ask such things.
16:28If she comes, she'll say it herself.
16:30When the baby is born, of course.
16:32They'll lock us up everywhere.
16:34That's right.
16:40Here it is.
16:42Nice.
16:44Bye.
16:45Aren't you going to eat?
16:46I don't want to.
16:47I'm going downstairs.
16:48Eat it yourself.
16:49But I made it for you.
16:51I don't eat sweets because they make me fat.
16:53Eat as much as you want.
16:54You can't be fat.
16:56God will be sad and you'll throw up.
16:58The truth is that now that I see him,
17:00I want to drink a little.
17:01What?
17:02Bring it here.
17:06Oh, I didn't have time to toast you, Spiros.
17:09It's okay, I didn't want to.
17:12Spiros, I want to ask you something.
17:15About what we were talking about?
17:16Yes.
17:18Look, Garoufalia, I can't tell you more.
17:21The truth is that yes, Theopoula,
17:24she did leave.
17:25That's exactly why.
17:26Let's go to the police.
17:27You don't have to.
17:28That's it.
17:31I wanted to ask you something else.
17:33Does it have to do with your mother's discharge?
17:36In a broader sense, yes.
17:38What?
17:41Have you ever bought pots from a flea market?
17:44What?
17:46We went to Makaritis' office.
17:48Yes.
17:49We also went to his house,
17:50where they're about to catch us.
17:52You were running me through the stairs
17:54to the cabin to play beach volleyball.
17:57We spent the night in Zana's office.
18:00We ran through the streets to the bank
18:02for Anna Spano to give the keys to Amalia.
18:04Do you remember that?
18:06What's the first thing I remember?
18:08We climbed on the rooftops,
18:09we pulled strings with the secretary of the minister,
18:12I don't even remember her name.
18:13Elena.
18:14Yes, her.
18:15But of all the plans you came up with,
18:16this is the most stupid one,
18:18with a difference.
18:19Let's go.
18:27Oh.
18:32PHONE VIBRATES
18:35Yes?
18:36Yes, hello.
18:37From Lander.
18:38I got your number with a set of pots
18:40and a set of pasta.
18:42Anna, come to the third floor.
18:44Thank you. Is it open?
18:45Yes.
18:46PHONE VIBRATES
18:56HUMMING
19:08The hills are alive
19:12With the sound of music
19:16With songs they have sung
19:20For a thousand years
19:22How did you find all this?
19:24I told you, I looked for it.
19:26I didn't want to steal your joy
19:28from your own discoveries,
19:29but I couldn't leave you on the wrong path.
19:36Who are you calling?
19:37Spyro.
19:38He must have come from here.
19:39Let's see what we can do.
19:40My son, the pharmacist,
19:42told me it's the best.
19:44That's what you should do.
19:46Leave me alone, I can't find my phone.
19:48PHONE RINGS
19:50Yes?
19:51Come on, Spyro, light me up.
19:52Come on.
19:53What time are we going?
19:54Right now, to the channel.
19:55To the channel?
19:56Okay.
19:57Theopoula!
20:00Aren't we going to see what the others are doing?
20:02Come on, I'm telling you, it's urgent.
20:04Okay, okay.
20:05Come on, bye.
20:11I wanted to see Yota's face
20:13when you went and asked her for a pregnancy test.
20:15I told her it was for you.
20:17He's gone.
20:18Wasn't he?
20:19No.
20:20How many do we have now?
20:21Twelve.
20:22Do we have up to 62?
20:23No.
20:24Where's the next one?
20:26I don't know.
20:27I'll call you later.
20:47Marnie!
21:17DOOR CREAKS
21:48DOOR CREAKS
21:53I don't want you to be disturbed.
21:55It might be my idea, but I think someone is following us.
21:58SCREAMS
21:59That's exactly what I meant, don't be disturbed.
22:01Who?
22:02I don't know.
22:03There's a car behind us.
22:05What are we going to do?
22:07Nothing.
22:08We're going in normally.
22:09If it stops where we stop, we're in trouble.
22:13Can you hear it back there?
22:15SCREAMS
22:18SCREAMS
22:33That's it?
22:34Yes.
22:36It's gone.
22:37Let's see.
22:38Come on.
22:46Marie!
22:49Like this?
22:50Like this.
23:07He's back.
23:09Where do I start?
23:10Wherever you want, just don't fall again.
23:13Come here.
23:17What now?
23:18Let's defend ourselves.
23:20Let's go.
23:23Isn't she the boss?
23:24Yes.
23:26What does she want?
23:27What are you doing here, girl?
23:29Are you crazy?
23:30We said you were going to Halidari and Peristeri today.
23:32I've been watching you since this morning.
23:34You've been all over Athens, except for the areas you were supposed to go to.
23:37Fine. I wanted to go to other places. Does it matter?
23:39I was about to tell you what matters.
23:41Give me the bag. You're fired.
23:42What?
23:43What you heard. Give me the bag.
23:45But if you take the bag, what are we going to do? We have a mission.
23:48You want me to sell them, don't you, my Christian?
23:50What's your problem?
23:52Why? Did you sell them?
23:53Yes.
23:54To whom?
23:55To her.
23:56Megia?
23:57Did you buy them?
23:58Hey, don't tell the girls.
24:00How many did you get?
24:01All of them.
24:02All of them cost 1,000 euros.
24:05Two Movs.
24:07Are you kidding me?
24:08All this fuss is for two Movs?
24:14Here you go.
24:15Take it and don't bother us anymore.
24:17You were following us and my soul left my body?
24:19It's my job.
24:20Who else was following you?
24:22Murders, rapes, abductions. We know so many people.
24:26And since you bought them, why are you still around?
24:28To show them to my friends.
24:30And who are they?
24:31I'm her friend and I see them.
24:33Very nice. Very.
24:36Do you understand?
24:38Now, get out of my way.
24:40And bring me a bag. Didn't you say 10%?
24:43Get out.
24:44Go ahead. I'm coming.
24:47Do you want me to cut your throat?
24:50Anyway, if you don't mind the bag, we're having a great time.
24:56The man who killed this girl was arrested.
24:59When?
25:00A little while after the murder.
25:02He has been arrested and sentenced to life imprisonment.
25:05In 1976.
25:07Here.
25:08His name is also on it. Venatopoulos Gerasimos.
25:13So, who are we looking for?
25:15We might be looking for him, too.
25:17Since you're telling me, he's been arrested.
25:19What can I tell you? I don't know.
25:21I read everything I could find about this case.
25:23The truth is that I didn't look at all the newspapers of the time,
25:26but what I found is also important.
25:28Are you sure?
25:30Do we know where he might be now?
25:32Either in prison or...
25:33Or he's dead.
25:34Or he's been released from prison after 20 years.
25:37And who knows?
25:38He might be the one who killed Stavrianidis.
25:41For what reason?
25:43I don't know.
25:44I don't understand anything.
25:47Uncle?
25:48Not now, Frida.
25:49I want to ask you...
25:50I said, not now, Frida!
25:52When are you getting married?
25:53I'm getting ready for a ballet, Uncle.
25:56And where's the rest of the ballet? Did you miss it?
25:59Did Chondri tell you?
26:01Frida, go away, please. Chondri didn't tell you.
26:03Fine.
26:09Did you talk to the others?
26:10In the morning.
26:11They've taken to the streets with the kitchen utensils.
26:13Great!
26:14We have to find Venetopoulos.
26:16Should I stop going to the castles and catch Venetopoulos?
26:20Oh...
26:21Tell them that now.
26:25Are you with the priest?
26:26Yes.
26:27I'll send you to someone who might know.
26:31Who?
26:32Wait, I'll get a phone first.
26:42Welcome.
26:46You seemed strange on the phone.
26:50Was it necessary for me to talk to you about this?
26:55Have you heard from the others?
26:57He hasn't been answering for a while now.
27:00And he's never going to answer you.
27:03Why?
27:04Because he's not alive.
27:07What happened?
27:10I'm running away.
27:12But how?
27:14Like you taught me.
27:16What?
27:18I've served you so many times.
27:22I was thinking of killing myself this time.
27:27What do you mean?
27:31I mean that it was the only way to save my brother.
27:34I mean that it was the only way to save my brother.
27:41I brought him here to help you.
27:43Where did you get the idea?
27:45Exactly where you got the idea.
27:48I overheard you offering him the triple amount of money
27:51so he could catch the five of us first and then kill me.
27:56So?
27:59I didn't do well by leaving him without a break, did I?
28:03This is the last one for today.
28:05Then we're going home. You promised me.
28:07If you hadn't been late, we would have been done by now.
28:09Who's late, Marie?
28:11I'm in a hurry to catch up with the guy and see how he's doing.
28:14He's been in Athens for a long time.
28:16Doesn't he want a little time?
28:18How do we know he's the one we're looking for?
28:20Okay, but if I didn't like the house, I'd sell it.
28:22What did you tell them?
28:24Good morning. You've won a set of pastas.
28:27Is there a Mr. Kastelis living here
28:29in a company that will make a lot of money?
28:3190?
28:32Come on, Marie.
28:34Don't you have a brain?
28:36Is that why you're always late?
28:39How many houses have you been to?
28:42Not many.
28:43We have to go again.
28:44I'm not coming. She's going.
28:46She did the stupid thing. She's going to fix it.
28:48It's been a failure all day.
28:51The only good thing is that I left early and didn't see Dracula.
28:54Lia!
29:00Why are you torturing me?
29:04She knows enough.
29:06What are you doing with the pot in your hand?
29:09I'll tell you right away.
29:11Angela got a new job and we're helping her.
29:15She's selling pastas from Norway.
29:18Are you serious?
29:19What pastas and what Norway?
29:22Is it possible for me to go to the center of Kolonaki
29:25with a pot in my hand?
29:27Don't you do it at home?
29:28Do you want to embarrass me?
29:30The same thing again.
29:31Why do I like to embarrass you?
29:33Don't you embarrass me?
29:34You don't say that we accepted and opened our house
29:37to go down from the mountains, you and your daughter.
29:39You talk and everything.
29:40And your great-grandfather, Marinella?
29:42The fairy tale with my great-grandfather.
29:44Cut, Lia.
29:45Look at the situation.
29:47Wherever it is, Titina, Gelli and Dodi are coming.
29:50Do you want us to give you the pots on the street?
29:52Wherever it is, Titina, Gelli and Dodi are coming.
29:55Do you want us to give you the pots on the street?
29:58Are you threatening me?
29:59No.
30:00I'm being nice.
30:01Because I was supposed to give you the pot,
30:03which is heavier.
30:26If I want, I'll kill you right now.
30:29Do you know that?
30:30You won't do it.
30:31Why?
30:33Because it doesn't interest you.
30:35I've taken my measures.
30:38If something happens,
30:39at the same time,
30:40a file will arrive in all the newspapers of the country
30:43that will contain everything I know.
30:46And about the crime in Thessaloniki,
30:48and about the scandal in Exeter, and about everything.
30:52You shouldn't have done that.
30:55You shouldn't have betrayed me.
30:58I've endured a lot, Lia.
31:00Much more than I was prepared to endure
31:03when I decided to host you.
31:06You mean to bring me as a servant?
31:08I inform you that all the servants I had
31:11went through exhaustive control
31:13before entering the house.
31:15With you, unfortunately, I couldn't do the same.
31:18You took care of me, mother and daughter,
31:20you took care of my son,
31:21and you brought me a prodigy.
31:23What does she want from us now?
31:25I'm tired.
31:26To listen to her?
31:27To listen to her, to walk.
31:29Zumbulia was right.
31:30The plan is wrong.
31:32We're not going to discover anything like this.
31:34Should I tell the kids to stop?
31:35We're here now.
31:36Here it is.
31:37Let's go here and then.
31:39I think I made a mistake here.
31:41Should I come too?
31:42We can't sit in this street.
31:44I think your son, Strabouliakas,
31:45would get along better with my daughter.
31:47You won't catch my son in your mouth again.
31:50And you won't catch my daughter in your mouth again.
31:53And apart from my son,
31:54you won't catch me in your mouth either.
31:56And you won't catch me either.
31:57Fine.
31:58What are we going to say then?
32:03Girls, we're going in.
32:07On time, huh?
32:08Now you pay for it.
32:10Come on.
32:11Come on.
32:22Where are we?
32:24I'm so confused.
32:25I don't even know where we are.
32:26Don't let them come.
32:29It's over.
32:30After today, I'm leaving.
32:32I'm going back to my village.
32:41I'm going back to my village.
32:47Good morning.
32:48Good morning.
32:49Good morning.
32:54You know,
32:56I told you on the phone.
32:58I'm not interested.
32:59Don't you like cooking?
33:01It's not that, but...
33:03I'm a single woman.
33:04Why would I cook so much?
33:07Aren't you married?
33:08No.
33:09I thought you said Konstantinos Kastelis.
33:12I thought you said you were married.
33:14No, no.
33:15I have a father.
33:16Who doesn't live here?
33:17No.
33:18He's dead.
33:19Oh, what a shame.
33:21How old is he?
33:23Seven.
33:24And he left his name on the belt himself.
33:27And a friend of mine.
33:29Her father was a doctor.
33:30And even though he doesn't live here anymore,
33:32his name is written on the belt
33:34and the doctor below it.
33:36That's right.
33:38Some things don't change.
33:43So, you live here alone?
33:46Absolutely.
33:48It's a big house for one person.
33:50It is big.
33:52Well done.
33:53Well done.
33:54You have it clean.
33:55Of course.
33:56We are the landlady.
33:58That's right.
33:59And on top of that, you have more?
34:02Yes.
34:03That's my dream.
34:04I want to make money and buy an old two-story house
34:08and make it the way I want.
34:10I wish you could, my dear.
34:13I'm sorry for my indifference.
34:15Every time I enter a house like this,
34:18I wonder if I could see it.
34:21What?
34:22The top.
34:23Oh, the top floor.
34:25It's locked.
34:26Locked.
34:29I'm a single woman.
34:31You understand.
34:33Can I have some water, please?
34:35Right away.
34:43What?
34:44She's not the only one drinking here.
34:46These are men.
34:56Here you are.
34:58Thank you very much.
35:01What was that?
35:03I heard it from upstairs.
35:05The cat.
35:06She must have done something again.
35:08You have a cat upstairs?
35:10Yes.
35:11Because you said the top floor is locked?
35:14A cat can have a key.
35:23What are you doing here?
35:25I won't let you show up like this
35:28and I won't be able to go out the next day.
35:31When they come out,
35:33you'll tell them to take the cars home
35:36and then we'll talk.
35:38I have nothing to say.
35:40I do.
35:56Yes?
35:57Zubulio?
35:58I was wondering who I was going to find.
36:01Is Kiaros there?
36:02Spiros, yes. We're together.
36:04Tell him it's a great plan.
36:06He's going to take us all around the tower
36:08and you're going to sit there.
36:10We're not sitting.
36:11We're running.
36:12We're going to get in trouble.
36:14It's okay.
36:15Listen carefully.
36:16Leave everything.
36:17We have to face them head on.
36:19Where are the others?
36:20In a house.
36:21And I'm outside with Marinela.
36:23What is she doing there?
36:24The man who killed this girl was imprisoned in 1976
36:27and 20 years later,
36:28when his sentence for imprisonment was revoked,
36:30he escaped.
36:31What?
36:32His name is Venetopoulos Gerasimos.
36:34That's who we're looking for.
36:35Really?
36:36My father has a friend who works in Corinthal.
36:38He sent us here.
36:39Thomas?
36:40Who is he?
36:41Come on!
36:42You heard Thomas and started running.
36:44Don't remind me of that now.
36:46Let's go!
36:47And where is this Venetopoulos now?
36:49No one knows.
36:50He's a fugitive.
36:51That's what we have to find.
36:53Tell the others to finish.
36:54Change the lines of the boat.
36:55What do we do?
36:56What do we do?
36:57You've been with me since this morning.
36:58You've been with me since this morning.
36:59You've been with me since this morning.
37:00You've been with me since this morning.
37:01And I've been with you all day.
37:02And now you tell me we're going to change the lines of the boat?
37:03It's okay.
37:04Nothing's going to happen.
37:05So, we'll meet at the hotel?
37:06No.
37:07We'll meet here.
37:08If you want to come,
37:09come and find me.
37:10You've been with me all day.
37:12What does he say?
37:13He's not going anywhere.
37:14He's gone mad.
37:15Okay, we'll go.
37:16Where is he?
37:17I'll tell you.
37:18Where are you?
37:19You let an innocent man
37:20spend 20 years in prison
37:22for a crime he never committed.
37:24For a crime you and your company committed.
37:26And now, with the same ease,
37:27you're going to send me to hell.
37:29You've made him pay double.
37:31I just wanted to test him
37:32to see what he would say.
37:34And you're a fool.
37:35Where are you?
37:36You went in and killed him.
37:38Lies.
37:46Be afraid.
37:50Be afraid?
37:52This is the first time I've seen you afraid.
37:56I'll do it.
37:58If you try to sell me again,
38:00everything will be over.
38:01If you kill me, you'll die too.
38:03And your death will be worse.
38:10Can you imagine your life
38:12if everything is revealed?
38:15And you'll be the one to suffer the greatest damage,
38:17not anyone else.
38:20We're tied to this story.
38:22We hang from the same rope.
38:25If you cut mine,
38:27cut yours too.
38:31I'm sorry you got in trouble.
38:34It doesn't matter.
38:35We can talk about it another time.
38:37Another time?
38:39We can bring you something
38:40that interests you more.
38:42Maybe.
38:43And maybe until then
38:44you'll have the upper floor open.
38:46Or maybe until then
38:47you'll have your own two-story house
38:49and you won't have to worry about foreigners.
38:52Maybe.
38:53Goodbye.
38:54Goodbye.
38:55Angela?
38:56What?
38:58What's wrong?
39:03Are you going to leave or not?
39:07Stop!
39:08Stop!
39:14Come back!
39:19Come back!
39:24Open up!
39:27Open up, I said!
39:29I'll call the police!
39:33Open up!
39:49Open up!
40:00Who is it?
40:01It's Fotini.
40:02Two women have come to the house.
40:04And what do I want?
40:05I don't know.
40:06Come right away.
40:07They're upstairs.
40:08Upstairs?
40:09Yes.
40:10I couldn't stop them.
40:11What happened?
40:13Two women have come to Kastel's house.
40:15Kastel?
40:19How did they appear?
40:20One was blonde with red hair
40:22and the other was red-haired.
40:24She was young.
40:26Get out.
40:27Now!
40:45What happened?
40:46Start the car.
40:47Hurry up!
41:15THE END