Hoshyarian | Haroon Rafiq | Saleem Albela | Agha Majid | Comedy Show | 14th July 2024
#Hoshyarian #HaroonRafiq #SaleemAlbela #GogaPasroori #AghaMajid #ArzuuFatima #ComedyShow #Funny #Entertainment
Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
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Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM
For the latest General Elections 2024 Updates ,Results, Party Position, Candidates and Much more Please visit our Election Portal: https://elections.arynews.tv
Follow the ARY News channel on WhatsApp: https://bit.ly/46e5HzY
Subscribe to our channel and press the bell icon for latest news updates: http://bit.ly/3e0SwKP
ARY News is a leading Pakistani news channel that promises to bring you factual and timely international stories and stories about Pakistan, sports, entertainment, and business, amid others.
Official Facebook: https://www.fb.com/arynewsasia
Official Twitter: https://www.twitter.com/arynewsofficial
Official Instagram: https://instagram.com/arynewstv
Website: https://arynews.tv
Watch ARY NEWS LIVE: http://live.arynews.tv
Listen Live: http://live.arynews.tv/audio
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FunTranscript
00:00Assalamu Alaikum, I am Haroon Rafiq and you are watching Hoshi Aariyan.
00:21Friends, there are many things that Allah has blessed us with.
00:25We think of it as trouble, but there is a special time when it becomes a great blessing.
00:30I would like to talk about domestic abuse.
00:33These days, we see on social media that mothers, sisters and daughters are the victims of domestic abuse.
00:41This should not be the case.
00:43In our society, every child is told that sisters are everyone's partner, daughters are everyone's partner, mothers are everyone's partner.
00:51So what kind of a beast is it that comes out of the womb and instigates domestic abuse?
00:57When Allah has given you a way, which you can call separation for a while,
01:02you can adopt separation.
01:04You can entrust your parents and elders with this matter so that you can clear the gap between us.
01:10This is also a blessing.
01:11And if it still cannot be done, then taking someone's life or tolerating oppression on your life when you can raise your voice for the truth,
01:19Allah does not give you this pocket and you should not do this.
01:22If you are a woman and you are a victim of domestic abuse,
01:26then you should raise your voice that you have tolerated it,
01:29but no other mother, sister or daughter should tolerate this oppression.
01:34Let's start today's show with this message.
01:36Today we will take you to the guest house and see what is happening there.
01:42No, no, I go to the office very rarely.
01:45The manager sees all the management himself.
01:50He doesn't let me come.
01:53Yes Maria.
01:54No, no, I am sitting in my lounge.
01:57There is a sofa here.
01:59It is burnt.
02:00I am sitting down.
02:01My pineapple is in front.
02:03What kind of disease is this that you are affected by these things?
02:07No, no, you know that I use pineapple more.
02:10It is lying in front of me.
02:12Yes, yes.
02:13What is the matter?
02:14Go.
02:15Go and clean my Mercedes.
02:19I will do everything.
02:23Maria, what is the matter to worry?
02:25When I go to Dubai, I will get you shopping from there.
02:29There is no such issue.
02:31What?
02:32No, I can't sell it for Rs. 10,000.
02:36Maria, video call him.
02:38No, no, he is a maid.
02:40Oh.
02:44Come on, pick up the wiper and clean it.
02:47Come on, clean it.
02:49You don't listen to me.
02:50It has been lying here for a long time.
02:52Clean it.
02:53Okay, I will do it.
02:57What?
02:58The voice of the servants is also like mine.
03:00It looks the same on the phone.
03:03Maria, you know that I am not worried about anything.
03:08I have a romantic mood.
03:10And you have come in front.
03:12So, my face becomes dull.
03:16Yes, Maria, you are my life.
03:20Hello, Maria.
03:21I will call you back in a while.
03:23I will ask sir to clean it.
03:27Sir, pick up the wiper.
03:32You are always on the phone.
03:33Sajjo, my fiancée's phone is ringing.
03:37What were you saying?
03:38Take the medicine.
03:39Take the medicine.
03:43Go home.
03:45Hello.
03:46Hello.
03:47How are you?
03:48I am fine.
03:49Where are you coming from?
03:50I have seen a film.
03:51Oh, you have seen a film.
03:52Yes, a very good film.
03:53Which film have you seen?
03:54Noor Sahib's film.
03:55Punjabi Chudiyan.
03:57Oh, wow.
03:58Believe me, it was so much fun to watch the film.
04:02Yes.
04:03I wanted the film to continue.
04:05And I kept watching it.
04:06What was the story of the film?
04:07There was a crow in it.
04:10And it was flying a wiper.
04:13Come, come.
04:14Hello.
04:15Hello, sir.
04:16Welcome, sir.
04:17Welcome, sir.
04:18The guest house is very nice.
04:20Yes, yes.
04:21Wow.
04:22The floor is like this.
04:23Yes, it is double story.
04:24Good, good, good.
04:25These stairs.
04:26Look behind.
04:27These stairs go up.
04:28These stairs?
04:29Yes, sir.
04:30These stairs?
04:31Yes, yes.
04:32Is there a lift?
04:33Yes, there is a lift.
04:34Very good.
04:36Is he the lift operator?
04:38No, no, no.
04:39I am the owner of this hotel.
04:41By the way, who are you people?
04:43Actually, this is our thing.
04:45What is your name?
04:46Haroon.
04:47Mr. Haroon.
04:48Actually, I have assisted many directors.
04:52Yes, yes.
04:53This is possible.
04:54They don't take our names.
04:55They don't write our names.
04:56So, what is your name?
04:57My name is Tino Richie Noor Bansali.
05:03Who is with you?
05:04What?
05:05Yes.
05:06He is Allah Baksh, my hero.
05:07Why are you saying Allah Baksh?
05:08His name is Allah Baksh.
05:09Okay, okay.
05:10Mr. Baksh.
05:11Allah Baksh.
05:12Mr. Baksh, how are you?
05:13Yes, Mr. Alamuddin.
05:14And I will tell you a good news.
05:15Yes, yes.
05:16That my producer is also here.
05:18Oh.
05:19Okay, have you ever worked anywhere before?
05:21No, sir.
05:22This is my first experience.
05:23So, you have always worked in these workshops and all.
05:25No, no, sir.
05:26Why workshop?
05:27We have a big business.
05:28Okay, have you ordered anything or are you just sitting there?
05:31No, I am listening to you.
05:33Why are you sitting there?
05:34Have you come here?
05:35Yes, go there.
05:36Yes, yes.
05:37What is the topic of the movie that you are making?
05:40A writer is coming.
05:41He has written a very good story.
05:42Okay.
05:43He is a new guy.
05:45But new people should be hired.
05:47He has a lot of talent.
05:48Okay, so you have hired a new writer.
05:49The film is that the one who has been a judge from the beginning,
05:51he has become a judge.
05:52Okay.
05:53He has become a spy.
05:54Okay.
05:55I have not kept this thing.
05:56He is not doing type casting.
05:57Okay, sir, our rooms are all clean and ready, right?
06:00Sir, actually you have come all of a sudden.
06:04I have cleaned all your rooms in half an hour.
06:07Half an hour is too much.
06:09Cut it.
06:10We want to rest.
06:11You don't worry.
06:12I will go to the room right now.
06:13This is the reason of our bad luck.
06:15People don't value time.
06:16And one more thing, the coffee was strong.
06:18Strong coffee.
06:19Sir, our Tino.
06:22Yes, yes.
06:23Tino Ritchie Bansali.
06:24Okay, Mr. Noor Bansali, I have a small question.
06:27I am the owner of this restaurant.
06:29Sir, I have a request.
06:30I mean, such a handsome man.
06:33I am sorry.
06:34Don't feel bad.
06:35No, no.
06:36I am not saying this to you.
06:37It's okay.
06:38If such a handsome, such a good looking man,
06:41a hero can come,
06:43then I am sorry.
06:45I will apologize.
06:46No one will do it.
06:47You don't worry.
06:48I am sorry.
06:49Okay, my attention is on your face.
06:50Your lips are also strange.
06:51Yes.
06:52Look at this.
06:53If you show it closely on the screen.
06:55Yes, yes.
06:56I will apologize.
06:57Okay, no problem.
06:58Okay, no problem.
06:59You should apologize to God once.
07:05No, no.
07:06I don't want to hurt anyone's feelings.
07:08No.
07:09It looks good.
07:10And he has got a coat today.
07:12And the heroine will come close to him.
07:16I will apologize.
07:17I am telling you.
07:18No, no, no problem.
07:19You do it.
07:20This can be a hit.
07:21Okay, I am not doing it.
07:22I am sorry.
07:23I am not doing it.
07:24No problem.
07:25I think you haven't seen Om Puri.
07:27Yes, yes.
07:28I have seen Om Puri.
07:29Om Puri is a very big name.
07:31Why not?
07:32Why not?
07:33But sir, I am talking about this face.
07:35This.
07:36Look, I am sorry.
07:37I don't want to hurt your feelings.
07:39No, no.
07:40No problem.
07:41No, you are not apologizing.
07:42You want something else.
07:43The face doesn't matter.
07:44Yes.
07:45There should be talent in the face.
07:47Brother, you are talking.
07:49I was about to come.
07:50Morgan Freeman is looking at him.
07:52Oh.
07:53Wow.
07:54Show us his acting.
07:56What talent have you seen in him?
07:58Yes, my Alabaksh.
07:59Yes, yes.
08:00Get up.
08:01I am watching a very big institute in his time.
08:03Alabaksh Pictures.
08:04Wow.
08:05Wow.
08:06AB Pictures.
08:07Yes, yes.
08:08Sir, give me an example.
08:09I will tell you and show you.
08:11I was telling him to hide in the try room and check the shirt.
08:13But you got emotional.
08:19It suits you.
08:20It suits you.
08:21Whatever the artist wears, it looks good.
08:22No, a big artist is the one who makes whatever he wears a trend.
08:26No, you are right.
08:27You are talking about a big artist.
08:30No, no.
08:31You are talking about a big artist.
08:32Sorry.
08:33I am talking about him.
08:36I don't mind.
08:37I don't mind.
08:38Hang up the phone.
08:39What is this guy's job?
08:41Listen, he is my assistant.
08:43And I have to listen to his phone calls.
08:45This is his umbrella.
08:46He doesn't say anything.
08:47I haven't heard him say anything.
08:49If he comes now, he will say.
08:50I will cut him off.
08:52Mr. Alabaksh.
08:53Say the dialogue of Kranthi Veer.
08:56Yes.
08:57Start sound.
08:58Camera.
08:59Action.
09:00I am done with you.
09:02Now they will hang me.
09:04My tongue will come out.
09:05My eyes will come out.
09:06And you people.
09:07I beg of you.
09:08You will leave me and go home.
09:09You will eat food and sleep.
09:11I had told you to cut the bread and eat.
09:13No, the delivery is going well.
09:15No, buddy.
09:16You did a good job.
09:17You did a good job.
09:18Very good.
09:20Yes.
09:22I have heard your music.
09:23The song is good.
09:24But I didn't like it.
09:27It can't be made again.
09:30Oh God.
09:31How can you say this to Rehman?
09:33Okay.
09:34What is the matter?
09:35Is this the last song?
09:36There are four shakers in it.
09:38Yes.
09:39I have brought red juice.
09:42Call me again.
09:43Then I will say okay.
09:45Okay.
09:46Okay.
09:47Very good.
09:48Carry on.
09:49You should be ashamed.
09:50How can you talk to a person of your age?
09:52He is elder to you.
09:53We have kids.
09:55We have a field.
09:56We have a family.
09:57Sir.
09:58We are each other's uncle, grandfather, uncle, uncle.
10:00This is our own family.
10:01Yes.
10:02Yes.
10:03Sir, Sajjad Ali is calling.
10:04Leave it.
10:05Leave it.
10:06Leave it.
10:07Why?
10:08The song is very bad.
10:09Greetings.
10:10Greetings.
10:11Greetings.
10:12Greetings.
10:13What kind of temperament is this?
10:14Is everything fine?
10:15Look here.
10:16If you come so late, how will the work go on?
10:18Actually.
10:19Sir, listen to my story.
10:20I don't listen to your story.
10:21Where is he?
10:22I have heard it.
10:23I don't like it.
10:24Okay.
10:25You are a writer.
10:26Yes.
10:27What is your name?
10:28Ejaz Iqbal.
10:29Ejaz and Iqbal both come late.
10:30He is the writer of my film.
10:31Okay.
10:32Actually, after listening to his story, I decided to invest money.
10:33Sir, his story is very good.
10:34Yes.
10:35Yes.
10:36No.
10:37What?
10:38I said his story will be written very well.
10:39Yes.
10:40You will see.
10:41Okay.
10:42Okay.
10:43What is your name?
10:44My name is Sajjad Ali.
10:45Sajjad Ali.
10:46Sajjad Ali.
10:47Sajjad Ali.
10:48Okay.
10:49What is the story of the film?
10:50Sir, the story is that Asim Hafeez has called the court of Samad Ki Munis Ilaahi Samayat
10:53Darjano Sheri.
10:54Not this.
10:55The story of your film.
10:56You are reading a newspaper.
10:57Okay.
10:58This is a newspaper.
10:59The entire script is written in such a small diary.
11:00You are a writer.
11:01The diary is of a meter reader.
11:02Actually, this is my father's diary.
11:03Oh.
11:04What was he?
11:05He was a very big song writer.
11:06When he wrote the song Rim Jim Gire Sawan.
11:07Yes.
11:08What a thing.
11:09He wrote only Rim in this.
11:10Oh.
11:11Okay.
11:12Okay.
11:13What is the story of the film?
11:15Yes.
11:16Yes.
11:17What a thing.
11:18He wrote only Rim in this.
11:19The rest.
11:20The rest was in his mind.
11:21Actually, he was doing the work of Rimash.
11:22Oh.
11:23Okay.
11:24That means you write only one word.
11:25The rest is in the mind.
11:26Sir, what a thing.
11:27My father has written this.
11:28Gung.
11:29Gung.
11:30Yes.
11:31I am playing like Gungroo.
11:32Oh.
11:33The rest is in the mind.
11:34In the mind, sir.
11:35Oh.
11:36It was a very big thing.
11:37Look at this.
11:38Chand Safai goes ahead.
11:39What is written?
11:40Nothing is written.
11:41I didn't get the work.
11:42Okay.
11:43Tell us about this movie.
11:44Something like this happens.
11:45A boy is walking in the garden of a college.
11:46Wow.
11:47Our hero.
11:48A girl comes in front of him.
11:49How are you?
11:50The boy says, I am absolutely fine.
11:51What are you doing here?
11:52She says, I am doing MBA from this college.
11:53She asks, and you?
11:54He says, the jungle at the entrance of this garden
11:55is being welded by your brother.
11:56Your brother is welding?
11:57The reason is that the girl's brother
11:58is actually welding
11:59under which this hero is working.
12:00That means that boy is not a student.
12:01The boy is not a student.
12:02His brother's sister is a student.
12:03Oh.
12:04Oh.
12:05Oh.
12:06Oh.
12:07Oh.
12:08Oh.
12:09Oh.
12:10Oh.
12:11Oh.
12:12Oh.
12:13Wow.
12:14Wow.
12:15Wow.
12:16Wow.
12:17What a person.
12:18He is his brother's assistant strictly.
12:19Okay.
12:20And he is best friend too.
12:21It's quite a new story.
12:22You know, I have not heard
12:23such story much.
12:24Next something happens
12:25that just as he is talking
12:26another girl comes in
12:27into the scene.
12:28Okay, good.
12:29And seeing both
12:30she is very jealous
12:31that why both of them
12:32are behaving like this.
12:33Because let me tell
12:34why the girl will be jealous.
12:35That's what you are not understanding.
12:36The girl must be understanding
12:37that there is this crew
12:38and a camera
12:39that means
12:40that they are both hero and heroines.
12:41Cut to the next day.
12:43Okay.
12:44The boy is standing there and a girl enters the garden
12:48and sees a new paint on the sheet that has been welded.
12:52Yes.
12:53She turns her head and asks the boy,
12:55handsome young man,
12:57you are a good man.
12:58Who has painted this?
12:59He says, your brother.
13:01What?
13:02She says, what?
13:03He says, yes, your brother who paints, he has done it.
13:05I am his assistant.
13:07Okay.
13:10Cut to the next day.
13:12In the third scene,
13:13the same young man is walking in the garden
13:16and four or five other young men come and make his Durgat.
13:19Okay.
13:20The third heroine comes and sees
13:21that such a handsome young man is making Durgat in such a grand way.
13:25Yes.
13:25She falls in love with him and comes close to him and says,
13:27leave it, go back.
13:28She asks the boy, who has hit you?
13:30He says, your brother.
13:32The boy's assistant is the girl's brother.
13:35Oh.
13:36The story takes a beautiful turn.
13:38What?
13:38The boy is walking in the garden
13:40and the mother of the first girl comes.
13:42Okay.
13:43And she says, who has planted such beautiful plants here?
13:46The entire film is being made in the college.
13:48Cut the film a little outside.
13:49Actually..
13:50People will slap me.
13:51There is a holiday in the school.
13:53You shouldn't have gone out.
13:55Why?
13:55Sir, I am telling the truth.
13:57You should have taken them out.
14:00Actually, the story..
14:01You will be saved from inside.
14:02What will people hit you from outside?
14:04Yes, exactly. Let's continue the story.
14:06It's the fourth day.
14:07The boy is walking in the garden.
14:09Yes.
14:10A beautiful and a very nice lady comes.
14:13She is the mother of the first girl.
14:15Okay.
14:16And she comes and sees such beautiful flowers.
14:18She says, listen young man, who has planted these flowers?
14:21He says, your brother.
14:22No.
14:23He was the one who was hit.
14:24Yes.
14:25He says, your son.
14:26Yes.
14:28Because he is the girl's mother.
14:29Oh.
14:31And that girl has a brother who is a gardener.
14:33Wow. He is a writer.
14:36Wow.
14:38On the fifth day, another beautiful lady
14:41of a very old age comes to the garden.
14:45Oh.
14:46Where is she?
14:47She is a gardener.
14:50Okay.
14:51Okay.
14:51The boy is sitting there and drinking lassi in a beautiful way.
14:55In the garden.
14:57The lady asks him, young man, who has made this lassi?
15:01Guess what he will say.
15:02Your son.
15:03Have you watched this film before?
15:05No, I am getting to know.
15:07Now it is getting predictable.
15:09Bring a twist here.
15:10A twist is coming here. A very beautiful twist.
15:12Yes.
15:13On the sixth day, he is sitting in the garden.
15:15Yes.
15:16An extremely stubborn man comes there in anger.
15:19Yes.
15:19Now tell me, who will it be?
15:20The girl's father.
15:21Which girl's?
15:23The third one.
15:24This film has become leaked.
15:28Oh, the babies have come.
15:30I take advance payment before every reel and roll.
15:33I don't want a room with these two.
15:35Please separate my room.
15:37Separate the room.
15:38But you are not cast yet.
15:40No, we are cast.
15:42We are sitting here.
15:43Sir, I am a big fan of yours.
15:45I really want to work in this movie.
15:47Till when will this start?
15:49Actually, I am the hero.
15:50You are so handsome. I already love you.
15:53Did you see?
15:54Did you see the liking?
15:55Look at the liking.
15:56Look at her. Look at what she is saying.
15:58Director, I came to know that auditions are going on here.
16:01We have come for auditions.
16:02You are lucky that you came early.
16:03Otherwise, there would have been a queue.
16:05Writer.
16:06Give them the lines and get them auditioned.
16:08Yes, of course.
16:09Hero, please come here.
16:11Yes, I am coming.
16:12In one scene, the hero comes from Galiche.
16:15Very slowly.
16:16And the girl, the first girl, is standing in front of him.
16:19And the girl says to the boy,
16:22listen, I love you immensely.
16:24One minute. One minute.
16:25Yes.
16:27You stay here. I will do it for you.
16:29No, I am the hero. I will do it.
16:30It will look good. I will do it.
16:31Look, it doesn't look good.
16:32You are flirting with the girls.
16:35Speak up.
16:35I saw the jungle where your hands are welded.
16:40I have given you my heart.
16:41I do everything with love and intention.
16:45Because there shouldn't be two-facedness in work.
16:48You haven't seen me sitting on the cow and working.
16:51This is how I do it.
16:54Oh, God!
16:56Tell me the next line.
16:57The next line is, the girl says,
16:59How will you convince my father?
17:01How will you convince my father?
17:04Break the door of your father's bedroom.
17:07He will come to me.
17:09I will put a switch like this.
17:11And he will fall in love with me.
17:14The girl will say,
17:16believe me, after seeing your switch,
17:18Gulistan has come out of this life.
17:21Isn't there too much of switching in this film?
17:23Sir, your room is ready.
17:25Oh.
17:25Okay.
17:26You can go to whichever room you want.
17:28Okay, everyone go to the room.
17:29I am waiting.
17:30My music director is coming from India.
17:32Oh, okay.
17:33Okay, I will also take some rest.
17:35I am very tired.
17:36You take a bath.
17:37I will tell him.
17:39Sir,
17:41God bless you.
17:42Your guest is coming from India.
17:44Yes.
17:44Yes, yes.
17:45Music director is coming from India.
17:46Okay.
17:47Okay.
17:48Okay.
17:48Okay.
17:49Okay.
17:49Okay.
17:50Okay.
17:51Okay.
17:51Okay.
17:52Okay.
17:52Sir, music director has come from India.
17:54Okay.
17:54You will see.
17:55This is a surprise for you.
17:57Oh, Lala. Oh, Lala.
17:59Oh, Lala. Oh, Lala.
18:01You are my fantasy.
18:05Oh, Lala. Oh, Lala.
18:07Oh, Lala. Oh, Lala.
18:09It is morning now.
18:14How are you?
18:16Who is he?
18:17He is Mr. Bappi Lahari's son.
18:19Oh, okay.
18:21Greetings.
18:22What is your name?
18:23Lahari.
18:24What?
18:25Lahari.
18:27What do you mean?
18:28Bappi Lahari.
18:30Okay, okay.
18:32Oh, man.
18:32Sit, sit.
18:33Sit, sit.
18:34Thank you. Thank you.
18:36Son, the thing is that your father has a very good hand.
18:39Yes.
18:40I will take all his songs to the film.
18:44Yes, yes. You don't worry.
18:45We will make a song for you that you will think what is the matter.
18:50Son, the boy is very sick.
18:52The village doctor has given him only three months.
18:55And the girl can't bear that she is singing behind him.
18:58Don't worry.
18:59Why?
19:00You bring the boy to Lahore.
19:01This is your brother's house.
19:02Write it down. You will be saved.
19:03The whole film is in Lahore.
19:07He is not a musician. He is our smart one.
19:10Get him to sing a song.
19:12What advice are you giving him?
19:13I am telling you. I am also ready to get money.
19:16Is it?
19:17Yes, if he wants to sing a song.
19:19We will get him to sing a song.
19:20Give him a situation.
19:21A wedding, a wedding.
19:22If he gets a role, it will be great.
19:24Okay, the topic of the wedding.
19:26The set of the wedding is fixed.
19:28Okay?
19:28The girl is getting married somewhere else.
19:30And the boy is not there.
19:32Oh.
19:33Give him a situation and get him to sing a song.
19:35Don't worry.
19:36Okay.
19:37He will be saved.
19:38I am telling you.
19:39Write it down. He will come back.
19:41He will be saved.
19:44I think you should write it down and take it.
19:46I am telling you.
19:48You don't give advice on songs.
19:50You only give suggestions.
19:52If you don't know music, where will you get gold from?
19:54You don't worry.
19:56My father is on the way. He is outside.
19:58Father, give him a stick. He will not drown.
20:02Don't worry.
20:04Get a stick for me.
20:06I will get a stick like this.
20:09Okay, go to your room. We are coming.
20:12Okay.
20:12Then?
20:13Take the lift.
20:14Okay.
20:15Take the lift.
20:16Topper.
20:17Start the car.
20:20Open it.
20:22Open it.
20:23It is a bit slow.
20:35He left.
20:39He is a stupid music director.
20:41He is an illiterate.
20:42He has no manners.
20:45You are sitting up there too.
20:48I didn't go up there to lift you.
20:54Let me take a break. I will meet you after the break.
20:58Hot chapatis.
20:59Yes.
21:00Hot phulkas.
21:01Wow.
21:01Yes.
21:02Yes.
21:02Tawliya tangiya.
21:04And hot kosa kosa water.
21:06Wow.
21:06Can you guess?
21:07Yes.
21:08Hot phulkas.
21:09Yes.
21:10And tawliya tangiya.
21:11Yes.
21:11And kosa water.
21:13Mr. Gaga.
21:14I have been married for so many years, I have to fight for a year.
21:26Welcome back, viewers.
21:27We have joined in the break.
21:29The woman who often comes and says
21:32that her sons trouble her a lot.
21:34She has come again this time.
21:35Let's talk to her.
21:36Greetings.
21:37No. He can't be your son.
21:39What did he do now?
21:42Who?
21:42Him.
21:43Your sister.
21:46How did my sister come here?
21:48I told you, believe me, I didn't trouble my son.
21:51Okay.
21:52Do you know how many boys I have brought here?
21:54Many.
21:55I thought, where will I spend the rest of my life?
21:59I see a mountain.
22:01From your sister, I think all the kids have eaten.
22:04No, I married her.
22:05You got married?
22:06Yes, I did.
22:07Very good.
22:08Very good.
22:10Aunty, please forgive your father.
22:15You know, Mr. Agha, boys trouble me a lot.
22:18One is a wheeler, the other is a gambler.
22:20One is a matchmaker.
22:21I have been ruined in life.
22:24I have spent a lot of money with them.
22:26I don't even know.
22:28Aunty, how much time did it take to get married?
22:32Why should I tell you?
22:33You are a fool.
22:35By the way, aunty..
22:35They don't take a single penny.
22:37Aunty, after marriage..
22:38I am not your aunty.
22:39She is my sister-in-law.
22:42Your hair looks beautiful.
22:43You have worn a beautiful colour today.
22:45My brother-in-law likes it.
22:47I am interested to know, where did you meet
22:50and is it a love marriage?
22:52No, it's not a love marriage.
22:53It's just a memory.
22:54No, no.
22:55We have gone to the market.
22:57I see.
22:59When one boy comes, the market is closed.
23:02Arun, you know, I am a man of my word.
23:04Okay.
23:05I have said it.
23:06I didn't get married.
23:07I didn't get married.
23:09You must have brought your aunt to the market
23:11on the day of your wedding.
23:13You are right, uncle.
23:15How did it happen?
23:16Tell us.
23:17I went to the market.
23:18I had to buy a 100 paise worth of stuff.
23:20I made a pile of stuff.
23:23I said, keep it on my head.
23:27He put it on his head.
23:28I said, he has taken the responsibility.
23:31Wow!
23:32Wow!
23:33What a love story!
23:34It's a great story.
23:36Now you can use a gun like this.
23:39He came to me and said..
23:41Who is your brother?
23:43He is your brother.
23:44I don't have a brother.
23:45I have a sister.
23:47I have a sister.
23:49I don't have a brother.
23:50Don't say that, uncle.
23:51This is my first love story.
23:53Look at his aunt's teeth.
23:54It looks like she is peeling peanuts.
23:57No, Mr. Arun.
23:58Mr. Arun, you don't speak.
23:59You don't know.
24:00I will teach you a lesson.
24:02What is his name?
24:03Prasad.
24:04Mr. Prasad. Okay.
24:05You don't need a son.
24:07You can have a son-in-law.
24:10He is a good man.
24:11What will he do with his mouth?
24:12He is the one who respects people.
24:14What will he do with his mouth?
24:16Don't do this, Mr. Mehra.
24:18Look at yourself.
24:18You have a problem with your mouth.
24:21Mr. Arun, she is very beautiful.
24:24She is not beautiful.
24:24Your mother is not my mother-in-law.
24:27I mean to say that when she came into my life..
24:30Yes.
24:31..she took my receipt.
24:32She gave me Rs. 1500.
24:34Wow!
24:35What was your previous salary?
24:36It was Rs. 1500.
24:37How did you manage to survive in Rs. 3000?
24:39It was Rs. 3000 because of me.
24:41Earlier, no one used to eat flatbreads.
24:42They used to say that I am married.
24:43I should eat flatbreads.
24:44Then?
24:44No, no.
24:45I said to them, Mr. Farzad.
24:47Yes.
24:47I want two flatbreads.
24:49Yes.
24:49They said that they want eight flatbreads.
24:52When you saw her for the first time
24:54did you hear any music or violence?
24:57No, no. When she saw me for the first time
24:59I said that she has bought a car.
25:02Believe me, I go home after my duty.
25:05When he got married, I opened the door.
25:08She used to run behind me.
25:10Okay, I will answer.
25:11Believe me, the flatbreads were hot.
25:15Wow!
25:15Yes.
25:16The towel was wet.
25:18And there was hot water.
25:20Wow!
25:20Can you guess?
25:21Yes.
25:22Hot flatbreads.
25:23Yes.
25:23And the towel was wet.
25:25Yes.
25:25And there was hot water.
25:27Mr. Gaga.
25:28When he got married, he had to fight with me.
25:32Wow!
25:34You tell me, how was your first life?
25:37And how do you feel after marriage?
25:39You told me that when you go home
25:41you get a towel with flatbreads.
25:43Look, Mr. Arun.
25:44What was my first life?
25:45Yes.
25:46I had to find a new soap.
25:48Yes.
25:48Now I have found a new soap.
25:49A new soap with a nice fragrance.
25:51Yes.
25:52And a cold bottle.
25:53Yes.
25:55Yes.
25:56Soap..
25:56You have a bottle in your hand.
25:58And you are talking about soap.
26:01Oh, God!
26:02Believe me.
26:03There is no happiness in soap.
26:05It is like a moustache.
26:08And..
26:09See, the bottle is wet.
26:12I am suffering.
26:13I am suffering from a moustache.
26:16When you are suffering from a moustache
26:17aunty ties a moustache for you.
26:21First, I had to go.
26:22I didn't have a bed or a bedding.
26:24I was exhausted.
26:26I don't know where I went.
26:27Now, I have a clean bed.
26:30A new bedding.
26:31And a salad of potatoes and cauliflower.
26:33Oh, God!
26:34And a pillow cover.
26:36And a salad on it.
26:37And a bedding.
26:38And a bedding of a bed.
26:40Yes.
26:41And a bedding of a bed.
26:43Mr. Farzan, you are not in a good mood.
26:48Come on. What has happened to you?
26:50Believe me.
26:51I have to pray.
26:52Me too.
26:53When she makes sweets after eating.
26:55Oh, God!
26:56Her shoes get polished.
27:00Oh, God!
27:03The shoe polish is on the spoon.
27:04Okay.
27:05And the sweets are on the socks.
27:06Oh, God!
27:07Please do something.
27:09Your aunt eats sweets.
27:10And she gets a moustache.
27:13The shoe polish is there
27:14because you don't want to eat sweets.
27:16Otherwise, you will get a shoe polish.
27:17May God have mercy.
27:18Did you hit your husband with a shoe?
27:19I have a crown on my head.
27:21You can keep your crown on your head.
27:23You will get a moustache.
27:25Mr. Farhan.
27:26Yes.
27:27We are tired of drinking.
27:29We are tired of doing our duty.
27:32Oh, God!
27:32Believe me.
27:34I don't want to do anything.
27:36Oh, God!
27:36I don't want to do anything.
27:37I swear.
27:38I don't want to do anything.
27:41May God have mercy.
27:43And your brother's suit.
27:45I have to get it ironed.
27:47Okay.
27:47I have to get it ironed.
27:49And I have to go to the tailor.
27:50How much money do I have to pay?
27:52Uncle, tell us.
27:53What do you like the most about him?
27:56Look, Arzu.
27:58I have never had a woman in my life.
28:00Never.
28:01When I saw her for the first time
28:04I was thankful that she was alive.
28:07For two to four days.
28:09I will tell those who don't know.
28:12His sons.
28:13One of them is a motorcyclist.
28:15He gets caught with a cat.
28:17He often falls down.
28:18He gets injured.
28:19He has shown his mother all the police stations.
28:21I have seen all the police stations in Lahore.
28:23Yes.
28:24I have seen all the new ones.
28:26One is a gambler.
28:27Just like that.
28:28One is a gambler.
28:29One is a gambler.
28:30One flies kites.
28:30One flies kites.
28:31She used to go to people's houses and beg.
28:34She used to beg.
28:35I didn't beg for no reason.
28:39Your brother has got a beard.
28:40Look at this.
28:41Really?
28:42Yes.
28:42God bless you.
28:43I have shown my face.
28:44And you have got this.
28:45No, no.
28:46I have got a beard for a reason.
28:47For what reason?
28:48He forgets.
28:49I told him to look at my beard and tell me
28:50that it is time to iron it.
28:53Does he like his uniform so much?
28:55Oh, no.
28:56Believe me.
28:57I feel bad when he doesn't come to pick up the car.
29:00It is not his cup of tea.
29:04Uncle's cup of tea is with his hand.
29:08The shopkeepers tell him to keep one ear
29:10and eat four spoons.
29:11It is his job.
29:12Are you mad?
29:13Don't you know that it costs Rs. 1,500?
29:14Tell me something.
29:16Has it ever happened that a dacoit comes
29:18and you stop that dacoit?
29:19You fail.
29:20The place where I work is small.
29:22Yes.
29:22It is very crowded there.
29:24Where will the dacoits come?
29:26A big dacoit has come to this shop.
29:28Is it?
29:29Yes.
29:29He has robbed everyone.
29:30Where were you?
29:31He has a cup of tea in his hand.
29:33Okay.
29:34Has it ever happened?
29:35Yes, it has happened.
29:36What happened?
29:37Ten to fifteen dacoits came in a big car.
29:40Oh, my God.
29:41I thought they are the owners' friends.
29:42So, I went to get my cup of tea.
29:43Did the dacoit get caught?
29:44Yes, he got caught.
29:46And yesterday, someone said that a dacoit got caught
29:48at the shop.
29:49He said, let him get caught.
29:49I will get tea for him.
29:52I told him that whatever salary you get from him
29:54is equal to Rs. 1.25 lakhs for me.
29:55Wow.
29:56You can rob a car.
29:57Yes.
29:58But if you rob a car and do this,
30:00it won't suit you.
30:03It won't suit him.
30:04Just think, if you rob a car and do this,
30:07it will look like an elephant drinking water.
30:10Aunty, whatever it is, if we look at your son's character,
30:13he is a decent man.
30:14He is a very good man.
30:15He is a decent man.
30:16What can I do to a son who has not given his mother a penny?
30:18Oh.
30:19Look at him.
30:20First of all, he doesn't give money for the car.
30:22I feel very bad for you.
30:24Why?
30:25Go and get the bumper of the car.
30:27It's not my cup of tea. Let him go.
30:30Aunty, when you wash his clothes,
30:32your arms must get tired.
30:33I don't wash his clothes.
30:35I don't wash the place where he washes his clothes.
30:36It's not my cup of tea.
30:38Aunty, tell me, do you feel bad about any of his habits?
30:42No, I don't feel bad about any of his habits.
30:44I just feel bad about one thing.
30:46What?
30:46He used to go to the office early in the morning
30:48wearing his guard uniform.
30:50Yes.
30:50He used to ask me, have you seen my shoes, brother?
30:54It's not my cup of tea.
30:55Aunty..
30:56She says, it's not her cup of tea.
30:58Aunty, your son has gone to the police station.
31:00He has gone to the police station.
31:01He doesn't need to go to the police station.
31:03He can go to the graveyard.
31:05Mr. Aala, do you have a father-in-law?
31:07No.
31:08Do you have a sister-in-law?
31:09No, I don't have a sister-in-law.
31:11Why?
31:12My mother died when I was born.
31:15With surprise.
31:18Aunty, I think he eats a lot.
31:21His flatbread must be big.
31:23Don't you feel pain in your arms?
31:24Why do you call me aunty?
31:27My wedding is just a year away.
31:30She is right.
31:31But it's a genuine question.
31:33Don't you feel pain in your arms
31:34when you make such big flatbreads?
31:36No, I don't have to make them.
31:37I make them for my family.
31:38I don't make flatbreads for everyone.
31:39Yes.
31:40My flatbreads..
31:40I can eat 100-200 flatbreads.
31:42But I can't eat flatbreads.
31:44Mr. Arun, what kind of life was this?
31:46Yes.
31:46Mr. Chhade Chhand, you must have heard
31:49that you can't eat flatbreads
31:51if you don't have a wife.
31:52You can't eat flatbreads if you don't have a wife.
31:54And no one used to call me when they were sad.
31:56Yes.
31:56No one used to call me when they were sad.
31:58No one used to call you when they were sad.
32:00We used to call those who died
32:01when they didn't eat flatbreads.
32:04And we don't use this word.
32:07Aala, don't taunt your husband.
32:10Irza, you look like my sister.
32:11Trust me.
32:12My son is very upset.
32:14I am very happy for him.
32:16There is nothing to be upset about.
32:17I have married. God forgive me.
32:20I have married.
32:21Of course. There is nothing to be upset about.
32:23But my life will be happy.
32:25But I have a lot of complaints about him.
32:29When he eats flatbreads, everyone says
32:31to stop eating flatbreads.
32:34I don't have any complaints.
32:35I just have a small request.
32:36What is it?
32:37When I come home, I always praise him
32:40that he looks handsome and cute.
32:42Yes.
32:42I want him to praise me too.
32:44When he says that I don't deserve it.
32:47Now, I have a request.
32:49What is it?
32:49God, please bless us with happiness.
32:51Next month, I will go to my in-laws' house
32:53with a lot of happiness.
32:56You want your son to stay at home.
32:59Yes, I want him to stay at home.
33:00I am tired.
33:01No, I am tired of him.
33:03I am tired of him.
33:04No, ma'am. You deserve it.
33:06He has resigned.
33:08Ma'am, why are you talking about yourself?
33:12Ma'am, he is pregnant.
33:14He won't eat.
33:16Mr. Haroon, I have got all the comforts of life.
33:18Wow.
33:19But I also want to have a day off.
33:22I want my son to be with me.
33:24Yes, wow.
33:25I want him to be with me and I will go to sleep.
33:27Yes, don't worry so much.
33:29I will bring him back when he is asleep.
33:35Oh, he wants to go to sleep.
33:38He is like a dustbin in the house.
33:41Listen, if he is not your brother
33:43then I will break your hands.
33:45I have kept him in my lap.
33:47But he has gone to sleep.
33:50Believe me, when he comes back from work
33:53he will buy fruits.
33:55Wow.
33:55He will buy other things.
33:56I will say, he has brought it.
33:58Wow.
33:58I will say, he is the owner of the house.
34:02Ma'am, if you don't have any profession
34:04then what is your profession?
34:06Arjun, what can I do?
34:07Believe me, life is like a mountain.
34:09I just have to bring him back.
34:12It's not a big deal.
34:13Wow.
34:13I just have to live my life.
34:23Ladies and gentlemen, there is a small break.
34:25We will meet after the break.
34:26Isn't Goga sitting somewhere?
34:28No, Goga is not here.
34:29Hey, he is sitting behind.
34:30Hey, he is sitting in front.
34:31Hey, I will hit you.
34:32You have to cover two people behind you.
34:35Very good.
34:36If you had a cut on your head
34:37you wouldn't have been able to see.
34:39I am an actor.
34:40I can't see properly.
34:53Welcome back, viewers.
34:54Yes, Irza.
34:55Mr. Arun, what is the matter?
34:56You are wearing colors that are eye-catching.
34:59Actually, I have worn it with a lot of love.
35:00Oh.
35:01Because my very dear friend
35:03has brought it for me.
35:05Okay.
35:06My dear friend has brought it for me.
35:08Wow.
35:09You can wear it like this.
35:10You can't have a better choice than this.
35:12No, no, no.
35:12Look, don't say that.
35:14He had shown it to me on a video call.
35:16Again?
35:18When he went to the UK
35:19he had brought this shirt for me.
35:22Thank you very much, Amanat.
35:24And I wish that you wear nice clothes too.
35:26Sir, it must be of some big brand, right?
35:28The shoulder shop.
35:29Yes, it must be of a big brand.
35:30Your brand.
35:31You can't wear this shirt in a normal way.
35:33It's of a big brand.
35:34Okay.
35:34You can't wear it in a normal way.
35:35It's of a big brand.
35:36If you ever want to have a nice drink
35:37then come to me.
35:38Oh, God! A shirt for you.
35:41Yes.
35:41And for Malaika, who you were making promises to
35:43you didn't get anything.
35:45Oh.
35:45I'll tell you the truth.
35:47Malaika, he has brought two shirts for me.
35:49He has brought a perfume and a belt.
35:51And he had told me that when I was there
35:54I didn't have money.
35:56I had to come to Pakistan
35:58to get the money for my show.
36:00And I had told you a thousand times
36:01not to talk nonsense.
36:03Why don't you believe me?
36:03I am serious.
36:06Malaika, I had also told you
36:07that I have come from there for you.
36:09Oh, God!
36:12The fun is only when it is packed in a box.
36:16Is Goga sitting somewhere?
36:18No, Goga is not here.
36:19Oh, he is sitting there.
36:20He is sitting there.
36:21I have to cover two people from behind.
36:25Very good.
36:26If you had a cut LED, you wouldn't have been able to see.
36:29I am an actor.
36:30I can't see anything.
36:36How much do you weigh?
36:37You can come for a few shows.
36:39You can do the rest at home.
36:41Sir, I don't weigh that much.
36:43I am like a flower.
36:44What?
36:45What did you say?
36:45Flowers.
36:46He is a flower, but he has grown up.
36:48What did you say?
36:49Flower means flour.
36:50He is like flour, right?
36:51Flower means I am like a rose petal.
36:53Okay, tell me.
36:54What do you mean by that?
36:55Sir, I am basically very delicate
36:57and very low..
36:58Mr. Bansal, in Canada, a woman is like Ruhini.
37:01She looks like Pandit.
37:02But she is soft.
37:03She is easy to touch.
37:04Ruhi has become wet.
37:05Yes.
37:07I remember, the car was decorated beautifully.
37:10Yes.
37:11When I came to wear it, the guy in the car said,
37:13take this.
37:14Sorry, brother.
37:15No, Mr. Arun.
37:16Basically, I was very good looking before.
37:19I was..
37:20What?
37:21What?
37:21What?
37:22Why are you talking before you were born?
37:24Sir, no.
37:25A film director casted me for the role of a hero.
37:28Yes. You were playing Godzilla.
37:31You are still good looking.
37:33It's not like that.
37:33Thank you. Did you see that?
37:38Laugh once.
37:42Put your hand on your mouth and tell me
37:43where your jawline is.
37:45Where is your jawline?
37:46Jawline.
37:47First, tell me what this is.
37:49This.
37:50This is jawline, right?
37:50Yes, this.
37:51Yes, where is it?
37:53It's very low.
37:56It's not even of Agha Majid.
37:58It's not even of Agha Majid.
38:02She was imitating him.
38:03Was I wrong?
38:04No.
38:06The day brother Ali was born, the doctor said,
38:08congratulations, you have gained weight.
38:10Give birth to a child.
38:14The day he was born, he was very proud
38:17that he will kill anyone who does this for a year.
38:22When he was born,
38:24the doctor gave leave to all the patients.
38:26The hospital was empty.
38:27He said, give birth to a child.
38:29We will do all the work.
38:32My greetings to all the sisters, brothers and Agha Majid.
38:36The gentleman said,
38:38the more you weigh with diamonds,
38:39the more your skin is round.
38:40The more you talk, the more you speak sweetly.
38:42You are the love bullet of Jatt.
38:44Wow!
38:46Wow!
38:47Wow!
38:48Who are you?
38:49This is the problem of humans.
38:50They ask other humans, who are you?
38:52I am a human being.
38:53If I am your brother, then you are my elder brother.
38:56Greetings to all the brothers and sisters.
38:59Greetings.
39:00Who are you?
39:01I am a well-educated man.
39:03I have done a lot of research.
39:04I believe that there is a cure for everything.
39:08Your brother has come here.
39:09Your brother has not come here with a small dose of medicine.
39:14Your brother has come here with a dose of medicine.
39:16I don't want to take the medicine.
39:17No, brother.
39:18Mr. Agha, this is the medicine for your disease.
39:22Who do you see in our show who is sneezing?
39:24Sir, no one is sneezing here.
39:25I have always seen Mr. Agha Majid sneezing.
39:28This is what he is doing.
39:28The problem is that Mr. Agha needs this.
39:31How?
39:32Because he can't even sneeze.
39:34His hand doesn't reach behind.
39:35Okay.
39:36When he is doing this, he is sneezing.
39:38He is holding his hand with two legs in this box.
39:42The one who is sitting in front of you,
39:43he is sneezing with his mouth.
39:45Do you have it?
39:45Yes, I have it.
39:46Why doesn't he do his own nonsense?
39:50No, this is the medicine for sneezing.
39:52Sir, sneezing is a nonsense.
39:54If there is any kind of sneezing,
39:55you have to apply a drop of my medicine.
39:58Son, no one is sneezing here.
40:00Mr. Arun, everyone sneezes.
40:02How?
40:02Anything can be sneezing.
40:04Sir, this is absolutely right.
40:05In all the countries, people sneeze like this.
40:08Sir, you know what?
40:09Everyone has a sneeze in their mind.
40:11That's why they talk like this every day.
40:14Mr. Arun, look at him.
40:15He is like a piece of clay.
40:17I would like to give him a clap for this.
40:19He has done a great job.
40:21He has done such a beautiful thing
40:24that I would like to donate a box of food to you and your family.
40:29Mr. Agha, are you fine?
40:32I am looking at you.
40:33Yes.
40:34What will happen to you?
40:35Yes.
40:36Your end is very bad, I am telling you.
40:37He has made my throat bad.
40:41Sir, I think he should eat it and tell us.
40:43Mr. Arun, what is this lady saying?
40:45She is saying that she will eat it herself.
40:50If you are a doctor, then eat it and show us.
40:54If you eat it, I will tell you.
40:57Please eat it.
40:58I think you have heard it right.
41:00Yes.
41:04First, I will give him a massage.
41:06He will take the medicine.
41:06The one who has not got relief from this medicine
41:10can take the money from the box.
41:11All of them have taken the box.
41:12He has not given it to me.
41:15Sometimes, I sit in such a gathering
41:18that I get itching but I don't do it.
41:19What should be the solution for that, sir?
41:21It is better that you go to such a gathering
41:23where you can't do anything with your will.
41:26Please allow me to get comfortable.
41:28No, sit down.
41:29No, sit down.
41:30I will get comfortable.
41:32Okay, you have made a lot of fun.
41:34Now, our audience is waiting.
41:35Yes, I want to talk to him.
41:37Yes.
41:37Greetings.
41:38Greetings.
41:39My name is Muhammad Deen Bhatt.
41:40I have come from Kamoki.
41:41Thank you very much, Mr. Bhatt.
41:42Please be seated.
41:44I have come to watch your special program.
41:46Thank you very much, Mr. Bhatt.
41:47I have watched your program a lot.
41:50It is an excellent program.
41:52Thank you.
41:52The program is going on but your program is excellent.
41:56I have a 5-year-old grandson.
41:59Yes, yes.
42:00He says, father, you have become very smart
42:02after watching the poetry.
42:04Thank you very much.
42:06The third thing I want to say is that
42:08I want to give credit to you,
42:10to ARY and to your team
42:12that this son of yours, Amanat..
42:14Yes, yes.
42:15He is the son of a king.
42:17Oh, wow!
42:18Wow!
42:20You have done a great job.
42:23Sir, thank you.
42:24My heart is happy every day.
42:25Sir, thank you.
42:26Because you have done a great job.
42:29Thank you.
42:30We will always remember Amanullah.
42:31Thank you.
42:32I remember him but I can't remember him.
42:36Mr. Arun, I am very sorry to see your attitude with the audience.
42:39Yes.
42:40Uncle was talking and his mic was switched off.
42:42Did you ask him to switch his mic on?
42:44No, no. I asked him to switch it on.
42:46Okay, sorry.
42:46Okay.
42:48I think you have brought the medicine to the wrong place.
42:51The audience is sitting here.
42:52If you open the handkerchief, you will get whatever you want.
42:57Yes.
42:57Greetings.
42:58Greetings.
42:59My name is Isba.
43:00I want to recite a poem.
43:01Go ahead.
43:03The field from which the cattle do not get enough food
43:07burn all the wheat that comes from that field.
43:10Wow!
43:11Very good.
43:13The one who is singing and working hard
43:15the one who has all the hard work
43:17Yes.
43:17should have the first right.
43:19Wow!
43:19Yes.
43:20Greetings. I have a question for Mr. Iqbal.
43:22Go ahead.
43:23I wanted to ask you how do you feel sitting in a famous dog?
43:28God has given me a chance to sit in a famous dog.
43:31Out!
43:33Yes.
43:34Greetings, sir.
43:34Greetings.
43:35My name is Ashira.
43:36I am from London to watch your show.
43:38Sorry.
43:38I have a small question for Mr. Agar.
43:41Mr. Agar, my family and I are sitting here.
43:43We have seen all three parts of your movie, Chal Mera Puth.
43:48We liked your character a lot.
43:49My question is that how was your experience while making the movie?
43:52Should we wait for Chal Mera Puth 4 or not?
43:55No, Chal Mera Puth Part 4 is almost complete
44:01because the young roles in it
44:04I had done the old role of Nasir Chinoti's father.
44:08All the young roles have become old.
44:11Okay.
44:12When you watch them, they are all old.
44:14The remaining kids will be shown in Part 4.
44:18In Part 5.
44:20In Part 4, they will all be old.
44:22Their professional actor didn't leak a single story.
44:26He told us everything.
44:29He told us everything.
44:31Mr. Agar, I will keep two boxes separately.
44:35Yes, next.
44:36Greetings, Mr. Arun.
44:38Greetings, sir.
44:38My name is Imran Azhar. I am from London.
44:41My question is, Mr. Saleem, if you ask Goga to do something
44:47and Goga's wife refuses to do it,
44:51will you listen to your wife or your teacher?
44:55Wow, that's a good question.
44:59Tell us.
45:00No doubt, there is nothing to think about.
45:04That's why I am famous all over the world.
45:07My spiritual father taught me everything.
45:13Why not? I will listen to my wife.
45:18The reason for this is,
45:21my teacher and others will find me, but not my wife.
45:24Wow.
45:25I will listen to my wife.
45:27My teacher and others will find me, but not my wife.
45:29Wow.
45:32He already has a wife.
45:36Yes.
45:36Greetings, Mr. Arun.
45:37Greetings.
45:38First of all, I want to talk to you.
45:40Because I have come to a show.
45:42And this show is very good.
45:44Thank you.
45:45I want to praise you.
45:46Because from the beginning, you have a very good lesson.
45:50You do it very well.
45:52And I am a big fan of Mr. Agar Majid and Mr. Saleem.
45:57Thank you.
45:57Their punchline is very good.
46:00Wow.
46:00And Mrs. Arzu's smile is very beautiful.
46:03Wow.
46:04You talked to all three of us for the last time.
46:07For permission.
46:09Thank you very much.
46:10You are welcome.
46:11If you say one thing straight, I will hit you.
46:14This is the point.
46:15Thank you.
46:15Good looking again.
46:17If you want to make a wife, you can do it.
46:23Next.
46:24Greetings, sir.
46:25Greetings, sir.
46:26I will not reduce a rupee from Rs. 10.
46:28He is leaving.
46:29Sir, my name is Ahmed.
46:31And I have come from Gujranwala.
46:32Okay.
46:33My question is, if Mr. Saleem and Mr. Agar
46:35are on a boat and there is water in it.
46:38And they have only one life jacket.
46:40What will they do?
46:41Mr. Agar.
46:42No.
46:42Will you sacrifice Saleem in your friendship?
46:46There is only one life jacket.
46:49And we both are carrying it.
46:50He is wearing a pony.
46:51It won't be enough for him.
46:55And I wanted to say that if I was wearing a life jacket.
46:59Then I would hide him in it first.
47:02Wow.
47:03Yes.
47:04Greetings, sir.
47:05Greetings.
47:06My name is Muhammad Muneeb.
47:08And I want to recite a poem to all of you.
47:10Recite it to everyone.
47:11To everyone.
47:11Give it to everyone.
47:12If you stay quiet, who will talk?
47:14Wow.
47:15If we don't stay, who will remember you?
47:18Wow.
47:19I agree that we are not so good that someone will remember us.
47:22Wow.
47:23But after I leave, who will bother you?
47:26Wow.
47:27Your friend.
47:28Wow.
47:29Very good.
47:30Wow.
47:31Very good.
47:32My brother doesn't have a small heart.
47:33He has only taken medicine.
47:36He has taken medicine.
47:37My brother has sent Veer from a better bottle.
47:40Yes.
47:40Greetings, sir.
47:41Greetings.
47:42My name is Sajid Akram.
47:44Sir, I want to recite a poem.
47:45Sir, recite it.
47:46I don't get my standard.
47:47Wow.
47:48I don't wander around.
47:50I don't get lost thinking about it.
47:53Wow.
47:54He is a currency type lover.
48:00Yes.
48:01Greetings.
48:02Greetings.
48:03My name is Iffat.
48:04I have come from England.
48:05I have come to watch your show.
48:07Wow.
48:10My question to you is that if all your talent
48:14gets a chance to sit with each other,
48:16who will sit with whom?
48:17I will sit with Irza.
48:19You will sit with Irza.
48:20I will sit with Akram Ajay.
48:21You?
48:21I will sit with Salim.
48:23Sir, if you sit with Salim,
48:24please take two calcium tablets.
48:27Who do you want to sit with?
48:29I will definitely try to sit with you.
48:32Wow.
48:33Sir, this is a comedy.
48:35If we sit with you, we will get more respect.
48:37We will get more respect.
48:38Sir, if I sit with you, I will get more respect.
48:40This is what I wanted to say.
48:45Sir, who will you sit with?
48:47I don't need to sit with anyone
48:50because everyone will be together.
48:53So, I will just tie everyone together.
48:55Mr. Agha often says that
48:56if a person says something big,
48:57he leaves quietly.
49:03Viewers, this was today's show.
49:04We will meet you in the next show.
49:06Take care of yourselves.
49:07Goodbye.