• 5 months ago
#Hoshyarian #HaroonRafiq #SaleemAlbela #GogaPasroori #AghaMajid #ArzuuFatima #ComedyShow #Funny #Entertainment

Watch Hoshyarian Episode 456: https://youtu.be/PvUgVdm0H0s
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Watch Hoshyarian Episode 453: https://youtu.be/EBJh2D2yhYM
Watch Hoshyarian Episode 451: https://youtu.be/J3NSjiQDIkI
Watch Hoshyarian Episode 450: https://youtu.be/4QHsfgzmGAM

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Category

😹
Fun
Transcript
00:00Hello viewers, I am Haroon Rafiq and you are watching Hoshiyariyan.
00:21Friends, your mind is not a trash can, it is a jewellery box.
00:25As you know, everything that is thrown in a trash can is useless.
00:30It is called a trash can because of a reason.
00:35And you never throw garbage in a jewellery box, you keep the most valuable things.
00:39A few days ago, I was looking at the statistics of Pakistan,
00:42which are the viral videos here,
00:44which content is being consumed the most on social media.
00:47All the stuff that I saw,
00:49it was all such that it was worth throwing in the garbage bin.
00:52And people are using their mind as a trash can.
00:57I don't want to take anyone's name.
00:59I don't want to name anyone.
01:00But the content that you are watching,
01:0290% of it is like a trash can,
01:05but it is going into your mind.
01:07You are consuming it.
01:09And the algorithms keep showing you the same garbage again and again.
01:12So try to use your mind like a jewellery box.
01:17Deny it, cancel those videos
01:20which are filling your mind with trash.
01:22And watch good videos, which are like pearls.
01:25Because your mind is not a dustbin,
01:28it is actually a jewellery box.
01:30Let's start today's show with this.
01:31Let's take you to the two-well in the village.
01:34And let's see, people are bathing in the two-well.
01:36What are they doing? How are they breaking the heat?
01:38Hey, no one has bathed in this two-well.
01:41I will cut his tongue and keep it there.
01:44Viewers, let's take you to the village's dash.
01:48Hey, cut his tongue.
01:51Okay, tell me one thing.
01:52Today you are walking in a different mood on the two-well.
01:56The style is different.
01:57You are holding a stick.
01:58Today there is a shooting going on here.
02:00Okay, okay.
02:01Of a film.
02:02Okay.
02:02That's why I am not talking loudly today.
02:04I am saying that you should get a chance.
02:07So are the director, producer and everyone else coming
02:09so that you get a chance?
02:09Everyone is coming.
02:10Okay, okay.
02:11Didn't you see? It is 22nd.
02:13Okay.
02:13There is going to be a shooting of a film here.
02:15Have you charged for the location?
02:16Yes, I have charged for the location.
02:18Yes, good.
02:19And here I want a girl to sing a rainy song.
02:24Yours?
02:24Yes.
02:25With a girl?
02:26With a girl.
02:26A rainy song.
02:27A rainy song.
02:29No, you are thinking of yourself as a hero.
02:32And you are still thinking of yourself as a girl.
02:36Sir, how can he think of himself as a hero?
02:38Look at his body.
02:41He is looking at his panties.
02:42Wow, wow, wow.
02:44This is how a hero does it.
02:46I have never seen a hero do it like this.
02:48I am giving you a chance.
02:52Okay, now you just come here.
02:55Yes.
02:55I will give you a party.
02:57Yes.
02:58If my film gets a hit.
03:00You should not be shy in front of the camera.
03:01No, no, I am not shy in front of the camera.
03:06Wow, wow, wow.
03:07Uncle.
03:07Yes.
03:08What happened?
03:09Let's go.
03:09Where?
03:10Back.
03:10Back where?
03:11Back.
03:11I think.
03:12Should we go ahead or back?
03:13Let's go, let's go.
03:15I will hit you with this stick.
03:17Come on, let's go.
03:18Uncle, it's not necessary to hit me.
03:20Hit me, hit me.
03:22Let's go.
03:23Uncle has said.
03:24Let's go.
03:27One minute, one minute.
03:28What?
03:29Look, he is speaking Urdu.
03:30Don't go ahead.
03:31You are my aunt too.
03:33Uncle.
03:34Okay.
03:34I don't have a place to stay.
03:35I stay at Tubal.
03:36No, no, uncle.
03:37My duty is here.
03:38Your duty is here.
03:39I will clean your ass.
03:41Oh, ass.
03:41Look at this.
03:43This.
03:44Take this.
03:44You are touching it.
03:46It's getting dirtier.
03:48Mala Chal, Mala Chal.
03:50Get out of here.
03:51Get out of here.
03:52I will hit you with this stick.
03:54This stick is broken too.
03:55There was a fish in the tube.
03:56Go to hell.
03:57Hey.
03:58I will not let you take a bath.
03:59What?
04:00I will let you take a bath in the evening.
04:02Till when?
04:03Look at this first.
04:04What?
04:05Oh, brother.
04:06All of you come back.
04:08If you don't come back.
04:10Wow.
04:11I will break each one of you.
04:13Uncle looks like a carpenter.
04:16What kind of a hero are you?
04:18I can't even turn properly.
04:19Oh.
04:20You can't even turn properly.
04:21I am Deepika Padukone.
04:24Okay, boys. Tell me.
04:25Yes.
04:25Tell me one thing.
04:26Yes.
04:26Honestly.
04:27I will tell you.
04:28This.
04:29Listen.
04:29This.
04:31This.
04:31Stop.
04:32I think she is mad.
04:35Now he looks like a hero.
04:36No, but he is a hero.
04:37Believe me.
04:39He is a hero.
04:40Let's go.
04:40Yes.
04:41Hey, hey.
04:42Uncle, believe me.
04:44Yes.
04:45You should have been a hero when you were young.
04:47Yes.
04:48You are a hero even now.
04:49Yes.
04:49But there is one drawback.
04:51You won't be able to dance.
04:52What?
04:53Really?
04:54You won't be able to dance.
04:56This is not complete.
04:59Uncle.
05:00I am done here.
05:01No, you can do it on this day.
05:02No, I can dance as much as I want.
05:05Wow.
05:07Why?
05:08But the earring is fine.
05:09But it is swelling.
05:11Uncle, I came here today.
05:13It is your wish.
05:14Chonsa. Chonsa.
05:16Uncle, Chonsa.
05:17But I am Panjonsa.
05:20How did you get Panjonsa after Chonsa?
05:22No, no. I told you.
05:23Uncle, believe me.
05:24He looks like Vaid Marad.
05:27Yes.
05:27He looks like Nadeem.
05:28Hit him.
05:29Yes.
05:31He is a dynamite.
05:32You make him mad.
05:33He looks like Nadeem.
05:34He looks like someone else.
05:35Come on.
05:36Uncle.
05:37Yes.
05:38Do you know that you look like Anil Kapoor?
05:42Wow.
05:43You don't know that you look like him.
05:47You came in the evening.
05:48I was coming till evening.
05:49You have noted one thing.
05:50What?
05:51All the boys are saying that they want to take a bath.
05:54Yes.
05:55Except the boy who is standing in front of you.
05:58He has never done this.
05:59He has never done this.
06:00He has never done this.
06:01He has never done this.
06:03I have brought him here to bathe.
06:05I have made him a bath.
06:06I have brought him here to bathe.
06:08He won't bathe.
06:09Come on, take a bath.
06:10Uncle, one at a time.
06:11One at a time.
06:12One at a time.
06:13He is my brother.
06:14I won't stop you from taking a bath.
06:16Very good.
06:17Give me two hours.
06:18That's it.
06:19Okay.
06:20Uncle, we will come after two hours.
06:21Yes.
06:22He is saying that he will come after two months.
06:29Okay, uncle.
06:30We will come after two hours.
06:31We will come after the shooting.
06:32Let's go.
06:33What?
06:34Where is the shooting?
06:35Where?
06:36He was acting like a hero in front of me.
06:38There is nothing.
06:39The movie is about to start.
06:40Wow.
06:42Uncle, we won't go.
06:43We won't go.
06:44Uncle, we will go after the shooting.
06:47Uncle, we won't go.
06:48We won't go.
06:49We won't go.
06:50Uncle, we won't go.
06:51We will go after the shooting.
06:52No, no, uncle.
06:53Uncle, we won't go.
06:54He is acting like a hero.
06:55He is acting like a hero.
06:56Uncle, I won't go without you.
06:57I know.
07:00He has been acting since last few days.
07:02Do you know that uncle is the hero in the movie
07:05which is about to start.
07:06He is the hero.
07:07Uncle, we will go after the shooting.
07:09We won't go.
07:10Okay.
07:11Uncle is the hero in the movie.
07:12Yes.
07:13It means that he is acting like a hero.
07:17Okay, now tell me.
07:18Yes.
07:19Will you keep quiet?
07:20No.
07:21Because during the shooting,
07:22No talking.
07:26Wow.
07:27What a location.
07:28This is what I wanted.
07:29This is what I wanted.
07:31I didn't want this.
07:32Come on, get up.
07:33Come on.
07:34I am Payal Chankai.
07:37Now come and defeat me.
07:39You are in my control.
07:41Brother, what are you doing?
07:42This is the dialogue of the heroine.
07:44Yes.
07:45This is not my dialogue.
07:46This is the dialogue of the heroine.
07:47Then why am I reading it all night?
07:51If someone occupies my land,
07:54then I will break his bones.
07:58This is the dialogue of the hero.
08:00Then why am I reading it all night?
08:02This is the dialogue of the heroine.
08:03Then why am I reading it all night?
08:07Tell me the dialogue quickly.
08:08Now tell me again.
08:09You have named the heroine Iqbal in the script.
08:13My name is Jambeli in this movie.
08:15My name is Jambeli.
08:16That is my script.
08:17Uncle, I am the director.
08:19Yes.
08:20First bring the film straight.
08:23Brother, we will do rehearsal here.
08:27Rehearsal.
08:29Brother, understand the demand of the scene.
08:31First we will do rehearsal.
08:32After that we will shoot.
08:42Uncle, at least run this tool.
08:43What have you taken money for?
08:46Okay.
08:47I will run it.
08:48Brother, there is a demand for the scene.
08:50I want the tool to run first.
08:54Tool.
08:56Nuriya.
08:58Yes.
08:59Run the tool.
09:00Okay.
09:01Uncle.
09:02You have said it in a very high voice.
09:04I think the tool is here.
09:05I think you have brought it home.
09:07The tool has run.
09:08Wait a minute.
09:09Okay.
09:10Tell me one thing.
09:11What is your problem?
09:13You have already started.
09:15I don't have any problem.
09:16I will run the tool.
09:18Uncle, when the tool is running,
09:20I can't tolerate it.
09:21I will run it.
09:22Yes, the tool has run.
09:24Tool.
09:25This is what I wanted.
09:26Tool.
09:27This is what I wanted.
09:28I want this.
09:29Don't you want to sell this?
09:30Yes.
09:31Director.
09:32We have forgotten the camera.
09:33This is a rehearsal.
09:34Which camera is needed in a rehearsal?
09:36If it is a rehearsal, then the camera should be there.
09:38Brother.
09:39The way your film is not good,
09:41even that camera is not needed.
09:43Understand the scene.
09:44Explain.
09:46The scene is that
09:47the hero is waiting for the heroine
09:49sitting behind the screen.
09:51Heroine.
09:52Heroine.
09:53When we are talking,
09:54only the screen is right.
09:57You are hiding behind the screen
09:59and waiting for the heroine.
10:00Wait as long as you want.
10:02I don't care.
10:03Wait a minute.
10:04If he climbs on the screen,
10:06the screen will break.
10:07He will hide behind the screen
10:09and wait for you.
10:11Director, I am sure
10:12you are calling this tree a screen.
10:14Yes.
10:15As soon as you enter,
10:16From here.
10:17You will come here
10:18to wash clothes on the tool.
10:20On what?
10:21On the tool.
10:22No, even I think
10:23this is too well to be true.
10:25The scene is that
10:26you are washing clothes on the tool.
10:28Yes.
10:29Soap will slip from your hands.
10:31I use powder.
10:33Director, I told you
10:34not to keep it.
10:35She uses powder.
10:36Powder means
10:37I wash clothes with powder.
10:38That will cost you
10:39one wash of lakhs.
10:41When you are washing clothes,
10:42the hero will come out
10:43from behind
10:44reading a romantic couplet.
10:46Director,
10:47if the heroine is washing clothes,
10:48then we are all bathing.
10:50She pushed us.
10:51I will wash clothes.
10:52Hit me.
10:54Wait a minute.
10:55Don't hit him.
10:56I will hit you like this.
10:58I don't want any noise.
11:00Silent.
11:01Uncle, it's about the tool.
11:02For God's sake.
11:04After that,
11:05he will come to the tool
11:07as if he is reading a romantic couplet.
11:08Okay.
11:09You will be shy of his couplet
11:11and throw the water bottle at him.
11:13From the director's tool,
11:15I feel
11:16this is not mass communication
11:17but Nash communication.
11:19Silent.
11:20Silent.
11:21Understand the scene.
11:22After that,
11:23he will throw the water bottle
11:24at you like this.
11:25Okay.
11:26Meanwhile,
11:27goons will come running from there.
11:29Wow.
11:30Wow.
11:31I forgot.
11:32There are no goons in wrestling.
11:34Where will the goons come from?
11:35Because goons
11:36come in rehearsals.
11:37They don't come in wrestling.
11:39Stop the tool.
11:41Nooriya.
11:43Stop the tool.
11:44You are thinking
11:45the same thing.
11:47I just remembered
11:48Yes.
11:49that we didn't bring goons
11:50in wrestling.
11:51Oh, my God.
11:52Director, there is no problem.
11:53The goons are with you.
11:54We are bathing in the tube.
11:56Hit the tool.
11:58Wait a minute.
11:59I think you don't know
12:00how to hit the tool.
12:02As soon as the goons come,
12:03we will tease the heroine.
12:05We will hold her hand.
12:06The hero will come and hold her
12:08and start hitting each one of them.
12:10We have to tease the heroine.
12:12You are the heroine's father.
12:14We have to tease the heroine.
12:15Yes.
12:16The goon is coming.
12:17Let's go to our location.
12:18Sir, you didn't send the pin.
12:20Let's go to our location.
12:21Hide behind the tree.
12:23The tree?
12:24Yes.
12:25Oh, God.
12:26Understand the demand of the scene.
12:28Hide behind the tree.
12:30Whose clothes are these?
12:31Brother's or father's?
12:32Sister, mine.
12:35I need some goons for the scene.
12:37Goons are with you.
12:38The goons are bathing in the tube.
12:40We are bathing in the tube.
12:41We will tease the heroine.
12:44Hit the tool.
12:46Wait a minute.
12:47Wait a minute.
12:48Uncle, don't hit the tool.
12:49Hit me.
12:50Okay.
12:51Listen to me.
12:55The one who does a good job
12:56will get the role of a big villain
12:58in his upcoming film.
12:59If we do a good job,
13:00who will call us goons?
13:03Silence.
13:04You can start your shooting.
13:06Okay.
13:07Sir.
13:08I think you are suffering from GCL.
13:12Sir.
13:13Can I throw this mango in the water?
13:16Throw it.
13:17Don't throw mangoes in a movie.
13:20Start sound.
13:21Camera action.
13:23I love you a lot.
13:25Don't come now.
13:26He has washed his clothes.
13:27You can come after that.
13:28Okay.
13:29Start the scene again.
13:30The goons will go out.
13:31Yes.
13:32Later.
13:33Hit the tool.
13:34Wait a minute.
13:35Brother.
13:36If the goons come with us,
13:37won't we miss the film?
13:40No matter what happens,
13:42you won't get up.
13:43Okay.
13:46Shall we start the film?
13:47Yes.
13:48Yes.
13:49Start sound.
13:50Camera action.
13:51You wash your clothes first.
13:52Then I will give the entry.
13:54You don't have an entry here.
13:56Yes, sir.
13:57Let's go back.
13:58Start sound.
13:59Camera action.
14:02Wow.
14:03La la la.
14:04La la la.
14:05Why are your clothes so tight?
14:06Do you have any clothes?
14:07Oh, I forgot.
14:08We have to do this work.
14:10You are the director of this thing.
14:12He is directing.
14:13It's a wrestling.
14:14Mime is wrestling.
14:15Wrestling.
14:16Wrestling.
14:18Am I the director or you?
14:19No, no.
14:20You are the director.
14:21Look, I can't say Hirwan.
14:22No.
14:23I can't say Tuval.
14:24No wrestling.
14:25I can't say Star Sound.
14:26Obviously, you are not the director.
14:28Start sound.
14:29Yes.
14:30Camera action.
14:31Yes.
14:33The one who sits in the mood of death
14:34and smiles.
14:35Hafid Khada is yours.
14:36The one who washes clothes.
14:38Mr. Arun, I don't understand Hirwan.
14:39What?
14:40He can wash the car with a few clothes.
14:43The one who sits in the mood of death
14:44and smiles.
14:46Hafid Khada is yours.
14:47The one who drives a rickshaw.
14:49What kind of a poem is this?
14:50It's a romantic poem.
14:51It's a romantic poem.
14:52Yes, sorry, sir.
14:54Oh, God.
14:55I have cast these people.
14:56What have I done?
14:57Give it to me.
14:58First, make me a goon.
14:59Otherwise, I will kill you.
15:00Come on.
15:01Action.
15:04In the redness of your lips,
15:07I was struck by a dry branch.
15:09I was struck by a dry branch.
15:11In the brightness of your hands,
15:12I was struck by a dim light.
15:17Wow, wow, wow.
15:18He is a director.
15:19He will take the camera
15:20from here during the film.
15:24Pour some water.
15:25Yes, yes.
15:29Pour some water.
15:33Absolutely.
15:35Come on, goons.
15:36Will a goon hold a girl's hand?
15:37No, no.
15:38He will hold her hand like this.
15:43Director sir.
15:48Catch the villain and kill him.
15:49I am sure
15:50this is the last film of this goon.
15:53When the people of this village
15:54wash their clothes in the tubal,
15:58our village wears a turban.
16:01Very good, very good.
16:02The film is over.
16:03How?
16:04The people and the tubal.
16:08Uncle, the villain had a B.A.
16:10I agree.
16:11Hero, move ahead.
16:13Yes.
16:15Catch the goon.
16:16Which goon?
16:17Any goon.
16:19Catch him and throw him in the water.
16:25Very good.
16:26This is the scene.
16:27Do it again.
16:28Again.
16:33Now catch the other goon.
16:34The other goon.
16:35Your film will be made
16:36but the end will be bad.
16:39Yes, I caught him.
16:40Yes, throw him in the water.
16:41Sir, I am coming.
16:44Very good.
16:45This is the scene.
16:46The one whose village was shaking
16:47should also be thrown in the water.
16:49Now catch the third goon.
16:50Yes, I am going.
16:52Throw him in the water.
16:53Yes, sir.
16:54No, no.
16:55The one who can come in
16:56can also go out.
17:02Now we need one more goon
17:03to drown in the water.
17:04To drown.
17:05Let's go.
17:06Okay.
17:08Are you scared?
17:09Are you coming?
17:10No, I can't wear shoes in the water.
17:12Come on.
17:15One more goon.
17:16One more goon.
17:20By the way, I think
17:21someone had blessed this hero.
17:23That's right.
17:24How?
17:25Wash the face of seven goons.
17:28Now catch the old goon
17:29and throw him in the water.
17:30Yes, sir. I am coming.
17:32Catch this uncle
17:33and throw him in the water.
17:34We have to catch the old goon.
17:35Yes.
17:36Come on.
17:37I didn't go in the water.
17:38Uncle told me not to.
17:39Uncle, you can come.
17:47Action.
17:48Fighting. Fighting.
17:50I want a great fight in this.
17:55He didn't even hit him.
17:57Wow. Wow.
17:58Great. Great.
17:59Wonderful. Wonderful.
18:00Catch them.
18:02Catch all of them.
18:03Catch them.
18:09I can't see them.
18:10How are they coming?
18:13Oh, God.
18:14What have you done?
18:16Where have you brought me?
18:17Come on, brother.
18:18Come on. Come on.
18:20Don't do this.
18:21Don't do this.
18:22Don't do this.
18:23Don't do this.
18:24Don't do this.
18:25Don't do this.
18:31Viewers, there is a short break.
18:33We will meet after the break.
18:35Everything is fine today.
18:37Okay.
18:45Welcome back, viewers.
18:46In the break,
18:47we have a fake sage with us.
18:50And a gentleman is sitting next to him
18:52who is saying that he is possessed by a jinn.
18:54Let's talk to him
18:55about how superstitious he is.
18:57Greetings.
18:58Greetings.
18:59Greetings.
19:00Is it necessary to call me a fake sage?
19:01We will find out after some time.
19:03Look, the whole world should know
19:05that you are a fake sage.
19:06You are a fake sage.
19:07You are a fake sage.
19:09Why don't you talk to the one
19:10you are being called?
19:11You don't take a lot of respect.
19:13Hey, sage.
19:14I found it very difficult.
19:15Come here.
19:16It's good that I couldn't see you.
19:17What?
19:18I mean, why did you find it difficult?
19:19Yes.
19:20The place where I am told
19:21that the sage is sitting there.
19:22Okay.
19:23I will reach there.
19:24Okay.
19:25And no one will find me there.
19:27What is your name?
19:28Sage Kala.
19:29Very dark.
19:31Okay.
19:32The people told me
19:33to go to that place.
19:34Where did you go?
19:35The people told me
19:36that the sage is sitting there
19:37on the black sea,
19:38in the black night,
19:39on the black stones.
19:41Then?
19:42I reached there.
19:43Okay.
19:44I promised him.
19:45I told him that the sage is sitting there.
19:47The sage opened the door
19:48of the stone.
19:50Let's talk about each other.
19:51I really won't go there.
19:53It's been a long time.
19:54Don't scare me.
19:56This water.
19:57Yes.
19:58I have brought something
19:59for the sage.
20:00Why?
20:01The sage is scared
20:02of this water.
20:04The sage is scared
20:05of this water.
20:07The way you have dressed up,
20:08it looks like
20:09you have eaten something.
20:12Sage,
20:13why are you scared?
20:14The sage is not scared of anyone.
20:15Get lost.
20:16The sage is the one
20:17who is scared.
20:18What is this?
20:19This.
20:24Sage,
20:25I am impressed by your hair.
20:26That's why you have kept
20:27your hair like that.
20:28The skin that I have got,
20:29the sage has cut it.
20:30Who told you
20:31that you have skin allergy?
20:32Saiya.
20:33How?
20:34How can it be Saiya?
20:35All the reports are correct.
20:36Believe me,
20:37when I didn't have skin allergy,
20:39I was 26 years old.
20:42Now,
20:43I think,
20:44I am 6 years old.
20:45The skin allergy
20:46affects beautiful people.
20:47How did it affect him?
20:49Someone lied to you
20:50so that you feel safe.
20:53I have that presence.
20:54What do you feel?
20:55When I have that presence,
20:57my hands and feet become straight.
20:58Which teacher
20:59doesn't have
21:00that presence in you?
21:02Mr. Haroon,
21:03hands and feet become straight
21:04even while sleeping.
21:05Yes.
21:06What is the big deal?
21:07He doesn't sleep at home.
21:09His routine is like this.
21:12Listen to me.
21:13Yes.
21:14You should get
21:15a medical check-up done.
21:17The sage is not with me.
21:18I will get a medical check-up done.
21:19I will get a check-up done
21:20by the sage.
21:21The sage will get
21:22a medical check-up done.
21:23I will get a medical check-up done.
21:24You get a medical check-up done
21:25by a doctor.
21:27He is crazy.
21:28He will get a medical check-up
21:29done in a clinic.
21:31The sage said,
21:32you will have to stay with me
21:33for three months.
21:34What if you start smelling?
21:36I won't stay with you.
21:37Okay.
21:38He kept asking me.
21:40The sage,
21:41you can show yourself
21:42and ask for it.
21:43What?
21:45What are you doing?
21:46What?
21:47He gave me cigarettes.
21:48I didn't smoke.
21:49Oh.
21:50I used to smoke
21:51three packs a day.
21:52The sage is smoking.
21:53You are not smoking.
21:54I am not smoking.
21:55The sage is smoking.
21:56What else does he do?
21:57He gets angry with me.
21:58The sage is not as sad
21:59as I am.
22:00He smokes my cigarettes as well.
22:02I start going to work.
22:04I don't know
22:05what I am thinking.
22:06I go to the river.
22:07Oh.
22:08They tell me
22:09not to smoke.
22:10Then?
22:11I don't smoke.
22:12They make me wear slippers
22:13and laugh at me.
22:16What do you feel
22:17when the sage is around you?
22:19My legs
22:20weigh around 10 kilos.
22:22Does your voice change
22:23when the sage is around?
22:24My voice changes.
22:25Really?
22:26I start sounding like
22:27Ghulam Ali Sabar.
22:28I start singing
22:29silently
22:30silently
22:31day and night.
22:33That's how I am.
22:34When my voice changes,
22:35he starts cursing me.
22:36He says,
22:37I don't have ears.
22:38Do your eyes
22:39go upwards?
22:40Yes, they do.
22:41How do you look after that?
22:42I look the same.
22:45Mr. Haroon and I
22:46had a conversation.
22:47Okay.
22:48He said,
22:49let me stay inside.
22:50She is my sister.
22:51We are like brothers.
22:53Otherwise,
22:54everyone would slap me.
22:55I did
22:56whatever the sage said.
22:57You did?
22:58There is no genuine in this.
22:59What?
23:00Go and check your thyroid.
23:01Check if your weight
23:02is going down.
23:03Oh.
23:04God forbid
23:05that you lose
23:06your weight
23:07very quickly
23:08due to cancer.
23:09Oh.
23:10Let it be.
23:11It's not about the genes.
23:12It's about the cancer.
23:13If it's about the cancer,
23:14you will have the genes.
23:15You will have the genes.
23:16You will have the genes.
23:17Sage,
23:18I have some problems.
23:19If I discuss them,
23:20can you tell me the solution?
23:21I can't do it.
23:22I am a genie.
23:23I can't do it.
23:25Let him solve
23:26his problem first.
23:27He has his own problems.
23:28But I will tell you.
23:29The sage said,
23:30take half a kilo of semolina,
23:31curd,
23:32fruits
23:33and almonds.
23:34I think
23:35the sage has lost his teeth.
23:37I don't know
23:38what to do.
23:39Okay.
23:40He cooked it in front of me
23:41and ate it.
23:42Tell me,
23:43did you
23:44exorcise it?
23:45Yes, I did.
23:47Exorcism.
23:48Exorcism.
23:49I did exorcism
23:50all my life.
23:51Tell me,
23:52didn't I do it?
23:53No, not exorcism.
23:54What is
23:55the thing
23:56that the genies use
23:57to exorcise?
23:58I did it twice
23:59or thrice
24:00and it's still there.
24:01It's such a shame.
24:02If you had asked me
24:03to throw it in the gutter,
24:04I would have done it.
24:05And there is
24:06so much iron in it.
24:07Yes.
24:08It's from Al-Alam.
24:09Did you go to a place
24:10where the genie
24:11stuck to you?
24:12Did something like this
24:13happen to you?
24:14What do you mean
24:15by a place?
24:16Do you know
24:17that the genie
24:18is like a chewing gum
24:19that sticks to you?
24:20Did the genie
24:21stick to you?
24:22Yes, it did.
24:23Someone
24:24brought me here
24:25with the genie.
24:26Genies are definitely
24:27present
24:28in old boards.
24:29It wasn't an old board.
24:30It was a Jammu board.
24:31It had Jammu written on it.
24:32I fought with it.
24:33I said,
24:34give me Jammu to eat.
24:35That's it.
24:36I fought with it
24:37and it cut
24:38my bad cheek.
24:39Haroon,
24:40there is no one
24:41like that.
24:42There is no need
24:43for cheeks.
24:44Okay.
24:45How will you make me believe
24:46that there is a real genie
24:47in that?
24:48Don't you believe
24:49me, kid?
24:50I will be
24:51present.
24:52I am ready
24:53to touch
24:54my feet.
24:55Which
24:56floor is this?
24:57I am thirsty.
24:58I am a genie
24:59with a mouth.
25:00I will taste
25:01a lot of food.
25:02I have
25:03made a mistake.
25:04Give me.
25:05I am thirsty.
25:06I am a genie
25:07with a mouth.
25:08I am thirsty.
25:09I am a genie
25:10with a mouth.
25:11I am thirsty.
25:12I am a genie
25:13with a mouth.
25:14No, no. He came from far away.
25:18What are you feeling?
25:19Tell me, kid.
25:20Tell me, Jinnah.
25:21Yes.
25:22Oh, the voice has changed.
25:24Where did you hide him?
25:26I will tell you.
25:28He looks like my brother-in-law.
25:35Tell me one last thing.
25:37Yes.
25:37Will you release him or not?
25:39I won't release him.
25:41Why won't you release him?
25:42It's my wish.
25:45I will kill you.
25:47I will kill you.
25:50Jinnah, what do you want from him?
25:53Tell me, Jinnah.
25:54What do you want from him? Tell me.
25:56I am in love with him.
25:59With him?
26:00If he has opened his eyes wide, he is still a kid.
26:05Jinnah.
26:06Yes.
26:08Will you tell me or not?
26:09I won't tell you.
26:10You won't tell me?
26:11I won't tell you.
26:12Jinnah, tell me.
26:15I won't go to ask you for the last time.
26:18I have told you many times.
26:20I won't go.
26:21I won't let you go.
26:22I won't let you go.
26:24Why are you staying in this house?
26:26I don't have a house.
26:27It's someone's house.
26:29The government has made a road for me.
26:31Oh, my God!
26:32Where was your house?
26:32My family is very poor.
26:34Oh, my God!
26:35One hand is holding the chain.
26:37The other hand is not letting go of the bottle.
26:40Jinnah, let him go.
26:43You will get a beautiful witch.
26:45Jinnah is no one's brother.
26:47Yes.
26:48Jinnah, what mistake did your parents make?
26:50Hey, tell me.
26:51Where are you from?
26:53Dad, everyone knows that I am from Ukkade.
26:56Whom are you asking?
26:58Jinnah.
26:58Ask him.
27:00I am from Lakkhodaher.
27:01Lakkhodaher.
27:02Yes, our entire family.
27:04We used to live in the place where the sea pack was made.
27:08I am telling you to go away.
27:09Go away.
27:10Otherwise, I will teach you a lesson.
27:13What will I do with you?
27:19You don't know me.
27:20I know you.
27:22I won't do anything to you.
27:23Do you have the knowledge of black, green and blue?
27:27Read it.
27:27All this exorcism and all this..
27:31Yes.
27:31..is all an act.
27:32You will see that a lot of videos are surfacing in the world.
27:37That exorcism is done and a Jinn has come out of it.
27:41There is a film called, The Pope's Exorcist.
27:43It is a great film on this topic.
27:45If you watch the first scene, you will understand.
27:49There is one more thing that cannot be negated.
27:54In the world, a lot of people wake up in the morning.
27:56That man is French.
27:58He has never heard or learnt Danish.
28:03He wakes up in the morning and starts speaking in Danish.
28:06He will tell his name in a different way.
28:07He will speak in Danish fluently.
28:10It is shown that he is possessed.
28:14But he is not possessed.
28:16Science has found the reason for that.
28:18What is the reason?
28:19There are many people who have challenged to prove
28:25that someone is possessed.
28:28You have found it.
28:29You can prove it.
28:30The prize is up to a million dollars.
28:34No one has been able to prove it.
28:36The drama that Chris Gayle has put on his head
28:41is a drama.
28:43He will rob him and sell his land.
28:45Go to a psychiatrist. You will get a fit.
28:48Both Raj and Raj will watch the film.
28:53But Mr. Haroon, the existence of Jinn is there.
28:55It is 100 percent.
28:57It is 1000 percent.
28:59It is not because of their existence.
29:01It is because of their actions.
29:02It is because of their actions.
29:05If Jinn exists, they are like us.
29:08You are saying it is because of their actions?
29:09Yes.
29:10Did you change your eyes?
29:12Your friend changed his eyes.
29:14Did you change his voice?
29:16Yes, I changed my voice.
29:17Did you change it?
29:17Yes, I changed it.
29:18His eyes are red.
29:19I will believe it when you present the Jinn here.
29:21Of course.
29:23Jinn.
29:24Jinn.
29:25Yes, Jinn.
29:26Yes, present the Jinn.
29:28Really?
29:28Yes.
29:29Do I have to present the Jinn?
29:30Yes.
29:30Do I have to present the Jinn?
29:31Yes.
29:32The Jinn is about to come.
29:33Do it.
29:34Yes, do it.
29:41What happened?
29:42The Jinn is gone.
29:43Look there.
29:44Where?
29:45Look there.
29:46Where?
29:47Look at the Jinn.
29:48Jinn.
29:50I am telling you to look at the Jinn.
29:51Look.
29:52It has come out.
29:56Mother.
29:59You are very smart.
30:02Hey.
30:04You have troubled me a lot.
30:06I don't know how he is.
30:07But he is very smart.
30:10What did you do to him?
30:12Please forgive me.
30:13I am sorry.
30:14You are doing all this.
30:17He has only done this.
30:19Why is your face so dark?
30:21I have been behaving like this.
30:23You have not seen me sitting on a donkey yet.
30:26A father like him should not sit on a donkey all his life.
30:30Hey.
30:31What is this?
30:31You are trying to cheat people.
30:33I had told you that he has compelled me to learn.
30:35Yes.
30:36Look at his face.
30:38It is a fact.
30:39Yes, son. You were saying that you will teach me a lesson.
30:41Yes.
30:42You will teach me a lesson.
30:43He has the habit of talking nonsense.
30:46He has finished the habit of talking nonsense.
30:47Then come to me.
30:50The Jinn has come to my house.
30:52Jinn? What are you talking about?
30:55Believe me. I have a lot of helplessness.
30:57What helplessness?
30:58An old magician had imprisoned me.
31:01Oh, God.
31:01What is this?
31:02He had put this on me.
31:03He had told me that I will not be able to get rid of this.
31:06I will not be able to get rid of this until you become my slave.
31:09It is open now.
31:11It is open.
31:12He had told me that I will not be able to get rid of this
31:13until you become my slave.
31:15Brother Jinn, which area do you belong to?
31:17Brother Jinn, I had my eyes on you.
31:21Jinn, do one thing for me.
31:22What?
31:23Get me a cuckoo.
31:26I don't want to create a scene.
31:28My wife's bill is very high.
31:30Switch off the meter.
31:31You haven't seen the bill of our house, son.
31:33What?
31:34You get the bill.
31:35Sir, the bill is very high.
31:36Sir, believe me.
31:37They are small kids.
31:38Believe me.
31:39I have to scare the kids all night.
31:41And then I have to sleep.
31:43I get so much bill.
31:44I tell the kids to sleep at night.
31:46Otherwise, uncle SDO will come.
31:50Even if such a strong Jinn is missing
31:51I can still see him a little.
31:54Brother, do you remember the mantra of the return of Tanvi?
31:57I don't remember.
32:00Uncle, let it be.
32:02Your mantra has a lot of power.
32:04Don't do this.
32:05You have spent four days with me.
32:06Okay, now make me your slave.
32:08You said that I will ruin you.
32:11I didn't say that.
32:12You said that.
32:12Brother, I don't think you are right.
32:15Brother, thank you.
32:18I won't come.
32:19I have to go for work.
32:20Thank you.
32:20No, I will come when you go for work.
32:23I thought that Jinn will come.
32:24I thought that Pinnia will come.
32:27Sir, I was struggling to live.
32:38Viewers, there is a small break.
32:39We will meet after the break.
32:47Welcome back, viewers.
32:48The audience has been waiting for a long time.
32:51So let's make them wait for some more time.
32:53Yes, of course.
32:54We will tell you more.
32:55It is God's grace.
32:57Sir, you have travelled the world.
32:59Have you ever seen a polar bear?
33:02Have you ever seen a reed?
33:04The one that is in the snow.
33:05No, I haven't seen that.
33:06Obviously.
33:07He was sitting in front of me.
33:10Mr. Agha, it's 12.45.
33:12You had told me that you will cut the cauliflower
33:14and make it for me.
33:17I didn't do that.
33:17It's 12.45 now.
33:19If you had told me that it's 11.30, I would have done it.
33:21I am already tired.
33:23When you know that whatever he has to do
33:25he has to do it at 12.45,
33:27why don't you give him a reminder
33:28and tell him to come back at 5?
33:30I have to tell him at 12.45.
33:32Why don't you keep it in your mind?
33:33No, I will keep it in my mind.
33:35Bottle.
33:36Bottle, biscuit, bottle.
33:38What?
33:38Hello.
33:39Biscuit, bottle.
33:40Who is it?
33:41Biscuit, bottle.
33:42Hello.
33:43Hello.
33:43What is this?
33:44Biscuit, bottle.
33:45Anna.
33:46Bottle, biscuit.
33:47Hello.
33:47Hello, mister.
33:49Where are you?
33:51I am here for work.
33:52What work is this?
33:54The show is going on, it's being recorded.
33:56The TV is playing.
33:56Get out of here.
33:57You have forgotten your work.
33:59Come here.
34:00Sir, you know what?
34:01What business are you talking about?
34:03Sir, we used to sell chips and bottles in the cinema.
34:06Okay.
34:07Now the cinema has become less.
34:09The new ones are being made.
34:10They don't let us increase them.
34:11Okay.
34:11So I thought your show is also a bit entertaining.
34:14We will need it here too.
34:15So let's sell it here.
34:16You sell it in the interval, not during the film.
34:19The show is going on.
34:20What kind of a fool are you?
34:22Do you think this is a cinema?
34:24Mr. Agha is sitting here.
34:25Do you think this is a King Kong?
34:29Okay, listen.
34:30I understand your problem.
34:32Yes.
34:32But you should sell it in the market.
34:34Sir, the committee members take the bottles from the stalls.
34:37The stalls are poor people's life.
34:39They take the bottles and sell them at the rate of a year.
34:41It's like a Raj Yadav.
34:43By the way, there is less soda in this.
34:45Okay, you drink it.
34:47You will feel better.
34:50Okay.
34:52Go now.
34:54The show is being recorded. Come later.
34:55Isn't there an interval in your show?
34:56No, there is no interval.
34:58Okay, we will buy all this.
34:59Let us do the show now. Go.
35:01Do the interval. Then buy it. I will go.
35:03Should I arrange an interval for your six bottles?
35:06Don't you want to do the interval in the show?
35:08What interval in the show? It happens in the films.
35:10You also do it.
35:11There are such good films.
35:13You also do it.
35:14What is there in your bottle?
35:16Sister, this is the litchi one.
35:17Take it.
35:18This is the second litchi one.
35:19This is the third litchi one.
35:20This is the fourth litchi one.
35:22This is the fifth litchi one.
35:23I swear, if it was the sixth litchi one, I would have bought it.
35:27Okay, tell me.
35:28Yes.
35:28In which films have you sold it?
35:30Sir, in Gulistan.
35:32In Metropole.
35:33I have sold it in all the films.
35:35He has sold it in all the films.
35:38May God bless Greek.
35:40Sultan Rai.
35:41Wow.
35:41He is on a half-time break.
35:43He doesn't buy bottles.
35:45May God bless Greek.
35:46Sultan Rai.
35:47Wow.
35:48May God bless Wahid Murad.
35:51May God bless Umar Sharif.
35:53May God bless Haji Alwaila.
35:55When they..
35:56I think you have a living litchi.
36:00I used to earn a good amount of money.
36:02Yes.
36:03Now that we are in the digital age,
36:06they don't let us grow.
36:07You should change your business.
36:08Is it necessary to sell this?
36:10No, sister. This is our past work.
36:12I have learnt it now.
36:13You are talking as if he is a beggar.
36:16You can't break the keys.
36:19Break it.
36:20Yes.
36:21He is not breaking the keys.
36:22He is dancing.
36:26Tell us how much you have earned.
36:28Tell him.
36:32We can feed our kids.
36:33How much have you earned?
36:35Around six bottles.
36:36We have six kids.
36:40His voice is very loud.
36:42Yes.
36:42Whenever he goes to the market..
36:43He sells a lot.
36:45His voice is very loud.
36:46Yes.
36:47He sells lemon soda.
36:49Isn't he the same?
36:50No, he is a senior.
36:51He opens his mouth like this.
36:58That's enough.
37:01Wow!
37:02That's enough.
37:03Don't do it again.
37:06Wow!
37:07Come on.
37:08Come on.
37:10He has emptied the entire business magazine.
37:13He goes home every day after doing aerobics.
37:17Rs. 600.
37:18For what?
37:19I have opened six bottles.
37:20What can I do if you have opened them?
37:21You are the one who says it's fun.
37:24Be thankful that you have opened six bottles for the first time.
37:28He is a selfish man.
37:29How?
37:30He has kept his business everywhere.
37:34Okay, I will take this from you.
37:36I will buy it from you.
37:37Rs. 600.
37:39I will give you Rs. 600.
37:40I will buy all the bottles and drink them.
37:42Let me do the show now.
37:44You sit here and relax.
37:45If you don't have money, can you use a card?
37:48Do you have a machine or something?
37:50The one who has a card is my total business partner.
37:58I am tired of sitting here.
38:00Mr. Rai's films used to last for three minutes.
38:06Come on, sit down.
38:07Yes.
38:08Can I say something?
38:09What?
38:10All my work is in front of my eyes.
38:13He is like a man who has kept sweets in front of his eyes
38:16and has gone home to take care of them.
38:18He says that he used to have a shop in front of his eyes.
38:23Yes, dear.
38:24Greetings.
38:25Greetings.
38:26My name is Laiba Noor.
38:28Yes, Laiba.
38:29I want to recite a couplet.
38:30Go ahead.
38:31I don't know why I trust you so much.
38:33I don't know why your thoughts are so beautiful.
38:36I have heard that the pain of friendship is very sweet.
38:39If I don't talk to you, tears come out of my eyes.
38:43Why are tears so sweet?
38:44Wow!
38:46Wow!
38:48Wow!
38:49Has anyone ever asked you to open six bottles of liquor in your life?
38:53No.
38:53Then why did your uncle open it today?
38:56Yes, dear.
38:56Greetings.
38:57Greetings.
38:58My name is Abdullah Khawar and I want to recite a couplet.
39:00Go ahead.
39:01How is this existence, Ram?
39:04What happened to your love?
39:06Not even four thorns have pricked you.
39:08All your intentions have changed.
39:09Wow!
39:11Wow!
39:12Wow!
39:13Wow!
39:15Wow!
39:16Very good. Very good.
39:17Next.
39:18Greetings, sir.
39:19Greetings.
39:20Sir, my name is Abdur Zahak.
39:21Okay.
39:22And I have come from the district of Ukhada.
39:25Do you know that Mr. Salim is also from Ukhada?
39:27Yes, I know.
39:28Let him go.
39:30Mr. Salim.
39:31Yes.
39:32Listen carefully.
39:33Yes, Anak Lala.
39:34The one whom I was in love with.
39:37Wow!
39:39Wow!
39:40The one whom I was in love with.
39:42The one whom I love more than my life.
39:46The one whom I was in love with.
39:49He was my friend.
39:51But he died of poverty.
39:52Wow!
39:53Wow!
39:55He is a poet. He is a poet.
39:57I am reciting a couplet. I am reciting a couplet.
40:01Next. Next. Very good. Very good.
40:03Wow!
40:04Yes, yes.
40:05You should have sent me a message.
40:09Yes.
40:10Greetings.
40:11Greetings.
40:12I am Malik Majid Farah Multan.
40:13Are you from Multan?
40:15Yes.
40:15He is going to take Mr. Agha.
40:18I want to recite a couplet.
40:19Recite it.
40:20I am worried and she is sad.
40:23This love is too much.
40:25She has asked for the last wish.
40:28And I have also loved.
40:30She has not taken anything from me.
40:33She has also cursed someone.
40:35Wow!
40:36I love you so much.
40:38The woman whom I have fallen in love with.
40:40Wow!
40:41What did you get by making me fall in love?
40:43This world has fallen before me.
40:45Wow!
40:46Very good.
40:47Have you written this yourself?
40:48No. I have read it on my mobile.
40:50Someone has written this.
40:54Who has written this?
40:55Muzdeem Khan.
40:56Return this to him.
40:57He has written it sitting there.
41:00What do you do?
41:01I study B.S. Optometry.
41:03You study so much.
41:04He should have read what this is.
41:07Yes, dear.
41:08Greetings.
41:09Greetings.
41:09My name is Habibai and I am from Okara.
41:11Today I will recite a funny couplet.
41:13Wow!
41:15The girl who has created a fire in my heart.
41:18Her name is Allah.
41:21Wow!
41:22I am Allah.
41:23She is Allah.
41:24Maybe Allah has made her for me.
41:27Wow!
41:28It is said that what is kept is useful.
41:31That is why we have also kept it.
41:33The one who has kept it has spent sleepless nights.
41:36What is this that you have kept and kept?
41:38The one who has kept it has kept it from someone else.
41:40Wow!
41:42Wow!
41:44Amazing!
41:45Very good.
41:47Yes, dear.
41:48Greetings.
41:49My name is Aram Khalil.
41:52I have come from Rumiya Khan.
41:55Your program is very good.
41:58Thank you.
41:59Make a picture.
42:00We will make a lot of pictures with you.
42:03Do you want me to make a picture with you right now?
42:05Yes.
42:06Okay, I have come.
42:07Take this applause.
42:08Wow!
42:09Very good.
42:12Come, dear.
42:15Look here.
42:19Take this.
42:26It is time for music.
42:28Wow!
42:28Today, we have with us Chairoz Anjum.
42:31You know that he writes great songs.
42:34He writes songs based on Tanzu Miza.
42:37Today, he has made a song on Pasuri.
42:40Come, let us listen to the song.
42:41Wow!
42:48Wow!
42:49Wow!
42:52Viewers, this was today's show.
42:53We will meet you in the next show.
42:55Take care of yourselves.
42:56Goodbye.
42:57Take care of yourselves.
42:58Take care of yourselves.

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