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Short filmTranscript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06One in Los Angeles, one in San Francisco, the other in Boston.
00:14And they were each assigned very hazardous duties.
00:21But I took them away from all that.
00:24And now they work for me.
00:26My name is Charlie.
00:30My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54In part one, as Kelly was doing some spring cleaning, her doorbell rang.
01:20her doorbell rang.
01:22Miss Garrett, I have every reason
01:24to believe that you could be Oliver Barrow's lost daughter.
01:28You could be his sole heir.
01:30I want no financial problems when I turn
01:32over the Barrows to the city.
01:35I wish you'd reconsider.
01:37On my death, the Barrows will go to the city
01:39unless I have a direct heir.
01:41And I don't.
01:42Uncle Oliver, you can't be sure.
01:45You have a daughter.
01:46My daughter's gone forever.
01:48This hotel goes to the city and cost me $15 million.
01:53I wouldn't like that.
01:54So I'll deliver.
01:56What about the girl who may turn out to be his lost daughter?
01:59What about her?
02:01She's the key to my plan, that's all.
02:03Well, I've been with you every day for a week.
02:06I think I know you pretty well.
02:08Oh, you do, huh?
02:10Yeah, I do, huh?
02:18Here, put this on your head.
02:19Come on.
02:20Come on out.
02:21Come on, take my hand.
02:26Oh.
02:27Oh.
02:28Oh.
02:29Oh.
02:30Oh.
02:31Oh.
02:32Oh.
02:33Oh.
02:34Oh.
02:35Oh.
02:36Oh.
02:37Oh.
02:38Oh.
02:39Oh.
02:40Oh.
02:41Oh.
02:42Oh.
02:43Oh.
02:44Oh.
02:45Oh.
02:46Oh.
02:47Oh.
02:48Oh.
02:49Oh.
02:50Ladies and gentlemen, I give you Ms. Margaret Helen Barrows.
02:57To you, Father.
02:59Let's go.
03:14Mr. Perkins.
03:20Ana, call the doctor.
03:22Charlie, this is Kelly.
03:23Is something wrong?
03:24I want to hire you.
03:26I need to know who I am.
03:29Glenn, what if the new Ms. Bowers were dead?
03:33How do you suggest I do it?
03:38Didn't the old man give her a new car?
03:41Yes.
03:43And don't new cars sometimes get mechanical defects?
03:47Little bugs that have to be worked out?
04:54No.
05:24Come on.
05:45Somebody get over here and help me.
05:47He's still alive.
05:50Hey!
05:52This picnic was a great idea.
05:54Yeah. You put in a good couple of days' work.
05:57I thought we deserved a little rest.
06:02Ah!
06:04Just stop. Don't panic.
06:10Flat.
06:12Flat.
06:14The walk will do us good.
06:18This way.
06:22Oh, it is so beautiful here.
06:24How did you ever find this place?
06:27I was defending a whole bunch of environmentalists.
06:31I was trying to stop the contractors from building in this area.
06:35I don't see any kind of many of them.
06:38That's because I always win.
06:41Are you getting hungry?
06:43I'm starving.
06:45I'm going to be at a favorite spot of mine.
06:48Come on.
06:58Okay.
07:00Need some help?
07:02Nope.
07:05Now watch your step.
07:07Okay.
07:09And voila.
07:11You like?
07:14This is so nice.
07:16Yeah. Here.
07:18I used to sneak down here and relax whenever I got the chance.
07:26I can sure see why.
07:28I should never want to go back to this city.
07:31City? What's a city?
07:34I don't remember.
07:36Listen, not to bring up anything gloomy,
07:39but what are we going to do about the bike?
07:41Has anybody ever come by here?
07:43Well, um...
07:45Do you really want to be rescued?
07:50Not really.
08:11What is it?
08:15Is it someone else?
08:28You know, um...
08:31I've wanted to do that now for the past couple of days.
08:35I know.
08:42I think I'm falling in love with you.
08:50I love you, Chris.
09:12No.
09:14No.
09:17Can't stop.
09:20Can't stop.
09:25Oh, damn.
09:28How do you feel?
09:30Not good.
09:32Doctor says you're going to be fine.
09:34Is Bill here yet?
09:36Not yet.
09:37But he'll be here soon.
09:39Glenn Staley just called from the airport.
09:41They're on their way.
09:43Why don't you take a little rest till he gets here?
09:47Get a little sleep.
09:51There you go.
09:57Doctor says it's primarily shock,
10:00possibly a slight concussion.
10:02You're sure?
10:04Yes.
10:05There are other problems here, you know.
10:08Other problems?
10:09Because of the accident.
10:11Kelly's possible impairment is a responsible plaintiff for the court.
10:15I tell you, the administration of the Barrows and everything
10:18could come to a complete standstill.
10:20As executor, I think it's imperative
10:22that we press on with the probation of the will.
10:24We've got to avoid these entanglements and delays.
10:26Glenn, at this moment, I don't care what you do with the estate.
10:38Excuse me.
10:44I'm Tiffany, and you must be Bill.
10:47Yes, how is she?
10:49Well, the doctors say she's going to be fine.
10:51When can I take her home?
10:54Well, they said maybe this afternoon.
10:59Bill?
11:01Why don't I go check?
11:03Thank you.
11:06Hold me.
11:11Oh, everything's going to be fine.
11:15When I thought that I'd almost lost you,
11:20it made me realize how much you mean to me.
11:25How much?
11:27Everything.
11:29Everything.
11:32How much?
11:34Everything.
11:38I'm so lucky.
11:48There could never be anyone else for me.
11:56Kelly, I love you.
11:59I love you.
12:02I love you.
12:28I'll get the door.
12:32Come on, I'll carry you in.
12:34No, I can walk.
12:36Just put your arms around my neck.
12:38I may never let go.
13:02Mr. Staley is waiting in the living room.
13:06You had us scared to death.
13:09I didn't expect to see you here.
13:12Can I get you anything?
13:13No, I'm fine, thank you.
13:15You feeling all right?
13:16Yes.
13:17You were very, very lucky.
13:19Speaking from a purely selfish standpoint, so am I.
13:22Do you know if anything had happened to you?
13:23I can't wait.
13:24Bill, all I need is a few signatures.
13:26Leave her alone for a little while, all right?
13:28Bill, I'm fine.
13:30A few signatures, what for?
13:31Didn't Bill tell you?
13:33To expedite the probate.
13:36Margaret, in light of your accident,
13:39I think it's time that you, you know, faced some facts.
13:43Now, any further delay becomes terribly destructive,
13:46and everything Uncle Oliver worked for
13:48could be tied up in court for years.
13:51Is this true, Bill?
13:53It's happened, but there's time.
13:55I don't understand the rush.
13:56The Barrows has very heavy liens against it.
13:58Here, see for yourself.
14:03Carver Industries?
14:04Principally.
14:06But Carver Industries is calling for its $3 million loan.
14:09Now, that's long past due.
14:11We don't have that kind of cash.
14:13I could jeopardize the entire estate.
14:15If I sign this, I act as Margaret Ellen Barrows.
14:20Kelly, I think it's time you accepted the fact
14:22you are Margaret Ellen Barrows.
14:25Everyone else has.
14:29Okay.
14:48Kelly's okay, isn't she?
14:49I mean, you're not holding back on us.
14:51No, no, she's just fine.
14:53Matter of fact, she should be there by the time we get home.
14:58Don't ever let anybody tell you Los Angeles traffic is bad.
15:02Whoo!
15:16Roz?
15:17Huh?
15:18Before you talk to Kelly,
15:19I think you better take a look at this.
15:21I picked it up on the way to the airport.
15:23Accident report?
15:25Well, it's preliminary, but it's disturbing.
15:28Accelerator pedal held down with a clamp.
15:32That doesn't sound like an accident.
15:34I told you, it's pretty disturbing.
15:36So you think somebody's trying to kill Kelly?
15:38I think someone's trying to kill Margaret Ellen Barrows.
15:43You sure you don't want to go inside?
15:45Not yet.
15:47You know, it's funny how much you take for granted
15:50till you come face to face with losing it.
15:53I'm glad your attitude has changed about the estate.
15:56Oh, I don't mean the Barrows or the money.
16:00I'm talking about you and me.
16:03Kelly.
16:17Hey, Tiff.
16:19Looks like you were right.
16:21Our patient is well on her way to recovery.
16:41Well, Kelly, you look great.
16:43Boy, you sure had us worried.
16:45Well, it was pretty scary there.
16:47For a moment, I thought it was all over.
16:49If you feel up to it, we should talk.
16:51Yeah, I feel fine. Come on, Bill.
16:53I'll be right with you.
17:01Chris.
17:06It was Kelly all the time.
17:09Chris, you have to let me explain something.
17:13You let me believe that you love me.
17:16I do love you.
17:18And I also love Kelly.
17:20You can't be in love with two people.
17:23Look, my whole life, I've never been in love with anybody.
17:26Until now.
17:28And now I love you.
17:31And I love her.
17:33I know how stupid it sounds.
17:40Then you have a decision to make.
17:49It doesn't make sense.
17:51Murder never does.
17:53Tiff, can you show me where the car was parked?
17:55Yeah, it's out here.
17:57Get some rest, honey. We'll check it out.
17:59All right.
18:10Glad you two are getting to know one another.
18:13Uh, yeah.
18:15Bill and I worked pretty closely together
18:17when we were double-checking his research.
18:21As a matter of fact,
18:23we've gotten to know each other pretty well.
18:32Kelly.
18:34I have to tell you something.
18:39What is it?
18:41I don't know.
18:44I want you to understand that I didn't plan this.
18:47It just happened.
18:55What happened?
18:58What happened?
19:05We're in love.
19:07Chris.
19:10It's true, Kelly.
19:16I'm sorry, Kelly.
19:21Yeah.
19:23Well, thank you for telling me.
19:27When I thought I'd lost you today,
19:29I realized how much I do love you.
19:31Everything I said is true.
19:33But...
19:39I love both of you.
19:42And I don't know how to explain that.
19:46I need some time to think. I'm sorry.
19:57Kelly?
20:00Kelly!
20:03Kelly!
20:05Look, you've got to give me a chance.
20:07I didn't know about the two of you.
20:09If I had, I never would have let anything get started.
20:11What do you want me to say to you?
20:13I don't know.
20:16So where does that leave us?
20:18I can't give him up.
20:21Neither can I.
20:28Okay, so there's no physical evidence in the garage.
20:30Where does that leave us?
20:32We should start with who would gain from a gift.
20:34Yeah, and I wager that you're way ahead of me on that score.
20:38I wish I were.
20:40You're kidding.
20:42Well, with all the money that's at stake,
20:44there's got to be somebody with a motive.
20:46But that's what I keep thinking.
20:48Yeah, well, I'm thinking it's time for me to visit Mr. Cord.
20:50And I'll start checking his documentation of Kelly.
20:52Yeah. Hey.
20:54Chris!
20:56Hey, Chris!
20:59Where do you suppose she's going?
21:01I don't know.
21:16I want to thank you for seeing me. I know you've been busy.
21:19If this meeting has to do with Chris and Kelly,
21:21I would just as soon keep that between the three of us, all right?
21:24Well, I haven't come here to play Miss Lovelorn, if that's what you mean.
21:27But I don't mind telling you that you have broken up
21:29what has been a darn good team, much less two good friends.
21:32Look, you tell me, all right?
21:34What are the odds that a man looks his whole life for one woman,
21:37just one, that he can really love and care for?
21:41Somebody like Chris or Kelly.
21:44Somebody that you want to spend the rest of your life with.
21:48I didn't plan it this way, believe me.
21:50Well, you couldn't have done any better if you'd tried.
21:52I know.
21:54But recognizing my own stupidity doesn't make the decision that I have to make any easier.
21:58Maybe somebody's trying to take that decision out of your hands.
22:01I mean, Kelly's accident.
22:03It looks like somebody may be trying to kill her.
22:05What? How?
22:07I think the question is who.
22:09If Kelly were dead, who stands to gain?
22:14Well, I don't know.
22:16Well, I think that you better recheck everything that you have on Oliver Barrows.
22:20There's got to be something that none of us has thought of.
22:22I'll do it.
22:23Get back to me as soon as you can?
22:25Sure.
22:26Thanks.
22:29Bill.
22:40Bill.
22:42Hello, Mr. Core.
22:44Bill, what can I do for you?
22:46What I have to say, maybe we'd better go to your office.
22:50Well, I have no secrets from Linda.
22:53Bill, come on in. Sit down.
22:55You look like a man who could use a drink.
22:57Scotch, isn't it?
22:58Forget it.
23:00Is it Margaret? What's wrong?
23:02No. No, Margaret is just fine.
23:05It's Glenn that's in trouble.
23:07What kind of trouble?
23:08Carver Industries. Does that ring a bell?
23:11Sure it does.
23:13I mentioned them to you. Today, as a matter of fact.
23:15Well, what you failed to mention is that you own ten points in one of their development projects.
23:21It's a business investment.
23:23It's a conflict of interest.
23:25What conflict of interest?
23:27Carver Industries has an option to buy on every other piece of property on this block.
23:33I knew they had investments. Didn't know they were that extensive.
23:37Guess I made a better investment than I thought.
23:39Come off it, Glenn.
23:42Boy, you really had me fooled. Everything with Kelly. The whole thing. I thought it was legitimate.
23:47But you needed her, didn't you?
23:48Because without an heir to leave it to, this hotel goes to the city and your plan is ruined, isn't it?
23:53Bill, I think you're letting your imagination run away with you.
23:56I think you need that drink after all.
23:59Is it my imagination that Carver Industries' investment is worthless without this hotel? Is it?
24:05What does Margaret have to say about that, Bill?
24:07She stands to gain, what, seven, eight million dollars after taxes when the Barrows is sold?
24:15You know very well what she'd say.
24:19Does that mean you haven't told her?
24:20I'm hoping I won't have to until you're put away in jail.
24:23Glenn.
24:24Oh, no, no, no, no. It's all right. Bill has a right to his suspicions.
24:29They just have to be proven in court, that's all.
24:33You are taking this whole thing very coolly.
24:38The act won't hold up in court, Glenn.
24:40You're forgetting. Innocence needs no defense.
24:44Here's the truth.
24:46May you always be as persevering in seeking justice.
24:50The only thing I can't figure is Kelly.
24:52Now, how did you set that up?
24:55You amaze me, Bill.
24:57You found her. I didn't.
25:01Glenn.
25:02Shut up.
25:04Glenn.
25:05Shut up.
25:34He asked for a call now.
25:43Why don't you let me go down?
26:04Yeah?
26:05John Bosley, I took your call.
26:11That him?
26:13Yeah.
26:14We had his I.D. We needed confirmation.
26:18How, uh, how'd it happen?
26:21Drowning, looks like.
26:22Wearing strings.
26:24I don't know.
26:25I don't know.
26:26I don't know.
26:27I don't know.
26:28I don't know.
26:29I don't know.
26:30I don't know.
26:31Drowning, looks like.
26:32Wearing street shoes.
26:33Must have slipped.
26:34The maintenance man found him between the boat and the dock out there.
26:41Okay, he's yours now.
26:42Uh, look, could you, uh, just give me a second?
26:44Uh, his girl is up there.
26:47Yeah, sure.
27:02Is it Bill?
27:05I'm sorry, Kelly.
27:09I'm so sorry.
27:13Oh, my God.
27:17Oh, I'm so sorry.
27:20I'm so sorry.
27:27Listen.
27:28Listen.
27:58I don't know what to do for these girls.
28:02We can be here for them, as much as they need us.
28:05Yeah.
28:07There's something else we can do, too.
28:10What do you think of this?
28:12Bill's keys.
28:13They're in the ignition.
28:14And I'll lay you eight to five that the keys to his boat are on the ski chain, too.
28:19Would you go down to your boat without the key to the cabin?
28:21Well, you better lay that on Inspector Burton.
28:24We're gonna do more than that.
28:25I don't care if you have to call Charlie.
28:27I don't care if we have to blow up City Hall.
28:30You get that coroner to run an immediate autopsy on Bill's body.
28:34Why? What have you got?
28:36Right now, not enough yet.
28:39But I may have.
28:40I'll see you back at the house.
28:54I'm so sorry.
28:57Bill Cord was my friend.
29:01I know that's insignificant compared to the loss that you feel right now,
29:04but I want you to know that you have someone to lean on.
29:12The next several days will be difficult.
29:16But we'll get through.
29:17Somehow, you'll see.
29:18Kelly!
29:21Oh, Mr. Staley.
29:23I phoned your office.
29:24I was wondering, would it be convenient if I stopped by this afternoon?
29:29If you like, we can talk now.
29:31Well, I think it would be better if we spoke privately.
29:35Four o'clock, would that be okay?
29:37Yes, certainly.
29:40Margaret, anything at all, you call me.
29:45Anything.
29:47All right.
29:52Four.
29:54On the dot.
29:57How are you feeling?
29:59I'll be fine.
30:03Well, get a good grip on yourself, because I just came from the coroner's office.
30:06Now, he's only just gotten started, but I can tell you this right now.
30:10Bill Cord didn't drown.
30:12There was no water in his lungs.
30:25Are you sure this is everything that was on Mr. Cord's desk this morning?
30:29Yes. I never disturb any work Mr. Cord leaves.
30:31He's... he was very particular.
30:34I'm really sorry about Mr. Cord.
30:36I know you are.
30:37And you've been a real big help, and I thank you.
30:40Do you mind if I use the phone?
30:41Help yourself.
30:42Thanks.
30:44Oh, and, Roger, if a Mr. Bosley calls for me,
30:46would you please tell him that I went over to the doctor's office this morning?
30:49Sure.
30:50Oh, and, Roger, if a Mr. Bosley calls for me,
30:52would you please tell him that I went over to the new Carver Industries construction site?
30:56Sure thing.
31:12Hello?
31:13Hello, Chris? Tiff.
31:14I want you to hop into a cab and meet me over at the mansion in about an hour.
31:19I'm sorry, Tiff. I'm going home.
31:21Not unless you want to be sorry for the rest of your life you're not.
31:25No games, okay?
31:27This is no game, Chris.
31:29I want you to sit down and take a hold of yourself.
31:33There's a very good chance that Bill Cord was murdered.
31:38With your help, I think we can prove it.
31:48Okay.
31:59I think you guys are going to answer a few questions for me.
32:02It's okay.
32:03I don't stuck like that.
32:08Mullen.
32:10Oh, the foreman says she's a reporter from some ladies' magazine.
32:13She's doing some article on hard hats or something.
32:15Oh, she's doing an article, all right? We're all going to be in it.
32:18That's the Wells woman.
32:19From Townsend Associates.
32:20The one that's been rummaging through my files all week.
32:22What are you talking about?
32:23She's a detective from L.A.
32:26You don't want to take my word for it?
32:27Why don't you invite her in here?
32:28She'll be happy to take your picture.
32:30You're an idiot.
32:31How was I supposed to know?
32:32Lane, handle it.
32:33Make certain you get the camera.
32:48Okay.
33:18Oh, my God.
33:48Oh, my God.
34:19Oh, my God.
34:40Hey, lady.
34:41You all right?
34:42Look at that car.
34:43You okay, lady?
34:46Yeah.
34:47Okay.
34:48Do me a favor.
34:49Would you call the rental company?
34:51Tell them where they can pick up their compact.
34:59So then it's your guess that it was the sale of the hotel that was the key to this whole charade.
35:03Yeah.
35:04But I had to be hit on the head with a ton of bricks before I realized it.
35:07But Bill Cord knew.
35:08He had it nailed down in black and white.
35:11There's a direct link between Glenn Staley and Carver Industries.
35:14Then Glenn had to have an heir for Oliver Barrows in order to get possession of the hotel.
35:18That's right.
35:20Kelly, I'm so sorry.
35:23But my guess is the documents proving your identity are just as phony as Bill's accident.
35:29Mr. Bosley, there's a telephone call for you.
35:31Oh, thank you.
35:37Hello.
35:38Now, we know that Richard Carver is involved.
35:40He's president of Carver Industries.
35:42But there's a new member invited to this party.
35:45The license on the limousine at the construction site was registered under the name of none other than Arnold Gundy.
35:52Gundy?
35:54Gundy.
35:55Isn't he the one the government tried to nail for that mail fraud a few years ago?
35:58He's the one.
35:59He's been doing pretty well since, too.
36:01At least well enough to buy a controlling interest in Carver Industries.
36:07Thank you very much.
36:08Thank you very much.
36:11What is it, boss?
36:13Bill Cord was murdered.
36:17Are you sure?
36:18Yeah, the coroner said he found traces of a synthetic poison in his bloodstream.
36:23Seems that if it's ingested or even inhaled, it goes through the mucous membrane into the bloodstream almost immediately.
36:30Results in a heart attack or a stroke.
36:34Apparently, it can emulate most anything.
36:38Then it must be Glenn.
36:40We can't be sure of that.
36:42Oliver Barrows died of a heart attack, too. Remember?
36:45I was there.
36:48It was Glenn. I'd stake my life on it.
36:51You may have to, if you want to prove it.
37:09I'll tell him I'll be down in my office in about a half an hour.
37:14Hi.
37:15Hi.
37:16Oh, I'm glad I got this chance to talk to you before I go.
37:20Oh, you're leaving?
37:21Mm-hmm.
37:22Well, yes. As a matter of fact, all three of us are leaving.
37:24Chris and Tiffany and myself. An emergency has come up.
37:28I really hate to go right now. I'm very concerned about Kelly.
37:31You mean Margaret.
37:33Yes, Margaret.
37:34Oh, yes, Margaret.
37:36I wish that she could accept that name as easily.
37:39You know, I hate to see her just throw away all that money because of some fool notion.
37:46What notion is that exactly, Mr. Bosley?
37:48Well, really, it's her state of mind.
37:51As you can appreciate, Bill Cord's death really hit Kelly very hard.
37:56And now she's taken it into her head that maybe it's all wrong.
38:00You know, some kind of an omen that she's really not Margaret Barrows after all.
38:05But I have documentation.
38:07Oh, I know that, but I don't think that is what Kelly needs right now so much as companionship.
38:14That's why I wanted to talk to you.
38:16You see, Kelly was going to have us all for dinner,
38:19but now that we're leaving, I was wondering if you'd be good enough to drop by on her tonight.
38:25I think it'd make her feel a lot better.
38:27Of course we will, won't we, darling?
38:31She's had a very difficult time.
38:34You can count on us.
38:36Oh, thanks very much. I really appreciate that.
38:39Look, could I use the phone? I have to call the airport.
38:41Oh, please.
38:53Okay, let's try it.
38:55What?
38:57Let's reenact it.
38:58That's a good idea.
39:00All right, Harmon, you pretend that I'm Mr. Barrows.
39:03Okay?
39:05You pour for me, right?
39:10Thank you. I taste it, right?
39:15Then I pour for Kelly.
39:18Oh, no. No, no, no.
39:20No, it wasn't like that.
39:22No, Mr. Barrows would never pour.
39:23Not even a Chateau Margaux without first checking the cork.
39:29The cork?
39:32Anybody check this cork after Mr. Barrows?
39:35Oh, that simply isn't done.
39:37No one questions the judgment of the host.
39:39Which means I sat next to Oliver all the while he was being murdered.
39:54Hello.
39:56Ah, so glad the two of you could make it.
39:59Well, it's our pleasure.
40:01Your employer, that is, your ex-employee, Mr. Bosley, said you might like some company.
40:06Ex is right.
40:08But then I don't have to worry about that anymore, do I? Thanks to you.
40:11Why the service?
40:13I came from the night office.
40:16You think that's wise, Margaret?
40:18You know, you really shouldn't be here in this house all alone.
40:20But I'm not.
40:22You're here.
40:25She's right, darling.
40:28Well, it looks like we're early.
40:30We didn't know you were having a dinner party.
40:33Oh, well, I'm not.
40:36But it is beautiful, isn't it?
40:38Oliver would have loved this.
40:40Don't you think?
40:42Margaret, are you sure you're all right?
40:44Margaret is just fine.
40:46Wonderful, in fact.
40:47Come on, sit down.
40:49Sit down.
40:58There, now.
41:06How rude of me.
41:09One moment.
41:17Thank you.
41:28You know, quirks and whines can be very dangerous.
41:33It was one of these that killed my father.
41:39Uncle Oliver died of a heart attack.
41:42Heart attack, death, murder.
41:45They're all the same anyway, aren't they?
41:48No, there's quite a difference.
41:52Money.
41:54Money is a difference, isn't it?
41:56Margaret, you're not making much sense.
41:59I think we'd better cut this short and let you get some rest.
42:02No.
42:07Bill Carter's resting.
42:11Bill had a heart attack also.
42:15Did you know that?
42:17I understood he drowned.
42:19So did the coroner at first.
42:24Big, strong, loving Bill Carter.
42:28Died of a heart attack.
42:30Just like that.
42:34Why did you have to kill him, Glenn?
42:45I understand your grief.
42:51I'm sorry, I'm truly sorry.
42:54But you've obviously had too much to drink.
42:58You killed them both, didn't you?
43:01Just a few drops of heart attack.
43:04There are drugs that can do that, you know.
43:06Glenn!
43:08No, it's all right.
43:10But the real poison was greed, wasn't it?
43:14A greed by the name of Carver Industries.
43:17You have a very lively imagination, Miss Garrett.
43:23It is Garrett, isn't it?
43:25Kelly Garrett.
43:27Not Margaret Barrows.
43:29I wasn't the child born in this house.
43:32With no footprints on file.
43:34No record of life after 18 months.
43:36No identity.
43:37But then you created one for me, didn't you?
43:39Very carefully.
43:41I think you're giving me too much credit.
43:43I think not.
43:45Where did you see my picture?
43:47My resemblance to Mary?
43:49In the newspaper?
43:51In the Bureau of Motor Vehicles?
43:53Yes, I think it was there.
43:55No, as a matter of fact, it was neither one.
43:57It was an old magazine.
44:00Featuring a very pretty young lady
44:02graduating from the police academy.
44:04Glenn, stop it!
44:05That's exactly what she wants!
44:07No.
44:09I found what I wanted this afternoon in the attic.
44:14That's Margaret Barrows.
44:21You should have checked the attic.
44:23My mother always keeps these things.
44:26My fingerprints will never match these.
44:29So there goes your whole scheme.
44:31Glenn!
44:33Glenn!
44:36We all know the tragic loss
44:38that Margaret has suffered.
44:40All the grieving she's been through.
44:42We've seen it ourselves tonight.
44:44Grab that paper and get in the car.
44:50You know it's too bad.
44:53Because all you had to do
44:55was take the money.
44:57It was all yours.
45:03Linda!
45:08Linda!
45:14Let her go, Staley. It's over.
45:16Stay back! Stay back!
45:18There's no place to run, Staley.
45:20Come any closer, I swear I'll kill her!
45:23Staley!
45:32Don't move, Staley.
45:38Thanks, Grace.
45:41That was for Bill.
45:58All right, honey.
46:02I'm sorry.
46:19And what is this?
46:21My resignation.
46:23I'm quitting.
46:26What?
46:28Look, I made up my mind.
46:30I don't want to talk about it, okay?
46:32There's a reason.
46:34It's all in there.
46:36You tell him.
46:38Oh, no. No, no.
46:40You handle this one yourself.
46:44Chris, listen to me.
46:46You can't quit. We're a team.
46:48We were a team.
46:50Hello, Charlie.
46:52Yes, Bosley.
46:54Look, Charlie, I have a problem here.
46:56Chris just dropped her letter
46:58of resignation on me.
47:00Just forget it, Charlie.
47:02There seems to be a lot of that going around.
47:05Care to tell me what it's about?
47:13Well, I caused it, Charlie.
47:15I did some very selfish things
47:17that make it impossible for Chris and me
47:19to work together.
47:21Let's just leave it at that.
47:23That's all I have to say.
47:25Look, it was me.
47:27I was the one that was childish and jealous.
47:29If anybody should leave, it should be me.
47:30I won't let you leave because of me.
47:32Look, it was my fault.
47:34I should be the one.
47:36Would you just listen to me?
47:42I'm so sorry, Chris.
47:44I am.
47:49I'm sorry, too, Kelly.
47:57Truth is,
47:58I think we were both pretty lucky to have known him.
48:02Yeah.
48:06No resignations?
48:15Cancel the resignations, Charlie.
48:28Yeah!
48:58I'm sorry, Kelly.