Charlies Angels S04E24
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06One in Los Angeles.
00:08One in San Francisco.
00:11The other in Boston.
00:14And they were each assigned very hazardous duties.
00:21But I took them away from all that.
00:24And now they work for me.
00:26My name is Charlie.
00:30My name is Charlie.
00:32My name is Charlie.
00:34My name is Charlie.
00:36My name is Charlie.
00:38My name is Charlie.
00:40My name is Charlie.
00:42My name is Charlie.
00:44My name is Charlie.
00:46My name is Charlie.
00:48My name is Charlie.
00:50My name is Charlie.
00:52My name is Charlie.
00:54My name is Charlie.
00:56My name is Charlie.
00:58My name is Charlie.
01:00My name is Charlie.
01:02My name is Charlie.
01:04My name is Charlie.
01:06My name is Charlie.
01:08My name is Charlie.
01:10My name is Charlie.
01:12My name is Charlie.
01:14My name is Charlie.
01:16My name is Charlie.
01:18My name is Charlie.
01:20My name is Charlie.
01:22My name is Charlie.
01:24My name is Charlie.
01:27Excellent work, Rizzo.
01:29The packages are identical.
01:31Yeah, well, they should be.
01:33I bought the wrapping paper from the same store.
01:56Hello?
01:58I'm dreadfully sorry.
02:00I must have the wrong number.
02:06Oh, Buzz.
02:08It's beautiful.
02:10Oh, Buzz.
02:12It's beautiful.
02:14Oh, Buzz.
02:16It's beautiful.
02:18Oh, Buzz.
02:20It's beautiful.
02:22Oh, Buzz.
02:24Oh, Buzz.
02:26It's beautiful.
02:28Thank you.
02:36Hi.
02:38Here, I'll get it.
02:40Stopped at the deli, eh?
02:42Yeah.
02:44Happy birthday.
02:46There's more in the car.
02:48I'll be right back.
02:50Just a few more seconds.
02:54Okay.
03:06Goodbye, angels.
03:18Except for some minor bruises, I'm fine.
03:21But my car, Charlie,
03:23it's a total loss.
03:25Cars are replaceable, Kelly.
03:27You're not.
03:29What we can't figure out is who the bomb was meant for.
03:31Me or Tiffany?
03:33Or why?
03:35I have a nasty feeling someone wanted all of you out of the picture.
03:37You remember that near-miss accident
03:39the three of you had last week?
03:41That could have been a coincidence.
03:43Maybe, but I don't want to take any chances.
03:45I want the three of you
03:47to be at 612 Wessex Road
03:49in an hour.
03:51If you ask any questions, just be there.
04:22You think there's a party?
04:24Maybe somebody just has a big family.
04:26Well, there's only one way to find out.
04:52Oh, how lovely.
04:54You must be Mr. Townsend's associates.
04:56Come in, come in.
04:58You're expected.
05:02By whom?
05:04By Tony, of course.
05:06This way, please.
05:10Wait a minute.
05:12Who's Tony?
05:14I don't know.
05:22Where did he go?
05:24What is this place?
05:26Like I said before,
05:28who is Tony?
05:30I'm Tony.
05:32And these are my boys.
05:34Bob Sorensen, Matt Parrish, Cotton Harper.
05:39Please, sit down.
05:41I'm Tony.
05:43I'm Bob Sorensen.
05:45I'm Tony.
05:47I'm Bob Sorensen.
05:49Please, sit down.
05:51We'll be right.
05:58Psst.
06:00You don't think this is some kind of a dating service, do you?
06:03Oh, come on, Charlie. I wouldn't do that.
06:05How do you know?
06:07Right. Well, we'll just have to go with it and see what happens.
06:10Okay.
06:12Well, you are three of the loveliest young ladies I have ever seen.
06:16We're also three confused ladies.
06:18Oh, not for long.
06:20Anyone care to join me in a glass of white wine, ladies?
06:23No, thank you.
06:25You have a tall cold one back there?
06:27Apple juice for you, right, Bob?
06:29Look, if you don't mind, um...
06:31Charlie, darling, you're punctual as always.
06:34Hello, Antonia.
06:36Angels, are you there?
06:38Yes, Charlie, we're here.
06:40But I think we're wondering why.
06:42Well, I've asked Antonia to help us out.
06:45When Charlie told me about your accidents,
06:47I suggested you come here immediately,
06:49for once he agreed with me.
06:51Well, that's very nice of you, but, uh, how can you help us?
06:54We're going to protect you.
06:56What?
06:58Look, Charlie, we don't need bodyguards.
07:00We're detectives, remember?
07:02So are we.
07:04My husband ran the best private detective agency in the country
07:07when he was alive.
07:09Now that he's gone, I've taken over.
07:11Charlie, we appreciate your concern,
07:14but, uh, we can take care of ourselves.
07:17Not as good as my boys can.
07:19Now, Bob is a former U.S. Olympic champion,
07:22and Matt is a master of disguises and weapons.
07:25And Cotton is a champion rodeo rider,
07:28roper and trucker.
07:30And we'd like to start
07:32by getting as much information from you as possible.
07:34Well, if you're such a red-hot sleuth,
07:36maybe you should get the information yourself.
07:38Careful, Tiff. I wouldn't get him upset.
07:40He might decide to shot-put you or something.
07:44Have you gals seen any strange dudes hanging around
07:47or noticed anyone following you in the last few weeks?
07:49Why would someone want to hit all three of you at the same time?
07:52Think about it now. Who would have a motive?
07:55Wait a minute, fellas. Hold it.
07:57Angels, I know how you feel,
08:00but like it or not, you've become clients here.
08:03Now, you see, you're known quantities,
08:06and that makes it impractical,
08:08even dangerous, to work on this alone.
08:11He's right.
08:13Now, you go about your business or do your usual routine.
08:17Stay independent of each other, and we'll do the rest.
08:20Meantime, Antonia and I will start checking on back cases.
08:24But until we come up with something,
08:27my boys go every place you go.
08:32What are we going to do?
08:34We can't have them following around after us every place we go.
08:38Well, they can't follow us everywhere, can they?
08:41No, they can't.
08:43Rolf, is there a powder room around here anywhere?
08:46Yes, madame. Just straight ahead.
08:48Thank you.
08:53Oh.
08:55Oh.
08:57Oh.
08:59Oh.
09:06I don't know about you two,
09:08but I feel like we're on a triple blind date
09:11with Captain America, James Bond, and the Lone Ranger.
09:14And I think we're a little beyond the chaperone stage, don't you?
09:17Charlie must be worried.
09:19I suggest we lose him and meet back at the office right now.
09:22This should hold us over for the weekend.
09:24I think so.
09:26I'm in training.
09:28Would you hurry up? You're a sitting duck out here in the open.
09:31Oh, my keys are in my purse.
09:33Can you take this?
09:35Okay.
09:39Got it? Yeah.
09:41Thanks.
09:49Chris! Chris!
09:57Matt.
09:59Listen.
10:01You're a detective,
10:03but you're an actor, too, right?
10:05Mm-hmm.
10:07So maybe while you're here,
10:09how'd you feel about giving me some pointers on what to wear
10:12when I work undercover?
10:14Let's see what you have. Okay.
10:18Here? Yeah.
10:20Now, let's look for that little surprise,
10:23like a scarf or maybe a little accent.
10:26Truly, I'm sorry.
10:36Hi.
10:38It's over there.
10:41The owner gave me a ticket
10:43to get it cleaned at the car wash around the corner.
10:45Okay. But I'll be right behind it.
10:47Okay. Mm-hmm.
10:49Bye.
10:54Bye.
11:07It's okay, fellas.
11:09Okay.
11:21I feel bad about locking Matt in the closet.
11:23Oh, well, I hope he gets out all right.
11:25Listen, if he's good at his job, he will.
11:28If he's not, well...
11:33He is good.
11:35Not as good as I thought,
11:37but he'll get out so easily.
11:46I understand it's hurtful.
11:48No one's to blame.
11:50No way to know she'd leave a present in the car so long.
11:53Once that timer's set, there's no way of changing it.
11:56I told you, it's okay.
11:58Yeah, but this was our shot.
12:00I don't like to go that public and miss.
12:02It's bad for my reputation, you know.
12:04Well, don't put this one in your resume.
12:06No one can stay so lucky as those three broods.
12:09On the other hand, the more difficult the hunt,
12:12the sweeter the kill.
12:14It's gonna be rough now. We've lost the element of surprise.
12:17It can't be that rough.
12:19As a matter of fact, I have a plan, a very simple one.
12:21Our business should be concluded here
12:23and plenty of time for me to head up north for the opening of the new winery.
12:26Hmm.
12:29Now, I have three bottles of Dom Perignon, 55.
12:35I'm going to drink one each of these
12:38to celebrate the disposal of each of our lovely young ladies.
12:43Salute.
12:46What I want to know is,
12:48who gave you the right to go through Charlie's files?
12:50Now, just hold on there, Chrissie.
12:52Please don't talk to me like that.
12:54It sounds like you're calming down your horse.
12:56Look, Charlie gave us permission to go through the files.
12:58We'd like to hear that from Charlie himself.
13:00Unfortunately, I just did.
13:02Oh, no.
13:04Look, we understand how you feel,
13:06but if you just weren't going to do it,
13:08we'd like to hear it from you.
13:10I'm not going to do it.
13:12Look, we understand how you feel,
13:14but if you just weren't with us...
13:15We work together.
13:17Kelly, Chrissie and I, the three of us, that's all.
13:19Not this time, ladies.
13:21Charlie would never forgive me if anything happened to you.
13:25We are in and we are staying in.
13:29There have been several accidents already.
13:31Now, I miss this as good as a mile,
13:33but nobody's going to be worried about how clean the shot was
13:35when you're all dead.
13:37That's right. I mean, whoever it is knows you three.
13:40So without our help, I'd say the odds are against you.
13:43Look, we're going to protect you with or without your help,
13:46but it would certainly be a lot easier
13:48and a lot more fun with your cooperation.
13:51Well, I don't know about the fun part,
13:54but okay.
13:56Did you find anything in the files?
13:58No, but Charlie and I came up with an interesting possibility.
14:02Michael Durano.
14:04Didn't you three testify against Durano at his trial?
14:07It does sound vaguely familiar.
14:09He was a man of many talents.
14:11Drugs, prostitution.
14:13He did swear he'd get all three of us, you know.
14:15It's hard to believe that one of Durano's men
14:18would be that loyal to come after us
14:20when he's not around to supervise.
14:22Ah, but that's just it. He is around.
14:25That's what makes it such an interesting possibility.
14:28Yeah, he got out of the slammer two weeks ago.
14:30For a 20-year sentence?
14:32Of which he only served six months.
14:35I think we better locate Mr. Durano
14:37before he figures out his next clever move.
14:39Cotton, first thing in the morning,
14:41you check out the stables where Durano's daughters
14:43used to take riding lessons.
14:45And, Matt, see what you can find out
14:47about the Rochelle modeling agency he used as a front.
14:50Right.
14:52And, Bob, you check the striptease joint
14:54Durano used to own a piece of.
14:56I'll get on it.
14:58Uh, you.
15:01Aren't you forgetting something?
15:03Like what?
15:05Like us.
15:17Hi.
15:19Listen, I'm a singer, and I was wondering if...
15:21Sorry, honey, no girl singers.
15:23Would you just listen to her?
15:25We really need to work.
15:27Huh.
15:29You were her accompanist?
15:31Yeah, sort of.
15:33Oh, I might have a spot for you.
15:35What's your name?
15:37Bob Sorenson.
15:39It's nice. Has a certain ring to it.
15:42Take your shirt off.
15:44Take my shirt off?
15:46Yeah, I want to see the merchandise.
15:58What instrument do you play?
16:00Cello and...
16:02Little piano.
16:04That's perfect.
16:06Is the rest of you that good?
16:08Well, I haven't had any complaints.
16:12I'll bet.
16:14Uh...
16:16How does 500 a week sound?
16:18Well, I don't know.
16:20A buddy of mine used to own this place,
16:22Mike Durano.
16:24And, uh, honestly,
16:26I wouldn't want him to see me working here as a bouncer.
16:29I'll tell you, in the first place, Mike Durano is out.
16:32He said he was going into a legitimate business.
16:35And, uh, in the second place,
16:37I'm not seeing you as a bouncer.
16:39Nobody's gonna touch you, honey.
16:41I mean, you're...
16:43You're a work of art.
16:46I think we got our signals crossed somewhere.
16:49What job do you want me for?
16:51Well, I want you to back up Arnie in the band.
16:54Who's Arnie?
16:56What are you, banana? Arnie's a star.
16:59Hey, Arnie, you ready to rehearse?
17:26Yeah.
17:46Arnie's my class act.
17:48Yeah, real Fred Astaire.
17:51He's a male stripper.
17:53Uh, he prefers to be called an exotic dancer.
17:56Oh, yes, that's much better.
17:59You should see the women flocking in here.
18:02All ages, even grandmothers, they love it.
18:11I think it's time us ladies had something yummy to look at,
18:14don't you think?
18:16Mmm.
18:19Uh, can I ask you a question?
18:21Mmm.
18:23As a member of the backup band,
18:26what would I wear?
18:28Nothing much.
18:30Just your cello.
18:48Look, why don't you let me handle this one?
18:51Okay.
19:02Excuse me.
19:04I'm looking for the riding instructor, Sonny O'Day.
19:07I'm Sonny.
19:10I'm Sonny O'Day.
19:12I'm Sonny O'Day.
19:14I'm Sonny O'Day.
19:17I guess I do about everything around here,
19:20including instruction.
19:24You want to sign up for some lessons?
19:27No, not exactly,
19:29but there were two girls who used to take lessons here,
19:32Laura and Morgan Dorano.
19:34I can't keep all the kids' names straight.
19:41Looks like a kicker to me.
19:43Need a hand?
19:45I can handle her fine.
19:47You go right ahead and pull that shoe.
19:50I used to know this old shewer up in Montana.
19:53Had himself this little scrawny sort of mutt.
19:55Followed him everywhere.
19:57That dog was smart, though.
19:59He'd sit right under the horse
20:01until that old man had cut off a piece of hoof trim in his forearm.
20:04I do that for my own dog sometimes.
20:06Yeah, well, I hear having a dog around
20:08really calms down a spooky horse.
20:10Makes him feel like he's got a buddy.
20:12You know, Cotton, that's a real heartwarming tale.
20:17Is she with you?
20:19Yeah, we're, uh...
20:22Yeah, she's with me.
20:26Say, you sure you don't know anything
20:28about those, uh, Dorano girls?
20:31What do you want to know?
20:33Well, I talked to their father a while back
20:36about some horses for him,
20:38and then I heard he went away for a while,
20:40and they never lost contact.
20:42Well, tell the truth, the girls quit lessons a while back.
20:45But they just started up again.
20:47Wouldn't happen to have an address on them, would you?
20:50See, I've got two beautiful Arabians
20:52that I think those girls might like.
20:59I think they've got a ranch up in Fiery Valley.
21:03Hang on. I'll get the address for you.
21:06I sure would appreciate it.
21:10Thank you.
21:28I'm sorry. I'm not doing any interviews today.
21:36Well, suppose I could spend
21:38a couple of moments of my time.
21:40I'm Ann Moore, and you are exquisite.
21:42No, I am Tiffany Wells.
21:44Hello.
21:46I'm Matthew Parrish.
21:48Are you together?
21:50No, we're not together.
21:52I'm just back from six months in Europe
21:54where I did a lot of work for Beaumont and Visage.
21:57If you'd like to see some pictures...
21:59Uh, some other time.
22:01Your look is a little last year.
22:03Do you have a portfolio?
22:05Me? No, I'm just kind of starting out.
22:07Are you sure there's nothing for me?
22:09Look, why don't you come back in a couple of weeks, okay?
22:16A biento.
22:23You may have exactly the face we've been looking for.
22:27Why don't you fill this out for me, okay?
22:29All right.
22:32Will you excuse me for a moment?
22:34Surely.
22:57Dorano here.
22:59Hello, it's Ann.
23:01You know, I never forget a face,
23:03especially one I've seen on the witness stand
23:05testifying against you at the trial.
23:07Which one?
23:09Tiffany Wells.
23:11Beautiful. Can you keep her there?
23:13We'll meet you outside.
23:15Ciao.
23:21You are not going to believe the luck.
23:23What?
23:25We can go see the client right now.
23:27Right now?
23:29Oh, I can't go right now.
23:31Why not?
23:33I look a mess.
23:35You look fabulous.
23:37And you're exactly what he's been looking for.
23:42All right, I'll follow you in my car.
23:44No, he's going to pick you up himself.
23:47Wait a minute.
23:54My client doesn't like to wait.
23:58You always interview models like this?
24:01If they're from the Townsend agency.
24:13I feel terrible.
24:15I should have stayed with her.
24:17Don't blame yourself, Matt.
24:19Tiffany wouldn't want you to.
24:21I know that we haven't been very cooperative,
24:23but Kelly and I would like to put all that aside, okay?
24:26Now, we know Durano has Tiffany,
24:28but where?
24:30Well, we know he has a ranch out in Fort Valley.
24:32Well, he has lots of places, condos, heaven knows what else.
24:35And we also know from the lady at the male strip joint
24:37that he's been trying to clean up his act,
24:39at least on the surface.
24:41Mr. Durano's internal revenue report is on top, Madam.
24:43Thank you.
24:45Well, look what we have here.
24:48He just bought a controlling interest
24:50in a Fiorno Brothers winery,
24:53and he has a private plane he uses for business travel.
24:57Excuse me, Madam.
24:59Yes, what is it?
25:01I do seem to recall that you invited to some sort of gala
25:03by the Fiorno Wines people.
25:05Well, why didn't you tell me?
25:07Oh, Madam, Fiorno produces very ordinary wine.
25:10Wait a minute.
25:12When Tiffany and I went into the modeling agency,
25:14two girls came out carrying bottles of wine.
25:16So someone there contacted Durano.
25:18Matt, back to the modeling agency.
25:20Go home, prepare.
25:22I want you there when it opens.
25:24I'm on my way.
25:30Mr. Durano, the plane's ready.
25:32Yes, I'll be right there.
25:35I have to go north for some business at the winery.
25:38But don't worry.
25:40I'll fly back tomorrow morning.
25:43Well, you'll understand if I don't wish you a safe flight.
25:46Miss Wells,
25:48a very witty young lady.
25:51But somehow I think I'll have the last laugh.
26:07Marta, I know you look stunning in black, darling,
26:10but they don't make black wines.
26:12All the gowns are color-coordinated
26:14to go with the wines for the presentation.
26:16If you will meet me there, we will figure something out.
26:21Two days in a row.
26:23What are you, stubborn or just desperate?
26:25Well, from my point of view,
26:28neither.
26:30Trust me.
26:32Take no for an answer.
26:34I have a real problem with that word.
26:36I think I'm going to have a real problem with you, too.
26:39I could buy you a drink,
26:41and maybe we could figure out how to solve both our problems.
26:43Very smooth.
26:45I don't think so, no.
26:47There's that word again.
26:49I don't have any work for you.
26:52Nothing at all for a man with a long list of credits?
26:55Why don't you take a look through my portfolio?
26:58Will I get a real thrill?
27:00Probably.
27:02You're outrageous.
27:04Only sometimes.
27:06And only with certain people.
27:08And only with certain people.
27:14Tempting.
27:17But I have to co-host a show tonight,
27:19a very important show for Fiorano Wines.
27:21We can meet somewhere later.
27:23Well, the show starts at 8, and I'm sure it's not going to be near finished until about 11.
27:26What a coincidence.
27:28I'm at my best after 11.
27:31I bet you are.
27:34Are you sure there's not a job for me at the show tonight?
27:37I can do anything.
27:39Why don't you let me take tickets at the door?
27:41That way I can be close,
27:43at a moment's notice when you're finished.
27:47You really don't take no for an answer, do you?
27:50No.
27:54How do you look in a tuxedo?
27:57Fantastic.
28:00If you say so.
28:06If the show is presenting Fiorano Wines' new products,
28:09Dorano has to be there.
28:11And so do we.
28:13I phoned my old friend, Harlan Wainwright, in Santa Barbara.
28:16He has a very special place in his heart,
28:18and I'm sure he'll be happy to see me.
28:20I'm sure he will.
28:22I phoned my old friend, Harlan Wainwright, in Santa Barbara.
28:25He has a very special bottle of wine
28:27he's been trying to give me for years.
28:29I think now is the time to accept it.
28:31I'll take care of it.
28:32Cotton, go home. Put on your best suit.
28:34Oh, Ralph,
28:36please find the invitation to the wine show.
28:38I think I'll be going after all.
28:40Very good, madame.
28:42Tony, what about Kelly and I?
28:44Oh, you'll be going, too.
28:46What will we be doing? What's our cover?
28:48You won't have any.
28:50But Dorano will recognize us right away.
28:54Exactly.
28:56Of course.
28:58We're the bait.
29:00They'll take us to Tiffany, and the boys will follow us.
29:02I wish we'd thought of that.
29:04Yeah.
29:07I'm Stella McQueen,
29:09and this is my foreman, Dallas Harper.
29:11But, ma'am, your name isn't...
29:13Oh, no, no. It belongs to my friend, Antonio Blake,
29:15but she gave it to me.
29:17She thought I might have some fun here.
29:19Well, I don't know.
29:21What don't you know, boy?
29:23What seems to be the problem here?
29:25Uh, Mr. Dorano, Mrs. McQueen,
29:27I'm sorry to say,
29:29but I don't know who you are,
29:31and I don't know who you are.
29:33What seems to be the problem here?
29:35Uh, Mr. Dorano, Mrs. McQueen...
29:37The problem is this fool won't let us in.
29:40He's just doing his job.
29:42I'm the fool for not putting you on the guest list to begin with.
29:45But please accept my apologies and a place at my table.
29:48Oh, now, that's very nice of you, Mr...
29:51Dorano.
29:53Michelangelo Dorano.
29:55Ah.
29:57I think I'm gonna call you Mike.
29:59My table is right this way.
30:04Thank you.
30:06Are there any particular wines you are interested in, Mrs. McQueen?
30:10Mrs. McQueen, I'm in the market again,
30:13if you know what I mean.
30:15Mr. Dorano.
30:17Pardon me. I'll be right back.
30:20Did you see Matt and the girls?
30:23Not yet.
30:25That guy taking invitations is one of Dorano's top hands.
30:28His name's Messina.
30:30Ah, yes, I remember reading his name in the dossier.
30:34Charlie did on Dorano.
30:37Hm.
30:39Anybody else you're writing about?
30:41Nope, but I'll keep looking.
30:45Excuse me, would you mind?
30:47I'm trying to get ready for the show.
30:49We'll only take a couple of minutes.
30:51Who are you, anyway?
30:53Hotel security.
30:55You don't look like hotel security.
30:57We're undercover.
30:59What are you doing here?
31:01A bomb.
31:03Look, it was probably just a crank call.
31:05What do you mean, probably? What if it's real?
31:07Don't worry, we'll find it.
31:09We have the police bomb squad standing by.
31:11Look, we don't want to cause a panic.
31:13Look, I'm gonna wait out in my car, okay?
31:15It's out in the parking lot.
31:17That's probably the best idea.
31:19We'll let you know when it's okay to come back in.
31:21Okay.
31:23Thank you.
31:29Fiorno Brothers Burgundy and Chanin Blanc
31:31are excellent choices for house wines
31:33for any type of cuisine.
31:35Our Burgundy is a robust, hearty wine
31:37with a rich, ruby color
31:39and a body to match.
31:43That fellow down there staring at you,
31:45do you know him?
31:47Oh, that's Riso.
31:49He works for Mr. Dorano
31:51along with that guy sitting next to him.
31:53Chanin Blanc, for those of you
31:55who prefer a dry, but not too dry,
31:57white wine.
31:59Remember, gentlemen, those beautiful gowns
32:01are available for purchase
32:03if you feel like buying a present
32:05for that lovely lady in your life.
32:07That one's Riso, the explosives expert.
32:09As soon as Bob gets here
32:11to cover backstage,
32:13we'll be ready.
32:15I've got to deliver these backstage.
32:17Look, nobody goes backstage during the show.
32:19He just came in.
32:21Hey, if these things wilt,
32:23I'm in big trouble, you know?
32:25Wait here. I'll see what I can do.
32:27Thanks. Appreciate it.
32:29...Brother's sparkling rosé
32:31adds a festive touch
32:33to any dining occasion.
32:43I wish I could see his face.
32:45Just do your jobs.
32:47I'll watch Dorano.
32:49...our superior Chablis
32:51will delight customers
32:53with his stunning palettes.
33:19I think we got his attention.
33:24Thank you.
33:28Think he'll go for the bait?
33:30Just go with whatever happens.
33:32Bob will be back there to follow you.
33:35My, those last two girls
33:37are sure attractive.
33:39Tell me, do you rate the wine
33:41by the quality of the girl showing it?
33:43No, not in this case.
33:46Is something wrong?
33:48No, nothing's wrong.
33:50Things are working out perfectly.
33:53It's just that these last two models
33:55weren't what I expected.
34:03Get ready to go backstage.
34:05Oh!
34:07This stuff tastes like vinegar.
34:09You trying to poison me?
34:11I want some bourbon.
34:13There's nothing wrong with this wine.
34:15Are you calling me a liar?
34:17No, I'm calling you an idiot.
34:19Oh!
34:23What is that crazy woman doing?
34:25I think she's trying to send back the wine.
34:28Oh!
34:52Who started this?
34:54I did.
34:56I have good ideas this time.
35:00Look out!
35:05Why are you hitting him?
35:07My teeth are my fortune.
35:15Hold it!
35:17Back off, cowboy.
35:19Let's go.
35:27Oh!
35:39Antonia, are you trying to tell me
35:41you lost them all?
35:43Only temporarily.
35:44What happened?
35:46Well, there was a slight hitch in the plans,
35:48but I assure you, everything's under control.
35:50What are you doing to get them back?
35:52Our boys are checking all the places
35:54where they may have taken them,
35:56but it seems to come down to one place,
35:58his ranch at Far Valley.
36:00Now, our plan is to hit the ranch
36:02from three different directions, and then...
36:04Antonia, are you trying...
36:06Charlie.
36:08Charlie, please don't worry.
36:10We'll find them.
36:24Let's go.
36:54Let's go.
37:25Here.
37:27I say, would you be good enough
37:29to ring up a Mr. Michael Durano
37:31and tell him Mr. Matthew Parrish
37:33wishes to conduct a small piece of business with him?
37:36Oh, Mr. Durano doesn't do any business at home.
37:39Ever.
37:41My dear fellow,
37:43feast your eyes on this little treasure.
37:46Oh, Mr. Durano makes his own wine.
37:50I'm talking to you.
37:53I'm talking about a Chateau Lafitte Rothschild, 1934.
37:59I think you'd better get out of here.
38:01Listen to me, little man.
38:03Get your crayons out and copy this label down
38:06and tell Mr. Durano I'm here.
38:09A buy like this only happens once in a lifetime.
38:13Come back later.
38:15I am leaving for New York at 10.
38:18I have less than an hour to conclude my business here
38:21before hopping over to the airport.
38:29Very good, then.
38:32Be sure to tell Mr. Durano you made the decision for him.
38:38Good day.
38:42Hey, wait!
38:51¶¶
39:22¶¶
39:36All we need now is the cask of Amontillado.
39:39I never would have guessed you were an Edgar Allan Poe fan.
39:43And a wine grower, too.
39:45My, my.
39:47How the criminal element is coming up in the world these days.
39:50You ladies have a lot of style. I'll grant you that.
39:53Yes, we do.
39:55We also work for a man who would pay a lot to get us back.
39:58Money?
40:00Think about it.
40:02A man of your myriad tastes could always use an extra Rolls-Royce or two.
40:06You, hurry up with that.
40:09I don't need money.
40:11I can get all the money I want tax-free.
40:14Divine justice is what I'm after.
40:17An eye for an eye, like it says in the Bible.
40:21Those six months that I spent in prison...
40:25were an eternity in darkness.
40:28How poetic.
40:30Sweetheart, I'm glad you think so.
40:33Because an eternity in darkness...
40:35is what the three of you are going to suffer in eternity.
40:39There's a guy outside the gate who says he's got a bottle of, uh...
40:43Chateau Lafitte Rothschilds, 1934.
40:46Let me see that.
40:48He says he wants to sell it, but it's got to be now.
40:51He's got to catch a plane from New York or something.
40:54Well, my luck is changing already.
40:56There aren't six bottles like this in the world.
40:59Give the order to let him in.
41:02Now, don't start screaming, girls.
41:06I'm going to be heading north for a wine festival.
41:10And then after that, who knows?
41:13I'll go to France, up to the wine country there.
41:17I'll be gone a few months.
41:21So, seal them up and don't bother to affix the date.
41:26This is going to be a very bad year for all three of you.
41:31Adieu.
41:44Mmm.
41:49Mr. Dorado, it's the guy with the wine.
41:52Mr. Dorado?
41:54That's right.
41:56My call.
42:03Well, it's nice to meet you, Mr. Parrish.
42:07But isn't it a little odd you're popping in here so early in the morning unannounced?
42:12Why me?
42:13Well, to be frank, I keep quite abreast of the wine world.
42:17And from time to time, I find it necessary to sell a bottle or two from the family cellars.
42:22That right.
42:23A bit of pecuniary embarrassment, if you will.
42:28I'd rather we discuss business without your servant present.
42:33My servant?
42:35Oh, Mr. Rizzo is one of the family.
42:39You take my advice, Mr. Parrish.
42:42You grab this check while you can.
42:44It's more than anybody else will offer you.
42:48Yes, that's very generous indeed.
42:52But I'd like a little bonus.
42:55Say, the three ladies you've been entertaining, call to your man, tell him to relax.
43:00Do what he says.
43:04I don't see what you're laughing at.
43:06That just proves you don't know as much as he does.
43:15Well, why don't you take Mr. Parrish down to the cellar?
43:20Give him a tour of the wine press.
43:23Back the way you came.
43:31Mr. Parrish, thanks for the wine.
43:36Thank you.
44:37Thank you.
44:41What was your best time in the Ford Ford?
44:4346.2.
44:44Then you better go after him.
45:06Go get him, Cots!
45:11Ride on, cowboy!
45:36Go!
46:07You all right?
46:09Yeah.
46:13What about the girls?
46:15It's under control. Matt will find them.
46:18Some rope trick.
46:20That's nothing. You should have seen me at Salinas.
46:23What about him?
46:25He can come, too.
46:27You know, you've been to Salinas?
46:29Yeah, I've been there.
46:31You've been there?
46:33Yeah.
46:35You've been to Salinas?
46:37I'm sure he's never been to Salinas.
46:39Anyway, I was roping this steer.
46:41Got my leg caught in slack.
46:43Snatched me out right over his head.
46:45There I was, eyeball to eyeball.
46:47What happened?
46:48I wrestled the sucker down and gave him a big kiss.
46:52Charlie!
46:54Thanks for getting us help when we needed it.
46:56I can't tell you how happy I am to hear all your voices again.
47:00Charlie, we're having a little trouble hearing yours.
47:02Well, then I guess I'd better hang up.
47:04I'll talk to you back at the office, angels.
47:06Bye, Charlie. Bye-bye.
47:08All of you were really terrific, and we want to thank you.
47:11Thank you.
47:12Thank you.
47:13Thank you.
47:14Thank you.
47:15Thank you.
47:16Thank you.
47:17Thank you.
47:18Thank you.
47:19Thank you.
47:20And we want to thank you.
47:21All it took was a little teamwork.
47:23Mixed with a sense of style.
47:25And a big dose of horse sense.
47:27Hey!
47:28Anyone in here I might know?
47:30Hi, Buzz!
47:31Come on in and have a drink.
47:33How was your trip?
47:34Thank you.
47:35Fine, just fine.
47:37I hear that you had a little excitement?
47:39How little?
47:40Oh, uh, Tony.
47:42Wasn't that Charlie's car I saw going down the driveway?
47:44Mm-hmm.
47:45Charlie was here?
47:47Yes, you dismissed him.
47:48As a matter of fact, that's why there was so much static on the line.
47:51My security system always interferes with the radio phone.
47:54Tony, tell us what Charlie looks like.
47:56You worked for him?
47:58And you've never met him?
48:00Uh, no, we haven't.
48:02Please, tell us what he looks like.
48:06You've got to tell us what he looks like!
48:08Oh, well, he's, um...
48:11He's a very tall, short man.
48:13He weighs between 125, 250 pounds.
48:16He has jet black blonde hair,
48:18clean-shaven with a full beard,
48:20and he dresses very formally.
48:22Thank you.
48:46Thank you.