Fake.2024.S01e03.Web.H264-Rbb
Fake.2024.S01e03
Transcript
00:00This is a love story, not an investigation.
00:11You're not coming?
00:13No, I've got to get back to the farm first thing in the morning.
00:17Oh, I really wanted to kiss you just now.
00:21I'm so very sorry to leave you hanging.
00:23Can I make it up to you with a trip to my shack next weekend?
00:27Did the farmer finally text you back?
00:29Oscar J from my class kissed me but my foot didn't go up.
00:33That's how you know.
00:41Everything alright?
00:42I'll follow as soon as I find out what's going on.
00:44Will you?
00:45Yes.
00:46Mary's arrived at the hospital and made a scene, abusing the nurses.
00:50It's terrible for the children.
00:52I need to be here to protect them while the meds level her out again.
00:56It's the middle of the night.
00:58Remind me not to mess with you.
00:59Don't mess with me!
01:00I'm not messing with you.
01:03I've been on medication for anxiety for a few years now.
01:06Well soon you won't need any of that stuff anymore.
01:09I think you need to get realistic about what's still out there.
01:13For the initial week, sometimes my life is pure chaos and I shouldn't take it out on you.
01:18I love you.
01:20I love you too.
01:21I do really want to be a part of your life.
01:24I'm sorry I doubted you.
01:27I'm sorry.
01:29I love you.
01:53Oh, that's made the day I left the UK.
02:00Oh, look at me, Birdie, waiting for my life to begin.
02:11From the time I met your father.
02:16There he was, standing in the kitchen.
02:19The rest is history.
02:22Lord Hammer Island.
02:25Oh, the man in action.
02:27Oh, this was before he proposed.
02:30You'd think it was after by how happy we look.
02:33That was after, obviously.
02:37Oh, look at the way he's looking at me.
02:41It was love at first sight.
02:47You never know when you'll meet the one.
02:51But how will I know?
02:54You'll just know.
02:57But what if I miss out?
03:11You were talking about Susan.
03:13Oh, yeah, well, it's just...
03:16Text messages...
03:20..don't have any nuance.
03:22There's no context.
03:24I mean, what did she mean?
03:26What did she mean?
03:28Run? Like, run away?
03:30Or...
03:32..run, ha-ha?
03:34We're actually friends, and...
03:37..if I ask her for more info, then...
03:40..I'll look desperate.
03:42Or if...
03:45..I ask him...
03:48..I look crazy.
03:51Either way...
03:54..I don't want to fuck it up.
03:57How would you fuck it up?
04:03Well, it's hard not to be paranoid when he doesn't turn up...
04:07..when he says he will.
04:09He cancels at the last minute, and it just makes me feel...
04:13..well, it makes...
04:15..I act...
04:19..just...I act crazy.
04:21And I feel like I'm in a relationship with my phone.
04:27I know he's busy. He's got so much on...
04:30..with his...
04:32..divorce and the kids and...
04:34..and...
04:36..his business and the farm.
04:40I just sit there...
04:42..at home, overthinking.
04:45SIGHS
04:50I've just...
04:54..I'm so close.
04:57SIGHS So close.
04:59I just...
05:01..want to get through this mess and...
05:06..hold it together.
05:09SIGHS
05:12What does trust look like to you?
05:24I don't know. I mean, what...
05:26..what do you mean, to...
05:28..to trust that I can...
05:34..to trust that I'm enough?
05:37That I'm not defective?
05:41You're not defective.
05:46My mum thinks I am.
05:53My dad just wanted me to be happy.
06:01Not the honeymoon pictures again.
06:05Oh, she loves hearing the story of how we met.
06:08It's romantic.
06:11Well, this week, I want you to dig into the idea of trust a bit further.
06:16What are some milestones you can work towards to build mutual trust?
06:24I...
06:26..would like to introduce him to my family and friends.
06:30I think...
06:34..I'd love to meet his children.
06:37Meeting children is...
06:39Well, you need to respect that the family dynamic can be difficult.
06:44Bring it back to what you can control.
06:46Trusting Joe.
06:48It's not a world you're familiar with,
06:50so it's going to throw you a few surprises, yeah?
06:54It sounds simplistic,
06:56but you just might have to trust Joe.
07:04HE SNIFFS
07:34MUSIC SWELLS
08:05MUSIC CONTINUES
08:08MUSIC CONTINUES
08:33HORN HONKS
08:37PHONE RINGS
08:40Hi, Mum, I've just booked the restaurant.
08:42I sent you an email.
08:44It doesn't say which table. I mean, did you get the special table?
08:47I forgot.
08:49I'll bring them myself.
08:51Oh, no, it's OK, Mum. I can call them.
08:53No, well, the seating matters.
08:55I mean, he always said you pay to see and be seen.
09:00Hey, how did that interview with the soup van lady go?
09:02Tina. I was too late.
09:04She passed away before I could interview her.
09:06Oh.
09:07Now I've got to find a way to tell Virginia I can't write the story.
09:10Oh, yeah, Mum, I have to. I heard a rumour she's leaving.
09:13Really? Me too.
09:16Are they making cuts? I don't know.
09:18Morning. Hey.
09:20Hey, Bec, can I see you? Yeah.
09:22You good for the awful guy tomorrow?
09:24Oh, yeah. If you want awful, come to the courthouse with me.
09:27HE CHUCKLES
09:31Hmm. Look, my friend, Billy Bass.
09:37PHONE RINGS
09:42Yes?
09:43Working hard or hardly working?
09:45No, I'm just down at the local pub with some of my farm mates.
09:48We've, er...we've fixed the fence.
09:50Ah, how are the sheep?
09:52Did you find out who sabotaged them?
09:54Nah, that's an ongoing investigation.
09:56But I can think of things I'd rather be investigating.
09:59Mm.
10:00Hey, I'm thinking of heading back to the city for the weekend.
10:03What are you doing?
10:05Ah, it's my mum's wedding anniversary on Saturday night.
10:09Oh.
10:10But, um, other than that, I'm...I'm totally free.
10:13Yeah?
10:15Oh, that's a shame. I thought you might have liked to have, um...
10:19Oh, never mind. Never mind, you're busy.
10:21What?
10:22Well, no, I was thinking I could take you out
10:25for romantic twilight drinks on my boat that night.
10:28The reupholstery for the Blue Loon's supposed to be finished by then.
10:31I thought it'd be nice. Oh, can we go Sunday?
10:34I just...I can't shift this dinner.
10:36No, Sunday's no good, I'm afraid. I'm seeing my kids on Sunday.
10:40It's just...it's mum's first anniversary since Dad died,
10:43and we're going to their special restaurant.
10:45Mm-hm.
10:47Oh, and I'll bring them along. I mean, I don't mind.
10:50I mean, who doesn't love a twilight pleasure cruise?
10:53I'll get some nibbles for us.
10:56Joe, I...I can literally do any other time.
10:59All right, well, um,
11:01how about I see if they can squeeze us in tomorrow morning, then?
11:05OK, that could work.
11:07I just have some interviews in the afternoon.
11:09All right, got it.
11:10Yeah, I know you're curious to see her.
11:12Am I? Yes, you are.
11:14OK.
11:15All righty, well, I'll pick you up at, say, eight in the morning.
11:19You'll have to excuse my rustic smell.
11:21I'll be coming straight from the farm.
11:23All right, I'll see you at eight.
11:32BELL RINGS
11:37The workshop just called. Annoying.
11:39The boat's not quite ready for us to take her out.
11:51Waiting for the caulking near the bow to dry.
11:53It'll be a couple of hours.
11:54I'll give them a call in a bit, see if we can pop down the sarbo.
12:02SIGHS
12:19I thought there would be a good symmetry
12:21between a horse and balls and semen.
12:26Would you agree? Sure.
12:29Pretty big, huh?
12:33You have to reveal it.
12:38Well, that's a good trick.
12:40It's not a trick.
12:42That's breakfast.
12:59SIGHS
13:05Ooh, yes, please.
13:08Any chance you can pop down to the workshop right now?
13:11I'm here with the kids.
13:14CHATTER
13:27Are you ready to taste? Oh, sure.
13:35Smoked ram's testicles,
13:38cooked in cream and single malt whiskey
13:41and seared fish semen.
13:44Ah. Very, very productive.
13:47You're not one of those wheat-baked skittles, are you?
14:03Mm. Now I know you swallow.
14:11SIGHS
14:42SIGHS
14:59PHONE RINGS
15:01PHONE RINGS
15:09Hi. Hey.
15:13Hey, Bertie, what's the matter?
15:17Well, um...
15:19Huh? N-Nothing. I'm just...
15:21Well, is this a bad time?
15:23No. I just... I haven't heard from you. I...
15:27Yeah, Bertie, you should tell me when you're anxious.
15:30I... I'm not anxious.
15:33I just...
15:35You... You didn't respond to my message.
15:38Bertie, I will share everything with you.
15:41OK? Look, we've all got our own things.
15:43I mean, you've... you've got your anxiety. OK.
15:46And I've got a whole life before you.
15:50Oh.
15:52Why are you so distant?
15:54Because you didn't respond to my message.
15:56What message? This morning.
15:59Well, I told you I was with my kids.
16:01I have to be present when I'm with them.
16:03Of course. I...
16:04Hey, Bertie, why are you pushing me away?
16:06I'm not.
16:07OK, well, when can I see you?
16:08Whenever you want.
16:09OK, all right, except Saturday night.
16:12SIGHS
16:13You know, when I was hoping to meet your family.
16:19No, no, you're right.
16:20Look, it's... it's probably too soon to meet them.
16:24Is it?
16:25Yeah, look, I'm being cautious, too.
16:28I... I... I'm not being...
16:32You know what? I've got a deadline, Joe.
16:34Just don't worry about it.
16:35Hey, hey, hey, before you go, can you listen to this?
16:38I went to the woods because I wished to live deliberately,
16:41to front only the essential facts of life
16:44and see if I could not learn what it had to teach
16:46and not, when I came to die, discover I had not lived.
16:50It's that Walden.
16:51Very good.
16:52Thoreau's masterpiece on the simple life.
16:54Hey, which one do you think I should get framed for Harry's birthday?
16:57Get framed for footprints or...
17:00we need the tonic of wildness.
17:04At the same time that we're earnest to explore and learn all things,
17:08we require that all things be mysterious and unexplorable,
17:12that land and sea be indefinitely wild,
17:14unsurveyed and unfathomed by us,
17:17because unfathomable.
17:20We can never have enough of nature.
17:23That if something to be able to paint a particular picture
17:26to carve a statue, and so to make a few objects beautiful.
17:30But it is far more glorious to carve and paint
17:33the very atmosphere and medium through which we look,
17:37which morally we can do, to affect the quality of the day.
17:43This is the highest of arts.
17:47Yes, Bertie, what do you want?
17:50I was thinking that instead of the restaurant,
17:54we could do something even more special.
17:56What more special than a dinner at our favourite restaurant?
17:59Well, what could be more special?
18:01Well, Joe has suggested that he could pick us all up on Saturday.
18:05What? Why?
18:06No, no, no, it's a really nice idea,
18:09that we could all go and he would host us
18:12on his boat for twilight drinks.
18:15His boat?
18:16No, no, we're going to Bistro Jeanette.
18:20Dad loved the water.
18:22I thought it was fitting.
18:25I mean, it's a very special boat.
18:27It's a vintage pleasure boat.
18:30But what about all our memories with your father at Jeanette?
18:33We could make some new memories, Mum.
18:35What? Without your father, you mean?
18:38No, I didn't mean that.
18:40Oh.
18:41Just wait.
18:43Oh.
18:46I've just sent you a photo.
18:47Mm-hm.
18:49It's really fancy.
18:50OK.
18:52Please. Just leave it with me.
18:54Leave it with me. It's a generous offer.
18:56Mm-hm.
18:58I really want you to meet him.
19:00OK.
19:01Please. Yep, talk later.
19:03Hi, I just sent you a text.
19:06Good news, we're on for Saturday.
19:09Everyone's very excited and so am I.
19:13I can't wait for you to meet them all.
19:15Can we talk details?
19:18Bye.
19:21Bye.
19:26Hi, did you get my message?
19:28Uh, no. What message?
19:30Oh, about...
19:32We're on for Saturday. It's great news for the boat.
19:35Terrific.
19:37Yeah, it took a bit to convince Mum,
19:39but everyone thinks it's a really generous invitation.
19:42Thank you. Oh, that's great.
19:44So just wondering where we're going to meet and...
19:46Uh-huh. All right, well, let me think.
19:48Um... Joe?
19:50Probably the...
20:00Oh, hello.
20:02Hey, I'm sorry. It's bad reception out here.
20:05Oh, well, did you hear me?
20:07About Saturday, I've cancelled the restaurant.
20:10Yeah, it's fantastic news. Very exciting.
20:13Good. Um, well, when, then? When?
20:16All right, well, say, um...
20:18say 4pm. I'll pick you up on the Yarra.
20:21A friend has a jetty. Unfortunately, mine's under repair at the moment.
20:24So I'll send you the directions. Looking forward to it.
20:28Ah, happy anniversary.
20:31It's casual, is it?
20:33Yeah.
20:35Put them in water. You can't take flowers on a boat.
20:38Oh, OK.
20:40I'll be back in a minute.
20:43Ah.
20:48Whose house is this?
20:50Oh, it's just a friend of Joe's.
20:52Directions. Just through here.
20:54Go through the gate. It should be open.
20:57Don't close the gate.
20:59Oh, don't let it... Doesn't matter.
21:02If it's closed, ring me and I'll give you the passcode.
21:05Is this legal?
21:07Don't you think the restaurant would have been more appropriate for the occasion?
21:11Oh, please behave, Mum. I'm trying not to scare him off.
21:14You don't need us to scare him off.
21:20Head down the side, past the pool.
21:22What happened there?
21:24Don't ask. Council bullshit. Long story.
21:26Council bullshit. Long story.
21:30You'll see the lavender ahead.
21:33There it is.
21:38Just follow the path as it snakes towards the left.
21:44Allow the lavender to lead you forth.
21:50And there'll be a little jetty down there.
21:53Hang tight for a bit and I'll be able to swing the blue loon in
21:57and scoop you up from there.
21:59So what now?
22:01Well, we wait. Enjoy the view, Mum.
22:06I have to go, darling.
22:08Can you wait? He won't be long.
22:10I'm on my way.
22:12Is it bad that I'm nervous to meet your family?
22:14I want to make a good impression.
22:16He's on his way. He's leaving the slip now.
22:19How long do you think he'll be?
22:21Three minutes.
22:26The bend in the river.
22:28Look out. I'm coming round it.
22:30I'm dying to see you in the flesh.
22:33Don't watch me.
22:35Everybody's watching you.
22:39Is it an unusual choice for a new boyfriend to host an anniversary
22:43for a couple he doesn't even know?
22:45No.
22:47I don't think so.
22:49I don't think so.
22:51I don't think so.
22:53I don't think so.
22:55I don't think so.
22:57I don't think so.
22:59I don't think so.
23:01Is it unusual for a new boyfriend to host an anniversary
23:04for a couple he doesn't know, one of whom has passed away?
23:07I mean, it's a bit grim.
23:09I don't think it's grim.
23:11I think it's generous.
23:13You don't think it's a bit, you know, showy?
23:16It's not a showy boat. It's vintage.
23:18He's restoring it.
23:20He just wants a simple life.
23:25Has he sent an update?
23:27Just a few more minutes.
23:29Love, I'll call him and see how long it'll be.
23:33I thought it was closer.
23:37PHONE RINGS
23:41Hi, you've reached Jo Bird.
23:43Please leave a message and I'll get back to you when I can.
23:49Oh! What are you doing?
23:51Yes!
23:53It's my special day. I'm thirsty.
23:56Anton?
24:00Thank you.
24:02Thank you.
24:05To your darling father.
24:08Not a prince by birth.
24:11A prince by nature.
24:14To Gordon.
24:16To Dad. To Gordon.
24:30Oh, look!
24:32Is that him?
24:36Nice day for it.
24:39I thought the Jensen's were still in Malta.
24:41Oh, yes. I think so too.
24:45A friend of a friend's picking us up.
24:47I'm not Darcy.
24:50Do you know the blue loon?
24:52Everyone knows the blue loon.
24:54LAUGHTER
24:57Anyway, enjoy.
24:59Thank you.
25:00Do you know him?
25:01All the Jensen's?
25:03I don't fancy being arrested for trespassing.
25:06Though at least it would mean a bit of excitement.
25:09WHISTLE BLOWS
25:13I'm going.
25:18What? I may as well get comfortable.
25:20What's that supposed to mean?
25:22You remember in London when we were all supposed to meet
25:24that guy that you were dating who ghosted you
25:26and we're all stuck there eating all those nachos?
25:29This isn't the same as that.
25:31Was he gay too?
25:33No.
25:34Would you know, though?
25:38How would I know before you did?
25:40Because it's obvious.
25:42I make you look pretty.
25:44Yeah, you were quite the deceiver.
25:46Rudyard Kipling.
25:48Not my finest moment.
25:50He used to tell the new grad students
25:52that he was the great-grandson of Rudyard Kipling.
25:55100% success rate.
25:58It's a very specific kink.
26:00In lit major circles, yes.
26:02At least none of them were married.
26:07I was 19.
26:08Oh, well.
26:09I was married to your father at 19.
26:11It's a completely different situation.
26:13Well, all I'm saying is if I was old enough
26:15to know what I was doing, you were.
26:17Maybe you weren't.
26:19You know, I should call all the time
26:21to be rescued from some ridiculous fling.
26:26But he said he wanted to marry me.
26:29Anyway, I'd actually call Dad.
26:32Well, your dad was too afraid he couldn't look you in the eye,
26:35so he sent me instead.
26:37Anyone like another drink?
26:39Yes, I'd love one.
26:40Is that a good idea, do you think?
26:42And anyway, I'm the one who's been ghosted the worst.
26:46Let's not forget why we're here.
26:50Mmm.
26:59Mmm, that is good.
27:01Is there any more?
27:02Don't pig out.
27:03We're not catering in the boat yet.
27:05Mmm, I'm starving.
27:07Well, there's been an accident.
27:09Joe was in one.
27:11Is he OK?
27:15Hi, you've reached Joe Bird.
27:17I'll get back to you when I can.
27:19Oh, hi, it's me.
27:21Where are you?
27:22Can we do anything to help?
27:24Just let me know.
27:27If he texted, that means he's OK.
27:30Yeah, it does, doesn't it?
27:32Yeah.
27:37He's intercepted a Mayday call.
27:42He's lending assistance.
27:43So he's OK, he's lending assistance.
27:46A kid went under.
27:48What? His kid?
27:51I don't know, surely not.
27:53Fuck, that's intense.
27:57Should we go to the car?
27:59I don't know.
28:00What do you want to do?
28:01I don't know.
28:04It's just such a big effort to get the boat out.
28:07If he comes here and we're gone...
28:09Do you think he'll still feel like having a drink
28:11if he's just been in an emergency?
28:13Maybe we should go up and sit in the car
28:16and wait for further instructions.
28:18OK, should we?
28:19OK, let's go.
28:20Come on.
28:24Well, I'm not going anywhere.
28:26I mean, you told us we were going to meet Mr Wonderful
28:29and I'm going to sit here until we do.
28:31Let's just go to the restaurant, Mum.
28:33You cancelled the booking?
28:34Oh, I'm glad your father isn't here to see this.
28:37Oh, I wish he was here because he didn't make me feel
28:39like I ruined his life all the time.
28:41Oh, this is the worst idea I've ever had.
28:43Come, Ros.
28:44Let's get something to eat.
29:12I told you not to shut the gate.
29:14Do you know the code?
29:16Well, he said to call and he'd give it to us, but...
29:19Oh, all right.
29:20Let's help Aunty Betty with the gate, shall we?
29:22Um, wait, wait, wait.
29:23This is a one-off, OK, sweetheart?
29:25Don't go climbing strange people's gates like this ever again, OK?
29:29Careful.
29:30Sweetie, careful of the sharp bits, darling.
29:32Watch this spiky bit.
29:33There you go, over the top. Be careful there.
29:35Two jackets, Claudia.
29:36Ready? One, two, three.
29:37Watch the sharp bits, sweetie.
29:38If you look around the corner,
29:39see if there's a key under the mat like it says.
29:41See if you can find a key under a pot plant or something, darling.
29:45What do you see? What can you see?
29:48Look under it, darling.
29:50Is there a doormat or something? Or a rock?
29:52What can you see?
29:56What's this?
30:01Oh!
30:03Oh!
30:08Oh!
30:19Joe?
30:20Where are you?
30:21Oh, there was a bloody dreadful accident,
30:23a speedboat going too fast.
30:25Idiot guy with his wife and kids, and the kid went in the water.
30:28Oh.
30:29Um, is the kid all right?
30:31Well, emergency services were too far away,
30:33the parents were too shell-shocked to do anything,
30:35so I had to dive in and pull them out.
30:37What?
30:38Yeah, look, he's fine.
30:39You know, we got to him just in the nick of time,
30:41but, um, well, the blue loon's taken some damage.
30:44It'll be back to the workshop for her, I'm afraid.
30:46Hang on a tick, would you?
30:51God, they want to take me out to dinner to thank me.
30:54Joe, we were waiting for you.
30:56I mean, I was really worried.
30:58Look, I'm sorry I was saving a boy's life.
31:00You weren't at the front of my mind.
31:02I'm sorry, I have to admit.
31:05I'm sorry too.
31:07Just, I couldn't open the gate and I didn't have the passcode.
31:11It's 3336.
31:15Well, do you still want me to come?
31:17I could meet you at a restaurant if you still want to see me.
31:20Oh.
31:23Birdie?
31:27I do want to see you.
31:28All right, all right.
31:29Well, how about I get us a table at Estelle in 20 minutes?
31:32Do you know it?
31:34Please tell your family I'm so sorry to keep them waiting.
31:37I still want to make a good impression.
31:42It's kind of impressive that you're so determined to meet us.
31:45How did he even get a table at Estelle?
31:47Fine by me.
31:48I wanted to go to a restaurant in the first place.
31:50You didn't want to tell anyone, right?
32:04Oh, he's here, Joe's here.
32:07Hey.
32:08Hi.
32:09I'm so sorry.
32:10Oh.
32:11You're all wet.
32:12A little bit, yeah.
32:13Could you open that for the table and just get some glasses?
32:17Well, everyone, this is Joe.
32:19Hi.
32:20Hi, apologies, apologies.
32:22This is not how I wanted to meet everybody.
32:24Hello.
32:25Margot.
32:26Hello, Margot.
32:27Pleased to meet you.
32:28Sorry about your loss.
32:29Thank you.
32:30My husband was a man of action.
32:32Yes.
32:33Anton.
32:34The hero is here.
32:35No, no, no, no.
32:36Good to see you.
32:37This is my partner, Toby.
32:38Toby.
32:39Hey.
32:40Nice to meet you.
32:41Likewise.
32:42Thank you.
32:43And hello, what's your name?
32:44Roy.
32:45Boy, hello, my name's Joe.
32:46Good to meet you.
32:47Hi.
32:48Hello.
32:49Hello.
32:50Joe.
32:51Of course.
32:52Good to see you.
32:55So, tell us what happened.
32:57I mean, is everyone still alive?
32:59Well, I don't know.
33:00Adrenaline's still coursing through me, but happy to report, yes, everybody is still alive.
33:05Phew.
33:06What a relief.
33:09It probably clipped something underneath.
33:11The boat's flipped, the boy's gone under, and he didn't have a life jacket on.
33:15I mean, Mum and Dad didn't jump in?
33:17I would have jumped in.
33:18Well, no, to be fair, I don't think any of us knows how they're going to react in a crisis
33:22until they're in one.
33:23Yeah.
33:24Everyone has a plan until they get punched in the mouth.
33:27Mike Tyson said that, truly.
33:30Has anybody done CPR?
33:32It is, I tell you, it is very confronting.
33:35You have to push here again where the sternum is quite hard to get to the heart.
33:42And you feel as though you're going to break the person's ribs.
33:45It's like that sound, that cracking sound, as though, cracking sound, as though, cracking
33:49sound, as though.
33:50I don't think it's going to be easy for me to get that sound out of my head.
33:53I'm sorry.
33:54That was warm, wasn't it?
33:55That was a little bit.
33:56I'm sorry, I think I'm still in shock.
33:58Oh.
34:00Anyway, let's have a toast.
34:02Oh.
34:03To friends, family, and I'd like to propose a toast to Birdie, who puts out a little more
34:10from me than she should.
34:13What a catch.
34:14They look good together.
34:16Photo.
34:17Oh, picture.
34:18Here we go.
34:19Photo.
34:20Smiley.
34:21Here we go.
34:22How are you going?
34:23Got a steam rose.
34:24Take another one.
34:25Another one.
34:28Oh, shimmy, shimmy.
34:31All right.
34:32Bubbles.
34:53Oh.
35:19I know today must have been hard for you.
35:24My family make it hard for me.
35:26Yeah.
35:27They think I'm a joke.
35:29Oh, that's ridiculous.
35:30You're not a joke.
35:32Hey, I'm here with you now.
35:44Is that for me?
35:54I want nothing between us.
36:05Hey.
36:08Open your eyes.
36:11Stay with me.
36:14I love you.
36:23I love you.
36:53Joe?
36:54Your phone.
36:56Joe?
36:57Your phone.
37:19It's 3-3-3-6.
37:22It's 3-3-3-6.
37:30What does trust look like to you?
37:51Trust.
38:04Trust.
38:05Trust.
38:09So, how'd you go trusting Joe?
38:15He quit, I think.
38:17I do trust him.
38:19And I've put some boundaries up around my mum
38:25so that I can explore being independent of her with Joe.
38:33I feel better.
38:37It's good.
38:39That's great.
38:41Looks like you're doing really well.
38:43Yeah, I am.
38:45And now when I start worrying, I just tell myself,
38:50everything's fine.
39:15I love you.
39:16I love you.
39:17I love you.
39:18I love you.
39:19I love you.
39:20I love you.
39:21I love you.
39:22I love you.
39:23I love you.
39:24I love you.
39:25I love you.
39:26I love you.
39:27I love you.
39:28I love you.
39:29I love you.
39:30I love you.
39:31I love you.
39:32I love you.
39:33I love you.
39:34I love you.
39:35I love you.
39:36I love you.
39:37I love you.
39:38I love you.
39:39I love you.
39:40I love you.
39:41I love you.
39:42I love you.
39:43I love you.
39:44I love you.
39:45I love you.
39:46I love you.
39:47I love you.
39:48I love you.
39:49I love you.
39:50I love you.
39:51I love you.
39:52I love you.
39:53I love you.
39:54I love you.
39:55I love you.
39:56I love you.
39:57I love you.
39:58I love you.
39:59I love you.
40:00I love you.
40:01I love you.
40:02I love you.
40:03I love you.
40:04I love you.
40:05I love you.
40:06I love you.
40:07I love you.
40:08I love you.
40:09I love you.
40:10I love you.
40:11I love you.
40:12I love you.