La Promesa Ep 389 Completo - La Promesa Cap 389 Completo - La Promesa RTVE Serie
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00:00♪♪
00:30¿Y has pensado en cómo pagarle al celador?
00:33¿Crees que esta pulsera serviría?
00:37El señor Castillo cree que la señora Darre ha muerto
00:40y va al pueblo a comprobar que está la lápida
00:42y cuando la vea, la señora Darre estará fuera de peligro.
00:45Pero eso pueden pasar días, y yo necesito verla antes.
00:48¿Investigar, dices?
00:50Pues ya me dirás cómo lo haces, porque yo no te veo mover un dedo.
00:52Petra, ambos queremos llegar al fondo del asunto
00:56y he oído que tú tienes alguna información.
00:59¿Yo?
01:06¿Es eso cierto, Petra?
01:08¿Por qué demonios no me has dicho que habías averiguado algo
01:11sobre el envenenamiento?
01:13Bueno, realmente, señora, yo...
01:16¿Yo qué? ¡Basta ya de misterios! ¡Habla!
01:21Sería la palabra de una criada contra la de un conde
01:24y ya no tienes a Cruz a tu lado para que te defienda.
01:27¿Qué piensas que van a creer?
01:30Tendrá usted que disculparme, señora,
01:33pero no sé nada nuevo del asunto.
01:38¿Acaso lo que dice Ignacio es una invención?
01:41No, no, no, es exactamente así, no.
01:43Pues explícate bien, porque esto no es un asunto para andar de broma.
01:47No, desde luego que no lo es.
01:51El caso es que en algún momento dado yo comenté
01:55en presencia del conde mi intención de investigar a fondo
01:59las causas de su envenenamiento.
02:02¿Investigar tú? ¿Cómo?
02:05Bueno, señora, al ser el ama de llaves
02:08tengo acceso a la información del servicio y a sus rumores.
02:12Ya, me parece que se te ha subido un poco el cargo a la cabeza.
02:16El caso es que, a pesar de mis pesquisas,
02:19no he conseguido dar con nada que pueda arrojar luz a lo sucedido.
02:24No me digas. Así que nos has generado una expectativa para nada.
02:28Bueno, para hacernos perder el tiempo.
02:30Deberá usted disculparme, señora.
02:33Y ahora, con su permiso, tengo mucho trabajo que hacer.
02:37Sí, mejor será.
02:41Desde luego esta mujer no es ni la sombra de lo que era.
02:45Lamento haber levantado la liebre por nada.
02:48Pensaba que tenía alguna información jugosa, la verdad.
02:54Which is why I stopped giving you my love.
02:57No, no, no.
02:59It's not that.
03:01No, no, no.
03:03Yo no te quiero.
03:05En fin, no me hagas mal.
03:07No, no, no.
03:09No, no, no.
03:11No, no, no.
03:13No, no, no.
03:15No, no, no.
03:17No, no, no, no.
03:19No, no, no, no.
03:21No, no, no.
03:53We are like a jump to life or death
03:55We are like a jump to life or death
03:57We are like a jump to life or death
03:59We are like a jump to life or death
04:01We are like a jump to life or death
04:03We are like a jump to life or death
04:05We are like a jump to life or death
04:07We are like a jump to life or death
04:09We are like a jump to life or death
04:11We are like a jump to life or death
04:13We are like a jump to life or death
04:15We are like a jump to life or death
04:17We are like a jump to life or death
04:19We are like a jump to life or death
04:21You'll be my promise, it's a matter of luck
04:45These are Portuguese sweets
04:47They are called Belém cakes
04:49And whose recipe is it?
04:51It's a traditional sweet from the neighboring country
04:55Do you know that Portuguese girl Bruna?
04:57She lives in Lujan
04:59She's a very good person
05:01And how do you make this?
05:03It looks like puff pastry
05:05That's right, puff pastry filled with pastry cream
05:07But we don't have a bakery
05:09To take advantage of the leftovers, Candela
05:11It's a kitchen for taking advantage of
05:13You say that if I give you food, it's a mortal sin
05:17Besides, the pastry cream and the nuts
05:19have milk, sugar, egg yolk
05:21Who's going to notice the difference?
05:23López, for example
05:25What do you give me?
05:27This sweet has a flag
05:31Save one for me then
05:33How are you, daughter?
05:35Well, there
05:37I hope today is better than yesterday
05:39It ended like the Rosary of Aurora
05:41What happened to you?
05:43At the last hour of the afternoon
05:45Doña Petra sent me to her office
05:47This woman
05:49doesn't get tired
05:51when it comes to taking care of you
05:53Look, yesterday she apologized to Mr. Pellicer
05:55For a moment I thought she had relaxed
05:57She's always willing
05:59to upset the staff
06:01And what did Marimandra Joss tell you?
06:03Well, our dear keymaker
06:05wasn't very happy with how she had
06:07scrubbed the stairs
06:09What nonsense is that? They are very clean
06:11Well, according to her, she hadn't made them shine
06:13and they were all scratched
06:15Did she tell you that word?
06:17She was scratched and lost
06:19Whatever Petra tells you, it goes in one ear
06:21and out the other
06:23I know, but I just did the opposite
06:25I couldn't take it anymore
06:27and I ended up letting go
06:29of what I think of her
06:31God bless you
06:33Everything?
06:35Well, I don't know if everything, but of course a lot
06:37The truth of the boatman, come on
06:39And what did she tell you?
06:41Why total?
06:43For the little time I have left in the promise
06:45Will it be bad and harmful?
06:47Well, I'd better shut up
06:49because if not, they're going to take me to hell
06:51But did she say that to annoy you
06:53or is she aware of everything?
06:55Well, I don't know how, but she found out
06:57about my intentions to go to work at the nurse's house
06:59What a snitch
07:01I can't think of anyone who could have heard her with the story
07:03That's the least of it
07:05Candela, the important thing is that she is now prevented
07:07and I think she's capable of leaving me on the street
07:09before she can go to work with the priest
07:11No, she can't do that
07:13If she can, it's Petra
07:15The girl is right
07:17Power? I don't know if she's going to be able to
07:19But she's not going to need money
07:21Mr. Baeza is not going to allow it
07:23Don't worry, daughter
07:25I'm afraid of being left without a house
07:27without a job
07:29without the money my in-laws demand
07:31and of course, without my child
07:33That's not going to happen, okay?
07:35Look, daughter
07:37Even the darkest day
07:39has its ray of sun
07:41That's very beautiful, mother
07:43And a truth like a temple
07:45Yesterday Salvador and Hanna
07:47came up with the idea
07:49that among all of us
07:51at the service
07:53we can raise the money your in-laws demand
07:55But
07:57how are you going to do that?
07:59Well, putting everything on the line
08:01It's not the first time
08:03We did it a long time ago
08:05Salvador's eye
08:07But Salvador is Salvador
08:09and I just got here
08:11No, you've been here longer
08:13than Salvador when we paid for his eye
08:15You've been one of us
08:17for a long time
08:19And you're Simona's daughter
08:21Your mother and I love her a lot
08:23and so do you
08:25Are you serious?
08:27God bless you
08:29You're the most beautiful thing
08:31in the world
08:33Oh
08:51Can you tell me what the hell
08:53you're playing at, Ignacio?
08:55Why did you set up that number last night?
08:57What's wrong, Petra?
08:59Don't you like challenges?
09:01Are you aware of what could have happened to you
09:03if I came to talk?
09:05Are you aware of what could happen to you?
09:07Trinidad!
09:09Stop cleaning the rooms
09:11They're not going to clean them alone
09:13Let's go
09:15Yes, Mr. Count
09:17I'll take your instructions into account
09:19I already told you
09:21I knew the relationship between you and Cruz
09:23wasn't at its best
09:25and that you wouldn't talk
09:27I wouldn't talk
09:29My relationship with the Marquise
09:31will be the same
09:33I assure you
09:35You've already said that
09:37Stop humiliating yourself
09:39Whatever you do will only hurt you
09:41more than me
09:43Don't intimidate me
09:45You don't even scare me, Petra
09:47Besides, we both know perfectly well
09:49that you don't give a damn
09:51about what happens to Martina
09:53You won't risk a hair to help her
09:55Maybe you're right
09:59I know that Miss Martina
10:01isn't a saint of my devotion
10:03and that she thinks that a little discipline
10:05would be good for her
10:07but I still think that she's a young woman
10:09with her whole life ahead of her
10:11full of dreams
10:13and that makes it
10:15easier for me
10:17to put myself in her place
10:19You putting yourself
10:21in someone else's place?
10:23Put myself in Eva Ignacio's place
10:25If Miss Martina doesn't come back
10:27in a prudent time
10:29I'll talk
10:31and tell her everything I know
10:33because I don't care
10:35about the consequences
10:53Miss Martina
11:11Miss
11:15Take it. I hope no one misses it
11:17but I thought you'd like to know
11:19what's going on in the world
11:21It's good to know what's going on
11:23outside of these four walls
11:25Well, being locked up here
11:27Well, locked up by my own will
11:29I remind you
11:31In any case, I wanted to know
11:33what was going on in the news
11:35I'm sorry if I violated you with the subject
11:37It's just that I'm a little sad
11:39that I'm back here
11:41Well, I went to investigate
11:43to prevent them from locking up my cousin
11:45but I failed
11:47My position in La Promesa
11:49I'm sorry for you
11:51The service
11:53I have nothing to reproach you
11:55So I guess
11:57Descartes has to reproach his family
11:59That's right
12:01And there is a particular member
12:03that monopolizes most of my reproaches
12:05Let me guess
12:07His stepmother
12:09It wasn't a very difficult riddle, was it?
12:13Well, I'm still sorry
12:15that I stopped seeing the others for her
12:17I have nothing to do about it
12:19The situation has reached a point
12:21in which the less we cross each other
12:23the better for everyone
12:25Anyway
12:27How are things around the palace?
12:29Do you know anything about my cousin?
12:31Well, no, not for now
12:33There is no news from the sanatorium
12:35As far as I know, of course
12:37It's horrible, unfair
12:39I know, and you're right, but
12:41At least Mrs. Margarita says
12:43that it is precious
12:45And that she is already receiving all kinds of attention
12:47Yeah, that's what they say
12:49But it's a shame
12:51that we can't check it ourselves
12:53Anyway, apparently
12:55they are very strict with visits
12:57and they don't allow them until
12:59several weeks have elapsed
13:01And that doesn't inspire confidence
13:03But on this matter
13:05we can't do anything
13:07Especially if there is no one investigating
13:09about what happened
13:11Well, you were doing it
13:13And there's nothing, I assure you
13:15But I'm convinced
13:17that my cousin is innocent
13:19We all know she didn't do anything
13:21And I wish we could prove it
13:25Well, I'll let you read the newspaper
13:27I'll clean up around there if you like
13:29Thanks for everything, Hanna
13:43Hanna?
13:45What's going on?
13:59My God
14:13What a kitchen
14:15Yes
14:17I ordered them to prepare a tisana for Mr. Marquez
14:19He read a piece of news in the newspaper
14:21and he has left you completely upset
14:27Mr. Pellicer
14:29Mr. Baeza
14:31I just wanted to ask you how everything is going
14:33Has he fully adapted to the routines of La Promesa?
14:35I think if it hadn't been like that
14:37I would have already kicked the bucket
14:39I see
14:41Mr. Baeza, I have you because of a man
14:43who speaks clearly
14:45And that's why I think he wants to talk to me
14:47about a matter that he doesn't dare to address
14:49You're right, Mr. Pellicer
14:51And I don't know why, but I also have the impression
14:53that someone has told me
14:55about an incident in which Vera is involved
14:57Well, you're right again
14:59And who has been the kind informant?
15:01Who do I have to thank
15:03for such a disinterested gesture?
15:05My father?
15:07Maybe Lope
15:09He has been in charge of La Promesa for many years
15:11and he has found a way
15:13to have eyes and ears in every corner
15:15I understand
15:17Now it has been both
15:19Look, I'm going to be direct
15:21Do you want to tell me your version
15:23about this matter?
15:25The truth is no
15:27I already told my father everything
15:29and the matter was closed
15:31All right, then
15:33Before you go
15:35I would like you
15:37to remember something
15:39Do you remember why you are here?
15:41Excuse me?
15:43Do you know
15:45who made you come here to La Promesa?
15:47Yes, I think
15:49it was a commitment of his
15:51Exactly, and not everyone
15:53agreed
15:55And have you ever wondered why I did it?
15:59Look, if I wanted to have you here
16:01in La Promesa
16:03it was because I always believed
16:05that you have great potential
16:07And I thank you for your trust
16:09Don't thank me
16:11but give me back
16:13the trust that I placed in you
16:15Of course
16:17What do I have to do?
16:19Well, what you have to do is
16:21take advantage of the opportunities
16:23that life gives you
16:25and continue with that courage
16:27that characterizes you
16:29But do not forget that the path to follow
16:31is probably not the easiest
16:33Mr. Baeza, I beg you to be a little clearer
16:35A good understander
16:37few words are enough
16:39And you are better than good, Mr. Pellicer
16:41If so far I have wanted to convey
16:43my confidence in your worth
16:45know that this can change
16:47at any time
16:49I will do my best
16:51because that does not happen
16:53Focus on avoiding conflict and disobedience
16:55Disobedience?
16:57Yes, with the rest of the service
16:59With Mr. Ruiz
17:01With your father
17:03and even with Miss González
17:05Did I explain myself well?
17:07I think so
17:09Because otherwise
17:11I would have been forced to
17:13dispense with your services
17:15And that is something that neither you nor I want, right?
17:17Of course not
17:27The explosions not only affected
17:29the center of cities like Nancy
17:31causing hundreds of civilian victims
17:33but also the surrounding forests
17:35where the battalions deployed
17:37have registered the highest number of casualties
17:39since the beginning of the contest
17:43My God
17:45In those forests is Manuel
17:47From there he wrote the letter
17:49the last one that arrived
17:51Cruz, that region is as extensive
17:53as the entire province of Córdoba
17:55It is most likely that neither Manuel nor Curro
17:57were bombed
17:59You can't bomb an entire province, right?
18:01Of course not
18:05I have the feeling that this news
18:07is only the confirmation of all my feelings
18:09From there so many nightmares
18:11and bad omens
18:13Cruz, please, don't draw conclusions
18:15that have no logic
18:17But I saw it, María Antonia
18:19I saw my son in danger, I saw him drowning
18:21in the rough waters of a river
18:23But we already talked about it yesterday, Cruz
18:25There are a thousand reasons that can cause those nightmares
18:27Do you think that's comfort for me?
18:29The image was very real
18:31María Antonia, very vivid
18:33My son was dying before my eyes
18:35and I couldn't do anything to help him
18:37Leave it, Cruz, please
18:39Manuel will be fine, you'll see
18:41This is a premonition
18:43My son is really needing my help right now
18:45Be reasonable, please
18:49You can't spend the whole day
18:51entangled in such funeral thoughts
18:53You and I are going for a walk
18:55Now?
18:57Why not? It's a great day
18:59The other day I went out and a wasp bit me
19:01And now you're going to stop going for a walk
19:03just because a wasp bites you?
19:05I said no, please
19:07Forgive me
19:09I'm very distressed
19:11I don't want anything
19:13This situation is getting out of hand
19:15But Cruz, I have a bad feeling
19:17that something bad is going to happen
19:19If it hasn't already
19:23I don't know
19:29I don't understand anything
19:31They wanted to have a good time with us
19:33but instead of being at the game
19:35they were arguing all the time
19:37What's the point of playing without money?
19:39That guy has a very bad temper
19:41He's a very bad loser
19:43But he pays for it with his girlfriend
19:45That's another thing I'll never understand
19:47That they're together
19:49Love is blind
19:51No, it doesn't work
19:53And all this time they've been together
19:55I've never seen them have a good time
19:57Like you and me
19:59For example
20:01To have a good time like us
20:03you have to love each other a lot
20:05That's not what I mean
20:07We're always thinking about the same thing
20:11I don't know what they'll do
20:13I don't care
20:15I just have a knot in my stomach
20:17that tells me
20:19that something weird is going to happen
20:21And especially with Vera
20:23Well, something weird does happen
20:25I can't get my head off the face
20:27of Vera the day she comes
20:29It didn't seem like they were having a good time
20:31No, they looked at us
20:33as if we were a lamb
20:35about to take him to the slaughterhouse
20:37As if he were watching from afar
20:39his butcher with a knife in his hand
20:41Now that you say it, Maria
20:43I have to tell you something
20:45I talked to Lope
20:47I was looking for you
20:49Do you need help with any task?
20:51What I need is to thank you
20:53Well, you and everyone
20:55Thank you for what?
20:57Because this morning
20:59my mother and Candela told me
21:01about the crutch that was made for your surgery
21:03And that you're going to repeat the same thing
21:05to get the 550 pesetas
21:07and get my son back
21:09Yes, well, the truth is that
21:11it was more Hanna's initiative
21:13but I've also put my grain of sand
21:15and we're all going to put it
21:17until a desert is filled
21:19What a good idea, Salvador
21:21if you have a golden heart
21:23It's not that much
21:25If we get you to see me in the eye
21:27what less than to gather quarters
21:29to bring your child, right?
21:31And how nice they left him
21:33Look at him, just like Ico
21:35What is clear is that together
21:37we can do anything
21:39Thank you
21:41From the bottom of my heart
21:43I don't know, you're going to get excited
21:45and you're going to shed a tear
21:47I'm so excited
21:49to think that I can get my Adolfito back
21:51Although
21:53I prefer to be cautious
21:55that something always arises
21:57that complicates everything
21:59No, you're going to get it
22:01You just have to believe
22:03You're right, Maria
22:05I have to make an effort
22:07and start seeing life
22:09in a different way, more positive
22:11Of course
22:13Even if it's just to adapt to our height
22:25550 pesetas
22:27is not a small amount
22:29No, but we don't have a hard time trying
22:31I'm going to be a hurricane
22:33A shining coin, a coin that reaches
22:41The press speaks of an intense bombing
22:43but it does not specify the specific areas
22:45And even if it did
22:47I wouldn't be sure of anything
22:49That's the way it is
22:51There is no way to know
22:53if my brother and my cousin are well or not
22:55I see
22:57Do you know when the bombing was?
22:59Yesterday
23:01So it's too soon to know
23:03I don't know
23:05I don't know
23:07I don't know
23:09So it's too soon to know
23:11about them
23:15I'm sorry
23:17Catalina
23:19It must be hell
23:21to live with that uncertainty
23:23And I would like to be able to help you
23:27No one can do anything
23:29to get Manuel back to work
23:33Maybe there is something that can be done
23:35What?
23:37I would like to entertain you
23:39or try to do it
23:41I know some sayings
23:43and my father taught me
23:45a song from a tavern
23:47that is not very soft
23:49I'm sorry, I just wanted to help you
23:51I'm a snob
23:53Thank you for trying
23:55But well
23:57tell me something about you
23:59that I haven't stopped talking about since you arrived
24:01I don't know, the only thing I can tell you
24:03is that I'm quite exhausted
24:05I never imagined that my father's business
24:07would involve so much work
24:09I remember when I was a child
24:11he would get up at dawn and go to bed shortly after sunset
24:13And he never complained
24:15And now you arrive...
24:17And I cry like a baby
24:19Come on, I deserve all the stones
24:21that I'm getting
24:23You'll get used to it
24:27And the work will be more bearable
24:29I hope that one day
24:31I can take things more calmly
24:33and even face
24:35new projects
24:37Like...
24:39tavern songs?
24:41No, I meant something more...
24:43fruitful
24:45Like...
24:47resuming your
24:49jam business
24:51I know you don't aspire to much
24:53but I could be one of your fruit suppliers
24:55Man, you have plenty of fruit trees
24:57That's right
24:59You know what?
25:01I'm curious to know how your company started
25:03Well, it all started
25:05with the talent of one of La Promesa's servants
25:07Lope
25:09A lackey who didn't stand out as a lackey
25:11but he has a gift for the kitchen
25:13And he made
25:15the first jams?
25:17That's right
25:19Although saying that it was all thanks to him wouldn't be fair
25:21He contributed to the innovation
25:23but without the good work of Simona and Candela
25:25making the jams would have been impossible
25:27I suppose you would also
25:29agree with him
25:31And then there's the fact that Lujan's women helped
25:33Although I suppose you're aware
25:35a company is a collective task
25:49Close the door and sit down, Santos
25:59Thank you very much for coming so quickly to my call
26:03I had no choice
26:05considering that another Rapapolo is waiting for me
26:07In this case, you're wrong
26:09I'm not trying to pick a fight or anything
26:13In fact
26:15I'd love to leave all that behind
26:19Really? Without further ado?
26:21Yes, and I know it won't be easy
26:23but if we could start over
26:25at least in this palace
26:27nothing would make me happier
26:29than you stop seeing me as an enemy
26:35I don't see you as an enemy, Father
26:37I understand that from time to time
26:39you have to keep up with me
26:41After all, you're my superior
26:43and I suppose that goes without saying
26:45Do you really understand that?
26:49I'm confused
26:51It shouldn't be easy
26:53No
26:55No, it's not
26:57It's hard for me to separate my feelings from yours
26:59and to forget that
27:01above all, we're father and son
27:03There's something
27:05I've never told you
27:09because I didn't dare
27:11to share it with you
27:13It's about your grandfather, my father
27:15No, I've never talked about him
27:17You didn't get to meet him
27:19And what was he like?
27:21Well, he was a person
27:25with iron principles
27:27obsessed with hard work
27:29and very marked
27:31by the bitter experiences he had in his youth
27:33I understand that they were different times
27:35And that's why
27:37he was so determined to instill those values in me
27:39But
27:41our relationship was
27:47complicated
27:49I didn't know
27:51Well, that's how it was
27:53I didn't want to follow his dictation
27:55I wanted him to keep
27:57working in the family farm
27:59A farm?
28:01Yes
28:03I didn't want to work the land
28:05or milk cows
28:07If it's good for you,
28:09I don't imagine it's good for my father
28:11Since I'm right
28:13my dream has always been
28:15to work in a farm like this, serving great men
28:17And your father opposed that
28:19He didn't understand
28:21that I preferred
28:23to work for others
28:25having a farm on my own
28:27And that's why
28:29we argued
28:31We talked about a strong argument
28:33Yes
28:35Yes, so strong
28:37that I ended up leaving forever
28:39And I left with one hand in front
28:41and the other behind
28:43I never imagined, father, that I could be
28:45rebellious and rebellious
28:47You've always been
28:49correct
28:51Well, you see
28:53So I went to Cordoba
28:55and soon after
28:57I started working
28:59on what I wanted
29:01Serving
29:03Yes, I've always been tenacious
29:05and persevering, like you
29:07And that's why I've always done well
29:09from the beginning
29:11And thanks to that, you are where you are
29:13Well, the...
29:15The thing is that
29:19being away from home
29:23I understood that
29:25despite our differences
29:27my...
29:29my father
29:31always
29:33wanted the best for me
29:37So
29:39some time later
29:41I tried
29:43to look for him to
29:45reconcile us
29:47And could you make peace?
29:51No
29:53No, I can't anymore
29:55He had died
29:57and
29:59I didn't know
30:03I could never thank him
30:05for all the values he instilled in me
30:09I'm so sorry, father
30:13And I don't want that to happen to me
30:15with my son
30:25I guess Cruz is very affected
30:27Me too
30:29How should you be?
30:31After all, it's our children who are in danger
30:33I'd rather think they're at the front
30:35carrying out a heroic gesture
30:39It seems that bombing was a massacre
30:41What do you think, as a soldier?
30:43No matter how much experience I have
30:45it's difficult to shed some light
30:47on this matter
30:49only from the information in the newspapers
30:51And do you have more data?
30:53Grave silence
30:55Although judging by the ammunition
30:57used by the German aviation
30:59I feel that the consequences
31:01have been devastating
31:05I feared it
31:07Although I also tell you that
31:09I don't know what to do with the forests of Alsace and Lorraine
31:11But a single projectile
31:13to end the lives of our children
31:17Not knowing anything else
31:19makes me feel very powerless
31:21Couldn't you find out something?
31:23Let's do one thing
31:25I'm going to put you in contact
31:27with the superior I had dinner with the other night
31:29Maybe when he notices your desperation
31:31he'll come to tell you something else
31:33Yes, give me the signals
31:35I'll call him
31:37And about Martina, do we know anything?
31:39No
31:41I hope her stay in that sanatorium
31:43is less regrettable than Cruz says
31:45She better than anyone
31:47should know
31:49that those places are not as terrible as it seems
31:51Maybe I should take notes on the matter
31:53Do you also want to know my opinion?
31:55No
31:57But you're going to give it to me anyway
31:59You see, as I see it
32:01one has to breastfeed with what he does
32:03And that girl
32:05And that girl has tried to poison Ayala
32:07That is to prove
32:09Whatever you say
32:11Whether it is proven or not, what is true
32:13is that Ayala was right to say
32:15that place is much better for Martina than jail
32:17Any place is better than jail
32:19Better than the French front?
32:21Not everything is black or white, Alonso
32:25At this point you should know
32:35So much effort trying to get that business going
32:37and you put it in the hands of that captain
32:39who, from what I see,
32:41doesn't trust a bit of him
32:43That's right
32:45Things are like this, Adriano
32:47but I prefer to leave it be
32:49I don't want to stir it up anymore
32:51As he did with the management of his farm
32:53that you used to take care of, right?
32:57Yes, as you said
32:59that was before
33:01Past water does not move mills
33:03as the saying goes
33:05That's right
33:07But it also says that the waters
33:09return to their source
33:11and in your case it seems inevitable
33:13What do you mean?
33:17Well, sooner or later you will be
33:19in charge of the management of your farm
33:21as well as the business of the jam
33:23Now I see it complicated
33:27Oh my God
33:29I'm a little late
33:31I'm sorry to have entertained you
33:33I just wanted you to take a book to read
33:35A book?
33:37You already know that books and I
33:39are not good friends
33:41Well, it's time for you to start doing them
33:43Any recommendation?
33:45Do you intend to fill
33:47the whole hangar with books?
33:51I don't like all the ones I brought
33:53on my last visit to the palace
33:55I feel bad about having them like this
33:57and I don't know where to put them
33:59So, I insist, take one
34:01If I can think of something better
34:03let me set up a shelf
34:05You don't want to read either?
34:07Do you prefer to set up a shelf?
34:09It will be more practical
34:11Let me do it
34:13It's my way of helping you
34:15Okay
34:17You'll see how I do it in a moment
34:19And in the meantime, you can continue
34:21telling me things
34:23Well, go ahead if you think I'm going to let you do it alone
34:27Okay
34:33As I told you, Santos
34:35was very cordial and willing to start again
34:39Without so much fuss
34:41That's excellent news, Ricardo
34:43I'm very happy for you
34:45Yes, of course, but the funny thing is
34:47that I had already tried to get close to him
34:49many times and I had never succeeded
34:51What could have changed in his attitude?
34:53What else? Today was the day
34:55Yes, but I don't understand why
34:57I don't know
34:59Maybe you told him something that made him reconsider
35:01I told him about my father
35:03I had never told him about him before
35:05And I told him
35:07about all our differences
35:09and how things ended
35:11It must have been that
35:13For the first time, he put himself in your shoes
35:15and he understood that it's not easy
35:17but it's not easy to be a father
35:19Much less to be welcome
35:21Yes, I think so
35:23For the first time, he looked at me
35:25in a different way
35:27And that smile?
35:29Nothing, that I'm happy for you
35:31Well, it seems to me that
35:33he has surprised you quite a bit
35:35considering how Santos
35:37always makes me difficult things
35:39Well, it's a matter of time
35:41that he has fixed your differences
35:43Well, it doesn't always happen
35:45My father and I are not going any further
35:47That's another story
35:49But the fact that he listened to me
35:51You must have something to do with it, don't you?
35:53Me?
35:54Have you talked to him?
35:55Not at all, not at all
35:56You're afraid to deny it?
35:57It makes you suspicious, doesn't it?
35:59No
36:00Come on, let's finish
36:01It seems to me
36:03that I just caught the impeccable
36:05Romulo Baeza in a lie
36:08Come on, confess it
36:10Have you talked to him?
36:11The only thing I told him was that I had to
36:13soften things with the service, including you
36:15Even though I asked you, I would take care of it
36:17Thank you
36:19Thank you very much, Romulo
36:21You are a very good friend
36:23Now the important thing is that we recover
36:25that good boy
36:27who is under that armor of pride
36:48Thank you for waiting for me with the lights on, Hanna
36:51If I don't pee before going to bed ...
36:53I know
36:57And what's wrong with you?
36:59I feel sad
37:01I'm tired
37:05I'm tired
37:07I'm tired
37:09I'm tired
37:11I'm tired
37:13I'm tired
37:15I'm tired
37:19Because of the news of the bombing
37:21you are sad, aren't you?
37:25The truth is that it has me with the soul
37:27The newspaper has said that
37:29that it was an intended carnage
37:31so ...
37:33How you want to scare people
37:35Couldn't they put
37:37more beautiful news in the newspapers?
37:39Well, it must have been terrible
37:41really
37:43All wars are Hanna
37:45But don't get into the worst
37:47I'm sure Manuel and Mr. Curro
37:49won't be there
37:51Or maybe yes
37:53Because the last time I wrote a letter to Manuel
37:55I came from that area
37:57Well, don't say huge things
37:59because if I don't turn off the light
38:01and we're not going to sleep
38:03Don't you dare turn off the light
38:05I don't want to close my eyes
38:07In the end I'm going to end up imagining horrible things
38:09Do you know what I'm going to do?
38:11I'm going to call you brother of saint
38:13to reconcile the dream
38:15Shut up and obey
38:17Because you will agree with me
38:19that you can't spend the whole night in candlelight
38:21No
38:23Well, then you stay here quiet
38:25and I'll be right back with the glass of milk
38:42And have you managed to find out
38:44something of what I told you?
38:46That's right
38:48And well?
38:52You were right
38:54Really?
38:56I went to the town of Pia
38:58and visited the cemetery
39:02His grave had the earth removed
39:06Pia?
39:08I waited for it to get dark
39:10and I made relevant inquiries
39:13Did you dig his grave?
39:16No, Mrs. Narcos
39:18I didn't dig any grave
39:21Because when I opened the coffin
39:25it was empty
39:27Jesus Maria and Joseph!
39:31Yes
39:33For being extravagant
39:35everything indicates that you were right
39:38Pia lives
39:42And she will be hidden somewhere near here
39:45probably taking care of that intruder Hanna
39:49And what are you going to do now?
39:52Follow that maid, of course
39:56Find out where she goes when she leaves the palace
39:58and deal with my wife's whereabouts
40:01For that I need your help
40:03Count on it
40:06I have already started to do my part
40:08What do you mean?
40:10Well, yesterday I apologized to everyone
40:14for my attitude lately
40:16but as you will understand
40:18I only intended to lower the guard
40:20I think I was right
40:22I need you to be my eyes
40:24and my ears
40:26in the promise
40:28Count on them, Mr. Castillo
40:30But now leave
40:32It is convenient that no one sees you around here
40:35Yes
40:53Hanna
40:57Hanna
40:58What are you doing, Maria?
40:59Can't you see that you're not letting me sleep?
41:01I was surprised by Petra
41:03Yes, talking to Gregorio
41:06Gregorio is here
41:07Yes, I saw him with these two eyes
41:08They were talking in the dark
41:10and those two can't get in
41:12But where are you going in such a hurry?
41:14To talk to Mr. Rámulo
41:15But are you crazy?
41:17Maria, I don't have time to appear, this is serious
41:19I'll be right back
41:26It will be just an escape
41:28A few days away from the promise, away from all this noise
41:30I don't know if it's appropriate, Ignacio
41:33I think that after everything that has happened
41:35you and I deserve it
41:37I just don't feel like doing a leisure trip
41:39when my daughter is hospitalized in a sanatorium
41:41Precisely
41:43This trip is to compensate you
41:45for so much suffering
41:47Really? And who compensates her?
41:49You know she can't receive visits
41:51during the first weeks
41:53Your suffering doesn't help her at all
41:55Let's go far away
41:57Let's recover energies
41:59You will need them when they finally let you visit her
42:02I don't know, maybe you're right
42:04This topic is driving me crazy
42:07It will be wonderful, you'll see
42:09Let's go to the coast, close to the sea
42:13Well, it may be good, yes
42:15I have some friends, the men of Escañuela
42:17Mr. Antonio and Mrs. Bárbara
42:19They have a palace in Sanlúcar de Barrameda
42:23I'm not in the mood
42:24It's just a charm
42:25They recently wrote to me
42:26and invited me to spend a few days with them
42:28It's not too far
42:30What do you think?
42:32I don't know, Ignacio
42:33I have doubts about all this
42:36Cruz
42:37Good evening
42:38What are you doing up so late?
42:40We were sleeping at this time
42:42I can't continue the dream
42:44I suspect you neither
42:46You have to rest, dear
42:48I prefer to be up
42:50I refuse to go around in bed
42:52Do you want us to make you a herbal tea?
42:54Maybe this way you can continue the dream
42:55No, you don't understand, Ignacio
42:56I don't want to sleep
42:58For nothing in the world
42:59I would like to have one of those nightmares again
43:02Well, then
43:03Stay with us
43:10What were you talking about?
43:12Nothing important
43:13We were making plans
43:15What kind of plans?
43:17Little
43:18Given the current circumstances
43:19With Martina, who has just joined
43:21Have you heard anything else about her?
43:23No
43:25The truth is that no
43:27We can't be calling day after day
43:29I already told you
43:31Until a few days pass
43:32And the doctors see how she adapts
43:34They won't be able to tell us anything
43:35This is another issue that doesn't allow me
43:37To continue the dream
43:40There were no plans
43:42You took her from here, from the palace
43:43At midnight
43:44And to Hurtadillas
43:45Without even allowing me to do anything about it
43:48You shouldn't have done anything, Cruz
43:50No? Not even say goodbye to her?
43:52We did the most appropriate thing
43:53You acted without heart
43:55And with a lot of selfishness
43:56That's the truth
43:57Well, enough
43:58I'm a little fed up with so much hypocrisy
44:00You're a lynx looking at the straw in someone else's eye
44:02And not looking at the vein in Cruz's own eye
44:04Don't talk to me like that
44:05Well, as I've been told
44:06You did exactly the same thing
44:07With your sister Eugenia
44:08On your last visit
44:10You took her out of the palace
44:11To Hurtadillas
44:12In the middle of the night
44:13Without letting her say goodbye to her son
44:15My poor sister has a real disorder
44:17She has no point of comparison
44:19That doesn't justify how you behaved
44:21Well, in our defense
44:22I'll say that we follow the recommendations
44:24Of the specialists
44:26Who advised us to spare Martina
44:28The disgust of saying goodbye to her family
44:30Exactly
44:31Nothing to do with depriving Curro
44:32Of a deserved farewell from his mother
44:34Well, enough
44:35And stop mentioning Curro
44:37That spoiled brat
44:38There's no right for you to talk about him like that
44:40No, yes, yes, I have the right
44:41And do you know why?
44:43Because if it wasn't because that capricious
44:45Went between the lines
44:46And went to the front
44:47Right now my son would be in La Promesa
44:49Safe and sound
44:57How has Mr. Castilla been in La Promesa?
45:00Maria Fernández saw him
45:01When?
45:02A moment ago
45:03He went down to the service floor
45:05To get a glass of milk
45:06And saw him talking to Mrs. Petra
45:07Who was on the stairs
45:08That lead to the garden
45:09Maria Fernández is completely sure
45:11That it was him
45:12She couldn't have confused him with...
45:14It was him, Mr. Baeza
45:15It was him
45:16And I think we should wake everyone
45:18To see if they catch him
45:19No
45:20No
45:21No
45:22No
45:23No
45:24No
45:26I'm sure he has already left
45:27The same as he came in
45:28Giving the body to the soul
45:29The only thing we're going to get
45:30Is to give Mr. Arco a warning
45:33Yes
45:34Now I understand about his apologies
45:36If he asked for forgiveness
45:37It was so we could lower the guard
45:38That's right
45:39And he got it
45:41That man has entered a palace
45:42It shows how exposed we are
45:46But what are we going to do?
45:47Because it's clear that we have to
45:49Keep bringing him food and supplies
45:50To Mrs. Pia
45:51That's out of the question
45:53Look
45:54Mrs. Petra is watching us
45:56And now we know who's going to tell her
45:58Anything if she finds out something
46:00We'll have to be extremely careful
46:02If Mr. Jovizor is there
46:05I'm also interested in his point of view
46:07And in fact, I'm convinced that Gregorio
46:09Knows where I'm going, so...
46:11Of course
46:12You're in grave danger
46:14And that man could be on the run
46:16To follow you next time
46:18You don't have to go back to that cave
46:21No, no, no
46:22Because you're not the only one in danger
46:24Mrs. Adolfo is also in danger
46:28So who's going to take the supplies?
46:30I don't know
46:31Then we have to think about it quickly
46:33Because we're straining the rope too much
46:35And Mrs. Pia has neither water nor food
46:37You're absolutely right
46:40What are we going to do?
46:42For now, take a deep breath
46:44And relax
46:45It's clear that man is not going to do anything tonight
46:47It's true that we have to act quickly
46:49It's important to do things cautiously
46:52I'll think about it tonight
46:54We'll talk tomorrow
46:55Good
47:20Lope
47:22Good morning
47:24Good morning
47:25Can I steal you a moment?
47:27Of course
47:28What do you need?
47:30I haven't been able to get my head out of the conversation we had
47:35And I've come to the conclusion that you're right
47:37Absolutely right
47:40That I can't go on like this
47:42And that I have to face Santos
47:44Are you serious?
47:46I've been naive not wanting to face him
47:49And I can't delay it any longer
47:52I agree
47:54I have to stop
47:56Because if not, all this will go further
47:58And I'll end up going crazy
48:00So I've decided that I'm going to try to solve all this for good
48:07And if Santos doesn't agree?
48:10Well, he'll have to accept my decision
48:13And if he doesn't?
48:15What if he decides to reveal the secret of your past?
48:18Then I'll have to assume the consequences
48:21If only you told me what it's about
48:26Lope, I appreciate that you've supported me so far without knowing
48:29And at the moment I prefer that it continues like this
48:33Okay, as you prefer
48:38You know you have me for what you need
48:40You know, right?
48:41You know, right?
48:44I know
48:50I'm glad about the decision you're making with respect to Santos
48:54You're being very brave, Vera
48:57I'm really proud of you
49:00Well
49:03I wouldn't have achieved all this if it weren't for your help
49:07In fact, I haven't achieved anything yet
49:11But you're going to do it
49:14You'll see
49:20And if you want
49:24After I solve all this
49:27We can get back what was between us
49:32Of course
49:36Because I need you to breathe, Vera
49:41But I'm really scared
49:43I love you
50:09So you didn't have problems with the isolator then?
50:12I'm telling you I didn't
50:13Come on, my eyes lit up when I saw Marra's bracelet
50:17You don't know how grateful I am
50:19It's been a pleasure helping you, friend
50:21You can't imagine how happy I am to know that letter is arriving
50:24Thank you so much
50:25It's only a matter of time before it arrives
50:28Well, now with all this war, things are going slower than usual
50:32But it will arrive, you'll see
50:35And that's what matters
50:37God will hear you
50:38And when that letter arrives in the hands of Curro, he'll know where you are
50:41And he'll know you still want to tell him everything
50:44I hope so
50:50Wait a minute
50:52Do you know his name?
50:56Curro?
50:57That's his name, right?
50:58Yes
51:00Yes, but I haven't told you his name
51:04He must have run away from you, otherwise you wouldn't have known
51:07No, he didn't run away from me, how do you know?
51:10Maybe I read it on the envelope, when you gave it to me, to send it
51:13Yes, I know you wrote Francisco, but Curro is short for Francisco, isn't it?
51:18Yes
51:19And it's also Fran, and Cisco, and Paco, how do you know it's Curro?
51:23I tried my luck
51:25You'll introduce him to me, won't you?
51:28Come on, let's continue with the walk
51:30What are you doing?
51:37Is it my bracelet?
51:39No, it's mine
51:40No, no, it's the bracelet you were going to give to the jailer so he could send the letter to Curro
51:43What are you talking about? This bracelet is mine, it's Martina's
51:47Yes, and Martina is me
51:49That's not true, I'm Martina, I'm Martina and Curro is my boyfriend
51:52What? Juana, please give me the bracelet
51:54It's mine
51:55I'm Martina
51:57You can't imagine how much I miss you, Curro, and how much I want to hug you
52:03I pray every day that you end that war and come back safe and sound
52:06Did you read my letter?
52:08It's my letter
52:09No, it was an intimate letter
52:10It was my letter
52:11What's this game about? I don't understand
52:13My letter, Martina's letter
52:15My bracelet, Martina's bracelet
52:17What?
52:18Curro, my boyfriend
52:19Martina's boyfriend
52:20Are you crazy?
52:21Martina!
52:25Juana, Juana, please help me
52:30Juana, please!
52:39Since Martina is recovering in the sanatorium, you and I should seal our love
52:47Are you talking about getting married?
52:49Yes
52:50Are you rejecting a gift from me?
52:53I could accept it on one condition
52:55And what is that condition that you want to put?
52:58That she accepts my invitation to dinner
53:00When I call to explain what happened, they kick me out
53:03It torments me to think about what will be happening to my niece locked up there
53:07How did it happen that Gregorio came back here?
53:09Has he made any decision about it?
53:11He has decided that María Fernández and you will leave here
53:15And me?
53:16What do you mean we're leaving?
53:17Where are we going?
53:18Those days you say, how many days are they?
53:20And above all, Hanna, why are we leaving?
53:23No matter how hard you try to hide it, you notice more and more that something is happening to you
53:27Well, even if it is, I ask you please not to meddle
53:31There are things that it is better not to remove
53:33I am offering myself to help you
53:35Maybe it would be good for me to vent
53:38Of course
53:39It seems that there have been several attacks from the enemy in the place where Curro and Manuel were
53:44And...
53:46And there are many dead
53:50The problem is that many of them are unidentified