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00:00♪♪
00:30It's time for me to give you back your scapular.
00:34I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:37Lope, you don't understand.
00:38No, I don't understand. That's why I need you to explain it to me.
00:41What if he knows more than we think?
00:43Do you think Mrs. Arcos has the slightest idea of what really happened?
00:48I have information that will surely be of great interest to you, Mr. Gregorio.
00:53If he's going to tell me that Pia is dead, I've already heard the rumors.
01:02That fool has had the worst possible ending because of his stubbornness.
01:07No, if I called him, it's precisely because I don't give you a hint of credibility to that rumor.
01:14What does he say?
01:19That I really think he's supposed to be dead.
01:23Pia has not been without a pantomime,
01:26borne with the help of some of his companions.
01:30And why would they do something like that?
01:32It's not clear.
01:33To deceive you, I wanted to leave at once and leave you alone.
01:38Where do your suspicions come from?
01:41Although you don't have to know everything, I've been to so many places.
01:45And Pia never left her town.
01:49She supposedly died here on the promise.
01:51And then they took her body so that no one could say goodbye to her.
01:57The excuse they gave was that they didn't want the scandal that could occur
02:04when it was known that Pia had taken her life here, inside the palace.
02:11It's strange.
02:14It's strange, yes.
02:16Yes.
02:17And after that, I've seen Hanna go out of the palace several times,
02:22with some messages for Mr. Baeza, of whom I had not been informed.
02:27All very mysterious.
02:29Despite being the one who takes care of the maids,
02:33Mr. Baeza gives orders to Hanna behind his back.
02:37That's right.
02:39And as I told you, it has been something constant.
02:44If you are right, they will have Pia hidden near here
02:49and someone will be taking care of her.
02:52That's it.
02:53And I think it could be Hanna,
02:55who will be bringing her food and everything she needs.
02:58Has Mr. Baeza given you any justification
03:01for being the one who gives Hanna the orders?
03:06Yes.
03:07Yes, he has given them to me.
03:10When I did it, I found it uncomfortable, even annoying.
03:15If you are right, it's not strange that you are, of course.
03:19But that's not all.
03:21Then I surprised Hanna by running around in the blankets,
03:24where we keep the bedding.
03:26And then another one, in the kitchen, filling a pot.
03:31What excuse did he give you?
03:33That maid is too awake and always comes out well from the dark.
03:37But she doesn't fool me.
03:41The first thing is to check if Pia really died.
03:46And I know how to do it.
03:48Can I help you with something?
03:51Keep an eye on Hanna.
03:54Don't let her leave the palace again, under any circumstances.
03:59Don't worry, I won't take my eyes off her.
04:40I love you.
05:10I love you too.
05:40I love you too.
05:55Tell me.
05:57Please.
06:03I don't love Santos.
06:06And I've never loved him.
06:09He's vain and arrogant.
06:17Then why are you still dating him?
06:20Because I have no choice.
06:24Vera, I don't understand.
06:27What forces you to continue with him?
06:29Lope, please, don't ask me more questions because I can't tell you more.
06:32Vera, don't you realize that this is crazy?
06:35That you can't be with someone you don't love.
06:40The truth is that I can't do anything else.
06:45That's all you're going to tell me?
06:47You're not going to tell me anything else?
06:51What's wrong? Don't you trust me?
06:55Vera, I'm devastated.
06:57Devastated.
06:59First you left me when I thought we couldn't be happier.
07:02And you don't know how much it hurt me.
07:04And me?
07:07Why did you leave me broken?
07:11Why do you keep hurting us both?
07:14Why?
07:18Okay.
07:20But ...
07:23Don't ask me to tell you more than I'm going to tell you.
07:26Don't ...
07:28Don't try to get in the way or say anything to Santos.
07:33Do you promise me?
07:42Yes. I promise you.
07:46I'm doing all this because ...
07:50Because Santos knows something about my past that no one else can know.
07:55And he has me at his mercy.
07:58Vera, you can't allow him to mistreat you.
08:01I do what I can. I try to stop him.
08:04What Santos is doing has a name, Vera.
08:07And it's called blackmail.
08:09That bastard is blackmailing you and you can't allow it.
08:12And much less allow him to take advantage of you and touch you if you don't want to.
08:16Because all that will go further.
08:19Because a blackmailer is never satisfied, Vera.
08:22Never.
08:24Never.
08:25Vera.
08:26Never.
08:27He will always want more.
08:30Until now I have been able to stop him.
08:32You haven't said it.
08:34Until now.
08:38Vera.
08:45There will come a day when he does something to you that you will regret all your life.
08:49And I'm very afraid that day is very close.
09:2012 years later.
09:30Manu.
09:32Son.
09:33Son. Son.
09:35Manuel.
09:36Manuel!
09:38Manuel.
09:41Ma'am?
09:42Son.
09:43Ma'am, are you okay?
09:44Son.
09:46Manuel.
09:49No!
09:51Ma'am, wake up!
09:53Wake up!
09:55Ma'am!
09:57My son!
09:59You're in the palace right now, in your room.
10:01He was having a nightmare.
10:05I know that.
10:07And what are you doing here?
10:09I heard screams from the corridor and I got scared,
10:11so I decided to go in.
10:13Well, you can go now.
10:15Yes, ma'am.
10:17Bring me breakfast.
10:19I'll have it here.
10:47I brought you a little gift.
10:49From my trip to Puebla de Tela.
10:51It's nothing, just a detail.
10:53I thought you'd like it.
10:55So, here.
10:57Open it.
11:03It's made of silver.
11:05Maybe it's not the most luxurious jewel in the world,
11:07but when I saw it,
11:09I knew it had to be for you.
11:11It's...
11:13It's...
11:16It's elegant
11:18and delicate.
11:20Like you.
11:25Thank you.
11:27Thank you.
11:45What?
11:47You don't know what I brought you.
11:49Me?
11:51Yes, you.
11:53A gift from your friend.
11:57It wasn't hard to get.
11:59Juana, thank you so much.
12:01You don't know how good this is for me.
12:03To write to that fag you love so much.
12:05I knew it.
12:07How did you get it?
12:09I can get almost anything in here.
12:11But how did you do it?
12:13With effort.
12:15Look, if we have something here,
12:17it's time.
12:19So tell me in detail.
12:21Okay.
12:23I'll reveal my tricks to you.
12:25I already told you that sometimes
12:27my head hurts a lot.
12:29Yes, you told me you even vomit
12:31because of the pain.
12:33And sometimes they take me to the infirmary,
12:35they put me on a stretcher and give me a pill
12:37to relieve me.
12:39I spend hours there.
12:41I don't follow you.
12:43The thing is that when I'm at the infirmary,
12:45a nurse always accompanies me.
12:47But since I fall asleep,
12:49sometimes the nurse leaves.
12:52Not every time I go there,
12:54my head hurts.
12:56So sometimes I don't take the pill
12:58and I fall asleep.
13:00Uh-huh.
13:02Then they leave me alone
13:04and I can wander around the whole infirmary.
13:06There they have a closet
13:08where they keep everything.
13:10Also paper and pencil.
13:12Uh-huh.
13:14But what I've told you,
13:15keep it between you and me.
13:16No, no, don't worry.
13:17I'm not going to tell anyone.
13:19What I'm thinking about is
13:21how I'm going to send the letter once I have it written
13:23if we can't get out of here.
13:27That also has a solution.
13:29The senator here
13:31likes pesetas more than a fool.
13:33So if you have any money,
13:35everything is arranged.
13:37I don't have a penny,
13:39but I'll think about how I do it later.
13:41What I have to do now is write the letter
13:43and get it out of here no matter what.
13:50And the river swept away
13:52everything that was in its way.
13:54And I, I fell apart.
13:56And Manuel began to embrace
13:58and pull his head out over the water,
14:00trying to breathe.
14:03Mrs. Traigo, your breakfast.
14:07And how did that nightmare end?
14:10Thank goodness I woke up.
14:13Well, they woke me up.
14:15Oh, Mariana,
14:18Oh, María Antonia, you don't know what it was.
14:22I was, I was soaked in sweat.
14:24It was horrible, I couldn't stop shaking.
14:28It's normal for you to dream things like that, ma'am.
14:31Your son is at war and we are all
14:33living it with a lot of tension.
14:36May I know what tension you have?
14:38Well, I ...
14:40The one of scrubbing the floors?
14:42Or the one of ironing the sheets?
14:45It was just a way of speaking, I'm sorry.
14:48Well, I hope you learn to speak better.
14:50Or rather, that you learn to be quiet.
14:52Cruz, please.
14:54The girl just wanted to cheer you up.
14:56I don't need the cheer of a baby shower.
15:01Take the breakfast, I don't feel like it anymore.
15:03Okay.
15:05And you don't have to come back.
15:07I'll stay with the Marquise.
15:09Yes, it will be better.
15:15Come on.
15:17Leave that bed.
15:19Let's go for a walk.
15:21The air in your face will be good for you
15:23to forget that nightmare you had.
15:25Yes, it will make me feel better.
15:27Come on.
15:29Let's go.
15:33Get up.
15:36Get up.
15:42Were you calling me?
15:44Yes.
15:45Close the door and come in.
15:52So?
15:54What do you say?
15:59Petra.
16:02I don't want you to go around saying
16:04that absurd theory of yours
16:06that I poisoned myself.
16:08Absurd?
16:10Yes, absurd.
16:12Based only on your delusions.
16:17Well, I think it more and more accurate, Ignacio.
16:20For example,
16:22I have already informed myself
16:24of what Miss Martín bought in the boutique.
16:27I just bought some menthol pills.
16:30The pharmacist himself told me.
16:32How naive you are.
16:34Do you really think that man
16:36will tell you happily
16:38that he sold poison to a young lady?
16:40We see that he would get into a huge mess.
16:43But there is something else.
16:45For example,
16:48the mail you received shortly before
16:50suffering that horrible poisoning.
16:54I receive a lot of correspondence.
16:57Yes, Ignacio.
16:58But it was not a letter.
17:00But a package.
17:05I don't know what you're talking about.
17:08Yes, you know it well.
17:10It was a package of those
17:13in which you receive some of those medicines
17:17that you sometimes take for pleasure.
17:21And as far as I know,
17:23they are a bit suspicious.
17:25Especially if you use it for other purposes.
17:28You are an ignorant.
17:30You don't know anything.
17:32Since I took care of your correspondence
17:36for a while,
17:38I know much more than what is convenient for you.
17:43Who do you write to?
17:45Who writes to you?
17:47And what do they tell you?
17:49What do they send you?
17:51And how much do you pay for certain things?
17:54There is one thing I don't understand.
17:56What else do you care
17:58about what happens to Martina?
18:00What does that girl's defense have to do with it?
18:03You're right.
18:04I don't care what happens to that spoiled brat.
18:07So?
18:08Do you do all this just to annoy me?
18:10To make my life impossible?
18:13Maybe.
18:15And I assure you that I have just started, Ignacio.
18:18What will the Marquis think
18:20when they find out about your actions?
18:23And Margarita?
18:25Margarita will never look at you again.
18:27Never again.
18:30Very well.
18:32I agree.
18:33Speak.
18:34Tell me what you want.
18:37But be clear about one thing.
18:39If I fall,
18:40you will fall with me.
18:42Me?
18:44And tell me
18:46how you plan to do it.
18:47How?
18:48I'll tell everyone that I'm your son's father.
18:50Feliciano's.
18:52You would throw stones on your own roof.
18:55A noble
18:57who takes advantage of a poor maid,
18:59leaves her pregnant and doesn't recognize her son.
19:01Tell me
19:02how your dear Margarita would look at you after that.
19:05And how do you think Cruz will react
19:07when I tell her
19:08that you asked me to come here
19:10to show that she tried to kill Curro
19:12and that trying to kill him
19:14ended up killing our son?
19:16I'll tell them it's a lie.
19:18Because you didn't come here because I told you nothing.
19:21Maybe not.
19:22But are you going to deny the rest?
19:25Whatever it is,
19:26it would be the word of a maid
19:28against that of a count.
19:30And you no longer have Cruz by your side to defend you.
19:33Who do you think they will believe?
19:39Good morning.
19:45Is the lady sick?
19:46She hasn't had a bite.
19:48No, she's not sick.
19:49She's just in a dog mood
19:51because she had a nightmare
19:52that left her very upset.
19:57Well, it seems
19:59that you don't have much appetite either.
20:01Well, they're not going to look for me
20:02because they don't want to eat.
20:03I have enough with what I have,
20:05with what's mine,
20:06to get mad at some capricious
20:08and clumsy ladies.
20:10And what's wrong with you?
20:13Your in-laws don't make me happy.
20:16It's because of the economic solvency
20:18they asked Virtudes, right?
20:19That's right.
20:20Although there is more than solvency,
20:21they should call it soltency.
20:23Because these people don't want to know
20:25that they are being sold out.
20:28But what are you talking about?
20:30My daughter's in-laws have asked my Virtudes
20:33to give them 550 pesetas
20:36to give back to her son.
20:37But that's the money
20:38that the in-laws have asked for.
20:40That's right.
20:41Come on,
20:42the virtue of so much money
20:43with her maid porn.
20:45Impossible.
20:46Not even in three lives.
20:48Well, I think that in a few weeks
20:49I could get it.
20:52What are you thinking?
20:53Are you going to steal a bank?
20:54You're not going to realize anything.
20:56Of course she realizes,
20:57and that's why I'm telling her,
20:58Mrs. Candela.
20:59I know that Virtudes
21:00can't get it herself,
21:02but maybe among all of us,
21:03if we put our shoulders up, then ...
21:05A collection.
21:07Like the one you made
21:08to pay for my son's surgery.
21:10The truth is,
21:11if I did it for an eye,
21:13what less, right?
21:14I would do the same
21:15for an innocent creature.
21:17Yes, my dear Adolfito.
21:19Besides, this would be half the money
21:21that that surgery was worth.
21:26Do you think
21:27that everyone would want to help?
21:29Of course.
21:31Not to mention your mother
21:32and the grandmother of Xavier.
21:35How long does Virtudes have
21:36to get the money?
21:38The ideal would be in two months,
21:40which is when she goes to work
21:41at the village priest's house.
21:44Well, you'll see how
21:46when she has to go to work
21:47at Mr. Fermin's house,
21:48she's going to go with Adolfito.
21:50And your father-in-law will see
21:51what virtues he has,
21:52solvency.
21:53Solvency
21:55and whatever it takes.
21:57Well, no more talking.
21:58Now we have to tell everyone
22:00and we have to save too.
22:02Well, all the less
22:03Maria Mandrao, huh?
22:05She's capable.
22:06She talks to her father-in-law
22:07about Virtudes' insurance
22:08to tell him
22:09to ask for 1,000 pesetas
22:10instead of 500.
22:12You'll see, Mrs. Simona,
22:13how soon she'll be with Adolfito again.
22:23The marmalade business
22:24never ceases to give penguins benefits.
22:26And all thanks to the fact
22:27that I run the business.
22:29I already gave them to you
22:30before you took them.
22:33This war
22:34is a magnificent business opportunity
22:36that we have to take advantage of.
22:39Yes, take advantage of it.
22:41Are you thinking of investing more money?
22:43Don't count on me.
22:45Well, you can always ask for a loan.
22:47I don't see it.
22:49Of course you don't see it.
22:51You should have exploited
22:52your business better a long time ago.
22:54For example,
22:55if you sold your wheat abroad,
22:56I would pay you much better.
22:57And leave our neighbors
22:58without flour to make bread?
23:00Or with the prices skyrocketing?
23:01Until they tighten their belts.
23:03No, I can't act like that.
23:05If we start playing with people's bread,
23:07this is going to end very badly.
23:09But those are not ways to do business.
23:12Look, brother-in-law.
23:13In this, as in many other things,
23:15we do not agree.
23:16So let's leave it.
23:19Let's change the subject.
23:27What do you think if we talk,
23:29I don't know,
23:31about women?
23:33About a woman.
23:35About María Antonia.
23:38What about María Antonia?
23:40I was hoping you would tell me.
23:43I haven't seen her in days.
23:45And why do I have to know what's wrong with her?
23:47Because I haven't seen her
23:49since the day I found you
23:51arguing in the greenhouse.
23:53What a coincidence, don't you think?
23:54Don't talk nonsense.
23:55Did you have the feeling
23:56that you were having
23:57one word higher than the other?
23:58Lorenzo, I'm tired of your insinuations.
24:01I don't have to give you
24:02any explanations.
24:10Well, one moment.
24:12Before you start eating,
24:14I want to give you
24:15an order from Mr. Marquez.
24:17I want you to buy Rajatabla.
24:19No one wins if they do, Mr. Baeza.
24:22I'm going.
24:24If any of you go to Wuhan
24:26and ask for Mrs. Adar,
24:28you have to answer
24:29that she died in her village.
24:33I've already been asked.
24:35And what did she say?
24:36Well, I acted stupid
24:37and I went somewhere else.
24:39From now on,
24:40you have to answer
24:41what I'm telling you,
24:42without going into details.
24:44I'm not going to say a word
24:46about it.
24:47I get sad just thinking about it.
24:49And what do we do
24:50if they ask for details, Mr. Baeza?
24:52The people in Wuhan are very curious.
24:54Well, against the vice of asking,
24:55virtue of keeping quiet.
24:58You only know
24:59what I'm telling you,
25:00so you don't have to say anything else.
25:03It's very difficult for me
25:04to talk about Mrs. Pia
25:05knowing that we will never
25:06see her again.
25:07Everyone.
25:09Yes.
25:10She has left a very big void.
25:15It's true that it was very sad,
25:17but not everything is a pity.
25:18In fact, now we have an opportunity
25:20to bring some joy to the promise.
25:24We could help Virtudes
25:26to get her son back.
25:28Explain yourself, Miss Exposito.
25:30Look, the grandparents of the child
25:32have asked Virtudes
25:33for an amount of money
25:34as a guarantee.
25:36No more, no less than 550 pesetas,
25:39one after the other.
25:41And my poor daughter
25:42doesn't have or will have it.
25:45But we could collect it
25:47to help them.
25:48Well, I think it's an excellent idea.
25:51Well, you're not going to get me out of it.
25:54It's not mandatory either.
25:55Anyone can do it.
25:58Of course I'll help, Hanna.
26:00She too.
26:02Count on me.
26:03And me, of course.
26:04Me too, of course.
26:05I want Simona to be able to enjoy
26:07her grandchild soon.
26:11I don't know what to say.
26:13Thank you very much from the bottom of my heart.
26:21Thank you.
26:26I see that everyone is very hungry today.
26:29Eat and shut up.
26:38Well, I...
26:41I wanted to apologize.
26:43We can know why, Mrs. Alcos.
26:45Yes, of course you can.
26:49I know that Mr. Pellicer and I
26:51have our differences.
26:54And, well, sometimes one gives an order
26:57and the other the opposite.
26:59Well, yes.
27:00Unfortunately, it has happened several times.
27:03That's right.
27:04And with that, what we have achieved is
27:07to confuse the service.
27:09And I have been forced to intervene
27:11to avoid unnecessary harm.
27:14Of course, I am aware that we cannot continue like this.
27:17And from now on, I would like Mr. Pellicer and I
27:21to be able to agree on this.
27:25I also want the same.
27:28It seems very sensible of you, Mrs. Alcos.
27:31I appreciate the initiative.
27:33And it would also be sensible
27:35if we started eating the lentils
27:37because they are starting to get cold.
27:47No.
27:53You have no idea how much I miss you, Curro.
27:56And how eager I am to hug you.
28:00I pray every day for you
28:01so that you return soon from that war safe and sound.
28:05When that day comes,
28:07we will be able to lead a life like before,
28:09but happier,
28:11because now we will know how to love each other better.
28:14I will know how to love you better.
28:18My life without you is boring and lonely.
28:21I hardly talk to anyone.
28:23I remember every moment how lucky I was
28:25to have you by my side
28:26and how blind I was for not knowing how to see my luck.
28:32I...
28:33Curro, I don't know if I should tell you this
28:36because you will have enough with your problems,
28:39but I need you to know.
28:41I can't hide something like this from you.
28:47My life, Curro, is now very different
28:49from the one I had when I wrote to you for the last time.
28:52And that's only a few weeks ago,
28:55but everything has gotten worse.
28:58I'm not even alive in the promise,
28:59but locked up in a sanatorium
29:00where they treat me like a madwoman
29:02capable of committing any atrocity.
29:05And they force me to take pills every day.
29:11I guess you can't imagine how I ended up here.
29:14Sometimes I think about it
29:15and I feel like I'm in a nightmare
29:17that I will one day wake up from,
29:19but unfortunately, this is my reality.
29:24It all started because someone poisoned the count next door.
29:28And who do you think they accused?
29:31Yes, me.
29:34They accused me of wanting to kill him
29:35because I wanted to marry my mother.
29:37I know that if you had been in the promise,
29:39you would have defended me, but you weren't.
29:42Or I would have accepted to be admitted to this center
29:44or the Count of Ayala would have accused me
29:46in front of the Civil Guard.
29:48I don't know what would have been worse,
29:49because in front of the court,
29:50I could have tried to prove my innocence,
29:52but here I'm surrounded by women
29:55who have lost their heirs and there are days when I...
30:00I...
30:02I remember your poor mother,
30:04everything you told me about her.
30:07And I'm afraid that if I'm still locked up,
30:08I'll end up like her, but...
30:11But I want to be strong,
30:14to get out of here
30:15and that when you come back from that war,
30:17we'll be together forever.
30:20That's why I'll fight to prove that I'm innocent.
30:24You fight to get out of that war alive
30:26and that we can love each other as we deserve.
30:34I've been told that when the king went to rest at the farm,
30:37the queen accompanied the princess of Sarsal
30:40on a horse ride through St. Ildefonso.
30:43Poor princess.
30:44Her husband is in prison and in the hands of the English.
30:48Well, that princess has her husband in Gibraltar.
30:51I mean, close by.
30:52I'm sure they'll let her visit him.
30:54That's why he's here, in Spain.
30:58Salvador, since you're here,
31:01is there any news about that rumor that we've heard
31:03that Mrs. Darre has died in her town?
31:07Well, we've also heard something,
31:09but so far it's just rumors without confirmation.
31:12Mr. Baeza is trying to find out more.
31:15Well, have him inform me.
31:18And tell the rest of the service
31:19that we feel very much the end of the poor Pia.
31:22I suppose they will be very affected.
31:24Yes, sir.
31:25Mrs. Darre was very loved by everyone.
31:29It was a great loss, without a doubt.
31:34I'm sure God has already taken her in his bosom
31:36and is finally resting.
31:39Shouldn't we hold a mass for her soul?
31:43I don't think Mrs. Darre's soul needs many masses
31:46to go up to heaven.
31:48But I'll talk to Mr. Fermin when I go to Wuhan.
31:52I'll see when.
31:53Although I'm not in the mood today.
31:56Are you still upset about that nightmare?
32:01The truth is that I feel better,
32:02but I'm still a little impressed, to be honest.
32:06Has something happened?
32:09Nothing, just a bad night.
32:12A terrible night.
32:14She had a terrible nightmare and woke up screaming.
32:18It's not necessary to go into detail, dear.
32:21And what were you dreaming of?
32:22If you can tell me.
32:25With my son Manuel.
32:28And it's natural, given the circumstances you're living in.
32:32Well, depending on who.
32:33I'm sure Lorenzo doesn't have nightmares, does he?
32:37Well, some of them, yes.
32:39Although, as I suppose you know,
32:40you don't need to be asleep to have bad dreams.
32:45Cruz, it's normal for a woman to have nightmares.
32:47Even so, you should avoid copious dinners.
32:51And have dinner at least two hours before going to bed.
32:53So that she has time to digest.
32:56And avoid wine and liqueurs at night.
32:58Exactly. And don't make it too hot in the room.
33:01I've heard that a hot bath before going to bed also helps.
33:04Well, that's enough.
33:05That's enough.
33:07Can you get into your business and leave me alone once and for all?
33:12I'm tired of so much advice.
33:13To tell me how to lead my life
33:15or how I have to face Manuel being in front of me.
33:17Cruz, everyone does it to help.
33:19Well, it doesn't help me at all, Maria Antonia.
33:22It would help me more if you took care of what really matters.
33:26For example?
33:27For example, find out how the poison got to Martina's room.
33:31Well, that's clear.
33:32No, it's not clear, Ignacio.
33:34You locked up that poor girl
33:36so that they take care of her while you investigate, right?
33:40Who's investigating here?
33:42Huh? Who?
33:45Is there anyone who wants to know what really happened?
33:48Cruz, I think you're exaggerating.
33:50Lorenzo, you don't even need to talk.
33:51I really didn't expect anything from you.
33:55But you, Margarita.
33:57Do you want to do something for your daughter, yes or no?
34:01Of course I do.
34:02Your daughter is locked up in a asylum.
34:04And you're not doing anything to get her out of there.
34:06Stop accusing me, Cruz.
34:09What can I do?
34:10I don't know, I don't know.
34:11But something, Margarita, something.
34:15And you, Ignacio?
34:17You don't seem very concerned about investigating anything.
34:20Cruz, it's not necessary.
34:21Yes, it is necessary.
34:23It's necessary because I'm at home.
34:26Period.
34:32Period.
34:50It's so cold in here, miss.
34:51Your bones are freezing.
34:54It's not that bad.
34:55Yes, it is.
34:56You're going to catch something bad here.
34:58Good thing I brought you a hot plate of lentils.
35:02Thank you very much, Simona.
35:04But I have a stomachache that I can't swallow anything.
35:08And that?
35:10Well, so many things.
35:13My brother.
35:15The situation at home.
35:18But above all, that my cousin is locked up in an asylum.
35:22And not being able to do anything to avoid it.
35:25I've heard that it's a center of great importance.
35:29Yeah, and I'm the one who says that.
35:30Ayala.
35:31I don't believe a word that man says.
35:34But I don't think Mrs. Margarita realizes that her daughter is being neglected.
35:39My aunt seems to be losing her mind because of that man.
35:43How can they put an innocent girl in such a place?
35:46I understand that she is angry and upset, but ...
35:49But don't say that, because in the end you will get bitter.
35:54Yes, it may be.
35:57The truth is that lately I've been going from trouble to trouble.
36:00And with whom do you have trouble, miss?
36:04Well, look.
36:06I had it with Cruz for receiving Adriano in the palace.
36:10He insulted us, he humiliated us.
36:14Who does he think he is?
36:16Always above everyone else.
36:18You know how the Marquise is.
36:21On top of that, he made me face my relationship with Count Daniel.
36:25At this point.
36:27And what did you tell him?
36:28Well, much less than I should have told him.
36:31But he hates me, he made me small and ...
36:35And that eats me up inside.
36:37No, don't get mad, miss.
36:39It is very easy to blackmail someone when you catch him with the scythe.
36:44The difficult thing is to get up when one falls.
36:48And you always do that.
36:50That was before.
36:52And now too. You'll see.
36:55You believe in my strengths more than I do, Simona.
36:58I have reasons to do so.
37:01You are not one of those who bow their heads.
37:05If what worries me is Adriano.
37:08That the poor man is not to blame for anything.
37:10He had to be shocked.
37:12Yes, but at least it seems that he did not take it badly.
37:15He even chants with it.
37:19You know what, miss?
37:22Every time you name this boy,
37:25a smile is drawn on his face.
37:27Me?
37:29What things you have.
37:31Miss, we've known each other for many years.
37:39You have me well-guarded, huh?
37:43Well, you're right.
37:46Yesterday, Adriano and I kissed.
37:50I knew it.
37:53But what am I doing, Simona?
37:54This story doesn't make any sense.
37:57And why not?
37:59Because it's crazy.
38:01After what happened to me with Count de Añil.
38:03What do I do with another man?
38:05I shouldn't be with him.
38:07Listen to me, miss. I'm going to tell you ...
38:09But I'm a fool.
38:11A hollow head who doesn't know what he's doing.
38:14Shut up for a moment, miss.
38:16Sorry to talk to you like that.
38:18But I can't stand hearing you speak ill of yourself.
38:21Let's see ...
38:23Don't you realize that you can't turn things around so much?
38:27Don't think so much.
38:29And listen only to your heart,
38:32which is very big and very wise.
38:34I'm telling you.
38:45Have you finished writing the letter to Tomás?
38:48Yes.
38:49I've written ...
38:51Three pages on both sides.
38:53My wrist hurts from writing everything.
38:56And have you thought about how to pay the sealer?
39:07Do you think this bracelet would work?
39:12It's ...
39:15It's beautiful.
39:17It's beautiful.
39:19He gave it to the young man to whom he sent the letter.
39:22I really appreciate it.
39:24But right now the important thing is that my letter reaches him.
39:28So do you think it will be useful to pay the sealer?
39:46Yes.
39:51Well, I don't know how Mrs. Adarre will be, but I haven't seen her in days.
39:56But the last time she got a lot of water and food, right?
40:00Well, yes, but I've been doing calculations and ...
40:03It may not be enough.
40:06If it's not the finish line, of course.
40:08She was very down-to-earth and in the end she's there alone.
40:12So I'm afraid she might do something crazy.
40:14No, no, Mrs. Adarre is a very sensible woman.
40:18I know, but in the end she's been there for a long time and she hasn't seen her son for a long time.
40:23So I'm afraid of the worst.
40:25Don't be greedy.
40:27I see you as soon as we can find you a more comfortable place.
40:30And when is that going to be?
40:32In no time at all.
40:34In Lujan people are already talking about Mrs. Adarre's death in her town.
40:37Now we just need this to reach Mr. Castillo's ears.
40:40Well, we also need him to act as we want him to.
40:42And he will. Trust me.
40:45As soon as Mr. Castillo believes that Mrs. Adarre has died,
40:48he will go to the town to verify that the tombstone is there.
40:50And when he sees it, Mrs. Adarre will be out of danger.
40:53Yeah, but days can pass for that.
40:56And I need to see her before.
40:58Besides, Petrán won't leave me and I can't go to the cave.
41:01Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
41:05you can lower your vigilance and be calmer.
41:08Well, God willing, because if not ...
41:09Yes, we'll see how it is.
41:11Very good.
41:13Mario, why have you arrived like this?
41:15Like this? Walking?
41:17It's about putting one foot, then the other, then the other again.
41:20And that's how it works.
41:23Why do you look so scared?
41:25You look very pretty.
41:27No, no, because nothing has happened.
41:29Nobody is scared.
41:31Well, if you say so, Mr. Baeza.
41:33Hanna, Mrs. Petr has told you that we both have to go to the laundry,
41:36because there is a lot of laundry to wash.
41:37Do I also have to go to the laundry?
41:39Yes, we have to wash blankets and napkins.
41:41And this time she said it in a very good way.
41:43Barely without shouting.
41:45Well, that's weird, look.
41:47Well, yes, it's weird, yes.
41:49Because listening to Mrs. Petra apologize is not something that usually happens.
41:51No, it surprises me too.
41:53Well, as soon as I finish the rooms, I'll go to the laundry.
41:56Very good, Miss Expósito.
41:58Then we will finish clarifying this matter.
42:00Good.
42:02Shall we go?
42:04Let's go.
42:08What have you seen?
42:10Nothing important.
42:23Hello.
42:26Maybe you're going to think I'm a bit heavy with so many visits.
42:29No, never.
42:32I really like your visits.
42:37Thank you.
42:45What do you have there?
42:47A game of tabas that I made for a friend's daughter.
42:50Do you want to see it?
42:52Yes.
43:01They are not as sophisticated as their pieces, but ...
43:08They seem to be made of bone.
43:10They are made of bone.
43:12With Mr. Cordero's hind legs.
43:14And you also painted them?
43:16Yes.
43:18As you can see, I'm not very good with the brush, but ...
43:20I did what I could.
43:22Well, they have been very beautiful.
43:25And is the game very complicated?
43:28Not as much as chess.
43:30For me for sure.
43:32Have you never played tabas?
43:34No.
43:35I've heard of them, but I've never played or seen them play.
43:38Well, it's easy.
43:40In short, you have to take the tabas and throw them.
43:43And as they fall, that's how you'll go in the game.
43:45Like with the dice?
43:47Not quite.
43:49Because you also have to pick them up as they fall.
43:53But they don't have six sides like the dice.
43:55No.
43:57They have four.
43:59Look.
44:01This is GT.
44:02Belly.
44:04Verdugo.
44:06And king.
44:08Here it doesn't matter the chance, but the player's ability.
44:12So it's like chess.
44:14I wouldn't say so.
44:17You know what?
44:19I challenge you.
44:22But miss, what need does it have to be defeated
44:25if you told me a minute ago that you've never played this?
44:28Defeated?
44:30Well, we'll see.
44:32I'll be the first to throw.
44:34Let me finish explaining the rules better.
44:36You'll explain it to me while we play, so you learn better.
44:39I throw.
44:42Well, what?
44:44Did I win?
44:46I'd better explain the rules to you, because this doesn't make any sense.
44:50Whenever you want, sir.
44:53Fine.
44:56Well, you know that Queen Helena of Montenegro
44:58has ordered the construction of a hospital with 300 beds for the soldiers of war.
45:02That's a lot of beds.
45:04But of course, thousands die in that war.
45:09I'm sorry, Hanna.
45:12Are you sure nothing happens to the ladies?
45:16Maybe it can happen to them.
45:18I know it, and everyone knows it.
45:20Including Mrs. Marquesa, who was unbearable today.
45:24Just today?
45:26Always today.
45:28But today I was about to tell you that I also had the right to be devastated.
45:33Because in the end, Manuel is my fiancé.
45:36What?
45:38Well, I didn't tell you, Maria.
45:40Well, thank goodness, because with how weird you are, I see you capable.
45:43What do you mean weird? I'm not weird.
45:45No, girl. You're weirder than a green dog.
45:51Well, if I'm weird, what?
45:53What do you want me to do to Maria with everything I'm going through?
45:55What's going on?
45:57Mrs. Pia just passed away.
45:59Manuel and Curro are in a war.
46:01Yes, that's why you're sad.
46:03But I'm talking about how weird you are.
46:07What am I weird? Tell me.
46:09Come on.
46:11Well, look, to begin with, you're very thoughtful.
46:13You eat snacks.
46:15You're gossiping with Mr. Baeza.
46:17And you do mysterious things for him.
46:19Maria, I'm not gossiping with anyone.
46:21I talk to Mr. Baeza from time to time because it comforts me to talk to him, nothing more.
46:25But what about the packages?
46:28They're simple orders.
46:30I'm behaving exactly the same as anyone would behave in my situation.
46:35I don't know if I believe you.
46:37You're weird.
46:39Come on, you're weird.
46:41Well, think whatever you want.
46:50But do you think the stairs at the entrance to the service are clean?
46:55I have given them until they shone.
46:59What are they going to shine?
47:01It doesn't even look like you've given them a drop of water.
47:03But if I've taken them out step by step.
47:06Well, you can't tell. They're ruffled.
47:08I don't care how I do things, you're always going to get in the way of my work.
47:12How dare you, foolish?
47:14What I hear.
47:16Do you think you enjoy scolding me?
47:18Have I done something to you?
47:20But do you really have the nerve to ask me for explanations?
47:25They wouldn't be too much.
47:28Well, I'm not going to bother answering you.
47:32For two reasons.
47:36The first, because I don't give explanations to the maids.
47:39Understood?
47:41And the second,
47:44because I know you're not going to last long in this house.
47:47I know you're going to go to town to work for the priest.
47:50The one who raised you is not going to find out.
47:52No, no, it's not safe.
47:53It's just a possibility.
47:56First I have to get my son back.
47:58Do you want to leave?
48:00Don't worry, no one's going to stop you.
48:03You can pick that door for me right now.
48:05No, Mrs. Arcos, I'm still planning to stay a while.
48:10You're planning.
48:12So we're here to fulfill your wishes.
48:15No, that's not it.
48:17Go out that door right now and go scrub the stairs until they shine like a mirror.
48:20Let's go.
48:23Did you hear me?
48:25And close the door.
48:43Look at him, he looked like a fool, but he's not.
48:48What are you doing?
48:50Don't you see that letter doesn't suit us?
48:51I thought it did.
48:53You should have thrown something from the golden stick.
48:55You're an ignorant, Vera.
48:57Well, let's keep playing.
48:59It's better this way.
49:01The truth is that the mayor and the key man are arguing all day.
49:04They have us like cows without a fence.
49:06When one says white, the other says black.
49:08Well, I don't think so.
49:10The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
49:13one doesn't know what to do.
49:15It's a bit of an uncomfortable situation.
49:17And in the end, we always end up paying the same, the ones below.
49:19But well, it looks like they've signed the peace treaty.
49:22The good thing is when we all work with the same goal.
49:25Right, Salvador?
49:27I love the 40s.
49:29We're on a roll.
49:31I told you you should have thrown something from the golden stick.
49:33You're an idiot, Vera.
49:35Do you want to leave me alone?
49:37It's just a game.
49:39Even if it's a game, you have to play well.
49:41You're an idiot, Vera.
49:43What did you want? For us to come and see you argue?
49:45Do you know what I'm saying? I'm leaving.
49:46I'm going to have a good time.
49:48I don't want to be bitter.
49:50Let's go.
50:12Cruz, I finally find you.
50:13Hello.
50:15Did you need me for something?
50:17Yes, I wanted to apologize.
50:20This morning we've all been very unlucky,
50:23telling you what you should or shouldn't do to avoid nightmares.
50:26If only it was this morning.
50:30As if a mother who has a son at war
50:33was able to decide what she wants to dream of.
50:37Are you looking for something, Ignacio?
50:39Because this way of giving me the ears is a bit rude.
50:43We're friends.
50:45It's normal to support each other among friends.
50:47You and I haven't been friends for a long time,
50:49so stop giving me the ears, please.
50:51I just pretend to be kind.
50:56With some interest, sure.
50:58But from me,
51:00after having admitted Martina to a asylum,
51:02you won't get anything.
51:05I already warned you.
51:07If something bad happens to my niece,
51:09I'll finish you off.
51:11Come on, Cruz.
51:13I think I have a right to control
51:15the main suspect of my poisoning while I investigate.
51:19Investigate, you say?
51:21Well, you tell me how you do it,
51:23because I don't see you moving a finger.
51:25But what else do you want me to do?
51:27Well, whatever.
51:29Except wait for the answers from heaven to fall on you.
51:40Petra.
51:41Petra.
51:43Come closer.
51:52Mrs. Marquesa and I were talking
51:54about everything that happened with Martina,
51:56you know, my poisoning.
51:59And what does it take from me?
52:01Well, we both want to get to the bottom of the matter,
52:05and I've heard that you have some information
52:08about this sad matter.
52:10Me?
52:13Well, tell me.
52:15Do you know anything that may interest Mrs. Marquesa?
52:19Or has the cat eaten your tongue?
52:30I can't get my head out of my face.
52:32I'm sick of seeing her every day.
52:34Now that you say it, Maria,
52:36I have to tell you something.
52:37Mr. Baeza, I urge you to be a little clearer.
52:40A good understander needs few words.
52:43And you are better than good, Mr. Pellicer.
52:46If so far I have wanted to convey my confidence in your worth,
52:50know that this can change at any time.
52:53You acted without heart and with a lot of selfishness.
52:56That's the truth.
52:58Well, enough. I'm a little sick of so much hypocrisy.
53:00You are a lynx looking at the straw in someone else's eye
53:02and not looking at the vein in the cross itself.
53:04When that letter reaches the hands of Curro,
53:05he will know where you are
53:07and he will know that you still want to kiss him anyway.
53:09I hope so.
53:15One moment.
53:17Do you know his name?
53:19I'm very distressed. I don't want anything.
53:22This situation is getting out of hand.
53:24But Cruz, I have a bad feeling that something bad is going to happen.
53:28If it hasn't already happened.
53:30Hanna?
53:32What's going on?
53:36My God.
53:38I need you to be my eyes and my ears.
53:42The promise.
53:44Count on it, Mr. Castillo.
53:46But now leave.
53:48It is convenient that no one sees you around here.