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00:00I wanted to give you my heart.
00:02I haven't done anything that I wouldn't have done
00:04with a good partner.
00:05I was in a very big problem.
00:07But who?
00:08You have all the credit.
00:09Here is Mr. Baeza.
00:10He has also done his part,
00:12but with you everything is different.
00:14They have taken very good care of Adolfito
00:16for a long time.
00:17I'm sure they think that leaving him in my hands
00:20is a fear.
00:21Martina, it can be whatever you want,
00:23but it's not an excuse.
00:24I'm not going to leave him in your hands.
00:26I'm not going to leave him in your hands.
00:28Martina, it can be whatever you want,
00:29but she is not a murderer.
00:30And above all, she is your niece.
00:32She is a slut.
00:33So if something serious happens to her because of you,
00:35I assure you that I will do my best to destroy you.
00:38You will see that when Gregorio sees his tombstone,
00:40you will see that his rumors are true.
00:42And when he thinks that I have died,
00:44it will be forever.
00:46I want you to be attended to.
00:48And above all, controlled.
00:50At least until we find out what happened.
00:52That is why I think the most sensible thing
00:54will be for you to enter a sanatorium.
00:59But what do you mean by a sanatorium?
01:02What does that mean?
01:03Mother, please don't let them lock me up in a asylum.
01:06Ignacio, my daughter is not disturbed.
01:08So I don't see what sense it makes
01:10that we put her in an asylum.
01:12I have never talked about that.
01:14I said sanatorium.
01:15Which is still a euphemism
01:17because my niece does not have the thesis or anything like that.
01:20A mental sanatorium, you know?
01:22Where sick minds heal.
01:25That's right, yes.
01:27Yes.
01:28And what is the difference with a asylum?
01:30Well, the place they have recommended to me
01:33has the best specialists.
01:35Doctors who will not only take care of Martina,
01:37but who will help her review everything that has happened.
01:42Maybe that will give us clues as to what happened.
01:48And it determines her responsibility.
01:50Entering her with that purpose is like shooting flies.
01:54Well, my proposal is what it is.
01:56And the truth is, I don't understand why there is so much commotion.
01:58I'm being very generous.
02:00After all, we are talking about entering a season in a clinical institution.
02:04Nothing comparable to spending time in prison.
02:08I'm sorry to have to speak in such a crude way,
02:10but let's not fool ourselves.
02:12An attempted murder charge with the evidence we have
02:15could take Martina to prison for many years.
02:19It seems to me that Ayala's reasons are more than acceptable.
02:23If, as he says, this transcended and reached the authorities,
02:27things would be very bad for Martina.
02:29Therefore, the proposal to enter her in a sanatorium
02:32is, as the count says, sensible and generous.
02:34And of course, what are you going to say?
02:37That you have your wife in one of these ...
02:39You don't even know when.
02:40That is a really rude assumption, even coming from you.
02:43Please, let's not complicate the matter unnecessarily.
02:48I have put a proposal on the table.
02:51Either that or the Civil Guard.
02:56Now it is your decision.
03:21Things that have happened since I saw you
03:24The lights that have danced through our garden
03:28The new rumors
03:30Between the heart and the walls
03:34In the promise
03:36There will be particles of love in motion
03:40There will be secrets that will never come out
03:44It will be as beautiful as the flight of a plane
03:51In the promise
03:53The farewells are turns on the ground
03:57Even the flowers will dance in their own way
04:01Balancers between fear and passion
04:07We are like a jump to the D3
04:11We are love when you live life or death
04:15A long way to go
04:20In the promise
04:21It will be a matter of luck
04:24We are like a jump to the D3
04:28We are love when you live life or death
04:32A long way to go
04:36In the promise
04:38It will be a matter of luck
04:46It was not necessary, Petra.
04:48Well, miss, here we can talk more calmly.
04:51And for me it is an honor that you want to deal with a matter of such importance with me.
04:58Although the truth is, I don't know how I could help you.
05:02Neither do I, but well, we'll see.
05:05That's why I'm here.
05:06The truth is that my knowledge of Count de Ayala is reduced to the little deal I have had with him.
05:13I don't know who his enemies are or if he has them.
05:17But you were his secretary for a while.
05:21Well, secretary, miss, that's a lot to say.
05:25I'm just a simple maid who was asked to help the count in certain tasks.
05:31Especially with his correspondence, as you have commented.
05:34Because that's what interests me precisely.
05:37I don't think I understand, miss.
05:42If you, Petra, read the letters of Ayala, wrote others to his dictation,
05:48that gave you access to certain information.
05:52Can't you think of anything in those letters that could explain what happened to him?
05:55Some kind of grudge, resentment?
06:03I'm sorry, the truth is not to be of more help to you, miss.
06:10Although, nevertheless, yes.
06:16The truth is, miss, that it has nothing to do with the correspondence of the count.
06:21And well looked at, it was more my impression than anything else.
06:25But there is something that caught my attention from the beginning.
06:30And it is that Count de Ayala showed a lot of interest in the promise.
06:34And not only in the palace, also in the farm and its possibilities of ...
06:39I don't know how to say it.
06:41Exploitation possibilities.
06:42Yes, yes, that's what the count said.
06:45I guess it's something that doesn't matter.
06:49Not necessarily, but ...
06:51I admit that I don't know what relationship it may have with the poisoning.
06:55Well, miss, I'm not saying it does.
06:58I'm just pointing out something that caught my attention.
07:02Of course, of course. And I appreciate it.
07:05Please continue.
07:07Well, Vera, at first I thought that all that was mere curiosity.
07:14But soon I realized that what happened to Count de Ayala was pure interest.
07:19Because, for example, he didn't stop talking about practical things.
07:23He said that all the possibilities that the promise offered were mostly wasted.
07:33And then ...
07:36Then there was something else that also caught my attention.
07:44It was you, miss.
07:47It is known that Mr. Ignacio and Mrs. Margarita did not tolerate each other.
07:52Not just to say it, but with delicacy.
07:55And yet, overnight, Mr. Ignacio stopped harassing Mrs. Margarita
08:00and began to go to her company and dance the water on the smallest occasion.
08:07Yes, it is true that I don't know when they began to intimate.
08:11It was all very sudden.
08:15And soon, Mr. Ignacio announces that he is madly in love with her and his intention to marry her.
08:23And did you miss his change of attitude?
08:25Yes, very much.
08:27But as I later understood the reason ...
08:32I hope you tell me right away because you disgust me.
08:38Look, miss.
08:40I am convinced that, precisely during those days,
08:43the count knew that Mrs. Margarita was the owner of nothing more and nothing less than a quarter of the promise.
08:50So he proposed to seduce her, to marry her.
08:54And in that way, everything had gone according to his calculations.
09:00It was where he wanted to be.
09:02And the pieces where he had planned.
09:05All but one.
09:08Martina.
09:10Precisely.
09:12Count Dallala found that all the pampering,
09:15requests and gifts that had served him to earn the favor of the mother,
09:19had not affected him at all with the daughter.
09:22Because Miss Martina was adamantly denying that her mother would marry him.
09:28And Count Dallala realized that Miss Martina had become an obstacle to his plans.
09:35And as time went by, in a more and more unsavory gap.
09:42Or so it seemed.
09:44Because now everything indicates that it will cease to be.
09:52Do you mean that the count made it seem like something that is not?
09:59Oh, miss.
10:01Who am I to say anything?
10:04You.
10:07You draw your own conclusions.
10:17I thank you for your trust and I do not take away your reason.
10:20The Calles and the Mozos have to give accounts to the mayor,
10:23but the next time Mrs. Arcos asks for explanations, you give them to her.
10:27Are you sure, Mr. Bueza?
10:29Yes, yes, yes. Do it. For the good of all, give them to her.
10:33Understood?
10:35High and clear, sir.
10:36I hope so. You may leave.
10:45Blessed be God. I was starting to worry.
10:48It's very late. Sit down.
10:49I know. That's why I came to see you for the first time.
10:52You were sorry to leave Mrs. Darre alone, I guess.
10:55Yes, the truth is that I miss her more and more.
10:57And Mrs. Arcos?
10:59What's going on with her?
11:01Well, nothing. I left with the rumble that she had heard something from us.
11:05The truth is that when she asked where I was going, her blood boiled.
11:09And I thought she had discovered us, but then you came up with that notion of the Lord and ...
11:13The first thing that came to my mind.
11:15Well, thank goodness. The truth is that woman does not leave us even in our moments of rest.
11:19Well, in this case, there is nothing to worry about.
11:21Mrs. Arcos, all she wanted was to complain because I would have sent her to Wuhan without having consulted her first.
11:28Oh my God.
11:29Yes, she is upset because she says that we act behind her back. What do you think?
11:33Well, it seems to me that she has reasons.
11:35Well, that's like the fox who complains that the owner of the hen throws stones at him.
11:41What's wrong with you?
11:42No, nothing. I like her sense of humor. I always like it.
11:47Well, the fox we are talking about also wanted to comment on the matter of Mrs. Carrancé and her son.
11:54I tell you all this to reassure you.
11:57If Mrs. Arcos had known something about Mrs. Darre, she would not have let her know.
12:01So she doesn't know anything, she doesn't suspect anything.
12:03Well, thank goodness.
12:05And now the important thing. How is Mrs. Darre?
12:09Is she well? Did she take all the food? Was she able to find the blankets in Wuhan?
12:13Yes, I took everything, but ...
12:15The truth is that I found her very weak and quite weak.
12:18She was in a bad shape when I arrived.
12:20But then she went to have Mrs. Simona's broth and ...
12:23The colors came out even of the semblance.
12:25That broth is an apostolic blessing.
12:28And I'm going to confess one thing to you.
12:30Sometimes I go to the kitchen at night and I have a cup of tea.
12:33So, without permission and without need.
12:39Everything in order then?
12:40Yes, ma'am.
12:42Today I have ordered Lope to take care of the inventory of the pantry.
12:46And I am pleased to inform you that we have enough canned provisions for a month and a half.
12:52You don't know how happy I am.
12:54And also, to make sure that there is no possible mistake, I have asked him to repeat the task.
12:59Very well.
13:00I have also commissioned a young lady who, during the cleaning of the palace these last few days,
13:05will take note of those furniture that will need some arrangement.
13:09But almost everything is in very good condition,
13:12beyond some small imperfection such as some seats in the furniture of the greenhouse.
13:18But I have already given orders to start with the arrangements tomorrow.
13:22Splendid, Petra.
13:24I give myself for informed.
13:26And then there are the rumors, such as the case of Virtudes, Simona's daughter ...
13:31Stop, stop.
13:32I don't need all those details.
13:35Do you think I don't have enough already with the things that matter?
13:42The desperate situation with my niece,
13:45the rancor with my husband, which does nothing but avoid me,
13:48not to mention that my son is in a war where thousands of men die every day.
13:53Excuse me, ma'am.
13:56As you will understand, the bad things of the service matter very little to me right now.
14:01As long as the work is done for me, as if they kill each other.
14:06With the permission of the lady.
14:17Come in.
14:23Has something happened?
14:26Kayar has taken advantage of the dinner to make us a proposal.
14:51Good morning.
14:52Good morning.
14:53Yesterday I left a lot of clothes here to mend.
14:55Do you know where they left it to me?
14:57They are there. The rest is mine, I have to get everything later.
15:00Thank you.
15:10Good morning.
15:11Good morning.
15:13My father has asked me to go buy some things in Wuhan.
15:16The problem is that there are too many for one person.
15:21So I showed it to him and he gave me permission to go with a lacayo or a maid.
15:28Why don't you come with me to Wuhan and so we take a walk or chat together for a while?
15:34What?
15:35If you want, and you dare, we can take a little longer and go to a tavern to drink something or a hot chocolate.
15:43I don't know, Santos.
15:46If what worries you is the return, I can talk to Mrs. Petra to give her a good excuse and that there is no retaliation.
15:51No, it's not that.
15:54Cheer up, come on.
15:55I wish I could, the plan seems very tempting to me, but I have a lot of work.
16:00Are you sure you can wait?
16:01No. In fact, all these clothes should have already been mended.
16:05They were accumulated yesterday and you see how I am.
16:07With all this, at least I have all morning.
16:10But ...
16:11Santos, leave it.
16:12You know how demanding Mrs. Arcos is and the last thing I want is to start the day putting her against me.
16:19Sure.
16:32Martina.
16:35Martina, you have to eat.
16:37I don't say much, but don't stay on fasts.
16:39If you don't eat, you'll end up feeling worse.
16:41I just can't.
16:42Catalina, I really can't. I have a closed stomach and I can't eat anything.
16:46That's fear.
16:47Well, of course it's fear. How can it not be fear? You wouldn't be afraid.
16:51Well, yes, of course I would. No, no.
16:54I didn't mean to say that.
16:55They want to take me to a sanatorium.
16:58And I know they call it that, but it's actually a asylum.
17:02And I know those places are horrible and I know it by heart.
17:05That his mother has been in them all her life.
17:07This doesn't have to be the same.
17:08I think they're all the same.
17:10Don't even think about going. It's not all said and done yet.
17:13I don't have a choice.
17:15They've already decided for me that I can't deny myself, I can't hide in the hangar.
17:19Look.
17:21I hope you don't have to go.
17:23But if in the end it's safe to say that your mother won't let you enter a place like Curro described.
17:30Neither she, nor my father, nor me. Martina.
17:34Do you know what's the worst?
17:39The food.
17:46The worst thing is that when I go out, if I ever go out, I will never take my stigma off.
17:55In all the hangars, I will no longer be Martina, I will be Martina la Loca.
18:00You haven't gone in yet and you're already thinking about what will happen when you go out.
18:04I don't know how I got here.
18:08I'm not a murderer and I'm not crazy and you're giving me these things for nothing.
18:13I'm sorry.
18:15I'm very sorry.
18:18I'm sorry.
18:35Hello.
18:37Hello.
18:38Are you very busy?
18:40I don't want to entertain you and that a rag falls on you because of me.
18:43No, yes, I almost have nothing left, it's just this and this.
18:47In the meantime, you can stay if you want.
18:51Can you believe that until I got here, I thought that the rich, when a sock came off, they threw it away?
18:57Well, you see, no.
18:59Well, I don't understand it.
19:01Because they are rich, right?
19:03Why don't they get a new one and here, peace and then glory?
19:06What's the point of getting a sock to make you last longer?
19:10They don't get them.
19:11Someone has to get them.
19:13Yeah, but it's not worth it, you see.
19:16How does it show that you don't know how much a pair of rich socks cost?
19:20Oh, what's that?
19:21Of course, what's that?
19:25And how are you?
19:26Are you still getting better?
19:28Yes, I'm much better.
19:30My back hurts a bit, but I had to wait after the beating they gave me.
19:35What worries me is something else.
19:37What?
19:39Well, we prepared the food down here, but the stomachs are up there, you see.
19:44And if the breakfast or half comes back, it means that there is something that is not going well and I don't understand very well what it is about.
19:50Do you know if something has happened?
19:52I don't know.
19:53But I've heard that yesterday Count Ayala must have said something to Miss Martina that shouldn't be a small thing.
19:58The same is that.
20:01Well, the same is that, yes.
20:02I don't know, I haven't heard anything.
20:04But well, it's also true that I never heard anything.
20:08What's wrong?
20:10Do you find it funny that I didn't hear anything?
20:12I think it's true.
20:13Yeah.
20:17And now what's wrong with you?
20:18Well, I just realized that I have three kilos of peas in my veins.
20:22No, don't laugh because these suns should be out by now.
20:25I have to go.
20:27Wait for me to go with you and I'll give you a hand.
20:29And that's it.
20:30Let's go.
20:33Let's go.
20:49From what I see, Count Ayala made things very clear.
20:52That he was working with the sanatorium and that he was going straight to the Civil Guard to report.
20:56Well, all this makes me laugh.
20:57I need the Civil Guard to report.
20:59Well, all this reminds me of the baroness of Grazalema when she threatened Mrs. Marquesa.
21:04Well, yes.
21:06Something similar happened when the lady tried to strangle her.
21:09Anyway, I feel sorry for Miss Martina.
21:12She was so excited so recently because I told her to write a letter to Manuel Iacurro and ...
21:18She thought it was a good idea and got excited.
21:22We can only pray for her.
21:24Because she has a future, a black man like coal.
21:27Well, yes.
21:31And speaking of praying, how was your free afternoon?
21:35My free afternoon? What free afternoon?
21:37Yes, the afternoon you went to church to put a candle to the Virgin.
21:41For Curro and for Manuel.
21:43Ah, well ...
21:46Well, the truth is that it was good.
21:47Good, good. It was good.
21:49The church was half empty and well ...
21:53I took the opportunity to ask for everyone.
21:57Well, the prayers were answered.
21:59And why did you come back so late?
22:02Well, because I was taking a walk around town and suddenly it got dark so ...
22:07So I decided to have a drink at the tavern for dinner.
22:12Well, what about you? Has something happened while I was away?
22:16Don't you think what I told you about Miss Martina is not enough?
22:19Well, then María Mandrago set a good virtue for her when she went in search of her son.
22:24That I don't let her go?
22:25Well, yes, miraculously, she let her go.
22:28And because it was her free afternoon and because she didn't know where she was going.
22:31But something was suspicious, with so much hug and so much farewell.
22:34Well, I think that sooner or later she will end up finding out.
22:37That she always finds out everything.
22:39Well, yes, for sure she will find out. Come on, and more now.
22:41And more now, why?
22:43For two reasons.
22:45The first, because since she has been a keymaker, she has been watching more than before.
22:49Come on, she seems like a permanent guard.
22:53And the second, for Santos.
22:55That's right, he's going to tell her everything.
22:58Well, look, I think those two get along so well because they are just as bad.
23:02So we have to be very careful with what we say to Santos.
23:06Because it is clear that Petra will find out later.
23:11What's wrong with you?
23:14Because I was remembering ...
23:17That when I was in La Verbena with Salvador, with Santos and Vera.
23:21That you already know how I get when they give me a couple of wines.
23:23Come on, that I start shitting and I don't stop.
23:26María, but you didn't say anything to compromise, did you?
23:30Knowing me, Hanna.
23:32No, Nina.
23:34This one too, right?
23:36Yes.
23:38Take it.
23:45Well, well, well.
23:47Well, well, what?
23:49No, how are you?
23:50Now that you are again in the background.
23:54You are always so thoughtful.
23:56No, no, seriously.
23:58How about this side of the law? Do you adapt?
24:01Well, the truth is yes.
24:04I feel very good, Salvador.
24:06It's been a long time since I felt so good.
24:08I'm waking up wanting to work, to be with my colleagues, to cook new recipes.
24:13And everything.
24:15Well, I'm glad, that's very good.
24:16Yes, the only problem is that I feel a little back pain.
24:20But I think that's normal.
24:22Why don't you ask Hanna for one of her miraculous ointments?
24:26I'm sure you'll heal before you take it.
24:28Like Benita's purge?
24:30Look, he did know about pottings.
24:32Yes, yes, I think I'm going to ask Hanna for some advice.
24:36Of course, man. Ask her.
24:38I'm sure she has some remedy for you.
24:41Let's see.
24:43Come on, what is mine?
24:44I'm talking about your back.
24:47The other thing is that you keep getting yourself into trouble.
24:50Neither Hanna nor Santa Hanna raised you.
24:54Yes.
24:57I still don't know how I ended up in there.
25:00I don't know.
25:02Well, you knew how to get out.
25:04That's the important thing.
25:06No.
25:08I didn't know how to get out, Salvador.
25:10If I got out, it was thanks to you.
25:12And above all, thanks to Mr. Baeza.
25:15He looks good, but he's twice as good as he looks.
25:20But I assure you that I have learned the lesson.
25:24That's for sure.
25:27I've always trusted you, Lope.
25:31I'll make sure you know.
25:34Even if it's just to not let you or Mr. Baeza down.
25:40I just hope you forgive me.
25:42Of course.
25:46Of course, Lope.
26:01I've already told you I don't want you to get close to me.
26:04I just want to tell you something.
26:06Yes, I guess.
26:08Alonso, I just want to tell you about a letter I received from some good friends of mine in Madrid.
26:10What you're telling me is very interesting, but I can't talk to you right now.
26:14Would you rather we talk about it later?
26:16I have a lot of things to do. I can't promise you anything.
26:28Puzzle solved.
26:30I've been wondering where you've been all lunch.
26:34I was just hungry and I've decided to eat something here.
26:36I've decided to eat something here.
26:39Can I ask you what happened to you, Maria Antonia?
26:45I appreciate it, but I don't think you can help me.
26:49Is it because of the last attack yesterday on Martina?
26:52Well, there's not just one reason.
26:55But yes, it's heartbreaking what happened to that girl.
26:58What future awaits her?
27:00A very dark one, certainly.
27:03But you said you weren't like that for a single reason.
27:07No, the other one is that since Alonso invited me to leave, I feel like an intruder in this house.
27:14It's natural.
27:16It could seem that everything would be solved when Cruz intervened and demanded that I stay.
27:21But no.
27:23But Alonso accepted it.
27:25We talked about it.
27:27And we agreed that it was still a misunderstanding and to make a new account.
27:31But there is still a lot of tension between us.
27:34Especially on his part.
27:36And not just with me.
27:38Also between him and Cruz.
27:40And that worries you?
27:42Well, yes.
27:44And not just because I think all this could affect my relationship with her,
27:47but because I also suffer from all those possible disagreements between them.
27:51I wouldn't like his marriage to be ruined by all those disputes.
27:56Don't blame yourself.
27:58The situation in the palace is part of the problem.
28:01The Marquises are very tense about everything that is happening to Martina.
28:04Not to mention that they have Manuel in front of them.
28:07It is logical that Alonso does not show himself at all affable, but neither with you nor with anyone.
28:13Well, that's bad consolation, isn't it, Captain?
28:16I also tell you, as a consolation, that if you manage to talk to him, you will be able to reach an understanding.
28:25Yes, I am also of that conviction.
28:27But as things are, being able to talk to Alonso is practically impossible.
28:32Among other things, because he constantly avoids me.
28:34I understand.
28:36Is there anything I can do to help you?
28:38No, I don't think so.
28:41I think so.
28:44What do you mean?
28:46You know, I think the constant presence of the Marquise is what makes Alonso not completely relaxed.
28:54And?
28:56That if you want to have the opportunity to have a normal conversation with Alonso, that happens because ...
29:01Because Cruz disappears.
29:06Let's see, I don't know where you want to go.
29:09I can distract her.
29:12I'll take her for a walk, or whatever I can think of.
29:15And I'll leave you free to solve your problems with Alonso once and for all.
29:19No, I'm not sure that's a good idea.
29:22People understand each other when they talk.
29:27You may be right, yes.
29:28I have it.
29:31Leave it to me.
29:42But let's see, they are from the town, we know them.
29:45What's the problem in signing up?
29:47Do you mean what's good about that, Salvador? That it's a football club?
29:50Well, what's wrong with it?
29:52Let's see, if the club is a football club, it is because those who found it want to play football.
29:56And neither you nor I know how to play.
29:58But you can learn, Lope.
30:00Salvador, I have no interest in learning how to play.
30:02But if you haven't played in your life.
30:04Well, that's why. Another reason not to learn.
30:06Besides, I don't see myself.
30:08And I don't have the ribs to start exercising.
30:10Not the ribs, but you don't need them, you have good feet, right?
30:13I'm telling you no, that's it.
30:15Well, it's fine, it's fine.
30:18And now I'm leaving because I have to continue with my homework.
30:20But I don't forget.
30:27See you.
30:37This morning he was in Lujan, making some messages.
30:41Well, very well.
30:44And while he was in Lujan, a little bird told me that Vera has been helping you in the kitchen.
30:53What do you have to say about that?
30:57Nothing.
31:00And now, if you'll excuse me.
31:03What was Vera doing in the kitchen?
31:07Helping me get rid of peasants.
31:10Since when do I have to give you explanations about nothing?
31:14Do you have something wrong?
31:17Leave my girlfriend alone.
31:20Did you find out?
31:22Leave me alone.
31:24Whatever you have with your girlfriend is your business.
31:27And if you don't trust her, it's not my fault.
31:45Actually, it hasn't been long since his daughter left.
31:48This is the second night.
31:49And with what happiness, girl?
31:52If you want, I say it with a smile on my face.
31:54Well, you can try. You're always getting worse.
31:57But this time, I think I have more than enough reasons.
32:01Well, Mrs. Simona, it's no use torturing yourself with possibilities.
32:04Before ignorance, the best is not going to get anything.
32:06Is that what I say?
32:08That's very easy to say, but it's not that simple.
32:10But your daughter is a very awake girl. Don't worry about her.
32:13She may have arrived in a hurry and would have preferred to stay at Lucerna's
32:17to spend the night, to arrive in the morning with a better time.
32:20Well, let's hope that's not the case.
32:23Because I had dinner once at that restaurant.
32:25One tower and one sardine. I won't forget that.
32:28I don't know if it was the fault of the sea or the mountain.
32:31But the sentence was served.
32:34Miraculously, I didn't go that night to the garden.
32:37More bad fatigue.
32:39Maybe it was indigestion.
32:40Are you calling me a glutton, Mr. Pellicer?
32:43No, no, no. For God's sake.
32:46Well, that's what I thought.
32:48No, I assure you that I would never insinuate something so disrespectful, Mrs. García.
32:53Avenged, Ricardo.
32:55He was drunk.
32:57Oh, don't give me that look, Mrs. Pellicer.
33:00Forgive me, but don't tell me that your face wasn't to pee in a puddle.
33:05I would rather you had left the chances at this moment, Candela.
33:07Tell me the truth, Candela.
33:09Anyway, he doesn't have to have dinner at the Lucerne Foundation, even though I sleep there.
33:12Don't you want him to go to bed early?
33:15Well, Mr. Baeza, I prepared some snacks for him so that he didn't have to eat outside.
33:19But as you will understand, after a day and a half of his snacks, he won't even remember.
33:23I don't think so.
33:25I prepared seven for him.
33:27Two of pork loin, two of bacon, two of chorizo and one of paletilla.
33:30And according to the way I wrapped them, they have to last him until tomorrow.
33:33Well, then the girl won't go hungry.
33:34I prepared plenty and forceful snacks.
33:37Blessed be my Lope, who is so stupid.
33:39No, yes, that's true, but ...
33:41This is very strange.
33:43He should be back by now.
33:45And if things have gotten complicated for him ...
33:47Don't be a whiner, come on, Simona.
33:49I should have gone with her.
33:51Because I could have helped convince his in-laws to respect me and we get along very well.
33:55It's no use regretting something you could have done in the past, Mrs. Martínez.
33:59Also, Mrs. Arcos would have found it inconvenient in your absence in the kitchen.
34:02With all due respect, Mr. Baeza,
34:04I don't care about the inconveniences that Mrs. Petra has put me in this matter.
34:08That's what, if we didn't care about what she says or says, we would be bitter.
34:13Well, whether we like it or not, Mrs. Arcos is the master of keys.
34:16What we have to do is not make it easier for her to get into trouble.
34:19Yes, of course, and you are her superior.
34:22I would like to ask you one thing.
34:24What thing?
34:27Let me leave now for my daughter so that I can help her in her task.
34:30Look what real agony, huh?
34:32Mrs. Martínez, I think the most prudent thing is to wait for your daughter to return.
34:37But this is very strange, Mr. Baeza.
34:39Please.
34:43Okay.
34:45You are a blessed man.
34:47Yes, but you will leave tomorrow morning.
34:49If by then your daughter has not returned, then you have permission to leave.
35:01Have you seen Cruz?
35:03I can't find him anywhere.
35:06Lorenzo had stayed for dinner with a superior of his, who happens to be in Lujan and who ...
35:12and who has been a military observer in the front.
35:15And he has asked Cruz to accompany him to that dinner.
35:18In case the other one has any news about Manuel's battle, right?
35:21Yes, I guess he doesn't know anything new, but ...
35:25And how did you go to dinner with them?
35:27I would have loved to.
35:30But Lorenzo does not want to deceive his guest.
35:33The man prefers to be discreet.
35:35For that of the neutrality of Spain.
35:37The less people know that he has been in the front, the better.
35:40A cautious man, it seems.
35:42Yes.
35:44And I was going to retire.
35:46Well.
35:48I can always stay here alone.
35:51Wouldn't it be very gentlemanly of me?
35:54No.
35:56No.
35:58It wouldn't be.
36:00In any case, Alonso.
36:02Are you going to keep avoiding me?
36:05There has been too much tension lately.
36:07I mean, between us.
36:10Are we really going to allow your misunderstanding and a little touch to spoil everything?
36:16Because it wouldn't be beneficial for us, but it wouldn't be for anyone.
36:20Wouldn't it be better if we lowered our guard and treated each other naturally again?
36:27The promise needs harmony and understanding to return.
36:35You may be right.
36:38We already have enough real problems to complicate everything with something so easy to solve.
36:45It couldn't be more.
36:49Yes.
37:19Martina.
37:34Martina, daughter.
37:37The time has come.
37:39The time for what?
37:50The time to go to the sanatorium.
37:54No, no, no.
37:56Please, don't make it more difficult.
37:58This is also very painful for me because you are my daughter.
38:01It can't be, it doesn't make sense.
38:03You have to find a way to prove that I am innocent.
38:07No, there isn't.
38:10There isn't.
38:12This is the best solution, or at least the least bad one.
38:20I promise you that the count has gone to great lengths to find a place in a wonderful place.
38:26It is a residence with all the amenities.
38:28It is a first-class sanatorium, daughter, so that you can ...
38:31I don't have to get well, I'm not crazy, I don't have to worry about anything.
38:34I know, I know.
38:35Please, don't take me to such a horrible place.
38:37Martina, listen to me.
38:39I will accompany you, I promise I will accompany you.
38:41And if the place is as horrible as you think, I will never leave you there.
38:44Do you hear me? Never.
38:46It doesn't matter, Tasia.
38:48It doesn't matter.
38:52Mother, please.
38:54If you love me, don't leave me in that place.
38:56If you love me the most, don't leave me in that place.
38:58Of course I love you, you are what I love the most.
39:00You are what I love the most in this world, Martina.
39:02You are what I love the most.
39:06And that's why I ask you to let me help you, daughter.
39:09Everything will be fine.
39:11No.
39:12Everything will be fine.
39:13No.
39:15Everything will be fine.
39:21I love you, Martina.
39:40First we are going to serve a soup.
39:42Then a spoon and a deep plate.
39:44Well, and one less service.
39:46Is it true?
39:47Yes, that of Miss Martina.
39:49How could they have taken her like that?
39:51Poor thing.
39:52And also in the middle of the night.
39:54She wouldn't have time to say goodbye to anyone.
39:56There is no right.
39:57Well, but Miss Martina is a very strong and very smart young woman.
40:00So I'm sure she can handle all that and she's at home before it's expected.
40:04I hear you.
40:05Of course, Maria.
40:06Yes.
40:08In addition, I am convinced that sooner or later the truth will be discovered about the poison
40:11and who is behind the matter.
40:13Are you sure it's not Miss Martina?
40:15Because Miss Martina is not a murderer.
40:17As long as there is no evidence against her and she will be back on duty.
40:20Exactly.
40:22Well, I have to go back to the kitchen to review the soup.
40:25I'll go with you.
40:27Of course.
40:37You don't understand either, do you?
40:39Well, no.
40:41If they see the glory together.
40:43Do you realize that the phrase ends?
40:45One, the other, and the other, the one.
40:48Anyone who doesn't know they broke up a while ago would think they are still dating.
40:52Well, yes.
40:53Those boyfriends who fight very little.
40:55Not like us.
40:57It's a joke.
40:58A little chance, huh?
41:01If he looks for me, he finds me.
41:03How am I going to fight with you?
41:05With how beautiful you are and how outstanding you are.
41:08It wouldn't make sense.
41:09Going back to Lope and Vera.
41:11What doesn't make sense is that they are not together.
41:13Well, yes.
41:14That girl is still with the cretin of Santo.
41:16Especially when she doesn't love him.
41:18Because the one she is in love with is Lope.
41:22Did you realize that you and I also ...
41:25Did we finish the phrase?
41:26Yes.
41:28Yes, I had realized, yes.
41:30You are very smart.
41:32Very smart.
41:33Well, yes.
41:40It's not that I thought you were a good mother, but this is already ...
41:43Let me go, Cruz.
41:44Please.
41:45Take your daughter to Rastras, in the middle of the night,
41:48without even allowing her to say goodbye to her family?
41:51Because you haven't even stopped saying goodbye to me.
41:53When you know that I consider her like another daughter?
41:55Well, I already feel pretty bad.
41:56Like for you to come to me with your reproaches.
41:59And do you know what outrages me the most?
42:01That someone doesn't obey your will?
42:03That someone doesn't obey your will.
42:05That someone doesn't obey your will.
42:06And do you know what outrages me the most?
42:08That someone doesn't obey your will?
42:10That when I was still fighting for Martina,
42:12you, who are her mother, you had already given up.
42:14I did not resist what I could.
42:15Please.
42:17I tried to dissuade Ignacio when he said he was going to go to the Civil Guard.
42:20But it was useless, because you had already claimed from the beginning.
42:23No, no.
42:24That is not true.
42:25Of course it is not true that you have allowed her to be taken to a asylum.
42:29Well, I have made the best decision for Martina, given the circumstances.
42:32The best?
42:33It will be for another person, but not for your daughter.
42:35I have done what I could, Cruz.
42:37I have done what I could.
42:38So don't overwhelm me.
42:39Oh, you're overwhelmed.
42:40Poor girl.
42:41Then leave me alone.
42:44Do you know how Martina will have felt these days?
42:48What?
42:49You don't have a heart?
42:50Look at yourself in the chest before saying that.
42:53How do you think your daughter will feel?
42:55Sad to the point of despair.
42:56And on top of that, locked up in such a scary place.
42:58It's not a scary place.
43:00Because I have accompanied my daughter.
43:02And it has ...
43:03It has magnificent gardens and the rooms are very cozy.
43:06And it also has an excellent medical setting.
43:08But what are you saying?
43:10Don't you realize that this is what they say to silence the conscience of the relatives?
43:14That they leave their madmen there as if they were broken dolls in a slum.
43:19I want you to be clear about one thing, Margarita.
43:21You can decorate it as much as you want.
43:23You can call it whatever you want.
43:24Sanatorium, if that makes you calmer.
43:27But I've made a couple of calls and I know what that place really is.
43:29And it's not a retirement home, like the place they took me to.
43:32No, of course not.
43:34Because it is a clinic for behavioral disorders.
43:37I'm talking to you with cause awareness, Margarita.
43:39It's a madhouse, let's see if you find out.
43:41Shut up! Shut up!
43:43Maybe with this you have avoided the scandal and the dishonor of prison.
43:47But I don't even want to imagine how Martina will get out of that ...
43:51clinic for behavioral disorders, as you call it.
43:54If she ever gets out.
44:00I don't know what you told her, but you managed to destroy her.
44:03It's the truth. I only told her the truth.
44:06Did you know this?
44:08Did you know they were going to take her last night?
44:09Of course not.
44:10Otherwise, I wouldn't have offered you dinner.
44:13I would have loved to see how you faced those two.
44:15Or they could have taken Catalina instead.
44:17And not poor Martina.
44:20Are you outraged about your niece?
44:22You still don't understand?
44:24Yes.
44:25Not only have I not been able to help her,
44:27not only have I not been able to help her,
44:30but on top of that, just when they take her,
44:32I have the other one back.
44:34My stepdaughter.
44:35With her airs and her face of repapalo, for God's sake.
44:39And I have to put up with her.
44:40If it was only her.
44:42What do you mean?
44:44That her visits are also there.
44:46What visits?
44:47Cruz.
44:48Your stepdaughter is still seeing the man in the coat she saw in the hangar.
44:52I don't know what coat you're talking about.
44:54It doesn't matter.
44:55The thing is, now that she's not locked up in the hangar,
44:57she's going to see him here.
44:59So any day you'll find yourself with a kid playing the piano.
45:08But where are you going, Simona?
45:10I can't wait any longer here, Candela.
45:13Simona, for God's sake.
45:15I'm sure the girl was fine.
45:17And it's just that things are getting a little longer than we expected.
45:21A little longer? No.
45:23Don't move, Alessia!
45:25Let go of me, I'm losing control!
45:27I'm not letting you go!
45:28Candela, don't get on my nerves.
45:30Simona, use your brain.
45:32What brain?
45:33If I don't know anything about my virtues,
45:35I don't even know where she is and what happened to her.
45:37The most normal thing is that she's on her way.
45:40And what can happen then?
45:42That if you go there and she comes here,
45:44she's going to cross you and see us.
45:47That's also true.
45:48Say whatever I tell you.
45:50But no.
45:51I'd rather cross with her and take longer to see her later
45:54than risk something happening to her and take longer to find her.
45:57You're a big head.
45:59Besides, I have Mr. Baeza's permission.
46:01So you, Chitón.
46:02Hey, hurry up.
46:03Ale, go away.
46:04I've already tried.
46:06Can you tell me what that scream is coming from?
46:08How does Maria Mandrago hear it?
46:10Nothing.
46:11Simona is going to look for virtues.
46:13Virtues? But why? What happened?
46:15Well, that's what I want to find out.
46:17What do you want to find out?
46:18But she suspects something.
46:19That she's going to see nothing.
46:20Then?
46:21Herself.
46:22Because it's the same thing over and over again.
46:23Well, that's why.
46:24And she's still in agony.
46:27Well, I'll continue with whatever you want, Candela, but I'm leaving.
46:29Well, go away.
46:31Virtues?
46:41What happened, Candela?
46:48Mother.
46:53Your son.
47:13I came back to the palace because I knew she needed me.
47:16I wanted to help her, but ...
47:19But I have failed.
47:22I have absolutely failed.
47:25Miss, but it has been a very short time since you came back.
47:28Why are you talking about failure?
47:29You haven't been able to fix anything, much less fail.
47:32The bad thing is that there is no more time, Adriano.
47:36Last night ...
47:38Last night they took her to a asylum.
47:40I found out this morning.
47:43My God.
47:45I'm sorry.
47:48I will never forget yesterday.
47:51Were you with her yesterday?
47:53Yes.
47:55Yes, I ...
47:57I tried to comfort her.
47:59But I didn't know how.
48:01If at least I could have said goodbye to her.
48:09Miss.
48:11Come on.
48:15Come on.
48:22But what is this?
48:24Well, man, what I needed to see.
48:28Who is this Gañan?
48:29And what is he doing here?
48:41Do you want to do me the favor of coming in?
48:42What?
48:43What I don't understand is why we have to talk here.
48:47And what's wrong with this place?
48:49No, it's not that, but was it necessary to come here?
48:52Yes.
48:54Why?
48:56Don't rush.
48:58And now you will understand.
49:05Are you sure that Mrs. Arco has given you permission to enter her office?
49:09I have her permission.
49:13I'm sorry.
49:19Don't look at me like that.
49:21What's wrong?
49:23I look at you like the boyfriends look at their girlfriends.
49:26I don't like it when you look at me like that.
49:32Yesterday you told me that you couldn't come with me to Lujan,
49:35because you had ...
49:37many tasks pending.
49:40Sure.
49:42There wouldn't be so many.
49:44What?
49:46There wouldn't be so many.
49:49Santos, I don't know what you mean.
49:51I was told that you were in the kitchen all day,
49:53beating up Byzantium.
50:01With Lope.
50:08And don't bother to deny it.
50:13I wasn't going to do it.
50:14Better.
50:16Why?
50:19If everyone sees you.
50:21That's not true.
50:24Yes, it is.
50:27I was also told that you didn't stop laughing.
50:30That's not true either.
50:32The last time you laughed with me,
50:35I think it was the day of the funeral.
50:37It must have been because of something Maria Fernández or Salvador said.
50:42No, Santos, I don't know.
50:43Why don't you know?
50:48I don't remember either.
50:50But I'm sure it wasn't because of something I said.
50:54Santos, I don't know what you mean.
50:58Do you like being with Lope?
51:03Do you enjoy his company?
51:06He's just a partner.
51:09Just that?
51:12Just that.
51:13And then this is a thing of the past.
51:17Yes.
51:20Now you're my girlfriend.
51:23Yes.
51:24Say it.
51:27Say it!
51:30I want to hear it.
51:35Now I'm your girlfriend.
51:39Well, let's see if it's true.
51:43No.
51:46I would have liked you to love me, you know?
51:50But you've made it clear to me over and over again
51:53that that's not going to be possible.
51:56That you'll never see me again.
52:02This is all I have left.
52:07Santos, please.
52:13You can always imagine that it's Lope's hands.
52:17Lope's lips.
52:30You should thank me.
52:32A woman less generous than me
52:34wouldn't have put up with two unbearable men like Tomás and you.
52:37I think this conversation...
52:38You shut up, Gañan.
52:39Get out of here.
52:40You're not going anywhere.
52:41You're not going anywhere, Mariano.
52:43I didn't get a good look at the place.
52:45It's true that they greeted us very cordially,
52:48but I don't know if it was a formal greeting.
52:50I did a lot of research before I left that place.
52:53I have to talk to a doctor.
52:55Please, it's a mistake that I'm here.
52:57If I could talk to a doctor, please.
53:00Start by getting dressed, please.
53:02It would be better if you did it on your own.
53:04In the darkest of nights,
53:06there's always a ray of light.
53:08Always.
53:09At least I don't have to put up with your daughter Catalina anymore.
53:12That's the ray of light.
53:14What?
53:16I wouldn't leave a poor creature
53:18in the hands of a stupid, insincere woman like me.
53:20No, no, no, no.
53:22Don't talk like that, daughter.
53:25I'm sure there's a way to convince them.
53:28Yes, there is.
53:30There's a possibility.
53:32It's an impossible one.
53:34I just want you to understand that this is going too far.
53:36I can't help it, Alonso.
53:37I know this is affecting our good relationship.
53:40But how can it not affect our good relationship
53:42if you take advantage of any opportunity to try to get closer?
53:45This can't happen again, Maria Antonia.
53:48Never again.