La Promesa Ep 390 Completo - La Promesa Cap 390 Completo - La Promesa RTVE Serie
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00:00But I'm not playing with your feelings, please, because you've broken my heart and I haven't been able to put the pieces together.
00:28Lope, I'm not playing with your feelings. I would never do something like that.
00:31Don't you realize that this destroys me? Don't you understand?
00:35How do you think I am? I haven't been able to stop loving you for a moment, Lope.
00:44But now things have changed and I don't want to stop loving you. I can't, I don't even want to give up everything I feel for you.
00:54Vera, I'm sorry to insist on this, but look where we are. I need to know what is so serious about your past. I need to know what is the secret that allows Santos to enslave you.
01:08Lope, I can't tell you.
01:09Vera, please. If you want to face him, I want to have the same information that Santos has. Please. I could help you.
01:20I need to find a way to solve it on my own.
01:23Let me help you, please.
01:24No. I'm going to face Santos on my own.
01:37Okay. As you wish.
01:40In fact, that's what I'm going to do. I'm going to face Santos.
01:45Well, at least let me be with you when you do.
01:48No. It would be better if I do it alone, Lope. I don't want you to get in the way.
01:59Don't make that face. I'm sure you know how to handle the situation.
02:13Are you sure?
02:19I'm going to end all this at once.
02:35I assure you that your daughter is in the best hands, Margarita.
02:38I don't know, Ignacio. It's very difficult not to listen to Cruz.
02:43She's always with the same canteen.
02:47If she sees that she can hurt you, she will do it with pleasure. It seems like a lie that you don't know her.
02:50Yes, but now she hurts me more than ever because I think what she says is true.
02:54Cruz and you have always gotten bored with each other.
02:57And that friendship is above any circumstance.
03:00I don't lack reasons to have her in line, but this is ...
03:03Where do I want to go? She enjoys being afraid of suffering.
03:07And that's what moves her. The desire to hurt you. Not the reason or concern for your daughter.
03:14For the last time, Martina is well attended.
03:19In a cozy and comfortable place, besides.
03:23Your sister-in-law doesn't care.
03:26Yes. I guess you're right.
03:36And I think ... I think we should take advantage of Martina's temporary absence.
03:42And I don't mean an escape. I mean something much bigger.
03:48For what?
03:50Well, I think that since Martina is recovering in the sanatorium,
03:56you and I should definitely seal our love.
04:01Are you talking about getting married?
04:04Yes.
04:06Well, I find it inopportune and very hasty, don't you think?
04:09No, not at all. We are no longer believers, Margarita. Well, at least me.
04:14Yesterday it was already late, as they say.
04:16I don't think it's a good idea to get married behind Martina's back.
04:20On the contrary. I think the best way to deal with her is to move on to a policy of consumed facts.
04:26Why?
04:27Sometimes I think that if we had gotten married when we knew we loved each other, none of this would have happened.
04:34It is clear that what moved your daughter to try to kill me was her desire to prevent us from getting married.
04:39Please, Ignacio. What you say is horrible.
04:42Yes, yes. It's horrible. But also very right, I'm afraid.
04:46Once we are married, Martina will have no choice but to accept it.
04:50And she will have nothing to fight against.
04:55I think that will help her calm down.
04:59When your daughter sees that we are already husband and wife, that we are happy together,
05:05and that I do not intend to take her father's place,
05:10when she sees that her life has not changed for the worse, but quite the opposite,
05:14she will see that all her fears were unfounded.
05:28Residencia de los Marqueses de Luján, tell me.
05:31Please, don't be bad news from the front.
05:35Ma'am, it's a call from the sanatorium.
05:39Apparently, Miss Martina has attacked another patient.
05:43Oh my God!
05:45I'll talk to them.
05:51Tell me.
05:59I'm already aware of everything that has happened with your in-laws,
06:02and how much they ask you to give your son a real fortune.
06:07In the end, I have everyone worried about a problem that is actually only mine.
06:11No, no, no. It's not. I'm here to help you with whatever you need.
06:15And of course, also to make an economic contribution
06:18to make sure that everything fits in the best possible way.
06:21Thank you very much, Mr. Pellicer.
06:23Please.
06:25When he asked me, I didn't dare to tell him everything
06:29because I didn't want to mess with my things.
06:32Don't think about those terms again.
06:34Here we share everything, and the problems too.
06:36But ...
06:37And we will be your superiors.
06:39But apart from watching you do things right,
06:42that this goes to the ground,
06:44we are also here to support you and help you with everything you need.
06:49Thank you again.
06:51From now on, I promise I will take it into account.
06:53I hope so.
06:56By the way, Virtudes, have you seen Mr. Romea by any chance?
06:59Salvador?
07:01Yes, I need to send him to town to buy dry paper and ink.
07:05I've run out of both.
07:07No, I haven't seen him, but ...
07:09But? Yes.
07:11Well ...
07:13If you don't mind that I go and deliver the message,
07:17If you don't mind that I go and deliver the message ...
07:21For some specific reason?
07:23I wouldn't mind going to Lujan.
07:25You know ...
07:27I'm thinking of approaching the church to talk to Mr. Fermin.
07:31You know, to make sure he's not going to back out
07:34and he's still thinking of giving me the job he said he was going to give me.
07:37I understand.
07:39And how are things with my in-laws?
07:41I don't want to get a last-minute surprise.
07:45It's okay, go ahead.
07:47Thank you. Thank you very much, Mr. Pellicer.
07:49But don't get too excited.
07:51As soon as I have fulfilled my task and spoken to the priest,
07:53please come back as soon as possible,
07:55because the last thing I want is to have another disagreement with Mrs. Argos.
07:58I don't miss you.
08:00I'll be back as soon as I can, in a jiffy.
08:14Thank you.
08:44Thank you.
09:10Now I can fit in all the books.
09:12I no longer have to have some wasted by the hangar.
09:15Was that the intention?
09:17More than as a book, they looked like alfalfa sheets.
09:21Tell me, what are your favorite books?
09:25I don't know what to tell you.
09:27I couldn't choose.
09:30Well, imagine that you are going to a deserted island.
09:32Which one would you choose?
09:37Yes, like Robinson Crusoe, right?
09:40Well, but if you had to choose which one to take to that island,
09:42which you don't care to read again,
09:44which would they be?
09:49Well, look.
09:52This would be one of them.
09:54Pride and Prejudice, by Jane Austen.
09:59I mean, it's not enough to read it,
10:01you also have to do it in another language.
10:03Let's see.
10:05There are very good books that are not translated into Spanish.
10:08But I have no doubt that this one will soon be translated.
10:12Its literal translation would be Pride and Prejudice.
10:17And what does it say?
10:19If you can explain it to me in a language that I understand better.
10:24Well, as in most of the best books,
10:26it's not so much what it says, but how it says it.
10:30It says the opposite of an arrow.
10:34I don't think I understand it.
10:37Let's see.
10:38He and she meet at a dance.
10:42He is modestly interested in her,
10:44she just can't stand him.
10:47So it's not a love story?
10:50Well, in a way it is.
10:52What happens is that after countless misunderstandings,
10:55and after the triumph of pride and prejudice,
10:58the two meet.
11:01Like us?
11:05Yes, in reality what the author intended was to criticize the narrowness of looks.
11:10What made women at that time
11:13only aspire in this life to the sad goal of getting married well.
11:18Well, that's still happening.
11:21Yes, but we are less the women who give up on it.
11:26You are an example. Of course you are.
11:31I am not an example of anything.
11:35But look, in my book before it was.
11:40He published his first book with the male pseudonym Elisbel.
11:44And it's a novel that I would also take.
11:46Wuthering Heights.
11:49I think his translation would be ...
11:51men erase things.
11:57Look.
11:59I would also take this one.
12:04Fortunata and Jacinta.
12:08It tells the story of two women.
12:10A poor and a rich woman who fall in love with the same man.
12:14It was the book I wanted to give you.
12:16And it is in a language that you understand.
12:19Really?
12:21You have to start reading novels.
12:23You don't know what you're missing by not doing it.
12:27You are insistent.
12:29And when you finish reading it, we'll talk about it.
12:32You'll see, you'll love it.
12:35I don't know if I accept it.
12:39You are rejecting a gift from me.
12:42I could accept it on one condition.
12:46They give you something and you put conditions on top of it.
12:49In this case, yes.
12:51And what is that condition you want to put?
12:55That you accept my invitation to dinner.
12:58What?
13:00That I invite you to dinner.
13:04When and where?
13:07Tonight.
13:08Here, if you don't mind.
13:11Don't turn around, I'll take care of everything.
13:15Okay.
13:17This book, would you also take it to your island?
13:21Theory of flight mechanics, engines and propellers.
13:25Let me think about that.
13:27I understand.
13:36No, listen to me.
13:38Has anyone bothered to inform Mr. Navarro
13:41that the Marquis of Luján is going to the island?
13:45I need to know the details of my niece's alleged assault.
13:49And I want to know what the director is going to do about it.
13:52But I want to know it before I do it, do you understand?
13:57Will you call me when you have a moment?
14:00That's what they always tell me when I call.
14:03Well, I hope you do.
14:05Good afternoon.
14:06That's what they always tell me when I call.
14:10Well, I hope you do.
14:12Good afternoon.
14:14I was talking to the senator, sir.
14:16Yes, it's desperate.
14:18They call to say that Martín has assaulted another intern.
14:21And when I call to explain what happened, they kick me out.
14:27It torments me to think what is happening to my niece there, locked up.
14:30It's not surprising, sir.
14:32If there is something I can do ...
14:34Well, unfortunately, I'm afraid not.
14:37Are you going to take any action?
14:39Well, for now, I'll wait for the director to call me back.
14:42But if he doesn't, or what he tells me doesn't convince me,
14:45I'll see what steps to take.
14:49I guess you came to tell me something.
14:51I'm afraid the news I bring you is not good either.
14:54Do you know anything about the front?
14:55No, no.
14:56Regarding that matter, there is no news for better or for worse.
15:01Then I understand that it is about our great farce.
15:05Well, you understand well, the farce is still ahead.
15:08But a problem has arisen around her.
15:11A serious problem.
15:14It's about Gregorio Castillo.
15:20You know, we shouldn't pay much attention to what's in the diga or stop saying.
15:27It is clear that he is a tongue twister.
15:30Who would believe that he is to give moral lessons to anyone?
15:33Beyond the fact that he has no idea of the unfortunate state in which Eugenia was
15:37when we decided to return her to the sanatorium again.
15:39Of course not.
15:40Nothing to do with Martina when she was taken out by force.
15:43Exactly.
15:44They are not comparable situations at all.
15:48But that's what makes me most indignant about everything.
15:50In fact, what does remind me of this situation is when the shameless baroness of Gazalema and you
15:57entered me in a retirement home.
16:00Can you believe that I had forgotten?
16:05Well, I don't know how.
16:07Because you were part of such a pantomime to lock me up.
16:10And to get you out later?
16:12You only look at the negative.
16:15I have considered it on your part.
16:17What do you think of a thank you?
16:20Look, Lorenzo, I don't owe you anything.
16:22And you know it.
16:24In fact, the accounts turned around a long time ago.
16:26Cruz, you were talking about Elisa de la Vega.
16:28Don't lose focus.
16:32That woman was the devil himself.
16:34And I swore to her.
16:37Luckily for everyone's sake, she got the shot in the ass.
16:41What would have happened to her?
16:45It's not very difficult to imagine, is it?
16:48You're right.
16:49That woman was incorrigible.
16:52Is something wrong with you, Antonia?
16:55You're ...
16:57absent.
16:59No, nothing. I'm fine.
17:01What happens is that Cruz has been with that feeling of bad omen for several days.
17:05And the news that comes from the press, well, it doesn't help much either.
17:09But you will see how soon you will receive good news from your son Manuel.
17:13Telling you that everything is fine and that he will soon be back home.
17:16That's something to me.
17:21Yes.
17:36Miss.
17:37Mr. Beza.
17:39Do you have any news?
17:41I have already spoken to the person who can help us on this matter.
17:44With Mr. Marquez, right?
17:45Yes. He is very smart, Miss Expósito.
17:47And what did he say? How did he take it that Gregorio has returned here?
17:50On the front and on the right, as he usually does.
17:54Has he made any decision about it?
17:56Well, yes. Something that has to do very directly with you.
17:59He has decided that María Fernández and you will leave here.
18:05What? María and me?
18:06That's what I said, yes.
18:09But where are we going?
18:10To the cave.
18:12You will be there with Mrs. Darre for a while.
18:15Well, I don't understand.
18:17Because just yesterday we talked about the fact that I couldn't leave here because Mrs. Arcos is constantly watching me.
18:24And besides, Gregorio also knows about my departures.
18:26Don't worry. It would be so fast that Mrs. Arcos wouldn't have time to notify.
18:32And when is it going to be?
18:34Now.
18:35Now?
18:36Yes. The time it takes to prepare the supplies you will need for the three of you.
18:40But how are they going to justify that we leave?
18:43The Lord will say that he called me directly because his friend, the duke of San Rafael, asked for help.
18:50He asked for help?
18:51Yes, because the duke had received an unexpected visit and needed people to attend to him.
18:57Then the Lord consulted me and after that he decided that it was the two of you.
19:01So a farce to cover up another farce.
19:04Well, if Mrs. Arcos is so concerned about you that if Maria Fernández accompanies you, then we will avoid raising unnecessary suspicions.
19:14No, it's also true.
19:17In addition, Maria Fernández is a very good girl and trustworthy and will not give us away.
19:22At least not wanting to.
19:24Of course. She is very talkative and sometimes imprudent, so it is better to separate her from the rest of the service.
19:31What are you worried about, miss?
19:35Do you really want Maria Fernández to come with me?
19:38That's the idea.
19:40Yeah, but you have to keep in mind that the place where she is going to come is where kidnapping her is the only way to lose her life.
19:47But even so, it seems to me that it is the best option.
19:50Well, I don't know if I see it, Mr. Baeza.
19:52No, you will see that when your friend sees Mrs. Darrio living and hanging out, she will forget everything.
19:58Well, let's hope so.
19:59It is important that you do not tell her anything until she is there.
20:03Well, anyway, I think it's a good idea because Maria Fernández was starting to suspect.
20:08And she already had the fly behind her ear, so ...
20:11You're right, then. I'm going to prepare everything.
20:14And if I get there on time, they can leave tonight, the sooner the better.
20:19And about Petra, are you busy?
20:21Yes, I'll talk to her.
20:24They won't be there for long, don't worry.
20:27Let's hope so.
20:29Yes.
20:39I shouldn't be here.
20:42Breathe again and release it when I tell you.
20:47Now.
20:53I don't take care of sick people.
20:55I'll have to judge that, don't you think?
20:58Well, it was time.
21:00Since I got here, I have told everyone that I wanted to talk to you and no one has listened to me.
21:04Now you have the opportunity to talk to me.
21:06Yes, it's better late.
21:09What do you think if I start by explaining what happened?
21:12Juana says you tried to strangle her.
21:15That's not true.
21:18It is not?
21:19No.
21:20Who has marks on the neck, her or me?
21:23I have not found any significant marks, miss.
21:26Well, I don't understand that, but she grabbed me and squeezed me.
21:32How was it?
21:34Tell me your version, please.
21:38Look, I didn't even start the fight.
21:41It was all her thing, she went crazy and started saying she was Martina.
21:48And you didn't like that?
21:51Well, no. No, obviously I didn't like it.
21:54And what happened then?
21:57That I asked for explanations.
22:00Didn't you throw yourself at her?
22:02No, I really asked for explanations, that's what I'm telling you.
22:06And she gave them to you?
22:08No, she threw herself at me.
22:12Wow.
22:13She knocked me down and started trying to drown me. I was just defending myself, really.
22:19However, according to the guards, it was Juana who asked for help, not you.
22:24I don't know why I asked for help, but I couldn't ask for help because I couldn't get my lungs in line.
22:29Sure.
22:30I was drowning.
22:33And the bracelet?
22:36Is it true that you gave it to Juana?
22:40No, no, no, no. Because I was going to give it to her, no.
22:45You didn't give it to her?
22:47No, no, no, no, no. She...
22:50She took it from me and that was another reason why we were fighting.
22:56Doctor, I...
22:58What I wanted to tell you from the beginning is that I shouldn't be here.
23:02That it was a mistake, really, that someone in my house tried to set me up, but...
23:06Everything has its time.
23:08Miss, you should rest now.
23:12We'll talk calmly about all this and you'll be able to explain to me in detail what I want.
23:17Thank you.
23:22Double the dose. That girl has gotten worse than we thought.
23:47I was afraid that Mrs. Arcos would show up asking about you.
23:50I couldn't get here earlier.
23:51I'm sorry about that.
23:52The bags.
23:53Thank you.
23:56And how is it going? Did everything go well?
24:00Yes.
24:01Yes? Has Mr. Fermin stopped you?
24:03No, not at all.
24:04Then I understand that the job is yours.
24:07Yes. Well, in two months.
24:10Of course, of course.
24:11And if you don't mind, I'd like to keep cleaning this up before I'm told anything.
24:15Yes, of course.
24:27You're not thinking about that chicken rice with green beans, are you?
24:30What's wrong? I did it. It's nothing bad.
24:33Let's get along. Let's get along.
24:37The chicken rice recipe doesn't have green beans.
24:40It's never had them and it's never going to have them.
24:43Sandra, don't be so inflexible.
24:45Are you sticking to traditional recipes?
24:47Why are they traditional? Because they're fine the way they are.
24:50You should pay more attention to Lope.
24:52Look, one of the things I've learned from the boy is that you shouldn't be afraid of new things.
24:57It's nothing new. We add green beans to the rice.
25:00But to make paella.
25:01Now, if we add green beans to the rice with chicken, it's going to look like we're making a paella.
25:05And a bad paella, you know? Where ingredients are missing.
25:08Come on. What nonsense.
25:14Ah, we have paella.
25:17But aren't they going to put carrofones on it?
25:20Watch out, you are the cooks.
25:23But it seems to me that a paella without carrofones is not a paella.
25:28There you have it.
25:30No, the green beans are for something else.
25:33We have prepared seafood cream first and second chicken rice, which is almost ready.
25:40Splendid.
25:41Well, I also wanted to bring you this, which is to help Virtudes with her son.
25:47Thank you very much from the bottom of my heart, Mr. Pellicer.
25:50Well, don't be fooled. It's not much, you can't get three hard ones.
25:53From there to get the 550 pesetas that are missing.
25:56Something is beginning. I am convinced that we are going to collect all the money.
26:01Also, don't forget that we have the church on our side.
26:05What is that?
26:06Yes, Candela asked Mr. Fermin to ask for my Virtudes and my grandson when he officiated the mass.
26:12That will be fine.
26:14Maybe he has already done it today.
26:16Not today, Mr. Ricardo.
26:18Mr. Fermin has been out of Lujan for a few days and will be back in a few days.
26:23I didn't know.
26:24Yes, he told me himself.
26:25He has gone to visit a friend of his who is sick in Córdoba, in the convent of the Carmelitas.
26:30I'm sure that when he returns, he will do what he promised.
26:33I, just in case, will take advantage of my free afternoon to go with Virtudes to remind him
26:38and close the work deal well.
26:40Do you think it is necessary?
26:41It is better to prevent.
26:43Because Mr. Fermin is a charm of a person and honors the word given.
26:47But the memory ...
26:48It is as it is. Now our writer has to take the father.
26:52Seen like that.
26:53And I want to remind him what he promised.
26:56As soon as Felipa leaves, I will give the work to Virtudes.
27:04The next day.
27:12Come in, come in.
27:15But what's going on, Hanna? Why are you in such a hurry? What are you going to snatch?
27:19So that later you say that lately you have not been a little mysterious and weird.
27:23Shut up and listen to me.
27:24With many secrets.
27:25Shut up, María, please.
27:26I don't know where to put the delicacy.
27:28María, please, shut up.
27:31Okay, what's going on?
27:33What's going on is that you are going to make the luggage.
27:36And for several days, because you and I are leaving.
27:39You and me?
27:40You and me, yes.
27:41What do you mean we are leaving? Where are we going?
27:43And those days, what do you say? How many days are they?
27:45And above all, Hanna, why are we leaving?
27:49Well, let's see, when we leave, we leave ...
27:51We are leaving right now.
27:53And we are going to the palace of the Duke of San Rafael.
27:56Well, I have the pleasure of meeting him.
27:58Well, I know.
27:59It turns out that he is a friend of Mr. Márquez.
28:02He needs a couple of maids.
28:04He has been introduced to the whole family.
28:07How many days are they going to be?
28:10María, can you stop asking questions and get your luggage ready before it's too late?
28:14Get your luggage ready ...
28:15María, enough.
28:16Please.
28:17Even for that I need to know more data.
28:19Like, for example, I don't know ...
28:20Well, that's it, that's it.
28:22Where is that palace?
28:27What else is there?
28:28Of course there is, Hanna, of course there is.
28:30Well, I don't know, María, I don't know.
28:32I don't know.
28:33The only thing I know is that we don't have to wear the uniform because they leave one for us there.
28:37But why are we leaving at night?
28:39And why in such a hurry?
28:43Okay, María.
28:44Let's see.
28:46I need you to listen to me.
28:47Really.
28:48Tell me.
28:50I want you to trust me.
28:51Because this is very important.
28:53And I promise you that we will be fine.
28:56This is very strange, Hanna.
28:57I know.
28:58But please trust me and don't ask me any more questions.
29:01Please.
29:04Okay.
29:05Okay.
29:07Thank you.
29:08But first I need to do something important.
29:27What is it?
29:43My God, what do you have there?
29:47I brought ...
29:50a humble mantle.
29:53My mother made it when I was little.
29:55So for me it is the most beautiful mantle in the world.
29:59And for me it is an honor that you bring it.
30:08You know that from there it is a table, right?
30:11Mantles are usually put on top.
30:13No, Catalina.
30:16This mantle is the one we use when we go to eat in the field, when we work.
30:22I want you to have the full experience.
30:24As long as you can get out of your aristocratic protocol.
30:31Do you think I follow the protocols a lot?
30:34Don't make me talk.
30:41Look.
30:44I brought ...
30:47a pisto
30:49that I made with these little hands here and with vegetable from the garden.
30:54It smells very good.
30:58A chicken that I made in the fields.
31:01Chicken from my corral.
31:03How delicious.
31:05Young wine.
31:09Some candles made with the wax of the bees of the village beekeeper.
31:14Ah.
31:20And some flowers that I picked up along the way.
31:29What do you think?
31:32Well, everything looks great.
31:36Catalina, I ...
31:39I know this is too much for you.
31:42I know this is too humble for you.
31:46But I assure you that everything is made with a lot of love.
31:50All the love in the world.
31:52And although ...
31:56the chicken has burned a little here,
32:02I have to tell you that I like the churruscadito.
32:05It seems like a perfect dinner to me.
32:08And surely the churruscadito is also perfect.
32:13Thank you.
32:17You don't deserve it.
32:19No, I don't say it for dinner.
32:21So?
32:23You make me forget everything bad around me.
32:27It's like I stop seeing it.
32:31When I'm with you, I feel very good.
32:35And I feel like myself.
32:38Just as I am.
32:39I feel the same way.
32:43When I'm with you, I can be myself.
32:46Really?
32:49The best thing would be for us to start eating,
32:52because this cold and churruscadito is going to make your teeth itch.
32:56Of course, of course.
32:58Thank you.
33:10Mmm.
33:15Let's see when you learn to make a knot in conditions, huh?
33:18Well, never.
33:23Done.
33:24You see? But I always have someone to do it for me.
33:26A mature face is what you have.
33:29Hey, what are you doing dressed like that?
33:31Aren't you going anywhere?
33:33I mean, I'm going to the palace of one of the friends of the Marquis.
33:37And that?
33:39As a reinforcement.
33:40It is known that the man has presented himself to the centurion and the mother there,
33:43and the service is not enough.
33:45And how long are you leaving?
33:49Good idea. And Hanna doesn't know either.
33:52Well, go.
33:53Well, if that's what I say, then go.
33:56Let's see what I do now.
33:58What are you going to do?
34:00For me, a day without your kisses is like the sun doesn't rise.
34:10Anyway, everything is a bit strange, isn't it?
34:13What?
34:15Well, everything.
34:16That it is so urgent that you have to leave right now, at night,
34:21and that that man has to turn to the Marquis,
34:23that you can't look for a couple of maids from there.
34:27It also seems a bit strange to me, the matter.
34:30And Hanna, what does she say?
34:31What is there.
34:32What is there? Does that say?
34:34Yes.
34:35What is there? Does that say?
34:36Yes.
34:39We are going to try to look at the good in him.
34:42Well, I don't see it.
34:44Well, I'm going to look at myself, much more than here,
34:47to see if I can get a good ratification,
34:49which is going to be a very fat tip.
34:51And that we don't take yours for a ride.
34:53And so we will have less for our little house,
34:56and to get married at once.
34:59Yes, please, I'm wishing for it.
35:00I'm wishing for it.
35:01Although that does not mean that I, in the palace of this duke,
35:04know a lackey more well-dressed and more well-groomed.
35:08And where I say I say, I say Rodrigo.
35:10Very good, very good.
35:11Get away from Rodrigo, if Diego, if Salvador.
35:14You are Salvador.
35:15But it can happen.
35:17It cannot be ruled out.
35:19Well, very good.
35:20Well, if it happens, I will have to resign, to see what it was half.
35:23Now, yes, I can also look for another maid.
35:26Someone more docile.
35:29More docile?
35:30And that I were a horse?
35:32Sorry, sorry, I understand.
35:34Does that mean you don't like how I am?
35:37Not much.
35:40You are the perfect woman, María.
35:44You know what?
35:45Many times I pray that the rest of the world does not realize.
35:50And don't go with another.
35:52Only for me there is no other.
35:59I love you.
36:09So, do you like dinner?
36:11The dinner was wonderful.
36:13The food was very tasty.
36:16The wine is at the level of the food.
36:20But if I have to choose,
36:23I stay with the company.
36:24That's me.
36:26Yes, I don't see anyone else here.
36:29For me, the truth is that the company ...
36:32neither was nor was.
36:34I had no choice.
36:35But hey, I'm in good shape.
36:39I see.
36:41Well, then you'll like this.
36:49When you told me you were inviting me to dinner,
36:51I also wanted to bring something.
36:53Well,
36:55I actually ordered it.
36:57Ah, they made it for you.
36:59Yes.
37:01Why lie to us?
37:03But the best one was made by López Ruiz.
37:06The same one who started the jam recipe.
37:09They are cakes of different flavors.
37:12I hope you like them.
37:14They are made with the best quality fruit.
37:17And with the jams they sell.
37:19And with the jams we used to make.
37:22But are they still being made?
37:25Yes and no.
37:28Now they are made under the dictation of the Captain of the Mata.
37:31Ah.
37:32Who is the one who told you that he runs the jam business now.
37:34Yes.
37:35López's recipes are no longer made.
37:40Now the most common jam is prioritized,
37:44of worse quality,
37:46but with more money.
37:49A shame.
37:51Yes, it is.
37:54But well, let's stop talking about sad things.
37:59I propose a game to you.
38:03A game?
38:04Yes.
38:07You close your eyes,
38:09I give you to taste cakes,
38:13and you have to guess what the jam is made of,
38:15that each of them has.
38:20Okay.
38:21Do I close my eyes now?
38:22Yes.
38:27Good.
38:30Let's see.
38:32This is the easiest of all.
38:42Blueberry.
38:44Yes, how fast.
38:49Yes, but ...
38:51there is another flavor.
38:53Is it pepper?
38:54Yes.
38:55It's pepper.
38:58This is one of the first recipes we got from López,
39:01with which everything started.
39:03I liked it a lot.
39:05A lot, but ...
39:08there is a flavor
39:10that I think I've never tasted.
39:12Let's see what you think of this other one.
39:13Another one.
39:18Are you going to give it to me?
39:19Yes.
39:23Fig.
39:24Or pear.
39:25Well, they're the same.
39:26Yes.
39:28But ...
39:32they are salted figs.
39:34That's right.
39:36Another one of López's craziness.
39:38It looks like an impossible mixture, and yet ...
39:41They are delicious.
39:43Yes.
39:44Maybe it's my favorite.
39:58Tomato.
40:00Cold, cold.
40:04What could it be?
40:07Orange with cinnamon?
40:11Bitter orange
40:13with a touch of cinnamon.
40:15How delicious.
40:19Give me another one.
40:40Yes.
41:10Thank you.
41:40What's that?
41:57And all this?
42:00Well, all this is what we have to take.
42:04All of it?
42:05Yes, all of it.
42:07And why?
42:08And for whom?
42:10Well, for whom is it going to be, María?
42:11For us.
42:12Ah, for us.
42:14And can you tell me who that duke is, San Rafael?
42:17A duke or a beggar?
42:19Even we have to carry the water, the food, the mattresses.
42:23What does this mean, Hanna?
42:25María, I remind you that you promised me not to ask questions.
42:28No, no, no, no, no.
42:30I didn't promise you anything.
42:31You asked me for one thing, but I didn't promise you anything.
42:33It's true.
42:34And I don't want to be a burden.
42:36But it doesn't make sense that we have to go out at night,
42:39at this time, and carry like a mule.
42:42Or carry like a ...
42:43Well, enough, María.
42:47You're going to understand everything when we get to where we have to get.
42:51The palace has nothing, right?
42:54Do you want to shut up about a saint to help me with all this, please?
43:00Pick that up.
43:02Pick that up.
43:05Pick that up.
43:23María Antonia.
43:25María Antonia, wait.
43:26No, no, it's not the time.
43:27I'm really tired and I just want to sleep.
43:29I won't be the one to stop you.
43:31I just want to tell you that you can't go on like this.
43:33I can't go on like this.
43:35I don't know why you say that.
43:36Yes, you do.
43:38And I'm going to tell you something else.
43:39No matter how hard you try to hide it,
43:40every time you notice that something is happening to you.
43:43No, I don't think so.
43:45No.
43:46Something happens to me, right?
43:47I take care of behaving normally.
43:49Normally?
43:51Like before with Cruz?
43:52You haven't said a word for half an hour
43:53and when you finally opened your mouth,
43:54it would have been better if you shut up.
43:55Of course you notice that something is happening to you.
43:59Well, even so,
44:00I ask you please not to meddle.
44:02There are things that it is better not to stir up.
44:05But who is talking about stirring up anything, Maria Antonia?
44:08All I'm telling you is that if you keep your tribulations to yourself,
44:10they will end up bursting.
44:13I'm offering myself to help you.
44:15To help you or to listen to you, whatever you want.
44:18If it's in my hand,
44:20and if it's your wish.
44:24I don't know.
44:27Maybe it would be good for me to vent.
44:29Of course it would be good for you.
44:31Trust me, tell me what happens to you.
44:35I don't know.
44:36Lorenzo, I would like to, but ...
44:39what happens
44:42is something very serious and delicate.
44:46And honestly, I'm very ashamed.
44:49Forget the shame.
44:51Trust me.
44:55Alonso kissed me.
44:59What?
45:10I just think what they have told us is not true.
45:12It is impossible.
45:13It is impossible that Martina has done something like that.
45:16Please.
45:17To have sex with a girl,
45:19being she an educated and judicious girl.
45:22Do I have to remind you that she slapped me in front of everyone, Margarita?
45:25And then she took the case where the jewel she had given her was,
45:29threw it at me and broke the bonsai.
45:32Let's not fool ourselves.
45:33Martina loses her nerves from time to time
45:35and I'm sure they will treat her properly there.
45:38I'm on this with Margarita.
45:40Because one thing is a slap and another very different thing is to get into a fight.
45:45Unfortunately, we still don't have enough information to know what really happened.
45:49Well, your husband has been calling all day to see if he found out anything.
45:52What is out of the question
45:54is that the people in those places
45:57are not like Martina.
45:59They are very unbalanced people
46:00who can really be really dangerous.
46:02Don't say that, Cruz, please.
46:04It's the truth, Margarita.
46:06Because of you, Martina is exposed to endless dangers.
46:11For me it is clear.
46:12You two are the only ones responsible for everything that can happen to her.
46:15You shouldn't have let her in that place.
46:17You're exaggerating.
46:18Martina is perfectly fine, I'm sure.
46:20It's not that I exaggerated.
46:23My sister-in-law and you are running out of the bag.
46:25Now that you are being cursed, of course,
46:27on account of what I bring you.
46:28What you say is offensive.
46:30That's the truth.
46:32You know, look around you, for me the offensive thing
46:34is that you have allowed yourself to bury the poor Martina alive.
46:38She tried to kill me.
46:40That's what you say.
46:41No, no, it's not that I say it.
46:42It's that everything points to her.
46:45What's going on, Alonso?
46:49I just spoke to the military contact that Lorenzo gave us and ...
46:55and the worst news has been confirmed.
46:59What are those news?
47:03It seems that there have been several attacks by the enemy
47:06in the place where Curro and Manuel were and ...
47:09It seems that there have been several attacks by the enemy
47:12in the place where Curro and Manuel were and ...
47:16and there are many dead.
47:19The problem is that many of them are unidentified.
47:25So our son could be one of them?
47:28I think we should keep calm, dear, and ...
47:31and wait for more information.
47:33I knew it.
47:34I knew it.
47:35I knew it.
47:37That's why I had so many nightmares and nightmares lately.
47:40It was no coincidence.
47:44Excuse me.
47:45Ma'am, sir, you have an unexpected visitor.
47:59Curro.
48:05Where is Manuel's son?