La Promesa Ep 392 Completo - La Promesa Cap 392 Completo - La Promesa RTVE Serie
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00:00How's that meatball doing?
00:02It's going to be delicious.
00:04You didn't find your own kind, did you?
00:07Look, the simpler the meatball, the tastier it is.
00:12Don't worry, she won't even notice.
00:14I hope so. Now that Don Manuel and Mr. Curro are back home,
00:18I'll get the food ready for the usual.
00:21Careful, I need you to put me on the apple tartlets.
00:24Yes, put yourself in the middle.
00:26Careful, I need you to put me on the apple tartlets.
00:29Yes, put yourself in the middle.
00:31But make it thin, just like Mr. Curro likes it.
00:34Perfect.
00:40What's wrong?
00:42Mrs. Petra, how's Don Omar de Perros?
00:45Oh, I'm not surprised at all.
00:48And why are you barking? What happened to him?
00:50Nothing, he's mad at Mr. Romulo and Mr. Ricardo and he's not paying us.
00:54And why is he mad? With those two good men?
00:56Has he found out?
00:58He's angry about Hanna and María Fernanda's departure.
01:01They left?
01:03Where? When?
01:05Well, apparently a friend of Marquez's asked two ladies to cover some expenses
01:09for the service of his palace or something.
01:12Well, then Mrs. Petra has to decide, because where there is a boss, there is no sailor.
01:16Yeah, but they broke his quadrant and he's angry.
01:19Or he's a little crazy.
01:21Well...
01:23What's wrong with you? Don't you agree?
01:26Yes, Mrs. Candela, but isn't it strange that they disappeared overnight?
01:31It's true that it's a bit strange, isn't it?
01:34Because Marquez doesn't usually get into those messes.
01:46Good morning.
01:48Good morning, son.
01:49Mother.
01:51Honey, I still can't believe you're here with us, right?
01:54It's a real miracle.
01:56A real miracle that we are all very happy about.
01:59Thank you very much, Mrs. María Antonia.
02:02Many years have passed since the last time you and I saw each other.
02:06By then you were just a naughty boy and now you're a man.
02:09And very handsome.
02:12And speaking of mischief, I still remember that anecdote about the toad.
02:16What happened?
02:17You don't remember?
02:19It was at a gala dinner that your parents organized.
02:23In a moment of silence, you could clearly hear a toad croaking.
02:29A toad?
02:30Yes, we asked Tomás and you where the noise was coming from and you both started croaking.
02:35Until a toad escaped from your coat pocket.
02:40Really?
02:41He started jumping all over the table.
02:44And you couldn't think of a better idea than to run after him to catch him.
02:47And you got it, you got it.
02:49Of course, there was not a single healthy dish left on the table.
02:52What's more, even my hair was full of soup.
02:57Then I'm very sorry what happened, although I can't remember.
03:01The truth is that I didn't remember either until you mentioned it.
03:05The tropeleas that you made us suffer, son.
03:10And how is your stay in La Promesa these days?
03:14Days?
03:16Maria Antonia has been with us for months.
03:19She came shortly after you decided to go to that damn war.
03:23Your mother needed me.
03:26And you didn't hesitate to come.
03:30Maria Antonia has been a great support in the darkest days.
03:34I don't know what would have happened to me without having you close, friend.
03:39I did it with pleasure.
03:41And you would have acted the same way in my place.
03:43Well, don't take credit for it, come on.
03:45Not everyone has a heart as kind as yours.
03:49Maria Antonia has been a real balm.
03:53A great comfort for the most difficult moments, right, Alonso?
03:59Yes, yes, of course.
04:01And you know how much we appreciate it.
04:05I am the one who is grateful, Alonso.
04:10It seems to me that in view of what happened, I am the one who should thank you.
04:14Thank you for also taking care of my parents.
04:16Well, please, let's stop this round of absolutely undeserved compliments.
04:20For me, the biggest prize is that everything is finally back on track.
04:25I toast to that.
04:39Well, we're all the same.
04:41The mayors have not wanted to say anything else and of course we have not asked.
04:45And we can't do anything wrong either.
04:47Let the gentlemen get along with each other.
04:49Well, I just hope they come back soon and that everything returns to normal.
04:52That if the fame was hard before, now it is.
04:54You also live in delusion, right?
04:57That the Mary Mandrake continues to rule.
05:02Mrs. Simona is not here.
05:04Do you see her somewhere, little boy?
05:07She left for the village.
05:08She will be there, what do you need?
05:10Nothing, nothing, nothing urgent.
05:12Well, at least tell us what it is for you, I'm sure we can help you.
05:15Well, we have already added the amount collected to bring back Adolfito.
05:20Really? And how much is it?
05:22And we can finally rescue the little boy.
05:24What do you mean rescue, Mrs. Candela?
05:26He is with his grandparents, not with the forest ogres.
05:28A forest ogre?
05:30They would have less greed, huh? That's what I'm telling you.
05:32Well, how much is it, Salvador?
05:35Well, exactly 178 pesetas with 28 cents.
05:40It's not even half.
05:43Well, no, it's a lot of money.
05:45Don't come down there.
05:47You hear me?
05:49We still have time to collect the rest.
05:51Yes, Mrs. Candela, but the idea is not to collect the money for two years.
05:56The idea is to have it as soon as possible to give it to Virtudes and her child as soon as possible.
06:00Something will come to us.
06:03Hey, Salvador.
06:05Do you know what Mario Fernández has done to the house of that friend of the Marquis?
06:10Well, work.
06:13At first, they were short of staff.
06:16We already know that, but you don't know anything else?
06:19Well, no, I didn't have time to say goodbye when he left with Jana.
06:23And don't you think it's weird that they left at night and so suddenly?
06:30And who gave us this palace, Mrs. Candela?
06:48Good morning, Miss Luján.
06:50Good morning.
06:52How are you?
06:55It was you who gave me the dose of the medication.
06:59After our meeting, I noticed it very tense.
07:02Those pills are just a relaxant.
07:05I didn't believe it.
07:07On the contrary.
07:09That's why I came, to listen to you.
07:15I shouldn't be here.
07:17It was all a mistake in ...
07:20It was all a mistake in ...
07:23In the house I live in, there was a murder attempt.
07:27That's something very serious.
07:29Yes, I know, but someone tried to frame me
07:33by hiding the bottle of poison in my room.
07:37What I don't understand is ...
07:40Why didn't your family report it to the police?
07:43We are talking about a murder attempt.
07:45Well, because they wanted to avoid a scandal.
07:48They also wanted the civil guard to come to wrong conclusions.
07:54What do you mean?
07:56That ...
07:58The bottle of poison was in my room.
08:01So, in the eyes of everyone, I would be guilty.
08:05And yet, you insist on declaring yourself innocent.
08:11Yes, yes, yes.
08:13Because I am innocent, because ...
08:16I have nothing to do with that poison, really.
08:22And why did you end up in this sanatorium?
08:25Because ...
08:28It's what my mother agreed with the man who was poisoned.
08:31Because he thinks it was me, but he's wrong.
08:38Do you know what this is, Miss de Lohan?
08:41It's your income report.
08:43The one your family filled in.
08:45Highly irritable, with frequent mood swings.
08:48Prone to lying to cover up the continuous attacks on his victim,
08:53which shows a serious obsession.
08:56Shall I continue?
09:01That man ...
09:03The only thing he's looking for is to slander me.
09:06That's what the Count of Ayala wrote.
09:08He's the one who wanted to get rid of me.
09:10And ...
09:12And if he wanted to get rid of you,
09:14wasn't it easier for him to report you to the authorities?
09:16Well, but I didn't want to hurt my mother.
09:20Maybe there is a simpler answer.
09:24Maybe the Count is only worried about you,
09:26and that's why he has admitted you.
09:29So that he can heal from his evil.
09:31I don't have to heal from anything!
09:35I hope this is the last time you raise your voice to me, Miss.
09:42No.
09:46For the moment, he will continue with the treatment.
09:49He will take the pills that are ordered to him,
09:51and he will obey the nurses in everything.
09:55Look, Miss de Luján.
09:58One thing I have made clear from this interview,
10:01and that is that I want to return to your house.
10:03So do what I ask of you.
10:05It's for your own good.
10:12No.
10:22If only they were minimally competent.
10:25But they only get angry if I go behind.
10:28They govern themselves by the law of minimal effort.
10:32And to top it off, I have to fix them without Hanna and without María Fernández.
10:36Which is not that they are anything from the other world,
10:38but at least they are four hands, if they do something.
10:41And of course, no, you complain.
10:44But how am I not going to do it,
10:46if they don't even let me know in time that I'm going to the service?
10:50I see.
10:52And the whole week's schedule is rubbish.
10:55As if my time was worth nothing.
10:58But I swear you will hear me.
11:00Well, if you're going to hear me.
11:02Especially Mr. Rómulo.
11:04Who has believed that he is to force me to the nurses?
11:08Should I tell him something about his lackeys?
11:16You haven't heard a word of what I've told you, boy.
11:19Where's your head?
11:21Uh ... Excuse me.
11:23My things. You have more problems than one day.
11:27The things of the heart also have one day.
11:30Because that's what confuses you so much, right?
11:35I had to give up Vera.
11:38Was it you or her who cut ties?
11:43It was actually her.
11:45She didn't give me another option.
11:47And she's partly right.
11:49I didn't always know how to do things right.
11:51Whoever is free from sin should throw the first stone.
11:56Well, what bothers me the most is that she hasn't even given me a chance to fix it.
11:59Those people only move out of resentment.
12:02Well, I thought Vera was different.
12:04Because you're in love.
12:06And love blinds us all.
12:09If I could just try it once,
12:12I would prove to her that I am not like that and that I really love her.
12:15That boy doesn't deserve you.
12:18And the way he's had to reject you, all he's done is confirm it.
12:23I'm the one who doesn't deserve her.
12:26You're wrong.
12:29Why do you say that?
12:31Because you insist on being to blame for everything.
12:34As far as I know,
12:36you're just a victim.
12:38And they are the executioners.
12:41They?
12:44Vera has been playing with you all this time.
12:49What does she know?
12:52I don't know what reasons she has to treat you the way she has treated you,
12:57giving you hope,
12:59when all she wanted was
13:02to surrender in Lope's arms.
13:07What are you trying to tell me, Mrs. Petra?
13:10I saw you kiss them in the courtyard.
13:18Vera has been playing with me all this time.
13:21I'm sorry I'm the one who took the blindfold off you.
13:25While she surrendered in Lope's arms.
13:29I'm really sorry, Santos.
13:32I'm sorry.
13:45You don't know what you have until you lose it.
13:49Don't say that.
13:51I never thought I'd miss a pillow so much.
13:54Or a crumpled mattress.
13:56Or a blanket that wasn't ruffled by the rats.
13:59Not to mention the food.
14:01After months feeding on canned food,
14:03even Simona's simple stew tastes like glory to me.
14:06And what about the clothes? Clean and ironed?
14:08And perfumed.
14:09Or have you forgotten that our uniforms smell like Cuadra?
14:12No, you can't say that.
14:13You'd be offending the horses.
14:22Although it's hard for me to think that everything is still the same there.
14:27Does it happen to you too?
14:31Continuously.
14:34And do you also have nightmares?
14:38I work every night.
14:41And I always wake up in the same way.
14:45With the explosion of that grenade in the middle of the forest.
14:48Yes, it happens to me too.
14:51I had never seen death so close.
14:54Not even when that bullet hit me in the hunt.
15:00You know,
15:02I always dream of the moment when Paco was shot.
15:07That was fortuitous.
15:10We've already talked about it.
15:13Yeah.
15:14I don't know.
15:16Everything we've lived seems like a lie.
15:19But here, everything is still the same.
15:25Well ...
15:26Maybe, maybe not.
15:29You're right about that.
15:31The promise, every week that passes, is full of news.
15:36By the way, have you been able to talk to Catalina?
15:38That, as they said, she didn't want to receive visitors,
15:41so I went to see her.
15:44Go see her.
15:45She will be excited.
15:47But did she tell you why she locked herself in the hangar?
15:50She didn't tell me details, but ...
15:52It seems to me that everything was the result of a fight with my mother.
15:55No surprise.
15:57But this time it's different.
16:00You know how calm Catalina is.
16:02So something serious had to happen.
16:08And Martina?
16:10Do you know when she will return from that trip with her friends?
16:13Martina is not on a trip.
16:15Oh no?
16:17Margarita lied to them.
16:20And then where is she?
16:22In a asylum.
16:24They think she poisoned Count Diana.
16:28Curro ...
16:30You know, for a moment ...
16:37Are you serious?
16:42I want to know why no one has informed me.
16:45We are telling you now, Mr. Arco.
16:47This is consumed.
16:49And your obligation is to let me know before varying a single comma of the minute.
16:52Yeah, but the order was direct from Mr. Baeza.
16:55It was made to harass Mr. Manuel and Mr. Ito.
16:58I don't care about your reasons.
17:00Then talk to Mr. Baeza.
17:02Don't worry, I will.
17:05But feeding the service the same as the gentlemen has also been an order of his.
17:10That's right, ma'am.
17:13This is incredible.
17:14What's next?
17:15Feather mattresses for the janitors.
17:17Come on, Mrs. Petra, we've understood your problem.
17:19But now we have to work.
17:21More respect, Mrs. García.
17:22The same respect you have for us.
17:24We have no fault that you are angry with the mayors for Ana and María's departure.
17:29That's none of your business.
17:30I agree.
17:31So we get to work.
17:33You will when I say so.
17:34Don't you always complain about how badly you work in this house?
17:38You can leave us alone.
17:40I would do it if they didn't disobey my orders.
17:42What's going on here?
17:44What are those orders, Mrs. Alcos?
17:46In the kitchen.
17:47They have changed the menu.
17:49Without my permission.
17:51I asked them to change the versugo for the lamb caldereta.
17:54It is true that I should have notified you, but I didn't have the opportunity.
17:58Why didn't you tell us?
18:00That's how we did it, Mr. Baeza.
18:01It's not just that.
18:02They also want to feed the service the same as the gentlemen.
18:06That was also my indication.
18:09The return of Don Manuel and Mr. Curro.
18:12It's great news that we have to celebrate everywhere.
18:16Anything else, Mrs. Alcos?
18:17Yes.
18:18I have told you that I need to be informed of any changes, Mr. Baeza.
18:22And my patience has a limit.
18:24Would you like some almonds?
18:26We made them a while ago and they are delicious.
18:28Thank you.
18:30I'm going to have some.
18:32It's been a long time since they were sold out.
18:34Since Mrs. Pia died.
18:36She loved them.
18:37God bless her.
18:38Amen.
18:39Amen.
18:40I hope to cross paths with that undesirable and evil Gregorio again.
18:44And settle scores with him.
18:45Well, I almost prefer not to see him again in my life.
18:47Things as they are.
18:48Well, I'm with Salvador.
18:49I have an open wound.
18:51I would love to see that undesirable feel what he did in his conscience.
18:56Candela, for that you would have to be aware.
18:59And I don't think he'll show up here again.
19:01It's been a long time and he will be aware of Mrs. Pia's death.
19:04Do you think?
19:06In the village they still talk about it.
19:08What do you think, Mrs. Arcos?
19:10Me?
19:12That the dead to the hole.
19:14The living to the pot.
19:18How unpleasant.
19:20What a bad shadow that woman has.
19:26Who poisoned Count Dallala?
19:28But in what head did it end?
19:29No, in none.
19:31But it is seen that the poisoning happened.
19:36And also that they found a jar with cicuta in Martina's bedroom.
19:42No.
19:44There must be some other explanation for that.
19:47I don't know.
19:49Margarita thinks the same as us.
19:51Well, if we want to know what really happened, we have to ask in the right place.
19:57The service area.
19:59Surely someone there can give us some clue about how that cicuta ended up in my cousin's bedroom.
20:05Hanna?
20:07No.
20:09No, it can't be.
20:11I haven't seen her anywhere in the palace since we arrived.
20:15Do you know where she is?
20:17No, I ...
20:19I haven't seen her either.
20:23Well, I'm sure that María Fernández, if we ask her, can tell us something.
20:27Now that you say it, I haven't seen her either.
20:30Do you think they could have left without saying anything?
20:33I've heard that Teresa has also left.
20:36Let's hope not.
21:00Hello.
21:02I didn't know you were coming.
21:04Yes, I took advantage of lunchtime to see how you were doing.
21:09How is your brother Manuel?
21:11Well, very well.
21:13It's a miracle to have him back in La Promesa.
21:16Yes, he looked good.
21:18He is not in his best moments, but you can't ask for more coming from the front.
21:23This war is a nonsense.
21:26And this one fits, yes.
21:28It is unbelievable that everything originated from an attack in Sarajevo.
21:31You don't see much on the subject, but from what I understand, it was the spark that lit the match.
21:36That's right.
21:38And the worst thing is that it doesn't end.
21:40How many more people will have to die?
21:44Manuel and Curro have returned, but ...
21:47I think about the suffering of all those families who do not know if their cousins, sons, brothers will ever return home.
21:58I can't imagine the anguish you've had to go through these months.
22:02And more reading the news from the newspaper that only talked about massacres and slaughterhouses.
22:10I'm sorry, Catarina, I shouldn't have brought it up.
22:13What can I do to give you back that smile I had?
22:19It is not necessary.
22:21Just remember that my brother and my cousin are alive and back home.
22:26See? I've got it back.
22:33And how are you?
22:36Fine.
22:40There's something I'd like to tell you, but I don't know how to do it.
22:46You see, Catalina ...
22:49Whatever I do, I can't stop thinking about you.
22:55Let me finish, please.
22:58The other night we spent was one of the most wonderful things that has ever happened to me.
23:04You are as close as you are to being happy.
23:08But it seems to me that you don't think the same as I do.
23:12And if you decide that ...
23:14Well, I'm going to respect what you decide.
23:16If you want me to go, I'll go.
23:19But I can't stand the distance you've put between us.
23:25Forgive me.
23:27You're right, I'm sorry.
23:31I should have been honest with you.
23:36Catalina, what's wrong?
23:40I'm scared.
23:43For me, the other night was also wonderful.
23:46But?
23:50In the morning, when I saw you next to me, I got scared.
23:55I don't want you to think that I imagine your arm in front of the altar, but ...
23:59I don't want you to think that I'm a woman who does anything to anyone, do you understand?
24:02I understand.
24:05You think we rushed it, right?
24:08Yes, that's it.
24:11I'm afraid that things will go wrong quickly, you know?
24:20I think it's the best declaration of love you could give me.
24:25And not the curse I've cast on you before.
24:32I'm precisely telling you to take a step back.
24:38Yes.
24:40Because you want what we both feel to arrive at a good port.
24:46Catalina, take the time you need.
24:50I'll see you, I'll wait for you.
24:54I love you.
25:12All good, virtues?
25:14Yes, I hope it's my turn to eat, that lamb looks great.
25:19It's very tasty. López treats us like kings.
25:22Well, it was time.
25:23It's delicious, López.
25:25It's a very simple recipe.
25:27My grandmother taught it to a woman who came from Extremadura.
25:30It is that in Extremadura you eat better than anywhere else.
25:33If they put in front of me a chanfaina or a chicharron ball, I'm not happy.
25:37Don't forget about the appetizers.
25:39In the cakes of the Casar, they resurrect a dead man.
25:42That's true, they are miraculous.
25:45I would love to go to Extremadura, even if it were just to eat.
25:48Come on, but there are many more things to do there, Salvador.
25:51The Valle del Jerte becomes beautiful when the almonds bloom in spring.
25:54And the castles are impressive.
25:56But have you been there?
25:59With my old lady, who wanted to visit the ruins of Mérida first hand.
26:03Ruins?
26:04And what interest can a lot of stones have?
26:07They are ruins from when the Romans.
26:09They are thousands of years old.
26:11And the truth is that they are impressive.
26:13The theater is almost intact.
26:14Well, I'm with virtues.
26:16The stones are stones.
26:17Why haven't you been there?
26:19Being there is like traveling back in time.
26:22As if you were in a novel, like Cúobades.
26:26Haven't you read it?
26:28But it's a beautiful story.
26:30Well, tell me, tell me.
26:32Tell me, but eat, it's going to get cold.
26:34And López doesn't like that.
26:36It's a love story.
26:38Those are my favorites.
26:40And mine.
26:41It stars Vinicius and Lygia.
26:43He is a noble from Rome and she is the daughter of Christian barbarians who have just been conquered.
26:48Love between a noble and a slave.
26:50As if that were possible.
26:52Virtues, for God's sake, let it end, it will never end.
26:56Well, the story begins when Vinicius goes to his uncle's house ...
26:59I'm going to ask you one more thing.
27:00Does it end well?
27:01Because if it has a sad ending, I prefer not to hear it.
27:05Well, of course it ends well, Virtues.
27:07Love always triumphs, right?
27:18What is he looking for?
27:20I don't know.
27:40Simona!
27:41What?
27:42Look who came to see us.
27:45Mr. Curro! Mr. Manuel!
27:47Oh, blessed are your eyes!
27:49Will you forgive me?
27:54It is a miracle that you are here.
27:56We had a very powerful reason to return to the promise.
27:59Yes, that's right.
28:02Your butcher's cauldron, Simona.
28:05And I'm glad.
28:06I'm sure you haven't eaten anything like this in months.
28:09We are going to prepare your favorite dishes.
28:12We are going to prepare your favorite dishes so that they come back to you.
28:15Mr. Manuel, sir, I didn't know you were around.
28:18Can we help you with something?
28:20No, no, Mr. Baeza, we have only come to say hello.
28:23Well, we also wanted to convey our condolences in person for Mrs. Pia's death.
28:28Yeah, the truth is that it has been a very hard blow for everyone.
28:31Of course.
28:32Mrs. Adar was an exceptional woman.
28:36Do you know anything about what happened?
28:38Have you heard any news from the town?
28:40No, not yet.
28:41As soon as we know something, we will convey it to you.
28:43It is a very nice detail and I am grateful that you remember those of us who are down here.
28:50And more with everything that has had to happen there in Tierra Gavassa in the war.
28:57You know, while we were at the front, Curro and I imagined that things would have changed around here,
29:02but at no time could we think of news like this.
29:07No one could suspect it.
29:09To look ahead and keep pulling the cart.
29:14Sometimes one would wish that things would continue as before, right?
29:18I understand that you also refer to your sister Catalina, right?
29:21To her confinement in the hangar.
29:24Of course.
29:25But I also mean my cousin Martina.
29:28Neither Curro nor I can believe that they have held her in a sanatorium.
29:32How is that as absurd as the one who went to Vendimia and took grapes for a snack?
29:38Here, down here, no one believes us that barbarity of poison.
29:42Yes, neither do we.
29:44That's why we wanted to talk to Hanna or María Fernández.
29:48Yes, we understand that they were the young ladies who spent the most time with Martina, right?
29:53Yes, yes.
29:56Is something happening? Are they no longer in La Promesa?
30:01They will see.
30:03They are working in the house of the Duke of San Rafael.
30:08But forever?
30:09No, no. It is something temporary.
30:12A request to which the Marquis agreed out of friendship with the Duke.
30:17I'm sorry I can't be of more help.
30:20Don't worry, Mr. Maeda.
30:23We will find another way to prove his innocence.
30:27Before you leave, get me a cookie that I have just taken out of the oven.
30:33Simona, they are sucking us like dogs.
30:35I'm not going to say no.
30:37Be careful, they will be warm.
30:40Okay.
30:44They are delicious.
30:47Come, come, there is a spider in the room.
30:52Behind the cava.
30:53But this is Hanna and Maria's room, Vera.
30:59Very observant.
31:06So I guess there is no spider.
31:09I wanted to give you these kisses.
31:12Me too.
31:13I couldn't stop thinking about you while you were telling that story about the Roman lovers.
31:17Clínia and Vinicius.
31:18Those, yes.
31:20How lucky that we don't have those problems.
31:24That I'm not a nobleman and you're not a slave.
31:28Well, even if you were and you loved me.
31:31With all my soul.
31:36But we're going to have to stop, Clínia.
31:38Why?
31:39Well, because if someone comes in, he's going to find out ...
31:41But if the vest is on.
31:42And also, Hanna and Maria Fernández are at their duke's house and we have the room to ourselves.
31:48And well, if they come in, we'll tell them the story of the spider.
31:52And you think they're going to believe that story?
31:56It worked with you.
31:57Maybe I wanted it to work.
31:59Oh yeah?
32:00Sure.
32:01And why is that?
32:02Because we have to recover all these months without kissing.
32:05Let's kiss, huh?
32:10Do you think they heard us?
32:12I don't think so.
32:14Maybe we're tempting luck a bit.
32:17Now you don't trust that the story of the spider is going to save us?
32:22Maybe we should leave.
32:24Don't worry, the vest is on.
32:27But they could hear us.
32:30What are the chances of me coming back?
32:33Few, I guess.
32:37But it will be better to be careful, Lope.
32:41Do you really want to leave?
32:43No, it's not that.
32:45Then?
32:46But I don't want to hurt Santos.
32:50Don't get me wrong.
32:52I just think we should be a little more prudent, at least these first weeks.
33:00As you wish.
33:01But you should know that all I want is to shout the four winds that I love you.
33:05Well, don't shout it, but whisper it to me.
33:11I love you.
33:36Finally alone.
33:38I wanted to congratulate you for coming back alive.
33:43I hope I haven't caused you any inconvenience.
33:46I don't understand why there's so much cynicism.
33:48Why wouldn't I be happy?
33:51I notice you've changed.
33:54War is a school, Curro. One of the best there is.
33:57There's nothing more to see. You left as a child and came back as a man.
34:01What do you think?
34:02There are circumstances that change us, whether we want it or not.
34:06I would have preferred to come back as the usual.
34:09Time will show you that you're wrong.
34:12I don't know why I idealize war so much.
34:14There's nothing good about it.
34:16I don't agree.
34:17There is something good about it.
34:19As I told you, you've changed.
34:23And how not to do it?
34:25I've seen the darkest side of what we're capable of doing.
34:28Mothers holding the corpses of their children.
34:31Companions disfigured by bombs.
34:33Hunger, pain and destruction.
34:37I've seen men who are worth much more than you, Captain.
34:40And than me.
34:42Out of whim.
34:43Out of whim, no.
34:44For a just cause.
34:45Look, one of them was called Paco.
34:48He was engaged.
34:50He was going to get married.
34:51He had a future ahead of him.
34:53But he was shot.
34:55Yes.
34:56He died in my arms.
34:59And he couldn't do anything.
35:00Then he died with honor.
35:01You know what, Curro?
35:02I don't want to keep hearing your regrets.
35:06If you left, it was because you wanted to.
35:07Nobody forced you.
35:08You weren't even defending our flag.
35:10Flags mean nothing.
35:11Right?
35:12And why did you enlist, Curro?
35:15Tell me why.
35:16Why did you enlist?
35:20Next time, control your whims.
35:24Or at least assume the consequences of what you do.
35:30No.
35:31It won't be necessary for now.
35:32First, I'll go up and see what Marquez needs.
35:36Mr. Pellicer.
35:38How can I help you?
35:39We have news of the Duke of San Rafael.
35:41And above all, we know when Hanna Expósito and María Fernández will return.
35:45Well, that Mr. Baeza hasn't told me anything.
35:48I understand that it shouldn't be easy to coordinate the whole service with two less maidens.
35:52But I insist.
35:53You have the ability to hire whoever you need.
35:55And you have the authority.
35:57But I insist.
35:58You have the ability to hire whoever you need.
36:01And I insist that that wouldn't solve anything.
36:04Especially because our maidens are not with the dukes.
36:08What did you say?
36:09You've heard me.
36:11I've called the palace on the phone and they've confirmed that our maidens never got there.
36:16But how dare you?
36:17Who do you think you are to bother the dukes?
36:21If that's what worries you, I'll tell you that I've talked to the keymaker alone.
36:25I would never think of doing it directly with the dukes.
36:28But that's not what matters.
36:30What matters is knowing where our maidens are.
36:33Because now that the lie you kept with Mr. Baeza has been revealed,
36:37you should tell me because it's my right.
36:39I don't know anything.
36:41And I don't believe you.
36:42You are the mayor of this house.
36:44Tell me.
36:46Temple, Mrs. Arcos.
36:49Tell me what you need to know now.
36:52I would like to talk to Hanna and María Fernández because Mrs. Marquesa needs a dress
36:56and they probably know where to find it.
36:59As you well know, they are working for the dukes of San Rafael.
37:03I see.
37:04And as you well know, that's a lie.
37:07Because they are not in that palace.
37:11Have I ever told you that they were working in the palace of the dukes?
37:16They have been required for other tasks outside the main palace.
37:21I see.
37:23And can you tell me what those tasks are?
37:26No, you can't.
37:27Because they are not your business, Mrs. Arcos.
37:31I repeat the question.
37:33What do you need Mrs. Expósito and Mrs. Fernández for?
37:38I've already told you. Mrs. Cruz needs ...
37:40You are not talking about liars.
37:42And here the only lie I see is that milonga of Mrs. Marquesa's dress.
37:47You have been Mrs. Marquesa's personal maid for many years.
37:50No one better than you to know where that dress is.
37:54So I reiterate the question.
37:56What do you want Mrs. Expósito and Mrs. Fernández for?
38:02This is not your business.
38:10No.
38:21Listen to me.
38:24I promise you.
38:27I'll be back before you can miss me.
38:31Don't promise me things you can't keep.
38:40Until then, I promise you.
38:43That when I come back, we will get married.
38:47Yes.
38:50And something tells me that we will be happy.
38:54Very happy.
38:56Like in the stories.
39:11I hope looking out the window so much doesn't mean you want to leave again.
39:17Don't worry mother.
39:19I'm going to have a long season here.
39:21A season? And why not forever?
39:26Oh, son.
39:29I'm going to miss you so much.
39:31I'm going to miss you too.
39:33I'm going to miss you too.
39:35I'm going to miss you too.
39:37I'm going to miss you.
39:39No.
39:41I still can't believe you're back.
39:46I've suffered a lot, Manuel.
39:49A lot.
39:53In my nightmares I saw you die.
39:57That's why I didn't even want to go to bed.
40:01Mother, fortunately everything is over.
40:04And the promise has me back.
40:10Come on, tell me.
40:12How have these months been? Where have you been?
40:15I have tried to follow your whereabouts through your letters and the news that came in the war newspaper.
40:22It's still hard for me to talk about it.
40:27Why don't you tell me about the promise?
40:30Well, I think you're already aware of everything.
40:34And as you will have proven, things have not been easy here either.
40:39No.
40:41But as I understand, in addition to the circumstances, there have also been some decisions that have complicated it.
40:48You'll have to be clearer if you want me to understand what you mean.
40:52Catalina.
40:56What happened between you two, mother?
40:59I asked her, but she insisted that I talk to you.
41:01Do you know why she sent you to me?
41:03Because nothing happened.
41:05Nothing between us.
41:09Apart from ...
41:11a discussion, as a result of a very small misunderstanding.
41:14What misunderstanding?
41:15Nothing, a nonsense.
41:18What happens is that your sister grabbed it like a burning nail to take advantage and release all her anger against me.
41:24She took advantage of my worst moment, when I was suffering the most for your life, to try to put your father against me.
41:31What caused that misunderstanding?
41:33Don't insist, Manuel.
41:35Don't insist.
41:36You asked me not to talk about the war, right?
41:38Well, I'm going to ask you the same for this matter.
41:42I don't want anything to ruin the happiness I feel from having you back.
41:48Come here.
41:50Oh.
42:05For the moment, she will continue with the treatment.
42:09She will take the pills that are given to her and will obey the nurses.
42:19Come here.
42:27Don't do anything to me, please. Don't take me anywhere. Don't do anything to me.
42:31I'm not going to do anything to you.
42:33I have something for you.
42:38I'm risking a lot, miss.
42:42Are you listening?
42:44I need you to swear to me that you will never tell anyone that I gave you this.
42:50Do you understand?
42:53To no one.
43:07No, Adrián.
43:12Loving you is not for so long. It's forever.
43:15No.
43:18No.
43:25I thought that what I felt for you was not for so long.
43:32That your hugs, your kisses, your caresses,
43:38were not for so long.
43:41I thought that love was not for so long.
43:44I thought that loving you was not for so long.
43:50But I assure you that now I am fully aware that loving you is not for so long.
44:00It's forever.
44:13I love you.
44:18My dear daughter, I have missed you a lot.
44:22I know that your adaptation to the sanatorium does not have to be easy.
44:27That's why I want you to know that I will do everything in my power to help you.
44:39Come in, Mrs. Martínez. Sit down, please.
44:44Is something wrong, Mr. Baeza?
44:47If it's because of what happened to Mrs. Petra ...
44:50No, no, no. It has nothing to do with Mrs. Arcos, no.
44:54It's about your daughter, Mrs. Carranza.
44:58What happened?
45:00Can I come in, Mr. Rómulo?
45:02Yes, come in and sit down.
45:13If I brought you here, it's to give you another chance, this time in front of your mother.
45:20Another chance? For what?
45:25For you to tell the truth. I know you lied to Mr. Pellicer.
45:30I don't know what you mean.
45:32I think you know it perfectly well.
45:35What's going on here, Virtudes?
45:38Let me explain.
45:40What did Luján do when he said he was going to talk to Mr. Fermín?
45:45I've already explained it to Mr. Ricardo.
45:48I was with Mrs. Felipa, the woman in charge of taking care of the priest.
45:52Don't follow that path.
45:55I don't know why you doubt me, it's the truth.
45:58I didn't think I was going to waste this opportunity I'm giving you.
46:02I'm not lying.
46:04When Mr. Pellicer told me his version,
46:08I personalized myself in Luján.
46:12I couldn't talk to Mrs. Felipa.
46:15But, well, I've been a neighbor of the parish, of Luján, since I've been a mayor of La Promesa.
46:22And I think I'm an observant person.
46:25I know every board, every statue, every candelabrum, every valuable object of our parish.
46:32But...
46:34El Muchacho del Colmado said that the chalice had disappeared.
46:40The golden chalice.
46:45Swear to me that you had nothing to do with that.
46:50Swear to me on behalf of your son.
47:02Mom.
47:20Does it bother you?
47:22Can I?
47:24Why so reluctant? Come in.
47:28I don't want to bother you, sister.
47:29And I don't want to overdo it by visiting you.
47:33Don't be silly. You can come whenever you want.
47:36After all, this is your hangar.
47:38Have you come for that? Do you need it?
47:43Don't worry.
47:45Besides, I know better than anyone that this is a great refuge.
47:51Although the more I look at it, the more I am amazed.
47:55I can even offer you a coffee, if you like.
47:57Yes.
48:01It doesn't even look like the same shelves.
48:04Yes, I put a new one. So I don't have to have the books on the floor.
48:10And what are you going to do with your planes, now that I'm here in the hangar?
48:15Don't worry.
48:17I don't have a plane to work on, so you can stay as long as you want.
48:21For now.
48:23What are your plans?
48:24What are your plans?
48:26I'm working on new designs.
48:28Aviation had never progressed as fast as it has this past year.
48:32Because of the war?
48:34Yes.
48:36So I'll have to find a room in the palace to set up a studio.
48:41You're good at finding refuges.
48:44Yes.
48:47In fact, I'd say I'm the best.
48:49Although now that I think about it,
48:52I think I should charge you a rent for the use of the hangar.
48:57Well, I think it's fair.
49:03Look, sister.
49:05I think you're going to have to pay me my generosity with your sincerity.
49:11Manuel, I'm always honest.
49:14Great.
49:15Because then it won't be hard for you to pay the rent.
49:22What happened to my mother?
49:25Manuel, I told you I didn't want to...
49:27Catalina.
49:29Why are you here?
49:31I want to hear it from your lips.
49:33It's important to me.
49:45CATALINA