• 4 ay önce
La promesa - Temporada 3 - Ep 392
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00:00How's that meatball doing?
00:07Like a thousand wonders.
00:08Well, that's your kind, isn't it?
00:12Look, the simpler the meatball, the better it tastes.
00:17Don't worry, you won't even notice.
00:19I hope so.
00:20Now that Don Manuel and Mr. Curro have come home,
00:23I hope the food is ready for the usual.
00:26Be careful.
00:27Do I need to put on the apple tartlets?
00:29Yes, put on the apple tartlets, but put on the thin ones,
00:32because that's how Mr. Curro likes them.
00:34Perfect.
00:40What's wrong?
00:42Mrs. Petra, how's Don Omar de Perros?
00:45Oh, he doesn't surprise me at all.
00:48And why is he barking? What happened to him?
00:50Nothing, he's mad at Don Rómulo and Don Ricardo,
00:52and he's not paying us.
00:54And why is he mad at those two good men?
00:56Hasn't he found out?
00:57He's mad at Hanna and María Fernanda's departure.
01:00They left?
01:02Where and when?
01:04Well, apparently, a friend of Marqués' asked two maids to ...
01:08to cover some expenses for the service of his palace, something like that.
01:11Well, then, what does Mrs. Petra have to say?
01:14Because where there is a boss, there is no sailor.
01:16Yeah, but they broke his quadrant and he's mad at them.
01:19Or he's pissed off.
01:21Well ...
01:22What's wrong with you? Don't you agree?
01:26Yes, Mrs. Candela, but isn't it strange
01:28that they disappeared overnight?
01:31The truth is that it's a bit strange, yes.
01:34Because Marqués doesn't usually get into those messes.
01:46Good morning.
01:47Good morning, son.
01:49Mother.
01:50Oh, dear.
01:52I still can't believe you're here with us, right?
01:54It's a real miracle.
01:56A real miracle that we are all very happy about.
01:59Thank you very much, Mrs. María Antonia.
02:02It's been many years since the last time you and I saw each other.
02:06By then you were just a naughty boy and now you're a man.
02:09And very handsome.
02:12And speaking of naughty ...
02:14I still remember that anecdote about the toad.
02:16What happened?
02:17You don't remember?
02:19It was at a gala dinner that your parents organized.
02:23And in a moment of silence,
02:25you could clearly hear a toad croaking.
02:29A toad?
02:30Yes, and we asked Tomás and you where the noise was coming from
02:33and you both started croaking.
02:35Until a toad escaped from the pocket of your jacket.
02:40Really?
02:41He started jumping all over the table.
02:44And you couldn't think of a better idea
02:46than to run after him to catch him.
02:48And you got it, you got it.
02:50There was not a single healthy dish left on the table.
02:53What's more, even my hair was full of soup.
02:57Then I'm very sorry, it happened, although I can't remember.
03:01The truth is that I didn't remember either until you mentioned it.
03:05The tropelea is that you made us suffer, son.
03:10And how is your stay in La Promesa coming along these days?
03:14Days?
03:16María Antonia has been with us for months.
03:18She came shortly after you decided to go to that damn war.
03:23Your mother needed me.
03:26And you didn't hesitate to come.
03:30María Antonia has been a great support in the darkest days.
03:34I don't know what would have been of me without having you close, friend.
03:39I did it with pleasure.
03:40And you, in my place, would have acted in the same way.
03:43Well, don't take credit for yourself, come on.
03:45Not everyone has a heart as kind as yours.
03:49María Antonia has been a real balm.
03:53A great consolation for the most difficult moments, right, Alonso?
03:58Yes, yes, of course.
04:01And you know how much we appreciate it.
04:04I am the one who is grateful, Alonso.
04:09It seems to me that in view of what happened, I am the one who should thank you.
04:13Thank you for also taking care of my parents.
04:15Well, please, let's stop this round of absolutely undeserved compliments.
04:19For me, the biggest prize is that everything is finally back to normal.
04:25I toast to that.
04:38Well, we're all the same.
04:40Yes, the elders have not wanted to say anything else and of course we have not asked.
04:44And we can't either, Emma.
04:46Let the gentlemen go among them.
04:48Yeah, well, I just hope they come back soon and that everything returns to normal.
04:51That if the fame was hard before, now it is.
04:54You also live in delusion, right?
04:56That the Mary Mandrake continues to rule.
05:02Mrs. Simona is not around here.
05:04Do you see her somewhere, little boy?
05:06She left for the village.
05:08She will be down, what do you need?
05:09Nothing, nothing, nothing urgent.
05:11Why don't you give what's left to you, I'm sure we can help you.
05:14Well, we have already added the amount collected to bring back Adolfito.
05:19Really? And how much is it?
05:21And we can finally rescue the little boy.
05:23How to rescue, Mrs. Candela?
05:25He's with his grandparents, not with the forest ogres.
05:27A forest ogre?
05:29They would have less greed, huh? That's how I tell you.
05:31Well, how much is it, Salvador?
05:34Well, exactly 178 pesetas with 28 cents.
05:40It's not even half.
05:42Well, no, it's a lot of money.
05:45No, come down there.
05:47Do you hear me?
05:48We still have time to gather what's left.
05:51Yes, Mrs. Candela, but the idea is not to collect the money for two years.
05:56The idea is to have it as soon as possible to give it to Virtudes and his creature.
05:59As soon as possible.
06:00Something will happen to us.
06:04Hey, Salvador.
06:06Do you know what Maria Fernández has done at the house of that friend of Marqués?
06:11Well, work.
06:13At first, there was a shortage of staff.
06:16We already know that.
06:17But you don't know anything else?
06:19Well, no.
06:20I barely had time to say goodbye when he left with Hanna.
06:23And don't you think it's strange
06:25that they left at night and so suddenly?
06:30And what is not strange in this palace, Mrs. Candela?
06:35I don't know.
06:48Good morning, Miss Luján.
06:51Good morning.
06:52How are you feeling?
06:58It was you who gave me the dose of the medication.
07:02After our meeting, I noticed it very tense.
07:04Those pills are just a relaxant.
07:07I didn't believe it.
07:09Quite the opposite.
07:11That's why I came.
07:12To listen to you.
07:17I shouldn't be here.
07:20It was all a mistake.
07:23In the house I live in, there was a murder attempt.
07:27That's very serious.
07:28Yes, I know.
07:29But someone tried to blame me
07:32by hiding the bottle of poison in my room.
07:37What I don't understand is
07:39why your family didn't report it to the Civil Guard.
07:42We are talking about the murder attempt.
07:44Because they wanted to avoid a scandal.
07:47Or also to avoid the Civil Guard
07:50coming to wrong conclusions.
07:53What do you mean?
07:55That the bottle of poison was in my room.
08:00So I would be guilty in front of everyone.
08:04And yet you insist on declaring yourself innocent.
08:10Yes, because I'm innocent.
08:15I have nothing to do with that poison, really.
08:22And why did it end up in this sanatorium?
08:25Because...
08:27It's what my mother agreed with the man who was poisoned.
08:30Because he thinks it was me, but he's wrong.
08:38Do you know what this is, Miss de Lohan?
08:40It's your entry report.
08:42The one your family filled in.
08:45Highly irritable with frequent mood swings.
08:48Proven to lie to cover up
08:50the continuous attacks on your victim,
08:53which shows a serious obsession.
08:56Shall I continue?
09:01That man...
09:03All he wants is to slander me.
09:06That's what the Count of Ayala wrote.
09:08He wanted to get rid of me.
09:10And if he wanted to get rid of you,
09:13wasn't it easier for him to report you to the authorities?
09:16Well, I didn't want to hurt my mother.
09:20Maybe there's a simpler answer.
09:22A pill.
09:24Maybe the Count is only worried about you
09:26and that's why he sent you in.
09:29To get rid of your evil.
09:31I don't have to get rid of anything!
09:35I hope this is the last time you raise your voice to me, Miss.
09:46For the moment, he will continue with the treatment.
09:49He will take the pills that are given to him
09:51and he will obey the nurses in everything.
09:55Look, Miss de Lujan.
09:57One thing I have made clear from this interview
10:00is that I want to go back to your house.
10:03So do as I say.
10:05It's for your own good.
10:20If only they were minimally competent.
10:23But they only get angry if I go after them.
10:26They govern themselves by the law of minimal effort.
10:30And to top it off,
10:32I have to fix them without Hanna and without María Fernández.
10:35Although they are not from the other world,
10:37but at least they are four hands and they do something.
10:40And of course, don't complain.
10:42But how am I not going to do it
10:44if they don't even notify me in time for me to leave the service?
10:49I see.
10:52And all the time of the week in the trash.
10:55As if my time was worth nothing.
10:57But I swear you will hear me.
11:00Wow, if you're going to hear me.
11:02Especially Mr. Rómulo.
11:04Who has believed that he is to organize the nurses for me?
11:08Do I tell him something about his lackeys?
11:12You haven't heard a word of what I've told you, boy.
11:15Where's your head?
11:17Excuse me.
11:19It's my business. You have more problems in Jundia.
11:23The things of the heart also have in Jundia.
11:26Because that's what confuses you so much, right?
11:31I had to give up Vera.
11:34Was it you or her who cut ties?
11:38Was it you or her who cut ties?
11:42It was actually her.
11:44She didn't give me another option.
11:46And she's partly right.
11:48I didn't always know how to do things right.
11:51Whoever is free from sin should throw the first stone.
11:55Well, what bothers me the most is that she hasn't even given me a chance to fix it.
11:59Those people only move out of resentment.
12:01Well, I thought Vera was different.
12:03Because you're in love.
12:06And love blinds us all.
12:09If she'd just let me try once,
12:12I'd prove to her that I'm not like that and that I really love her.
12:15That boy doesn't deserve you.
12:18And the way he's had to reject you, all he's done is confirm it.
12:23I'm the one who doesn't deserve her.
12:26You're wrong.
12:29Why do you say that?
12:31Because you insist on being the culprit of everything.
12:34And as far as I know, you're just a victim.
12:38And they are the executioners.
12:41They?
12:44Vera has been playing with you all this time.
12:49What does she know?
12:52I don't know what reasons she has to treat you the way she's treated you, giving you hope.
12:58When all she wanted was to surrender in Lope's arms.
13:06What are you trying to tell me, Mrs. Petra?
13:10I saw you kissing in the courtyard.
13:17Vera has been playing with me all this time.
13:21I feel like I'm the one who takes the blindfold off you.
13:25While she surrendered in Lope's arms.
13:28I'm really sorry, Santos.
13:31I'm sorry.
13:44You don't know what you have until you lose it.
13:48Don't say that.
13:50I never thought I'd miss such a simple pillow.
13:54Or a crumpled mattress.
13:56Or a blanket that wasn't rolled up by the rats.
13:59Not to mention the food.
14:01After months feeding on canned food, even Simona's simple stew tastes like glory to me.
14:06And what do you think of the clothes? Clean and ironed.
14:08And perfumed.
14:09Or have you forgotten that our uniforms smell like Cuadra?
14:12No, you can't say that.
14:13You'd be offending the horses.
14:22Although it's hard for me to think that everything is still the same there.
14:26Does it happen to you too?
14:30Continuously.
14:33And do you also have nightmares?
14:38I work every night.
14:41And I always wake up the same way.
14:44With the explosion of that grenade in the middle of the forest.
14:47Yes, it happens to me too.
14:50I had never seen death so close.
14:53Not even when that bullet hit me in the hunt.
15:00You know, I always dream of the moment when Paco was shot.
15:06That was fortuitous.
15:09We've already talked about it.
15:12Yes.
15:14I don't know.
15:16Everything we've lived seems like a lie.
15:18But here, everything is still the same.
15:24Well, maybe, maybe not.
15:28No, you're right about that.
15:30The promise that every week that passes is full of news.
15:35By the way, have you been able to talk to Catalina?
15:37As they said she didn't want to receive visitors, I went to see her.
15:43Go see her.
15:44She will be excited.
15:46But did she tell you why she locked herself in the hangar?
15:49She didn't tell me details, but ...
15:51It seems to me that everything was the result of a fight with my mother.
15:54No surprise.
15:57But this time it's different.
15:59You know how calm Catalina is.
16:01So something serious had to happen.
16:08And Martina?
16:10Do you know when she will return from that trip with her friends?
16:13Martina is not on a trip yet.
16:15Oh no?
16:16Margarita lied to them.
16:19And then where is she?
16:21In a asylum.
16:23They think she poisoned Count Diana.
16:28Curro.
16:29You know, for a moment ...
16:36Are you serious?
16:42I want to know why no one has informed me.
16:45We are telling you now, Mr. Arco.
16:47You are under arrest.
16:48And your obligation is to let me know before varying a single comma of the minute.
16:52Yeah, but the order was direct from Mr. Baeza.
16:55It was made to harass Mr. Manuel and Mr. Ito.
16:57I don't care about your reasons.
17:00Then talk to Mr. Baeza.
17:02Don't worry, I will.
17:04But feeding the service the same as the gentlemen has also been an order of yours?
17:10That's right, ma'am.
17:12This is incredible.
17:14What's next?
17:15Feather mattresses for the janitors?
17:17Come on, Mrs. Petra, we've understood your problem, but now we have to work.
17:20More respect, Mrs. García.
17:22The same respect you have for us.
17:24We have no fault that you are angry with the mayors for the departure of Ana and María.
17:29That's none of your business.
17:30I agree.
17:31So we get to work.
17:33You will when I say so.
17:34Don't you always complain about how badly you work in this house?
17:38You can leave us alone.
17:40I would do it if they didn't disobey my orders.
17:42What's going on here?
17:44What are those orders, Mrs. Alcos?
17:46In the kitchen.
17:47They have changed the menu.
17:49Without my permission.
17:50I asked them to change the vessel for the lamb broth.
17:54It is true that I had to have notified you, but I didn't have the opportunity.
17:58Why didn't you tell them?
18:00That's how we did it, Mr. Baeza.
18:01It's not just that.
18:02They also want to feed the service the same as the gentlemen.
18:06That was also my indication.
18:09The return of Mr. Manuel and Mr. Curro is great news that we have to celebrate everywhere.
18:15Anything else, Mrs. Alcos?
18:17Yes.
18:18I have told you that I need to be informed of any changes, Mr. Baeza.
18:21And my patience has a limit.
18:23Would you like some almonds?
18:25We made them a while ago and they are delicious.
18:28Thank you.
18:29I'm going to have some.
18:31It's been a long time since they were finished.
18:33Since Mrs. Pia died.
18:35She loved them.
18:37May God have her in his glory.
18:38Amen.
18:39Amen.
18:40I hope to cross paths with that undesirable and evil Gregorio again.
18:44And settle accounts with him.
18:45Well, I almost prefer not to see him again in my life.
18:47Things as they are.
18:48Well, I'm saved.
18:49I'm going to have an open wound.
18:51I would love to see that undesirable feel what he did in his conscience.
18:55Candela, for that you would have to be aware.
18:58And I don't think he will appear here again.
19:00It's been a long time and he will be aware of Mrs. Pia's death.
19:04Do you think?
19:05We'll talk about it in the village.
19:07What do you think, Mrs. Arcos?
19:10Me?
19:12That the dead to the hole.
19:14The living to the bone.
19:18How unpleasant.
19:20What a bad shadow that woman has.
19:26Who poisoned Count Dayala?
19:28But in which head does it fit?
19:29No, in none.
19:31But it is seen that the poisoning happened.
19:35And also that they found a bottle with cicuta in Martina's bedroom.
19:41No.
19:43There must be some other explanation for that.
19:47I don't know.
19:49Margarita thinks the same as us.
19:51Well, if we want to know what really happened, we have to ask in the indicated place.
19:56The service area.
19:59Surely someone there can give us some clue about how that cicuta ended up in my cousin's bedroom.
20:04Hanna.
20:06No.
20:08No, it can't be.
20:11I haven't seen her anywhere in the palace since we arrived.
20:14Do you know where she is?
20:17No, I ... I haven't seen her either.
20:22Well, I'm sure Maria Fernández, if we ask her, can tell us something.
20:27Now that you say it, you haven't seen her either.
20:33Do you think they could have left without saying anything?
20:37I've heard that Teresa has also left.
20:39Let's hope not.
20:57Hello.
20:59I didn't know you were coming.
21:01Yes, I took advantage of lunchtime to see how you were.
21:06How is your brother Manuel?
21:08Well, very well.
21:10It's a miracle to have him back on the promise.
21:13Yes, he looked good.
21:15He's not in his best moments, but you can't ask for more coming from the front.
21:20This war is nonsense.
21:23And it's more sick.
21:25And it's more sick, Bessy.
21:27It seems incredible to me that all this originated from an attack in Sarajevo.
21:31You don't see much on the subject, but from what I understand, it was the spark that lit the match.
21:36That's right.
21:37And the worst thing is that it doesn't end.
21:40How many more people will have to die?
21:44Manuel and Curro have returned, but ...
21:47I think about the suffering of all those families who don't know if their cousins, sons, brothers will ever return home.
21:56I can't imagine the anguish you've had to go through these months.
22:00And more, reading the news in the newspaper that only talked about massacres and butcheries.
22:08I'm sorry, Catarina, I shouldn't have brought it up.
22:11What can I do to give you back that smile I had?
22:17It's not necessary.
22:19Just remember that my brother and my cousin are alive and back home.
22:23See? I've got it back.
22:30And how are you?
22:33Fine.
22:37There's something I'd like to tell you, but I don't know how to do it.
22:42You see, Catalina ...
22:45Whatever I do, I can't stop thinking about you.
22:51I can't stop thinking about you.
22:54Adriano ...
22:55Let me finish, please.
22:58The other night we spent was one of the most wonderful things that has ever happened to me.
23:04You are so close to being happy.
23:08But it seems to me that you don't think the same as I do.
23:12And if you decide that ...
23:14Well, I'm going to respect what you decide.
23:16If you want me to go, I'll go.
23:18But I can't stand the distance you've put between us.
23:24Forgive me.
23:26You're right, I'm sorry.
23:31I should have been honest with you.
23:35Catalina, what's wrong with you?
23:39That I'm afraid.
23:43For me, the other night was also wonderful.
23:46But?
23:49In the morning, when I saw you next to me, I got scared.
23:54I don't want you to think that I imagine your arm in front of the altar, but ...
23:58I don't want you to think that I'm a woman who sleeps with anyone, do you understand?
24:01I understand.
24:04You think we haven't rushed, right?
24:07Yes, that's it.
24:10I'm afraid that things will go wrong quickly, you know.
24:19I think it's the best declaration of love you could make me.
24:24And not the cheesy one I've told you before.
24:31I'm precisely telling you to take a step back.
24:37Yes.
24:39Because you want what we both feel to arrive at a good port.
24:43Catalina, you take the time you need.
24:46I'll see you, I'll wait for you.
24:49I'll see you, I'll wait for you.
25:12All good, virtuoso?
25:14Yes.
25:15I hope it's my turn to eat.
25:17That lamb looks great.
25:19It's very tasty.
25:20López treats us like kings.
25:22Well, it was time.
25:23It's delicious, López.
25:25It's a very simple recipe.
25:27My grandmother taught it to a woman who came from Extremadura.
25:30It is that in Extremadura it is eaten better than anywhere else.
25:33If they put a chanfaina in front of me or some chicken wings, I'm not happy.
25:37Don't forget the appetizers.
25:39In the cakes of the Casar, they resurrect a dead man.
25:41That's true, they are miraculous.
25:44I would love to go to Extremadura, even if it was just to eat.
25:47Come on, but there are many more things to do there, Salvador.
25:50The bay of Jerte becomes beautiful when the almonds bloom in spring.
25:54And the castles are impressive.
25:56But have you been there?
25:58With my old lady, who wanted to visit the ruins of Mérida first hand.
26:02Ruins?
26:03And what interest can a lot of stones have?
26:07They are ruins of when the Romans.
26:09They are thousands of years old.
26:10And the truth is that they are impressive.
26:12The theater is almost intact.
26:14Well, I'm with virtues.
26:15The stones are stones.
26:17Why haven't you been there?
26:19Being there is like making a time travel.
26:22As if you were in a novel, like Cúobadís.
26:26Haven't you read it?
26:27But it's a beautiful story.
26:29Well, tell me, tell me.
26:31And tell me, but eat, you're going to get cold.
26:34And López doesn't like that.
26:36It's a love story.
26:38Those are my favorites.
26:39And mine.
26:41Vinicio and Ligia are the protagonists.
26:43He is a noble from Rome and she is the daughter of Christian barbarians who have just been conquered.
26:48Love between a noble and a slave.
26:50As if that were possible.
26:52Virtues, for God's sake, let it end, it will never end.
26:56Well, the story begins when Vinicio goes to his uncle's house and ...
26:59I'm going to say a few more things.
27:00It ends well.
27:01Because if it has a sad ending, I prefer not to hear it.
27:04Well, of course it ends well, Virtues.
27:06Love always triumphs, right?
27:18What fly has bitten him?
27:19I don't know.
27:37Simona.
27:40Simona.
27:41What?
27:42Look who came to see us.
27:47Mr. Curro.
27:48Don Manuel.
27:50These are the eyes.
27:52Are you going to forgive me?
27:56Simona.
27:57It is a miracle that you are here.
27:59We had a very powerful reason to return to the promise.
28:02Yes, that's right.
28:04Your lamb cauldron, Simona.
28:07And I'm glad.
28:08I'm sure you haven't eaten anything like this in months.
28:11We are going to prepare your favorite dishes for you to return to your being.
28:15Don Manuel, sir.
28:16I didn't know you were around.
28:18Can we help you with something?
28:20No.
28:21No, Mr. Baeza, we have only come to say hello.
28:23Well, we also wanted to convey our condolences in person for Mrs. Pia's death.
28:28Yeah.
28:29The truth is that it has been a very hard blow for everyone.
28:31Of course.
28:32Mrs. Darre was an exceptional woman.
28:36Do you know anything about what happened?
28:38Have you seen any news from the town?
28:39No, not yet.
28:40As soon as we know something, we will convey it to you.
28:43It is a very nice detail and I am grateful that you remember those of us who are down here.
28:49And more with everything that has had to happen there in Tierra Gavassa, in the war.
28:53You know, while we were at the front, Curro and I imagined that things would have changed around here,
29:01but at no time could we think of news like this.
29:06Nobody could suspect it.
29:08Look ahead and keep pulling the cart.
29:14Sometimes one would like things to continue as before, right?
29:17I understand that you also refer to your sister Catalina, right?
29:20To her confinement in the hangar.
29:23Of course.
29:25But I also refer to my cousin Martina.
29:28Neither Curro nor I can believe that they have held her in a sanatorium.
29:32How is that as absurd as the one who went to Vendimia and took grapes for a snack?
29:37Down here, no one believes us that barbarity of poison.
29:41Yes, neither do we.
29:43That's why we wanted to talk to Hanna or María Fernández.
29:47Yes, we understand that they were the young ladies who spent the most time with Martina, right?
29:52Yes.
29:55Is something happening? Are they no longer in La Promesa?
30:00They will see. They are working at the house of the Duke of San Rafael.
30:08But forever?
30:09No, no. It is something temporary.
30:12A request to which the Marquis agreed out of friendship with the Duke.
30:17I'm sorry I can't be of more help to you.
30:20Don't worry, Mr. Beza.
30:23We will find another way to prove his innocence.
30:26Before he leaves,
30:28get me a cookie that I have just taken out of the oven.
30:33Simona, they are sucking us like monkeys.
30:35I'm not going to say no.
30:37Be careful, they will be hot.
30:40Okay.
30:44They are delicious.
30:47Come, come, there is a spider in the room.
30:51Behind the bed.
30:53But this is Hanna and María's room, Vera.
30:59Very observant.
31:07Then I guess there is no spider.
31:09I wanted to give you these kisses.
31:12And me.
31:14I couldn't stop thinking about you while you told that story about the Roman lovers.
31:17Linia and Vinicius.
31:18Those, yes.
31:20How lucky that we don't have those problems.
31:24That I'm not a noble and you're not a slave.
31:28Well, and even if you were and you loved me?
31:30With all my soul.
31:33But we're going to have to stop.
31:35Why?
31:36Well, because if someone comes in, he's going to find out ...
31:38Look, the vest is on.
31:39And also, Hanna and María Fernández are at their dukes' house
31:42and we have the room to ourselves.
31:45And well, if they come in, we'll tell them the story of the spider.
31:49And you think they're going to believe that story?
31:53It has worked with you.
31:55Maybe I wanted it to work.
31:57Oh yeah?
31:58Sure.
31:59And why is that?
32:00Because we have to recover all these months without kissing.
32:03Let's go.
32:08Do you think they've heard us?
32:09I don't think so.
32:11Maybe we're tempting luck a bit.
32:14Now you don't trust that the story of the spider is going to save us?
32:19Maybe we should leave.
32:21Don't worry, the vest is on.
32:24But they could hear us.
32:26What are the chances of me coming back?
32:28Few, I guess.
32:33But it would be better to be careful, Lope.
32:37Do you really want to leave?
32:38No.
32:39It's not that.
32:40Then?
32:41But I don't want to hurt Santos.
32:45Don't get me wrong.
32:47I just think we'll have to be a little more careful,
32:50at least these first few weeks.
32:52As you wish.
32:53But you should know that all I want is to scream to the four winds that I love you.
32:57Then don't scream.
32:59But whisper it to me.
33:23Finally alone.
33:25I wanted to congratulate you for coming back alive.
33:30I hope I haven't caused you any inconvenience.
33:33I don't understand why you're so cynical.
33:35Because I wasn't going to be happy.
33:38I notice you've changed.
33:39You've changed a lot.
33:41You've changed a lot.
33:43You've changed a lot.
33:45You've changed a lot.
33:47You've changed a lot.
33:49You've changed a lot.
33:51I notice you've changed.
33:53War is a school, Curro.
33:55One of the best there is.
33:57There's nothing else to see.
33:58You left as a child and came back as a man.
34:01You think so?
34:02There are circumstances that change us, whether we like it or not.
34:06I would have preferred to go back to being the usual.
34:09Time will show you that you are wrong.
34:12I don't know why you idealize war so much.
34:14There's nothing good about it.
34:16I don't agree.
34:17There is something good about it.
34:19As I told you, you've changed.
34:22And how not to do it.
34:25I've seen the darkest side of what we are capable of doing.
34:28Mothers holding the corpses of their children.
34:31Comrades disfigured by the bombs.
34:33Hunger, pain and destruction.
34:37I've seen men die who are worth much more than you, Captain.
34:40And me.
34:42Out of whim.
34:43Out of whim, no.
34:44For a just cause.
34:45Look, one of them was called Paco.
34:48He was engaged.
34:50He was going to get married.
34:51He had a future ahead of him.
34:53But he was shot.
34:55Yes.
34:56He died in my arms.
34:59And he couldn't do anything.
35:00Then he died with honor.
35:01You know what, Curro?
35:02I don't want to keep hearing your regrets.
35:06If you left, it was because you wanted to.
35:07Nobody forced you.
35:08You weren't even defending our flag.
35:10Flags mean nothing.
35:11Really?
35:12And why did you enlist, Curro?
35:14Tell me why.
35:15Why did you enlist?
35:18The next time, control your whims.
35:23Or at least assume the consequences of what you do.
35:34No.
35:35It won't be necessary for now.
35:36First, go see what Marquez needs.
35:40Mr. Pellecer.
35:42How can I help you?
35:43We already have news of the Duke of San Rafael.
35:46And above all,
35:47do we know when Hanna Expósito and María Fernández will return?
35:50Well, that Mr. Baeza hasn't told me anything.
35:53I understand that it shouldn't be easy to coordinate the whole service with two less maids.
35:57But I insist.
35:58I came to Tel Aviv to hire those who need a replacement.
36:01And I insist that that wouldn't solve anything.
36:04Especially because our maids aren't with the dukes.
36:08What did you say?
36:09He heard me.
36:11I called the palace by phone
36:13and they confirmed to me that our maids never got there.
36:16But how dare you?
36:17Who do you think you are to bother the dukes?
36:20If that's what worries you, I'll tell you that I've only spoken to the keymaker.
36:24I would never dare to do it directly with the dukes.
36:27But that's not what matters.
36:29What matters is knowing where our maids are.
36:32Because now that the lie you kept with Mr. Baeza has been revealed,
36:36you should tell me because it's my right.
36:39I don't know anything.
36:40And I don't believe you.
36:42You're the keymaker of this house.
36:44Tell me.
36:46Calm down, Mrs. Arcos.
36:49Tell me what you need to know now.
36:52I'd like to talk to Hanna and María Fernández
36:54because Mrs. Marquesa needs a dress
36:56and they probably know where I can find them.
36:59As you know, they're working for the dukes of San Rafael.
37:03I see.
37:04And as you know, that's a lie.
37:06Because they're not in that palace.
37:10Have I ever told you that they were working in the palace of the dukes?
37:15They have been required for other tasks outside the main palace.
37:21I see.
37:23And can you tell me what those tasks are?
37:25No, you can't.
37:27Because they are not of your jurisdiction, Mrs. Arcos.
37:31I repeat the question.
37:33What do you need Mrs. Expósito and Mrs. Fernández for?
37:38I've already told you. Mrs. Cruz needs them.
37:40You're talking to us about liars
37:42and here the only lie I see is that milonga of Mrs. Marquesa's dress.
37:47You have been Mrs. Marquesa's personal maid for many years.
37:50No one better than you to know where that dress is.
37:54So I repeat the question.
37:56What do you need Mrs. Expósito and Mrs. Fernández for?
38:02This is an incumbency.
38:08I'm sorry.
38:21Listen to me.
38:24I promise you
38:27that I will come back before you can miss me.
38:31Don't promise me things you can't keep.
38:39Then I promise you
38:43that when I come back we will get married.
38:47Yes.
38:50And something tells me that we will be happy.
38:53Very happy.
38:56Like in the stories.
39:09I hope looking out the window so much doesn't mean you want to leave again.
39:16Don't worry mother.
39:18I'm going to have a long season here.
39:20A season? And why not forever?
39:26I'm going to have a long season here.
39:28A season? And why not forever?
39:33I'm going to have a long season here.
39:35A season? And why not forever?
39:38Oh son.
39:41I still can't believe you're back.
39:46I've suffered a lot Manuel.
39:49A lot.
39:53In my nightmares I saw you die.
39:57That's why I didn't even want to go to bed.
40:01Mother, fortunately everything is over.
40:03And she has me back in the promise.
40:09Come on, tell me.
40:12How have these months been? Where have you been?
40:15I've tried to follow your whereabouts through your letters and the news that came in the war newspaper.
40:22It's still hard for me to talk about it.
40:26Why don't you tell me about the promise?
40:30Well, I think you already know everything.
40:33And as you will have seen, things have not been easy here either.
40:38No.
40:40But as I understand, in addition to the circumstances, there have also been some decisions that have complicated it.
40:47You'll have to be clearer if you want me to understand what you mean.
40:51Catalina.
40:56What happened between you two, mother?
40:58I asked her, but she insisted that I talk to you.
41:00Do you know why she sent you to me?
41:03Because nothing happened.
41:05Nothing between us.
41:08Apart from ...
41:10a discussion, as a result of a very small misunderstanding.
41:14What misunderstanding?
41:15Nothing, a nonsense.
41:17What happens is that your sister grabbed it like a burning nail to take advantage and release all her anger against me.
41:24She took advantage of my worst moment, when I was suffering the most for your life, to try to put your father against me.
41:31What caused that misunderstanding?
41:32Don't insist, Manuel.
41:34Don't insist.
41:36You asked me not to talk about the war, right?
41:38Well, I'm going to ask you the same for this matter.
41:42I don't want anything to ruin the happiness I feel from having you back.
41:48Come here.
42:00Catalina.
42:05For the moment, she will continue with the treatment.
42:09She will take the pills that are given to her and will obey the nurses in everything.
42:15Catalina.
42:27Don't do anything to me, please. Don't take me anywhere. Don't do anything to me.
42:31I'm not going to do anything to you.
42:33I have something for you.
42:38Look, I'm playing a lot, miss.
42:42Are you listening?
42:44I need you to swear that you will never tell anyone that I gave you this.
42:49Do you understand?
42:52No one.
43:06Madrid.
43:07Madrid.
43:11Loving you is not for everyone. It's forever.
43:18I swear.
43:25I thought what I felt for you was not for everyone.
43:31Your hugs, your kisses, your caresses.
43:37They were not for everyone.
43:40I thought love was not for everyone.
43:43I thought loving you was not for everyone.
43:49But I assure you that now I am fully aware that loving you is not for everyone.
43:59It's forever.
44:07It's forever.
44:18My dear daughter, I miss you very much.
44:22I know that your adaptation to the sanatorium does not have to be easy.
44:27That is why I want you to know that I will do everything in my power to help you.
44:38Come in, Mrs. Martínez. Sit down, please.
44:44Is something wrong, Mr. Baeza?
44:47If it's because of what happened to Mrs. Petra ...
44:49No, no, no. It has nothing to do with Mrs. Arcos, no.
44:53It's about your daughter, Mrs. Carranza.
44:57What happened?
44:59I'm going to call Mr. Rómulo.
45:01Yes, come in and sit down.
45:07Please.
45:13If you brought her here, it's to give her another chance, this time in front of her mother.
45:20Another chance? For what?
45:25For her to tell the truth. I know she lied to Mr. Pellicer.
45:30I don't know what you mean.
45:31I think she knows it perfectly well.
45:35What's going on here, Virtudes?
45:37Let her explain herself.
45:40What did Lujan do when he said he was going to talk to Mr. Fermin?
45:45I have already explained it to Mr. Ricardo.
45:48I was with Mrs. Felipa, the woman in charge of taking care of the priest.
45:52Don't follow that path.
45:54I don't know why you doubt me, it's the truth.
45:58I didn't think I was going to waste this opportunity I'm giving you.
46:01I'm not lying.
46:04When Mr. Pellicer told me his version, I personalized myself in Lujan.
46:12I couldn't talk to Mrs. Felipa.
46:15But hey, I've been a neighbor of the parish, of Lujan, since I've been a mayor of La Promesa.
46:21And I think I'm an observant person.
46:24I know every board, every statue, every candelabrum, every valuable object in our parish.
46:33The drunkard said that the chalice had disappeared.
46:39The golden chalice.
46:45Swear to me that you had nothing to do with that.
46:50Swear it for your son.
47:02Swear it.
47:20Does it bother you? Is it possible?
47:23Why so reluctant? Come in.
47:26I don't want to bother you, sister, and I don't want to exaggerate by visiting you too much.
47:32Don't be stupid, you can come whenever you want. After all, this is your hangar.
47:37Have you come for that? Do you need it?
47:42Don't worry. Besides, I know better than anyone that this is a great refuge.
47:50Although the more I look at it, the more I am amazed.
47:55I can even offer you a coffee, if you like.
47:58Yes.
48:02It doesn't even look like the same shelves.
48:05Yes, I put a new one, so I don't have to have the books on the floor.
48:11And what are you going to do with your planes, now that I'm here in the hangar?
48:15Don't worry. I don't have a plane to work on, so you can stay as long as you want.
48:22For now? What are your plans?
48:25I'm working on new designs. Aviation had never progressed as fast as it has this past year.
48:31Because of the war?
48:33Yes. So I'll have to find a room in the palace to set up a studio.
48:40You're good at finding refuges.
48:44Yes. In fact, I'd say I'm the best.
48:49Although now that I think about it, I think I should charge you a rent for the use of the hangar.
48:57Well, I think it's fair.
49:03You see, sister, I think you're going to have to pay me my generosity with your sincerity.
49:11Manuel, I'm always honest.
49:13Great. Because that way it won't be hard for you to pay the rent.
49:21What happened to my mother?
49:24Manuel, I already told you ...
49:25Catalina.
49:27Why are you here?
49:30I want to hear it from your lips. It's important to me.
49:44How did the girl come up with that?
49:47Well, I don't know. How could she come up with such an idea?
49:50If she had one, I imagine Mr. Baeza would kick her out.
49:55Everything is much more entertaining when there are young people at home.
49:58Well, it depends on the mood of the young people.
50:01When they're protesting, it's better to keep them away.
50:04Although maybe not as far away as you have Martina, right?
50:07Wow. What a change from one day to the next.
50:10What a change from one day to the next.
50:13Well, I know I was wrong.
50:16And that ... well, now I feel like I've opened my eyes.
50:20Does that mean you're not going to argue about everything we ask of you anymore?
50:24Or are you going to question the rules of this sanatorium?
50:27No. From now on I will behave well and I will obey.
50:35I assure you that if I don't arrive on time, things would have ended much worse.
50:41Frankly, Father, I don't know how I could have ended worse for my sister.
50:46Her name has appeared in the press of the whole region.
50:48She has been publicly insulted.
50:49I know, Manuel. I know.
50:52Father, we cannot allow those newspapers to come out with hers.
50:56We must restore the honor of my sister.
50:58Maybe I've raised my voice a little.
51:00A little?
51:01Well, forgive me, but it's that woman who is willing to kick me out.
51:04And worst of all, she's getting it.
51:06Mr. Arcos, what's wrong with her?
51:08Well, if she used to complain about everything, now with two less maids, no one can stand her.
51:12Yes.
51:14Surely our lives would have been very different.
51:16Imagine, brother-in-law, married to Maria Antonia,
51:19that beautiful woman who also develops in society.
51:23I don't know what this game is about, but it's bad taste.
51:26It's talking for talking.
51:28Have you told Lorenzo anything?
51:31Something about what?
51:32Don't play dumb. You know very well what I'm talking about.
51:38AVAILABLE NOW