La Promesa Ep 388 Completo - La Promesa Cap 388 Completo - La Promesa RTVE Serie
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00:00♪♪
00:30It's time for me to give you back your scapular.
00:34I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:37Lope, you don't understand.
00:38No, I don't understand. That's why I need you to explain it to me.
00:41What if he knows more than we think?
00:43Do you think Mrs. Arcos has the slightest idea of what really happened?
00:48I have information that will surely be of great interest to you, Mr. Gregorio.
00:53If he's going to tell me that Pia is dead, I've already heard the rumors.
01:02That fool has had the worst possible ending because of his stubbornness.
01:07No, if I called him, it's precisely because I don't give you a hint of credibility to that rumor.
01:14What does he say?
01:19That I really think he's supposed to be dead.
01:23Pia has not been without a pantomime,
01:26borne with the help of some of his companions.
01:30And why would they do something like that?
01:32It's not clear.
01:33To deceive you, I wanted to leave at once and leave you alone.
01:38Where do your suspicions come from?
01:41Although you don't have to know everything, I've been to so many places.
01:45And Pia never left her town.
01:49She supposedly died here on the promise.
01:51And then they took her body so that no one could say goodbye to her.
01:57The excuse they gave was that they didn't want the scandal that could occur
02:04when it was known that Pia had taken her life here, inside the palace.
02:11It's strange.
02:14It's strange, yes.
02:16Yes.
02:17And after that, I've seen Hanna go out of the palace several times,
02:22with some messages for Mr. Baeza, of whom I had not been informed.
02:27All very mysterious.
02:29Despite being the one who takes care of the maids,
02:33Mr. Baeza gives orders to Hanna behind his back.
02:37That's right.
02:39And as I told you, it has been something constant.
02:44If you are right, they will have Pia hidden near here
02:49and someone will be taking care of her.
02:52That's it.
02:53And I think it could be Hanna,
02:55who will be bringing her food and everything she needs.
02:58Has Mr. Baeza given you any justification
03:01for being the one who gives Hanna the orders?
03:06Yes.
03:07Yes, he has given them to me.
03:10When I did it, I found it uncomfortable, even annoying.
03:15If you are right, it's not strange that you are, of course.
03:19But that's not all.
03:21Then I surprised Hanna by running around in the blankets,
03:24where we keep the bedding.
03:26And then another one, in the kitchen, filling a pot.
03:31What excuse did he give you?
03:33That maid is too awake and always comes out well from the dark.
03:37But she doesn't fool me.
03:41The first thing is to check if Pia really died.
03:46And I know how to do it.
03:48Can I help you with something?
03:51Keep an eye on Hanna.
03:54Don't let her leave the palace again, under any circumstances.
03:59Don't worry, I won't take my eyes off her.
04:40I love you.
05:10I love you too.
05:40I love you too.
05:55Tell me.
05:57Please.
06:03I don't love Santos.
06:06And I've never loved him.
06:09He's vain and arrogant.
06:17Then why are you still dating him?
06:20Because I have no choice.
06:24Vera, I don't understand.
06:27What forces you to continue with him?
06:29Lope, please, don't ask me more questions because I can't tell you more.
06:32Vera, don't you realize that this is crazy?
06:35That you can't be with someone you don't love.
06:40The truth is that I can't do anything else.
06:45That's all you're going to tell me?
06:47You're not going to tell me anything else?
06:51What's wrong? Don't you trust me?
06:55Vera, I'm devastated.
06:57Devastated.
06:59First you left me when I thought we couldn't be happier.
07:02And you don't know how much it hurt me.
07:04And me?
07:07Why did you leave me broken?
07:11Why do you keep hurting us both?
07:14Why?
07:18Okay.
07:20But ...
07:23Don't ask me to tell you more than I'm going to tell you.
07:26Don't ...
07:28Don't try to get in the way or say anything to Santos.
07:33Do you promise me?
07:42Yes. I promise you.
07:46I'm doing all this because ...
07:50Because Santos knows something about my past that no one else can know.
07:55And he has me at his mercy.
07:58Vera, you can't allow him to mistreat you.
08:01I do what I can. I try to stop him.
08:04What Santos is doing has a name, Vera.
08:07And it's called blackmail.
08:09That bastard is blackmailing you and you can't allow it.
08:12And much less allow him to take advantage of you and touch you if you don't want to.
08:16Because all that will go further.
08:19Because a blackmailer is never satisfied, Vera.
08:22Never.
08:24Never.
08:25Vera.
08:26Never.
08:27He will always want more.
08:30Until now I have been able to stop him.
08:32You haven't said it.
08:34Until now.
08:38Vera.
08:45There will come a day when he does something to you that you will regret all your life.
08:49And I'm very afraid that day is very close.
09:19Manu!
09:32Son.
09:33Son, son!
09:35Manuel!
09:36Manuel!
09:38Manuel!
09:41Madam?
09:42Son.
09:43Madam, are you okay?
09:44Son.
09:45Manuel!
09:47No!
09:51Ma'am.
09:52Ma'am.
09:53Wake up, ma'am.
09:54Ma'am!
09:57Where's my son?
09:59He's in the palace, in his room.
10:02He was having a nightmare.
10:06I know that.
10:07What are you doing here?
10:09I heard screams from the corridor.
10:11I got scared and decided to come in.
10:14You can go now.
10:15Yes, ma'am.
10:17Bring me breakfast.
10:18I'll have it here.
10:45I brought you a little gift.
10:47From my trip to Puebla de Tera.
10:49It's nothing.
10:50A detail.
10:51I thought you'd like it.
10:53So, here.
10:55Open it.
11:01It's made of silver.
11:03Maybe it's not the most luxurious jewel in the world.
11:06But when I saw it,
11:07I knew it had to be for you.
11:10Thank you.
11:11It's elegant and delicate.
11:15Like you.
11:19Thank you.
11:42What?
11:44You don't know what I brought you.
11:47Me?
11:48Yes, you.
11:50A gift from your friend.
11:54It wasn't hard to get it.
11:56Juana, thank you so much.
11:58You don't know how good this is for me.
12:00To write to that loser you love so much.
12:02If I knew...
12:03I'd do it right now.
12:04But how did you get it?
12:06I can get almost anything in here.
12:09But how did you do it?
12:11With effort.
12:13Look, if we have something here, it's time.
12:15So tell me in detail.
12:19Okay.
12:20I'll reveal my tricks to you.
12:23I already told you that sometimes my head hurts a lot.
12:26Yes.
12:27You told me you even throw up because of the pain.
12:29And those times,
12:30they usually take me to the infirmary,
12:31they put me on a stretcher
12:32and give me a pill to soothe me.
12:34I spend hours there.
12:36I'm not following you.
12:38The point is that when I'm at the infirmary,
12:41a nurse always accompanies me.
12:43But since I fall asleep,
12:45sometimes the nurse leaves.
12:50Not every time I go there, my head hurts.
12:52So sometimes I don't take the pill
12:54and I fall asleep.
12:56Uh-huh.
12:59Then they leave me alone
13:00and I can wonder about the whole infirmary.
13:03Then they leave me alone
13:04and I can wonder about the whole infirmary.
13:06There they have a closet that they keep everything.
13:09Also paper and pencil.
13:11Uh-huh.
13:13But what I've told you,
13:14what's left between you and me?
13:15No, no, don't worry.
13:16I'm not going to tell anyone.
13:18What I was thinking is
13:20how I'm going to send the letter
13:21once I have it written
13:22and we can't get out of here.
13:27That also has a solution.
13:29The warden here
13:30likes fish more than a fool.
13:33So if you have any money,
13:34everything is arranged.
13:37I don't have a penny,
13:38but I'll think about how I do it later.
13:40What I have to do now is
13:41write the letter
13:43and get it out of here
13:44no matter what.
13:53And the river swept away
13:54everything that was in its way.
13:56I ... I fell apart.
13:58And Manuel began to hug
14:00and pull his head out of the water
14:02trying to breathe.
14:05Mrs. Traigo, your breakfast.
14:09How did that nightmare end?
14:12Thank goodness I woke up.
14:15Well, they woke me up.
14:18Oh, María Antonia, you don't know what it was.
14:22I was ... I was soaked in sweat.
14:24It was horrible.
14:25I couldn't stop shaking.
14:28It's normal for you to dream things like that, ma'am.
14:31Your son is at war
14:32and we are all living it with a lot of tension.
14:36Can you tell me what tension you have?
14:38Well, I ...
14:39The one of scrubbing the floors?
14:41Or the one of ironing the sheets?
14:46It was just a way of speaking, excuse me.
14:48Well, I hope you learn to speak better.
14:50Or rather,
14:51that you learn to be quiet.
14:52Cruz, please.
14:54The girl just wanted to cheer you up.
14:57I don't need the cheer of a baby shower.
15:01Take the breakfast.
15:02I don't feel like it anymore.
15:04It's okay.
15:05You don't have to come back.
15:07I'll stay with the Marquise.
15:10Yes, it will be better.
15:17Come on.
15:18Leave that bed.
15:20Let's go for a walk.
15:22The fresh air will do you good
15:23to forget that nightmare you had.
15:25Yes, it will do me good.
15:28Come on.
15:30Let's go.
15:33Get up.
15:42Were you calling me?
15:43Yes.
15:44Close the door and come in.
15:52So?
15:53What do you say?
15:58Petra.
16:02I don't want you to go around
16:03saying that absurd theory of yours
16:06that I poisoned myself.
16:08Absurd?
16:09Yes.
16:10Absurd.
16:11Based only on your delusions.
16:17Well, I think it's getting more and more accurate, Ignacio.
16:20For example,
16:23I have already found out
16:24what Miss Martín bought at the boutique.
16:27I just bought some menthol pills.
16:30The pharmacist himself told me.
16:33How naïve you are.
16:35Do you really think that man
16:36will happily tell you
16:37that he sold poison to a young lady?
16:40Don't you think he would get into a huge mess?
16:43But there is something else.
16:45For example,
16:48the mail you received shortly before
16:50of suffering that horrible poisoning.
16:54Do I get a lot of correspondence?
16:58Yes, Ignacio, but it wasn't a letter.
17:00It was a package.
17:05I don't know what you're talking about.
17:08Yes, you know it well.
17:11It was a package of those
17:13in which you receive
17:16some of those medicines
17:18that sometimes you take for pleasure
17:21and that, as far as I know,
17:23are a bit suspicious.
17:25Especially if you use it for other purposes.
17:28You are an ignorant.
17:30You don't know anything.
17:32Since I took care of your correspondence
17:35for a while,
17:38I know much more than you should.
17:43Who you write to,
17:45who writes to you
17:46and what they tell you,
17:49what they send you
17:51and how much you pay for certain things.
17:53It's one thing I don't understand.
17:56What else do you care
17:58about what happens to Martina?
18:00Why is she defending that girl?
18:03You're right.
18:04I don't care what happens to that spoiled brat.
18:06So,
18:07you do all this just to annoy me?
18:10To make my life impossible?
18:13Maybe.
18:15And I assure you that I just started, Ignacio.
18:18What will the Marquises think
18:19when they find out about your actions?
18:23And Margarita?
18:25Margarita will never look at you again.
18:27Never again.
18:30Very well.
18:32I agree.
18:33Speak.
18:34Say whatever you want.
18:37But be clear about one thing.
18:39If I fall,
18:40you will fall with me.
18:42Me?
18:44And tell me
18:46how you plan to do it.
18:47How?
18:48I'll tell everyone I'm your son's father.
18:50From Feliciano.
18:52You would throw stones on your own roof.
18:55A noble
18:56who takes advantage of a poor maid,
18:58leaves her pregnant and doesn't recognize her son.
19:00Tell me.
19:02How would your dear Margarita look at you after that?
19:05And how do you think Cruz will react
19:07when I tell her
19:08that you asked me to come here
19:10to prove that she tried to kill Curro
19:12and that trying to kill him
19:13ended up killing our son?
19:16I'll tell them it's a lie.
19:18Because you didn't come here
19:19because I didn't tell you anything.
19:21Maybe not.
19:22But are you going to deny the rest?
19:25Whatever it is,
19:26it would be the word of a maid
19:28against that of a count.
19:29And you don't have Cruz by your side anymore
19:31to defend you.
19:33Who do you think they're going to believe?
19:39Good morning.
19:44Is the lady sick?
19:45She hasn't had a bite.
19:47No, she's not sick.
19:48She's just in a dog mood
19:50because she had a nightmare
19:51that left her very upset.
19:56From the looks of it,
19:58you don't seem to be hungry either.
20:00Well, they're not going to look for me
20:01because they don't want to eat.
20:03I have enough with what I have,
20:04with what's mine,
20:06to get mad at some capricious
20:08and ungrateful ladies.
20:10And what's wrong with you?
20:12Your in-laws are not happy.
20:15It's because of the economic solvency
20:17they asked Virtudes, right?
20:19That's right.
20:20Although it's more than solvency,
20:21they should call it soltency.
20:23Because these people don't care, you know?
20:25They're giving them rooms at Monsalvat.
20:28But what are you talking about?
20:30My daughter's in-laws have asked my Virtudes
20:33to give them 550 pesetas
20:36to give back to her son.
20:37But that's the money the in-laws asked for.
20:40That's right.
20:41Come on,
20:42the Virtudes won't get so much money
20:43with their maid porn.
20:45It's not possible.
20:46Not in three lives.
20:48Well, I think in a few weeks
20:50I could get it.
20:52What are you thinking?
20:53Are you going to rob a bank?
20:54You're not going to realize anything.
20:56Of course I realize.
20:57That's why I'm telling you, Mrs. Candela.
20:59I know Virtudes can't get it on her own,
21:02but maybe all of us,
21:03if we all work together, well ...
21:05A collection?
21:07Like the one you made
21:08to pay for my eye surgery.
21:10The truth is,
21:11if I did it for an eye,
21:13what less, right?
21:14Do the same for an innocent creature.
21:17Yes.
21:18My beloved Adolfito.
21:20Besides, this would be half the money
21:21that that surgery was worth.
21:26Do you think everyone will want to help?
21:30Of course.
21:31Not to mention your mother
21:33and your grandmother, Dersavea.
21:36How long does Virtudes have
21:37to get the money?
21:38Ideally, in two months,
21:40which is when she goes to work
21:42at the village priest's house.
21:44Well, you'll see,
21:45when she has to go to work
21:47at Mr. Fermin's house,
21:48she's going to go with Adolfito.
21:50And your father-in-law will see
21:51what virtues he has,
21:52solvency.
21:53Solvency.
21:55And whatever it takes.
21:57Well, no more talking.
21:58Now we have to tell everyone
22:00and we have to save too.
22:03All the less Maria Mandrago.
22:05She's capable.
22:06She talks to her father-in-law
22:08to tell him
22:09to ask for a thousand pesetas
22:10instead of five hundred.
22:12Mrs. Simona will see
22:13how soon she will be with Adolfito again.
22:23The marmalade business
22:24keeps giving penguins benefits.
22:26And all thanks to the fact
22:27that I run the business.
22:29I already gave them
22:30before you took them.
22:33This war
22:34is a magnificent business opportunity
22:36that we have to take advantage of.
22:39Yes, take advantage of it.
22:41Are you thinking
22:42of investing more money?
22:43Don't count on me.
22:45Well, you can always
22:46ask for a loan.
22:47I don't see it.
22:49Of course you don't see it.
22:51You should have exploited
22:52your business better a long time ago.
22:54For example,
22:55if you sold your wheat abroad,
22:56I would pay you much better.
22:57And leave our neighbors
22:58without flour to make bread?
23:00Or with the prices skyrocketing?
23:01Until the belt tightens.
23:03No, I can't act like that.
23:06If we start playing
23:07with people's bread,
23:08this is going to end very badly.
23:09But those are not ways
23:10to do business.
23:12Look, brother-in-law.
23:13In this,
23:14as in many other things,
23:15we do not agree.
23:16So let's leave it.
23:19Let's change the subject.
23:27What do you think
23:28if we talk ...
23:29I don't know ...
23:31about women?
23:33No, about a woman.
23:35About María Antonia?
23:38What about María Antonia?
23:40I was hoping you would tell me.
23:43I haven't seen her in days.
23:45And why do I have to know
23:46what's wrong with her?
23:48Because I haven't seen her
23:49since the day I found you
23:50arguing in the greenhouse.
23:53What a coincidence.
23:54Don't you think?
23:55Don't talk nonsense.
23:56Did you feel like you were
23:57having one word
23:58higher than the other?
23:59Lorenzo, I'm fed up
24:00with your insinuations.
24:01I don't have to give you
24:02any explanations.
24:08Well, wait a minute.
24:10Before you start eating,
24:13I want to give you
24:14an order from Mr. Márquez.
24:16I want you to buy
24:17Arrajatabla.
24:18No one wins
24:19if they keep their word,
24:20Mr. Baeza.
24:21I'm on it.
24:23If any of you go to Luján
24:25and ask for Mrs. Adar,
24:27you have to answer
24:28that she died in her town.
24:32I've already been asked.
24:34And what did he say?
24:35Well, he told me
24:36I was stupid
24:37and I went the other way.
24:39From now on,
24:40you have to answer
24:41what I'm telling you
24:42without going into details.
24:44I'm not going to say
24:45or ask about it.
24:46I get sad
24:47just thinking about it.
24:49And what do we do
24:50if they ask for details,
24:51Mr. Baeza?
24:52People in Luján
24:53are very curious.
24:54Against the vice of asking,
24:55the virtue of keeping quiet.
24:57You only know
24:58what I'm telling you,
24:59so you don't have
25:00to tell me anything else.
25:03It's hard for me
25:04to talk about Mrs. Pia
25:05knowing that we will never
25:06see her again.
25:07Everyone.
25:09Yes.
25:10She has left a very big void.
25:15It's true that it was very sad,
25:16but not everyone is a shame.
25:18In fact, now we have
25:19an opportunity
25:20to bring some joy
25:21to the promise.
25:24We could help Virtudes
25:26to get her son back.
25:28Explain yourself,
25:29Miss Expósito.
25:31You see, the children's grandparents
25:32have asked Virtudes
25:33a lot of money,
25:34as a guarantee.
25:36No more, no less
25:37than 550 pesetas,
25:38one after the other.
25:41And my poor daughter
25:42doesn't have or will have.
25:44But we could collect it
25:45to help them.
25:47Ah, well,
25:48I think it's an excellent idea.
25:50Well, you're not going
25:51to get me out of it.
25:53Well, it's not mandatory either.
25:54Anyone can do it.
25:57Of course I'll help, Hanna.
25:59She too.
26:01Count on me.
26:02And with me, of course.
26:04I want Simona
26:05to be able to enjoy
26:06her grandchild soon.
26:10I don't know what to say.
26:12Thank you very much,
26:13from the bottom of my heart.
26:25I see that everyone
26:26is very hungry today.
26:28Eat and shut up.
26:35Ahem.
26:38Well, I...
26:41I wanted to apologize.
26:43Can we know why,
26:44Mrs. Alcos?
26:45Yes.
26:46Of course you can.
26:49I know that Mr. Bellicer
26:50and I
26:51have our differences.
26:54And, well, sometimes
26:55one gives an order
26:56and the other the opposite.
26:59Well, yes.
27:00Unfortunately,
27:01it has happened several times.
27:02That's right.
27:04And with that,
27:05what we have achieved is
27:07confusing the service.
27:08And I have been forced
27:09to intervene
27:10to avoid unnecessary evil.
27:14Of course, I am aware
27:15that we cannot continue like this.
27:17And from now on,
27:18I would like that
27:20Mr. Bellicer and I
27:21manage to
27:22agree on this.
27:25I also want the same.
27:28It seems very sensible
27:29on your part,
27:30Mrs. Alcos.
27:31I appreciate the initiative.
27:33And it would also be sensible
27:34if we started
27:35eating the lentils
27:36because they are starting
27:37to get cold.
27:53You have no idea
27:54how much I miss you, Curro.
27:56And how eager I am
27:57to hug you.
27:58I pray every day
27:59for you
28:00so that you return soon
28:01from that healthy
28:02and safe war.
28:04When that day comes,
28:06we will be able to lead
28:07a life like the one before,
28:08but happier
28:10because now we will know
28:11how to love each other better.
28:13I will know how to love you better.
28:17My life without you
28:18is boring and lonely.
28:20I hardly talk to anyone.
28:22I remember every moment
28:23how lucky I was
28:24to have you by my side
28:25and how blind I was
28:26for not being able
28:27to see my luck.
28:32I...
28:33Curro,
28:34I don't know
28:35if I should tell you this
28:36because
28:37you will have enough
28:38with your problems,
28:39but
28:40I need you to know
28:41that I can't hide
28:42something like this from you.
28:47My life, Curro,
28:48is now very different
28:49from the one I had
28:50when I wrote to you
28:51for the last time.
28:52And that's only
28:53a few weeks ago.
28:55But everything has gotten worse.
28:57I'm not even alive
28:58in the promise,
28:59but locked up
29:00in a sanatorium
29:01where they treat me
29:02like a madwoman
29:03capable of committing
29:04any atrocity.
29:05And they force me
29:06to take pills every day.
29:11I guess you can't imagine
29:12how I ended up here.
29:14Sometimes I think about it
29:15and I feel like I'm in
29:16a nightmare
29:17that I will one day
29:18wake up from,
29:19but
29:20unfortunately
29:21this is my reality.
29:24It all started
29:25because someone poisoned
29:26Conde de Ayala.
29:28And who do you think
29:29they accused?
29:31Yes,
29:32me.
29:34They accused me
29:35of wanting to kill him
29:36for wanting to marry
29:37my mother.
29:38I know that if you had
29:39been in the promise,
29:40you would have defended me,
29:41but you weren't.
29:42Or I would have accepted
29:43that they put me
29:44in this centre
29:45or Conde de Ayala
29:46would accuse me
29:47in front of the police.
29:48I don't know
29:49what would have been worse
29:50because in front of justice
29:51I could have tried
29:52to prove my innocence,
29:53but here
29:54I'm surrounded
29:55by women
29:56who have lost the Oremos
29:57and there are days
29:58in which I...
30:01I...
30:03I remember your poor mother,
30:05everything you told me
30:06about her
30:08and I'm afraid
30:09that if I'm still locked up,
30:10I'll end up like her,
30:11but...
30:12but I want to be strong,
30:14get out of here
30:16and that when you come back
30:17from that war
30:18we'll be together forever.
30:20That's why I'll fight
30:21to prove
30:22that I'm innocent.
30:24Fight to get out
30:25of that war alive
30:26and that we can love each other
30:27as we deserve.
30:34I've been told
30:35that when the king
30:36went to rest at the farm,
30:38the queen accompanied
30:39the princess of Sarsal
30:40on a horse ride
30:41through St. Ildefonso.
30:43Poor princess,
30:44her husband in prison
30:45and in the hands of the English.
30:48Well, that princess
30:49has her husband
30:50in Gibraltar.
30:51I mean, close.
30:52I'm sure they'll let her visit him.
30:54That's why she's here,
30:55in Spain.
30:58Salvador,
30:59now that you're here,
31:01have you heard anything
31:02about that rumor
31:03that we've heard
31:04that Mrs. Adarre
31:05has died in her town?
31:07Well, we've also
31:08heard something,
31:09but so far
31:10it's just rumors
31:11without confirmation.
31:12Mr. Baeza
31:13is trying to find out more.
31:15Well, have me informed
31:17and tell the rest of the service
31:18that we feel
31:19the end of the poor Pia.
31:22I suppose she'll be very affected.
31:24Yes, sir.
31:25Mrs. Adarre
31:26was very loved by everyone.
31:29It has been a great loss,
31:30without a doubt.
31:34I'm sure God
31:35has already taken her in his bosom
31:36and is finally resting.
31:39Shouldn't we
31:40have a mass
31:41for her soul?
31:43I don't think
31:44Mrs. Adarre's soul
31:45needs many masses
31:46to go up to heaven.
31:48But I'll talk to Don Fermin
31:49when I go to Lujan.
31:52I'll see when.
31:54I'm not in the mood today.
31:56Are you still upset
31:57about that nightmare?
32:01The truth is,
32:02I feel better,
32:03but I'm still
32:04a little impressed.
32:06Has something happened?
32:09Nothing.
32:10A bad night.
32:12A horrible night.
32:14She had a terrible nightmare
32:15and woke up screaming.
32:18It's not necessary
32:19to go into details, dear.
32:21And what did you dream of?
32:22If you can tell.
32:25With my son Manuel.
32:28And it's natural,
32:29given the circumstances
32:30you're living in.
32:32Well, depending on who.
32:33I'm sure Lorenzo
32:34doesn't have nightmares, does he?
32:37Well, some of them, yes.
32:39Although, as I suppose
32:40you know well,
32:41you don't need to be asleep
32:42to have bad dreams.
32:45Cruz, it's normal
32:46for a woman to have nightmares.
32:47Even so,
32:48you should avoid
32:49dangerous activities.
32:51And have dinner at least
32:52two hours before going to bed.
32:54So that you have time
32:55to digest.
32:56And avoid wine and liquor
32:57at night.
32:59Exactly.
33:00And that it's not too hot
33:01in the room.
33:02I've heard that a hot bath
33:03before going to bed
33:04also helps.
33:05Well, that's enough.
33:06That's enough.
33:08Can you get into your business
33:09and leave me alone
33:10once and for all?
33:12I'm fed up
33:13with so much advice
33:14to tell me
33:15how to lead my life
33:16or how I have to face
33:17that Manuel is in the lead.
33:18Everyone does it to help.
33:20Well, it doesn't help me
33:21at all, Maria Antonia.
33:22It would help me more
33:23if you took care
33:24of what really matters.
33:26For example?
33:28For example,
33:29find out how the poison
33:30got to Martina's room.
33:31Well, that's clear.
33:33No, it's not clear, Ignacio.
33:35You locked up
33:36that poor girl
33:37to be taken care of
33:38while you investigate, right?
33:40Who's investigating here?
33:42Huh?
33:43Who?
33:45Is there anyone who wants to know
33:46what really happened?
33:48Cruz,
33:49I think you're exaggerating.
33:50Lorenzo,
33:51you don't even need to talk.
33:52I didn't expect anything from you.
33:53Really.
33:55But you, Margarita,
33:57do you want to do something
33:58for your daughter, yes or no?
34:01Of course I do.
34:02Your daughter is locked up
34:03in a asylum
34:04and you're not doing anything
34:05to get her out of there.
34:06Stop accusing me.
34:07Cruz.
34:09What can I do?
34:10I don't know, I don't know.
34:11But something, Margarita.
34:12Something.
34:15And you, Ignacio?
34:17I don't see you very concerned
34:18about investigating anything.
34:20Cruz, it's not necessary.
34:21Yes, it is necessary.
34:23It's necessary because I'm at home.
34:26Period.
34:47Oh.
34:49It's so cold in here, miss.
34:50You get a cold
34:51in your bones.
34:53It's not that bad.
34:54Yes, it is.
34:56You're going to catch something bad here.
34:58Good thing I brought you
34:59a hot plate of lentils.
35:01Thank you very much, Simona.
35:04But I have a stomach
35:05that I can't eat anything.
35:07And that?
35:09Well, so many things.
35:12My brother,
35:14the situation at home,
35:17but above all,
35:18that my cousin is locked up
35:19in a asylum
35:21and not being able to do anything
35:22to avoid it.
35:24I've heard
35:25that it's a center
35:26of great importance.
35:28Yeah, and who says that?
35:30Ayala?
35:31I don't believe a word
35:32of that man.
35:33But I don't think
35:34that Mrs. Margarita is aware
35:35that her daughter
35:36is being neglected.
35:38My aunt seems to me
35:39to be losing her mind
35:40because of that man.
35:42How can they put
35:43an innocent girl
35:44in such a place?
35:46I understand that she is
35:47angry and upset,
35:48but ...
35:49but don't say that
35:50because in the end
35:51she's going to make you
35:52bitter.
35:54Well, yes, it could be.
35:57The truth is that lately
35:58I've been going from trouble to trouble.
36:01And with whom do you have
36:02quarrels, miss?
36:05Well, look.
36:07I had it with Cruz
36:08for receiving Adriano
36:09in the palace.
36:10He insulted us,
36:12he humiliated us.
36:14Who do you think he is?
36:16Always above everyone else.
36:18You already know
36:19how the Marquise is.
36:21On top of that,
36:22he made me face
36:23my relationship
36:24with Count Daniel.
36:25At this point.
36:27And what did you tell him?
36:29Well, much less
36:30than I should have told him.
36:32But I made a fool of myself,
36:33I made a fool of myself
36:34and ...
36:35and that eats me up inside.
36:37No, don't get mad, miss.
36:40It's very easy
36:41to blackmail someone
36:42when you catch him
36:43with the scythe.
36:44The difficult thing
36:45is to get up
36:46when you fall.
36:48And you always do that.
36:50That was before.
36:52And now too.
36:53You'll see.
36:55You believe in my strength
36:56more than I do, Simona.
36:58I have reasons to do so.
37:00You are not
37:01one of those
37:02who bow their heads.
37:05If what worries me
37:06is Adriano,
37:07the poor guy
37:08is not to blame for anything.
37:10He had to be shocked.
37:12Yes, but at least it seems
37:13that he didn't take it too badly.
37:15He even makes out
37:16with it.
37:19You know what, miss?
37:22Every time you name
37:23this boy,
37:25you get a little smile
37:26on your face.
37:28Me?
37:29What are you talking about?
37:31Miss, we've known each other
37:32for many, many years.
37:39You've got me well-guarded, huh?
37:43Well, you're right.
37:46Yesterday, Adriano and I
37:47kissed.
37:50I knew it.
37:53But what am I doing, Simona?
37:55This story doesn't make any sense.
37:57And why not?
37:58Because it's crazy.
38:00After what happened to me
38:01with Conde de Añil,
38:03what do I do with another man?
38:04I shouldn't be with him.
38:06Listen to me, miss.
38:08I'm going to tell you...
38:09But I'm a fool.
38:11An idiot
38:12who doesn't know what she's doing.
38:13Shut up for a moment, miss.
38:16I'm sorry to talk to you like this,
38:18but I can't stand
38:20hearing you speak ill of yourself.
38:23Come on.
38:24Don't you realize
38:25you can't think
38:26so much about things?
38:28Don't think so much.
38:31And listen only to your heart,
38:33which is very big and very wise.
38:36I'm telling you.
38:46Oh, God.
38:47Have you finished writing
38:48the letter to Tomás?
38:50Yes.
38:52I've written
38:54three pages on both sides.
38:56My wrist hurts
38:57from writing so much.
38:59And have you thought about
39:00how to pay the jailer?
39:10Do you think this bracelet would work?
39:15It's...
39:18It's beautiful.
39:20The young man I sent the letter to
39:21gave it to me as a gift.
39:23I really appreciate it.
39:24But right now,
39:25the important thing is
39:26that my letter
39:28reaches him.
39:29So, do you think it will work
39:30to pay the jailer?
39:46Well, I don't know how
39:47Mrs. Darre is doing,
39:48but I haven't seen her in days.
39:51But the last time
39:52she brought a lot of water and food,
39:53didn't she?
39:55Well, yes,
39:56but I've been doing the math
39:57and...
39:59maybe it's not enough.
40:01If it's not the end of the world,
40:02of course.
40:03She was very down-to-earth
40:05and in the end,
40:06she's there all alone.
40:07So, I'm afraid
40:08she might do something crazy.
40:09No, no, no.
40:10I know.
40:11I know.
40:12I know.
40:13I know.
40:14I know.
40:15But she's crazy.
40:16No, no.
40:17Mrs. Darre
40:18is a very sensible woman.
40:19I know.
40:20But in the end,
40:21she's been there a long time
40:22and she hasn't seen her son
40:23in a long time.
40:24So, I'm afraid the worst.
40:25No, don't be worried.
40:26No.
40:27I see how soon
40:28we can bring her
40:29to a more comfortable place.
40:30And when is that?
40:31I don't know.
40:32No way.
40:33She'll see it.
40:34People in Lujan
40:35all talk about
40:36Mrs. Darre
40:37dying in her village.
40:38All I need is for this
40:39to reach the ears
40:40of Mr. Castillo.
40:41Well, and we also need
40:42him to act
40:43Trust me.
40:45As soon as Mr. Castillo believes that Mrs. Adarre has died,
40:48he will go to the village to verify that the tombstone is there.
40:50And as soon as he sees it, Mrs. Adarre will be out of danger.
40:53Yeah, but days can pass for that.
40:56And I need to see her before.
40:58Besides, Pedrán doesn't separate from me and I can't go to the cave.
41:01Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
41:05you'll see how to lower the vigilance.
41:07She's calmer.
41:08Well, God willing, because if not ...
41:09Yes, I'll see how it is.
41:11Very good.
41:13Mario, why have you arrived like this?
41:15Like this? Walking?
41:17It's about putting one foot, then the other, then the other again,
41:20and that's how it works.
41:23Why do you look so scared?
41:25You look very pretty.
41:26No, no, no.
41:27Because nothing has happened.
41:28Nobody is scared.
41:31Well, if you say so, Mr. Baeza.
41:33Hanna, Mrs. Petra has told you that we have to go to the laundry,
41:36because there is a lot of laundry to wash.
41:37I also have to go to the laundry?
41:38Yes.
41:39We have to wash blankets and napkins.
41:41And this time she said it in a very good way.
41:43Barely without shouting.
41:44Well, that's weird, look.
41:45Well, yes.
41:46It's weird, yes.
41:47Because listening to Mrs. Petra apologize is not something that usually happens.
41:50No, it surprises me too.
41:52Well, as soon as I finish the rooms, I'll go to the laundry.
41:55Very good, Miss Expósito.
41:57Then we will finish clarifying this matter.
42:00Well.
42:02Shall we go?
42:03Let's go.
42:05Are you alone?
42:06Nothing important.
42:18Hello.
42:21Maybe you're going to think I'm a bit heavy with so many visits.
42:24No.
42:25Never.
42:27I really like your visits.
42:29Thank you.
42:30No.
42:31Never.
42:32I really like your visits.
42:45What are you wearing there?
42:47A game of tabas that I made for a friend's daughter.
42:50Do you want to see it?
42:51Yes.
43:00They are not as sophisticated as their pieces, but ...
43:10They seem made of bone.
43:12They are made of bone.
43:14With Mr. Cordero's hind legs.
43:17And you also painted them?
43:18Yes.
43:20As you can see, I'm not that good with the brush, but I did what I could.
43:24Well, they look very nice on you.
43:27And the game is very complicated.
43:30Not as much as your chess.
43:32For me, for sure.
43:34Have you ever played tabas?
43:35No.
43:36I've heard about them, but I've never played or seen them play.
43:40Well, it's easy.
43:42In short, you have to pick up the tabas and throw them.
43:45And as they fall, that's how you win the game.
43:47Like with the dice?
43:49Not quite.
43:50Because you also have to pick them up as they fall.
43:55But they don't have six sides, like the dice.
43:57No.
43:58They have four.
44:01Look.
44:03This is a head.
44:06Belly.
44:08Verdugo.
44:10And king.
44:11Here it doesn't matter the chance, but the player's ability.
44:15So it's like chess.
44:18I wouldn't say so.
44:21You know what?
44:22I challenge you.
44:25But miss, what need does it have to be defeated like that?
44:28You haven't played this for a minute.
44:30Defeated?
44:31Well, we'll see.
44:32I'll be the first to throw.
44:34Let me finish explaining the rules.
44:36You'll explain it to me while we play, so you learn better.
44:39I throw.
44:42Well, what?
44:43Did I win?
44:47I'd better explain the rules to you, because this doesn't make any sense.
44:51Whenever you want, sir.
44:53Fine.
44:55Well, do you know that Queen Helena of Montenegro
44:57has ordered to build a hospital with 300 beds for war wounded?
45:01That's a lot of beds.
45:02But of course, thousands die in that war.
45:08I'm sorry, Hanna.
45:10Are you sure nothing happens to the young ladies?
45:14Maybe it can happen to them.
45:16I know it and everyone knows it.
45:19Including Mrs. Marquesa, who was unbearable today.
45:22Just today?
45:23Always today.
45:25But today I was about to tell her
45:27that I also had the right to be devastated.
45:30Because in the end, Manuel is my fiancé.
45:34What?
45:35Well, I didn't tell her in the end, Maria.
45:37Well, thank goodness, because with how weird she is, I can see you.
45:40What do you mean weird? I'm not weird.
45:42No, Nina.
45:43You're weirder than a green dog.
45:48Well, if she's weird, so what?
45:50What do you want me to do, Maria, with everything I'm going through?
45:53Mrs. Pia just passed away.
45:55Manuel and Curro are in a war.
45:57Yes, that's why you're sad.
45:59But I'm talking about how weird you are.
46:03What am I weird? Tell me.
46:05Come on.
46:06Well, look.
46:07To begin with, you're very thoughtful.
46:09You eat snacks.
46:10You're gossiping with Mr. Baeza.
46:12And you do mysterious things for him.
46:15Maria, I'm not gossiping with anyone.
46:17I talk to Mr. Baeza from time to time,
46:19because it comforts me to talk to him, nothing more.
46:22And what about the messages?
46:25They're simple orders.
46:27I'm behaving exactly the same way
46:29that anyone would behave in my situation.
46:32I don't know if I believe you.
46:34You're weird.
46:35Come on, you're weird.
46:38Well, think whatever you want.
46:48But do you think the stairs at the entrance to the service
46:51are very clean?
46:53I did give them until they shone.
46:56What will they shine?
46:58It doesn't even look like you gave them water.
47:01But if I've taken shine step by step...
47:03Well, you can't see it.
47:04They're ruffled.
47:05I don't care how I do things,
47:07you're always going to get in my way.
47:10How dare you, you fool?
47:12What I hear.
47:13Do you think I enjoy scolding you?
47:15Do you think I enjoy scolding me?
47:17Have I done something to you?
47:19But do you really have the audacity
47:21to ask me for explanations?
47:25They wouldn't be too much.
47:28Well, I'm not going to bother answering you.
47:32For two reasons.
47:36The first, because I don't give explanations to the maids.
47:39Understood?
47:41And the second,
47:43because I know you're not going to last long in this house.
47:46I don't...
47:47I know you're going to the village to work for the priest.
47:50What did you think, that he wouldn't find out?
47:52No, no, it's not certain.
47:54It's just a possibility.
47:56First I have to get my son back.
47:58Do you want to leave?
48:00Don't worry.
48:01No one is going to stop you.
48:03For me, you can take that door right now.
48:05No, Mrs. Arcos.
48:07I still plan to stay for a while.
48:10You plan.
48:12So we're here to fulfill your wishes.
48:14No, it's not that.
48:15Get out of that door right now.
48:16Go scrub the stairs until they shine like a mirror.
48:20Let's go.
48:25And close the door.
48:40Look at him, he looked like a fool, but he's not.
48:45What are you doing?
48:46Don't you see that letter doesn't suit us?
48:48I thought it did.
48:49You should have thrown something from the golden stick.
48:51You're an ignorant, Vera.
48:52Well, let's keep playing.
48:54It's better this way.
48:56The truth is that the mayor and the keymaker are arguing all day.
49:00They treat us like cows without a fence.
49:02When one says white, the other says black.
49:04I don't think it's that bad.
49:06The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
49:09one doesn't know what to do.
49:11It's a bit of an awkward situation.
49:13And in the end, we always end up paying the same, the lower ones.
49:16But hey, it looks like they've already signed the peace.
49:19The good thing is when we all work with the same goal.
49:22Right, Salvador?
49:24I love the 40s.
49:26We're on a roll, huh?
49:27I told you you should have thrown gold.
49:29You're in Bavia, Vera.
49:30And you want to leave in peace?
49:32You're in Bavia, Vera.
49:33And you want to leave in peace?
49:35It's just a game.
49:36Even if it's a game, you have to play well.
49:38You're in Bavia, Vera.
49:40Well, what did you want?
49:41For us to come and see you argue?
49:43Do you know what I'm saying?
49:44I'm leaving.
49:45I came to have a good time.
49:47Not to be bitter.
49:50Let's go.
50:02Let's go.
50:12Cruz, I finally find you.
50:15Did you need me for something?
50:17Yes.
50:18I wanted to apologize.
50:20This morning we've all been very unlucky,
50:22telling you what you should or shouldn't do
50:24so as not to have nightmares.
50:26If only it were this morning.
50:29As if a mother who has a son at war
50:32was able to decide what she wants to dream of.
50:37Are you looking for something, Ignacio?
50:39Because this way of giving me the ears
50:41is a little rude, even for you.
50:44We're friends.
50:45It's normal to support each other among friends.
50:47You and I haven't been friends for a long time,
50:49so stop giving me the pill, please.
50:51I just pretend to be kind.
50:54With some interest, sure.
50:57But from me,
50:58after having admitted Martina to a asylum,
51:00you won't get anything.
51:04I already warned you.
51:06If something bad happens to my niece,
51:08I'll end you.
51:10Come on, Cruz.
51:11I think I have the right to control
51:13the main suspect of my poisoning
51:15while I investigate.
51:17Investigate, you say?
51:19Well, you'll tell me how you do it,
51:21because I don't see you moving a finger.
51:24But what else do you want me to do?
51:27Well, whatever.
51:29Except wait for the answers from heaven to fall on you.
51:40Petra.
51:42Come closer.
51:52Mrs. Marquesa and I were talking
51:54about everything that happened with Martina.
51:56You know, my poisoning.
51:59And what do you want from me?
52:01Well, we both want to get to the bottom of the matter.
52:05And I've heard that you have some information
52:08about this sad matter.
52:10Me?
52:13Well, tell me.
52:15Do you know anything that might interest Mrs. Marquesa?
52:19Has the cat eaten your tongue?
52:30I can't get my head out of my face, can I?
52:32Damn it.
52:34Now that you say it, Maria,
52:36I have to tell you something.
52:38Mr. Baeza, I beg you to be a little clearer.
52:41A good understander doesn't need many words.
52:43And you are better than good, Mr. Pellicer.
52:46If so far I have wanted to convey my confidence in your worth,
52:50know that this can change at any time.
52:53You acted without heart and with a lot of selfishness.
52:56That's the truth.
52:57Well, enough.
52:58I'm a little fed up with so much hypocrisy.
53:00You are a lynx looking at the straw in the eye of another
53:02and not looking at the vein in the cross itself.
53:04And when that letter reaches Curro's hands,
53:05he'll know where you are
53:06and he'll know that you still love him despite everything.
53:09I hope so.
53:11Hey.
53:13One moment.
53:15Do you know his name?
53:17I'm very distressed. I don't want anything.
53:20This situation is getting out of hand.
53:22But Cruz, I have a bad feeling that something bad is going to happen
53:27if it hasn't already happened.
53:29Hanna?
53:30What's going on?
53:34My God.
53:36I need you to be my eyes.
53:38I need you to be my eyes and my ears.
53:42The promise.
53:43Count on it, Mr. Castillo.
53:45But now leave.
53:47It's convenient that no one sees you around here.