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00:00 Hello everyone, Gerard Scarpacci here for Hairbrained on behalf of our good friends
00:08 at Pivot Point doing another Professionals Who Practice in our series.
00:14 Super excited today because I've been on the road sharing a lot of razor craft and a lot
00:20 of innovative cutting for the past, oh, for a while now actually.
00:25 We just did our HB Live broadcast and we've done so much focused on really, you know,
00:31 what I call more innovative or progressive techniques.
00:35 And I really felt the need for myself, and I think that's a big part of what this Professionals
00:40 Who Practice series is, to get back and work on some of my foundation technique.
00:45 So today I wanted to do for you guys some precision cutting.
00:50 So starting off here, the look is basically going to be a bob with graduation, which is
00:54 one of the simplest yet most important haircuts in your repertoire.
01:00 So starting off by putting in a baseline, cutting on the skin very, very technically,
01:05 checking in the fingers because I don't mind a little graduation.
01:08 The whole shape's going to have graduation and it's just going to help me tighten up
01:11 my balance here.
01:14 So these first couple sections in the nape, which is really from the hairline to the base
01:18 of the occipital bone, will really serve as the foundation point for this bob with graduation
01:25 shape.
01:26 As I get through the rest of the haircut, I will start to over-direct and cut in an
01:30 angle of graduation, but at this point really starting off quite low.
01:35 I use a technique when I'm cutting outlines that I call bracing.
01:38 I'll put the scissor beneath the hair and then the comb on top of the hair to kind of
01:42 sandwich the hair like your fingers would, but in a more of a gentle way.
01:47 I cut with the curve of the head, try not to chase that hair around too far.
01:52 So when you're cutting a line like this, you have to think about like drawing a line on
01:55 a balloon.
01:57 You can't go out into space.
01:59 You have to work with the curve of the head.
02:00 Awesome.
02:01 I just want to take a minute here.
02:03 Kelly here from behind the camera.
02:05 Welcome, everybody.
02:06 Good morning.
02:07 A bunch of people tuning in that I'd like to say hello to, Katie McCluskey and Sunny
02:11 and Mikaela, Eric Begood, Kurt Kiesner, Lori.
02:14 Thank you guys all for being here with us.
02:16 All our good friends.
02:17 My buddy Kurt is watching.
02:18 Great to have Kurt here.
02:19 Of course, Zach Schneider as well.
02:21 And Zach.
02:22 Thanks, guys.
02:23 Thanks for tuning in.
02:24 So I'm Gerard Scarpacci and I'm here for our Professionals Who Practice series, which is
02:28 something that we kind of came up with the idea along with our friends at Pivot Point
02:34 that even when you're an experienced hairdresser, an experienced educator, it's so important
02:39 to keep practicing because whatever you're not working on is what you get weaker at.
02:44 And in our craft, you have to stay diverse and you have to stay really tight in your
02:50 technique.
02:51 So for me, for the past couple of months, literally I've been on kind of a big tour
02:54 here doing lots of razor cutting and innovative cutting.
02:59 So when I was thinking about what I wanted to work on today, so wouldn't it be nice to
03:03 go back and really work on some beautiful precision cutting, some foundation cutting.
03:08 And that's what I'm doing here today.
03:09 I put in my baseline on my first two sections against the skin.
03:13 Now I'm starting the process of elevating by just kind of combing off the plane of the
03:18 head and rotating in.
03:20 The one thing you're going to notice through this whole haircut is that I'm always going
03:23 to be lower or more over-directed behind the corner of the ear to build that weight.
03:29 You can start to see the graduation happening now, Kelly, if you can get in closer there.
03:34 That's one of the things that's so beautiful about these Pivot Point mannequins.
03:36 They have such a great density that you can actually build a true shape as you would on
03:41 a beautiful head of hair.
03:43 So they're great to practice on.
03:45 Today I'm working on Viola.
03:47 And Viola is probably one of the most popular for educators because it's super diverse.
03:54 Let me turn around here, Kelly, so you can see.
03:56 I'll try to turn back and forth as much as I can.
03:59 Viola is super popular because she's got a great density of hair, a really kind of authentic
04:03 head shape, and a good price point for educators.
04:08 So it's probably the most used in classes around the world.
04:13 So combing that hair back and forth, this really helps inform me how that graduation
04:17 is building because I can look on the surface of the hair.
04:21 And this is the angle that I'm looking at here.
04:24 And this is the angle that I'm looking at here.
04:25 And then, of course, I can comb it straight down.
04:28 Whenever you work on graduation, you're going to have to fine-tune your outline because
04:33 as you start to push that weight up the back of the head, the outline is going to move
04:36 around a little bit.
04:39 Don't overdo it.
04:40 You know, you can use a little bit of point cutting, but don't get sucked in and overdo
04:44 it.
04:45 Continue up now in the same way.
04:49 Very simple at this point.
04:50 As I get a little higher, I'll change my sectioning pattern, but I'm really still building the
04:55 foundation of the bulb with graduation hair.
04:58 Now, I did some pre-sectioning, which I want to explain to you guys in a minute because
05:04 it really helps me a lot.
05:06 You know, when I work with heavier shapes, one lengths, and graduated haircuts, that
05:12 means the hair on the top is going to be longer.
05:15 And it's going to have enough weight that it's going to really want to fall in its natural
05:18 parting.
05:19 You know, sometimes with layering, you can tussle the hair and you can get away with
05:22 lots of different things or maybe just customize the parting afterwards with some dry cutting
05:28 or texturizing or whatever you prefer to call it.
05:32 But here, it's going to be super important.
05:34 Let me just finish this side.
05:35 I'll turn around to you again, Kel.
05:38 So you can see, higher in the center, I comb that hair right from the root.
05:42 I comb it slightly back.
05:44 I rotate my hand so the part on this side, it's my knuckle.
05:48 The knuckle's always lower and rotated in.
05:51 So even at this simple stage of the haircut, there's a lot of technique happening to get
05:55 that graduation happening.
05:57 Let's talk a little bit about the sectioning that I started off with.
06:01 Come in here, Kel, so we can see.
06:03 So the first thing I did was put the natural side parting in, which is here.
06:07 And all this hair's going to fall to the heavy side.
06:09 But what I like to do is then mimic it on the other side.
06:12 So everything beneath here can be worked symmetrically.
06:15 And then the only piece that needs to be thought about asymmetrically is right here on the
06:18 top of the head.
06:19 I do that with one-length bobs and graduated bobs.
06:22 So this is the natural side parting.
06:25 This is just an artificial parting to make a pie section, and that hair will fall on
06:29 the heavy side.
06:30 And that allows me to treat all the rest of this symmetrically, because it can be very
06:33 easy to lose track of what you're doing with the heavy side and the light side.
06:37 All right, so now I've gotten in my base of graduation here.
06:41 It's sitting very nicely.
06:42 Now I want to start extending it up the head.
06:44 So I'm going to drop all this hair down.
06:47 This section here was from the low crown to the top of the ear.
06:50 I'm going to re-damp the hair.
06:53 All right, as you do that, Calvin had a question.
06:57 Are you able to explain the difference between starting a graduation with pivoting sections
07:01 versus horizontal and vertical?
07:02 I have a hard time deciding when to use them.
07:06 Yeah, so first thing I'll say is there's lots of ways to do things, and the practicing and
07:12 trying and seeing how it works for you is key.
07:14 Typically, when you start with what people call a graduated bob, you pivot.
07:19 You put in a stacked angle, for lack of a better word, or a graduated angle in the nape,
07:26 and then you pivot and rotate to go from a shorter graduation into a bob line.
07:31 So that's what the pivoting does.
07:33 For a lot of people, it also forces them to build weight behind the ear, sometimes too
07:37 much.
07:39 Starting horizontally is more because I want to have a bob shape, and then I want to put
07:43 the graduation on top of that bob shape, as opposed to a graduated bob.
07:47 But that being said, I'll tell you what, there's lots of ways to do everything.
07:52 And the only way to really understand it is to practice and experience and to see what
07:57 works for you.
07:58 All right, so I am changing my sections now.
08:02 My basic graduation is done.
08:03 Now in this panel, I'm going to take diagonal sections.
08:06 I'm not going to pivot them because I don't want to be overly square.
08:11 I'm just going to take them parallel, diagonal parallels, like so.
08:17 And I can come in, I can see my outline here in my fingertips.
08:22 I can even check some of that and start to extend it up the back of the head.
08:27 Laura was wondering if you can give us some tips on keeping both your left and right sides
08:33 the same while cutting.
08:34 Yeah, so first off, I go back and forth as I do it.
08:38 So I've done two sections here.
08:40 I'll do two sections here.
08:41 So for me, going back and forth helps.
08:44 Number two, and probably most important is body position.
08:47 Kel, if you step back a little bit.
08:48 When I was on this side, I had my hips diagonal to her shoulders and I had a certain body
08:54 position inside the hand.
08:56 Now I need to mirror image that on this side.
08:59 That really helps me.
09:01 So literally, if you're practicing, practice in front of a mirror and take really good
09:07 account of where you're standing when you work on one side or the other.
09:10 Typically, it's not natural to stand in a mirror image.
09:15 You will have to think about it.
09:16 You will have to practice.
09:18 It does not come naturally.
09:19 Most people, as someone who's watched thousands of people cut hair as an educator, what's
09:25 natural and comfortable isn't always what's best for balance.
09:28 Doesn't mean it's wrong.
09:30 Doesn't mean that you can't get balance.
09:33 But usually, my biggest tip is to mirror image.
09:39 So coming up the back of the head here.
09:41 So my sections didn't pivot.
09:43 They ran up higher and higher on what I would call a parallel diagonal.
09:48 So I had like a little triangle and then another one and another one.
09:53 After I reach this point at the top, I'll start to move forward.
09:58 Down back and in.
10:01 So my over direction is square.
10:04 And a little tip that sometimes gets lost with graduation is to always make sure that
10:10 the bottom of the hand gets inclined towards the nape.
10:14 And I'll show you what I mean here.
10:15 It might feel really comfortable to come out this way when you graduate.
10:19 So my fingers are pointing out that way.
10:21 But if you really want your graduation to pop and sit in, right before you cut, you
10:25 kind of rotate your fingertips more in towards the spine.
10:30 That little rotation is what pulls it all together for me.
10:34 And vice versa, if you're working from the front to the back, you still go into the spine
10:39 that way.
10:40 You know, that forces it to sit in at a graduated angle because it can be very, very easy for
10:47 it to actually become layered when we pivot outward.
10:51 Okay, so now I'm going to start moving forward with my diagonals in this area.
10:56 So probably about three sections.
11:00 So Laura was wondering if you find after many years of cutting and positioning your body
11:06 to get balance and to cut your body on one side aches.
11:09 No, actually the opposite.
11:11 I have very few body issues with my hands or my back.
11:17 The only time I ever started to have issues was when I first started round brush blow
11:21 drying.
11:22 You know, I started at Vidal Sassoon and for the first 10 years of my career I didn't use
11:25 a round brush.
11:27 And then when I left Sassoon and I picked up a round brush, I definitely put my body
11:31 in some uncomfortable positions, a lot to do with heavy blow dryers and things of that
11:36 nature.
11:37 But from cutting, no, I'm 28 years in and I can't say that I have any issues.
11:45 It really, you know, when I say unnatural, I'm never uncomfortable in a major way when
11:50 I'm cutting hair.
11:51 I found that mirror imaging from side to side, if your lower body is in the right place,
11:57 it kind of falls in pretty comfortably.
11:58 >> Nico had a question.
11:59 He mentioned that he has a hard time working in the nape area with short neck or a thick
12:06 neck shoulder area.
12:07 Do you have any tips on working with your neck?
12:09 >> Yeah, I mean we all do, especially if you have larger hands like I do.
12:14 Maybe Nico does, I don't know.
12:16 But it's about moving the head around, you know, trying to stretch it out a little bit,
12:20 move it around.
12:21 And, you know, sometimes you have to work it a little bit more if you've got larger
12:24 hands, so it's not going to be easy to do it.
12:28 But you'll notice even with the mannequin, I always position the head away from me.
12:31 And since I'm building graduation, that just works with me.
12:36 Because when you move the head away from you as you cut, it forces you to build even more
12:40 weight.
12:41 But I will say, you know, Nico, that's very normal to feel challenged getting in tight
12:44 at the nape and learning how to manipulate the head.
12:49 Sometimes cutting backhand, I know some people think that that's a bad thing, but I've seen
12:53 a lot of the best hairdressers in the world do it.
12:55 So you'll notice I'm cutting backhand here, it means I turn my hand around and cut this
13:00 way so that the bulk of my arm isn't in the way.
13:03 Whatever, you know, that helps me a lot when I'm trying to get in tighter at a nape.
13:10 So the over direction now is just kind of flush back square, building that weight.
13:14 And again, I'll show you what I mean by backhand coming in this way.
13:17 I think if you've got a good, balanced, sharp pair of scissors, it doesn't really cut any
13:23 different and very often it allows me to get my body position in where when we cut kind
13:29 of palm to palm, which is the most traditional way to cut, sometimes it can be more difficult
13:34 to get in there.
13:36 But try it.
13:37 >> Jamie was wondering what scissors or shears you're using.
13:42 >> These are Japanese handmade scissors or shears, whatever you prefer.
13:47 They're made by a brand that we've been working with called Kuho.
13:50 They are, they've been making scissors in Japan for over 50 years and very respected
13:55 brand in Japan.
13:56 And we're looking at designing some harebrained pro scissors with Kuho.
14:01 So I've been playing with them and really kind of enjoying them.
14:04 Checking my balance now through the fingers.
14:07 Balance feels good.
14:08 I could stop and do a little cross checking, even if I just came through horizontally and
14:13 came off the base of the head and just looked for a square line and come right off the plane
14:21 of the head, graduating in a natural plane elevation.
14:26 Using the comb to really ride the head shape and control the head shape.
14:31 You know, when you're checking, you're just looking for any little bits or pieces that
14:35 aren't conforming to the shape.
14:36 You can see here, it's a good example, just a little dusting.
14:42 Anything more than that, you might want to go back to the original.
14:45 I'd say, you know, it's a quarter inch at most that you should be dusting off.
14:50 And my sections now, they're just much more horizontal than they were while I was extending
14:54 this graduation.
14:55 Just want to take a moment and say thank you to the very many people that are joining us
15:00 from Australia to the Philippines, San Antonio, the UK.
15:04 Thanks everyone and all of our friends out there tuning in with us.
15:08 Thanks guys for just joining us.
15:09 I'm Gerard Scarpaccio, I'm the co-founder of the Hairbrained Community.
15:14 And I'm here on behalf of our friends at Pivot Point.
15:18 We kind of work together.
15:19 They give us these great mannequins to do this Professionals Who Practice series.
15:25 And the idea here is we get together with a lot of our friends who are educators and
15:28 very accomplished hairdressers and we just do a little practice session.
15:33 You know, I've been doing a lot of innovative cutting, dry cutting, razor cutting, disconnection,
15:38 really almost kind of on a tour for the past two months or so.
15:41 And then last week we filmed our first live academy.
15:45 Hopefully some of you guys got a chance to see that.
15:47 And if you haven't, maybe you can check it out.
15:49 It's at HBLive.me where we take these kind of Facebook live ideas to the next level.
15:56 Beautiful studio, beautiful lighting, six camera action.
16:00 So taking it to the next level for those of you that want to go deeper with your education.
16:05 But that made me really feel like I wanted to do some classic work because I've been
16:09 really kind of out of the box for a while now.
16:12 So what did I want to practice?
16:13 I wanted to practice classic work and that's what I'm doing here.
16:16 So now coming into the sides, taking a section around, coming through from the crown to the
16:25 front hairline.
16:27 And what I'm going to do now, just to start off with, I'm going to go back to one length
16:31 cutting.
16:32 I will add the graduation in a minute, but I learned this over the years watching Mark
16:38 Hayes, one of the most brilliant precision cutters in the world and the global creative
16:42 director for Vidal Sassoon.
16:47 Sometimes in this area, your graduation can start to get really difficult to control because
16:52 as you get into the crown.
16:53 And one of the things that I saw Mark do many years ago was kind of drop it down and go
16:57 back to one length cutting to really find that shape.
17:00 I will turn it into graduation in a minute, but let me just bring it down.
17:05 You can either cut on the skin or cut through the fingers.
17:07 I'm going to cut in the fingers now.
17:10 That's overlapping the graduation a little bit.
17:14 Over-direct back, continue that line through.
17:18 Now over the sides here, what I would tend to do is switch to cutting in the comb, over-directing
17:25 back, cutting in the comb.
17:28 Sometimes it's more forgiving, more gentle.
17:31 If you're worried about the ear, you can also do a little bit of a release here.
17:35 The mannequin viola's got pretty flat ears, so I don't think it's much of an issue.
17:39 Now I'm going to do the same thing on the other side.
17:43 And I'll do that for just a couple sections to get my baseline in, and then I'll return
17:49 to graduating.
17:50 All right.
17:51 Nico was wondering, what do you think about twisting your shears inwards slightly when
17:57 you cut so the hair falls inward or under when it falls?
18:02 Yeah, makes sense.
18:03 Manipulating your scissors.
18:04 So like when I'm here, I definitely tend to turn it under the hair a little bit.
18:09 What you don't want to do is put it over the hair unless you're trying to get a less crisp
18:13 line.
18:14 There's lots of things that work.
18:17 Here you kind of like that.
18:18 Yeah, that's just kind of a basic thing to try to keep the lines more blunt.
18:25 In this case, works fine.
18:26 So as I come in here, I can turn the scissor under.
18:34 And Laura was mentioning she's graduating in August from school, and she's wondering
18:38 what the best route is to become an assistant or go into a corporation where she can get
18:43 a chair right away.
18:44 You know what?
18:45 Everybody's got a different path in life, so I can't say that I know what your best
18:48 route is.
18:49 But in general, whatever you do, go someplace where you can find mentors and learn.
18:55 If you graduate from school and you just go out there on your own, you could work as a
18:59 renter, you could work in a salon, you could work as an apprentice.
19:03 You can do any of those things and still have mentors and education.
19:07 So I'd say that's the biggest thing is to realize that you're just in the beginning
19:10 of a path.
19:11 And there's lots of ways to start that, but the destination, if you want the destination
19:15 to be mastery and success, you definitely need to continue your education.
19:21 So if it's working as an apprentice, which was the road that I took that worked great
19:25 for me and a lot of my friends, where I made very little money in return for great training,
19:31 but I was able to do that.
19:32 I lived at home with my mom.
19:33 I didn't have any bills.
19:34 I was 18 years old.
19:36 It worked for me, but I can't say that's going to work for everyone.
19:39 I don't know what your life is.
19:41 So if for some reason you have to perhaps generate more income, there are other paths
19:47 that you can take.
19:48 And if you do take those paths, just make sure that they offer still continuing and
19:53 growing education and that you make sure it's a very important part of your weekly routine.
20:02 Coming in over the sides, moving to the wide side of the comb and just carrying my line
20:07 through.
20:08 I'll go back to graduation now after this section.
20:10 I just wanted to establish this line.
20:13 So this actually right now is overlapping the graduation in the back.
20:17 This is going to be a classic cut where it's all going to blend, but I just find this is
20:20 a nice way to get that bald line extended.
20:24 And then I'll come back and start my graduation again.
20:31 Combing through.
20:33 Comb right from the parting, right from the section, slightly back, blending into the
20:38 line.
20:39 As I get closer to the back of the ear, I tend to move inside the comb just to be more
20:44 forgiving.
20:45 I know his ears are quite flat.
20:47 If they're not, when cutting a line, you can release a little bit of the tension.
20:51 I'm also working on the wide side of the comb, so I'm not dragging that hair too tight.
20:57 Combing slightly back and cutting my angle in.
21:03 Take a moment to stop and check balance from side to side.
21:07 As you're doing that, again, we'd just like to take a minute and thank everyone that's
21:11 tuned in from across the world, from Spain to Switzerland, Miami, Ohio, Napa Valley.
21:19 Welcome you guys.
21:20 Thanks for sharing hair with us this morning.
21:22 Awesome.
21:23 All right.
21:24 So now, as I mentioned, I will continue the graduation.
21:26 So I'll come right back where I left off here.
21:29 And this is the guideline from the underneath.
21:30 And I'm going to do a mini version of the same technique.
21:33 I'm going to take diagonal sections.
21:34 I'm going to work my way up.
21:36 I will probably right about here find some hair to blend.
21:40 So that's the hair that was cut one length and overlapped.
21:43 And one of the things about just blending it in one length like that, it just makes
21:45 it so much easier.
21:46 You can see definitely what you need to do.
21:49 So it's just one of those little tricks of extending the graduation into the crown without
21:53 having to deal with too much hair.
21:55 And you can see exactly what needs to happen very easily.
21:58 Works great for me.
22:01 Typically with graduation, it's a good idea to follow through as you cut.
22:04 Because if you're moving off your guideline, you'll know.
22:09 So I can see where I was here.
22:11 I can see what's happening as I'm working up.
22:13 And I can see very, very clearly what needs to be cut.
22:19 So just to recap, you put in your one length.
22:24 Start off with a one length baseline.
22:26 Graduated horizontally in the nape.
22:29 Started to graduate diagonally through the occipital bone.
22:32 Went back to one length cutting.
22:35 Overlap the graduation.
22:36 Blend it into the sides.
22:37 Now I'm graduating into that shape.
22:40 The part that's overlapping.
22:41 Yeah, it's not overlapping anymore.
22:42 I just connected it.
22:44 It's just a little trick that I found helped me.
22:46 You could go right, because it's harder to go from the graduation back into one length.
22:51 Whereas now I've created the outline all the way through.
22:54 And now I'm just adding graduation to it.
22:56 And again, I can remember first seeing Marques do that and going, that just seems like a
23:01 great idea.
23:02 Let me try it.
23:03 And as a professional who practices, I tried it and it worked out great for me.
23:08 So I encourage you to do the same.
23:11 That's either using a model or a mannequin.
23:14 These pivot point mannequins are incredible.
23:16 Great learning lesson.
23:18 Great way to practice.
23:19 Sanjoy is wondering if you'll ever open a physical academy one day.
23:23 Potentially.
23:24 But I think what we're doing right now with the online academy is really where my passion
23:30 lies because I want to reach more people and help elevate the craft.
23:36 I still always go out and do classes.
23:37 I'm doing classes almost every week.
23:40 But I go to the people rather than having the people come to one space for me or for
23:44 whoever.
23:46 I think our lives just need to be more mobile and more digital now.
23:51 That doesn't mean no, though.
23:52 But that's just where we are at the moment.
23:53 James Sharapa is on.
23:54 He says, way to go.
23:55 Oh.
23:56 As well as Adam Federico.
23:57 Thanks, you guys, for joining.
23:58 Hey, Adam, look at me.
23:59 I'm doing technical haircutting here.
24:00 Hope I still got it.
24:01 That was the idea of practicing.
24:02 It's been a while.
24:03 I mean, I still do clients and I do get the opportunity to do more technical hair.
24:04 I have plenty of clients who have bobs with graduation and so forth.
24:05 But for the past couple of months, I've been doing so much, for lack of a better word,
24:06 cleaning and doing a lot of other things.
24:07 I've been doing a lot of haircuts.
24:08 I've been doing a lot of haircuts.
24:09 I've been doing a lot of haircuts.
24:10 I've been doing a lot of haircuts.
24:11 I've been doing a lot of haircuts.
24:12 I've been doing a lot of haircuts.
24:13 I've been doing a lot of haircuts.
24:38 So the idea for me was to get back to my roots and do a strong, classic shape here using
24:44 this beautiful Viola Mannequin.
24:45 Cathy was wondering if you can tell us about your comb.
24:49 She remembers you saying you like to use a carbon comb on dry hair.
24:52 What are you using today and why?
24:54 This is the HB Pro 1 comb, which is, we designed it about two years ago with the German comb
25:00 manufacturers Hercules, which are kind of a legendary comb company.
25:04 They've been around something like 150 years.
25:08 And this, we have it in red, black, and blue.
25:13 So I wanted to look into some different colors and this is a white version of that comb.
25:17 So for those of you who are familiar with the HB Pro 1 comb, this is a white version.
25:22 And believe it or not, no, this one actually isn't carbon.
25:26 Yes, and that last part, it is.
25:30 It is in fact a carbon comb.
25:31 This one isn't.
25:32 Oh, it's not.
25:33 The red and black ones that we have are carbon, but this one isn't because they couldn't make
25:38 a white comb carbon according to the manufacturer.
25:42 So this is more of a plastic that's not a carbon.
25:47 It feels beautiful and I've been working with it for a few months and I think we're going
25:50 to go into production and make some soon for those of you.
25:54 The thing with white combs, they get dirty fast, which can be a good thing because it
25:57 forces you to be more sanitary, making sure that you're cleaning and sanitizing between
26:02 every client.
26:03 Nanette just joined us.
26:04 Good morning.
26:05 Good morning to everyone out there actually.
26:06 Thanks for sharing here with us this morning.
26:07 Gino was wondering, can you please give us a view on your body position, which I just
26:08 panned out and your foot position as it relates to your hand position on each side?
26:09 Yeah, you know what?
26:10 With this haircut, it's fairly stationary for me.
26:11 From where I started, her head was here.
26:12 My hips were diagonal to her shoulders.
26:13 I started my cut.
26:14 I worked my way up.
26:15 I've been staying in the same position on this side.
26:16 On this side, I stand here.
26:17 My hips are diagonal to her shoulders.
26:18 I've been working my way up.
26:19 I've been staying in the same position on this side.
26:20 On this side, I stand here.
26:21 My hips are diagonal to her shoulders.
26:22 I've been working my way up.
26:43 I've been staying in the same position on this side.
27:07 I've been working my way up.
27:28 I've been staying in the same position on this side.
27:52 I've been working my way up.
28:21 I've been staying in the same position on this side.
28:22 I've been working my way up.
28:23 I've been staying in the same position on this side.
28:24 I've been working my way up.
28:25 I've been staying in the same position on this side.
28:26 I've been working my way up.
28:27 I've been staying in the same position on this side.
28:28 I've been staying in the same position on this side.
28:29 I've been staying in the same position on this side.
28:30 I've been staying in the same position on this side.
28:31 I've been staying in the same position on this side.
28:32 I've been staying in the same position on this side.
28:33 I've been staying in the same position on this side.
28:34 I've been staying in the same position on this side.
28:35 I've been staying in the same position on this side.
28:36 I've been staying in the same position on this side.
28:37 I've been staying in the same position on this side.
29:01 I've been staying in the same position on this side.
29:08 I've been staying in the same position on this side.
29:09 I've been staying in the same position on this side.
29:10 I've been staying in the same position on this side.
29:11 I've been staying in the same position on this side.
29:12 I've been staying in the same position on this side.
29:13 I've been staying in the same position on this side.
29:14 I've been staying in the same position on this side.
29:15 I've been staying in the same position on this side.
29:16 I've been staying in the same position on this side.
29:17 I've been staying in the same position on this side.
29:18 I've been staying in the same position on this side.
29:19 I've been staying in the same position on this side.
29:20 I've been staying in the same position on this side.
29:21 I've been staying in the same position on this side.
29:22 I've been staying in the same position on this side.
29:49 I've been staying in the same position on this side.
29:56 I've been staying in the same position on this side.
29:57 I've been staying in the same position on this side.
29:58 I've been staying in the same position on this side.
29:59 I've been staying in the same position on this side.
30:00 I've been staying in the same position on this side.
30:01 I've been staying in the same position on this side.
30:02 I've been staying in the same position on this side.
30:03 I've been staying in the same position on this side.
30:04 I've been staying in the same position on this side.
30:05 I've been staying in the same position on this side.
30:06 I've been staying in the same position on this side.
30:07 I've been staying in the same position on this side.
30:08 I've been staying in the same position on this side.
30:09 I've been staying in the same position on this side.
30:10 I've been staying in the same position on this side.
30:39 I've been staying in the same position on this side.
30:40 I've been staying in the same position on this side.
30:41 I've been staying in the same position on this side.
30:42 I've been staying in the same position on this side.
30:43 I've been staying in the same position on this side.
30:44 I've been staying in the same position on this side.
30:45 I've been staying in the same position on this side.
30:46 I've been staying in the same position on this side.
30:47 I've been staying in the same position on this side.
30:48 I've been staying in the same position on this side.
30:49 I've been staying in the same position on this side.
30:50 I've been staying in the same position on this side.
30:51 I've been staying in the same position on this side.
30:52 I've been staying in the same position on this side.
30:53 I've been staying in the same position on this side.
30:54 I've been staying in the same position on this side.
31:20 I've been staying in the same position on this side.
31:27 I've been staying in the same position on this side.
31:36 I've been staying in the same position on this side.
31:42 I've been staying in the same position on this side.
31:48 I've been staying in the same position on this side.
31:55 I've been staying in the same position on this side.
32:01 I've been staying in the same position on this side.
32:07 I've been staying in the same position on this side.
32:13 I've been staying in the same position on this side.
32:18 I've been staying in the same position on this side.
32:23 I've been staying in the same position on this side.
32:28 I've been staying in the same position on this side.
32:33 I've been staying in the same position on this side.
32:38 I've been staying in the same position on this side.
32:43 I've been staying in the same position on this side.
32:48 I've been staying in the same position on this side.
32:53 I've been staying in the same position on this side.
32:58 I've been staying in the same position on this side.
33:03 I've been staying in the same position on this side.
33:06 Meaning you should and you must.