Part 3 of 8 of the 2nd series. The school project is moving slowly as the Purvis brothers juggle other renovation jobs. Nick Costello calls in a favour to stop his sister from seeing Trevor.
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00:00To be continued...
00:30Where do you want these, mate?
00:36Where do I want what?
00:37Roof tiles.
00:40If you can find a space, drop them in it.
00:42Trevor!
00:43Sorry, Claire.
00:45Tiles are here!
00:47About bloody time.
00:49So what other deliveries we've got coming today, then?
00:52Am I the only one who looks at the order book?
00:54Yeah.
00:55Yes.
00:56As long as the sharp sand and cement's there, that should be it.
01:00Can I get back now?
01:01Are you on my bloody phone again?
01:04You'll fry your brain, you know.
01:06Sorry about that, Claire.
01:09I'm up on the roof.
01:10You just be careful up there.
01:12I've got plans for you and they don't include hospitals.
01:15Are you still on that blower?
01:18Would you tell him to get off the line?
01:20I've got business to run here.
01:23It's going well, then?
01:25You sound surprised.
01:26Oh.
01:26Can I help, Jai?
01:28Another time, darling.
01:29He's busy.
01:31Can you handle a shovel?
01:32Yeah.
01:34Might have a job for you.
01:35Come on, shirt off.
01:36Look apart.
01:38Now, it's a very, very tricky job.
01:41You've got to spade the sand into the mixer.
01:43That's four spades sand, one spade cement.
01:46Four spades sand.
01:47One spade cement.
01:47Yeah, exactly.
01:48It's more to it than you think.
01:49That's easy.
01:50It's a highly skilled job.
01:51See if you can do it.
01:52The boys are natural.
02:01Right, when you're finished, you get a very special prize.
02:05What's that?
02:07So you've been thinking about me a lot?
02:10Do you think you could get away at lunchtime?
02:14Sorry, what?
02:18Well, seeing as you're into football,
02:19may as well support the best team.
02:25That's a classic strip from the 70s.
02:27Malcolm MacDonald is alive and well.
02:30Who?
02:32Now, that...
02:33Now, that is blasphemy.
02:44I love picnics.
02:45But what about Nick?
02:48He's my brother, not my keeper.
02:50I'll meet you there.
02:52Okay.
02:55Bye.
02:56I'm hanging up now, Trevor.
02:59Bye.
03:01Bye.
03:03Bye.
03:04Bye.
03:05Bye, bye.
03:06Bye.
03:09I think I'm going to be sick.
03:11I think I'm going to be sick.
03:15Don't start.
03:18Have you got to holding hands yet?
03:20Shut it, will you?
03:21What?
03:22I'm just interested.
03:24So you haven't done the old nasty?
03:26No, we haven't.
03:28And even if we had, I wouldn't tell you.
03:30What's the attraction, then?
03:32We talk a lot.
03:34I know.
03:34That man, you're never off that phone.
03:37What do you talk about?
03:39Life.
03:40The world.
03:42Ourselves.
03:42You wouldn't understand.
03:45Well, you're probably right.
03:48I like her a lot.
03:49Whatever happens, happens.
03:51Well, I hope it happens soon.
03:53Joe's going to go mad when he sees his phone, Bill.
04:06Spiral staircase, that high?
04:09As long as we tie it in, it'll be fine.
04:10Yeah, with all that space, it'll look amazing.
04:14You don't think it'll look too cold, all that metal?
04:18I seem to get a sense of balance at the moment.
04:22Well, would it help you visualise it if I knocked the wall down?
04:26What, it'd take hours.
04:28No pressing engagement.
04:31Shouldn't you be out there laying bricks or something?
04:35Tea break.
04:35Or soft drinks break for the junior worker.
04:41Can I get you anything?
04:44No, I'll just get on.
04:46I can't work with you looking over my shoulder.
05:03Sorry.
05:06You've put a door where the ground floor window should be.
05:09That'll be all.
05:10I'm going, I'm going.
05:17That's fantastic, Reg.
05:21No, no, no.
05:21We can look at them in my new office.
05:25No, it's finished now.
05:26Yeah.
05:27Really?
05:29No, okay.
05:30I'll look forward to that.
05:32People will too.
05:33So, dinner here around 7 is?
05:35No, no, there's no trouble at all.
05:37Right, see you then.
05:38Yeah, yeah, bye.
05:40Yes!
05:41Dinner here, 7-ish.
05:42Oh, sorry, it just slipped out.
05:44You can rustle something up, can't you?
05:46Would you want to impress her or just feed her?
05:48Well, both.
05:49Look, I've spent all the redundancy money on the loft conversion and the new computer.
05:52I need the work.
05:54Well, what am I going to cook?
05:56If she likes my staff, I could get a permanent contract.
05:59Reg is the editor-in-chief now.
06:00She's in charge of a dozen titles.
06:02Thank you, God.
06:04Are you still working from home?
06:06Well, that's the whole point of being freelance.
06:07One touch of the button is emailed down the line.
06:11If I can find out how all this works.
06:13So, one of us appears competent.
06:15Where the hell's Trevor?
06:16You should have finished by today.
06:18I'll go for that if you like.
06:19Oh, would you, Val?
06:20It's imperative he gets it done.
06:22Okay.
06:31Morning.
06:32Oh, hi, Trevor.
06:36Um, Dad was looking for you earlier.
06:39Something about finishing the job today?
06:41Right, I'll pop over in a bit.
06:43So, where are you taking me tonight, then?
06:47Oh, how about stone-throwing competition on the beach?
06:50Well, how about a club?
06:52I'm skint, aren't I?
06:53Well, I'll treat you.
06:55I don't like the sound of that.
06:57Well, here's the 21st century, though.
07:00Oh, it's Newcastle and a different time zone to the rest of the world.
07:03Pardon?
07:04Trevor, are you hearing this?
07:06Right, someone's going to get caught.
07:07Oh, he's coming!
07:17Four spades sand, one spades cement.
07:21Four spades sand, one spades cement.
07:24Four spades sand, one spades cement.
07:28Four spades sand, one spades cement.
07:34The job's going well, eh?
07:36You say so?
07:39Oh, yeah.
07:41We'll keep going.
07:41If we just keep going, we'll be bang on schedule.
07:45That'll be nice for you.
07:48Do I detect a certain frostiness up here?
07:51I don't know, do you?
07:53Yes, I do.
07:54Why?
07:57I didn't know that Sam was a Newcastle fan.
08:00Being from Brighton, like...
08:02You don't begrudge him that shirt, do you?
08:04Oh, the Malcolm MacDonald, 1970s, number nine shirt.
08:09Precious piece of football memorabilia.
08:11A family heirloom.
08:12Nah, why should I?
08:13Oh, come on, Trevor.
08:15You treasure that shirt.
08:16Saved up out of me paper round to buy that for you.
08:19I know.
08:21And I didn't take it off for a week.
08:22Do you remember?
08:23Do you remember?
08:23You said you were saving it for Daniel.
08:30Did I?
08:31It's typically you.
08:33Out of sight, out of mind.
08:35Oh, well, you can talk.
08:36When was the last time you phoned him?
08:39What?
08:40See?
08:40You see, your head.
08:42So full of clay, these little clay, clay, clay, clay.
08:45No one else gets a look in.
08:46I know I'm right, I'm right.
08:47Where are you going?
08:50Somewhere I'm appreciated.
08:53Who got you the paper round in the first place, eh?
08:58Eh?
09:00Seems to me that all they care about is sex, sex and more sex.
09:07I mean, there's got to be more relationships than that, hasn't there?
09:13What if there isn't?
09:13Jeff and I are in trouble.
09:15I'm not boring you with all this, am I?
09:26No.
09:27It's a pleasant change to find someone still at the passionate stage.
09:32Shame it doesn't last very long.
09:35When I'm with Claire, I feel excited and then sick.
09:40I get all sort of tingly just thinking about her.
09:44Tingly?
09:45Well, I really know what I mean.
09:47I think I can just about remember that far back.
09:50The thing is, when do you know if the time's right to get a bit more serious?
09:56Well, you've done everything right so far.
09:58I'm sure she's keen.
10:02Really?
10:03But you're a lovely man.
10:05You're kind.
10:07Handsome.
10:08Yeah, I don't know about that.
10:10You are, Trevor.
10:11You're very good looking.
10:14I think Claire's a very lucky girl.
10:15Simon?
10:21Simon?
10:31Simon?
10:31What do you think you're doing?
10:59Yeah, don't make showers like they used to. What is it with you and my property?
11:08It was an accident. No, no, no, no. You see an accident is when his mom and dad made
11:14the mistake of conceiving him in the first place. Now that is an accident. It
11:18wasn't deliberate, man. Oh, don't do anything deliberately, do you? It just
11:23happens. Come on. Is it personal? Because if it is, let's
11:35have it out. Come on, right now. I'm sorry. Not good enough. He said he was sorry. Stay!
11:41Out of this. Get back to work now. He's not your bloody slave. I didn't tell you. No, I
11:51own him. And now I own your children. And your children's children. Because at this rate,
11:58you're going to be paying me back till you're a grandad. I'm really, really sorry, Joe, but
12:02it just came off in me hand. If you don't get up that scaffolding, something's going to come
12:06off in my hand. And you'll have to change your name to Susan, Simon. Bamoosh!
12:12They're driving around the bend, babe. Maybe I was better off on the building site. No responsibilities.
12:28No overheads. You just turn off. Just pick your wages up at the end of the week.
12:34And where would Trevor and Simon be then? I don't know. And I don't care.
12:40Yes, you do. They rely on you. Now that makes me a mug. Don't be so hard on yourself.
12:51And I'm surprised they didn't clag in them. Surprised they haven't clagged each other
12:58before now, all living together in that van. You can get the shower fixed, can't you?
13:05Aye. Not worth having a seizure over. I'll just shut up and get back on it.
13:11Yeah. You're doing fine, you know. Yeah. Yeah.
13:25Any time you feel like a rant, the door's always open.
13:33Well, if you work back here, you won't get the sun on your screen.
13:36No, that's going to be shelving, eventually. Anyway, you can't face the wall, Becky. It's depressing.
13:42I don't believe it. What?
13:44The phone sockets on this wall and the plug sockets are over there. Where am I supposed to plug everything in?
13:49Oh. Well, I can't have the phone leads trailing across the floor to the modem. I keep trimming over the bloody thing.
13:53What about my CD player? The TV? And the angle poise? Any bright ideas, Sparky?
13:58It's not his fault. I told the engineers where to put it. I'll tell him exactly where to put it.
14:04Why don't you leave everything just as it is and then tell your friend that it's work in progress?
14:09I don't want a room that says work in progress. I want a room that says ready and willing to work.
14:14Don't worry. I can easily put in another couple of sockets and still be finished on time.
14:18Of course, I've got to take up the floorboards and lay some more cable.
14:21Are you sure? Oh, absolutely, yeah. No problem. I've got to nip out anyway for other stuff.
14:28Do it. Er, give me a hand with this computer, will we?
14:31Oh, and then I'll go and do the shopping, shall I?
14:33Good idea.
14:37Joe? Joe?
14:40I'm up here.
14:46Have you got a minute?
14:51So what need to do?
14:53Well, need rewiring. Plumbing's in a right state.
14:57I think the last time it was decorated must have been about 1950.
15:01That bad, eh?
15:02See what it's like.
15:04Yeah.
15:05Hi.
15:07Hiya.
15:08I've asked Joe to give me a quote on the house.
15:11Oh.
15:12Do you know what you want yet?
15:14I don't want you wasting Joe's time.
15:19I can pop room tonight.
15:21Yeah, fine.
15:22I'll get the ale in.
15:25Come on.
15:26Come on.
15:43What's in there?
15:45Not interested.
15:47What's a first?
15:48Right then.
15:52I'm off.
15:53No, you're not.
15:54I've got a wall to knock down.
15:56Oi, man.
15:57I'm meeting Becky.
15:58Am I the only one interested in this project?
16:00You're half moody these days, Joe.
16:02Can't do it on me own, Simon.
16:04I think it's because you're not getting any.
16:06Does that door bloke?
16:07Not that I'd know I like.
16:08Handy ammo.
16:09Cheers, brother.
16:10All done it, Pippers?
16:11Pick up hammer.
16:12Help knock down wall.
16:13Oh, can't stop.
16:14I need a hand, Trevor.
16:15I need a shower.
16:16Go and have one.
16:17Says who?
16:18I do.
16:19Yeah, well, I've had enough of you telling me what to do.
16:21If I want a shower, I'll have a shower.
16:22So just stop the shower.
16:23I'm getting any.
16:24I'm getting any.
16:25Does that door bloke?
16:26Not that I'd know I like.
16:27Handy ammo.
16:28Cheers, brother.
16:29All done it, Pippers?
16:30Pick up hammer.
16:31Help knock down wall.
16:32Oh, can't stop.
16:33I need a hand, Trevor.
16:34I need a shower.
16:35I need a shower.
16:36So just stop interfering.
16:38Oh, man, a lad.
16:42What the hell's happened here?
16:44Simon and Becky.
16:45I've informed the Guinness Book of Records.
16:47Great.
16:48What do you need a shower dinner time for, anyway?
16:51I've got to go out.
16:53Buy some sockets and stuff.
16:56You have to be all clean for the man in the shop, do you?
16:59Yeah, that's right.
17:02I asked you not to have anything to do with him.
17:09He's really nice when you get to know him if you just give him a shot.
17:12Oh, yeah, he's a diamond.
17:13That's why him and his brother shafted me over that school.
17:15Look, he didn't know about that.
17:18He told me.
17:19What, and you believe him?
17:21Yes, I do.
17:22All the women in Brighton, you pick Nick Costello's sister?
17:28It was your idea, remember?
17:31What?
17:32Take her out, you said.
17:33Buy her a drink.
17:34You weren't supposed to fall for her.
17:36I really like Claire.
17:39And she likes me.
17:41But that doesn't mean that I'll take advantage of her.
17:45That's the secret of your success, is it, Trevor?
17:48I tell her how I'm feeling.
17:51And she tells me.
17:53We don't have secrets.
17:55That you know all.
17:58And when we make love, which we will, it'll be really special.
18:08Look, Simon, to get Joe off your back and buy your freedom, organise a party.
18:14A party?
18:15How's that going to make me any money?
18:17Well, you've got the school standing empty, right?
18:20So just hire a sound system, charge a fiver on the door and that's it.
18:25Freedom.
18:26How many people do you reckon had come?
18:29Well, a mate of mine had one last year and about 300 people turned up.
18:33300?
18:34And fiver ahead, that's...
18:351500 quid.
18:36Of course I'd have to take a cut.
18:39You what?
18:41Shall we say 50-50?
18:43Are you joking us?
18:45You want to be.
18:47You're running.
18:48Go, go, go, go, stop!
18:49You're dead man!
18:53So you're done with me, just like that?
18:55Sorry.
18:57But it's not fair.
18:59It's the only option to it.
19:02No, it isn't.
19:03Look, here, see?
19:05B.
19:06Take a box of tissues to bed and cry all night.
19:09But that's for wimps.
19:11Well, I don't know.
19:12I reckon if you found out you're being two time, you'd be pretty hurt.
19:16Oh, alright.
19:17It's C, then.
19:19Except you haven't got any ties for me to cut enough.
19:21A couple?
19:23Oh, it's not for real, Trevor.
19:30B.
19:31Alright.
19:34If I really cared about her.
19:36I mean, why waste time getting quotes from other builders when Joe said he could do it?
19:49It's the sensible thing to do.
19:50Well, he looks like he could handle the job.
19:51You're worried I'm going to seduce him or something.
19:52It's nothing to do with me.
19:53I just want him concentrating on the school and not getting sidetracked.
19:54So you want him for yourself?
19:55I want him focused.
19:56I want him focused.
19:57And if he thinks he could be focused on both of us?
19:58I don't know.
19:59I mean, why waste time getting quotes from other builders when Joe said he could do it?
20:02It's the sensible thing to do.
20:03Well, he looks like he could handle the job.
20:05You're worried I'm going to seduce him or something.
20:10It's nothing to do with me.
20:11I just want him concentrating on the school and not getting sidetracked.
20:16So you want him for yourself?
20:18I want him focused.
20:21And if he thinks he could be focused on both of us?
20:25Then fine.
20:41Well, we seem to be surrounded by people, don't we?
21:02Well, I don't think we've ever been on our own.
21:05I know.
21:06It's so frustrating.
21:08Oh, oh, I didn't mean.
21:11I mean, we're getting really well, don't we?
21:13And it's important to get to know someone first.
21:15And we do.
21:16And it's great.
21:17No, no, no.
21:18Claire.
21:19Oh, forget I said it.
21:20It's fine.
21:21I'm blushing now.
21:22Do you really mean that?
21:24You know I do.
21:25Excuse me.
21:26Hey, hey, hey, hey.
21:29You all right?
21:31I thought you were trying it on.
21:34Well, I was as a matter of fact.
21:38Do you want to try it again?
21:41How about tonight?
21:42I'd like that.
21:43I'd like that.
21:44You all right?
21:46You all right?
21:47You're left.
21:48You're right.
21:49I've been making a living, right?
21:50No.
21:52Yay,, hey.
21:53I will be fine.
21:54I'll be fine.
21:55I'll be fine.
21:58See you later.
21:59You all right?
22:00I'll be fine.
22:01You're right.
22:02And you're fine.
22:03You're right.
22:04You're right.
22:05You're right.
22:06You're wrong?
22:07You're right.
22:08You're right.
22:09How about this?
22:40Hi, Nick.
22:43You've been a busy boy, haven't you?
22:45Yeah, well, we've got a lot on, you know, what with Pippa's and the school.
22:49You know yourself.
22:50Yeah, I'm glad you keep it so active.
22:52And how's things going to your place all right, is it?
22:54Yeah, let's cut the crap, shall we?
22:56Sorry?
22:57You and my sister, what's the plan?
22:59There is no plan.
23:01I don't make plans.
23:03I think it's better just to take things as they come.
23:06You know, easy come, easy go.
23:08Free and easy.
23:10Well, not that I am with Claire.
23:13Absolutely no way.
23:15No, I can assure you my intentions are strictly honourable.
23:18And what intentions would those be, then?
23:23Well, none, really.
23:25It blows like you.
23:25You've got birds all over the place.
23:27You pick them up and then you drop them.
23:28I haven't.
23:30Well, there is one.
23:33So you admit it?
23:34Oh, no, it's not what you think.
23:36I mean, we're not together any more.
23:38We're separated.
23:39She lives up in Newcastle.
23:41What?
23:43My wife, Karen.
23:45I mean, I'm still in touch with her on account of our son, Daniel.
23:48But it's not for you to worry your head about.
23:53Look, why don't we just bury the hatchet, eh?
23:57For Claire's sake.
23:59Yeah, I would love to bury the hatchet.
24:02I am just working out exactly where.
24:04That's great.
24:04Yeah, and then maybe one night you and me will go out for a pint and we'll really get
24:09to know each other.
24:11Anyway, been nice talking to you.
24:14I'm glad we got all that sorted out.
24:17Sockets.
24:21This changes everything.
24:23My fault.
24:24Should have checked it.
24:25It's our fault.
24:27Damn.
24:29I love that design.
24:31Hey.
24:31So did I.
24:40Now, you're going to think of something.
24:43And it's going to be better.
24:45Yeah, but you want to work in here in a minute.
24:47And I need time to think.
24:48We can wait.
24:49Who nabbed all the biscuits?
24:51Simon.
24:52Not now.
24:53Well, whatever we do, I'll have to get an engineer in now.
24:55And that's going to cost money.
24:56Well, I don't mind spending a bit more.
24:58Oh.
24:59My first job as a freelancer.
25:01No, not necessarily.
25:03Do you believe in this project?
25:05Do you want a challenge?
25:06Say yes, Joe.
25:07Yes, Joe.
25:08Then we're halfway there.
25:09Where are you?
25:11Where's who?
25:12Bloody Trevor.
25:13He's at your place.
25:15Look, I want you and him to come over right now.
25:19And I want that job finished by tonight.
25:21Do you understand?
25:21I'm sorry, Viv.
25:22Look, I've got an important business meeting this evening.
25:24And I don't want to be holding it in a building site.
25:27You mean he hasn't finished?
25:28Well, of course he bloody hasn't.
25:30I wouldn't be here if he had, would I?
25:32You lot are seriously starting to piss me off.
25:35Ow.
25:39You wouldn't believe the queue at the electrical supplies.
25:42I would.
25:44Joe wouldn't.
25:45Am I in trouble, am I?
25:48Not that.
25:48If you weren't my brother, you would be on the door now.
25:58Sorry.
25:59What does it say on the van, Trevor?
26:02Purvis.
26:02And purvis.
26:04Two purvis seeds.
26:05It's not just me.
26:06I'm working me bollocks off and you're floating around on another planet.
26:10Yeah, Venus.
26:11I didn't realise it.
26:17Sockets.
26:18Now.
26:18Don't you think about it?
26:31Joe, you said you'd clear the table.
26:32Wait a minute.
26:33I've just got to check out on the Three Stooges.
26:37All finished.
26:38I've just got to put the floorboards back and then stick the fuse in.
26:41What do you want?
26:42A meddle up?
26:43Is it all done?
26:44Trevor's nearly finished.
26:45You're not leaving him to do it on the hill.
26:47It's a one-man job.
26:48Well, to be finished twice as fast as with two.
26:54Wait a minute, sir.
26:56We've only got another 20 minutes.
26:57All right, nearly done.
26:59This is the last one.
27:00Yep.
27:00All right.
27:01All right, now, be careful.
27:04No, it's only a few now.
27:05For God's sake.
27:06Yeah, but you have to make sure that you don't miss the...
27:08Joists.
27:13Joists.
27:14Joists.
27:36Take that!
27:37You have to make sure that you don't miss the...
27:38Joists.
27:39Joists.
27:40Joists.
27:41Joists.
27:41Joists.
27:42Joists.
27:42Joists.
27:43Joists.
27:44Joists.
27:45Joists.
27:46Joists.
27:47Joists.
27:48Joists.
27:49Joists.
27:50No, I know what went wrong.
27:53Yes, you!
27:55You know what went wrong.
27:56Oh, they were overloading the system.
27:57Anyway, man, they had everything on it, except the alarm.
27:59Oh, Thomas Edison.
28:01Fair mail of Boche.
28:02He's only trying to help.
28:03Yes, well, Simon's help is the kind of help I can do without.
28:05Thank you very much.
28:06Unless it means giving you half his wages.
28:10I'm sorry.
28:11Nothing.
28:13Let's get out of here before the bloody plumbing goes.
28:17Joe!
28:19Don't you?
28:19Just lazy.
28:21Mum and Dad are going to a restaurant later.
28:22Come back when they're gone.
28:23Yeah, all right.
28:25See you later.
28:25See ya.
28:26I wish I'd had a shower now.
28:29You have to be joking.
28:30Yeah, but I'm meeting Claire.
28:32I mean, what should I do?
28:34Jump off the pier.
28:41Oh, poor thing.
28:44Joe hates me.
28:45Heh.
28:46Claire.
28:49Claire.
28:51What?
28:54Just a sip, Turner.
28:59What do you want?
29:02It's OK.
29:02I found it.
29:06Sorry about that.
29:07I've ruined Pippa.
29:08Dinner party.
29:09They have to go out to eat.
29:10Mr. Castillo.
29:11That other drill's packed up.
29:14So we're still on for tonight, then?
29:16Yeah.
29:17I'll meet you at the end of the pier.
29:19Can't wait.
29:21Bye.
29:22Bye.
29:24Bye.
29:25Bye.
29:26Bye.
29:27Stop it.
29:29Trevor.
29:31I'm hanging up.
29:32Good night, Trevor.
29:40Are you finished for the day?
29:42Yeah.
29:44Where are you going with that lot?
29:47Yours?
29:49Come on.
29:50I wouldn't ask, but I'm seeing Claire tonight.
29:53No, it's OK, Trevor.
29:54Well, it's going to be really special for us, you see.
29:56Well, I hope so.
29:56Anyway, it's our first time.
29:58Oh, you don't have to explain.
30:00No, I do.
30:01You see, I know that it's right because we get on so well.
30:04I mean, it's a proper relationship.
30:06It's not just a casual thing.
30:07I mean, we really talk to each other.
30:10I think that's important, don't you?
30:12Yes.
30:12Yes, Trevor, I do.
30:15Yeah, we'll start in here.
30:17Oh, sorry.
30:19Get out the way.
30:21And then the main bathroom.
30:23Bev and Sam have had to put up with it long enough.
30:26So you're close then, you and Viv?
30:28Yep.
30:30We tell each other pretty much everything.
30:34Oh, that's nice.
30:35How do you end up living together?
30:38When she split up with her husband, she moved back to Brighton.
30:42Huh?
30:42So what's he like, her ex?
30:45Oh, ambitious, successful, you know the type.
30:48No, I...
30:49We never had much time for Viv.
30:51It was doomed from the start, if you ask me.
30:53Oh, why?
30:54She married her lecturer.
30:56What?
30:58He was teaching her?
30:59Yeah, the engineering genius, didn't she say?
31:02No.
31:04Hold on.
31:04I'll be out in a sec.
31:06Hey.
31:07And, er, this is my room here.
31:09Well, we could build a fitted wardrobe along there, you know, if we move the bed.
31:20There.
31:21Oh, talking of which.
31:23See?
31:24Can't move without it squeaking.
31:26The neighbours must think I'm at it all night.
31:29Hi.
31:29Oh.
31:30Hiya.
31:30You'd better get your skates or we'll be leaving in half an hour.
31:33Nag, nag, nag.
31:37Oh, yeah.
31:38Yeah, that's really bad.
31:42Can I fix this?
31:44Yeah.
31:44Just needs tightening up.
31:46Joe?
31:46Who?
31:48Oh.
31:49We were just talking about Lizzie's bed.
31:51Yeah.
31:52Joe's going to fix it for me.
31:54Aren't you?
31:54Yeah.
31:56Two-minute job.
31:57Um, could you point which one the bathroom is, please?
32:03One did I say to you?
32:05Viv took pity on me.
32:06Is it okay, Lizzie?
32:08Yeah, sure.
32:09Come on.
32:10There's a special knack with the taps.
32:12Oh.
32:13Ta.
32:14Oh.
32:14Er, ta.
32:16We need to think about this.
32:18I can't start turning down work, Viv.
32:20It's just, I don't want the school jeopardised.
32:22It won't be.
32:24Can we talk about this later?
32:26Yep.
32:27Great.
32:27About eight o'clock?
32:29Fine.
32:33Good.
32:34Ahem.
32:43I phoned Daniel earlier.
32:48Sends love to his Uncle Joe.
32:52I'm sorry I showed it at you before, Trev.
32:54No, you were right.
32:56I haven't been able to think about anyone except Claire.
32:59I don't blame you for being angry.
33:01I'm not.
33:02I've let everyone down, haven't I?
33:05Jeff hates me.
33:06It's my fault you're running late with the school.
33:08Forget it.
33:09Get yourself away.
33:11Get yourself away.
33:11And have a good time.
33:14Are you feeling all right?
33:16Go on.
33:17Can't mess her about.
33:19Well, not after all the expense and the effort you've gone to.
33:21You can't just hope the suspension's up to it.
33:26How did you know?
33:29There's a great big lump of foam in the back of the van, Trevor.
33:33Oh.
33:35Anyway, that towel will have to go.
33:37Get Claire a migraine before you can snug.
33:39What?
33:40But I haven't got anything else.
33:43I have.
33:46Not the Italian job.
33:47And I just treat it gently.
33:57When I'm gone, I'm going to be buried in this.
34:03Don't know what to say.
34:06You've got the tools.
34:08Now do the job.
34:11She's going to be like putty in your hands.
34:17What are you waiting for?
34:20I've cocked everything else up.
34:22Why should tonight be any different?
34:24Well, let's face it.
34:25I'm not a smoothie like you.
34:28It's just not me.
34:30You think that's what women want?
34:33Probably.
34:34You don't know how lucky you are, Trevor.
34:37How do you mean?
34:39You're the genuine article.
34:41You're a good bloke.
34:44Women love you.
34:44Don't want to cuddle you to death.
34:49See, when women pull me, I mean, they expect fireworks.
34:53Not a cozy night round the fire.
34:57It's hard work.
35:00Who are you?
35:04Go on, young man.
35:05You didn't tell me you had a wife and kid tucked away.
35:14She's not tucked away.
35:16They're separated.
35:18So he says.
35:19As soon as he gets what he wants, he'll dump you.
35:23No, he won't.
35:24Oh, please.
35:26You can't be that naive.
35:28Didn't they teach you anything at that school?
35:29It cost enough.
35:30Oh, stop it.
35:31You're too good for him, Claire.
35:35Don't care what you say.
35:36You won't stop me seeing him.
35:38Claire!
35:39Claire!
35:39Claire!
35:40Claire!
36:01Phil, it's Nick.
36:03Yes, mate.
36:05Little favour.
36:18Hi.
36:19All right.
36:23I'm cooking some pasta, if you fancy.
36:25Hmm?
36:26Sounds good.
36:26If I don't, I'd have bought some beer.
36:33Or wine.
36:35There's a bottle open in the drawer.
36:40I've been thinking about the job.
36:43Yeah, I'm...
36:43I'm just worried about falling way behind the score.
36:47No, what I was thinking was we could use it to give us the reading space we need on the design front.
36:53Yeah, maybe.
36:54Just a thought.
36:55Salmon better already?
37:01Um, no.
37:02Maybe we're seeing our friends tonight.
37:08Shall we?
37:09What?
37:11Eat.
37:12Oh, fine.
37:13How about you?
37:21How many girlfriends have you had?
37:23Apart from Karen, I mean.
37:24Ah, you know, some.
37:26Hundreds of it.
37:28No, you're getting me confused with Joe.
37:31No, I think you're much better than...
37:33You must need your eyes tested.
37:36My eyes are perfect.
37:38Oh, no, no, no, no, no.
37:40I think they're gorgeous.
37:41Don't change the subject.
37:44Go on, tell me.
37:45I couldn't take this.
37:46All right, let's see.
37:48Um, um, um, um, um, um, um, no.
37:51Liar!
37:53No, really.
37:55I mean, I've had offers like, you know, loads.
37:58Well, well, a few.
38:00And I can't see the point of going out with someone just for the sake of it, you know.
38:07You probably think I'm one of them dead sad blokes now.
38:13No.
38:16I think it's lovely.
38:19Makes me feel special.
38:22That's because you are special, Claire.
38:30So the school project came along just in time, yeah?
38:32Yeah, I wanted to move on.
38:34And the money at the site wasn't good.
38:37I'm glad I did something right.
38:41What time is it?
38:43It's just before nine, still early.
38:47Do you want to go somewhere for a drink?
38:49No.
38:50No, I don't think so.
38:56Have we finished the meeting?
38:57Well, as long as you're happy, you know.
38:59Yeah, I think so.
39:00Well, finish then.
39:01Good.
39:02Good.
39:07I'll be off now.
39:11All right, yeah.
39:12Not here, Simon.
39:30Mum and Dad will be back soon.
39:32I'm going to run away a boat.
39:35I'm joining the phone.
39:36Let's go.
40:06The kitchen was like a war zone. I just walked out and left it.
40:13Sounds like a nightmare. It must be awful having people tramping about the house.
40:20No, I enjoy the company, actually.
40:22Well, I have to admit, they've done a great job. It's a wonderful working space.
40:29I envy you, Geoff. I'd love to go freelance.
40:33It's great, actually.
40:34Yeah, it's nice for me, too. Geoff's such a help round the house.
40:43Right, well, I bought some recent stuff to show you.
40:47Great.
40:49I was just trying things out.
40:52Actually, I've got something else.
40:54Ah, damn.
40:56Sorry, should have switched it off.
40:58If you knew how.
41:02Hello?
41:02Hello?
41:03Hello?
41:04Hello?
41:05Hello?
41:06That's the wrong number, I expect.
41:07Er, it's new.
41:08It doesn't quite work it out.
41:09Hello, Becky.
41:10Oh, what's happened?
41:11Hello?
41:12Hello?
41:13Hello, Becky.
41:14Oh, what's happened?
41:15It doesn't quite work it out.
41:16It doesn't quite work it out.
41:23Hello, Becky.
41:26Oh, what's happened?
41:27Well, I'm just, just, uh, keeping close.
41:35Keep in close.
41:36Keep in close.
41:37No.
41:38Okay, good.
41:42Just keep them close, keep them close, no peaking.
41:56Right.
41:59I mean I reckon it'll be quite comfy, well you can see how thick it is.
42:11It's tacky isn't it then I've insulted you and I'm so stupid I didn't know what I was thinking.
42:17Oh Trevor, no, I can't believe you went to all this trouble. I love it Trevor.
42:24Just saying that would spare me for you.
42:26No, no, it's the most romantic thing anyone's ever done for me.
42:33Really?
42:41Right. Close your eyes and then.
42:47Oh hell.
42:55Wow, wow.
42:58That wasn't my time.
43:12You okay?
43:14Yeah.
43:15Oh yeah.
43:17Oh yeah.
43:20Oh yeah.
43:21What's all the fuss about a couple of little boxes?
43:24They're antiques, they've been collecting them for years and they're worth a fortune.
43:27Sorry.
43:28As far as I can tell nothing else would be in pain.
43:29Well there's no sign of a break in, are you sure you didn't leave the door open?
43:30Of course not.
43:31Any strangers called at the house, antique dealers, salesmen, workmen?
43:35No.
43:36Well we've had the builders in but then we'll...
43:38It's the Purvis's, it has to be.
43:39Huh?
43:40They knew we were going out tonight.
43:42God, I thought Trevor blew the electrics because he was stupid but he obviously did it to get us out the house.
43:46You're mad.
43:47The electrician said that there was a nail through the cable on the last floor board, the one that you'd use.
43:52You're mad.
43:53You're mad.
43:54Yeah.
43:55The electrician said there's a nail through the cable on the last floor board.
43:57The one that you'd use is just a good idea.
43:58I thought Trevor blew the electrics, but he obviously did it to get us out of the house.
44:00You're mad.
44:01the electrician said that there was a nail through the cable on the last floorboard the one that you
44:06did dad hi what are you doing here anyway i told you i rang him because i was scared you should be
44:12thanking him where are your friends now i don't know they've got a van pervis and pervis on the
44:17side you can't miss it just stop it yeah yeah what's up it's not a thief
44:21it always happens to fantasy like when two people are on the run and they end up in a log cabin in
44:36the middle of nowhere and then they inexplicably get soaked and wet and they have to get their kit
44:43off yes that's right sexy bit before the shooting starts again yeah
44:51what's going on look i'm sorry i thought we could park here i mean i didn't see any signs
45:03are these yours sir no uh they're peppers that's the woman that i'm waiting for can you explain
45:11what they're doing in the front of your van no nice bill of material can you be careful with
45:17that please good taste i'll give you that probably there's no need for that i'm arresting you sir
45:26i'm suspicious enough please i think you're making a mistake
45:30you're under arrest you don't have to say anything it may harm your defense if you do not mention
45:36what are you thinking about work thanks very much there has to be somewhere around that bloody
45:53column there isn't no there is we're just not seeing it i have to get on to the engineer
46:00got somebody in mind my old lecturer
46:05you mean your husband yeah is that a problem no no problem i need his advice on this
46:20and he's very good sure you're not jealous no he's my ex-husband as in finished with don't have to
46:37explain okay no i know i mean how many exes do i have to be jealous of
46:44you know what we're talking about just the brighton area sorry sorry being a prat yeah you were
46:55so how about a spiral staircase that goes around the column
47:00could make it out of wood
47:03well you could do that
47:06ma'am
47:07mccall don't can do anything you pulled to the existing column and
47:11steps floored out from the side
47:13oh that's brilliant
47:15we could go to one side and have a secondary beam oh i love it
47:19where are you going
47:22to the school have another look
47:24get your clothes on
47:27yeah save it to the ghetto station get in the car
47:36stay there i'll be right back
47:41sorry about this nick
47:44no worries you're only doing your job
47:47word of advice claire
47:48change your boyfriend more carefully in the future
47:51i'll warn her about him would she listen
47:53oh easy joe happy now hey
47:55hey come on sweetheart
48:03joe purpose the other one's brother
48:06what about him
48:07reckons he was with a daughter
48:09on the sofa
48:10yeah
48:12right
48:14ring this number
48:16her name is vivian casey
48:19she'll confirm i was at her place
48:23all in good time son
48:26what's the daughter say
48:27she's told him
48:29her mom and dad were there as well
48:31kinky
48:33go on
48:34bag her off
48:35i'm staying here
48:36oh go on son
48:38there's no point it's all being in the nick
48:41unauthorized detention for him to be interviewed
48:44where's my brother
48:45lock him up
48:46come on mate
48:47ring her
48:48ring her
48:50follow me
48:51what is it with these geordies
49:05must be the accent
49:07or the job
49:08statistically a huge percentage of affairs among married women take place with their builders
49:13it's all that fresh air
49:16lugging bricks around
49:17sweaty torsos
49:19makes me feel quite queasy
49:22everything happens to me
49:27you just relax
49:28we're innocent men
49:30why was it tonight of all nights
49:34so
49:38who did the rest of you before or after
49:43after what
49:45do you mind
49:48it's personal
49:50before then
49:51i just don't understand it
49:55me neither
49:56that sheet has always been lucky for me
49:59that's not where i meant
50:00come on
50:01how long does it take to make a phone call
50:04who too
50:06viv
50:07viv
50:10you were at her place tonight
50:15yes your honor i was
50:17it's bedtime
50:20do you think clara waited for us
50:23isn't it
50:24not you
50:26joe
50:36don't worry trev
50:39i'll get you out
50:41do you
50:56do you
50:59do you
51:00do you
51:02do you