First broadcast 28th December 1969.
Jeannie is approached by a man who claims to be the reincarnation of Marty.
Mike Pratt ... Jeff Randall
Kenneth Cope ... Marty Hopkirk
Annette Andre ... Jeannie Hopkirk
Ray Brooks ... Marty
Michael Gwynn ... Hyde Watson
Patrick Newell ... Mannering
Neil McCarthy ... Griggs
James Bree ... Mullet, the Innkeeper
Jeannie is approached by a man who claims to be the reincarnation of Marty.
Mike Pratt ... Jeff Randall
Kenneth Cope ... Marty Hopkirk
Annette Andre ... Jeannie Hopkirk
Ray Brooks ... Marty
Michael Gwynn ... Hyde Watson
Patrick Newell ... Mannering
Neil McCarthy ... Griggs
James Bree ... Mullet, the Innkeeper
Category
📺
TVTranscript
00:00The End
00:30Genie? Genie, are you there?
01:00Genie? What are you doing?
01:26Who are you? I mean, how did you get in here? Who are you?
01:30Well, you still leave the key on the ledge outside, Genie.
01:34I think you'd better get out of here right now. I shall call the police.
01:37I'm sorry. I'm sorry.
01:40I'm sorry. Old habits die hard, don't they?
01:44What are you talking about?
01:46Well, at home, with the newspaper. A drink, taking it easy.
01:52Home?
01:54You sound as if you own the place.
01:57Well, don't I?
01:59Look, I think you'd better leave. Right now. Right now.
02:03Girl, but I've just come back.
02:05Come back?
02:07Yes, you're right, Genie. I owe you an explanation.
02:11Away all this time without a word.
02:13Away? Where?
02:15I've never even seen you before.
02:17You've never seen me before. Of course you haven't.
02:20Not in this body.
02:23What on earth are you talking about? Who are you?
02:27Now, come on, Genie. It'll just take a bit of getting used to, that's all.
02:30I mean, you know who I am.
02:31I do not know who you are.
02:33Of course you do. It's Marty.
02:35Marty?
02:37Marty who?
02:38Marty... your husband, of course.
02:41Marty Hartkirk.
02:42Marty Hartkirk.
02:44Marty Hartkirk's Second Man infants.
02:47å¸‚å ´
02:57Marty Hartkirk.
02:59Marty Hartkirk.
03:01Marty Hartkirk.
03:02Marty Hartkirk.
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03:43¶¶
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04:17Yeah, Randall. Genie.
04:19Jeff, can you get over here as quickly as possible?
04:21What? Marty?
04:30Well, that's who he says he is.
04:32All the lousy tricks to pull.
04:34Yeah, listen, love, I'll be right over.
04:36Please, Jeff, be as quick as you can.
04:38He's just gone for some champagne to celebrate our reunion.
04:41Two glasses, Genie. You know the fluted ones I like.
04:45I phoned someone while you were out.
04:47Not old Jeff.
04:48It is Jeff, isn't it? Is he coming over?
04:49I... I just suggest that you'd better not be here.
04:51Well, Jeff comes. Don't be silly, Genie.
04:53I was just going to call him myself.
04:55Jeff!
04:56Jeff!
04:57Jeff!
04:58Jeff!
04:59I thought you said something was wrong.
05:00Wrong?
05:01Wrong?
05:02That's me.
05:03What?
05:04What?
05:05Not old Jeff.
05:06Not old Jeff.
05:07It is Jeff, isn't it? Is he coming over?
05:08I... I just suggest that you'd better not be here.
05:09Well, Jeff comes. Don't be silly, Genie.
05:10I was just going to call him myself.
05:20Jeff!
05:27Genie, I thought you said something was wrong.
05:29It's me, Jeff. Marty!
05:31School's for some champagne, boy.
05:32Now, wait a minute. What's happening?
05:34I told you on the phone, Jeff.
05:36Who are you?
05:38Look, Jeff, I know it sounds a little unconventional,
05:40but it's the way it is.
05:42I'm back.
05:43And you expect us to fall for that?
05:45What do you want then, Jeff?
05:46Ask me any question you like about us.
05:48Well, come on.
05:49Come on.
05:50No, please. Please.
05:53I know I was hysterical on the phone, but not that please. No, no.
05:58Well, look, will someone please tell me what's going on?
06:03I know it's tough for you to accept, Jeff, but...
06:05He's not taking you in, has he?
06:07No.
06:10I don't know.
06:12Oh, Genie, look.
06:13I mean, where's he come from? All right.
06:16Let's suppose he's Marty Hopkirk.
06:18But who was he before?
06:23Well?
06:25Well, it's, um...
06:27It's strange.
06:29But I don't know.
06:31The first thing I remember, since I died, that is,
06:34is about a week ago.
06:36There was a burning car.
06:38A pub sign.
06:40Duke of Cumberland, just outside Oxford.
06:43I don't know what I'm doing listening to all this rubbish.
06:46Do you remember, Genie?
06:47You're leaving now.
06:48Of course I am.
06:50I wouldn't stay, not until Genie's satisfied that it's really me.
06:54Better get the lock changed.
06:56Oh, no need for that.
06:58Just don't leave the key on the ledge outside, Genie.
07:02I'll call you first thing in the morning.
07:04Let's go there, Geoff.
07:15Hi, Genie.
07:16Good night.
07:17Look, I'll sort this out.
07:19Okay, Geoff. Thank you. Bye.
07:23You know, it's good to be home.
07:26Even if I do have to leave for a while.
07:28I don't worry, Geoff. It'll be all right.
07:30You want a bet?
07:32Very strange.
07:39Bizarre.
07:56But we'd better stay with him.
07:57Oh, absolutely.
07:58Especially while he displays such an attraction to the lady.
08:01lady. I suppose there'd be no point in... No, not really. Best to leave it to our
08:09front-runner.
08:23Where do you want to go? Well, I don't want to take you out of your way, Jeff. Oh, it's
08:27no problem. Just get in the car. All right. Hold it. What was that for? Just for the
08:43record. Comfortable, my dear fellow? Yes, rather.
08:57Greens. Your son? Follow that car. So where do you want to go? Um, I'm in a small hotel, Jeff. Just back of your apartment.
09:20Unless you've moved.
09:50Marty? Marty?
10:07Mirror. Mirror. On the wall. Who is the fairest of them all?
10:11Young Marty Hopkirk. Ah, I thought that'd get you. Vanity would get you here if nothing else would. Don't you believe it?
10:18I was going to call on you anyway. Watch with the lighting. Infrared stake. No, I'm printing up a picture.
10:24This one. For a new case? Yeah, you could call it that. Well?
10:29You'd better prepare yourself for a shot, Marty. Oh?
10:33This fellow's going about saying he's you in someone else's body. Oh, is he? Well, that's nice for him.
10:40You're not serious, are you, Jeff? But where will that get him? As long as he doesn't bother Jeannie?
10:47Jeff? He hasn't seen her. She didn't believe him. But this is ridiculous.
10:54What's his name? Marty Hopkirk. Well, that rings a bell. And all this was tonight?
10:59Yeah. He went to see Jeannie. Oh, why didn't you hit him?
11:11It's all right. She's alone. Of course she's alone. So I'm off the premises.
11:16The thing that bothers me, Marty, is what's he up to? What's his game?
11:20Oh, come on, Jeff. Jeannie's very attractive. He's just a layabout trying it on.
11:23Don't be obsessive about it. There's more to it than that. More?
11:26Yeah, something, something. There must be. You got any ideas?
11:29No, I haven't.
11:32He's supposed to look like me. Yeah. Talks like me. So-so.
11:35And knows a lot about me. Plenty. But...
11:39It's funny, Jeff. What?
11:43Every time I look at his photograph, I get a strange feeling that I've seen him somewhere before.
11:48No, no.
11:49It's funny.
11:54It's funny. It's funny. I can't hear you.
11:56But you can't hear her be on the road.
11:57It's funny. It's funny.
11:58It's funny. It's funny.
11:59It's funny. I'm like a man of aå…« Carol.
12:01I know a girl.
12:02It's funny. It's funny.
12:04I know it's funny. It's funny.
12:05Too dark.
12:06I mean, it's funny.
12:07It's funny. We've been doing it right now.
12:09Is that the place?
12:13Yeah, the Duke of Cumberland.
12:15That sign up there is the last thing he claims to have remembered before he became you.
12:18That's quite a coincidence.
12:20Why, have you been here before?
12:22Jeannie and I toured the Cotswolds on our honeymoon, remember?
12:25Yeah, I remember.
12:26That was the place we stayed at, the first night we were married.
12:29Uh-huh.
12:30I don't pretend to understand, but he said something about a burning car.
12:34The last thing he remembered?
12:36Yeah.
12:37I can check it out.
12:39I can check it out.
13:00Anyone home?
13:04Good morning.
13:05Are you open?
13:06Only just so.
13:07What'll it be?
13:08A pint of bitter, please.
13:09What about you?
13:11Oh, I'll have a half.
13:13Thank you, sir.
13:14Nice part of the country, this.
13:15Yes, sir, they told me.
13:19Business, is it?
13:20Yes.
13:21Insurance.
13:22Car insurance.
13:24I hear you had a nasty smash out here a couple of weeks back.
13:27Well, right off.
13:29And the driver was...
13:31Outright.
13:32I dragged him clear, as a matter of fact.
13:34I dragged him clear, as a matter of fact.
13:35The whole thing went up in flames.
13:39I was too late.
13:41Could you identify him?
13:45Yes.
13:46That's him, all right.
13:50Are you certain?
13:53It's not the sort of thing you forget.
13:54That was him, all right.
13:57And he was dead.
14:09What do you make of it, Marty?
14:10I don't know, Jeff.
14:10I don't know.
14:11The whole thing's ridiculous.
14:12I mean, he doesn't even take a good photograph.
14:14But the landlord said he was dead.
14:17But you saw him walking about.
14:19I can see you, can't I?
14:20But he wasn't a ghost.
14:22You've got to be serious about this, Marty.
14:23I am being serious.
14:25What I mean is, when Jeannie finds out about his accident,
14:28his death,
14:29she's going to do some hard thinking.
14:31You mean she's going to think he's on the level?
14:32That it is me occupying a spare body?
14:35Yeah.
14:36I don't know what's going on.
14:38But it must be big.
14:39If this Marty Hopker can convince Jeannie,
14:42he's going to clean up.
14:43something.
14:45But what can he be after?
14:46I don't know.
14:50And where is Jeannie, anyway?
15:13You, uh, think I don't know why you suggested spending the day here,
15:23at, uh, Woburn Abbey?
15:25Do you, though?
15:26Sure.
15:27It's a great place.
15:30To Marty, it was more than just a great place.
15:33Yes, of course it is.
15:34I've always been fascinated by Woburn.
15:37It's my favourite stately home.
15:40Well, apart from that,
15:41he also knew a very great deal about it.
15:44Oh, so I'm on a test.
15:45Right, come on then, fire away.
15:47I'll show you the Canaletto room.
15:51It's, uh, first right on set.
15:54Right.
15:55Yes, up there.
15:58Yes, up there.
15:58Yes, up there.
16:33Well, how's that?
16:37Oh, ten out of ten.
16:39Good.
16:40Come on, then.
16:40I'll take you on the tour.
16:42Here.
16:54There you go.
16:55I think we'll join the tour.
16:58Do you think we'll see the Duke?
16:59That's the, uh, camellia house.
17:13What's that?
17:14What?
17:15Oh, that, uh, used to be the greenhouse.
17:19It's now the sculpture gallery.
17:21The fifth Duke commissioned Henry Holland.
17:23And, you know, the fifth Duke died at the age of 37
17:26after a very strenuous game of tennis.
17:29All right, all right.
17:30I give in.
17:32So you believe me?
17:33Oh, yes.
17:34I believe you know a great deal about Woban Abbey.
17:37But you still don't think I'm Marty?
17:40Look, uh, let's just leave it right a while, huh?
17:44Okay.
17:46Well, come on.
17:47I'll buy you some lunch.
17:48Oh, all right.
17:51Where?
17:51Well, where else?
17:53Our favorite spot in this neck of the woods.
17:56Dunstable.
17:57The chop house.
17:59Come on.
18:05Do you think he's asked the crucial question yet?
18:08No, still softening up, I should think.
18:12We could face him.
18:13After all, we do have an equal share in the project.
18:16Yes, face him.
18:19Sheldon has decided it for us.
18:22Obviously, he intended to double cross.
18:23Why shouldn't we?
18:33What are you doing here?
18:35Waiting for you.
18:36Well, that's obvious.
18:38How did you get in?
18:39You gave me a key months ago.
18:40That was for emergencies.
18:42Well, what do you think this is?
18:43I don't consider it an emergency.
18:45Now, listen, Jeannie, I've got to talk to you.
18:47Well, if you want to talk, you have to shout through the bathroom door.
18:50I'm being picked up in 15 minutes.
18:51By this Marty character.
18:53Mm-hmm.
18:55Now, listen, Jeannie, this is for your own good.
18:57Oh, it always is.
18:59Look, you don't imagine this fellow's interested in you, do you?
19:04Well, do you?
19:05It's not impossible.
19:08Is it?
19:09Oh, I suppose not.
19:11Look, I don't know what this young pretender's up to, but he's certainly not interested in you.
19:17Well, at least he is young.
19:24Stay away from him, Jeannie.
19:25Well, I don't see why I should.
19:27Don't say you've fallen for him.
19:32You think I'm being taken for a fool, don't you?
19:35Yes.
19:36Look, Jeff, I don't know what I believe, but one thing I do know.
19:40What's that?
19:41I'm going to find out.
19:43For myself.
19:44I'll be there.
19:44Let's go.
20:14Jeff, well, hang on, look at those two. What about them?
20:22Well, they're working late, aren't they? It's part of the export drive.
20:26Jeff, they could be watching Jeannie's apartment.
20:29Come on, Marty, you're not meant to make things. Hang on, look at that.
20:34Jeff is getting a bunch of flowers. He's got some red roses.
20:38The memory?
20:44All right, then, put it in there. Left hand down a bit, right hand.
20:49Bit more, get nearer, nearer, right. You're doing all right, then.
20:52Pull it in a bit. You're all right now.
21:14They've kidnapped him.
21:20And they've done it with flowers.
21:22Jeff, come on, follow the truck. Follow it, come on.
21:44Far größer...
21:50Jump.
21:52END
21:5435
21:56A DEN
21:59A DEN
22:01Of course...
22:12Let's go.
22:42We do hope you won't try anything spectacular before we've had our little talk.
22:57Spectacular?
22:59Like an escape.
23:00Griggs wouldn't like it.
23:06I don't want to upset Griggs.
23:08We didn't think you would.
23:12It's the name Mr. Hopkirk's partner, isn't it?
23:25Yes, Mr. Randall.
23:39We think we ought to give Griggs some help.
23:42Do you think he needs it?
23:43No.
23:44No.
23:45No.
23:46No.
23:47No.
23:48No.
23:49No.
23:50No.
23:51No.
23:52No.
23:53No.
23:54No.
23:55No.
23:56No.
23:57No.
23:58No.
23:59No.
24:00No.
24:01No.
24:02No.
24:03No.
24:04No.
24:05No.
24:06No.
24:07Let's go!
24:30Chap! Chap, look out!
24:37I suppose we could just leave him here.
24:49I don't see why not. Randall's not our problem.
24:51True.
24:52Our immediate concern is to find our vanished frontrunner.
25:07Thank you for a lovely evening.
25:13The name's Marty.
25:17This is a supercar.
25:19Yeah. It isn't like the old jalopy I used to drive, is it?
25:23B.A.P. 245B.
25:28How could you possibly know that?
25:30You know, Jeannie, sometime you're going to have to open your eyes.
25:32You're going to have to face the facts.
25:35Oh, I forgot.
25:36Here.
25:37Something for you.
25:39A bit, a bit battered.
25:41Oh, they were lovely.
25:43Jean?
25:44Hmm?
25:45I think it's time we sorted out our problem, one way or another.
25:48Don't you?
25:49Yes, but I don't quite know how.
25:51Well, I've got an idea.
25:53Say we take a trip together.
25:54A trip?
25:55Yeah, to the Cotswolds, maybe.
25:58But that's where Marty and I went.
25:59Maybe we could have lunch at the Duke of Cumberland.
26:04Remember?
26:04Will you do it?
26:08I don't know.
26:10Will you think about it?
26:11I don't really need to.
26:21Yes, I'd love to.
26:23I don't know.
26:36Everything all right?
26:40Just about.
26:41He brought Jeannie back just after midnight.
26:43He dropped her off a block away from the apartment, presumably to keep clear of his friends, the fat one, the thin one and the chauffeur.
26:48Oh, so she's back at her place, then?
26:52Chucked up in bed.
26:55I can't think why Jeannie is seeing him.
26:59Well, I told you what she said.
27:01She wants to find out for herself.
27:02Yeah, as long as she doesn't end up by believing him.
27:05So what do we do now?
27:06As before, try and work out what's going on.
27:08Yeah, except now we've got these three funny gentlemen to account for.
27:12If only I could work out why this Marty character seems so familiar.
27:16Well, that's the clue to the whole thing.
27:17You.
27:19You think so?
27:19I'm certain of it.
27:21Your connection with this Marty fellow, whatever that is.
27:24Look, why don't you pop off somewhere and think about it?
27:27Where do I start?
27:28Good morning, Randall.
27:53Said me or the dog?
27:56Both of you.
27:58Woof.
28:08All right, gentlemen.
28:18We've come to apologise.
28:21For last night.
28:22We trust we did you no permanent harm.
28:25It'll probably come out of my grandchildren.
28:27And what can I do for you?
28:34We shouldn't just have left you last night.
28:36Your collective conscience is playing you up, is that it?
28:40No, no, no.
28:41We didn't realise that your intrepid, self-sacrificial rescue attempt...
28:45And after we'd left you.
28:46...meant that you were in it together.
28:49Together?
28:49Mm.
28:50He'd have to use you or an old friend of the late Mr. Hopkirk's to acquire his knowledge.
28:55Quite.
28:56Quite.
28:57So, you and Sheldon were in it together.
28:59Q-E-D.
29:04Sheldon.
29:04Augustus John Sheldon.
29:06Wasn't that the last name he used?
29:08That's right, sir.
29:09Well, as I was saying, you and he were accomplices, right?
29:12Why not?
29:14There's plenty in it for me.
29:17Twenty-seven choice items of the best Georgian silver.
29:21Oh, my dear boy.
29:24There's plenty in it for everybody.
29:26But Sheldon was inordinately greedy?
29:32I-I suggested a split.
29:34Five ways, not counting the dog.
29:36Counting the dog.
29:39But he wouldn't.
29:40He wanted the lion's share.
29:42Something like that.
29:43Does he know yet?
29:44Does he know where it's buried?
29:46Exactly, I mean.
29:47No, no, he doesn't.
29:53So, we're back at first base.
29:55A wood in Oxfordshire.
29:57A disagreeably wooded county.
30:02He could be lying, sir.
30:04Perhaps we should let Rex find out.
30:09You've got a pretty neurotic dog there.
30:12You won't get any more out of me.
30:14I'll go along with the five-way split.
30:19All right, Rex, you're in. Six.
30:25What do you think?
30:30I think our last night's instincts were the best.
30:33Straight to the source.
30:34Young Sheldon.
30:36This one has nothing to offer, at least at the moment.
30:43See that Mr. Randall stays to enjoy his breakfast, won't you?
30:47Well, absolutely nothing here.
31:05Not one tiny clue.
31:12Sheldon must be making his move.
31:14To a wood somewhere in Oxfordshire.
31:16It appears explanation was true.
31:19After burying the spoil.
31:20A car accident.
31:21Concussion.
31:22Amnesia.
31:24Which completely obliterated the memory of the exact spot.
31:29Now, only Mrs. Hopkirk knows where.
31:35It's all right, Rex, it won't hurt you.
31:50What happened?
31:52They've been.
31:52Who?
31:53The three musketeers.
31:54Left the dog to guard me while they went to see Sheldon.
31:56And who's Sheldon?
31:57Marty's real name.
32:00I've got to get past that dog.
32:02Get past him?
32:04It's easy.
32:05Watch this.
32:07What's his name again?
32:08Rex.
32:09Rex?
32:09Right.
32:11Now listen, Rex.
32:12Now come on, Rex.
32:13You're very tired, Rex.
32:14Very tired.
32:16You've had a hard morning, Rex.
32:17I want you to do something for me.
32:19You're very tired.
32:21You've had an exhausting morning, Rex.
32:27You're very, very sleepy.
32:29Come on.
32:30I want you to do your own, Rex.
32:32Come on.
32:33Sleep, Rex.
32:34Sleep.
32:35Hide down, Rex.
32:37Sleep.
32:38Sleep.
32:40Away you go, Rex.
32:42Go on.
32:43Bye-bye.
32:44Sleepy-byes, Rex.
32:46Away you go.
32:47What are you done to it?
32:51Auto-suggestion.
32:53Young Rex is dreaming about green fields, bunny rabbits, and lady greyhounds.
32:59Well, I hope you're right.
33:01He hasn't had his breakfast.
33:02Once, please help me.
33:03Thanks.
33:04Hold on.
33:04Take a look.
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33:18a��ous
33:20One...
33:21One of the covey all the clãos
33:21ABA antiqueщё
33:22spenched
33:23One...
33:24One of the coveyes
33:24and s 사ê³
33:25One of the coveyes
33:27HNK
33:28My neighbor we're having
33:28me
33:31by being
33:31Oh, my God.
34:01Oh, go on, take a look.
34:17Right.
34:31You'd better take a look yourself.
34:47What a mess.
34:48Look at it.
34:49Look at it.
34:50Ah, Genie's kept all my letters.
34:53Yeah, they've been through every word of them.
34:56Hmm.
34:57Well, don't you read them!
35:00Well, at least it means they haven't got Genie and Sheldon.
35:02They must have gone away together!
35:07Their suitcases have gone!
35:09They must have gone away somewhere.
35:10What's Genie thinking about, honestly, going away with a complete and utter stranger?
35:13Now, listen, Martin, listen!
35:15Suppose he's still playing Marty Hopkirk.
35:17Now, where would you have taken her after all this time?
35:19Oh, come on, Geoff, what do you mean, where would I have taken her?
35:21Now, listen, stop being so stupidly possessive!
35:23And think, Marty, it's important!
35:26Where would I have taken her?
35:27Right.
35:28Well, we used to go hill-walking in Scotland.
35:30What, this time of year?
35:31Yeah, Genie hated it.
35:32Oh, come on, Marty, come on!
35:34Geoff!
35:35The Honeymoon Hotel!
35:36Where?
35:37In the Cotswolds!
35:38The name!
35:39The Duke of Cumberland!
35:41That's where that fellow said he was killed.
35:43Admirable watchdog, Griggs.
35:44I don't understand it, sir.
35:45First we lose Sheldon, now we've lost Randall.
35:46No sign of our only other lead, Mrs. Hopkirk.
35:47Well, Randall must have gone somewhere.
35:48An illuminating thought, Griggs.
35:49Suppose he went back to Mrs. Hopkirk's.
35:50We might pick up the trail from there.
35:52We're not sure we'll lose Sheldon.
35:53But we lose Sheldon.
35:54We'll lose Sheldon.
35:55Now we've lost Randall.
35:56And no sign of our only other lead, Mrs. Hopkirk.
35:57Well, Randall must have gone somewhere.
35:59An illuminating thought, Griggs.
36:01Suppose he went back to Mrs. Hopkirk's.
36:05We might pick up the trail from there.
36:29That's Mr. Randall's car.
36:35George and Silver. So that's what it's all about.
36:45Yeah. I reckon about 50 Gransworth.
36:47And very easy to get rid of.
36:49Right.
36:51What's always about a wood in Oxfordshire?
36:53I don't know.
36:55Look, let's start at the beginning.
36:57There's a robbery, right? Sheldon and the others.
36:59He hides it somewhere they don't know about.
37:01In a wood in Oxfordshire.
37:03Like the fat man said.
37:05A disagreeably wooded country.
37:07So, why doesn't Sheldon just go back quietly and dig it up?
37:11And what's Jeannie got to do with it?
37:13Well, you and she both are supposed to know about it.
37:17Think, Marty. Think.
37:19What would I be doing in a wood in Oxfordshire?
37:29Do you remember the first time we came along here, Jean?
37:31Well, I could hardly forget.
37:33Do you really remember?
37:35No, not everything.
37:37My memory is as imperfect as the next man's.
37:39For instance, do you remember the crash we had on the way?
37:43Crash?
37:45It was hardly more than a slight bump, really.
37:47Well, it can't have been all that far from here,
37:49but I can't remember where exactly.
37:51Oh, don't you remember making me stay in the car?
37:53Yes, I remember that.
37:54And I remember how angry the other driver was.
37:56Oh, I never saw him.
37:57But where was it?
37:59I remember that there was thick wood on either side of the road.
38:03It was sort of like this.
38:05Well, it was about a mile from here,
38:07where the road bends at the crossroads.
38:13So it was, Jeannie.
38:15So it was.
38:27If you could just get the small one, Jeannie.
38:57Why, Mr. Sheldon.
39:01Wyatt, you've never set eyes on me before.
39:03But don't worry.
39:04I'll see you all right.
39:05I had no complaints about that last time, sir.
39:12Right.
39:13Well, first things first.
39:14What'll it be?
39:15Well, if that's the case,
39:16I think I'd like to go up to my room and freshen up.
39:19Of course.
39:20Come on.
39:22You've got a nice room for Mrs. Hopkirk?
39:24Certainly, sir.
39:25Facing front.
39:26They do say Anne Boleyn once slept there.
39:28Oh.
39:29It didn't do her a lot of good, did it?
39:30I'll take a look at my room later, after some refreshments.
39:34Mrs. Cox?
39:35Show this lady to number three, will you?
39:37Yes, sir.
39:38Just coming.
39:39I'll see you soon.
39:40Okay.
39:41Go through, Mrs. Hopkirk.
39:42Mrs. Cox will show you to your room.
39:44Right. Thanks very much.
39:51What'll it be?
39:52A fiver to keep quiet.
39:54Make it ten.
39:55Mm-hmm.
39:56Okay.
39:57And, uh, I'll have a large whiskey on the house.
40:00You'll drive a hard bargain.
40:09And, uh, throw in a good strong shovel as well.
40:12And, uh, when the lady comes down.
40:13Not a word.
40:14You didn't even know I'd gone.
40:15Right.
40:16Right.
40:17When the lady comes down.
40:18Not a word.
40:19You didn't even know I'd gone.
40:20Right.
40:22Hello there, sir.
40:36Back on business?
40:37Uh, yeah.
40:38Have you had any carriage trade today?
40:39Ventless.
40:40Well, I don't see all the cars, of course, but, uh, I don't think so.
40:42Jeff!
40:43Jeff!
40:44Jeannie!
40:45Jeannie!
40:46I was right, Jeff.
40:47I was right, I was right.
40:48Are you here with this Marty character?
40:49Yes.
40:50Jeannie!
40:51Oh, Jeff, not the way you think.
40:52Oh, Jeff, not the way you think.
40:53I wanted to find out what it was all about.
40:54I'm surprised at you, Jeannie.
40:55I'm surprised at you, Jeannie.
40:56I ought to throw you through your own 16th century window.
40:57It's not the way you think.
40:58You don't have any idea, but, uh, I'm afraid of all the cars, of course, but, uh, I don't
41:01think so.
41:02Jeff!
41:03Jeannie!
41:04I was right, Jeff, I was right.
41:08Are you here with this Marty character?
41:09Yes.
41:10Jeannie!
41:11Oh, Jeff, not the way you think.
41:13I wanted to find out what it was all about.
41:16I'm surprised at you, Jeannie.
41:20I ought to throw you through your own 16th-century windows.
41:28Jeff, what are you doing?
41:31This man doesn't look as though he's just seen a ghost, does he?
41:33Ghost?
41:34The ghost of the phony Marty Hopkirk.
41:37I don't understand.
41:39He claims he dragged him dead from a blazing car.
41:42But Marty walked in today, and he didn't even bat an eyelid.
41:46Hit him, Jeff.
41:47You mean he's in it too?
41:50Certainly.
41:53Jeannie, this whole mob are looking for some piece of woodland.
41:56You mean the place where we had that slight accident on our way down here on our honeymoon?
42:01That must be it.
42:03Well, that's funny, because he talked about that on the way down.
42:07That, Marty?
42:08Yes, it happened at Chilford Crossroads.
42:10That's right, Jeff. There was an accident.
42:12It was the other driver's fault. He got the worst of it and all.
42:14He banged his head in the windscreen.
42:15He wouldn't stop. He got back in and drove off again.
42:17I was doing about 15.
42:18Jeannie, I must get over there right away.
42:20Oh, well, that's easy. I can show you the way.
42:22Just direct me, love. There might be trouble.
42:24I want to...
42:24Be quiet, Jeannie. Do as you're told.
42:26Jeff knows what he's doing. You've caused enough trouble already.
42:28It's funny about this accident. I was doing 50, you see.
42:30This other guy hit these wet leaves, you know what I mean?
42:31He's skiddy-wide across. I did a fantastic bit of driving.
42:33Get out the way.
42:34Keep the change, Taffner. Buy yourself something.
42:57Thank you, sir.
42:59I'll have a half a bitter with you, sir.
43:01Do you get many visitors at this time of year, landlord?
43:04Not really, sir. The odd one or two.
43:07Nobody recently arrived in a rather fine Bentley.
43:13You gentlemen don't look as though you'd miss a pound or two.
43:16Uh, Mr. Sheldon?
43:22Where is he?
43:27It'll cost you 20.
43:30We wouldn't dream of paying less to a man of your evident integrity.
43:46I'm not a man of violence, Randall.
43:58I'm glad to hear it.
44:01Unless pushed.
44:02And now you're pushed.
44:05We can still make a deal.
44:10No deal.
44:16Watch him, Jeff.
44:23Jeff, come on. Hit him. He's smaller than you are.
44:25Put him down.
44:28Watch him. Go on. Throw him.
44:30Great. In you go.
44:31Go on, Jeff. Hit him.
44:33Come on, Jeff. Put him down.
44:37He's groggy, Jeff. He's staggering about. Come on. Hit him.
44:40Wait. Wait.
44:44About time.
44:46Well done, Jeff. Well done.
44:48Set you right.
44:50Hello.
44:51Here comes the second team.
44:53Set the dog on him, Griggs.
44:54I'll take care of the dog.
44:55If you can manage the other three, okay?
44:57Oh, yeah.
44:58Rex, for the last time, will you stop messing about?
45:00Come on, Rex. Down.
45:01Down, Rex. Down.
45:02That's it. Now go to sleep, Rex.
45:04Rex, you're very sleepy.
45:05Go to sleep.
45:07Sleep.
45:08I told you, Griggs. He's lost all his aggression.
45:10Shut up, Rex.
45:13Now, up to you, Mr. Randall.
45:15No deal?
45:19No deal.
45:30Right, then.
45:31Spread out.
45:32It's over here somewhere.
45:33Well, I suppose that's that.
45:43All this for nothing.
45:47You should have made that deal.
45:49I'll be quite satisfied with the reward money.
45:57Reward?
45:57Mm-hmm.
46:00This is part of the Worthing silver collection.
46:03How do you know that, Jeff?
46:03It's written on the bottom.
46:04Oh, these three conned old lady Worthing out of the lot with some story about a miracle silver polish.
46:11One application of our polish, madam, and all your silver worries will be gone.
46:15It was a claim we did our best to live up to.
46:17Oh, yeah, I bet you did.
46:26But why did Sheldon, I mean, why didn't he just come to me and ask when Marty had crashed?
46:32I don't know.
46:34Once a con man?
46:35Always a con man.
46:36No wonder he looked familiar, Jeff.
46:38He was the other driver.
46:39He must have just buried the stuff.
46:44What about, um...
46:45Well, he's no bother.
46:52You called, oh, master?
46:56Rex, how many times have I told you now?
46:58Come on, behave yourself, Rex.
46:59Sleep.
47:00Go to sleep.
47:00Behave yourself.
47:02Now, listen, Rex.
47:03You and I have got to have an understanding.
47:05When I say go to sleep, I mean go to sleep, Rex.
47:09Come along.
47:11Jimmy.
47:12Away you go.
47:13Bunny rabbits, Rex.
47:15Bunny rabbits.
47:16Lots of meat.
47:17No people to chase, Rex.
47:19Sleep.
47:20Sleep.
47:21Ooh.
47:23Sleep, Rex.
47:35You and I.
47:35You and I.
47:36itchen of the
47:48blood.
47:48I'll see you next time.
47:49Take it easy.
47:49I have a steal.
47:49See you next time.
47:51Bye-bye.
47:51Bye-bye.
47:53Bye-bye.
47:54Do you have a steal?
47:55See you next time.
47:55Bye-bye.
47:56Bye-bye.
47:56Bye-bye.
47:58Bye-bye.
47:59Bye-bye.
47:59Bye-bye.
48:00Bye-bye.
48:01Bye-bye.
48:01Bye-bye.
48:03Bye-bye.