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First broadcast 25th May 2003.

Soames' daughter by Annette and Jolyon's son by Irene meet again and begin a romance.

Damian Lewis ... Soames Forsyte
Rupert Graves ... Jolyon Forsyte Jr.
Gina McKee ... Irene Forsyte née Heron
Emma Griffiths Malin ... Fleur Mont née Forsyte
Lee Williams ... Jon Forsyte
Amanda Root ... Winifred Dartie
Gillian Kearney ... June Forsyte
Beatriz Batarda ... Annette Forsyte née Lamotte
Ben Miles ... Montague Dartie
Michael Maloney ... Prosper Profond
Alistair Petrie ... George Forsyte
Oliver Milburn ... Michael Mont
Amanda Ryan ... Holly Dartie née Forsyte
Julian Ovenden ... Val Dartie
Ann Bell ... Aunt Hester
Aimee Brigg ... Young Fleur
Wendy Craig ... Aunt Juley
Maggie Fox ... Bilson
Nicholas Gecks ... Doctor
Bella Hamblin ... Dora
Martin Oldfield ... Auctioneer
Toby Parkes ... Young Jon
Jowanna Rose ... Smither
Sally Sheridan ... Soldier's Mother
Brian Southwood ... Farmer Maple

Category

📺
TV
Transcript
00:00:01The Forsythes, a family who had everything, money, power, property, to be held onto at all costs.
00:00:12Of all people, it's souls who should carry on the family name.
00:00:18My father was the only Forsyth to turn his back on money.
00:00:23He chose freedom and love.
00:00:27Frances, is there love between us? Is there passion?
00:00:31We have a daughter.
00:00:33But you all do well. You are an excellent mother.
00:00:36Do you intend to leave her to?
00:00:38While my father was following his heart, Soames was acquiring a wife.
00:00:44Miss Heron, I have substantial income and I'm currently looking for a commodious house in the region of Hyde Park.
00:00:51I have the honour, Miss Heron, I'm asking you for your hand in marriage.
00:00:53I'm so sorry. I'm afraid I cannot accept.
00:00:58This is madness.
00:00:59No, this is poverty. It's what you brought us to.
00:01:01We are not this poor. I'm not prepared to support you for another year.
00:01:05If you won't marry, then you must take employment.
00:01:07What employment can I take?
00:01:09I haven't...
00:01:10Then you should marry. It's an exceptional offer.
00:01:13I could never love him.
00:01:14You do not know that.
00:01:15If I were to marry you, Mr. Forsyte, would you promise me one thing?
00:01:24If our marriage is not a success, then I shall be as free as if I had never married you.
00:01:31If we were to marry, then it would be a success.
00:01:34You swear it?
00:01:36I do solemnly swear it.
00:01:38Quite a catch for a man of property.
00:01:41Soames couldn't keep her, of course.
00:01:43She was flesh and blood, and she despised him.
00:01:48My father, now a widower, stepped in as her protector and friend.
00:01:54If he is desperate to have a son, no one, not even the law, can prevent him from demanding his rights.
00:02:02I cannot force you.
00:02:04Force me is...
00:02:07is exactly what he did.
00:02:10She is my wife, Irene Forsyte.
00:02:14And I'll thank you to leave her alone from now on.
00:02:15Think very carefully, Soames, before you try to bully her.
00:02:19She's not alone this time.
00:02:21You should have kept your promise and let me go, and instead you have suffocated me.
00:02:28Don't touch it.
00:02:29You're a son!
00:02:31It's an utter degradation.
00:02:33I know what you're up to.
00:02:38You!
00:02:39And Julian Forsyte!
00:02:44The battle lines were drawn.
00:02:46But with the younger Forsyte came the hope of reconciliation.
00:02:50Soames' nephew, Val, fell in love with my half-sister, Holly.
00:02:54I'm married.
00:02:56What?
00:02:56What to?
00:02:57I mean, who to?
00:02:58To Holly Forsyte.
00:03:00My uncle Julian's daughter.
00:03:01You shouldn't have done it.
00:03:05You don't understand that that family that...
00:03:08Belter?
00:03:08There's a history.
00:03:10Six of four, no takers.
00:03:12A history which threatens the next generation.
00:03:15To Mr. and Mrs. Julian Forsyte,
00:03:17a son of Robin Hill.
00:03:20Irene has had a son.
00:03:22John.
00:03:22Annette is happily anticipating an event herself.
00:03:32He has to be a boy.
00:03:38Well?
00:03:39The daughter.
00:03:44A petite Fleur.
00:03:48Fleur.
00:03:48We'll call her Fleur.
00:03:53Fleur and John.
00:03:56New hope?
00:03:57Or will their lives be blighted by the past?
00:04:01This is their story.
00:04:03Is that the last of it, boss?
00:04:15Yes, sir.
00:04:17Is Mrs. Forsyte ready?
00:04:19Nearly, sir.
00:04:21Send my best to Miss Hester, sir.
00:04:23Eighty today.
00:04:25Put him in the car, Williams.
00:04:29Going to be late.
00:04:30What is Mrs. Forsyte doing?
00:04:41Ow!
00:04:43I wanted to wear my party dress.
00:04:46It's afternoon tea.
00:04:49The dress is far too formal.
00:04:51I wanted to.
00:04:52Sometimes we cannot do everything we want.
00:05:02Daddy?
00:05:03Fleur?
00:05:04Daddy!
00:05:05Daddy!
00:05:07Yeah?
00:05:08Daddy!
00:05:09What's the matter?
00:05:10I'm wearing silly blue, and I know it will crumble.
00:05:13And Aunt Hester loves me ever so in white.
00:05:15Calm yourself, my love.
00:05:16I thought my satin?
00:05:18The blue muslin is much more suitable.
00:05:20You're satin.
00:05:35Why not?
00:05:39I'll tell you to right away.
00:05:40Help me, Wilson.
00:05:41I love you, Daddy.
00:05:58I love you, Daddy.
00:05:58We deserve the right to vote.
00:06:25To be heard as a part of the universal voice of mankind.
00:06:30Well said.
00:06:32We do not deserve to be imprisoned without representation.
00:06:37Force-fed like animals.
00:06:40Tubes thrust down our innocent throats.
00:06:45Bravo!
00:06:46Bravo!
00:06:46Bravo!
00:06:47Bravo!
00:06:47Bravo!
00:06:47Bravo!
00:06:47Bravo!
00:06:47Bravo!
00:06:48Bravo!
00:06:48Bravo!
00:06:49Bravo!
00:06:50Bravo!
00:06:51Bravo!
00:06:52Bravo!
00:06:53Bravo!
00:06:54之後 to finish up a great debt.
00:06:59What do you think, John?
00:07:00It was just all those ladies.
00:07:03Shouting.
00:07:04Can you bear one more, lady?
00:07:06I'm going to finish up here and then we'll visit my aunt.
00:07:09As long as she is not a shouter.
00:07:11Oh, John, doesn't that fantastic!
00:07:14Oh, she's a jolly good fellow, oh, she's a jolly good fellow, oh, she's a jolly good fellow.
00:07:28Oh, my dear.
00:07:32Come and blow the kendall, sir.
00:07:34You do it, Fleur.
00:07:39Oh, well done.
00:07:44Let's get this cut, shall we?
00:07:47I can think of more profitable ways of spending my afternoon.
00:07:50Of course, the old girl has money to leave.
00:07:53Stacks me.
00:07:54Do you think Winifred's in with the chance?
00:07:56No, we'll go to that pop of show.
00:08:00June!
00:08:01Darty.
00:08:03George.
00:08:03Been roped into the family, do?
00:08:06Do?
00:08:07Nesta's birthday.
00:08:08Must be away with the fairies if she's invited you.
00:08:11I mean, it's not you, you know, it's a family feud and all that.
00:08:16She hasn't invited me.
00:08:17I was in London and I thought I'd drop in.
00:08:20Ooh.
00:08:21It'll be very nice to see everyone.
00:08:23And what a perfect opportunity for them all to meet John.
00:08:26John?
00:08:28Irene and father's boy, you know.
00:08:34Aunt Hester, apologies for the tiredness.
00:08:36Oh, George.
00:08:37A very happy birthday.
00:08:38How kind.
00:08:39Nice to see you, sir.
00:08:40Aunt Hester.
00:08:41Come on, to you.
00:08:42Thank you, my dear, thank you.
00:08:44What?
00:08:45Any entertainment planned for this afternoon?
00:08:48What do you mean?
00:08:50Fireworks, perhaps?
00:08:51I will tell them you're here, Miss Forsythe.
00:08:53No need.
00:09:00Aunt Hester.
00:09:01It's your birthday.
00:09:02I should have remembered.
00:09:04June, my dear, how lovely to see you.
00:09:06We didn't think.
00:09:08I was at a meeting in Acton.
00:09:11Acton.
00:09:12It's quite close.
00:09:13The bus took hardly any time.
00:09:15The bus?
00:09:16This terrible injustice of force-feeding our women in prison.
00:09:19We have to protest against it.
00:09:22Hello, Sam's.
00:09:24June.
00:09:25What are the authorities expected to do?
00:09:27Simply stand by and let these hysterical women starve?
00:09:30It's a point of principle.
00:09:33I rather admire it.
00:09:34I'm sad if you start marching on.
00:09:37But will you do?
00:09:38Lock me up?
00:09:41I'm Soames' wife.
00:09:43Alice.
00:09:44Delighted to meet you.
00:09:45And this is my half-brother, John.
00:09:55Irene's son.
00:09:58He has her looks.
00:10:00Her eyes.
00:10:01Yes.
00:10:01Let's go into the garden.
00:10:08Come on.
00:10:09This way.
00:10:11It's a jolly nice garden.
00:10:13We'll find lots to play with.
00:10:14Come on.
00:10:14This way.
00:10:14Got you.
00:10:43Don't do that.
00:10:44What should I do, then?
00:10:47Tickle them.
00:10:59Come on, then.
00:11:00My dress.
00:11:01What about it?
00:11:10What next?
00:11:11I'm going to catch him.
00:11:12No.
00:11:14Here he is.
00:11:16No.
00:11:17No.
00:11:18I'm going to catch on.
00:11:30Are you all right?
00:11:31Fine.
00:11:32Some cake?
00:11:33No, thank you.
00:11:34More tea.
00:11:36Soames?
00:11:36Where's Fleur?
00:11:38Where's Fleur?
00:11:55Fleur!
00:11:58Daddy?
00:11:59Come and see these fish.
00:12:06They're as big as sharks.
00:12:07Don't touch me.
00:12:09John.
00:12:10Inside.
00:12:10But?
00:12:11Now.
00:12:12Get that boy out of here.
00:12:14They were just playing.
00:12:14I don't want him anywhere near my daughter.
00:12:16For goodness sake.
00:12:18He's the result of a filthy liaison.
00:12:21Illegitimate in all but name.
00:12:23He's a dirty, savage little...
00:12:25That's enough.
00:12:28Soames, he's a child.
00:12:29Yes.
00:12:30And he's a great deal better behaved than you.
00:12:32Come on, John.
00:12:33What did I do wrong?
00:12:49Nothing.
00:12:50That man!
00:12:51He was short!
00:12:51We shan't talk of it.
00:12:55We shan't talk of it to mother or dad either when they come home tomorrow.
00:13:00It'll be our secret.
00:13:03We shan't talk of it.
00:13:33It's always such a joy to come back.
00:13:37Must be tired.
00:13:38No.
00:13:39No.
00:13:40Just longing to see you.
00:13:45There they are.
00:13:46I told you I heard a car.
00:13:49John.
00:13:51Mom, stop it!
00:13:53John.
00:13:55Look at your face!
00:13:57Yes, look at you.
00:13:58You've been in my watercolour, you...
00:13:59What's up?
00:14:00There's still wet!
00:14:02How are you?
00:14:03Hello.
00:14:05How was it?
00:14:06Good to talk.
00:14:06How are you?
00:14:07Very well, thank you.
00:14:08We've had lots of fun.
00:14:09Yes, it looks like it.
00:14:11Cowboys.
00:14:19We saw one like this in London.
00:14:22London?
00:14:24We went to a rally.
00:14:26I helped decorate the banner.
00:14:27Then on to the aunt.
00:14:28Oh.
00:14:32Which...
00:14:33Whose aunt?
00:14:34We dropped in on Hester.
00:14:38It was fun, until the man got so angry.
00:14:43What did he do?
00:14:45He shouted.
00:14:47At me.
00:14:47Oh, come on, Orchette.
00:14:54Let's see how she runs in the gallery.
00:14:56Like a bird, I bet.
00:15:02I didn't think Soames would be there.
00:15:04What did he do to John?
00:15:05Nothing.
00:15:06He upset him.
00:15:08I took him away.
00:15:09He shouldn't have been there in the first place.
00:15:11Is everything all right here?
00:15:14I'm going back to London.
00:15:15No, no, you were staying for supper.
00:15:17You don't want me.
00:15:18June, we love you.
00:15:20You say that.
00:15:21It's all we couldn't do without you.
00:15:23Now, let's just forget this ever happened.
00:15:27Then perhaps John will too.
00:15:47Let's wait.
00:15:53Time for me.
00:15:58I'll be even looking forward.
00:16:03Looks like you're not running.
00:16:03I'll be looking forward.
00:16:04MUSIC PLAYS
00:16:29Blair? You there?
00:16:32Daddy, just sit down. I'll be out in a minute.
00:16:35I think you'll love it.
00:16:54What do you think?
00:17:02The neckline's rather low.
00:17:03It is the fashion, sir.
00:17:06The fashion?
00:17:08Is it the fashion to have beggars in the streets?
00:17:11Women riding the stride down the row?
00:17:14There's nothing wrong with riding a stride.
00:17:16In my book, there's a great deal wrong with it.
00:17:20Gentlemen used to ride in Hyde Park.
00:17:23Cavalry seats.
00:17:26White top hats.
00:17:28The wars changed everything.
00:17:31It's all right, Daddy.
00:17:33And that's for girls like short skirts and common airs.
00:17:38Don't you like the dress?
00:17:40Because if you don't, I shan't wear it.
00:17:43I worry about you.
00:17:45There's no need.
00:17:46Parties all night, up till dawn.
00:17:49I'm quite capable of looking after myself.
00:17:52I'm not going to do anything silly.
00:17:54These parties are just playing.
00:17:56Doing what's required.
00:17:57Yours won't be.
00:18:00Mine has a fighting chance because you're organising it.
00:18:04Are you lunching with anyone?
00:18:07Where?
00:18:09Let's go to Fortnum's and eat cake.
00:18:11Who are they?
00:18:21Can't you see, Dan?
00:18:23It's Cupid and Psyche, of course.
00:18:26Of course.
00:18:27Thank you, John.
00:18:29Vospovich is an innovator.
00:18:31He escaped from Russia in 1916.
00:18:34Bring them in, John.
00:18:34One, two, three.
00:18:39Careful.
00:18:40She's not paying me, you know.
00:18:48Bit to your left.
00:18:52Perfect.
00:18:53I know it's the new thing, but...
00:19:03Oh, crikey.
00:19:04The great lovers of mythology.
00:19:08This is how he represents them.
00:19:11People are bored with sentiment.
00:19:15Love has been bombed as smithereens.
00:19:18What does it mean anymore?
00:19:19Everything.
00:19:25It still means everything.
00:19:42Oh, my goodness.
00:19:44Come on.
00:19:49Julian.
00:19:56Charles.
00:19:57You don't walk.
00:19:59Hmm.
00:20:00Traffic seems to have doubled so far.
00:20:03How's Irene?
00:20:06Just well.
00:20:07And John?
00:20:09Just down from school.
00:20:10Doesn't know what he wants to do.
00:20:13Like all of us were at that age.
00:20:16Whew.
00:20:16So, palpitations, you say?
00:20:34If I exert myself.
00:20:37Where?
00:20:40And are they happening now?
00:20:41Well, it feels like the blessed thing is trying to jump out of my chest.
00:20:49Let's check you over, Charlie.
00:20:54You were right to come and see me.
00:20:56Your pulse is fluttering.
00:20:58But I'm most concerned about your blood pressure.
00:21:01It's high?
00:21:03Very.
00:21:03I can give you some pills, but...
00:21:08But what?
00:21:14I'm afraid you're in a bad way, old chap.
00:21:21You must look after yourself.
00:21:24Change your routine.
00:21:25No physical exertion whatsoever.
00:21:32Now, I want to see you regularly, of course.
00:21:35Proper diet's essential.
00:21:39Irene should read up on it.
00:21:41I can't tell her.
00:21:46You must.
00:21:47Let's see if I can get my wife.
00:22:04Come on, Holly.
00:22:14Oh!
00:22:15For leads!
00:22:16Poor old man!
00:22:19Hey, not so much of the old, Holly.
00:22:22Go round!
00:22:23Go round!
00:22:27I'd like to dance.
00:22:32Come on, then.
00:22:33Come on, then.
00:22:33You have to come and do it.
00:22:34Right, should we go?
00:22:34Yes!
00:22:35Have a show.
00:22:36Ready?
00:22:37At the...
00:22:38Oh, my word!
00:22:41Oh!
00:22:41Okay, let's do something a bit slurred, please.
00:22:43Yes.
00:22:44Okay, let's do something a bit slurred.
00:22:49Okay, let's do something a bit slurred.
00:22:57Oh!
00:22:58Thank you!
00:22:59Oh!
00:23:01Well done!
00:23:02Bravo!
00:23:04Thank you, thank you.
00:23:06Oh, Dad!
00:23:08Hello, Holly.
00:23:10Now, don't tell me, now you're going to be a jazz pianist.
00:23:14There are worse things. Working in June's gallery, for one.
00:23:17What was it like?
00:23:19It's the future, God help me.
00:23:21Well, I hope you were nice, Dad.
00:23:24The gallery means an awful lot to June.
00:23:27I was honest.
00:23:29Well, we have been concocting the plan.
00:23:33Yes. I am going to be a farmer.
00:23:36Aha!
00:23:38Lord.
00:23:40Arable farm near our new place.
00:23:42A chap called Maple. Needs extra hands for the harvest.
00:23:49Keep you out of trouble, I suppose?
00:23:51Getting away from you, Lord, I suppose.
00:23:53The sooner the better.
00:23:55Well, don't stop dancing.
00:23:59I have to remind you of buying the title to bid on behalf of the owner until the reserve is reached.
00:24:05Lots of 24 and 63 have been withdrawn.
00:24:09I hope you will all bid generously on behalf of this worthy charity.
00:24:14And without further ado, there's no proceed to lot.
00:24:17Let's just start it.
00:24:18A pair of lovely Derby toys donated by Lady Heath.
00:24:24In memory of Captain John Heath, host of Plunders.
00:24:28Philip William Heath, lost at the Somme.
00:24:31Lot 429.
00:24:35A copy of Degas' Girl at the Milliners.
00:24:39Who will give me £20 for Mrs Lewisham's generous offering?
00:24:42£20 anywhere.
00:24:44£20, gentlemen in the Homburg.
00:24:46£25.
00:24:47£25, gentlemen at the top table.
00:24:49£30.
00:24:50£30 bid.
00:24:51£35.
00:24:52£35.
00:24:53£40.
00:24:55£40 to the Homburg.
00:25:00£50.
00:25:01£50.
00:25:02£50, new bidder.
00:25:03We have £50, ladies and gentlemen.
00:25:05And may I remind you that every shilling made tonight is going to the War Widows.
00:25:10£55.
00:25:12£55.
00:25:16£70.
00:25:17£70.
00:25:19£80.
00:25:20£80.
00:25:21£100.
00:25:22£100.
00:25:23£100.
00:25:24We have £100.
00:25:30Was that your final offer, sir?
00:25:32Then I'm selling it.
00:25:35Sold.
00:25:36£100.
00:25:45Excuse me.
00:25:46She looks like a minx.
00:25:53She looks like my daughter.
00:25:56By Jove, what a face.
00:25:58Degas, remarkable, even though it's a coffee.
00:26:01Michael Mont.
00:26:05Soames Foresight.
00:26:08Why did you want her?
00:26:10The life in her.
00:26:12I have an original Degas, if you'd like to see that.
00:26:22And a few others you might recognise.
00:26:25That's awfully kind of you, sir.
00:26:26I'll drop in like a bird.
00:26:27Anything modern.
00:26:28Expressionism's not my thing.
00:26:31But you're a collector.
00:26:34We now have a figure for the total amount raised this evening.
00:26:39Mr. Mont, if you could come forward, please.
00:26:41There's a new gallery just opened on Cork Street.
00:26:43Meant to be very rum.
00:26:44You should sniff it out.
00:26:47A warm hand, please, for the man who's organised this whole event.
00:26:51Captain Michael Mont was my son's officer.
00:27:05He was there when David...
00:27:08...died.
00:27:10My family would like to thank him for his friendship to my son.
00:27:19And his compassion to us.
00:27:25Thank you so much.
00:27:27No one can guess who I am, Daddy.
00:27:44Come on.
00:27:45It's obvious.
00:27:46Mercury.
00:27:51Messenger to the gods.
00:27:54Volatile, light-hearted, and...
00:27:56...rather mischievous.
00:27:58Well done, son.
00:28:01Shall we go through?
00:28:03The boring Surrey lot.
00:28:04Where does mother find them?
00:28:16Well done, George.
00:28:18Yes, sir.
00:28:22Are you joining us, Fleur?
00:28:24Or would you prefer the nurse, are you?
00:28:31Fleur.
00:28:42Your friends enjoyed themselves?
00:28:44I want to put Fleur over my knee.
00:28:50It was a joke.
00:28:52She's capricious.
00:28:54A little restive, perhaps.
00:29:02She and I will go to London.
00:29:04Take in some galleries.
00:29:07You're ruining her.
00:29:09And you can't even see it.
00:29:11She needs someone to say no to her.
00:29:15You could influence her if you wanted to.
00:29:20If you had the strength.
00:29:28New dress?
00:29:30Expensive, I suppose.
00:29:33Shockingly.
00:29:34It's too low here.
00:29:37It's too low here.
00:29:38It's too low here.
00:29:58That's the one.
00:29:59Number three.
00:30:00The mayfly filling.
00:30:02Can I ride out while I'm staying with you?
00:30:03You'll be too busy working.
00:30:04Oh, come on.
00:30:06Maybe at the weekends.
00:30:07Val!
00:30:08Oh, Lord.
00:30:09What's he doing here?
00:30:10Hello, Dad.
00:30:11Hello, old boy.
00:30:12You know your old cousin George?
00:30:13Of course, George.
00:30:14Val.
00:30:15And, uh, this is a friend of mine.
00:30:16Prosper Perfond.
00:30:17He's over from Belgium.
00:30:19My son.
00:30:21Val Darty.
00:30:22Back from foreign class.
00:30:23Ah.
00:30:24How do you do?
00:30:25How do you do?
00:30:26How do you do?
00:30:27And this is John.
00:30:28John Forsythe.
00:30:29Nice to see you.
00:30:30Hello.
00:30:31Good Lord.
00:30:32Goodness me.
00:30:33Young Jewel.
00:30:34Hello.
00:30:35Well, I hear you are a stud farmer, Mr. Darty.
00:30:36You've found yourself some land over here.
00:30:37Are you buying, Miss Profund?
00:30:38Oh, I'm always buying.
00:30:39And you?
00:30:40If I can afford it.
00:30:41My son.
00:30:42My son.
00:30:43Val Darty.
00:30:44Val Darty.
00:30:45Back from foreign class.
00:30:46Ah.
00:30:47How do you do?
00:30:48How do you do?
00:30:49How do you do?
00:30:50And this is John.
00:30:51John Forsythe.
00:30:52Nice to see you.
00:30:53Hello.
00:30:54Good Lord.
00:30:55Goodness me.
00:30:56Young Jewel.
00:30:57Hello.
00:30:58Well, I hear you are a stud farmer, Mr. Darty.
00:31:00I'm always buying.
00:31:01And you?
00:31:02If I can afford it.
00:31:05Number three, a small thing, but, uh, fine, huh?
00:31:08That's what I thought.
00:31:10I might bid.
00:31:11None of these worth wasting lunch, Trevor.
00:31:13Well, I've yet to find something that is.
00:31:17Will you join us, Mr. Val Darty?
00:31:20That's kind.
00:31:21And your young friend?
00:31:23Yes.
00:31:24In my car, one quarter of an hour.
00:31:27Excuse me.
00:31:30Well, we'll see you at lunch.
00:31:35Sorry about that.
00:31:36My old man's a bit raggedy.
00:31:38I'd rather lie to him.
00:31:39Wish I had lunch, of course.
00:31:45He'd probably be pleased if we did.
00:31:56More champagne, sir.
00:31:58Oh.
00:31:59Oysters, huh?
00:32:00Mm-hmm.
00:32:01Mm-hmm.
00:32:02John.
00:32:03Will I like it?
00:32:04Try it.
00:32:05Soon there'll be another war.
00:32:06You won't get a chance.
00:32:07What do you think, sir?
00:32:08Well, I, uh, opened up an armaments factory in 1912, you know?
00:32:09Needed to make money.
00:32:10Bullseye.
00:32:11Yes, I reckon it is still a solid industry.
00:32:13Did you fight?
00:32:14Hmm?
00:32:15Hmm?
00:32:16Hmm?
00:32:17Well, I, uh, opened up an armaments factory in 1912, you know?
00:32:20Needed to make money.
00:32:21Hmm.
00:32:22Bullseye.
00:32:23Yes, I reckon it is still a solid industry.
00:32:24Hmm.
00:32:25Did you fight?
00:32:26Hmm?
00:32:27Well, I couldn't just supply the weapons.
00:32:28I had to try them out as well, you know?
00:32:30A toast.
00:32:32Here we go.
00:32:33Oops.
00:32:34To Val.
00:32:35You're doing fine, old chap.
00:32:36Set yourself up without any help from anyone.
00:32:41Well done, sir.
00:32:44You're doing fine, old chap.
00:32:46You'll set yourself up without any help from anyone.
00:32:50Well done, sir.
00:32:53You do good.
00:32:55It's fine.
00:32:56Well done, sir.
00:32:57Well done, sir.
00:32:59Well done, sir.
00:33:01Never see you in London, mind.
00:33:04Your mother could do with a visit.
00:33:09Well, at least you're here, eh?
00:33:11Amongst us betting men.
00:33:13It's in the blood, you see.
00:33:15Can't get away from the Darty blood.
00:33:22Darty!
00:33:26You see, he is a cricketer.
00:33:29Do you know how I could have been?
00:33:30Cricket is what he was meant for.
00:33:32What we are all meant for, huh?
00:33:34Nothing more, nothing less.
00:33:37Do you play?
00:33:40I like to watch, too.
00:33:41My father takes me to Lourdes.
00:33:42How is Jolion?
00:33:44Fine, thank you.
00:33:45Haven't seen him for years.
00:33:47Must be getting on.
00:33:49Not to me, he isn't.
00:33:52Well said, sir.
00:33:59Do you excuse me?
00:34:16It works better if you look at it from this angle.
00:34:32I haven't seen you in years.
00:34:37Not since before the war.
00:34:40I read about St. John's son.
00:34:42Terrible.
00:34:44Fortunately, most of the four sites were spared.
00:34:46Too old or too young.
00:34:47A blessing.
00:34:49Mm.
00:34:54It's Cupid and Psyche.
00:34:57You can see their faces.
00:34:59Kissing.
00:35:00What stuff?
00:35:02A lamppost in collision with an omnibus.
00:35:05A vision of the future.
00:35:08You've invested in this?
00:35:10It's my gallery.
00:35:11I thought you knew.
00:35:13I must be making a dead loss.
00:35:20I heard you collect art.
00:35:22Indeed.
00:35:23You obviously don't understand it.
00:35:26For you, it's about possession.
00:35:29Buying and selling.
00:35:31It always has been.
00:35:33Soames Foresight.
00:35:36The greatest grocer of them all.
00:35:39There are some things you can't buy, Soames.
00:35:46Remember?
00:35:51You still haven't learned.
00:35:55Excuse me.
00:36:05This is by Pool Post, Mum.
00:36:08It's good, isn't it?
00:36:09It's interesting.
00:36:13This is him, too.
00:36:14Mm.
00:36:14Daddy.
00:36:40Daddy.
00:36:41Daddy.
00:36:41Daddy.
00:36:41Daddy.
00:36:41What an extraordinary gallery.
00:36:46We're leaving.
00:36:48I just arrived.
00:36:50It's all so jolly.
00:36:53Fleur.
00:36:55I feel unwell.
00:37:02Fleur.
00:37:07Fleur.
00:37:08Fleur.
00:37:08Yes.
00:37:08Leigh.
00:37:11ol'
00:37:12Tomato blobs.
00:37:13Or is it a sunset?
00:37:15Airplanes.
00:37:16Coming into land, apparently.
00:37:18Lee.
00:37:20Let's go and find you.
00:37:41John.
00:37:44We have to go.
00:37:45Fleur.
00:37:47Fleur.
00:37:57Where do we know him from somewhere?
00:37:59I need some air.
00:38:01Wait.
00:38:02Is this yours?
00:38:04Fleur Fawcite.
00:38:06It's mine, all right?
00:38:07Fawcite?
00:38:09Well, that's my name, too.
00:38:11Perhaps we're cousins.
00:38:13Yes.
00:38:15That day in the garden.
00:38:21Countless.
00:38:22Distant, perhaps.
00:38:24My name's Julian, sir.
00:38:26John, for short.
00:38:28Oh, yes.
00:38:30Distant.
00:38:31Very good.
00:38:32Goodbye.
00:38:34Who are they?
00:38:35I mean, you know them.
00:38:36Not well.
00:38:37Are they family?
00:38:40Your grandfather and his brother had a quarrel with them.
00:38:43You know that side of the family.
00:38:44Oh, the feud.
00:38:45How romantic.
00:38:46If you want to please me, you'll put these people out of your head.
00:38:48Oh, daddy, you're upset.
00:38:49We'll talk about this later.
00:38:50We will not.
00:38:51I'm not your daughter for nothing, my dear.
00:38:52If I want something, I generally get it.
00:38:53So if you won't tell me, I shall find it out of the way.
00:38:54You're upset.
00:38:55We'll talk about this later.
00:38:56We will not.
00:38:57Oh, Hollywood.
00:38:58Oh, Hollywood.
00:38:59Oh, Hollywood.
00:39:00Oh, Hollywood.
00:39:01You know that side of the family.
00:39:02Oh, the feud.
00:39:03How romantic.
00:39:04If you want to please me, you'll put these people out of your head.
00:39:06Oh, daddy, you're upset.
00:39:07We'll talk about this later.
00:39:09We will not.
00:39:10I'm not your daughter for nothing, my dear.
00:39:13If I want something, I generally get it.
00:39:16So if you won't tell me, I shall find this house another way.
00:39:18Oh, Hollywood.
00:39:26It really is quite important that I speak to her.
00:39:31But she's entertaining.
00:39:32Oh, I'm sure she won't mind.
00:39:33Miss Fleur.
00:39:34Miss Fleur.
00:39:35My goodness.
00:39:36It's from Paris.
00:39:37Prosper.
00:39:38My niece Fleur.
00:39:39Ah, mademoiselle enchantée.
00:39:41Your aunt says she's never been to Paris, so I bring Paris to her.
00:39:45I'm far too old for this.
00:39:46Sacre luge.
00:39:47In France, no one is.
00:39:49No one is.
00:39:50No one is.
00:39:51I'm far too old for this.
00:39:52Sacre luge.
00:39:53In France, no one is too old.
00:39:57Oh.
00:39:58We're just about to have lunch.
00:40:02Please stay.
00:40:03It was a quick call, actually.
00:40:05I met someone this morning.
00:40:07John Forsyte.
00:40:08Do you know him?
00:40:10A distant cousin.
00:40:13How distant?
00:40:15Oh, we don't keep in touch.
00:40:18His mother was beautiful.
00:40:21Oh.
00:40:22Well, I never really knew her.
00:40:24Lunch is ready, Mum.
00:40:25Oh, thank you, Dora.
00:40:26Now, where is Monty?
00:40:27Are you sure you won't eat for her?
00:40:28No, thank you.
00:40:29John Forsyte.
00:40:30Young.
00:40:31My age?
00:40:32I met him with York Val.
00:40:33Oh.
00:40:34Splendid boy.
00:40:35Then you must know them.
00:40:37Let's go in.
00:40:38Here.
00:40:39Here.
00:40:40Here.
00:40:41Here.
00:40:42Here.
00:40:43Here.
00:40:44Here.
00:40:45Here.
00:40:46Here.
00:40:47Here.
00:40:48Here.
00:40:49Here.
00:40:50Here.
00:40:51Here.
00:40:52Here.
00:40:53Here.
00:40:54Here.
00:40:55Here.
00:40:56Here.
00:40:57Here.
00:40:58Here.
00:40:59Here.
00:41:00Here.
00:41:01Here.
00:41:02Here.
00:41:03Here.
00:41:04Here.
00:41:05Here.
00:41:06Here.
00:41:07Here.
00:41:08Here.
00:41:09Here.
00:41:10Here.
00:41:11Here.
00:41:12Here.
00:41:13Here.
00:41:14Here.
00:41:15Here.
00:41:16Here.
00:41:17Here.
00:41:18Here.
00:41:19Here.
00:41:20Here.
00:41:21Here.
00:41:22Here.
00:41:23Here.
00:41:24I felt that he was there.
00:41:28Oh, my darling.
00:41:30Must have been awful for you.
00:41:41All of these years later, and he can still make my skin crawl.
00:41:50I can't believe that I married him.
00:41:55Oh.
00:41:59John seemed to like the girl.
00:42:01Well, John's a young man.
00:42:03He was struck by her.
00:42:06John's struck by girls, full stop.
00:42:09Yes.
00:42:11He won't see her again, don't worry.
00:42:13John's struck by girls, full stop.
00:42:14It's beautiful.
00:42:14No, I'm not.
00:42:14No, I'm not.
00:42:14No, I'm not.
00:42:16No, I'm not.
00:42:16No, I'm not.
00:42:17No, I'm not.
00:42:18No.
00:42:19Oh, Daddy.
00:42:37It's beautiful.
00:42:41I'm glad you like it.
00:42:44I love it.
00:42:46There.
00:42:47Now you're ready.
00:42:49Happy birthday.
00:43:02It's you, Pam.
00:43:08Is Cousin Val coming tonight?
00:43:11I believe so.
00:43:12With Winifred and Doughty.
00:43:14Why?
00:43:15We haven't seen him in ever so long.
00:43:18He's been abroad.
00:43:22Wasn't it more than that?
00:43:24He married someone, the daughter of a cousin Daddy doesn't like.
00:43:28It's complicated.
00:43:30Fawcett history.
00:43:34One more thing.
00:43:35Hurry up, Fleur.
00:43:36You'll be late.
00:43:37Terrific of you to invite me, sir.
00:43:59You're early.
00:43:59My daughter's not yet down.
00:44:01Ah, I see.
00:44:02There's the picture.
00:44:02Well, she's in good company, N'Goga.
00:44:13From Martha's house.
00:44:14Were you in the war, Mr. Mott?
00:44:36Yes, I was.
00:44:37How riveting.
00:44:39Did you have a terrible time?
00:44:40Yes, I did.
00:44:47This party is a bore, isn't it?
00:44:48Not from where I'm standing.
00:44:50Are you going to dance?
00:44:52May I bag a spot on your list?
00:44:56There's my cousin Val with his wife, Holly.
00:44:58Excuse me.
00:45:00First dance, Mandy.
00:45:01Oh, Daddy, of course.
00:45:02Thank you so much for persuading Soames to invite Val and Holly.
00:45:29I so want everyone to get on.
00:45:30The least I could do.
00:45:31Oh, this is Prosper Profond.
00:45:45Show me.
00:45:59Prosper's got immaculate manners.
00:46:01I'm dancing with the hostess.
00:46:04I'll tell you I have a problem.
00:46:16You're a good dancer, Daddy.
00:46:17You should do it more often.
00:46:19Have fun.
00:46:21Happy to birth, Dad.
00:46:25There's Aunt Winifred's boat.
00:46:26Mr. Profond, this is my husband, Soames.
00:46:32Nice to meet you.
00:46:33And my daughter, Fleur.
00:46:35We've met.
00:46:35Exactly.
00:46:40Are you here on business, Mr. Profond?
00:46:43Pleasure.
00:46:45Mr. Profond made money in the war, Soames.
00:46:48Shares in armaments.
00:46:49He tells me he likes to give it away.
00:46:52I'm always making money.
00:46:55I want little for myself.
00:46:56I like my friends to have it.
00:47:01Excuse me, Soames.
00:47:04Val and Holly.
00:47:05Very nice to see you again.
00:47:09Charlie.
00:47:11Val.
00:47:12Good to see you, Uncle Soames.
00:47:13Would you excuse us for a moment?
00:47:23You could at least try.
00:47:25For Winifred's sake.
00:47:26They should never have come back from South Africa.
00:47:28And that's their other child.
00:47:30Profond.
00:47:30They can't have bad fathers.
00:47:31Then why did you marry one?
00:47:39This is Mrs. Dutton.
00:47:41Val.
00:47:42John.
00:47:43I am sure.
00:47:53Do you know anything about John Forsythe?
00:47:56I'm sorry to come out with it like this, but you're my last hope.
00:47:59Everyone around here is being so buttoned up.
00:48:00He's coming to stay with us next week.
00:48:02With you?
00:48:03It's Holly's half-brother, don't you know?
00:48:05I know nothing.
00:48:08It's best not to bring these things up.
00:48:10Bring what things up, Fleur?
00:48:13How you've grown.
00:48:15We haven't seen you in so long.
00:48:17Wouldn't it be jolly if we could be friends?
00:48:19Cousin Val says I can come and stay at your new farm.
00:48:23Or maybe later in the summer.
00:48:25I thought next week.
00:48:26It's rather difficult.
00:48:29Aunt Winifred.
00:48:31Val and Holly have invited me to stay next week.
00:48:33Isn't that sporting of them?
00:48:34Oh, what a lovely idea.
00:48:37Miss Forsythe.
00:48:38Please, please will you dance with me?
00:48:43Excuse me.
00:48:46Excuse me.
00:48:49What are we going to do about John?
00:48:52It's almost as if Fleur knew he was coming.
00:48:54She asked me outright.
00:48:58Took me by surprise.
00:48:59How?
00:49:00They can't have met.
00:49:02I don't see how.
00:49:03She is and does, though.
00:49:16Night.
00:49:17Night.
00:49:21Night.
00:49:22Night.
00:49:24A lovely party.
00:49:32Put some colour into your cheeks.
00:49:33I doused all night.
00:49:36With Michael Malt.
00:49:38And others.
00:49:40Good night, my love.
00:49:43Cousin Val's asked me down to stay.
00:49:48But we don't see them.
00:49:51He has wonderful horses and he says I can ride out with him.
00:49:53Claire.
00:49:55It's only a few days.
00:49:57Please, Daddy.
00:50:00Well, it keeps you out of trouble.
00:50:10Night, night.
00:50:12Night, Daddy.
00:50:13Night.
00:50:13The沒錯ły good job.
00:50:29I love you.
00:50:32I love you.
00:50:32I love you.
00:50:33Let's go.
00:50:33My instance, my colleague.
00:50:34I love you tabii.
00:50:35Definitely.
00:50:35You fits you.
00:50:36My goodness.
00:50:36No.
00:50:36No.
00:50:36But it does not work.
00:50:36Sorry.
00:50:37Good morning.
00:50:38It tries to stretch the crystals.
00:50:38I do afraid, no nickel.
00:50:38I don't remember.
00:50:39I know.
00:50:39It sucks.
00:50:40I don't want you.
00:51:10We're pretty basic round here.
00:51:17I hope you don't mind.
00:51:19Of course not.
00:51:24Sorry if Al's not here to greet you.
00:51:27He's exercising a new horse.
00:51:30He must be very busy.
00:51:32He is.
00:51:37I'm afraid you'll be fearfully bored.
00:51:40Not at all.
00:51:42I'm here to get to know you, remember?
00:51:52So, it's just the two of you here?
00:51:56Who else would there be?
00:51:58Holly!
00:52:03Holly!
00:52:14I left my book upstairs in my bedroom.
00:52:18This is John, my little brother.
00:52:22Fleur's a cousin of ours, John.
00:52:24How do you do?
00:52:29I hot-footed it back here on my lunch break.
00:52:33I have to go.
00:52:35From where?
00:52:36On Maple's Farm.
00:52:37We're harvesting.
00:52:38The book, then?
00:52:39Hmm?
00:52:39Look.
00:52:44Right?
00:52:44Okay.
00:52:44So let's get started.
00:53:14what are you doing such a glorious morning I thought I'd get out you don't
00:53:34know the countryside around here should I take the dog no thank you
00:53:39I might be gone all day so please don't worry
00:53:45where are you going
00:54:09I'm looking for maple farm it's up there on the left thank you a couple of miles yet
00:54:39oh
00:54:45turn off
00:55:01oh
00:55:07oh
00:55:13oh
00:55:17oh
00:55:19oh
00:55:31oh
00:55:33oh
00:55:35oh
00:55:37oh
00:55:43oh
00:55:45oh
00:55:47oh
00:55:49oh
00:55:51oh
00:55:53oh
00:55:55oh
00:55:57oh
00:55:59oh
00:56:00oh
00:56:01oh
00:56:02oh
00:56:03oh
00:56:04oh
00:56:05oh
00:56:06oh
00:56:07oh
00:56:08oh
00:56:09oh
00:56:10oh
00:56:11oh
00:56:12oh
00:56:13oh
00:56:14oh
00:56:15oh
00:56:16oh
00:56:17oh
00:56:18oh
00:56:19oh
00:56:20oh
00:56:21oh
00:56:22oh
00:56:23oh
00:56:24oh
00:56:25hello
00:56:30I thought you might like some sandwiches
00:56:34but I see you've already eaten
00:56:37thanks
00:56:38I think I'll pass
00:56:41they got marked up on the way here
00:56:45so did my lovely new shoes
00:56:48I thought it would be nice
00:56:51but it's such a long way
00:56:53and I forgot to bring anything to drink
00:56:54I'm very glad that you came
00:56:55why do I always end up covered in mud
00:57:03whenever I'm anywhere near you
00:57:04thank you very much
00:57:24haven't I been clever tracking you down
00:57:30ever since that day at Aunt Hester's
00:57:33I've always wondered who was he
00:57:35why was everyone so furious
00:57:37and then in the gallery
00:57:40wasn't it awkward
00:57:41probably passed out
00:57:44I found out why
00:57:46there's a feud between our families
00:57:48that's why I pretended
00:57:51we hadn't met yesterday
00:57:52are you a good liar
00:57:55not very
00:57:56oh
00:57:58they don't mean us to be friends you see
00:58:01so if we want to be
00:58:02which we do
00:58:05then we must keep it a secret
00:58:10come on let's talk about this
00:58:17on the way home
00:58:17there's a quicker route
00:58:19as the crow flies
00:58:20I've told them
00:58:21I'll walk you
00:58:22so you're going to be a farmer
00:58:36maybe
00:58:37I like the work
00:58:40the people
00:58:42of course farming's not the grand thing
00:58:45but
00:58:46I don't really care about that
00:58:48John, John, the farmer's son
00:59:00stole a pig and away he run
00:59:02oh
00:59:07ah
00:59:07oh
00:59:14oh
00:59:15oh
00:59:22oh
00:59:23oh
00:59:26oh
00:59:27oh
00:59:29oh
00:59:30oh
00:59:31Val's place is just over that hill.
00:59:37Then I'll go on alone.
00:59:39They mustn't see us together.
00:59:40That's ridiculous.
00:59:42You don't know my father.
00:59:44I'm an only child, and so are you.
00:59:46There's so much expected of us.
00:59:48My mother would never stop me from doing anything that made me happy.
00:59:52I'm sure your father's the same, though. Come on.
00:59:55What are you doing?
00:59:56Coming with you.
00:59:58Well, don't walk so fast.
01:00:00We can't keep up.
01:00:11Should we?
01:00:18You know, the boys a couple of years old from me at school
01:00:21talked about what they were going to do,
01:00:24what the girls were going to meet,
01:00:27and then they joined up.
01:00:30It's a beastly thing.
01:00:33They died so young.
01:00:36I always try everything.
01:00:38Live forever.
01:00:39Love everybody.
01:00:42I'll be telling.
01:00:43Stay on, eh?
01:00:57All right, then.
01:00:58I will.
01:00:58Flo was meant to stay for a weekend.
01:01:20It's been nearly five days.
01:01:23What can she be doing down there?
01:01:25Oh, riding, walking.
01:01:28Farm's very charming.
01:01:29And Annette insists on being in London.
01:01:32Buying ribbondries, seeing her friends.
01:01:35Well, I'd love to have you to dinner, dear boy,
01:01:37but, um, I'm going out myself.
01:01:41Where to?
01:01:42The theatre.
01:01:44I wouldn't have thought Darty's concentration span was wrong enough.
01:01:47What?
01:01:47What should I be concentrating on?
01:01:50I'm not going with Monty.
01:01:52I'm going with Prosper.
01:01:54Why don't you take Soames to your club, Monty?
01:01:58No, no, really.
01:01:59I'm meeting George.
01:02:01It's a revival of a restoration play, The Country Wife.
01:02:05Sounds a dead bore.
01:02:06It's salacious.
01:02:07Annette wanted to go, but I didn't think it appropriate.
01:02:09Oh.
01:02:10Really?
01:02:10What's it about?
01:02:13Infidelity.
01:02:21Parfait.
01:02:22Comme toujours.
01:02:22Parfait.
01:02:23Comme toujours.
01:02:30Are you both coming, too?
01:02:32That is an excellent thing.
01:02:34Not me, old chap.
01:02:35Oh, Mr. Fawcside.
01:02:36Bordy, Mark.
01:02:37Think not.
01:02:41Then we shall have to go another time.
01:02:44I'm out of the picture, too.
01:02:47Oh.
01:02:48But that's such a shame.
01:02:50A small business matter.
01:02:52I don't want to go.
01:02:54It's a dead bore, but...
01:02:56I...
01:02:56I'll make it up to you.
01:03:00If I am allowed, of course.
01:03:07Then, uh, lunch.
01:03:10To moho.
01:03:14I'd like that.
01:03:24A bientôt.
01:03:24A bientôt.
01:03:30What does the fellow do, for goodness sake?
01:03:32Oh, does it matter?
01:03:33Of course it does.
01:03:36Amuses me.
01:03:37And if you want to stay to dinner, Soames, I won't hear another word.
01:03:40No.
01:03:41Where did you first meet, Profond?
01:03:49It was with you, old chap.
01:03:51No, no.
01:03:52You've introduced him to me.
01:03:55Surely not.
01:03:56They're one of it.
01:03:57He was about...
01:03:59He's good company, and he's generous with it.
01:04:01He's a member here now, you know.
01:04:02His name was on the list as I came in.
01:04:05Now, who put him up?
01:04:06They'd have the lowdown.
01:04:10You.
01:04:11Why not?
01:04:14You're meant to know the pedigree of the person you're proposing.
01:04:18It's club rules.
01:04:19Times have changed.
01:04:20The rot set in when we let you in through the doors.
01:04:23I was never like this bunch.
01:04:28Money talks.
01:04:33And that's 30.
01:04:35That's all right.
01:04:38You getting a hump about the wife?
01:04:40No, no.
01:04:42No, Freddie's just having a bit of fun.
01:04:45Gentleman's agreement.
01:04:47He pays your debt.
01:04:48You leave the bedroom door open.
01:04:51She's your cousin, George.
01:04:53Bit of respect, please.
01:04:54That's the way they do it on the continent, Darty.
01:04:57It's all above board.
01:04:58It's expected.
01:04:59Dukes and princesses are at it.
01:05:01Leaping in and out of each other's beds.
01:05:03That's why we call them frogs.
01:05:15Good Lord.
01:05:23Frogs indeed.
01:05:25Frogs indeed.
01:05:25Frogs indeed.
01:05:38Hello.
01:05:38hello I was on my way to London I can't get over the fact you're here you drop
01:05:48in how is John he's harvesting flat out all day and reading poetry by night I'll
01:05:58get some tea she misses him
01:06:08Fleur Forsyte is staying with you she invited herself down forced my hand and
01:06:16John we tried to keep them apart but have they met before in June's gallery why I
01:06:25think they like each other really like each other one thing well perhaps it's
01:06:36not such a bad thing they could bring the families together dad are you all right
01:06:44no of all times you mustn't tell Irene I won't of course if it's so very awful I'm
01:06:55sorry what's she like a rather having sort of a person a foresight then I saw her kiss
01:07:02not a word
01:07:05well you wrote in your letter that you needed to see me urgently I can assure you that unless it was of
01:07:22the utmost importance I wouldn't be here now so if you couldn't commit the matter to paper keep
01:07:38your daughter away from my son you probably know they are together as we speak
01:07:44I had no idea they met at June's gallery my son is staying with Val and Holly your daughter
01:07:55invited herself down inveigled her way in Val Doughty and his wife extended Fleur an invitation
01:08:00she forced their hand she must be like you she sees something and decides to get it
01:08:04so what do you want me to do make sure this doesn't happen again stop it you mean absolutely
01:08:17you come here behind your son's back and tell me to break this up
01:08:27you of all people the man who once lectured me on the importance of happiness in marriage the man
01:08:37who spurned his own family to follow his heart who stole another man's wife in the name of love
01:08:43John and your daughter aren't in love have you asked them
01:08:48this liaison is repugnant to me too your son with my daughter
01:09:04I'll do my utmost to stop it and I presume you will too
01:09:09but at least I don't have to play the hypocrite
01:09:12good evening to you sir
01:09:17good evening to you sir
01:09:43thank you
01:09:45I wish this journey went on forever.
01:10:03Do you realize I've had Jolene Forsythe to see me about Fleur and his brachid boy?
01:10:08His head over heels.
01:10:11If he takes up with this girl, I shall never see him again.
01:10:15But I want you to go on holiday with your mother.
01:10:19Whatever happens while you're away, we'll pick up just as we are.
01:10:23What do you mean?
01:10:25Whatever happens, we might smit her.
01:10:30And soon we'll be.
01:10:35Just look at her.
01:10:37Isn't she terrific?
01:10:40Thank you for a terrific weekend.
01:10:45Do you want to go home?
01:10:48Yes.
01:10:49There must have been adultery.
01:10:51I don't believe it.
01:10:53She lies to you.
01:10:54She lies to everyone else.
01:10:55That's unfair.
01:10:57Anyway, it's only because of who her father is.
01:11:04I'm looking for my son.
01:11:07Well, I don't believe we've got him.
01:11:10John will come back.
01:11:11Wait a minute.
01:11:12Wait a minute.
01:11:12Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:13Shh.
01:11:14Shh.
01:11:14Shh.
01:11:14Shh.
01:11:14Shh.
01:11:14Shh.
01:11:14Shh.
01:11:15Shh.
01:11:15Shh.
01:11:15Shh.
01:11:16Shh.
01:11:16Shh.
01:11:16Shh.
01:11:16Shh.
01:11:17shh.
01:11:17shh.
01:11:17shh.
01:11:18shh.
01:11:18shh.
01:11:19shh.
01:11:20shh.
01:11:21shh.
01:11:22shh.
01:11:23shh.
01:11:24shh.
01:11:25shh.
01:11:26shh.
01:11:27shh.
01:11:28shh.
01:11:29shh.
01:11:30shh.
01:11:31shh.
01:11:32shh.
01:11:33shh.
01:11:34shh.
01:11:35shh.
01:11:36shh.