Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo Al Fondo Hay Sitio 12 Capítulo 16 en Español Completo
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Short filmTranscript
00:00Do you really not care that they see you with me?
00:07And why would I care?
00:09In fact, after eating, I'm going to take him to the club to try a plus coffee.
00:16Shall we go to the terrace?
00:19I'll catch up with you.
00:31It's up to you, Dicken, I don't want to separate.
00:36I'm a lonely man, Mr. Gilberto.
00:42And I'm lonely and regretful for not acting in another way.
00:48At least you recognize the wrong you've done.
00:55And you regret it.
00:57That speaks very well of you.
01:02Thank you, Mr. Gilberto.
01:05Do you think they'll call me?
01:07Of course, they would be fools if they didn't call you.
01:10You are the best nurse technique I know.
01:14Do you know other girls who want nursing techniques?
01:18Yuli Flores Insegura?
01:21Fool.
01:22Fool.
01:27I'm not Insegura.
01:29Daddy, where were you?
01:31What's up? Why are you so excited?
01:35You took a long time.
01:37And Miguel Ignacio is not trustworthy, Gil.
01:39Did he do something to you?
01:40Tell me, I'm going right now and I'll put it in my head.
01:42Why do you see him in violence?
01:44That's right.
01:45No, he behaved very well with me.
01:48I bought for the mundongo.
01:50And I bought for the rice with chicken.
01:53Miguelito.
01:55It seems that Teresa and Lorena are arguing, right?
01:59I hung up the clothes before going to work
02:01because I was sure they were going to dry quickly.
02:03And how long are you going to take to help clean the house?
02:06Lorena works, Teresa.
02:08And what do I do?
02:23Insegura
02:33By hand.
02:34Ah, by hand.
02:36Beijing is the capital of China.
02:38About 22 million inhabitants.
02:4122 million.
02:42And how many restaurants?
02:44Many.
02:45And how many with a Peruvian chef?
02:47I don't have that answer yet.
02:50Don't worry, don't worry.
02:51We'll find out.
02:53You already know a few things about us.
02:57But we don't know almost anything about you.
03:00Really?
03:01Of course.
03:02Maybe we can start with your full name.
03:06Hou Jiaqi.
03:08Hou Da.
03:09Hou Jiaqi.
03:11Let's leave it at Hou.
03:12Let's simplify it.
03:14And what do you do?
03:16Do you study?
03:17Do you work?
03:18What do you do besides helping the most in need?
03:21I work in the group in the middle of China.
03:24The group in the middle of China?
03:27What is that?
03:33This is a special theater.
03:35It has more than 350 years of history.
03:40Incredible.
03:41Many founders of Beijing Opera sang on this stage.
03:47Spectacular, isn't it?
03:48Yes.
03:49What a beauty.
03:51Beautiful.
03:52Hou.
03:54You know how to give us a go.
03:56Yes.
03:58I remembered something.
04:03Do you think you can put this song in the chorus?
04:08No.
04:10Fulfill your dream.
04:16Yes.
04:47I want you to know my heart.
04:54I think love has finally come to me.
05:00I changed my life when I met you.
05:06I could not live without you.
05:11I want you to know my heart.
05:18I think love has finally come to me.
05:24I changed my life when I met you.
05:30I could not live without you.
05:34When I am with you, everything is different.
05:40I do not want to lose you, I will always love you.
05:46When I am with you, everything is different.
05:52I do not want to lose you, I will always love you.
06:05You are a star!
06:08My talent crosses borders.
06:21Marito.
06:23I do not want to be paranoid again, but ...
06:27What is the probability that a Chinese girl
06:29finds two Peruvian boys lost in the jungle?
06:34They are very few.
06:38Besides, they have not helped us at all so far.
06:43You're right.
06:45Joe has a sinister plan for us.
06:49What sinister plan?
06:51The girl is just helping us.
06:53What is sinister about that?
06:54But it's weird.
06:55No, it's not weird.
06:58It's crazy.
07:00Okay, okay.
07:04I know, I know.
07:15Brother, how many hours are the difference with Lima?
07:18Thirteen hours, brother.
07:19Thirteen hours.
07:20Thirteen hours less.
07:21Thirteen hours?
07:22Yes, less, less.
07:23That is, if here are the ...
07:27Twelve plus one, minus one.
07:29Less.
07:30It does not matter, there is no time to lose.
07:33How do you keep it, Yuli?
07:37Yuli.
07:42Hello, Yuli.
07:44What, are you sleeping?
07:46I do not care.
07:47Listen to me, please listen to me.
07:49Here, I do not know how you do it,
07:51but you are sleeping very well,
07:52while here the skinny dog is all nauseous
07:54until he wants to jump off a bridge.
07:56I do not know how you do it,
07:57but right now you get the information from the front
07:59where the Alice is.
08:02Hurry up, I'm waiting for you.
08:06Mappi, Mappi, Mappi, get up.
08:08It's urgent.
08:09What?
08:10What happened, Mr. Terremoto?
08:11Get up, help me get the others up.
08:13Oh, wait, I can not.
08:18Oh, Mappi.
08:22Save yourself, Juana.
08:25Hello, Mrs. Gilberto, wake up.
08:27What's up, weico?
08:29Terremoto tremor.
08:30Oh no.
08:31Mr. Dallavaca, open your eyes, sir.
08:33I'm going to help the patio and I'll tell you.
08:37What?
08:38Gilberto?
08:40Wake up.
08:41Julisita is ...
08:42Oh, I woke up.
08:43Julisita is calling the whole family to the patio.
08:46Run, run.
08:49Oh no.
08:53Mom, Dad, wake up.
08:55The house is falling.
08:57You go first, I'll protect you.
08:59No, no, nothing falls,
09:00only that Yuli wants to talk to us in the patio.
09:02What does Yuli want to talk to us about?
09:04Oh, I do not know, but that's the important thing.
09:05Let's go.
09:06Okay.
09:11What, Terremoto?
09:12Wake up.
09:13What's up, niece?
09:14What's up?
09:15I have something important to tell you.
09:16They are waiting for us in the patio.
09:18Love.
09:19Love.
09:20Dad, please, do not be greedy.
09:21Let me rest.
09:22Love, your niece needs us.
09:23Wake up, wake up.
09:24What?
09:25Your niece.
09:26Julisita, can you tell us what such a fuss is about?
09:29First the discussions and now this.
09:32Wait, there are still questions, dad.
09:35We are here.
09:36We are here.
09:38Enough, Yuli.
09:39Do not give him more turns.
09:40Tell us.
09:42How many weeks are you behind?
09:44What?
09:45Dad.
09:46But it is obvious that he has not woken up to tell us that he is pregnant,
09:48but he has the problem of not knowing who the father is,
09:50if the young vampire or the wolf-man apprentice.
09:52Uncle, it's nothing like that.
09:54Speak, little girl, you have us disgusted.
09:57Which?
09:58Oh, please.
09:59They woke me up from my sleeping dream.
10:01It was the president.
10:03I drove some very luxurious cars, millionaires,
10:06and I had my watch.
10:08It's about Jimmy.
10:09No.
10:10No.
10:11No.
10:12No.
10:13No.
10:14No.
10:15No.
10:16No.
10:17No.
10:18No.
10:19No.
10:20No.
10:21No.
10:22No.
10:23No.
10:24No.
10:25No.
10:26No.
10:27No.
10:28No.
10:29No.
10:30No.
10:31No.
10:32No.
10:33No.
10:34No.
10:35No.
10:36No.
10:37No.
10:38No.
10:39No.
10:40We are going to lift a beautiful prayer for his poor soul.
10:41We are going to pray.
10:42I'm going to have to reopen the funerary.
10:43Do you know if it comes refrigerated or ashes?
10:44No, Jimmy is fine.
10:45What?
10:46Well, more or less.
10:47He's just desperate because he can't find Alessia.
10:48He's super depressed.
10:49He can't take it anymore.
10:50That's why Joel called me desperate,
10:51demanding that we find Alessia's address.
10:52Anyway.
10:53Well, if that's what he asked for.
10:54That's it.
10:55That's what we'll do.
11:26All right.
11:27All right.
11:28All right.
11:29All right.
11:30All right.
11:31All right.
11:32All right.
11:33All right.
11:34All right.
11:35All right.
11:36All right.
11:37All right.
11:38All right.
11:39All right.
11:40All right.
11:41All right.
11:42All right.
11:43All right.
11:44All right.
11:45All right.
11:46All right.
11:47All right.
11:48All right.
11:49All right.
11:50All right.
11:51All right.
11:52All right.
11:53All right.
11:54All right.
11:55All right.
11:56All right.
11:57All right.
11:59All right.
12:00Well, I guess we're doing it.
12:20Don't you hold back.
12:21If you collaborate, everything will be fine.
12:22Don't worry, Chris. We're not going to hurt you. We just want to know where Alesia is.
12:26Don't be stupid, kid. Just tell us where Alesia works.
12:32Jimmy, you need to find her. They love each other.
12:35Your sister will thank you.
12:38Look, Vampirinza Cabaltero. Tell us the truth. Tell us everything or we'll throw you off the balcony.
12:48Hello, Julie. Tell me, tell me. Here's Julie.
12:51Hello, young man. We have the information.
12:53What? Information? What information?
12:56Alesia works at a restaurant in Beijing.
12:58She's in Beijing? She's in Beijing?
13:00You can't be serious! That's incredible!
13:02We're in Beijing! We're in Beijing!
13:04Yes, yes, yes, yes, yes, yes, yes, yes.
13:05I was distrusting, distrusting the poor girl.
13:07Bring it, bring it.
13:09Hello, cousin. Do you know where to find Alesia?
13:11Huh?
13:12No, I mean the restaurant where she's staying. Do you know or not?
13:16Cristobal just told us that. I didn't know anything else.
13:19Hey, girl, what do you have? Listen to me.
13:21And your phone number? Your new phone number, whatever it is.
13:24We didn't think of it.
13:26We all have to do it ourselves.
14:19I knew you'd come back!
14:21No!
14:23My phone died.
14:28I'm so sorry.
14:30Cristobal destroyed your phone.
14:32It had all the information.
14:34It's okay, cousin. Thank you.
14:36It's just that we also have our problems.
14:38We don't know what to do.
14:40We don't know what to do.
14:42We don't know what to do.
14:44We don't know what to do.
14:46We don't know what to do.
14:49It's just that, if they knew what happened…
14:51What did you say?
14:53Are you busy? That's it, then.
14:57Problems?
14:58No, but we have great news.
15:00Alesia is here! In Berlin!
15:02That's great.
15:04Yes, but we don't know where to find her.
15:06But this is your city, right?
15:08You know journalists, you know people.
15:10You are in your neighborhood, then you can help us.
15:12I promise you that if, or if Alesia will appear.
15:16Ay, ay, ay. I like that.
15:18She's talking like a Peruvian.
15:20Love, bro.
15:24We're leaving.
15:25But you have to promise us that you won't say anything to Alesia.
15:28And Misito is already close.
15:30And no one should take that into account.
15:32On the contrary.
15:34Oh, oh, oh.
15:46I know you're sad and happy.
15:48But I'm yours.
15:50And you're mine.
16:16And your friend, the owner of the restaurant, can know where to locate Alesia.
16:28Uh, Jo, please tell me that this is not going to end like last time.
16:32No, it's not going to end like before.
16:37Hello, what would you like to eat?
16:39Hello.
16:40I'm going to recommend you something very tasty.
16:43Oh yeah?
16:44I'm going to recommend you something very tasty.
16:50Pato es rosado, no?
17:14Pato es rosado, no?
17:16Pato es rosado, no?
17:18Pato es rosado, no?
17:20Pato es rosado, no?
17:22Pato es rosado, no?
17:24Pato es rosado, no?
17:26Pato es rosado, no?
17:28Pato es rosado, no?
17:30Pato es rosado, no?
17:32Pato es rosado, no?
17:34Pato es rosado, no?
17:36Pato es rosado, no?
17:38Pato es rosado, no?
17:40Pato es rosado, no?
17:42Pato es rosado, no?
17:44Pato es rosado, no?
17:46Pato es rosado, no?
17:48Pato es rosado, no?
17:50Pato es rosado, no?
17:52Pato es rosado, no?
17:54Pato es rosado, no?
17:56Pato es rosado, no?
17:58Pato es rosado, no?
18:00Pato es rosado, no?
18:02Pato es rosado, no?
18:04Pato es rosado, no?
18:06Pato es rosado, no?
18:08Pato es rosado, no?
18:10Pato es rosado, no?
18:12Pato es rosado, no?
18:14Pato es rosado, no?
18:16Pato es rosado, no?
18:18Pato es rosado, no?
18:20Pato es rosado, no?
18:22Pato es rosado, no?
18:24Pato es rosado, no?
18:26Pato es rosado, no?
18:28Pato es rosado, no?
18:30Pato es rosado, no?
18:32Pato es rosado, no?
18:34Pato es rosado, no?
18:36Pato es rosado, no?
18:38Pato es rosado, no?
18:40Pato es rosado, no?
18:42Pato es rosado, no?
18:44Pato es rosado, no?
18:46Pato es rosado, no?
18:48Pato es rosado, no?
18:50Pato es rosado, no?
18:52Pato es rosado, no?
18:54Pato es rosado, no?
18:56Pato es rosado, no?
18:58Pato es rosado, no?
19:00Pato es rosado, no?
19:02Pato es rosado, no?
19:04Pato es rosado, no?
19:06Pato es rosado, no?
19:08Pato es rosado, no?
19:10Pato es rosado, no?
19:12Pato es rosado, no?
19:14Pato es rosado, no?
19:16Pato es rosado, no?
19:18Pato es rosado, no?
19:20Pato es rosado, no?
19:22Pato es rosado, no?
19:24Pato es rosado, no?
19:26Pato es rosado, no?
19:28Pato es rosado, no?
19:30Pato es rosado, no?
19:32Pato es rosado, no?
19:34Mmm
19:38Mmm
19:42Mmm
19:50Rico
19:56Este sabor es...
19:58Es difícil de explicar
20:00Es como...
20:02I haven't tried anything like this since Lima.
20:04It must be, because it's a dish made by someone you know.
20:09My dear.
20:30What are you saying?
20:36Alicia.
20:38She's in the kitchen.
20:42Alicia!
20:44Alicia!
20:57Alicia!
21:00So you're a picarona, aren't you?
21:02You know all this stuff.
21:05You brought us here on purpose
21:08so that the meeting is unforgettable.
21:14And to think that Jimmy
21:16thought that you were fooling us
21:19with other intentions.
21:21Imagine that.
21:22You'll see.
21:34Ay, mamacita.
21:46What's going on?
21:49And in another continent?
21:53I'm your fan.
21:55Sorry for being so late.
21:58I wanted to spend more time with you.
22:05She just left.
22:07Again.
22:35I love you.
22:36I love you.
22:37I love you.
22:38I love you.
22:39I love you.
22:40I love you.
22:41I love you.
22:42I love you.
22:43I love you.
22:44I love you.
22:45I love you.
22:46I love you.
22:47I love you.
22:48I love you.
22:49I love you.
22:50I love you.
22:51I love you.
22:52I love you.
22:53I love you.
22:54I love you.
22:55I love you.
22:56I love you.
22:57I love you.
22:58I love you.
22:59I love you.
23:00I love you.
23:01I love you.
23:02I love you.
23:03I love you.
23:04I love you.
23:05I love you.
23:06I love you.
23:07I love you.
23:08I love you.
23:09I love you.
23:10I love you.
23:11I love you.
23:12I love you.
23:13I love you.
23:14I love you.
23:15I love you.
23:16I love you.
23:17I love you.
23:18I love you.
23:19I love you.
23:20I love you.
23:21I love you.
23:22I love you.
23:23I love you.
23:24I love you.
23:25I love you.
23:26I love you.
23:27I love you.
23:28I love you.
23:29I love you.
23:30I love you.
23:31I love you.
23:32I love you.
23:33I love you.
23:34I love you.
23:35I love you.
23:36I love you.
23:37I love you.
23:38I love you.
23:39I love you.
23:40I love you.
23:41I love you.
23:42I love you.
23:43I love you.
23:44I love you.
23:45I love you.
23:46I love you.
23:47I love you.
23:48I love you.
23:49I love you.
23:50I love you.
23:51I love you.
23:52I love you.
23:53I love you.
23:54I love you.
23:55I love you.
23:56I love you.
23:57I love you.
23:58I love you.
23:59I love you.
24:00I love you.
24:01I love you.
24:02I love you.
24:03I love you.
24:04I love you.
24:05I love you.
24:06I love you.
24:07I love you.
24:08I love you.
24:09I love you.
24:10I love you.
24:11I love you.
24:12I love you.
24:13I love you.
24:14I love you.
24:15I love you.
24:16I love you.
24:17I love you.
24:18I love you.
24:19I love you.
24:20I love you.
24:21I love you.
24:22I love you.
24:23I love you.
24:24I love you.
24:25I love you.
24:26I love you.
24:27I love you.
24:28I love you.
24:29I love you.
24:30I love you.
24:31I love you.
24:32I love you.
24:33I love you.
24:34I love you.
24:35I love you.
24:36I love you.
24:37I love you.
24:38I love you.
24:39I love you.
24:40I love you.
24:41I love you.
24:42I love you.
24:43I love you.
24:44I love you.
24:45I love you.
24:46I love you.
24:47I love you.
24:48I love you.
24:49I love you.
24:50I love you.
24:51I love you.
24:52I love you.
24:53I love you.
24:54I love you.
24:55I love you.
24:56I love you.
24:57I love you.
24:58I love you.
24:59I love you.
25:00I love you.
25:01I love you.
25:02I love you.
25:03Oh.
25:04Oh.
25:05Oh.
25:06Oh.
25:07Oh.
25:07Oh.
25:08Oh.
25:09Oh.
25:10Oh.
25:11Oh.
25:12Oh.
25:12Oh.
25:13Oh.
25:14Oh.
25:15Oh.
25:16Oh.
25:17Oh.
25:17Oh.
25:18Oh.
25:19Oh.
25:20Oh.
25:21Oh.
25:22Oh.
25:22Oh.
25:23Oh.
25:24Oh.
25:25Oh.
25:26Oh.
25:27Oh.
25:27Oh.
25:28Oh.
25:29Oh.
25:30Oh.
25:31Oh.
25:32Oh.
25:32Oh.
25:33Oh.
25:34Oh.
25:35Oh.
25:36Oh.
25:37Oh.
25:37Oh.
25:38Oh.
25:39Oh.
25:40Oh.
25:41Oh.
25:42Oh.
25:42Oh.
25:43Oh.
25:44Oh.
25:45Oh.
25:46Oh.
25:47Oh.
25:47Oh.
25:48Oh.
25:49Oh.
25:50Oh.
25:51Oh.
25:52Oh.
25:52Oh.
25:53Oh.
25:54Oh.
25:55Oh.
25:56Oh.
25:57Oh.
25:57Oh.
25:58Oh.
25:59Oh.
26:00Oh.
26:01Oh.
26:02OH.
26:04Oh.
26:05Oh.
26:06NO.
26:08Oh.
26:10Oh.
26:10Oh.
26:11Oh.
26:12Oh.
26:13Oh.
26:14Oh no.
26:15Oh.
26:15Oh.
26:17Generic Smartphone.
26:30Each one of these letters has come straight from my heart, and I hope they reach your heart too.
26:48I came up with the idea of writing a letter for each day of the trip, that only you can motivate me.
26:56I'm not very good with letters, but everything is coming out of my heart.
27:07I love you, and no matter where you are, very soon I will be standing in front of you.
27:27I love you, and no matter where you are, very soon I will be standing in front of you.
27:41I have 21 letters for you.
27:56I love you, and no matter where you are, very soon I will be standing in front of you.
28:08Jimmy, as you know, Chris told me you were coming, but I can't believe it.
28:16I'm going around the world for you more than 10 times, Alicia.
28:26My dad didn't screw up.
28:30Unfortunately, you found out too late.
28:35I was with Lola, but I was only with her out of spite.
28:43That wasn't love.
28:48What I feel for you, that's real love.
28:56That love made me get on a ship and go to the other side of the world.
29:05That love helped me look for you all over China.
29:13That love gives me strength every day, and it won't end.
29:18It won't end.
29:21Despite what you said on the plane.
29:26Our love will never end.
29:33I'm starting a new life.
29:36You don't have to.
29:39You and I were victims of your dad and Mrs. Francesca's prejudice.
29:43But we're going to give them the pleasure of being apart.
29:48That's how I feel when I see your name on a piece of paper.
29:55When I read my name.
30:00I love you, Jimmy Gonzalez.
30:13La más bella, ella es un ángel que vive en la tierra.
30:18Yo lo sé, y deja huella.
30:22Vuela muy alto como los cometas.
30:26Enciende el fuego al pasar.
30:29¿Qué puedo hacer para atraparla?
30:32No soy el único que quiere conquistarla.
30:38La más bella, princesa inalcanzable.
30:42Yo te amo.
30:44Yo te amo a ti.
30:49Pensar que vine hasta aquí para alejarme de ti.
30:54¿Y ahora?
30:55Se me fueron las ganas de tenerte lejos.
30:59Y cuando estoy dormido te vuelvo a soñar.
31:03Me tienes atrapado, no lo puedo evitar.
31:07De verdad que tienes 21 cartas más.
31:11No cambiaría nada de ti porque así me vuelves loco.
31:17No sé qué hacer para que pienses en mí.
31:21Te daría mi alma si lo deseas, solo mírame.
31:27¿Qué puedo hacer para atraparla?
31:30No soy el único que quiere conquistarla.
31:35La más bella, ella es un ángel que vive en la tierra.
31:39La...
31:42La más bella, princesa inalcanzable que todos desean.
31:47No hay en el mundo nadie como ella.
31:51Me tiene atrapado, no lo puedo evitar.
31:55No puedo escapar.
31:57La más bella, desde que te vi no te dejo de pensar.
32:02Y cuando estoy dormido te vuelvo a soñar.
32:05I'm going to sell these cards forever, my dear.
32:12That was the idea.
32:14And now what do we do?
32:16Whatever you want.
32:19I don't know.
32:23Whatever you want.
32:30Do you want me to die here?
32:48Yes, I want.
33:10It's not just a fragrance,
33:12it's the new collection of pure fragrance from Anxia.
33:14They smell like a perfume from a luxury brand.
33:18Hi mom, did you get the videos I sent you?
33:22Yes, my love, right away. Claro's mobile network is very fast.
33:26Change to the fastest mobile network in Peru to 0800 00200.
33:36Damn, we haven't received any news from the boys.
33:42They must have found Lalecita.
33:47Don Gilberto.
33:50What do you offer?
33:53Nothing, I came to thank you for the great moments I spent in your company.
33:59You are a wise and generous man who has filled me with hope, Don Gilberto, with your well-intentioned advice.
34:06Of course, always without stopping to send your little girl.
34:11As it should be.
34:14That's right, as it should be. That's why I came to give you an offer.
34:19An offer?
34:20Yes, more than an offer, it's actually a gift.
34:24But you've already made me angry enough yesterday.
34:28It's never enough for a man like you, Don Gil.
34:33Look.
34:37A signature and you will have the greatest gift of your life.
35:07What are you doing here?
35:34Come here, shameless.
35:49What are you doing?
35:51I hang my clothes.
35:54That's not your clothes.
35:55Yes, it's my clothes.
35:57I hung it last night.
36:00Did you wash it again last night?
36:02Yes, what happens is that Tito gets very dirty.
36:05And I wanted to leave you the laces free before I go to work.
36:14Let me finish hanging up, you're going to be late for work.
36:19Sure?
36:22Without resentment?
36:26Without resentment.
36:32Tere, I'm very sorry about her.
36:38Me too.
36:41I'm sorry.
36:43Sometimes I can be very intense.
36:47I don't stay behind.
36:54As a matriarch of this family,
36:59I have to spread peace.
37:08What are you offering me, strained viscacha?
37:13I can call you that with all due respect, right?
37:18I prefer you to call me by my name, Miguel Ignacio.
37:22Yes, very good.
37:25But don't forget that at my age I don't remember names very well.
37:30Instead, I see your face,
37:32and I immediately remember a strained viscacha.
37:37Call me whatever you want, yes, but firm.
37:41What is this about?
37:44Ah, it's a round business.
37:46Round?
37:48I rather see them square.
37:51It's to invest in blueberries.
37:54Blueberries?
37:56Those are round, small, and almost purple.
38:02That's right, you know.
38:04And as you know, they call it the blue gold.
38:07It's the best investment.
38:09The Chileans no longer know what to do.
38:11They have lost their place in the global market.
38:14I have bought two hectares.
38:16It's a business that has no loss.
38:19And the company, blueberries or not, blueberries, yes,
38:22is in charge of the harvest, planting, and export.
38:27But I don't have capital for something like that.
38:31But that's not a problem.
38:33You can make a small mortgage
38:36of risk-free investment of your property.
38:40And you have already invested in this?
38:43That's right, but it's just between us.
38:46Ah, of course, of course.
38:56Well, I don't want to miss the opportunity,
39:01but before this, I have to look for my magnifying glass.
39:07Magnifying glass for what?
39:11To read the little letter.
39:14I don't see it so well anymore.
39:16It didn't take me long at all.
39:23Can someone explain to me what this little woman is doing here?
39:26This one has a name.
39:28Juana Zapata, the rat.
39:30Um, I...
39:31Juana?
39:33Who is Juana?
39:35I am Juana Zapata, of a birth.
39:39Go crazy now.
39:41You were the one who opened my safe.
39:43Who let you in?
39:45I'm going to fire the security team.
39:47Get out of here.
39:48No, no, no, please, Mrs. Franchaca, don't fire me.
39:50I made a mistake, but I already learned my lesson.
39:53You won't see my face twice.
39:54Get out.
39:55No, no, no, no, no.
39:56Never.
39:57I'm working here honorably.
39:59Oh, please, leave me here and don't do anything to me again.
40:02Did you think I was going to swallow the story?
40:07No, no.
40:08I would never think that.
40:09Come here, rat.
40:10Come here.
40:11What?
40:12Come here, rat.
40:19Oh, how cute, I eat them.
40:23Who said there should only be one housewife?
40:26False.
40:27Look, everything is harmonious between us.
40:29The issue of clothes is already solved.
40:31We all live on the same roof
40:33and we can turn around to put all the clothes together
40:36and wash them together.
40:37Hey, what if we buy a washing machine?
40:40The employees of Sara Calavera give us a discount.
40:42Oh, that would be better, right?
40:44Approved.
40:45Wait a minute.
40:46And you won't get confused, I mean,
40:48when it comes to distributing the clothes of each one.
40:50Little boy.
40:51Put some memory in your five poles and three shorts.
40:54But it's impossible.
40:55I mean, my clothes are totally different from Lorena's
40:58and what to say about Olin's.
41:00What to say.
41:01You are unique, my love.
41:02Unique.
41:03They don't have faith in us, but we already did it this morning.
41:06And did they have any problem?
41:08Nothing to do.
41:09We took each one's clothes and her husband's.
41:12What to say.
41:13You can't complain.
41:14You are well attended.
41:15No, my love.
41:16He treats us like kings.
41:20It's time to make merit.
41:21It's not fair.
41:22I'm going to think about how to make love to you
41:24when I get back from work.
41:27And I, when I come to see you there.
41:30Little kiss.
41:38Is something wrong, my love?
41:39No, everything is fine.
41:51I hope this old man signs quickly.
41:54Thank goodness no one came this way.
41:57Don Gilberto!
42:00Don Gilberto!
42:03Don Gilberto!
42:07What happened?
42:08Nothing, he fell asleep.
42:10He wants to sleep me?
42:12When?
42:14Apparently, as soon as he signed.
42:18Oh no!
42:20Oh no!
42:26What's wrong?
42:28This doesn't work.
42:29It's all messed up and blurred.
42:32Well, bring a copy and sign it again.
42:36It's okay, I'm going to bring a copy and sign it, okay?
42:39Yes, yes, I'm going to do it quickly.
42:41I already read the document.
42:43You read everything, right?
42:44Then I bring the copy and sign it quickly.
42:47I'm not going to move from here.
42:49Perfect, I'll be right back, okay?
42:52Don't tell anyone, okay?
42:54Just be quiet.
42:57If that turns out to be good, my wife will be very happy.
43:03Of course it's good!
43:05It's just that if I tell her something, it will ruin the surprise.
43:08Do you understand?
43:10You know everything, don't you?
43:17She doesn't know how much.
43:19She doesn't know how much.
43:26Did you send me to call Francesquita?
43:28Hey, this office is beautiful, my God.
43:32But small, small, like your importance in the corporation.
43:37Did you finish with your thanks?
43:39Well, so far, yes.
43:40For now, for now.
43:43I need to talk to you about something.
43:45Yes?
43:46What is it?
43:48I remind you one thing.
43:50I now listen to my new leader, to my Trump.
43:54Oh, I forgot that now you are the Felpudín of Miguel Ignacio.
43:58Sorry.
44:00Sorry, advisor.
44:02Suck my socks.
44:04But there is a topic that I have to talk to you about.
44:06You can come in now.
44:12What are you doing here?
44:14I didn't send you to call, I don't need anything.
44:17Mr. Bruno, Mrs. Francesca is voting for me.
44:21But that can't be.
44:23You, you, quiet, quiet, I'll fix this.
44:27I don't want a criminal in my corporation.
44:30What a pity, Francesca.
44:32She is my personal assistant.
44:35You can't vote for her.
44:38Very well, then both of you leave.
44:42But you can't vote for me.
44:45No, prove it to me.
44:57It was nice to see you here.
45:00Have a nice day.
45:03Mrs. Francesca, please don't fire me.
45:06Pack your things and leave.
45:09And take your things, I've made it very clear to you.
45:12You take a clip of that company and you go straight to jail.
45:17But why do you have such a bad concept of me?
45:21But why so much hate?
45:24Because it's a scam, that simple.
45:27Scam?
45:28By chance, haven't you noticed that you are missing things?
45:31Well, I don't know, my watch, my gold ring.
45:37But you know what?
45:39Lately, I've been a little lost.
45:45No, Bruno, it's your assistant who is going too far.
45:50Go now, go.
45:52I'm sorry, Bruno.
45:56Oh my God.
45:58Bruno, you have to think about who you're hiring.
46:03What a pain in the ass.
46:05I had already signed the old man and he erased everything with his drool.
46:11It doesn't matter, I'm going to the office, I sign a new contract and I'll be right back.
46:16That nauseating construction is mine.
46:19These long pants that my Tere has made are fine.
46:23But why have I worn them now if there is still a lack for winter?
46:27How strange.
46:29But it's my style.
46:31But I have to admit
46:34that they are very comfortable.
46:38But I have to admit that they are very comfortable.
46:43But I have to admit that they are very comfortable.
46:46They are very comfortable.
46:51I'm glad you're sleepy.
46:55Yes, warm.
47:00But you're sleepy.
47:02But you're sleepy.
47:13How strange is this thong that Lorena has bought me.
47:17I like to have everything loose, right?
47:19To its free albedo.
47:22But this is all meticulous.
47:25It has gotten into me.
47:27It's going to boil in the bottom.
47:30No!
47:36I have ten minutes to print this contract.
47:39I hope the old man doesn't die, it would be too much pineapple to ...
47:42Goodbye, sir of the house.
47:44Goodbye.
47:47Mr. Zapatero, what are you doing?
47:49Come back to your position too early to leave.
47:51What's wrong with you?
47:53I would love to, but I can't.
47:55How? Obey, come on, to your position.
47:58Mrs. Maldini fired me.
48:05Excuse me.
48:06It was a carelessness.
48:08I couldn't stop in time.
48:10Fortunately, it wasn't a big deal, right?
48:13It didn't hurt us.
48:15Maybe we can fix it somehow.
48:28Franchesca, what does this mean?
48:30A failed assembly, why?
48:32Miss Zapatero works in this corporation.
48:35Not anymore.
48:36Yes.
48:37I didn't fire her anymore.
48:38I'll put her back.
48:39You can't.
48:40Yes I can.
48:41You can't.
48:42They have to spend at least 48 hours after their dismissal to be able to consider their reposition.
48:47Well, then she canceled your dismissal.
48:53And it never existed.
48:55And it never existed.
48:58And I invalidate your invalidation.
49:00Now it's double.
49:02Well, I make you smoke.
49:04I break it, I eat it, I don't know.
49:06But you can't fire this collaborator of the corporation.
49:09Can I know why?
49:11Because I feel like it.
49:13Because you can't move a pencil without my authorization.
49:16You are no longer the master and lady of this corporation Maldini.
49:20That Maldini only has the last name, understood?
49:23You are making a demonstration of power.
49:26Yes.
49:27Any problem?
49:28Let me tell you that the lady you defend so much is a proven thief who opened the safe of my house.
49:37What?
49:38Until December she was working with the domestic service of my house.
49:42Now I see her working here.
49:44How about the promotion, right?
49:46She hasn't stolen anything here.
49:48Bruno hired her as his assistant.
49:50And since then he has performed the job perfectly.
49:55Great thing.
49:56If Bruno doesn't do anything, his assistant does less than anything.
49:59That's not my problem.
50:02And since I see that your servile ex-husband is under your oppressive yoke,
50:07I'm going to transfer Miss Zapayal to the management and planning area.
50:13She is not trained for that area.
50:15In the field of photocopy and coffee.
50:18I said.
50:19Miss Zapayal.
50:21Please, install my sensual.
50:23Thank you very much, Mr. Reyes Casas.
50:25I will be eternally grateful.
50:27Go.
50:32You will be happy, right?
50:33You left with yours.
50:35Now you have an eternally grateful young woman.
50:39Why is there so much interest in that little girl?
50:44Oh, I had forgotten your tastes.
50:46What are you talking about, Francesca?
50:48I'm not interested in Miss Zapayal or Perico Los Palotes.
50:52You just don't hire a member of this corporation without my authorization.
50:57Did you understand?
50:58What are you talking about?
50:59You just entered and said goodbye to 60.
51:01Because I can and you can't.
51:09This is not going to stay that way.
51:17The next day.
51:23Where is your cell phone?
51:30Hey, Fran.
51:31What a surprise.
51:32How are you?
51:33Diego, can you come to the corporation?
51:35Is it urgent?
51:36I'm in the middle of a preparation.
51:38Very urgent.
51:39I'm waiting for you, please.
51:40I'm going immediately.
51:42But tell me what it is about.
51:44I'll tell you here.
51:45And bring the nuclear man.
51:47What?
51:48You just bring him.
51:50Bye.
51:55I don't know what underwear you're talking about.
51:58The one you put on me, love.
51:59It's comfortable now.
52:02But I'm sleepy.
52:03Oh, you're making it up.
52:08Hello.
52:11But you...
52:13And what's wrong with this one?
52:14I don't know.
52:15He moves like you.
52:18Did you find out anything?
52:19A lot and nothing.
52:21I just want to know if Leonardo Llanos is dangerous.
52:24It doesn't seem.
52:25All his stay in prison
52:27he spent trying to set up musicals.
52:30This is bread eaten.
52:33That old man signed today the session of rights.
52:36And tomorrow I will lay that embassy with her.