(Adnkronos) - 'Acab' torna in serie a 13 anni dal debutto dell'omonimo film diretto da Stefano Sollima. E lo fa aprendo le porte alle donne. Nel nuovo reparto mobile, al centro degli episodi diretti da Michele Alhaique, fa il suo ingresso Marta, interpretata da Valentina Bellè. E' da pochi anni che la celere ha permesso alle donne di indossare le divise da celerino. "Ho sentito una responsabilità maggiore perché rappresento quella che è a tutti gli effetti ancora una minoranza in questo settore", dice Bellè all'Adnkronos, in occasione della presentazione a Roma della serie, dal 15 gennaio su Netflix. Per 'Acab' "ho eliminato la femminilità perché Marta è un personaggio pieno di conflitti, è rotta dentro. Ha vissuto una relazione tossica e violenta e ha trovato una soluzione trasformandosi al maschile, pensando che il femminile potesse renderla debole. L'ambiente della celere è testosteronico e violento ma è proprio lì che lei trova una sorta di protezione", spiega l'attrice, che ha accettato questo ruolo perché "mi affascinava indagare la violenza. La disprezzo, non mi piace 'starci dentro'", ammette l'attrice, che non è riuscita a darsi "molte delle risposte che avrei voluto darmi, ma sicuramente mi sono posta più domande". (Di Lucrezia Leombruni)
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00:00I always feel the responsibility.
00:04I didn't feel a greater responsibility because I represented a minority in this sector.
00:14Because the responsibility is that of the story we tell, of the characters.
00:19The work I did was to go against Marta's femininity.
00:32It's as if Marta had put it aside, as if she hadn't forgotten it.
00:40Because I thought she could make it weak.
00:49The work she does, the choices she makes, the attitude she takes to face all the very painful and complex dynamics she has to face in the series.
01:09Being more masculine, I thought I could help her.
01:14So I worked in that direction, away from the idea of femininity.
01:21And what came out was a broken woman.
01:26A very hard and tense woman.
01:29And I don't know if I wish women to see themselves in her.
01:33What did you find interesting about the story of the conflict?
01:44Well, I had a lot of questions.
01:47And I think they are questions that we all ask ourselves looking at today's reality.
01:51As I imagine Stefano and the actors did when they made the film.
01:56They are questions that the audience would like to ask themselves after watching the series.
02:01So the series is not meant to give answers, to say things are like this.
02:06But in a way, it is meant to go beyond this more external look.
02:15On what we have always seen as the teams of the cell, of the mobile part.
02:21Like a single magma, right?
02:24Instead of trying to see the human being behind it.
02:27And to distinguish the individuality.
02:29To understand what are the private conflicts of these characters.
02:32And to understand how the private conflicts have consequences on the audience.
02:35When the same characters wear the uniform.
02:38Or how the external conflicts reverberate on the private.
02:43What does Italy tell?
02:46It tells an Italy that has not changed in these years.
02:54It is an Italy where people go out on the street.
02:59Because they don't want that a few hundred meters away from their home.
03:03A discharge opens up.
03:08It talks about people who want to have the right to their own home.
03:13And other people who don't want that kind of people.
03:16Because they are not Italian.
03:18It tells a context that we know.
03:21That we see every day in other newspapers.
03:24We read the news on the newspapers.
03:26But trying to go beyond.
03:29Trying to look at the characters that are behind us.