冨永愛の伝統to未来～ニッポンの伝統文化を未来へ紡ぐ～ 2024年11月27日 京都・大覚寺の寺宝
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TVTranscript
00:00This bridge was built by Emperor Saga to travel from Daikakuji to Gyoko.
00:06I didn't know that.
00:08When the epidemic was spreading, Emperor Saga got sick and had to pray.
00:15Then the epidemic was completely cured.
00:17I see.
00:18It was a miracle.
00:20It was a miracle.
00:22It was a miracle.
00:24When the epidemic was spreading, Emperor Saga got sick and had to pray.
00:28Then the epidemic was completely cured.
00:30I see.
00:31It was a miracle.
00:33Why don't we go to Daikakuji?
00:36Wow, that's a good idea.
00:40Today, I'm going to find out the secret of Daikakuji's prayer.
00:47Daikakuji, Kyoto
00:50Today, I'm visiting Daikakuji, Kyoto.
00:56Have you ever been to Daikakuji?
00:59Yes, I have.
01:00I came here ten years ago for a photoshoot for a fashion magazine.
01:06It brings back memories.
01:09Wow, it's beautiful.
01:11Wow.
01:12It's like a temple with a sense of dignity.
01:16It has a great atmosphere.
01:22More than 1,200 years ago,
01:25at the beginning of the Heian period,
01:27Daikakuji was established as the residence of Emperor Saga.
01:33According to Kūkai, the founder of Daikakuji,
01:37Emperor Saga wrote the Hannya Shingyo to calm the epidemic.
01:44It was opened once every 60 years.
01:50In the courtyard,
01:52there is the oldest Japanese garden pond called Osawa-no-Ike.
01:57There is also Osawa-no-Ike,
01:59which brings back memories of the time.
02:04Today, I'm visiting Daikakuji's national treasure and important cultural property.
02:11This is the room where Nanboku-cho was built.
02:15Oh, here?
02:16This is the room where Nanboku-cho was built.
02:20I was able to see the statue of Emperor Saga
02:25in a very special way.
02:29The statue was filled with water,
02:32which was used as a medicine.
02:35I, too, challenged the statue with a wish.
02:42Daikakuji is also the temple of flowers from Ikebana,
02:47the founder of Ikebana Saga-goryu.
02:50Ikebana was also built there.
02:53So, we're going to live in a certain landscape.
03:18Hello.
03:20Nice to meet you, Mr. Okamura.
03:22Today's guide is Mr. Okamura.
03:25I'm Tominaga.
03:26Nice to meet you.
03:27Nice to meet you, too.
03:28This is the front entrance.
03:31It's called the Shikidai-genkan.
03:34This is the official entrance for the Monzeki-class.
03:37If there is a high-ranking person,
03:39they draw a line here and ask you to go up.
03:43I made a mistake and tried to go in from here.
03:46I see.
03:47If there is a high-ranking person,
03:49you can go in.
03:52What is this?
03:55This is the back of Go-Uda,
03:57the emperor of Go-Uda,
03:59who was the governor of Go-Uda.
04:01This is the back of Go-Uda,
04:03who was the governor of Go-Uda.
04:05Do you know why this is Go-Uda?
04:09There are nine chrysanthemums here.
04:13These are called Kuyogiku.
04:15Nine chrysanthemums are attached to each chrysanthemum.
04:19In fact, each emperor has five chrysanthemums.
04:23In the past, it was decided which emperor had these five chrysanthemums.
04:27Now it's the same.
04:29That's why Go-Uda is used for sure.
04:34It's easy to understand.
04:36He was quite a big man.
04:39This is also quite heavy.
04:41Was it made big?
04:43I'm not sure if it's heavy or heavy.
04:45I see.
04:50The first thing he showed us was the Chokufu Shingyo.
04:55Could it be this stone?
05:00It's a ping-pong table.
05:02Wow, amazing.
05:04It's said to be protected very well.
05:06That's right.
05:09This is the heart of the Otono Daigakuji Temple.
05:13It's called the Shingyo-Den.
05:18In the 9th year of the Kōnin period,
05:20the Great Kikin spread the plague.
05:23Many people died.
05:28Emperor Saga,
05:30in order to suppress the plague,
05:32used the Kūkai-no-Susume, the Great Kōbō-daishi.
05:36He spent three days and nights
05:38in the Kūkai-no-Susume to suppress the plague.
05:42At that time, Emperor Saga asked Kōbō-daishi
05:45what he should do
05:47because everyone was suffering
05:51from the plague.
05:56Emperor Saga and Kōbō-daishi
05:58were just 12 years apart.
06:01They got along very well.
06:05Kōbō-daishi said,
06:07why don't you write the Hannya Shingyo
06:09with all your heart?
06:11That's what he suggested.
06:13When he wrote the Shakyō,
06:15the plague subsided.
06:17Since then,
06:19the Daigakuji Temple has become
06:21the center of the Hannya Shingyo.
06:24It is said that he wrote
06:26the Hannya Shingyo with all his heart.
06:30Do you know why he wrote it
06:32with all his heart?
06:34It is summarized in four characters.
06:38One character at a time
06:40means to come and go three times.
06:45When you come and go three times,
06:47you stand up
06:49and put your head like this.
06:53You repeat this three times.
06:57Then you write one character.
06:59He wrote the Hannya Shingyo
07:01with all his heart
07:03from the first character to the last.
07:05He wrote the Hannya Shingyo
07:07with all his heart.
07:09I didn't know that.
07:12Here,
07:13the Hannya Shingyo
07:15written by Emperor Saga
07:17has been preserved.
07:19It was only opened once in 60 years.
07:26Recently,
07:27it has been closed for 1,200 years
07:29since it was first opened.
07:31It was opened in 2018
07:33and was first shown to the public.
07:43This time,
07:44we took a special look
07:46at the reproduction of the Hannya Shingyo.
07:50As I mentioned earlier,
07:52we don't usually display it.
07:54But this time,
07:56we will display it
07:58for you to see.
08:01Please look at it.
08:23Please look at it.
08:27Can I look at it?
08:29Please look at it.
08:31It's amazing.
08:33It's beautiful.
08:46Even though it's a replica,
08:48I was so moved that I got goosebumps.
08:55It was really tattered.
08:57Is that so?
08:58Yes.
08:59Why was it tattered?
09:01It's a legend,
09:03but the Hannya Shingyo itself
09:05is a new kind of spirit.
09:07It has a poison.
09:09In the later period,
09:11people who were told
09:13that it was a disease
09:15were from the Niya family.
09:17They thought that
09:19at least this Hannya Shingyo
09:21had some kind of power of poison.
09:23So they scraped it and drank it.
09:25They made it into medicine.
09:27It was a sutra
09:29filled with such thoughts.
09:33I was able to see something wonderful.
09:41I also wrote a sutra
09:43with such a Hannya Shingyo
09:45as a wish.
09:49I'm not good at it.
09:51When you write a sutra,
09:53you have to think that
09:55there is a Buddha in every character.
09:57You don't have to write it in three lines,
09:59but you have to think that
10:01it's a wish of Emperor Saga.
10:03I want you to write it carefully
10:05in every character.
10:20Is it my wish?
10:22Of course it is.
10:24World peace.
10:28The completion of the sutra
10:30will be later.
10:37The next place we visited
10:39was a temple.
10:44The daughter of Hidetada,
10:46the second general of Tokugawa,
10:48who married Emperor Gomizuno
10:50was used to live
10:52in Masako, the head of the Tohoku clan.
10:57The daughter of Tokugawa
10:59and Emperor Gomizuno
11:01were married.
11:03The Tokugawa family was happy.
11:05They were happy,
11:07so they put a lot of
11:09Kikunogomon in the building.
11:11Oh, it's blue.
11:13They put a little.
11:15It's in there.
11:17It says,
11:20Self-assertion.
11:22That's right.
11:25This is the appearance
11:27of the so-called Koubu Gattai.
11:29It's interesting.
11:31By the way,
11:33this decoration is cute.
11:35It's a cicada.
11:37It's said that
11:39everything is different,
11:41so it's a little different.
11:45It's a little different.
11:47There are big ones,
11:49there are small ones,
11:51and there are some with transparent wings.
11:53This is a technique
11:55that can be done by hand.
11:57I think this is a great technique.
11:59This is the decoration of
12:01the Shitomido cicada.
12:03The meaning of the cicada
12:05is to avoid thieves
12:07by crying and running away
12:09when they feel the presence of people.
12:11It is filled with the skill
12:13and playfulness of the craftsmen
12:15It's like a tea shop.
12:17That's right.
12:19It's a temple.
12:21It's a temple,
12:23but it's a room
12:25where the emperor
12:27has to use
12:29the most proper things
12:31to perform his duties.
12:33I think it's a good place
12:35to play a little
12:37because it's a dormitory.
12:39Really?
12:41Thank you very much.
12:43It's a great opportunity.
12:45Please take a look at it.
12:47Thank you very much.
12:49Let's go.
12:51This temple is
12:53the temple of the emperor.
12:55This garden is also
12:57the place
12:59where the cherry blossoms
13:01bloom.
13:03When you decorate the
13:05Hina dolls,
13:07the cherry blossoms
13:09bloom on this side
13:11and the cherry blossoms
13:13bloom on this side.
13:15In the Heian period,
13:17cherry blossoms were
13:19more like plums than cherry blossoms.
13:21So, when you think of cherry blossoms,
13:23you think of plums.
13:25That's why
13:27this garden is made
13:29like a dormitory,
13:31but instead of cherry blossoms,
13:33plums are planted here.
13:35The city of Kyoto
13:37has a clear north-south direction.
13:39The samurai
13:41sit down here
13:43and look to the north.
13:45That's why it's called
13:47the samurai of the north.
13:49If you look to the south,
13:51it means you are
13:53governing the country.
13:55The emperor's residence
13:57and his residence
13:59are on the north side
14:01and look to the south.
14:03That's how the temple is made.
14:05I didn't know that.
14:07I didn't expect that.
14:09Please come in.
14:11Please come in.
14:13May I?
14:15Yes, please.
14:17This is the
14:19Kouhaku Wai-mon.
14:21If you look closer,
14:23you can see
14:25the amazing craftsmanship.
14:27The Aoi-no-Gomon
14:29you saw earlier
14:31and the Kiku-no-Gomon
14:33next to it.
14:35What do you think this is?
14:37It's a peek-hole.
14:39It's hard to believe.
14:43That's the important room.
14:45Let's go to the
14:47important room over there.
14:49By the way,
14:51if you look here,
14:53the Kurae-no-Takai-kata is the Oumon
14:55and the next one is the Komon.
14:57The Shin-no-gata
14:59can only enter here.
15:01This is the room
15:03for the Kurae-no-Takai-kata.
15:05Please come in.
15:07I'm curious.
15:09Excuse me.
15:11Oh!
15:13It's a key.
15:15So that you can't enter.
15:17I don't think there's
15:19such a key in Fusuma.
15:21I've never seen it.
15:23It's locked.
15:25This room is
15:27the Kurae-no-Takai-kata.
15:29You can't open it
15:31because it's locked.
15:33That's the uniform.
15:37The atmosphere is different.
15:39Yes.
15:41If you enter this room
15:43and look at the buttons,
15:45it's very...
15:47Please come in if you like.
15:57You usually look at the garden,
15:59but this room
16:01has beautiful buttons
16:03even when you look this way.
16:05It's a room
16:07that we rarely enter.
16:09Is that so?
16:11We only use this room
16:13for special events.
16:15No matter what you say,
16:17there are 18 sides
16:19of the buttons.
16:21It's a symbol of the Edo period.
16:23The buttons of Kano-sanraku
16:25and Ume-no-Fusumae
16:27have been restored.
16:37Although Sanraku
16:39was originally used
16:41by Toyotomi Hideyoshi,
16:43his talent for painting
16:45was recognized
16:47and he became a disciple
16:49of Kano-sanraku.
16:51Sanraku is said to be
16:53the ancestor of Kyo Kano.
16:55This work was created
16:57in commemoration of
16:59Masako Tofukumoui's marriage.
17:07This is a copy
17:09from the Showa period.
17:11The 18 buttons
17:13of Kano-sanraku
17:15are said to be
17:17the most powerful
17:19buttons of Sanraku.
17:21This is an important
17:23cultural property.
17:25The buttons are
17:27very gorgeous.
17:29You're right.
17:33The buttons are
17:35said to be
17:37the king of flowers.
17:39For example,
17:41the buttons of Shakuya-ku
17:43are said to be
17:45the most beautiful
17:47in the world.
17:49I see.
18:01My Shakyo is
18:03about to be completed.
18:19Shakyo, Shakyo, Shakyo, Shakyo, Shakyo, Shakyo, Shakyo, Shakyo...
18:25Are you done?
18:29Now,
18:31I'd like to
18:33receive the king.
18:35Please take it out and take it.
18:43The Hanya-shin-gyo
18:45is said to be
18:47very beautiful.
18:49Please take a seat.
18:53Now, let's pray.
19:07You have to keep
19:09the charcoal
19:11on the fire
19:13until it melts.
19:15You have to pray three times
19:17and write 276 characters.
19:19That's why it's still there.
19:21Many traditional crafts
19:23have been damaged
19:25in the Noto Peninsula itself.
19:27Traditional crafts such as
19:29pots, which are essential
19:31to the beautiful city of Kanazawa,
19:33and events that convey
19:35the charm of them
19:37are held until December 8th.
19:39In addition to the exhibition of works,
19:41the next generation of artists
19:43will exhibit new works
19:45created with their own hands.
19:49Please come to the venue.
19:53In the program,
19:55we will continue to introduce
19:57the current state of
19:59traditional crafts in the Noto Peninsula
20:01and the movement towards reconstruction.
20:03The exhibition,
20:05commemorating the 1,150th anniversary
20:07of the Great Kakuji,
20:09will be held at the Tokyo National Museum
20:11The exhibition will feature
20:13many important cultural artifacts,
20:15such as the small mural
20:17of Kano Sannaku,
20:19as well as the Okamurinoma,
20:21which is usually not shown.
20:23The pre-sale tickets
20:25will be on sale
20:27from December 2nd.
20:29For more information,
20:31please visit the official website.
20:33Next time,
20:35we will take a closer look
20:37at important cultural artifacts.
20:39Next time, we will take a closer look
20:41at important cultural artifacts.
20:43Next time, we will take a closer look
20:45at important cultural artifacts.