開運！なんでも鑑定団 2024年10月29日 番組初鑑定！悲劇の死＜昭和の天才画家＞幻の作にド級値＆1000万円で入手＜ド迫力焼き物＞！
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TVTranscript
00:00I need somebody
00:02Kaiun!
00:05You know, I need someone
00:07A prince from a wealthy family
00:10who won the lottery for 10 million yen
00:14The prince is cute
00:17The prince?
00:18He's like, hey!
00:20A work of a mysterious genius painter
00:24I can't believe how creative he is
00:28He's so powerful
00:31I'm going crazy
00:33In Nagano prefecture, Suzaka city
00:36A group of people with unique personalities gather
00:40This is going to be hard
00:42It's heavy
00:44Hey, hey, hey!
00:46There's water!
00:48Why are you pouring water?
00:51Today's guest is...
00:54This man, who shakes his sword powerfully
00:59Komatsu Chosei, a poet
01:04Born in 1958 in Mikuni-cho, Fukui prefecture
01:10He decided to become a poet when he was 5
01:15He admired Karayan, a world-famous poet, and imitated him
01:22He passed the entrance exam to a music high school in Tokyo
01:28To become a poet, he had to study a lot
01:31He applied for a job at a nearby university
01:35He went to a local new school
01:38After studying hard, he went to Tokyo University
01:43Wow!
01:45He studied hard at the Eastman Music School in the United States
01:53He won the Exxon International Poet Competition in 1986
02:00He made his debut as a poet in the United States
02:04After that, he became a poet at the Tokyo Philharmonic
02:10He worked as an art director at the Costa Rica National Museum
02:15He played an important role in many orchestras
02:20He also collaborated with the world-famous violinist Goto Midori and Goto Ryu
02:26He also collaborated with jazz pianist Ozone Makoto and composer Senju Akira
02:36He has performed more than 150 times
02:42He is well-known in the United States
02:45He has attracted people from all over the world
02:53Here are the guests
02:55He is Mr. Tomoto Chosei from Aichi Prefecture
02:59Thank you
03:03No, no, no
03:05I want to say, open the prize
03:08Did you make it yourself?
03:10Yes, I asked for it
03:12Did you order it?
03:14Yes, this is a rehearsal
03:16Rehearsal for the orchestra
03:18There is a famous song in the East and West
03:21I wanted to rehearse while listening to the song
03:24Do you change the song depending on the country?
03:28Yes
03:29Interesting
03:30How many pieces are there?
03:32About 8
03:33There are Kurimuto and Monet
03:35Foreign orchestras will be surprised
03:40I make small movements when I'm serious
03:44Because there is no misunderstanding
03:46When I'm standing like this, I pretend to be cool
03:49You pretend to be okay
03:51I try not to disturb
03:53When I do a good job, I can say it was great
03:59I talk a lot, but I don't talk a lot
04:04Is that so?
04:06Open the treasure
04:11It came out
04:12Great
04:13It's a sickle from the same season as Kano
04:17The son of Kano from Maruoka in Fukui Prefecture
04:21He used the money and asked my grandfather to buy it
04:27I think my grandfather bought it because he liked it
04:31Miyadai made it 150 years ago
04:34Now it's a French restaurant called LAL
04:37I don't run it
04:39I asked him to organize the restaurant
04:42I've seen this before
04:44I thought it was displayed at my parents' wedding
04:48I applied for the Kanteidan
04:51Did you apply?
04:53I remember
04:57I'm curious when I see this at home
05:00It says plum and crane
05:02It's like a happy music
05:06What do you do when you get paid this time?
05:09Print it and listen to Mr. Imada at the rehearsal
05:13Is this it?
05:14Print
05:15I can't take it to the variety rehearsal
05:24It's in good shape
05:26It's beautiful
05:28It's good
05:32How much is it?
05:34500,000 yen and 500,000 yen
05:361,000,000 yen
05:37Let's go
05:38Open the price
05:431, 2, 3, 4, 5, 6, 7, 8
05:482,000,000 yen
05:50Amazing
05:522,000,000 yen
05:56I was surprised
05:58It's the same year as Fukunobu
06:01It's real
06:03It was lost in 1723
06:06It's 300 years old
06:09He was an Omoteishi
06:12He was in the center of the Kanoha group
06:17On the right side is the Kanto Butei of China
06:21There is a peach on the plate
06:24It was given to the Butei by the King of the West
06:26It is said to bear fruit every 3,000 years
06:30Peach of Choju
06:31On the left side is the poet of the Song Dynasty, Lin Nasei
06:36He loved plums and lived with crane
06:41I think it's a wonderful work with a very good picture of Choju
06:47I'm a little nervous
06:49It was a little unexpected
06:51It was worth applying
06:55Next, from Oita Prefecture, Oita City
06:59We asked the real estate agent of Miyanaga
07:04The next client is Masakazu Miyanaga
07:08He is 46 years old
07:10He is in charge of house sales, rental business, etc.
07:16Real estate industry is important for people's connection and trust
07:22I try to listen to the story of the first customer for an hour or two
07:29I'm often told that other jobs are frozen
07:33Even so, I think it's important to build a trust environment with customers
07:41Currently, there are two employees
07:44It seems that the business is going well
07:49By the way, what is the treasure?
07:53It's a precious piece of pottery from the Tang Dynasty of China
07:57But this is not mine, it's my uncle's
08:01The pottery is amazing, but the house is also amazing
08:05So, let's go to my uncle's house
08:08This is my uncle's house
08:19It's a great mansion
08:22The window is 5LDK
08:25In the spacious room, the pottery is displayed along with the wonderful pottery
08:33This is an important treasure, but it's in this
08:39This is the royal room
08:41The treasure is on the fireplace
08:45I also asked my uncle about it
08:50It's impossible to show my face
08:53Because I'm alone
08:55I have to be clear about my values
08:58I'm a shy person
09:01I asked my most trusted son to come out
09:07Every time I come to play, it's a treasure that I've always been interested in
09:12And my uncle promised me that if it sells at a high price, I can get a part
09:17That's great
09:19Please take care of it
09:22What is the precious pottery of the Tang Dynasty of China?
09:25Let's take a look at the studio
09:29Here is the client
09:31This is Mr. Masakazu Miyanaga from Oita Prefecture
09:40Your uncle's house was a great house
09:44That's right
09:46The door doesn't open
09:49What kind of work does your uncle do?
09:52Real estate, finance, and stock
09:57It's short, but it's all successful
10:02Let's open the treasure
10:11What is this?
10:13This is called Tang San Cai
10:15It was used as a costume for the grave
10:18How did your uncle get it?
10:21About 30 to 40 years ago
10:23There was a time when I was addicted to pottery
10:26I didn't have anything good, so I quit
10:28When I quit, I happened to have this
10:31My uncle thought
10:33I was doing pottery to buy this
10:37By the way, how much did you buy?
10:39I bought it for about 10 million yen
10:42This is the emperor
10:45Emperor?
10:47It's a Buddhist god
10:49I stepped on the devil to pay off evil
10:53You stepped on the devil
10:55It doesn't seem to be left
10:57Only one
10:59The posing is cute
11:02Like this
11:04About horses
11:06It's usually brown
11:08It's rare to use blue
11:10What do you think, Sugai?
11:13I feel like a good horse
11:16I feel like I'm getting good nutrition
11:22Clear white
11:24Vivid green
11:26Deep red
11:29Tang San Cai
11:31It is the most gorgeous pottery in China's pottery history
11:37How to make it
11:39First, mold it with white clay and bake it at a high temperature
11:43Then pour linseed oil and bake it at a low temperature
11:49The unique color is due to the difference in metal compounds added to linseed oil
11:57Linseed oil is green
12:00Linseed iron is black
12:03Linseed cobalt is blue
12:07Mainly white, green, and black
12:12That's why it's called San Cai
12:15Surprisingly, it became known in the 20th century
12:23In 1905, it was found accidentally in the grave of a prominent person of the time in a railroad construction in the countryside of Luoyang
12:34It was a so-called costume made with the hope that it could live in the world after death
12:43Tang San Cai has a long sleep of 1,200 years
12:48Its magnificent molding and gorgeous color fascinate lovers all over the world
12:57It was made at the end of the 7th century
13:01It was the time when the only female emperor of the Chinese market, Sok Tien Bu Kou, was in power
13:08This is a vessel representing Tang San Cai, Man Nian Ko
13:13The vessel is said to have been filled with grain so that the dead could not be buried forever
13:20The white-leaved Baikamon grows into green clouds with the technique of waxing and waning, and it is very beautiful
13:28The animals loved by the buried people were also made
13:33From Rakda, a foreign country, you can see how rich the international food was at that time
13:47This horse, which was used extensively, was said to sweat like blood and run 1,000 miles a day
13:57This vessel is said to have been used extensively, and it was burned
14:02Also, the Buddha's vessel, which was used extensively, was burned
14:12This vase, which is said to have been used extensively, is said to have been used extensively, and it was burned
14:20In the early 20th century, it was transmitted to Japan, and it is now designated as an important cultural property in Japan
14:36This is the emperor's vessel
14:40The emperor is the guardian deity of Buddhism
14:44He is wearing a bird-shaped helmet, wearing a headdress, and stepping on a demon in a funnel costume
14:52These are mainly the same, and they were placed at the entrance of the grave with the Chimbo beast, which was said to pay off evil spirits
15:04However, in 755, Anrokuzan and his subordinates caused trouble in An City
15:11When the situation became unstable, Tosansai suddenly disappeared
15:19Let's take a look at the items
15:23This is the horse of Tosansai and the emperor's vessel
15:28The horse is 43 cm tall
15:31The contrast between the light blue horse and the long, white hair is vivid
15:37It is faithfully reproduced in the Kuranado Bagu
15:42On the other hand, the emperor's vessel is 75 cm tall
15:48This is a slightly faded horse, but it is full of spirit to step on a demon and open its arms
16:02What do you think?
16:06How was it?
16:08It was amazing
16:11What would you do if you were paid a high price?
16:15I think it's okay to sell my horse
16:16If I sell my horse, I'll get a ten percent discount
16:21Does that mean you get two million yen if you work part-time?
16:24Yes
16:26Tosansai, bought for 10 million yen, is it real?
16:34Wait a minute, I'm leaving my pocket
16:37What's your time?
17:07$30,000
17:09$30,000?
17:11I feel like I've been told I want $30,000
17:17Let's go! Open the price!
17:231, 2, 3, 4, 5, 6, 7, 8
17:27$80,000!
17:29$80,000!
17:31$80,000!
17:33$80,000!
17:35$80,000?
17:37Both of these were made in the modern era
17:43The horse has a bad shape
17:45It was brought from the west
17:47It's extremely good-looking
17:49It's like a horse of a horse
17:51It's muscular
17:55If you look at this
17:57It's like a horse of a farmer
17:59And the iron used is bad
18:01The color of the iron is bad
18:03The cobalt at the time
18:05was a deep dark color
18:07This Tennoyo
18:09is very rough
18:11The real Tennoyo
18:13has a scary look
18:15It has a realistic look
18:17as if there is a person
18:19in it
18:21It's not like
18:23the face of a play
18:25It's not like the face of a play
18:27If it was real
18:29$10,000
18:31$10,000
18:33How should we report this?
18:35Well
18:37I'll think about it
18:39I'll think about it
18:41Shuchou Nandemo Kanteidan
18:43in Suzaka
18:45in Suzaka
18:47in Suzaka
18:49in Suzaka
18:51This year is the 70th anniversary
18:53This year is the 70th anniversary
18:55of Suzaka City
18:57From Meiji to Showa
18:59it flourished with the Seishin-ryo
19:01In the city
19:03there are many
19:05old-fashioned shops
19:09The specialties are
19:11the fruits
19:13Among them, grapes and apples
19:15are very popular
19:17and various sweets
19:19are made with them
19:23What is the topic of discussion now?
19:25What is the topic of discussion now?
19:27Wait a minute
19:29Wait a minute
19:31What is this?
19:33The parfait
19:35with Shine Muscat
19:37First
19:39Let's eat
19:43Delicious
19:45And with white wine Jules
19:47Jasmine tea Granite
19:49and Mascarpone mousse
19:51Itadakimasu
19:53Delicious
19:55It's luxurious
19:57It's fruity and very delicious
19:59The top batter is
20:01Ito-san who loves horse racing
20:03The top batter is Ito-san who loves horse racing
20:05What made you like it?
20:07There is a game called
20:09Umabosume Pretty Derby
20:11In the game,
20:13there is a horse racing
20:15Many people do horse racing
20:17I'm a fan of it
20:19Wait a minute
20:21The former TV announcer
20:23Kiyoshi Sugimoto
20:25Do you remember any famous lines?
20:27What should I do?
20:29There are so many
20:31There are so many
20:33In your season,
20:35the cherry blossoms are in full bloom
20:37This famous phrase
20:39was born in 1987
20:41when Sakura Star King
20:43won the miracle revival
20:45He was born
20:47Yoshikawa-chan, you don't know it, do you?
20:49I don't know it
20:53Here are the treasures
20:59This is Kano Jigoro-sensei's book
21:01Wait a minute
21:03Judo's
21:05Shiso
21:07Kano Jigoro
21:09started Judo
21:11and became popular in many sports
21:13He is also excellent as an educator
21:15He is also called
21:17the father of Japanese sports
21:19This book
21:21was left by my grandfather
21:23My grandfather
21:25opened a Judo dojo
21:27in the Korean peninsula
21:29and held it there
21:31When he went back to Japan,
21:33even though the luggage was limited,
21:35he brought it home
21:39What does it say?
21:41It says,
21:43This is for the whole force
21:45What does it mean?
21:47I don't know
21:49I forgot
21:53The value of the book
21:55is about this much
21:57150,000 yen
21:59Recently, my grandfather
22:01told me about the author
22:03I was surprised
22:05that such a great treasure
22:07was in my house
22:09What is the result?
22:11He did it!
22:17There is no mistake
22:19The whole force
22:21is Kano Jigoro's words
22:23The power of Judo
22:25is not used
22:27to defeat people
22:29It is written in a gentle line
22:31that it is used
22:33for the benefit of the people
22:35of the world
22:37but it is not weak
22:39I feel very nervous
22:41It is a book
22:43that expresses
22:45the spirit of Judo
22:47Please take good care of it
22:51Next,
22:53Mr. Meguro,
22:55an apple farmer
22:57I just picked an apple
22:59Really? I'm glad
23:05When you bring the goods,
23:07you put it in a basket
23:09No, no, no,
23:11you take it out of your pocket
23:15It is called Akibae
23:17Akibae
23:19I want you to see the color
23:21It has a great impact
23:23I'm sorry,
23:25I just started shopping
23:29The balance of sweetness and sourness
23:31is exquisite
23:33and it has a lot of juice
23:35It is firm
23:39The texture is
23:41delicious
23:43It is juicy and delicious
23:47Here is the treasure
23:53It is a pot of Shokimari
23:57I like small things
23:59such as baked goods
24:01Since I was young,
24:03I bought a lot of things
24:05Mr. Meguro,
24:07don't blame me
24:09When he was 29 years old,
24:11he bought this
24:13at his favorite shop
24:15How much was it?
24:17It was about 220,000 yen
24:19220,000 yen
24:21That is a lot of money
24:23When I was young,
24:25I bought it
24:27You bought it
24:29After that,
24:31Mr. Meguro has been
24:33growing his eyes
24:35He bought it
24:37in a hurry
24:39but now he has
24:41got a good one
24:43It was baked
24:45at the beginning of the Edo period
24:47There is a picture of Kasasagi
24:49I think it is a very good one
24:51I think it is the only one
24:53By the way,
24:55when you are an apple farmer,
24:57your eyes to see apples
24:59No, I don't
25:03His evaluation is
25:05220,000 yen
25:09His wife is not interested
25:11She wants to prove
25:13that it is a good one
25:15What is the result?
25:19600,000 yen
25:21It is a big increase
25:23Thank you
25:25I did it
25:27I did it
25:29It was made about 400 years ago
25:31It is a pot made in the early Imari period
25:33The technique is
25:35immature
25:37There are some distortions
25:39and the blue color
25:41is not stable
25:43However,
25:45the flexibility
25:47of the maker
25:49is very attractive
25:51It is small
25:53but round
25:55It has a good balance
25:57It is very lovely
25:59Please take good care of it
26:01Next,
26:03Mr. Nakazawa
26:05from Fukushicho, Suzaka
26:07I am a big fan of Kanteidan
26:09I applied to Nagano City
26:11a few years ago
26:13but I failed
26:15I don't want to hear
26:17that you failed
26:19I really want to participate
26:21I have a son
26:23I borrowed his name
26:25I applied for 4 times
26:27I see
26:29You did a good job
26:31Thank you
26:33The treasure is
26:35the uniform of Kano Tsunenobu
26:37In the Edo period,
26:39Horike, who ruled Suzaka,
26:41owned it
26:43It became a Meiji period
26:45and it was sold out
26:47I paid for it
26:49My family bought it
26:51I think it is a real one
26:53I think it is a real one
26:55because it has a good sense of
26:57dynamic love
26:59My grandson says
27:01it is a real one
27:03but my son doesn't believe me
27:05This is
27:07my son, Mr. Yoshiaki
27:09When I listen to the story,
27:11I feel like
27:13I did it too well
27:15I feel a little suspicious
27:17Wait a minute
27:19I think it is a real one
27:21His evaluation is
27:232,000,000 yen
27:25As soon as he got 2,000,000 yen,
27:27his son twisted his neck
27:29I couldn't miss it
27:31I got 2,000,000 yen
27:33See, I told you
27:35I got 2,000,000 yen
27:37Tanaka started to evaluate
27:39Look at his face
27:41Mr. Tanaka often
27:43answers with a handkerchief
27:45so I think it is a real one
27:47It is a real one
27:49He is checking his evaluation
27:51to see if it is a real one
27:53What is the result?
27:55Mr. Yoshiaki
27:572,000,000 yen
27:59Oh my god
28:01My son is laughing
28:03My son is laughing
28:05My son is laughing
28:07My son is laughing
28:09It is a fake
28:11The right one
28:13It is a painting called Toriumon
28:15If you look at the bottom
28:17the fin is bent to the left
28:19but the torso
28:21is really
28:23one
28:25I feel very uncomfortable
28:27And the left
28:29I want you to look at the scales
28:31It is a very rough drawing
28:33It is a very rough drawing
28:35It is not the painting I collected
28:37It is not the painting I collected
28:39Don't make excuses
28:41Next
28:43Mr. Tanaka
28:45His ancestor was the governor of Suzaka
28:47Governor?
28:49He was said to be the number one in Suzaka
28:51What?
28:53The Tanaka family
28:55didn't have enough food
28:57during the Edo period
28:59and served as a housekeeper
29:01for the Suzaka family
29:03The mansion with 20 statues
29:05is now a museum
29:07with the remains
29:09of his ancestor
29:11If you look at this
29:13and come here
29:15I'll give you a discount
29:17If you say you saw
29:19everything
29:21I'll give you a 100 yen discount
29:25Here are the treasures
29:31A 155 cm tall
29:33decoration vase
29:35This time
29:37I brought something
29:39I brought something
29:41I heard it was bought by his ancestor
29:43But because it is too big
29:45it has been kept in a box
29:47and we don't know the details
29:49There is a saying in the museum
29:51that luck is hard
29:53I was hoping to get the money
29:55but then this show came
29:57Please take a look
29:59and let me know
30:01I saw something amazing
30:03What is this?
30:05It looks like a lizard
30:07A lizard with a collar
30:09It looks like an oiran
30:11Yes, this is an oiran
30:13It's Japanese style
30:15It's amazing
30:17It's a mess
30:19On the other side
30:21there are a lot of women
30:23dancing in front of the flower
30:25It's a sacred place
30:29This is definitely a treasure
30:31It's amazing
30:34The value of the treasure is 2 million yen
30:38The reason is
30:40It's 2 million yen
30:42The vice mayor said the same thing
30:47It's hard to judge
30:49because it's too big
30:52I can't see Mori-sensei
30:55What is the result?
30:593 million yen
31:01This is amazing
31:03Thank you very much
31:07It was probably made
31:09as an export product
31:11in the Meiji period
31:13In the Meiji period
31:15they used a lot of gold
31:17to draw patterns
31:19Satsuma-yaki was
31:21very popular
31:23In Japan
31:25Satsuma-yaki style
31:27was made
31:29in the Meiji period
31:31This vase
31:33is also Satsuma-style
31:35It's a flower
31:37and a person
31:39with Japanese hair
31:41It's a Japanese hobby
31:43There is a technique
31:45called Ichin
31:47It's like a cream
31:49of a decoration cake
31:51You squeeze it out
31:53and make a pattern
31:55and add color
31:57This part
31:59The dragon with wings
32:01is the motif
32:03You grab the ring
32:05and the vase
32:07jumps up
32:09It's made like that
32:11I hope you decorate it
32:13Let's find a place
32:15and decorate it
32:17Next is Kobayashi-san
32:19who is dedicated to field work
32:21When I grow vegetables
32:23I think of the sun
32:25and the rain
32:27and the soil
32:29I think of the love
32:31of the person who makes it
32:33This is love!
32:35He carries a tank
32:37with 20 liters of water
32:3910 times a day
32:41He waters it with love
32:43Today
32:45he brought the tank
32:47Do you want to try it?
32:49Let me try
32:51This is really hard
32:53It's heavy
32:55Oh!
32:57The water came out!
32:59Why did you pour the water?
33:07It's heavy!
33:09It's really heavy!
33:11It's really heavy!
33:15This is the only thing I can say
33:17It's really heavy
33:19The treasure is
33:21Kawabata Ryushi's kakejuku
33:23About 40 years ago
33:25when he was working
33:27During the lunch break
33:29he was asked
33:31if he could buy
33:33the kakejuku
33:35that he received
33:37from the customers
33:39It was during the lunch break
33:41Everyone was relaxing
33:43so I couldn't
33:45do anything
33:47I didn't have time
33:49I didn't have time
33:51I actually didn't see it
33:53So I brought it back
33:55You brought it back?
33:57You didn't see the kakejuku?
34:01How much did you pay for it?
34:09800,000 yen!
34:13I don't know why
34:15he bought it
34:17But after that
34:19he never took it out of the box
34:23So what will he see?
34:25This time
34:27This time?
34:29For the first time
34:31What do you think of the kakejuku?
34:33It's like a high sparrow
34:35There's a sparrow here
34:37There's a sparrow here
34:39Everyone
34:41I'm about
34:435% confident
34:47However
34:49The evaluation is
34:511,000,000 yen
34:53Ryu Kawabata
34:55is a representative artist
34:57of modern Japanese painting
34:59If it's real,
35:01it should be about this
35:03What will happen?
35:05Stay tuned
35:07after the commercial
35:13It's so powerful
35:15It's so powerful
35:23About 40 years ago
35:25A visitor came to the office
35:27and bought a kakejuku
35:29for 800,000 yen
35:31without looking at the picture
35:33What will happen?
35:3710,000 yen
35:39Oh no
35:41Thank you
35:45It's a fake
35:47It's a fake
35:49Ryu Kawabata
35:51is a representative artist
35:53of modern Japanese painting
35:55This picture
35:57uses a technique called
35:59tarashikomi
36:01It's like putting paint
36:03on a thin paper
36:05and blurring it
36:07Normally
36:09you only use the teeth
36:11It's too much
36:13I recommend it
36:15Look at the fingers
36:17It's too long
36:21It's a little more expensive
36:23than the cheap one
36:25Look at the picture
36:27and buy it
36:29when you're satisfied
36:31That's right
36:33The Detective Squad
36:35will be broadcast
36:37anywhere in Japan
36:39Next
36:41From Tsukuba City, Ibaraki Prefecture
36:45They're having lunch
36:49The next client
36:51is Masashi Hara
36:5344 years old
36:57He's eating
36:59deliciously with his son
37:01What's this?
37:03It's my wife's hometown
37:05Indonesian
37:07pork soup
37:09It's spicy
37:11My wife is not home
37:13so she made it
37:15Of course all three of them
37:17ate it all
37:19I love Indonesian food
37:21but ramen is
37:23my favorite
37:25Is that so?
37:27Mr. Hara
37:29went to Indonesia
37:31to study
37:33marine ecology
37:35After that,
37:37he went to Japan and Indonesia
37:39In 2009,
37:41he married
37:43an Indonesian woman
37:47When Japanese people
37:49get married
37:51their wives
37:53and husbands
37:55don't understand
37:57but I think it's natural
37:59that they don't get along
38:01so I think
38:03they get along well
38:05Mr. Hara, I recommend
38:07international marriage
38:09I'm aiming for it
38:11By the way,
38:13what's your treasure?
38:15It's a painting of
38:17a genius painter
38:19He and my grandfather
38:21were in the same army
38:23during the war
38:25My grandfather was
38:27his best friend
38:29My grandfather supported him
38:31and when he went to France
38:33he was burned
38:37The treasure was
38:39a gift from his grandfather
38:41There's an episode
38:43in the painting
38:45The painter's painting
38:47fell off the wall
38:49I was wondering
38:51why it fell
38:53and he passed away
38:55The painter
38:57died suddenly
38:59at the age of 43
39:01My grandfather told me
39:03that he must have
39:05known it
39:07I was disappointed
39:09that I couldn't
39:11see my best friend's
39:13achievements
39:15I don't think
39:17I've been to the exhibition
39:19so I want you to know
39:21that there was a painter
39:23like him
39:25Thank you
39:27Let's take a look
39:30Here's the client
39:32Mr. Masaki Hara
39:34from Ibaraki
39:36Nice to meet you
39:38Nice to meet you
39:40Do you recommend
39:42your wife?
39:44Yes, I do
39:46Isn't she good at cooking?
39:48She can eat a lot
39:50She's good
39:52You scouted her, didn't you?
39:54Yes, I did
39:56That was a nice reaction
39:58Ouch!
40:00What is it?
40:02Let's open it
40:09It's a painting of
40:11Mr. Haruo Yamanaka
40:13Mr. Haruo Yamanaka
40:15It's very impressive
40:17It's a unique painting
40:19This painting
40:21has lost its paint
40:23Oh, really?
40:25His mother said
40:27the painting was lost
40:29Oh, I see
40:31After the war,
40:33he went to France
40:35to study painting
40:37At that time,
40:39it was not allowed
40:41to bring foreign paintings
40:43So, he bought a new
40:45Japanese camera
40:47and gave it to his mother
40:49So, he bought a new
40:51Japanese camera
40:53and gave it to his mother
40:55It's lost
40:57It's lost?
41:01It's a unique painting
41:03of Mr. Haruo Yamanaka
41:05It's a unique painting
41:07of Mr. Haruo Yamanaka
41:09Mr. Komatsu, what do you think?
41:11It's a unique painting
41:13How about you, Sugaya-chan?
41:15I'm about to cry
41:17It's a work
41:19with a mysterious power
41:21I'm overwhelmed
41:25A man with a woman's hair
41:27A man with a woman's hair
41:29A man with a woman's hair
41:30A man with a woman's hair
41:34Although his popularity was expected,
41:36Although his popularity was expected,
41:38he was 43 years old
41:40He was a tragic painter
41:42who lost his life
41:44born in 1919
41:46He was born in Osaka
41:48He studied painting
41:50in Nakanoshima Yoga Institute
41:52At the age of 19
41:54He fought his first battle at the Nikaten.
41:59From 1940 to 1945, he served in the Manchu army,
42:04but he never let go of his paintbox.
42:09After the war, he relied on his sister to move to Yokohama.
42:14He drew a portrait for a souvenir called Kinukosuri
42:18for the Shinchu army, and survived the war.
42:24He drank cheap sake,
42:27and spent his days in pain and struggle
42:30with his fellow painters.
42:34He painted his last work for the Kodo Gijutsu Kyoukaiten.
42:40However, the painting is now missing.
42:46I'll give it a try.
42:49At the age of 34,
42:51he gathered funds from his friends
42:55and studied abroad in France and Italy for four months.
43:00He was inspired by Bernard Buffet
43:03and Albert Giacometti's novelistic portrayal of people.
43:10In 1954, after his return,
43:13he published his self-published work,
43:16The Boring Two.
43:18The theme of the painting is the inferiority of love between men and women.
43:23The two deformed men and women
43:26are naked and facing a glass table.
43:29This mysterious painting
43:31and its unique world view
43:33attracted a lot of attention.
43:37He drew about ten drawings a day,
43:40leaving one or two,
43:42tearing away the rest,
43:44repeating it until he reached a perfect composition.
43:50Yamanaka was particular about the long, elongated portrait.
43:54This motif became his signature.
44:00In watercolor painting,
44:02the color is applied on the pen
44:04and the paper is scraped until it becomes thin with a knife.
44:07By adding lines again,
44:10he created a unique texture.
44:15The characters he drew
44:18were not specific models.
44:20Most of them were internal self-portraits.
44:26In 1956, surprisingly,
44:29he was asked to draw a picture book.
44:33It was a completely different kind of work,
44:36but Yamanaka seemed to enjoy it.
44:40Eventually, he drew attention to the relationship
44:43between the subject and the space,
44:45and created a new style
44:47that reflected the motif
44:49in the pale blue background.
44:53It was exactly what he had been aiming for
44:56in 1962, November 18.
45:02Suddenly,
45:05he was struck by a man who was his patron,
45:08and he left this world.
45:12The motive is unknown.
45:17Let's take a look at the requests again.
45:20There are six requests for Yamanaka Haruo's oil painting.
45:24According to the materials left with the painting,
45:27the five requests were made in 1952,
45:31and the titles are Namiki-michi, Seinen,
45:35Hahako, Futari, Oyako.
45:41They are all painted in black or dark colors,
45:44and they have a sense of gravity.
45:48Considering that this was a long time ago,
45:51did he draw his own family?
45:57The last request was made in 1960, Hito.
46:02In the background of the painting,
46:05there is a man with a small, thin face.
46:08It is very Yamanaka-like.
46:12How did he feel about it?
46:16What should I do in the future?
46:19If you have a chance to exhibit it,
46:22you can leave it there.
46:24I think that's the happiest thing.
46:27I want people to see it,
46:29and the people who draw it will know it.
46:35After this, the studio was shocked by the results.
46:47It's been a long time since I've drawn Hattie Kiyono.
46:52I wonder how he got along with his grandfather.
46:57How much is the price?
47:00Please give me 1 million yen.
47:02I don't know the price.
47:04Let's open the price.
47:101, 2, 3, 4, 5, 6, 7, 8.
47:158 million yen!
47:178 million yen!
47:208 million yen!
47:23Hey, boys!
47:258 million yen!
47:27It's amazing.
47:29I think all of them are very precious.
47:325 points from the right.
47:34The works before they went to France
47:36are almost all portraits.
47:38They are all drawn with a bone-thick outline.
47:41I think it's very characteristic
47:44that they paint the eyes and nose black
47:47to blend in with the work.
47:50The colors are dark brown,
47:53but they didn't have much money at the time,
47:56so they could only use these dull colors.
47:59But they were expressive.
48:01That's why they were so powerful.
48:04And the path.
48:07The red is drawn with a single stroke at the end of the path.
48:11I think it's a work that conveys the future
48:14that the painter saw at that time
48:16because of the light.
48:18The last point.
48:20The title is human.
48:22I think you can take a look at the evolution
48:25of new expressions that do not approach
48:28the essence of the object to be drawn
48:31by erasing unnecessary things.
48:34I think he is a painter
48:36that should be re-evaluated.
48:38I want many people to see it.
48:41I hope many people will know about it.
48:45We are looking for a client.
48:48If you want to sell a treasure,
48:51please apply by clicking the photo and episode
48:54at the end of the video.
48:58We are waiting for you.
49:00For more information, please visit the program homepage.