ΈΧΩ ΠΑΙΔΙΆ Επεισόδιο 6 HD | EXO PAIDIA Epeisodio 6 HD
#ExoPaidia #ΈχωΠαιδιά #MegaTv #Mega
#ExoPaidia #ΈχωΠαιδιά #MegaTv #Mega
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Short filmTranscript
00:00I don't know what I asked you for.
00:02You sent me a message.
00:03As soon as you see it,
00:04you'll immediately go,
00:05Oh, Gizdani, what a joy!
00:07Yes, yes, yes.
00:08Come in.
00:10What is Gizdani?
00:11You don't know what Gizdani is?
00:12No.
00:13That's why it's Gizdani!
00:14So, listen, Adis.
00:15We have to do something
00:16with the photo
00:17that we uploaded to your site.
00:18It's a mess.
00:19People come in to read your text,
00:21they see this,
00:22and they know it's Gizdani.
00:23So, listen, Adis.
00:24We have to do something
00:25with the photo
00:26that we uploaded to your site.
00:27It's a mess.
00:28People come in to read your text,
00:29they see this,
00:30and they know it's Gizdani.
00:31You think that...
00:32You think it's Sivera Alert!
00:33That's what you think.
00:34You think it's Xaphani Sarantari.
00:35The last time I saw him,
00:36he was wearing a suit.
00:37You think that.
00:38By the way,
00:39I didn't have any clothes that day,
00:40and I just put on...
00:41The dad's outfit
00:42that has been taken away from life
00:43and his only entertainment
00:44is to see girls on social media?
00:45The clothes you wear at home
00:46when you're sick
00:47and you're waiting
00:48for someone to bring you pizza?
00:49The official outfit
00:50of Parthenos Sarantari
00:51who thinks
00:52he's going to get
00:53his third girlfriend?
00:54How can I be
00:55both Parthenos and dad?
00:56These two don't fit.
00:57Michalis.
00:58What did I say?
00:59No, Michalis.
01:00Yes.
01:01Our slogan is
01:02first we live,
01:03then we write,
01:04then we live.
01:05When someone
01:06reads your text
01:07and sees this picture,
01:08what do you think
01:09they will believe
01:10that they have seen?
01:11I want to believe
01:12that you will leave
01:13the picture aside,
01:14see the title of the article
01:15and that will logically
01:16lead them
01:17to open the article...
01:18Wrong!
01:19You will see the picture.
01:20We are in the age of the picture.
01:21People don't read.
01:22They see the picture.
01:23And this picture
01:24shouts.
01:25The only thing
01:26I have experienced
01:27are erotic disappointments,
01:28nights at the table
01:29with friends
01:30and drinking too much
01:31that's why I have to
01:32go to the dentist.
01:33At some point
01:34I had put a kiss
01:35out of my throat
01:36and at the last moment
01:37I changed my mind.
01:38Excuse me,
01:39does he say all this?
01:40These are my clothes.
01:41I am a journalist
01:42who doesn't speak
01:43with the picture
01:44but with the words.
01:45Please tell me
01:46the last thing
01:47you believe.
01:48Of course I believe it.
01:49What we write
01:50is the essence.
01:51No.
01:52The other thing
01:53you said
01:54that you are a journalist.
01:55Your articles
01:56are just a background
01:57for a pop-up advertisement.
01:59But no one
02:00will see the article
02:01when they see
02:02the lost link
02:03between a man and a sword.
02:04So, in the end
02:05you have to do
02:06the professional photography
02:07with your camera.
02:08You only bring
02:09a t-shirt
02:10that shouts
02:11when you are alive
02:12and do something
02:13with the trash
02:14under your eyes.
02:15You are always like this.
02:17Kiss Danny.
02:25Kiss Danny.
02:27Kiss Danny.
02:30Kiss Danny.
02:34Kiss Danny.
02:37Kiss Danny.
02:51Steph, Sophie,
02:52listen to me.
02:53I don't want to take a stand. I think we have more important things to talk about.
02:57Come on, just choose one. Which one do you like?
02:59Oh my God, Lagos.
03:01It's Kuneli.
03:02Whatever it is, can we close it now and continue with our topic?
03:05We can, but Lagos is different and Kuneli is different.
03:07It's not nice to put them together.
03:09Everyone has their own identity.
03:13So, we are here because you want to create a limited edition logo
03:18for the limited edition beer Chenua, which is already limited.
03:22It's not limited, it's niche.
03:24This edition will be limited. Only 100 bottles will be released.
03:27We also don't want a logo. We have a logo.
03:30Now we just want a symbol that will characterize our limited product.
03:34Yes, this is the official definition of the logo.
03:37We want an image that shows the freedom of beer Chenua.
03:40A logo.
03:41An optical representation of the symbolism of the innocence of a free bird.
03:47Great.
03:48So, who do you have in mind to create this symbol, image, optical representation?
03:53We have found a thousand-year-old street visual installation artist.
03:56Amazing.
03:57I have sent you an indicative budget in Excel.
04:00Can I assume that you agree with this?
04:02Josefa doesn't do it for the money.
04:04He does it because he believes in our vision.
04:06Well done, Josefa.
04:07But the budget is not enough.
04:09How does this happen? You just told me that he doesn't do it for the money.
04:11Yes, Josefa chooses based on the feeling.
04:14But whatever he chooses has a feeling at least five times more expensive than what you suggested.
04:18I'm sorry, but we can't have a feeling for even one euro more.
04:22The feeling has to become a logo with this money.
04:25We don't want a logo. We want a symbol that...
04:27A logo.
04:28And specifically for a special edition of the beer.
04:31So, you have to find something cheaper.
04:33Okay?
04:34Okay.
04:35But what you're saying makes me very sad, Gata.
04:38And I'm very sad, too.
04:41Isn't that a rabbit?
04:43Now I'm happy.
04:47We're back.
04:48My love!
04:50How was school today?
04:52Perfect. The teacher told us that after tomorrow...
04:54After tomorrow?
04:55Yes, after tomorrow we have a painting exhibition.
04:58And Stelios can bring his paintings.
05:01Well done, my love! How nice!
05:03What do you want me to bring?
05:04This one with the beach.
05:06This one with the park.
05:08And this one with the forest.
05:11Initially, wow! How nice!
05:13Michalis!
05:18Incredible and so different.
05:21So different?
05:22I don't know, Deanna.
05:23What do you like more?
05:25Before you have kids, you try to be as...
05:31It's better than the previous one.
05:34We threw the previous one in the trash.
05:37You don't have to throw it in the trash.
05:40As I see it, we'll take it and put it in a tupperware for 4-5 days.
05:44Six.
05:45And then?
05:46And then we'll throw it in the trash.
06:03Maybe it's not exactly the style that suits you.
06:05What do you think is the style that suits me?
06:08Something a bit more...
06:10...orchestral.
06:12Do you have something only with violins?
06:14And I see a spider on the screen.
06:17It probably went to make a website.
06:23Then I saw two astronauts on the keyboard.
06:26They tell me, where are you going?
06:28I tell them, where are you going?
06:30No, I...
06:31Let me start again, sorry.
06:33I tell the astronauts on the keyboard, where are you going?
06:37They tell me, let's go to the space bar.
06:42I tell them, the space bar is...
06:45...when you enter...
06:46Well done, well done, Stavros!
06:47It's enough, it's enough!
06:49You made us lose our minds, man!
06:51I'm going, because my mouth is dry.
06:54When you do, kids, your reaction to anything they do is one thing.
06:59Extreme enthusiasm.
07:01Dad, dad, look how far I'm going to jump.
07:05Well done, Tassos!
07:07That was amazing!
07:09We're talking about having the new Tentoglou!
07:12Milto!
07:13You support what you see with whatever you have and don't have.
07:17Wow, what a nice ballerina!
07:19I'm not a ballerina, I'm a mermaid.
07:22What a nice mermaid!
07:24Ballerina mermaid.
07:26Yes!
07:29Well done, well done, my joy, well done!
07:31Mom, it's not over yet!
07:33Mom, it's not over yet!
07:35I'm sorry, baby, I'm sorry.
07:36When you become a parent, you immediately become your children's biggest fan.
07:48Did you make that up on your own?
07:51Yes.
07:52I don't believe it.
07:54Come on!
07:56Are you doing private lessons?
07:58No.
07:59No?
08:00Then you're just born musicians, I don't believe it.
08:03Let's play another one.
08:04Oh, come on.
08:05Oops.
08:16Personally, I can't choose one favorite, it's impossible.
08:20Don't ask me.
08:21The theme of the exhibition is spring.
08:25Spring, of course, spring.
08:28Well, it's always so spring.
08:31Spring on the beach, spring in the park, spring in the mountains.
08:36Spring is not in the mountains.
08:38Oh, so this one probably isn't.
08:40Do you want to make a new one?
08:42Yes.
08:43Well done, well done, my baby, we're waiting.
08:45Let's see if she gets excited.
08:47Well done.
08:48How nice.
08:50Why make a new one, will something change?
08:52Hello, how are you?
08:54Hello.
08:55Look, my sister got a gift!
08:57A gift?
08:58What gift?
08:59Why a gift?
09:00It's not your birthday or your birthday, it's not Christmas or Easter, it's nothing.
09:03It's my pleasure.
09:04I didn't understand, do I need an excuse to get a gift from my nephew?
09:07Someone would say that you need to discuss it with me first.
09:10Who says that?
09:11I say that, I say it repeatedly.
09:13Look, an accordion!
09:15Wow, a normal accordion, not a kid's one.
09:19Yes, dad, look.
09:21I look, I look and I see big speakers, and from what I see, it doesn't even have an audio receiver.
09:27Who makes an accordion nowadays without an audio receiver?
09:30After the pickups, the most important thing.
09:32Dad, I'm going to put it in and start playing right away.
09:35Well done, my love, well done.
09:37We'll be here and we'll listen to you.
09:39How nice, huh?
09:42Have you gone completely crazy? Why did you get him a professional accordion?
09:45Because he told me that he's been asking for it for a long time and he hasn't got it yet.
09:48And you didn't wonder why we haven't got it for him?
09:50I guessed, because you don't have money because of your average salary.
09:55You don't have a chance to return it there, do you?
09:57The reason we don't get it is because Tassos and the musician had a fight when he was born.
10:01He's trying to escape the shackles of harmony.
10:04Look.
10:06Do you see here that Tassos doesn't keep an accordion?
10:10Don't you have money for an accordion?
10:12No, mom, Tassos doesn't keep an accordion because he hits it wrong.
10:17Wrong, the accordion.
10:19There's no one who can hit it wrong.
10:21We go to houses and they kick us out in the open.
10:23Once they kicked us out in the open.
10:25Maybe the accordion isn't the right instrument for him.
10:28It's very important for children to have contact with music.
10:30Music cultivates children's souls.
10:37Does he sound to you like a soul builder?
10:40You have to give him time.
10:41Not all children are born with talent, like your sister's son.
10:46You know what? You're right.
10:47And I say, apart from time, I'll give him space. He'll come to your house.
10:51Mom, dad.
10:52How did you like my first piece?
10:54My love, that's what we were talking about.
10:56It's amazing, I can't believe it. Well done.
10:58Guys, I don't know what you're saying, but I think we have something to do with Mozart's reincarnation.
11:03Who is he?
11:04He's a very, very famous composer.
11:07Is he the one who breathes chocolate and eats at my house?
11:10Oh, yes.
11:11He irritates me a lot.
11:13He does the same thing every time.
11:15He goes and buys something for them to look good.
11:17And he lets us deal with the consequences.
11:19Do you remember when he was with Skate?
11:21Do you know what he told me the other day?
11:22What?
11:23That he wants to take him to try out the lessons of patience.
11:25Are you serious? Patience? Who thinks we're idiots?
11:29Look, if everything goes well, in a week or two, he'll be bored.
11:34My love, I don't think I can wait two weeks.
11:37And Tassos can't always start something and then give it up.
11:42Okay, I'll change my answer.
11:44Resignation is a one-way street.
11:45Let me tell you something.
11:46Do you see a young, modern journalist?
11:49I see very tight clothes. It scares me.
11:52I see some holes, a bit of hair and a bit of hair.
11:56My love, why don't you try something more classic?
11:59Like what?
12:00Like...
12:01A jacket, a tie, a shirt.
12:03Think about it.
12:04A smart, sophisticated journalist.
12:08I've already thought about it.
12:09And Tony said that I look like the owner of a publishing house.
12:14What are you talking about?
12:17Okay, I see it.
12:18Are you serious?
12:19Did you buy this for me?
12:20Eight years ago, my love.
12:21Many things have changed since then.
12:22Times have changed.
12:24Well, you know what?
12:25If I go on a terrible time travel
12:28and I dare to wear a Tassos T-shirt...
12:34Well, look at me and tell me
12:36if I look like a reckless and dangerous journalist.
12:44No one knows what you're going to write next.
12:47Very good.
12:48Yes, yes, I hear you, my love.
12:50The photo will be from the chest up?
12:52Up to the middle.
12:53Then no.
12:54Why?
12:55Because you look like a snake that has been trapped.
12:57Let me tell you.
12:58We have to look at the feedback you give.
12:59You look like a backstabbing knife.
13:01I have feelings, you know.
13:02What do you buy for him?
13:03A bad idea.
13:04Why?
13:05Because Stavros goes to this shop,
13:06tries things that don't suit him,
13:07the saleswoman tells him that they suit him
13:08and he believes her and buys them.
13:09Come on, baby.
13:10I'm not Stavros.
13:11I'm looking for the confirmation of a saleswoman.
13:13I'm not going to fall into her trap.
13:15That's right, yes.
13:17Do you remember the last time you went
13:19when you came back home with this?
13:22Yes, I fell into her trap once,
13:23but I won't do it again.
13:24Besides, it's not that it doesn't suit me at all,
13:26it's just that it doesn't go well with other things.
13:31Do you know what it doesn't go well with?
13:32With what?
13:33With your face.
13:34Sarah, we heard what you told us yesterday.
13:36We had a big brainstorming session
13:38and I think we have it.
13:40We left painters, think tanks, street artists
13:42and AI creators and searched on the net.
13:44Because what you're looking for
13:45is usually already out there.
13:47And you just have to find it.
13:49And we found it.
13:50To be precise, we didn't find it,
13:52but it found us.
13:53Ready,
13:54light,
13:55and
13:56free of rights.
13:57Well done, guys.
13:58I'm very happy about that.
14:00Sarah,
14:01I'm proud to present to you
14:02the new symbol for the limited edition beer,
14:04Chenua.
14:05Chenua.
14:09Excuse me, what is this?
14:11She likes it.
14:12She can't speak from the screen.
14:13We had the same problem when we saw it.
14:15We were about to hit it with a tattoo.
14:17But you didn't hit it.
14:18Not yet, but soon.
14:20Look at it.
14:21Magnificent, but without flex.
14:23A symbol that says to the world,
14:25I'm here,
14:26whether you want me or not.
14:28Clearly, whether you want me or not.
14:30Its wings embrace everyone,
14:32without discrimination.
14:33Listen to me, guys.
14:34I'm proud of it,
14:35because no one should be ashamed of what it is.
14:37For sure,
14:38just this particular bird...
14:39...is born from its feathers.
14:41It's so unstainable and environmentally friendly.
14:44Look at it with its name.
14:47Chenua.
14:48Guys,
14:49calm down.
14:50Listen to me.
14:51We can't use this thing.
14:53Why?
14:54Because it has been used in the past.
14:58I told you, Sophie.
15:00This symbol is too good
15:01to have been used by someone else.
15:03Okay, okay.
15:04We can talk to the company
15:06that used it
15:07and buy it for them.
15:08Mom!
15:09Yes.
15:10Listen to me.
15:11I have to go now.
15:12I'm sending you some links to read.
15:14Links about a horse?
15:15Links about the history of Greece.
15:17We'll talk about it tomorrow.
15:19And please,
15:20until then,
15:21do whatever you want,
15:22not tattoos.
15:25Mom!
15:26Yes, my love?
15:27I wrote a whole new biography
15:28for the exhibition.
15:29Well done.
15:30Show me.
15:33I can't believe it.
15:35Do you like it?
15:36Good question.
15:37I like it.
15:38I'm serious.
15:39Of course I like it.
15:41It took me two whole minutes
15:43to make it.
15:44Two whole minutes?
15:46Wow!
15:48You didn't want more time, did you?
15:51Because if you want,
15:52you have time until tomorrow.
15:54No, it's ready.
15:55It's ready.
15:56I can see that.
15:57And?
15:58Clearly,
15:59here we see
16:00Spring.
16:01Spring.
16:02Spring.
16:03Well done.
16:04You got it from my mouth.
16:05Spring in general?
16:06No.
16:07No?
16:09Spring in the park?
16:13No.
16:14Spring in the sea?
16:17No.
16:19Spring in the forest.
16:21In the forest.
16:22Of course.
16:23I said clearly.
16:25The season when
16:27nature blooms,
16:29fills with colors.
16:31Yes.
16:32I have drawn
16:33flowers,
16:34trees,
16:35and birds.
16:37Well done.
16:39My love,
16:40it's amazing.
16:41Well done.
16:42I'm going to write the text.
16:44Yes.
16:46Are you sure you need it?
16:49Mom!
16:50I'll be right there!
16:51I'm coming!
16:55Yes?
16:56Is it over?
16:57Can I play the accordion?
16:59It's over, yes,
17:00but
17:02unfortunately it starts again at 10 minutes.
17:04So soon?
17:05Yes, my love.
17:06It's from 12 to 5,
17:08and from 5 and 10 until 12.
17:18Michalis!
17:20Michalis!
17:21Yes?
17:23How are you?
17:24Very well, and you?
17:26Michalis, you're bothering me.
17:27Open the door.
17:28Did you promise not to get mad?
17:30No.
17:31Then I won't open it.
17:32Michalis, I'll count to three
17:34to open the door.
17:35One.
17:36Come on, Sara.
17:37I'm not five years old.
17:38Two.
17:39You're offending my conscience.
17:41Two and a half.
17:42Okay, okay, I'll open it.
17:50I can't believe it.
17:52What is this?
17:53I don't know.
17:54I went to Stavros' shop
17:55without realizing
17:56what had happened.
17:57What do you mean,
17:58without realizing?
17:59Are you drunk?
18:00Yes.
18:01I mean, no.
18:02I don't know.
18:03This girl comes to your mind.
18:04She's like the Jedi
18:05from Star Wars.
18:06You tell her,
18:07I think these clothes
18:08don't suit me.
18:09And she says,
18:10they suit you.
18:11And then you say,
18:12yes,
18:13they suit me.
18:14And then you go
18:15and look in the mirror
18:16and say,
18:17they definitely don't suit me.
18:18And then she comes
18:19and says,
18:20they suit you.
18:21And then you say,
18:22not just they suit me,
18:23I just found my new style.
18:25I can't believe it.
18:27Stavros wasn't there
18:28and he didn't tell you anything?
18:29He did.
18:30What did he say?
18:31To get that butterfly.
18:32I don't know why
18:33I expected something better
18:34than Stavros.
18:35He got the same one
18:36so we can match them.
18:37I've told you again,
18:38we have to do something
18:39with Stavros.
18:40Yes, you've told me again.
18:41The pants,
18:42why did you get them?
18:43The photo was in the middle
18:44and above.
18:45The police told me
18:46that it brightens me up.
18:47It doesn't brighten you up.
18:48It brightens me up.
18:49It doesn't brighten you up.
18:50It doesn't brighten me up.
18:51I don't know
18:52what to do
18:53to look cool and young.
18:54I don't like this train.
18:57Oh, my love.
19:01My sweet Michael.
19:03Look,
19:04I don't want to upset you
19:05the way you are.
19:08But you were never
19:09in this train.
19:11Okay,
19:12I was.
19:13You weren't.
19:14I wasn't.
19:15No, my love.
19:16You were never cool.
19:18I've known you for years
19:19and I've seen your photos
19:20since you were a kid.
19:21Since you were 25
19:22and now you're a mom
19:23and a dad.
19:24You've been taking photos
19:25for five days
19:26and now you're a teacher
19:27and you're taking care
19:28of the other kids.
19:29Come on, baby.
19:30Don't be like this.
19:31Please.
19:32Besides,
19:33she's the one
19:34who helped me.
19:35That's why I fell in love
19:36with you.
19:37That's why I love you.
19:38Yes.
19:47Tasouli,
19:48how's it going?
19:49Perfect, dad.
19:52I can see.
19:54When you have kids,
19:55you give them
19:56your full support
19:57no matter what they do
19:58to make them
19:59feel confident.
20:00And you expect
20:01them to have
20:02the right confidence.
20:03Those who make them
20:04want to continue
20:05but also to succeed.
20:06Mom, look.
20:08My joy is wonderful.
20:10I want to do it again
20:11to make the tree
20:12even better.
20:14My love,
20:15the tree is already
20:16amazing.
20:17For your artistic eye
20:18it's the same.
20:23Good job, Tasouli.
20:24It's getting better, right?
20:25Yes,
20:26but we still need
20:27a lot of practice.
20:28I'm sure
20:29you'll find it.
20:30I'll find it
20:31when I succeed
20:32in 10,000 hours of practice.
20:35In reality,
20:36all this support
20:37sometimes creates
20:38excessive self-confidence.
20:40It creates
20:41a monster of confidence
20:42with big ambitions.
20:44Mom, look.
20:46I'm going to make
20:47the tree
20:48even better.
20:49I'm going to make
20:50the tree
20:52perfect.
20:54Can we stick it
20:55on the wall?
20:56On the wall?
20:57Basically,
20:58I want to sell it.
20:59What do you mean
21:00you want to sell it?
21:01It's 1,503,000 euros.
21:08Good job, Tasouli.
21:09It's getting better, right?
21:14Let me tell you.
21:17You know there are
21:18good pianists, right?
21:19Yes,
21:20but I don't think
21:21I want to teach.
21:23Our kid says
21:24he doesn't need
21:25a piano teacher
21:26because it will
21:27limit his creativity.
21:28Excuse me,
21:29did Tasos say
21:30the word will
21:31limit his creativity?
21:32Yes.
21:33That's something.
21:35Anyway,
21:36to be honest,
21:37my love,
21:38does he have
21:39a sense of improvement
21:40from this afternoon?
21:41He does,
21:42but Tasos doesn't play it.
21:43I put some tutorials
21:44on YouTube
21:45for beginners.
21:46He learned something.
21:47Of course,
21:48at first he said
21:49he was going to
21:50do it alone
21:51in the wild west of YouTube.
21:52Of course,
21:53I made him a list
21:54of videos
21:55and I told him
21:56to see what was on the list.
21:58And what is this?
21:59This video
22:00is made by a 3-year-old
22:01Chinese girl.
22:03Two kisses.
22:10Mom, look!
22:11Mom, look!
22:12It's here!
22:13Yes, my love,
22:14I saw it,
22:15it's perfect.
22:16Oh,
22:17that's great.
22:19That's great.
22:21Are all these drawings
22:22from the whole class?
22:25No,
22:26from the nursery.
22:27Are all these drawings
22:28from the nursery?
22:29Yes,
22:30and the kindergarten.
22:31Oh,
22:32and the kindergarten,
22:33I see.
22:34Don't we have kids
22:35in the same class?
22:36What?
22:37Nothing.
22:38Mom, look!
22:39It's Anastasia!
22:40Oh,
22:41it's great to see you here.
22:43Oh,
22:44this is
22:45Vasiliki's drawing.
22:46Oh,
22:47it's amazing.
22:49And this is
22:50Fedra's drawing.
22:51Oh,
22:52well done.
22:53Anyway,
22:54they did a great job.
22:55All the drawings
22:56are amazing.
22:57Okay,
22:58not all of them.
22:59Did you see this?
23:00What is this?
23:02I suppose
23:03it's from the kindergarten.
23:04Kindergarten?
23:05No way.
23:06Fedra made
23:07something like this
23:08when she was 18 months old?
23:10And we,
23:11August,
23:12I remember,
23:13she made something like this
23:14when she was 18 months old.
23:15Wait,
23:16I thought
23:17we were in a drawing exhibition
23:18and not
23:19in a mounzoura exhibition.
23:21Hi.
23:22Hi.
23:23I'm sorry
23:24to interrupt,
23:25but
23:26those mounzouras
23:27you've been talking about
23:28are my daughters'.
23:29Really?
23:30Yes.
23:31How old are they?
23:3260.
23:33And they're not
23:34mounzouras,
23:35they're spring.
23:36You just can't
23:37understand the art.
23:38But I'll explain.
23:39What is spring?
23:41It's a flower,
23:43a bird,
23:44a tree,
23:46or...
23:47Is this the tree?
23:49No.
23:50Where was the tree?
23:51Anyway,
23:52there's a tree here,
23:53okay?
23:54Okay.
23:55Okay,
23:56whatever you say,
23:57don't get mad at me.
23:58No,
23:59I'm not mad at you.
24:00Don't think I'm mad at you.
24:01I'm not mad at you.
24:02So,
24:03we made your mounzouras.
24:04Me?
24:05Yes.
24:06She made this.
24:07And she made this for me.
24:08Very nice things.
24:09I can see it.
24:10It's
24:11a house,
24:12flowers,
24:13a tree,
24:14the sun,
24:15and antelope.
24:16Bravo.
24:17And wonderful human figures.
24:19Amazing.
24:21Thank you very much.
24:22You're welcome.
24:24They made them all by themselves.
24:26All by themselves.
24:29So,
24:30you decided to get photographed,
24:31right?
24:32That's me.
24:33And I'm okay with
24:34who I am.
24:35I brought you some of my things.
24:36Take a look.
24:37Hat,
24:39glass,
24:41scarf,
24:42cross.
24:43You have to stop
24:44going to this store.
24:45Ready.
24:46You can change whenever you want
24:47and I'll sit here.
24:48I don't have anything to change.
24:49I'll put these on.
24:50I'm ready.
24:51You mean these?
24:52The scarf
24:53and the pants with the lace?
24:54Lace?
24:55No.
24:56The photo is from the inside,
24:57isn't it?
24:59Wow, wow, wow.
25:00Hey, Stavrodis.
25:01That's what we said.
25:02Didn't we say
25:03you should wear something younger?
25:04I don't have anything younger
25:05and I don't want to wear
25:06anything younger.
25:07Okay,
25:08can you at least take out
25:09that scarf of yours
25:10please?
25:11Oh,
25:12that's even worse.
25:13It's like an election
25:14or a municipal council.
25:15I just opened a button
25:16and it's a bit tight,
25:17you jerk.
25:18Do something.
25:19The opposite
25:20of clickbait.
25:21You know I'm here
25:22and I'm listening to you.
25:23It's not the clothes.
25:24It's the map.
25:25It needs to change.
25:26Let me tell you.
25:27If we dried your hair
25:28a bit,
25:29if we made you some henna
25:30or put some hairspray
25:31on your tongue,
25:32would you listen?
25:33It doesn't matter.
25:34Go ahead.
25:36Are you sure
25:37you don't want a soufflé?
25:39So,
25:40they can't swim,
25:41right?
25:42No,
25:43they can't.
25:44If they can't swim,
25:45how do they take a bath?
25:47I don't think
25:48they take a bath.
25:49If they don't take a bath,
25:50can I not take a bath
25:51either?
25:53No,
25:54you're going to take a bath
25:55right now.
25:56Oh,
25:57okay.
25:58Okay.
25:59Did you have
26:00a good time today?
26:01Yes,
26:02I had a great time.
26:03I want you to know
26:04that I'm very proud
26:05of you
26:06and the painting
26:07that you made.
26:08Can we hang it?
26:10Of course,
26:11we can hang it.
26:12To be exact,
26:13we have to hang it.
26:16Not there,
26:17here.
26:20Here,
26:21where we sit
26:22and work.
26:23Are you sure?
26:24Yes.
26:25Yes.
26:29It doesn't even show.
26:30More here.
26:31Here?
26:32No,
26:33a bit more here.
26:34There.
26:35Here.
26:37Now we're doing something.
26:38It's like I'm watching
26:39a journalist
26:40who cares a bit
26:41about his life.
26:42Show me
26:43a mysterious look.
26:44No.
26:45Imagine
26:46that the camera
26:47is your girlfriend.
26:48Look at her.
26:49No.
26:50Something sweet,
26:51love?
26:52No.
26:53At least,
26:54show me
26:55another look
26:56other than
26:57that light,
26:58brainless look
26:59you have on your face.
27:00Look,
27:01right now,
27:02I'm angry
27:03and very angry.
27:04What do you want?
27:06Oops.
27:08Oops.
27:10Hello?
27:11My boy,
27:12what a list I have!
27:14Jean Paul Belmondo
27:15made you,
27:16didn't he?
27:18Go on.
27:19Pefariki.
27:22I'll never forgive you for this.
27:24Are you talking to me?
27:25I can't see.
27:26You'll see.
27:27Guys,
27:28look,
27:29if we can't find something
27:30for the special edition
27:31of the beer,
27:32we can use
27:33the logo we have.
27:34This way,
27:35we can manage
27:36our budget
27:37for something more necessary.
27:38Without a symbol,
27:39we don't exist.
27:40The logo
27:41will make our bottle
27:42glow up.
27:43Let me remind you
27:44that we have a logo.
27:45We have to do the extra.
27:46Mom!
27:48I'm sorry,
27:49give me a minute
27:50and I'll be right back.
27:57I can't believe it.
27:58Sophie,
27:59tell me you see
28:00what I see.
28:01I believe it.
28:02Do you see
28:03how chaos
28:04creates harmony?
28:05Say less.
28:07Do you see
28:08how difference
28:09reveals the essence?
28:11Say less.
28:12Five lines,
28:13one symbol.
28:14Say less.
28:15Say no.
28:16So,
28:17I'm here.
28:18What were we saying?
28:20Guys?
28:22All good?
28:24I'm telling you,
28:25they want it
28:26for the logo
28:27of the special edition.
28:28This?
28:29Yes.
28:30The painting of joy?
28:31Yes.
28:32The Black Spring.
28:33Yes,
28:34the Black Spring.
28:35They told me
28:36they found here
28:37what they've always been looking for,
28:38Senua's pendant.
28:39In these lines?
28:40Yes.
28:42Did you say it right?
28:43I said it,
28:44of course,
28:45and he was excited
28:46and then he told me
28:47he'd sell it to them
28:48for 1,503,000,000 euros.
28:50Ah,
28:51look,
28:52at our level
28:53even 3 euros
28:54wouldn't be a problem.
28:55My love,
28:56how did the photo shoot go?
28:57Ah,
28:58do you remember
28:59telling me
29:00that you liked me?
29:01Yes,
29:02I remember.
29:03You were right.
29:04Wow,
29:05my love,
29:06amazing,
29:07you're a doll,
29:08well done.
29:09Sara,
29:10are you doing
29:11what we do
29:12to our kids?
29:13Yes.
29:15It's bad.
29:16I know.
29:17Mike wanted something younger.
29:18My love,
29:19I'm sorry.
29:20It's okay.
29:21Mom, Dad,
29:22I want to tell you something.
29:23What is it, Tassouli?
29:24I decided
29:25to stop being single.
29:26What?
29:27Why?
29:28So much talent
29:29that I'm more interested in.
29:31What did you find?
29:32The first stage
29:33is always the foundation.
29:35Mom,
29:36don't move,
29:37the foundation won't sink.
29:38Encouraging your kids
29:40is in the basic duties
29:41of a parent.
29:42If your kids were athletes,
29:44you would be
29:45their biggest fan.
29:47That crazy guy
29:48on the court
29:49who's without a shirt
29:50for a month
29:51and hits a big ball,
29:52that's him.
29:53Yes,
29:54sometimes
29:55all this support
29:56can turn into boomerang.
29:57Other times, of course,
29:58it can surprise you
29:59in a very positive way.
30:01And maybe our world
30:02would be better
30:03if this encouragement
30:04we give to our kids
30:05we give to the adults.
30:07My love,
30:08I'm sorry,
30:09but you can't support
30:10mustard pants.
30:15Please.
30:16Sara,
30:17tell us a few words
30:18about the Pinika logo
30:19that Stef and Sophie wanted.
30:21Oh,
30:22about the Hoontas logo,
30:23yes.
30:24The only two words
30:25I have to say
30:26are
30:27dangerous.
30:28Do you have
30:29a new name, Michalis?
30:30Yes,
30:31you can call me
30:32Mike Paul
30:33like I'm
30:34a cool trapper.
30:35So,
30:36you feel cool
30:37with your new name.
30:38Look,
30:39I can't imagine
30:40going to work
30:41with someone else.
30:42It's a very good idea.
30:43Also,
30:44not to sign my name
30:45with these tragic articles
30:46that you make me sign
30:47is a very good thing.
30:48Sara,
30:49did you get mad
30:50when they said
30:51that Chara's drawing
30:52wasn't good?
30:53I did.
30:54I was outraged.
30:55Who is she
30:56to say that
30:57my daughter's drawing
30:58isn't good?
30:59Because she doesn't
31:00understand art,
31:01because she doesn't know,
31:02because she's used to
31:03seeing maps
31:04of painted houses
31:05with chimneys?
31:06And in the end,
31:07where did her daughter
31:08grow up
31:09and paint
31:10apartment blocks
31:11with chimneys
31:12in Switzerland?
31:13So,
31:14you think
31:15they weren't right?
31:17One thing
31:18I have to say.
31:19Mom,
31:20look.
31:21Hold my beer
31:22with my daughter's
31:23drawing on it.
31:24And one last thing.
31:25How does it feel
31:26that Tassos
31:27started doing make-up?
31:29What kind of
31:30sexist question is that?
31:32How sexist?
31:33I mean,
31:34you have to put
31:35labels on everything.
31:36On everything?
31:37Anyway,
31:38I think we should leave.
31:40And you should know
31:41I prefer the term
31:42face painting.
31:45I can't believe it.
31:51Do you like it?
31:53As we were,
31:54it's sold out.
31:56What do you mean
31:57you want to sell it?
31:58It's 1,100,000,000.
32:001,100,000,000.
32:05What do you mean
32:06you want to sell it?
32:07It's 1,100,000,503 euros.
32:10There's a red light.
32:11I'll look there.
32:14I just wanted to say
32:15that I didn't understand
32:16anything you said.
32:17We're moving forward.
32:18Okay.
32:19I'm just saying
32:20not to be
32:21misunderstood
32:22and misunderstood
32:24Four.
32:26When did you decide
32:27to photocopy...
32:28You were blocking me.
32:29Photocopy.
32:30Photocopy.
32:31I photocopied like this.
32:33Four.
32:34Three.
32:35It was a very big
32:36white cloud
32:37and I ran out of coffee.
32:38Sorry, let's go.
32:39Of course,
32:40I ran out of coffee.
32:41Two.
32:42One.
32:43Go.
32:44When did you decide
32:45to photocopy...
32:46Don't.
32:47It's mine.
32:48Shh.
32:49Shh.
32:50Talk, talk,
32:51talk about your
32:52business.
32:53I know.
32:54Let's go.
32:55Three.
32:56Two.
32:57One.
32:58Go.
32:59I'm telling you
33:00that they want
33:01a logo for their CD.
33:02Let's go.
33:03It's an attack.
33:04It just has
33:05an English word in it.
33:06Let's go.
33:07Yes,
33:08as if they were going to
33:09me and then
33:10I throw a potato.
33:11Go.
33:12What do you mean
33:13as if they were going to me?
33:14As if they were possible.