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ΔΙΑΦΑΝΗ ΑΓΑΠΗ – ΕΠΕΙΣΟΔΙΟ 03 HD | Diafani Agapi - EPEISODIO 03 HD



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Transcript
00:00I met you, before I met you, when I was a child, in my silent dreams.
00:24It was too late then, and how can I make up for it?
00:31I said, from this world, let's leave together.
00:40And if the sea gives us all its possibilities,
00:47and if it gives everything that is precious to the soul,
00:54there are those who love until their death,
01:01and to the next life from the beginning.
01:09And to the next life from the beginning.
01:39And to the next life from the beginning.
01:54Remember Stefanos for the good things he did, but also for his mistakes.
02:04Above all, however, remember the love he gave you.
02:10Only love can survive death.
02:15Every minute that God gives us in this life is precious.
02:21Have your soul open to the fellow man.
02:26And above all, glorify the name of the Lord and pray that He will watch over you.
02:36Feels like falling down
02:43Could we turn back around?
03:05The sky is red
03:13We should be careful now
03:36Feels like falling down
03:55We should be careful now
04:05Feels like falling down
04:11We should be careful now
04:18Feels like falling down
04:25Feels like falling down
04:42Guys!
04:44Good morning!
04:46You're smiling!
04:47I can't believe it!
04:48Are you happy?
04:49Let me tell you something.
04:52Look at the squirrel.
04:56Saridakis!
04:57Come here.
04:59Leave him alone, Noti.
05:00He's not green, he's got a moustache.
05:03And he's wearing a hoodie.
05:04Stop it!
05:06I'm listening.
05:07Are you going to teach me how to play with that thing you always carry with you?
05:11They call it a funk.
05:12Sounds like an oxygen tank.
05:15The problem is that in order to learn how to play, you have to stay up all night.
05:19What are you up to?
05:20Nothing.
05:21I'm telling you so you don't get in trouble.
05:24Come on, come on, I'm coming.
05:27Am I going to let the squirrel tell me?
05:29Yes, go away!
05:30I'm going to break your hood and you won't have anywhere to hide.
05:38Someone's looking for you.
05:43Yes.
05:44Smile and say hello.
05:46Ralu!
05:47What are you waiting for?
05:48If you didn't want to tell me, who did you call?
05:50He called me.
05:51If you're playing hard to get, tell me to come.
05:53Slow down, bodyguard.
05:55Guys, see you.
06:07What's up?
06:13He's playing hard to get.
06:15He's doing well.
06:16You need all the boys for that.
06:18Bah!
06:31Sorry about the last few days.
06:34We didn't meet as much as I wanted.
06:38I guess you didn't want to.
06:41Fotini, I'm serious.
06:42I needed to be alone for a while.
06:48Have you heard about the new convention center
06:50that's being built in Posidon?
06:53It's a gift from my mother.
06:54She's asking for interviews everywhere
06:56and she's pushing me to be with her all the time.
06:58And believe me, I don't like it at all.
07:00So you didn't answer my message
07:01that I'll be at the pool and I'll be waiting for you
07:03to hide from the journalists.
07:07I wanted to see you.
07:10I need you.
07:22Okay.
07:23I fell in the pool.
07:24Okay.
07:35I'll pick you up after school.
07:40Listen to me.
07:42I want you to understand.
07:44It's hard these days.
07:48Bye.
07:49Bye.
07:54I need you.
07:58I'll take a cab.
08:00Okay.
08:20Some will fall.
08:25And when we rise,
08:27we're called towards the vision.
08:32We're called towards the vision.
08:39The vision.
08:41The vision.
09:11The vision.
09:13The vision.
09:14The vision.
09:15The vision.
09:16The vision.
09:17The vision.
09:18The vision.
09:19The vision.
09:20The vision.
09:21The vision.
09:22The vision.
09:23The vision.
09:24The vision.
09:25The vision.
09:26The vision.
09:27The vision.
09:28The vision.
09:29The vision.
09:30The vision.
09:31The vision.
09:32The vision.
09:33The vision.
09:34The vision.
09:35The vision.
09:36The vision.
09:37The vision.
09:38The vision.
09:39The vision.
09:40The vision.
09:41The vision.
09:42The vision.
09:43The vision.
09:44The vision.
09:45The vision.
09:46The vision.
09:47The vision.
09:48The vision.
09:49The vision.
09:50The vision.
09:51The vision.
09:52The vision.
09:53The vision.
09:54The vision.
09:55The vision.
09:56The vision.
09:57The vision.
09:58The vision.
09:59The vision.
10:00The vision.
10:01The vision.
10:02The vision.
10:03The vision.
10:04The vision.
10:05The vision.
10:06The vision.
10:07The vision.
10:08The vision.
10:10My love, please be brave.
10:14For the sake of our child.
10:28Isn't that what everyone would want?
10:34To see their own vision.
10:37To know what others believe in them without anyone being able to see them.
10:42You see me.
10:45Asona.
10:46You?
10:51Of course.
10:53Stefanos Leontis.
10:55He fell at the hour of his death.
11:00The vision breaks from up here.
11:03Only the vision.
11:04The company, no.
11:06No, man.
11:08What happened? What happened?
11:09Can't you see them?
11:12Who?
11:13Look. Paparazzi.
11:15They came to take a picture of Maxim Delimani.
11:18Along with the girl next to him.
11:20I can already see the headlines. The media is going to go crazy.
11:23And what do they say?
11:24They say you hit the jackpot.
11:26The most beautiful and smartest girl in Piraeus.
11:28Hidden from his mother, though.
11:30Problem.
11:31Come here. Come here.
11:36No, no, no.
11:41You know what you are to me, right?
11:42You know.
11:46Fire.
12:03Why did you pull? What did I say?
12:05No, you didn't say anything.
12:08Maxim, lately a lot of strange things have been happening to me.
12:12That's why I sent you a message. I wanted to talk to you.
12:15Okay, calm down.
12:17Calm down.
12:19You'll find a way to get over it.
12:21I'm sorry, you don't want to know.
12:22No, I don't.
12:23It makes sense, given your age.
12:25It has nothing to do with my age.
12:27Fotini, I have my own problems.
12:28I can't think about yours right now.
12:31Seriously.
12:32Okay?
12:33Does it make sense?
12:34Absolutely.
12:56Fotini, what I like about you is that you have nothing to do with the people around you.
13:00Do you have any idea what's going on?
13:01Do you want to live in a cage?
13:02Why are you looking at me like that?
13:04Stop running! Cut the crap!
13:06She's giving me a hard time.
13:07She's giving me a hard time, too.
13:09Fine, what are you doing with me?
13:10Come on.
13:11Stop getting on my nerves.
13:14Whatever you say.
13:16I'm sorry.
13:30So, you're in love.
13:31Yes.
13:33You don't like me, do you?
13:35Story of my life.
13:37On the contrary.
13:38I used to have a friend in the police force.
13:40A close friend.
13:41Really?
13:45What job did you do?
13:48I...
13:50I thought I could do anything.
13:53That nothing would stop me.
13:54But...
13:55I stepped on it.
13:56I care about that.
14:04Are there others like us?
14:07I've met some.
14:09It's very difficult.
14:10I don't know, I feel...
14:12It's very strange.
14:13You're struggling, aren't you?
14:14Because you see that life continues to move on
14:16even without you.
14:18You'll get used to it.
14:19I don't understand how this thing works.
14:21I mean, we have three of the five basic senses.
14:23We have sight.
14:24We have hearing.
14:26Hearing.
14:28Who told you there are only five?
14:31What do you mean?
14:33The paradox with the third one.
14:35What do you mean?
14:37The paradox with death is that we discover things about us
14:40that we didn't care about while we were alive.
14:42Or...
14:43we didn't realize we had them.
15:05I'm sorry.
15:14Anna?
15:19I brought you...
15:21the things from the library.
15:27Don't you want to go outside?
15:31I don't want to see anyone.
15:34Come on, don't stay here alone.
15:37Come on.
15:39No, Spyros.
15:41A little wine
15:43will do you good, trust me.
15:47Come on.
15:49Okay, I can do it on my own.
15:51I'm not a whore.
15:56I'm sorry, Spyros.
16:01Let's go.
16:03Let's go.
16:07He was a great kid.
16:09Really brave.
16:10We had him as our son.
16:12What did you have him as?
16:15Anna.
16:17You never liked him.
16:18You never wanted him.
16:19Anna.
16:20Anna.
16:26Girl, please.
16:27Please, not in front of everyone.
16:31Do you remember?
16:33I don't want anyone to see my teeth.
16:36And don't answer my father's questions.
16:39You know I can't resist his provocations.
16:42Because I know, that's why I'm telling you.
16:44You won't make a fool out of me, will you?
16:46Yes.
16:47But tonight, you'll make a fool out of me.
16:52Deal.
17:04Fantastic table.
17:08It's the same painter we have on our bed.
17:11Yes.
17:12It's obvious.
17:13The colors, the lines.
17:16They're similar.
17:18Are you interested in contemporary art?
17:21Very much.
17:23I'm not an expert, but I like it.
17:26I'm not an expert, but I like it.
17:28I'm not an expert, but I like it.
17:30I'm not an expert, but I like it.
17:31I like it.
17:33Not all of them.
17:34Not all of them.
17:35Some catch my eye.
17:39You're right, though.
17:41In front of Anna's bed,
17:43the works are of the same high artistic value.
17:46I gave them to her as a gift when she got older.
17:48I'm glad.
17:50That the lines and the colors satisfy you.
17:54What's your background?
17:57I grew up in an orphanage.
18:02So, who knows?
18:07Can I use the bathroom?
18:09Of course.
18:10The second door on the right.
18:15Great house.
18:18Super.
18:25So, you're with him now.
18:28Him?
18:29Him.
18:30Him?
18:32They call him Stefano.
18:34You'll get used to his name.
18:38We're getting married.
18:42What?
18:43Seriously?
18:44Seriously.
18:46I don't get it.
18:47Out of the blue?
18:48Out of the blue?
18:50We decided to get married.
18:52Isn't it a bit sudden?
18:55For you, maybe.
18:56Not for us.
18:57We don't even know who he is.
18:58He's my brother, not you.
19:00Romantic idyll.
19:03The fatso and the judge.
19:04What are you talking about when you eat?
19:06Rape and murders?
19:08About sex, dad.
19:10About good and healthy sex.
19:18Mom.
19:20Go into the world.
19:22My love, please try to calm down.
19:29I can't stand talking to myself.
19:36Maybe we should leave.
19:39I'm sorry.
19:41She's a bit upset and...
19:42Don't even talk about it.
19:44I understand.
19:59They put all the dirt on him and came to honor him.
20:02Most of the people in there didn't give a damn about Stefanos.
20:04I did.
20:12The one who called me last night.
20:16She told me I was in danger and I shouldn't trust anyone.
20:19I heard it when I was little.
20:22Maybe not.
20:23I don't know.
20:24I'm scared, Victoria.
20:26I'm sure it's a farce.
20:31She told me she got a message from Stefanos.
20:34That's what you should understand, Anna.
20:36A message from Stefanos.
20:37It's possible.
20:42I'm sorry I yelled at you before.
20:46I didn't want to put you in a difficult position.
20:48You were joking.
20:50As soon as you lost your husband,
20:52it's good to break up.
20:53You have to break up.
20:55Especially now.
20:57You shouldn't keep anything inside you.
21:00You shouldn't learn good things about moving.
21:02Okay?
21:03Especially the parents.
21:05Just you and me.
21:06You promised me, right?
21:07Yes.
21:08You have my word.
21:10Don't worry.
21:19Look there.
21:21Nikitas has slept with Sofia.
21:23But she answers messages with hearts and faces
21:25that someone else sends her.
21:28And kids, if you're wondering,
21:30I've already read their names in the student ID.
21:33We can't do anything.
21:34We can only look.
21:36How?
21:38There's a girl.
21:40She can see me and hear me.
21:42Alive?
21:43In the middle?
21:45I saw it in the movies, but I didn't believe it.
21:50Are there others like her?
21:51Are there others like her?
21:53There are.
21:55But I never believed them.
21:57Most people who say fairy tales and the truth
21:59usually end up with psychotropic drugs.
22:02Can we have contact with those who don't see us?
22:05I think my wife feels my presence sometimes.
22:10As long as we lived, we were energy kids.
22:14Our energy is the last thing that will be lost.
22:22Wherever there is a strong feeling or desire,
22:25we can control our energy and achieve something.
22:31How do you do that?
22:33It's not hard.
22:35You just focus on what you want
22:37and use your energy to achieve it.
22:41With a little practice, you'll learn it too.
22:44After all, you've already achieved something very important.
22:49You didn't go through the door.
22:53Why did you get up?
22:55Why didn't you leave?
22:58I saw an image of the future.
23:02I saw my wife, Anna,
23:04threaten her with the gun that killed me.
23:06You have to find a way to stop him.
23:08I don't know who he is. I didn't see his face.
23:11I can't stop him.
23:14How?
23:16If not, why did you stay?
23:26You're very good at this.
23:28Very good.
23:30Why did you stay?
23:42Hello.
23:45Hello.
23:49Say goodnight to Mr. Ragusis.
23:51Goodnight.
23:54Goodnight.
23:56Goodnight, daddy. I love you.
23:58I love you too. Goodnight.
24:00Daddy, come.
24:01Goodnight.
24:12I hope you'll come again to eat together
24:15in another occasion.
24:18Thank you, Katerina.
24:20I'll prepare the kids for bed.
24:23Goodnight.
24:25Mom, the cream is running out.
24:27I'm coming, girls.
24:32You're lucky to have this wonderful family.
24:36Well done.
24:37I'm lucky to have Katerina.
24:44Oh, God.
24:54I try to keep
24:57work away from home,
24:59but
25:02it's not easy.
25:05You know that.
25:08When my wife left,
25:10my family became a service.
25:13Stefanos is...
25:20Stefanos was for me
25:23like a son.
25:25When I met him, he was a kid.
25:27Was he still at the Foundation?
25:29I found him in our department, on the street.
25:31He was accused of stealing a video game console.
25:35Did he have one?
25:37No.
25:38It was done by another guy from a gang
25:40who was involved.
25:42But he didn't give us his name.
25:45I know his brain.
25:47He was wild.
25:49He was crazy.
25:51But he was different from other kids his age.
25:54He had something.
25:56He had an incredible vision.
25:58He was about to turn 18
25:59and he was sure
26:01he'd get into trouble.
26:03I thought I'd give him a chance.
26:05So I told him,
26:08do you like playing thieves and cops?
26:11Choose your side.
26:15In a little while,
26:18I saw him in a suit.
26:20He told me he owes you a lot,
26:22but that's it.
26:24If he didn't want to, he wouldn't talk to him.
26:26Yes.
26:28He didn't like talking about his past.
26:32I thought
26:34I'd taught him everything I could.
26:39But it wasn't enough.
26:57I'm sorry.
27:25Look at that!
27:27Hello, hello, hello.
27:29When I see people in love,
27:31I fall in love with life again.
27:33How are you, man?
27:34Good, how are you?
27:35If we buy something, it will be better.
27:37Okay, how much?
27:3910 euros, they will bring
27:41Lucky and five demons.
27:43Five demons?
27:45Okay, give them all.
27:47All?
27:48Yes, all.
27:49Nobody is doing his wise man.
27:51Thank you very much.
27:54Have a nice day.
27:55Bye.
27:57Your father is a powerful demon.
27:59We have to protect ourselves.
28:01You're right.
28:03I want this one, the big one.
28:05Which one?
28:07This one?
28:09This one.
28:11Good choice.
28:13Write his name on it.
28:15Konstantinos Karalis.
28:22If only you could see me.
28:24In a moment.
28:28Know that I'm here for you.
28:33I'm here with you.
28:43The analysis confirmed what we thought from the beginning.
28:46The lioness and the ghost
28:48were shot at the same time.
28:50What's going on?
28:51They were shot at.
28:53What's going on, Karathanos?
28:55The lioness couldn't be so experienced.
28:57She wouldn't have thought that the ghost
28:59would be carrying a second weapon.
29:01Right.
29:03Experiences are those who care less.
29:05Except for those who have seen her as a hero.
29:08What did you say, Pavlidis?
29:10I'm paying you back, chief.
29:12Experiences overestimate their power.
29:14Let's go further.
29:16We didn't think about other possibilities.
29:18Like what?
29:19Like the presence
29:21of a third person
29:23standing behind Stefanos
29:25when he has already identified the ghost.
29:27So, first the lioness was killed
29:29and then the ghost.
29:31Exactly. Why not?
29:33No, because we didn't find any evidence
29:35of the presence of a third person.
29:37Maybe we should look again.
29:39I agree.
29:41Listen.
29:43I understand that this case is your priority
29:45and it affects you all for obvious reasons.
29:47It affects me too.
29:49We have to deal with this differently.
29:51We have to stick to the protocol.
29:55Any questions?
30:02No.
30:04Fine.
30:06Please,
30:08keep me informed.
30:12Of course.
30:15And please, be careful.
30:21You're welcome.
30:25You can't close the case like this.
30:27You idiot!
30:44Hi.
30:46Do you want some?
30:48No, thank you.
30:59You really can't find an ointment.
31:02It's oxidized, isn't it?
31:04I don't take it.
31:06Ointment is different, but it's oxidized.
31:08Ointment preserves the other ingredients.
31:10And?
31:12It doesn't have sugar.
31:14Try it.
31:15No.
31:20So?
31:23It's good.
31:25I told you.
31:29Can I ask you something?
31:35Don't you mind that I think you're weird?
31:39Just weird?
31:42I learned early on not to be affected by other people's opinions.
31:45They can't decide who you are.
31:47You are what you are.
31:49Period.
31:56We have the case of the girl who was found in Threatida.
31:59Alexandra
32:01Lambrinou.
32:03Pavlidis took her in.
32:05Her mother visits her every day.
32:08Talk to her.
32:10It's been reported that her daughter took drugs and died.
32:13What else can we do?
32:15She lost her daughter.
32:17Hey!
32:19Find something better to say.
32:21Okay.
32:23As soon as the ship returns, the case will be in the archives.
32:26Until then, our priority is the Red Ghost.
32:30See who moves it after the ghost's death.
32:34His cell phone hasn't been found yet.
32:36What? It hasn't been found?
32:38But we didn't leave a place for them to search.
32:40We searched the whole building and the garage.
32:42Where is it?
32:45Yes.
32:51Yes.
32:52Yes.
33:14He can't have it with him.
33:22He can't have it with him.
33:40Damn it.
33:47Well done, brother.
33:49Exhaustive research.
33:52Let's go.
34:22Let's go.
34:52I love you.
34:54I love you.
35:22Not again.
35:24Not again, man.
35:53I'm sorry.
35:55Don't be sorry.
35:57You said you'd leave me alone.
35:59If the case is closed, the murderer will never be found.
36:01I don't care.
36:03My wife is pregnant.
36:05My child is in danger.
36:07Do you think I want to torture you?
36:09What do you want me to do? Tell me.
36:11It's not my problem.
36:13Since I saw you, everything has been going wrong.
36:15Fotini.
36:17Are you coming for coffee?
36:19I'll pick you up in a minute.
36:20Okay.
36:24Leave me alone!
36:34Mrs. Labrinou.
36:36I'm Charles Pavlidis.
36:38I'm here to take over your daughter's case.
36:40Have a seat.
36:43Is there a problem?
36:45If we had learned anything, we would have informed you.
36:47It's true that in the case of Alexandra,
36:49she was taken over by Angelea's assistant,
36:51Anna Karali,
36:53who killed her husband.
36:55Yes, but I don't think it has anything to do with...
36:57Of course it does.
36:59How can this case be closed?
37:01You shouldn't stop looking.
37:03My daughter was a good girl.
37:05Not what you're saying.
37:07She didn't take drugs.
37:09She was a good girl.
37:11She didn't take drugs.
37:13She was a good girl.
37:14She didn't take drugs.
37:16It's true.
37:18She didn't take drugs.
37:20I understand that what you're experiencing is incomprehensible.
37:23However, it is common for parents not to know
37:27that their child is addicted.
37:30The toxicological forces of Mrs. Labrinou were clear.
37:35Things are not always as they seem.
37:39If we learn anything, we will inform you immediately.
37:42Okay?
37:44Thank you, Mr. Labrinou.
37:58Let me tell you.
38:00Anna was taken over by me.
38:02You will take over Chira.
38:15Anna.
38:18I'm sorry about the photos.
38:21It's okay.
38:23I'm used to it.
38:26Although this time it's a little different.
38:30I don't believe you came for work.
38:32I found something in Stefanos' things.
38:35Did you give me his cell phone as you found it?
38:38Yes, we just unlocked it.
38:40We didn't find anything strange.
38:41In the incoming calls, there was a post-Vita Sigma.
38:44Yes.
38:46Did you find the number?
38:48The number is from a mobile phone with an encrypted SIM card.
38:52So, to be identified,
38:54it may belong to someone who lives or lived in Sudan, let's say.
39:01Do you know where this is from?
39:04188?
39:06I have no idea.
39:07188?
39:09I have no idea.
39:15Tell me the truth.
39:17Tell you the truth, Anna.
39:24I would say it's
39:27a strange case,
39:29if it's not my own.
39:33Thank you, anyway.
39:38I think you've come to the wrong conclusion about Stefanos' death.
39:42Something else has happened and I still don't understand what it is.
39:46But when I don't understand something, I look for it until I understand it.
39:51This is from when I was with him in China.
40:08If he fails another test tomorrow, I'll find him and I'll fire him.
40:12You're not fighting, are you?
40:14Isn't it good to become all-natural mathematicians?
40:28Are you waiting for my car?
40:30No.
40:32How are you?
40:34We broke it.
40:36Did I throw it at you?
40:38I threw it at him.
40:40I'm going to the bathroom.
40:53Don't give up on him so soon.
40:55Maximus will understand that they don't get along.
40:57And when we say they don't get along...
40:59Anyway, something's not right with her lately.
41:02She says something's wrong and she's worried.
41:03Let her show off with her Chinese scooter.
41:13What happened?
41:15I'm going to the bathroom. Will you follow me?
41:17I was at the table.
41:19Rallos thinks you're crazy and he's flirting with your Chinese scooter.
41:22And Athena believes that Maximus abandoned you.
41:24And she finds it very logical, because...
41:26you were flirting.
41:28Well done.
41:30Nice friends.
41:31Nice friends.
41:43Where are you going?
41:45Me and my Chinese scooter will go somewhere else to show off.
41:49I'm sorry that you're going to follow me and the nonsense I'm doing.
41:55Oh, and Athena.
41:57Why didn't you fall in love with Maximus?
41:59You two get along very well.
42:02Idiot.
42:04How did he hear us?
42:06I don't know.
42:10Don't think that you owe me because you didn't tell me what you told me.
42:13I wanted you to know the truth.
42:15And I was without friends. Super.
42:17It's the last time I help you. I mean it.
42:19It happened.
42:21Tell me what you want.
42:23I'll follow you.
42:32Here.
42:34The phones are here.
42:43Are you kidding me?
42:45Do you want me to put my hands in there?
42:47If I could, I would.
42:49What if it has a button?
42:51It doesn't! Take it!
42:53Please.
42:55Please.
42:57I can't live it, man.
42:59I can't live it.
43:01And the guy who killed me got a phone in this cell phone.
43:04Please.
43:06Take it.
43:08I need to know who he is.
43:17Idiot.
43:21Let's go.
43:31Let's go.
43:41Is that you?
43:44Yes. Let's go.
43:56What happened? We have to go.
43:58Why are you not my parents?
44:00What?
44:02Why should I see you and not my parents?
44:04I don't know.
44:06You do. You are in the world of the dead.
44:08Tell me or I'll throw the phone.
44:10What are you doing? No, don't! I really don't know.
44:12Please, I'm telling you the truth. I don't know.
44:14When I died, I saw the spirit of the other dead man
44:17passing through this door.
44:19He went into a strong light. He disappeared.
44:22He went somewhere else. I don't know where.
44:24Your parents probably did the same.
44:25And they left me behind.
44:27Obviously, I wasn't that important to them.
44:29It's very difficult not to pass through this door.
44:32But you did it for your wife.
44:37Since I met you, I have had visions.
44:41I hear screams and I see flames.
44:44My parents died in a fire.
44:46I wasn't with them.
44:48And I don't know why I see all this.
44:51Do you know how many things I would like to tell them?
44:53To ask them?
44:56Then it would make sense to talk to the dead.
44:59It would be even more beautiful.
45:01But no, I'm here.
45:03With you.
45:05And if you force me to wash my hands in the dirt
45:07because it suits you,
45:09I'm very lucky in life, after all.
45:17The Red Ghost, also known as Red or Ghost,
45:21is a small, red substance that gives comfort and energy.
45:25But it also causes a heart attack
45:27that can cause kidney failure,
45:29not only in cases of overdose,
45:31but also in cases of minor doses,
45:33if the patient had some kind of epilepsy.
45:35Why are we repeating ourselves?
45:37It's been on the market for six months
45:39and we still haven't found out
45:41where it came from.
45:43Exactly.
45:45If Stefanos had caught the ghost,
45:47we would have found some clues.
45:48Yes, and we are swimming in dirty water.
45:50Yes, if Stefanos were still alive,
45:52he would probably have disappeared
45:54and the world would be hungry for him.
45:56We know for a fact that you didn't want him.
45:58But he was your colleague.
46:00And above all, he was much better than you.
46:03Hey, Stella!
46:05Get out of his face.
46:07Guys, please, I don't want a fight.
46:09Okay?
46:12Okay?
46:14What?
46:19What's going to happen, Pavlidis?
46:21You're acting like a kid.
46:23Idiot.
46:28Goodbye.
46:37I left it.
46:39Where are you?
46:42You're trying to scare me, aren't you?
46:46Are you sure I'll find the package?
46:48I hope so.
46:50This is the only entrance that doesn't have cameras.
46:52I know it because I use it to float in the water.
46:56That's all.
46:58I'm sorry for...
47:01I'm sorry for everything that happened because of me.
47:04And...
47:06I hope you understand.
47:08Please.
47:12Are you leaving me like this?
47:14How else?
47:16I don't know.
47:18I'm not old.
47:20Anyway, mature.
47:22Don't you have anything useful to tell me?
47:28Something useful.
47:31Don't be sad.
47:33Everything passes.
47:35Wow.
47:37Is that what you were googling or were you just imagining it?
47:41You're young and smart.
47:43I want you to avoid bad places and...
47:45enjoy life.
47:48And if you don't understand something,
47:50if something isn't clear to you,
47:53persevere until you find the truth.
48:15What's up?
48:25What's up?
48:27What's up with you?
48:29Don't you want to talk to me?
48:32If you introduce him to me, what should I call him?
48:35Look at your job, Pavlidis.
48:37Come on.
48:39Don't you know who he is?
48:41You've never introduced him to the department.
48:43You've never introduced him to the department.
48:45And what you said, you go and buy food,
48:47you only take a portion.
48:49Wow.
48:51You should become a police officer.
48:54My dear, my dear.
48:56What are you hiding from us?
48:59Maybe you've told me that you're a bit...
49:01You're right.
49:03I thought you were just a journalist.
49:05But?
49:07But you've finished it.
49:13Maybe we have news.
49:44Why are you sitting outside?
49:46I'm looking at the photos.
49:48I've completely forgotten them.
49:52Lately, I feel...
49:57I'm thinking about the fire.
50:00As if I was there, too.
50:03I'm thinking about the fire.
50:05I'm thinking about the fire.
50:07I'm thinking about the fire.
50:09I'm thinking about the fire.
50:11I'm thinking about the fire.
50:14I'm thinking about the fire.
50:16Mom is so cute here.
50:19Her tattoo is clear, too.
50:22A sabre.
50:24Let's go inside, please.
50:26It's cold.
50:28Do you have any more photos of your mom?
50:30My dear Fotini, I'm exhausted from work.
50:32Can we eat something and talk about it another time?
50:36Ok, sit down and eat.
50:38I'm going out.
50:40Why are you acting like a child?
50:41Why don't you listen to me?
51:07The water supplier found it.
51:09When?
51:11A little while ago.
51:15You seem to be doing well.
51:17Let's wait for Ragusis.
51:19I'm not waiting for anyone.
51:21It's definitely the ghost's cell.
51:23Why? Because you wrote it in the file?
51:25Did you think it could be a clue to the investigation?
51:27Don't be silly.
51:29Let him come first.
51:31Don't listen to him. Go on.
51:36It's loaded.
51:38And this is the last call the ghost received before he died.
51:42Take it. You're doing well, too.
52:07Hello?
52:12What's going on?
52:14Wait a minute, Chief.
52:16Is that you?
52:18Yes.
52:21Can someone explain this to me?
52:23A while before Stefanos died, someone called the ghost.
52:27The call came from here.
52:29Really?
52:31It was ours.
52:33It was our call.
52:34Grigoris.
52:36One of the first things I learned
52:39is that a good policeman
52:41should always be like you.
52:50But when you shut yourself in,
52:53you don't let your loved ones know you.
53:05You keep secrets
53:07that can destroy you
53:09if revealed.
53:22And so you become suspicious
53:27and suspicious.
53:35You hide from everyone.
53:54You feel guilt and shame.
54:04And you prefer to be alone.
54:34But you have to accept
54:36that every relationship is an accident.
54:41And the risk is great.
54:44Fotini?
54:46But sometimes
54:48you find a responsible friend.
54:54What are you doing here?
54:56I wanted to see if you'd make it without me.
54:59Did you hit me?
55:02I did.
55:04A tattoo.
55:06Do you like it?
55:11Go home, it's late.
55:15Good night.
55:24And that gives you the strength
55:26to face
55:36whoever is behind you.
55:57A film by
56:02Written by
56:06Directed by
56:10Edited by
56:14Music by
56:18Edited by
56:22Written by
56:26Music by
56:30Edited by
56:34Music by
56:38Edited by
56:42Music by
56:46Edited by
56:49Music by
56:53Edited by
56:57Music by
57:01Edited by
57:05Music by
57:09Edited by
57:13Music by

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