ΔΙΑΦΑΝΗ ΑΓΑΠΗ – ΕΠΕΙΣΟΔΙΟ 02 HD | Diafani Agapi - EPEISODIO 02 HD
Category
🎥
Short filmTranscript
00:00[♪ Music begins playing ♪
00:30[♪ Singing in Greek ♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪
01:00[♪ Singing in Greek continues♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪�
01:30♪♪♪
01:40♪♪♪
01:50♪♪♪
02:00♪♪♪
02:10♪♪♪
02:20♪♪♪
02:30♪♪♪
02:40♪♪♪
02:50♪♪♪
03:00It's okay for her to stay with us and not leave her alone.
03:03But at this point she doesn't want pressure.
03:05What pressure, my love?
03:06It would be good for her to stay with us for a few days.
03:08To stay as long as she wants.
03:10Anna is not a baby. She is strong.
03:12Strong?
03:14If she was strong, she wouldn't mess with him now.
03:16No, dad.
03:17Mercy.
03:20Okay.
03:21Respect for the dead.
03:23But I said it from the beginning that it wasn't appropriate.
03:25Good morning, Anna.
03:27Good morning.
03:30What did you say from the beginning?
03:33Leave it now.
03:34Why?
03:35When you start a conversation, you finish it.
03:37You can break my head if you want, but I don't want to fight.
03:39How much sugar, my love?
03:41No sugar.
03:42Did you cut the sugar?
03:43You always drink coffee...
03:44No sugar, mom!
03:52Excuse me.
03:54Did you sleep at all?
03:58What do you want to do today, my girl?
04:01As soon as I lost my husband, I don't want to do anything.
04:03Absolutely nothing.
04:06I know, my love, but life goes on.
04:09You have to try to...
04:10There!
04:12To get over it?
04:13Should I try to make it happen?
04:16Victoria told us that you broke up.
04:21I have to go.
04:22Because I'll be late to open the store.
04:25We'll talk later.
04:36Did you break up?
04:39We broke up recently.
04:42I'm really sorry for what happened.
04:44But it was worth it.
04:46Enough!
04:48We were in love!
04:49You were in love.
04:52If he loved you, he would have been careful.
04:54And he wouldn't have risked the life of a fool.
04:56I've said enough!
04:57Say it now!
04:58Say it!
05:22I'm sorry.
05:26Well done!
05:27You didn't even text me.
05:29Sorry, I forgot.
05:30Come on.
05:31I forgive you.
05:32Just give me your email address.
05:37You're kidding.
05:38Don't tell me you forgot.
05:40You're going to fire me for sure.
05:42No, no.
05:43Don't turn around.
05:44Why?
05:46Don't scare me.
05:47Who is he?
05:48A fool who fell on me with his scooter.
05:50He didn't find me.
05:52Is he hitting on you?
05:53He's mad.
05:54I'm going to find my boyfriend.
05:55Don't tell me.
05:56I'm just trying to find out what he wants.
05:58Don't turn around.
06:04Where is he?
06:06Look.
06:07Really?
06:08Come on.
06:09You're still in a hurry.
06:10Let's go.
06:13Hurry up.
06:14We're going to be late.
06:20Let's go.
06:50Come on.
07:02I'm sorry about what happened yesterday.
07:04But I didn't come.
07:05You were standing in the middle of the road.
07:07That's not why I'm here.
07:08I don't understand.
07:09And how did you find me?
07:11Easier than I thought.
07:14Wait.
07:16I have to go to class.
07:17Please.
07:18I want to tell you something.
07:20I'm running late.
07:22I don't know how to say it without sounding crazy.
07:24What do you want from me?
07:25I'm dead.
07:29Only you can see me.
07:31Go away.
07:33Go away.
07:34Or I'll turn on the lights and lock you in.
07:46Welcome.
07:47Did you miss us?
07:48I'm sorry.
07:50I hope you've read today.
07:53At least one of you should have taken a look at what I asked for.
07:57The guy was waiting for me on the street.
07:59Cut it out.
08:00Rosie!
08:01Since you're so eager to talk,
08:03tell us about the characters and the faces in the play.
08:06Come on, ma'am.
08:07She got her diploma yesterday and we got it last night.
08:10Come on, Rosie.
08:11Be brave.
08:12If you don't remember something,
08:13your self-design is an element of the play.
08:15Come on.
08:18Foti, don't lie to us with your knowledge.
08:22Come on, calm down.
08:23You go first.
08:25Well, in playwrights' works,
08:27especially in theatrics and painting,
08:29we encounter characters that are sculptural figures.
08:36You started it well.
08:38Go on.
08:39These characters are determined
08:43by their actions and the relationship they develop with other characters.
08:53Come on, Foti, please.
08:58But also by the way others see them.
09:02In order to understand them,
09:04in order to understand them,
09:08we have to re-examine their actions.
09:15What's going to happen now with the stopwatch?
09:17Do you believe me?
09:18If you believe me now, they can't see me.
09:21Look.
09:23Look.
09:26In the end, Rosic, you celebrated it much too late.
09:29Guys!
09:30Hey!
09:31Guys, over here!
09:33No one can hear me, no one can see me.
09:35You're the only one who can see me and hear me.
09:37I don't know why.
09:38It was the only way for you to understand.
09:41I had no other choice.
09:43Fotini!
09:44Look at me.
09:45Either go down or sit down.
09:46Look at me.
09:47I want you to do something important for me.
09:48Look at me.
09:49Don't be afraid.
09:50Please.
09:51Fotini, look at me.
09:52Girls, don't listen to him.
09:53Don't be afraid, please.
09:54Look at me, Fotini.
09:55Rosic, sit down.
09:56Look at me.
09:57Fotini!
09:58Look at me.
09:59Look at me.
10:01Are you okay?
10:03Look at me.
10:04Look at me.
10:09Fotini?
10:11Fotini?
10:20When you're in a hurry, you never find what you're looking for.
10:24Yes.
10:27Ah!
10:29Here it is.
10:33Should I come with you?
10:35No need.
10:39Let's go.
10:41Finally.
10:58I couldn't imagine living in Stefanos' room otherwise.
11:00Let's go.
11:02No.
11:30Did you know he left the house?
11:34No.
11:43He told me, but he asked me not to tell anyone.
12:00I'm sorry.
12:24I thought he would have told you.
12:27No.
12:28Shall we start?
12:30Yes.
12:47You did a great job.
12:49I didn't do it on purpose.
12:51You really did a great job.
12:52I told you before, he was fine.
12:54And I was the only one who saw him.
12:56Let me tell you something.
12:58Stop being so funny.
13:00It's not even funny.
13:01It's spooky.
13:02You're becoming paranoid.
13:03I'm suffocating.
13:04I'm suffocating.
13:05He was talking to me and I could see him clearly.
13:07I don't know what to tell you.
13:09It might be a game of mind games.
13:10That's what it is.
13:11You're just worried about the accident.
13:13Come on.
13:14Let's go shopping.
13:15I can't.
13:16I have a training.
13:17Okay.
13:19If he approaches you again, ignore him.
13:22Go and leave him alone.
13:26Okay.
13:56You should go and get some rest.
14:01But you should stay a few more days with us.
14:07We should get used to it.
14:08At least the house.
14:09I'll do it myself.
14:10My girl.
14:11Mom, please.
14:26Please.
14:36Don't fight again.
14:48Anna.
14:50We're just trying to take care of you.
14:52Anna.
14:55It's an opportunity to talk about the papers.
14:58What papers?
15:00The bank accounts, the ownership titles.
15:04What did you do with your divorce?
15:05Have you settled it?
15:22I don't care who's in there.
15:23Please.
15:24I don't care who's in there.
15:26Why did you let him go?
15:28We've been looking for him for months.
15:31Please.
15:32Police officer Leontis.
15:34Yes, I've heard of him.
15:36I found out about him five minutes ago.
15:37Do you know what this is?
15:39Of course I know.
15:40I signed it.
15:41That's what we do at the police station
15:42when people are arrested
15:43without enough evidence.
15:45You let a murderer go.
15:48Bring me evidence
15:49and I'll lock him up again.
15:52Please.
16:01So she's a career woman.
16:04A woman who loves her job.
16:06It's the same for you, as they say.
16:08Don't mix them up.
16:09I'm a bachelor.
16:10We both serve the law.
16:13Or maybe not.
16:14With what I've learned about you.
16:15Officially, I mean.
16:17The unofficial ones are interesting.
16:20We don't deal with gossip.
16:22I don't care at all.
16:25My interest is clear.
16:27You can tell by my shoes.
16:29Your shoes?
16:31Yes.
16:32My shoes are dirty.
16:33They're old and worn out.
16:35They're used to running.
16:37Yours are only for the office's old clothes.
16:42If I take them off,
16:43I know how to run.
16:45And very fast, actually.
16:49Mrs. Karali?
16:50Yes.
16:51A package has arrived for your son from Central Piraeus.
17:35Anna,
17:37I'll throw these away.
17:38They're old.
17:40No.
17:41I told you not to do anything.
17:43PHONE RINGS
17:49Hello, Spyros.
17:50Come in.
17:51Good morning, Anna.
17:55My parents.
17:56Police officer Avgeris.
17:57Stefanos' brother.
18:01Do they bother you here?
18:02No, they're leaving.
18:11Hello.
18:12Hello.
18:14We'll talk later, okay?
18:23I don't like to bother them,
18:24but I can't stand them.
18:26They're your parents.
18:27We want the best for you.
18:29You should be with us
18:30to calm our children's nerves.
18:34I'm sorry for the mess.
18:36Don't worry about it.
18:39Do you want coffee?
18:40I'll make it.
18:41Yes, thank you.
18:43Sit down.
18:54Straight ahead.
18:56Look across.
18:57Across, I said.
18:59Straight ahead.
19:11If you keep going like this,
19:12I won't see you in front of the police.
19:15Kotini.
19:16Latsouris.
19:17Do you want me to throw rocks at you?
19:19If you're tired, take a break.
19:31Giorgos.
19:32Have you seen my car?
19:34It was here a while ago.
19:37It must have left.
19:39Thanks.
20:04At times like this,
20:05we can only turn to God for comfort.
20:14Anna.
20:16I know you don't want to deal with certain things,
20:19but they have to be done.
20:21The ceremony, the notice.
20:24Do you want me to take care of them?
20:26What's the point?
20:29If God existed,
20:30none of this would have happened.
20:33Not now.
20:35There must be a reason
20:36for what's happening in our lives.
20:39Even if we don't know it.
20:40I know it very well.
20:43Stefanos always felt strong,
20:45that's why he died.
20:46Don't say that.
20:49From where he is now...
20:50Where is he?
20:52Where is he?
20:54In God's arms?
20:56The only thing he knows is that I'm here.
21:03Alone.
21:06And Stefanos...
21:08Stefanos is missing.
21:14I'm sorry.
21:17Thank you for helping me.
21:20We'll do what we have to.
21:24Okay.
21:31I found her in the hotel room.
21:35I thought you might want to have her.
22:05I love you.
22:36To a great police officer.
22:40To a great friend.
22:42To Stefanos.
22:45To Leontas.
22:47Leontis.
22:49To Stefanos.
22:56One more round?
22:58Enough for me.
22:59Guys, don't overdo it.
23:01We have to get our heads straight tomorrow.
23:03We owe it to Stefanos.
23:06Chronopoulos, do you want to go?
23:07Of course.
23:12Good night.
23:13Good night.
23:14Good night.
23:19To Leontas.
23:34Are you eating or playing?
23:37Sorry, I was thinking.
23:39What happened?
23:40Didn't you say a word in class?
23:45How do you know?
23:47At your age, do you worry about boys or school?
23:52I didn't go to class, I just didn't feel well.
23:56What did you have?
23:57I don't know.
23:58A cold.
23:59A cold?
24:01Did you have a fever?
24:03No.
24:04I know you're a responsible girl and that I can trust you.
24:07But sometimes you even take precautions.
24:09Shut up, I'm not a virgin.
24:22Fotini, what happened?
24:25His wife, Anna Karali, hasn't made a statement yet.
24:30And now let's move on to the international news
24:32and the following report on how the Middle East could be changed
24:36by Israel's sudden invasion of Lebanon.
24:55Don't do this, baby.
24:58Don't do this.
24:59Keep them away from you.
25:02You need them, please.
25:24I'm sorry.
25:30I'll miss you.
25:35You'll miss the team, too.
25:38How many cases did we solve in less than 24 hours?
25:42In less than 24 hours.
25:45We owe it to him.
25:47And to the way he saw things.
25:51How many times did I think,
25:53well, he's serious now.
25:55And not only did he talk,
25:57but he also gave the solution that no one had thought of.
26:00Yes.
26:02Like back then with cocaine in the lighters.
26:04Do you remember?
26:05Oh, yes.
26:07When he made a mistake for another store.
26:11Like back then when Nikolaos was killed.
26:13Do you remember?
26:16What does that have to do with anything?
26:19Nikolaos was killed because he went into the bank without a warrant.
26:23No, no, no.
26:24Nikolaos was killed because he followed Leontis,
26:27who wanted him to play a game.
26:29Cut it out, Harry.
26:30And now we have a hand and two orphans.
26:34I'd like to make a statement, if you don't mind.
26:38To Leontis.
26:40Leontas.
26:42A great policeman.
26:44A great man.
26:46A great man.
26:48A great salesman.
26:49And a great butcher.
26:50Shut up, you're distracting him.
26:53Because, I say, we're all thinking about him.
26:55Almost all of us, I'm sorry.
26:57You envy him. Always.
26:58You envied him, didn't you?
26:59Of course.
27:00How could I not envy him,
27:01when he was killed while on duty,
27:03so that we could sit here and praise him?
27:05Hero.
27:06You're a great officer.
27:07Yes.
27:13You're close, Harry.
27:14What do you want?
27:15What do I want?
27:16What do you want?
27:17Is this how you defend your friend,
27:18little girl?
27:19What do you want?
27:20Is this how you defend your friend?
27:21What do you want?
27:22Are you giving me a kick?
27:23Hit me, asshole.
27:24What do you want?
27:25Hit me, asshole.
27:26What do you want?
27:27Hit me.
27:28Hit me.
27:29Hit me.
27:30What do you want?
27:31Why are you here?
27:32Why do you want to be here?
27:33To throw your ass at a dead colleague?
27:36Go away, Spyro.
27:37Go away.
27:38Take him.
27:42Go away.
27:45Go away.
27:48Thank you for going between us.
27:51You didn't have to.
27:52I did it for Spyro.
27:54He has a family,
27:55and he doesn't deserve to get involved
27:56with an asshole like you.
27:59Go away.
28:15Go away.
28:34Good evening.
28:35Is this the table?
28:37Yes, thank you.
28:38Come in.
28:55Is everything okay?
28:57Is your husband waiting for you?
28:59No.
29:00I'm alone.
29:08When I'm like this,
29:10very serious,
29:13I want you to look at me through this sphere.
29:20But you're upside down and distorted.
29:23The sphere reveals my stupidity.
29:28I adored her.
29:30She changed my life.
29:32You know that.
29:34And you are mine.
29:42I'm sorry.
29:58I'm sorry.
29:59I couldn't help it.
30:12I'm sorry.
30:42I'm sorry.
30:56Yes?
31:00Is everything okay?
31:01No.
31:02Yes.
31:03I'm sorry, aunt.
31:04I'm a bit busy with Illy.
31:06But who isn't?
31:08Good night.
31:09Good night.
31:12Good night.
31:42I'm dead.
31:45Only you can see me.
32:04You can't stay here, no.
32:07You can't stay at home, you're in danger.
32:10It's going to happen here.
32:13But never, never.
32:15Never. Think, think.
32:20Light.
32:24There's a wall.
32:25Here it is, this room.
32:26It's going to happen here, Anna.
32:27This is it.
32:30It's here.
32:33It's pointing at you.
32:34You're opposite.
32:35There's something here.
32:37Something.
32:40Come on, come on.
32:41Christmas tree.
32:42Tree.
32:43Anna, tree.
32:45It's going to be Christmas.
32:46Anna.
32:47Anna, Christmas.
32:48It's going to be Christmas.
32:49In two months.
32:52Two months, there's no time.
32:54No.
32:55Two months.
32:56Come on, think, think, think.
32:58Look at it.
32:59Look at it.
33:00Look.
33:01Look.
33:02Ghandi.
33:03Ghandi, black Ghandi.
33:04Ghandi.
33:06He's a professional.
33:08He's a professional.
33:30Spyros.
33:33Good morning.
33:34Father, your blessing.
33:36Why are you waiting here?
33:38Father Simeon,
33:40I did something that
33:43I'm ashamed of.
33:45Something
33:47very serious.
33:49Do you need to confess?
33:53I really need to.
33:56Come.
34:06A tragic accident.
34:08It was always his luck.
34:10I remind you that Stefanos
34:12was one of my best men.
34:14I agree.
34:15But it is not enough.
34:17Leontis was a drummer
34:19and he was very sure
34:20that the right arrangements
34:21were necessary
34:22to prevent these tragedies.
34:24Right.
34:25You asked for permission
34:26and you refused it.
34:27I had my reasons
34:28but you probably don't care
34:29if you understand it.
34:30Don't I care?
34:31You already know
34:32how to deal with these things.
34:33I'm talking to you.
34:34I don't care.
34:36I remind you that Stefanos was like a son to me.
34:39And secondly, I don't allow you to judge how I run my team.
34:43Of course I will judge you.
34:46You have the responsibility for what happened.
34:48Me?
34:55Yes.
34:56Antoni, I need you.
34:59I have to do something.
35:01I'm coming.
35:04I need to talk to you.
35:16You are a monologue.
35:18Shut up.
35:26Pavlidis was always better than you.
35:29You are a bastard.
35:31Did he tell you that his wife is pregnant?
35:33No. Why?
35:35He left the service earlier.
35:37He was going to build a balcony for her.
35:41And?
35:42He goes into the house and finds her.
35:44No.
35:46His wife with someone else?
35:48His ex-wife now.
35:51I feel sorry for him.
35:52He can't stand him anymore.
35:54Go away.
35:56Shall we?
35:58A bit quieter, so that no one can hear us.
36:04Is it ok?
36:05The table is empty.
36:07Stella.
36:08One minute.
36:17About what happened last night...
36:19We don't have anything to add.
36:21Unless you have something else to say.
36:23I don't know where I came from, but I wouldn't change a word I said to you.
36:29Everyone thinks I was jealous of him.
36:31But they are wrong.
36:33He gave it to me.
36:35He gave it to me because he took advantage of the other person's job and all the advantages he had.
36:41Yes, he had selfish motives.
36:43But he participated in the action.
36:45He was the first to fall into the fire.
36:47Not Rangussi, who shares his advantages and thinks he is right.
36:52Have you ever heard him say nice words to someone?
36:56A thank you? A friendly slap on the back?
37:00Nothing.
37:02Absolutely nothing.
37:21I love you.
37:51I love you.
38:28Are you coming?
38:30Yes, I'm coming.
38:45Hi.
38:47How are you?
38:49What are you talking about?
38:51I don't know.
38:53I haven't been well lately.
38:55And I don't think my car broke down.
39:19I'm sorry.
39:50I'm sorry. Did I scare you?
39:53A little.
39:55Usually no one is here.
39:57That's why I come and go.
39:59What about the psychologist?
40:01I think it's a false myth. Are you looking for her?
40:04No.
40:06Is there a problem?
40:08No.
40:09Then why did you come?
40:11To make sure it doesn't exist. Bye.
40:13Bye.
40:19Bye.
40:49Bye.
41:09I would prefer to be alone.
41:12Of course.
41:19I don't know.
41:49I don't know.
42:19I love you.
42:49I love you.
43:08Anna?
43:15Are you okay?
43:17I'm wrong.
43:19I'll call you.
43:21I'm coming.
43:47I love you.
44:17I love you.
44:35Sit down.
44:37Sit down.
44:46Congratulations.
44:48Your partner was killed and you are fighting like kids in Havana.
44:53Especially now that we should all be united.
44:56What do you say?
44:59Can we forget about it? As if it never happened.
45:04You're welcome.
45:07I need to talk to Anna.
45:09I need to tell her how we plan to proceed with the case.
45:12First, though, we need to get Stefanos' things together.
45:15And I want you two to do it. Now. Immediately.
45:18Why not Stella?
45:21That's what I'm saying.
45:24I'm not done.
45:28I didn't see you shaking hands.
45:30Chief.
45:32I understand.
45:34I don't think so.
45:37I'm sorry.
45:43You can go.
45:51So?
45:54If we don't waste time, let's split the work.
45:57I agree.
45:59You get Leonty's things together and I'll go to Beritsa.
46:03What?
46:05Come on.
46:07You don't know anything about humor.
46:11What do you know about humor?
46:36Fotini.
46:40Fotini.
46:50Fotini, I know you can hear me.
46:53I'm sorry.
47:03Calm down.
47:06Don't be afraid. I won't bother you. I don't want to hurt you.
47:09Calm down. I'll explain.
47:11I've told you that you're the only one who sees me.
47:14Why?
47:16I don't know.
47:18But it's very important to me.
47:20Well done. Shout.
47:22Tell everyone you see ghosts and they'll inject you with psychotropic drugs.
47:25I didn't come here to lose anything.
47:27So listen to me carefully.
47:29From tomorrow on, I'll be your shadow.
47:31At the school, at the pool, everywhere.
47:33I want a favor from you.
47:35You'll do something small for me.
47:37And you'll disappear from your life.
47:42Did you feel it?
47:44Yes.
47:47His cell phone?
47:49Cell phone.
47:52I found a key to his cell phone.
47:58I can't. It's so tight around my stomach.
48:02Coffee break?
48:06Are you coming?
48:08If you're going, I'm coming.
48:10Okay.
48:16I'm coming.
48:34There's only one high heels store open at this hour.
48:37Good.
48:38Tell them I broke your cell phone because you need to make an urgent call.
48:42Yes.
48:46Stop it.
48:48I want to go home. I'm scared.
48:50Come on.
48:51Do you think it's weird that I'm scared?
48:53Here. Look at him.
48:55He thinks I'm crazy.
48:57And he's right. I'm talking to him.
49:02Here. Here.
49:04Listen to me. I don't have time for this nonsense.
49:06This is bullshit.
49:08You're not crazy. You know that.
49:10I'm dead and you can see me.
49:12Exactly. You're dead.
49:14What are you going to do with my phone now?
49:16Answer me first.
49:19What?
49:20How did you feel?
49:23I mean, the moment you died.
49:25It wasn't pleasant.
49:28And then there's this?
49:30What?
49:32There's no one else.
49:34This somewhere else.
49:36Where are we going?
49:37I don't know!
49:44I don't know.
49:48I was about to find out.
49:50But something stopped me.
49:55Did you see your life as a movie?
49:58No.
50:01I saw the future.
50:03I saw my wife, Anna.
50:05Someone was threatening her with a gun.
50:07Ready to kill her.
50:10It was Christmas.
50:12I don't have time.
50:14I don't have time.
50:17I have to stop them, please.
50:19Can you make the phone call?
50:21Now.
50:25Come on.
50:35Here you go.
50:40Tell her it's dangerous.
50:42Don't trust anyone.
50:44Tell me the number.
50:462-10-41-56-333.
50:59What's she doing? Is she talking?
51:01No.
51:04Please.
51:06Anna Karali?
51:08Who is this?
51:10You don't know me.
51:12But I have an important message for you.
51:14You're in danger.
51:16Don't trust anyone.
51:18Not even your friends.
51:20What are you talking about?
51:22Who are you?
51:24Why shouldn't I trust anyone?
51:26Hello?
51:28You didn't tell me you had someone else on your phone.
51:30Hello?
51:32Hello?
51:34I think she got the signal.
51:36Who are you?
51:38What's going on with the phone? Turn it off.
51:40What do you want?
51:42Tell her something will happen to her inside the house.
51:44Please, listen to me.
51:46I have an important message from your husband.
51:48My husband?
51:50What are you talking about?
51:52What does my husband have to do with this?
51:56Come in.
51:58He's not talking.
52:00But he hasn't hung up.
52:02Well done. You ruined everything. Thank you.
52:04Why don't you leave me alone?
52:06Where are you?
52:14Where are you?
52:16I don't want to see you again.
52:18Go away!
52:30Anna?
52:38Anna?
52:40Anna, are you okay?
52:42Anna?
52:44Anna, come in.
52:46Please, come in.
52:50Come in. Open your eyes.
52:52Anna?
52:54It's Nikos.
52:56Anna, it's Nikos.
52:58It's Nikos. I came to help you.
53:00Well done.
53:02Get up.
53:04Well done.
53:06Well done, my love.
53:08Slowly.
53:10Anna?
53:12Try to get up.
53:14Go to the door.
53:16It's Nikos.
53:18Well done.
53:20Open your eyes.
53:22Open your eyes.
53:24Anna?
53:26What happened?
53:28In order to find an innocent person,
53:30you have to ask the right questions.
53:32Everything will be fine.
53:40Why did he do it?
53:50What are you afraid of?
53:56What does he love?
54:06What is he afraid of losing
54:08or winning?
54:18The list of suspects
54:20is not infinite.
54:26Often,
54:28there is no point
54:30in searching far away.
54:32Everyone can have
54:34a dark side.
54:50Even the closest person
54:52can hide something
54:54you can't imagine.
55:24Even the closest person
55:26can hide something
55:28you can't imagine.
55:54Even the closest person
55:56can hide something
55:58you can't imagine.
56:00Even the closest person
56:02can hide something
56:04you can't imagine.
56:06Even the closest person
56:08can hide something
56:10you can't imagine.
56:12Even the closest person
56:14can hide something
56:16you can't imagine.
56:18Even the closest person
56:20can hide something
56:22you can't imagine.