The story centers on Giuseppe, a middle-aged man who returns to his native Sicily after a long absence. He reunites with his former lover, Caterina, a widow ...
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Short filmTranscript
00:00:00Music
00:00:05Thunder
00:00:20Music
00:00:29Music
00:00:39Music
00:00:49Music
00:00:59Music
00:01:09Music
00:01:19Music
00:01:29Music
00:01:39Music
00:01:49Music
00:01:59Music
00:02:09Music
00:02:19Music
00:02:29Music
00:02:39Music
00:02:49Music
00:02:59Music
00:03:09Music
00:03:25I've missed you Maria.
00:03:27I've kept everything just as it was, but nothing ever stays the same.
00:03:32You have.
00:03:33Music
00:03:43Music
00:03:53Music
00:04:18She always spoke of you, and how it was important that you would come back someday to this house.
00:04:25Music
00:04:47Hold up.
00:04:49Giuseppe Laganna.
00:04:53You dirty old rascal. How the holy hell did they ever let you back here?
00:04:58You know.
00:04:59Oh by the way, that's a very dangerous game to play.
00:05:03I mean that.
00:05:04Guys have been killed for doing that.
00:05:06So don't joke around or next time you'll end up in the family morgue.
00:05:09That'd be far too cruel, especially for the ladies, huh?
00:05:12Tell me, what was your average in Paris?
00:05:14Come on, how many?
00:05:15Probably two a day, eh?
00:05:16I've heard the French are eliminating adultery. They refuse to get married at all.
00:05:19And if they do, the husband will be given a maid to help out in case the dear wife gets a headache. Is that true?
00:05:24You've become just as pernicious as an old rake.
00:05:26Well, I always liked a little bit of variety, and I was born horny.
00:05:31I have no control over it.
00:05:33Well, let's have a look at you.
00:05:34You have the mark of the international traveler. You wear it well.
00:05:37Do I really?
00:05:38As a matter of fact, I've managed to do a little jet setting too.
00:05:4125 Lourdes in Turkey.
00:05:43Of course, it doesn't have the same jumps as Paris.
00:05:46Well, well. So you've come back to blow your horn and bang it around.
00:05:51No, no. I'm no match for the competition here. Don't worry.
00:05:54It's only for a week or two. I should go before the end of the month.
00:05:57I'm selling the horse. You've learned well.
00:06:13Not even that of the horned one.
00:06:14With the horned one, you can go even without a vocation.
00:06:17Then today, the chances are increasing.
00:06:25And in our circle of saints, I only know St. Agatha.
00:06:28Well, then give me a list of old friends.
00:06:31Those whores, we leave the saints to lose.
00:06:34So, Rosa, Rosetta, Rosina, I managed to go to bed only after they got married.
00:06:40Yes, because before they had refused for a matter of honesty.
00:06:43With D'Amico, on the other hand, I didn't make it,
00:06:46because she got married in South America with a bovine washer.
00:06:50A production of boxed horses.
00:06:53Rita Favazza, on the other hand, I lost a little sight of her,
00:06:56but it seems to me that she married a phenomenon as a husband, you know?
00:07:00A complete powerful man.
00:07:01But it's not that he's a phenomenon because he's impotent,
00:07:03but because he's impotent with seven daughters.
00:07:05Instead, Mariela Lorusso, I haven't seen her in a long time,
00:07:09but I know she didn't have a very lucky marriage.
00:07:11They say she had a husband who was a little horny.
00:07:14Are you listening to me?
00:07:15Ah, yes, yes.
00:07:16And...
00:07:17And Caterina, you mean, huh?
00:07:19Well, she remained a widow, you know, right?
00:07:21Yes, yes.
00:07:23Listen, but won't you tell me that you came back here just for her?
00:07:27Let's say I never forgot her.
00:07:31So?
00:07:32So, you see, Caterina, she's one I wouldn't know whether to put in the list or not.
00:07:38But do you go to see her?
00:07:39Yes, yes, I've tried, but...
00:07:41nothing to do.
00:07:42She's the only one I've defeated in my career.
00:07:44And, on the other hand, Napoleon...
00:07:45Napoleon didn't lose the battle.
00:07:47And I've tried a living husband and a dead husband, you know?
00:07:49Not just me.
00:07:50But...
00:07:51nothing to do.
00:07:52So she's a saint.
00:07:54Of course she is.
00:07:55I'm sure she'll do a miracle in bed.
00:07:59Anyway, if she's not a saint, she's a whore, which is more likely.
00:08:04I'd like to meet her by chance.
00:08:07Ah, that's why you shouldn't worry.
00:08:09Give me a day, I'll arrange it for you.
00:08:12A meeting by chance.
00:08:13M10.
00:08:14Legitimate, eh?
00:08:15Here in Catania, they're slowly edging us out.
00:08:19Now, that's a shock.
00:08:21But I maintain, in a democracy, if they ever gain control, then that would be the end.
00:08:28And that end is near.
00:08:30But you...
00:08:32Yes, but it's true, I mean, it's evident to him now.
00:08:35I realize they're getting stronger each day.
00:08:37We'll all suffer.
00:08:38We ought to have a sense of responsibility to those same traditions that they want to abolish.
00:08:43The two of us went into the dining room and she stood there, waiting to see what I would say.
00:08:47Only, what the hell could I say to her?
00:08:49She'd love it.
00:08:50She thinks she's getting in style.
00:08:52On Sunday, the moving vans came.
00:08:54And the next morning, they got their son registered in school.
00:08:57Really?
00:08:58Oh, I must tell you.
00:09:00Well, Danny is rather pitiful.
00:09:02His poor mind is vague.
00:09:04He gets mixed up.
00:09:06Well, this pretty girl is asking for information.
00:09:07You know, perfectly ordinary sort of routine questions.
00:09:10So, she asks him what the child's name is and he says, Claire.
00:09:13Odd name.
00:09:14Sex, she says, enormous.
00:09:23I'm losing, unfortunately.
00:09:25Don't worry, it's against the law.
00:09:32Get in.
00:09:55Giuseppe.
00:09:56Get in.
00:09:57Louisa, do you know Giuseppe Lagana?
00:09:59No, but I certainly did know your mother.
00:10:02Sit down, please.
00:10:06It's over 15 years, isn't it?
00:10:08And a lot more.
00:10:10Well, it's like being a witness to an historic meeting.
00:10:13When I write my memoirs, I can say I was there.
00:10:16And notice I'm going to the bar discreetly.
00:10:20Well, I imagine I look different.
00:10:26As a matter of fact, no.
00:10:29You've changed a lot, you know that?
00:10:31Well, yes.
00:10:32Why shouldn't I?
00:10:33They used to take their toll.
00:10:34What can we do?
00:10:36You were merely pretty.
00:10:38Now you're stupendous.
00:10:41People are looking at us, do you notice?
00:10:43Do you really care?
00:10:46Oh, maybe.
00:10:47I know who the gossips are.
00:10:48They're all here fishing.
00:10:50And a girl should consider her honor.
00:10:53We're all a little absurd with our sense of honor, aren't we?
00:10:58Are you staying through the summer?
00:11:00Well, that depends, I guess, on you.
00:11:05Louisa, wait.
00:11:06What for?
00:11:09I just want to look at you without anyone around, that's all.
00:11:12Well, go ahead then.
00:11:14But hurry, before any of our friends comes and notices us.
00:11:17Why, they'd think I was flirting with my husbands in Milan for four whole days.
00:11:21Time is up.
00:11:22I see.
00:11:23No, I don't.
00:11:24I want you.
00:11:25You must know that.
00:11:26I...
00:11:27You're mad.
00:11:29You mustn't say that anymore.
00:11:32You haven't taken your vitamin C.
00:11:35You're in love.
00:11:36But this kind of conversation is offensive, mere sentimental muck.
00:11:40I'm forced to hear it from my husband, and that's certainly ample.
00:11:44And you must admit that you've got no right to assume that I'd choose to sacrifice his trust in me.
00:11:48I know that, but I'm...
00:11:50It makes me unhappy.
00:11:51You're so cold and cruel to me, yet I still adore you.
00:11:54And you flouted as if it were nothing.
00:11:56Many times I thought of you being all alone, and...
00:11:59If I could come and talk.
00:12:01I like to talk, you know.
00:12:02Nothing ever important, but...
00:12:04Not a chance.
00:12:05I know your reputation.
00:12:08And when actually measured, who cares?
00:12:11Only this is there to say to you.
00:12:14So long, it's been nice, and in case I see you at the bar, let's just say...
00:12:19Louisa, meet me tomorrow at 6.45.
00:12:24Oh!
00:12:31Alfredo.
00:12:33You'll break a blood vessel or something.
00:12:38Well, I had the impression you were rather a timid soul.
00:12:42You seemed so years ago.
00:12:44As soon as you walked in the room, I don't know what seemed to happen.
00:12:47It wasn't I, Anne.
00:12:50I was looking for you.
00:12:55How good is your memory?
00:12:57Don't worry, I don't forget a thing.
00:13:002-1-6-8-9-0-7.
00:13:04Here I am again.
00:13:06Sorry about that.
00:13:08Am I too soon?
00:13:09Oh, I think we've said it all.
00:13:11You can stay.
00:13:12I'll bet.
00:13:13Giuseppe, you're quite a character.
00:13:15They said so at the bar.
00:13:16It seems you have the status of a celebrity here at Catania.
00:13:20That you live in Paris.
00:13:21Only this I already knew.
00:13:22That you were the first and more platonic, that is, of Catania.
00:13:25But no one ever told me that.
00:13:27Louisa.
00:13:28I said platonic.
00:13:30I have to go now.
00:13:31I'll call you.
00:13:32I hope so.
00:13:34Well, Louisa.
00:13:35It was very pleasant.
00:13:36I hope I'll see you again.
00:13:37You will, darling.
00:13:38Whenever you decide.
00:13:39Au revoir.
00:13:42Goodbye.
00:13:43He's dead for a woman.
00:13:45Affectionate, intelligent, handsome.
00:13:47What more is there?
00:13:48And a bachelor?
00:13:51I don't know.
00:13:52Oh, you're being sly.
00:13:54But that's not important, is it?
00:14:01You forgot it, I know.
00:14:032168097.
00:14:08Merci.
00:14:13Rondo.
00:14:14Catalina, it's Giuseppe.
00:14:17Well, hello.
00:14:18Didn't you think I'd go?
00:14:21Why not?
00:14:22You said you would.
00:14:23How are you?
00:14:25Well, thank you.
00:14:27A little tired.
00:14:29You know, since I saw you last night, I haven't been able to think about anything else.
00:14:35I...
00:14:36I know.
00:14:38That's how I feel.
00:14:40Are you alone now?
00:14:43Yes.
00:14:44Can I come over?
00:14:46No, not here, no.
00:14:48Where then?
00:14:50Well, I don't know.
00:14:54Can you come tomorrow?
00:14:55How's your coffee?
00:14:56Not bad.
00:14:58I have lunch appointed.
00:14:59Can I come at two?
00:15:01At two.
00:15:19You've gotten admiring.
00:15:20You've been hiding things.
00:15:22I pray.
00:15:23Oh, Giuseppe.
00:15:32He's a very special friend your mama grew up with.
00:15:35Giuseppe and I went to school together.
00:15:37He was very important to me, almost like a beau.
00:15:40He's a very special friend.
00:15:42He's a very special friend.
00:15:44He's a very special friend.
00:15:45He's a very special friend.
00:15:46He's a very special friend.
00:15:47Almost like a beau.
00:15:50Does that mean something special to receive roses from someone, mama?
00:15:54Well, yes and no.
00:15:55Depends on the roses,
00:15:57depends on the woman,
00:15:58depends on the person who sends them,
00:16:00and your aunt doesn't appreciate dirty nails.
00:16:02I don't feel like going there.
00:16:04I'll end up hating some of the vacations
00:16:05if I'm forced to spend them there all the time.
00:16:13Graziella.
00:16:15Oh, come on. She's very anxious to see you.
00:16:18It's not the whole summer. It's only a few days.
00:16:21Trade you a big red rose for a smile.
00:16:27Isn't the man saying to a woman that he loves her when he sends her some flowers?
00:16:33Well, I know it says something. I suppose he's just saying...
00:16:37Stay in the car. Go ahead. Now, don't keep them waiting. Hurry up.
00:16:42Hey.
00:16:45And I've got to stay there all next week or what?
00:16:48Listen, you stay out of trouble.
00:16:50And Sunday I'll phone, I'll talk to your aunt and tell her you're to come back early Tuesday morning.
00:16:56Ciao, Bella.
00:17:12Ciao.
00:17:15He just about ran into my daughter.
00:17:17Well, they've got to meet sooner or later.
00:17:24Oh, I didn't thank you for the roses. They were lovely.
00:17:31Oh, I don't know.
00:17:34I don't know.
00:17:37I don't know.
00:17:40I don't know.
00:17:48Will you have something to drink?
00:17:51All right.
00:17:56We're doing nothing wrong.
00:17:58You haven't any reason to worry.
00:18:09All right.
00:18:39All right.
00:19:10You see, that's my point. To choose, not to get entangled.
00:19:13The entire world's full of women. Why? For us to enjoy life a la carte.
00:19:19Oh, well.
00:19:21Tell me. Tell me the truth.
00:19:23What is it you expect to find here?
00:19:25Who knows?
00:19:29It's the feeling you could find looking back.
00:19:32I don't know.
00:19:35An old tree in a park. A book I read.
00:19:38Sudden memory.
00:19:41For a minute, I'm there, and before I know it, it goes.
00:19:44Mysticism.
00:19:46Go away.
00:19:47You're in love. You're trapped. I knew it would happen.
00:19:49The object is to stop on this danger.
00:19:51Ask.
00:19:52The sound of pride. Did you hear that?
00:19:55His sense of pride is abused.
00:19:57Even fools have pride.
00:19:59I've got a little hair right off inside this nostril. It bothers me.
00:20:02No, not that one. This one has been itching for a whole hour.
00:20:08That's better. Thank you.
00:20:11To get up in a fine morning, to begin to prepare
00:20:14for the intoxicating task of choosing between all the flowers in my meadow.
00:20:18And I'm happy because I have the freedom of choice.
00:20:21You plan to trade it for one old-fashioned perennial.
00:20:24That's a bad job.
00:20:25I know.
00:20:27It's not funny to you because you know I'm right.
00:20:29Although you won't admit it.
00:20:31But to break a date like that.
00:20:32I came up with those two for tonight and you're spoiling it.
00:20:34Now, where is there any harm in spending a few innocent hours
00:20:37with a pair of strippers from Hamburg?
00:20:39No complications, no responsibilities.
00:20:44Very relaxing time.
00:20:46But it's not for me.
00:20:48You can come or not, I don't care.
00:20:50I'll just have to squire both of them around by myself.
00:20:52But don't let that influence your decision.
00:20:54All right, I'll come in.
00:20:56All right, I'll come in.
00:20:58Since I'm all busily needed.
00:21:00You must be joking.
00:21:01I could easily handle both and you know it.
00:21:03Nobody has equaled my past record for epic womanizing that I know of.
00:21:06I'm far out front.
00:21:08No, I mean...
00:21:09That's enough.
00:21:11Come tonight if you can.
00:21:12You'll be doing me a favor, all right?
00:21:14Don't worry, I'll meet you about 11.
00:21:16I have a sneaky suspicion that you're going to forget.
00:21:18I won't forget.
00:21:20No, no, no, I was referring to women.
00:21:22You should look at things the way I do.
00:21:24A man's freedom is a gift not to be taken lightly.
00:21:27And that's something the youth of today understands.
00:21:29You got a lot of girls?
00:21:30I got four kids.
00:21:33What's so funny?
00:21:34He doesn't change anything.
00:21:35He's an exception, that's all.
00:21:37He's a little rabbit, this one.
00:21:43You're not a fool.
00:21:44The point is, you should try a new tactic, darling.
00:21:49Why bother? I'm not important to him.
00:21:51It's stupid to expect anything more.
00:21:56What's the point in tactics?
00:22:02We grew up together.
00:22:04After all, I went to school with Giuseppe.
00:22:05I knew he's best friends.
00:22:09It seems so pointless to play games with him.
00:22:11I'm sure that's what he's doing, love.
00:22:13If you forget, you'll probably forget.
00:22:15I'm sure that's what he's doing, love.
00:22:17If you forget, you'll pride.
00:22:18It's not pride at all, Louisa.
00:22:22We always have to start right back at zero.
00:22:27Mine as a child.
00:22:30Love.
00:22:31We start all over again each time.
00:22:33You're not making sense, darling.
00:22:35To jump to conclusions is silly.
00:22:37I know, it's true. He could tell a thought.
00:22:39But it's hardly a tragedy.
00:22:41Who's making it a tragedy?
00:22:43I am.
00:22:48Except I'm so mad at myself.
00:22:50I know, you feel dreadful.
00:22:52You only.
00:22:54Come on, the truth now.
00:22:56Listen.
00:22:57I know I'm a bit of a tart, to put it nicely.
00:23:01Or you could say the penchant for wickedness.
00:23:03But fun is fun, I say.
00:23:05When you're going to fall, then you're going to fall, darling.
00:23:08Of course, it may be injurious to your pride.
00:23:11But you'll get used to it.
00:23:13And you'll forget it.
00:23:20Well, you're lucky.
00:23:22There's a spider in my room!
00:23:24I really mean it, it's a spider.
00:23:26A what?
00:23:27I saw it run out of the closet.
00:23:29I wonder if he gets disgusted.
00:23:30Yes, all right, I'll be right there.
00:23:32Darling, I'm not going to stay.
00:23:33Ciao, Louisa.
00:23:34And don't worry, love.
00:23:36Auntie Cassandra says tomorrow we'll telephone.
00:23:39Ciao.
00:23:40That doesn't mind, does it?
00:23:41Ciao.
00:23:43All right, where'd our spider go?
00:23:45It's a big lie!
00:23:46It's a big lie!
00:23:47What's gotten into you?
00:23:48What did you say that for?
00:23:50I wanted her to leave, and I thought that would help.
00:23:54I know she bores you, but then you don't understand her.
00:23:59Mama, tell me, do you still get flowers from that man?
00:24:03Get into your bed.
00:24:05Go ahead.
00:24:06Do you hear me?
00:24:07Uh-huh.
00:24:08No, he hasn't seen me anymore.
00:24:11All right?
00:24:13Ciao, my dear.
00:24:14Ciao.
00:24:17It doesn't matter.
00:24:18I'll come over there.
00:24:21No, don't worry.
00:24:22No one will see me.
00:24:23I'll be careful.
00:24:25You've got to trust me.
00:24:28Because I want to show you something.
00:24:31Why not?
00:24:33I know, but don't worry.
00:24:34Don't worry.
00:24:37I want you to see it.
00:24:39Fine.
00:24:43It's exquisite.
00:24:46But this is priceless, I can't.
00:24:56It belonged to my mother.
00:25:00I want you to wear it, please.
00:25:05It's beautiful.
00:25:28Have you been with the girl all this time?
00:25:30I was with Alfredo.
00:25:32Alfredo Guitart.
00:25:35With two girls then.
00:25:40But I realized you're what I was looking for, Catalina.
00:25:50And I think about those years without you.
00:25:55All empty, useless, meaningless.
00:25:58I go to others and try to find you.
00:26:06I remember a girl.
00:26:08She used to pray for this, you know.
00:26:10For God to make Giuseppe hers.
00:26:12Did she?
00:26:14And now you're mine.
00:26:16Mine.
00:26:18Mine.
00:26:20And you're mine.
00:26:23Mine.
00:26:25And you're mine.
00:26:31I love you.
00:26:32I love you.
00:26:34I love you.
00:26:40Goodie, goodie, no school today, Mama.
00:26:42Why not?
00:26:44Because you forgot to set your alarm and it's after nine.
00:26:49Oh, God.
00:26:50What have I done?
00:26:52Mamma mia.
00:26:53I overslept.
00:26:56Did he give that to you?
00:26:58Who, darling?
00:26:59That man.
00:27:00I mean, the one that likes you.
00:27:01Did he?
00:27:08Did you see him again?
00:27:12In Paris, people think mostly of money.
00:27:15A desperate place.
00:27:18A peculiar way of living.
00:27:20One learns to adjust to it.
00:27:23Yet the tourist, after seeing the Tour Eiffel and the Arc de Triomphe,
00:27:27is sure he knows all Paris.
00:27:30Yes, but I heard the girls are a lot prettier.
00:27:33Where did you hear that?
00:27:35I know.
00:27:37They're often plain there.
00:27:39Here they're all pretty.
00:27:41And the French can be so gallant.
00:27:43You managed to emulate that, I noticed.
00:27:45How come you took down the picture of your father?
00:27:49We've got it in the other room.
00:27:50It's a lot better suited for a desk than hanging against a wall.
00:27:53Mom, we're going in my room.
00:27:54Ciao.
00:28:00Mamma mia.
00:28:03There's a man that's fat.
00:28:06And she's no dope.
00:28:08I like her.
00:28:10Very important you like her.
00:28:12That and more.
00:28:13I better have adored her anyway.
00:28:15The photo was my idea.
00:28:16And she was the one to run to the rescue.
00:28:20It was a silly idea.
00:28:22She really adored Antonio.
00:28:25Maybe I had no right to take it down.
00:28:28I think she probably understands it's what you wanted, and she loved him.
00:28:34And then the first time.
00:28:37Ah, Giorno, Signora.
00:28:40The power of love can change the weather, I see.
00:28:42It's too early to tell.
00:28:43Well, let's hope for the best.
00:28:44Buono, Signora.
00:28:51I suddenly realized something.
00:28:53It's not so terribly important what others think.
00:28:57You have a daughter, and what concern for her?
00:29:00She could have misunderstood.
00:29:02That's what I was afraid of.
00:29:04The others aren't important, they mean nothing.
00:29:05Nothing, nothing.
00:29:21It was in there.
00:29:24And your father and my father went in to study.
00:29:30No one realized that we'd been left alone.
00:29:34I was here in the dark looking out the window.
00:29:39And then I saw you come in.
00:29:42I didn't know it was you.
00:29:44I didn't know it was you.
00:29:46I didn't know it was you.
00:29:48I didn't know it was you.
00:29:50I didn't know it was you.
00:29:52I didn't know it was you.
00:29:54I didn't know it was you.
00:29:56I didn't know it was you.
00:29:58I didn't know it was you.
00:30:00I didn't know it was you.
00:30:02I didn't know it was you.
00:30:04I didn't know it was you.
00:30:06I didn't know it was you.
00:30:08I didn't know it was you.
00:30:10I didn't know it was you.
00:30:12I didn't know it was you.
00:30:14I didn't know it was you.
00:30:16I didn't know it was you.
00:30:18I didn't know it was you.
00:30:20I didn't...
00:30:27Mom, is it OK if I go for a swim?
00:30:30Go ahead, as long as you're not late.
00:30:32Do you mind?
00:30:34Of course not.
00:30:39You know, I think she likes treating you as a father.
00:30:41I hope that doesn't terrify you.
00:30:44No...
00:30:48You're done sleeping?
00:30:51You really want me to stay?
00:30:53Yes, I want you to.
00:30:56Good night, Christine.
00:31:21Where did you end up?
00:31:29Here they are.
00:31:30Mamma mia, what a noise.
00:31:33Girls, turn down the volume.
00:31:35It's coming, it's coming.
00:31:37Girls, the volume.
00:31:39I'll go make the call.
00:31:41Hey!
00:31:42Let's go.
00:31:43Stay here, I'll go make the other call.
00:31:46Say good night.
00:31:49Ouch!
00:31:51That's so loud, I fall.
00:31:53Hey!
00:31:57Hey!
00:32:14And now, over to the English lady.
00:32:18I'm sitting it out.
00:32:20Listen to it.
00:32:21Oh wait, first I did that.
00:32:28Kitty, may I have a condo?
00:32:30Oh.
00:32:51Do you want a banana?
00:33:05Oh, you've done such a good job.
00:33:21Oh!
00:33:51Why are you carrying that beagle around?
00:34:02Aphrodisiac.
00:34:04My condolences.
00:34:06No, it's not for me.
00:34:07It's for the others, the dear souls.
00:34:09What souls, male or female?
00:34:11My boy, aside from you and me, there isn't a worthy cock on the walk.
00:34:14They pass from adolescence directly into senility.
00:34:17They're all hopelessly enticed.
00:34:19Female, the female.
00:34:20Now I feel it's our duty to help them.
00:34:24And what about you?
00:34:26Are you fighting the boredom?
00:34:28Deeply in love.
00:34:30Deeply?
00:34:31Naturally.
00:34:32Of course, for a cynic it must be bore.
00:34:35Yeah, you seem down though.
00:34:37You're way off the mark. I'm in an excellent mood.
00:34:40It's not exactly euphoric, I would say.
00:34:43I wonder why.
00:34:44Your lover's a widow, therefore no infidelity, no crime of passion.
00:34:47A perfect set-up, you know, I mean that.
00:34:49And to think that you live there, and with the blessing of a rather hot-blooded daughter.
00:34:54Graziella.
00:34:55Yes, but...
00:34:57I only suggested that her interests were unusually mature.
00:35:00I didn't call her a putana.
00:35:02I think it's better if we just change the subject, Alfredo.
00:35:08She's a charming girl.
00:35:09So she's not.
00:35:11No, you've got to get yourself out of that situation.
00:35:14Please, I'm worried about you.
00:35:15No, let me explain.
00:35:16You're living dangerously.
00:35:17You don't consider the possibilities.
00:35:20How do you mean?
00:35:22I'll make it plain.
00:35:24No man is a cuckold as long as he's not married, true?
00:35:27But a lover leaves an opening for a husband.
00:35:29So your status is fragile.
00:35:30Unless you marry Catalina.
00:35:32Let's say you do.
00:35:33But then she could choose to be untrue, when they're inclined to.
00:35:36So it doesn't make sense to entertain the thought.
00:35:38Therefore, while you remain as her lover...
00:35:40Cuckold.
00:35:41Yet, when she sleeps with him, she's being untrue to you.
00:35:43And even though you're single, you suffer as a true cuckold.
00:35:46You see, it's all hopeless.
00:35:47Because two cuckolds coexisting in the same household, you can't have.
00:35:51So all this leads to a fight, each for the other under arrest.
00:35:53Either way, you lose.
00:35:57That has to be Pirandello.
00:36:05Catalina.
00:36:14Why are you being rude?
00:36:16Didn't you hear me call?
00:36:17It did not apply to me.
00:36:20And when I read, I'm usually concentrated.
00:36:33What is that?
00:36:34Nothing.
00:36:39What are you reading?
00:36:41Nothing.
00:36:50How long has your mother been gone?
00:36:52A long time.
00:37:11A long time.
00:37:41What's that?
00:37:42Nothing.
00:38:03What is it?
00:38:04Nothing.
00:38:11Leave me alone.
00:38:12I can't take it anymore.
00:38:19I understand that you're a young man.
00:38:21Women are entitled to respect and courtesy.
00:38:25But I don't mean to give up my seat in a crowded bus.
00:38:28They're no longer entitled to sit than we are.
00:38:30Let's say she's a nun.
00:38:32Ah.
00:38:34She's a nun.
00:38:35Then I don't mind.
00:38:36If you can't stand, then you shouldn't take the bus.
00:38:38for they should have bothered to plan things a little bit better.
00:38:40What about the routine we go through?
00:38:41Please, senora, sit down and so forth.
00:38:44It's idiotic and stupid, right?
00:38:45A woman makes love.
00:38:47And it's a known fact that most find pleasure as we do.
00:38:50Fine, but what's the point of this farce?
00:38:51You call a woman up, candy, flowers.
00:38:53She meets you at two o'clock in the morning
00:38:54and then you get less than a half hour together.
00:38:56It's a waste of time, no?
00:38:58If they want to call, let them call.
00:39:00I'm here and they know it.
00:39:01Oh, of course, they call me every day because I got spoiled.
00:39:05Pronto, joyeux de la femme.
00:39:06Pronto, Alfredo. It's Louisa.
00:39:09Oh, ciao, darling. Are you all right?
00:39:12What do you mean? I'm fine.
00:39:13I couldn't besides.
00:39:14You told me you were willing to wait until Thursday or Friday.
00:39:17What's the matter with you, mad?
00:39:18What's happening to you?
00:39:19Listen, have you...
00:39:20That's right, it's impossible.
00:39:21No, I told you yesterday when you called,
00:39:23I thought we had a little understanding, my pet,
00:39:25that you'd try to be just a teeny weeny bit more patient.
00:39:28Please listen, I never called you, Alfredo.
00:39:30And if we have an understanding,
00:39:32it's that you were going to repair my pewter pump for me.
00:39:35Do you remember?
00:39:36Yes, I know.
00:39:38Only I can't tonight.
00:39:39But no, tomorrow I'm going home.
00:39:41You want to play the proper jackass, huh?
00:39:43Well, there are those who appreciate it, but I'm immune.
00:39:46I can make it.
00:39:48I'll come over later.
00:39:50I just got through saying I'm immune.
00:39:53Don't be a fool.
00:39:55Your heart can take it.
00:39:56I'm sure it's not broken.
00:39:58Now, don't cry, please, my pet, don't cry.
00:40:00You know what that does to me.
00:40:02I'm going to get very angry in a moment.
00:40:04Calm yourself.
00:40:05All X-levelers to Bamboo.
00:40:07Vanessa is catch, so big sop, sop.
00:40:12I know you do.
00:40:13All right, I'll be there after midnight, though.
00:40:16She's going insane, I tell you.
00:40:18She's going mad.
00:40:21Giuseppe.
00:40:24Wake up, here's your coffee.
00:40:27Hey, wake up, you.
00:40:33Hey, I said to wake you before I left.
00:40:37See you after that, ciao.
00:41:32Hi.
00:41:45Hi.
00:41:56You look so comfortable there.
00:42:02I bet I could sleep a whole week.
00:42:32Hi.
00:43:02Hi.
00:43:32Hi.
00:43:50Hi.
00:43:52Hi.
00:44:02Hi.
00:44:32Hi.
00:44:34Hi.
00:44:36Hi.
00:44:38Hi.
00:44:40Hi.
00:44:42Hi.
00:44:44Hi.
00:44:46Hi.
00:44:48Hi.
00:44:50Hi.
00:44:52Hi.
00:44:54Hi.
00:44:56Hi.
00:44:58Hi.
00:45:00Hm.
00:45:16Happiness, certainly.
00:45:18You're the perfect example of lady bountiful.
00:45:20Look at Giusepppe, though.
00:45:24He looks like king John after he signed the magna carta.
00:45:26You look like a flower.
00:45:28I feel sorry for your sway.
00:45:30He seems restful.
00:45:32He's still beautiful.
00:45:34A little tired, though.
00:45:35Katharina, I'm going to take a walk. Do you mind?
00:45:38But we told the others we were going to play canasta.
00:45:40Well, it doesn't matter.
00:45:42No, you stay here. I'll come back to get you in a couple of hours.
00:45:45I don't have to stay.
00:45:47Don't change your plan.
00:45:49All right.
00:45:50I was just telling Katharina that you look somewhat pale.
00:45:55It's only an affectation and air of debauchery that irresistibly fascinates the female.
00:46:05He could get me into trouble.
00:46:07I'll take him when you're finished with him.
00:46:09If there's anything left.
00:46:13I mean it, darling.
00:46:15No.
00:46:24Coming.
00:46:29Ciao.
00:46:30I forgot my lighter.
00:46:31Mama's not here. She's playing canasta.
00:46:34I see.
00:46:35When did she leave here?
00:46:36I don't know. About three ice cubes.
00:46:46You tired?
00:46:47No.
00:47:15I'll get it.
00:47:45I'll get it.
00:47:46I'll get it.
00:47:47I'll get it.
00:47:48I'll get it.
00:48:15You men.
00:48:16We got to clean up.
00:48:19Want some help?
00:48:21No.
00:48:24What do you say?
00:48:25None are more untidy?
00:48:27Everyone I know.
00:48:29That's not true.
00:48:30I'm not.
00:48:31Oh, yes, you are.
00:48:34Come here.
00:48:35No.
00:48:40Hand me that magazine, will you?
00:48:46Sure.
00:48:50I got too much to do.
00:48:53Why don't you rest?
00:48:54You can clean up later.
00:48:56No.
00:49:17No.
00:49:20I'll meet you both when it's over, huh?
00:49:23Don't bother.
00:49:24I'll just take a taxi home. I don't mind.
00:49:27I'll bet he's got a date.
00:49:29If I were you, darling, I would get suspicious about now.
00:49:32You're on my waiting list for an appointment.
00:49:35Ciao.
00:49:38Yeah, it's so easy to have.
00:49:41What have we here?
00:49:43Hey, I think you've got something caught under your nose, Orlando.
00:49:46Is that a mustache?
00:49:47It's my first dash.
00:49:51There's no point in...
00:49:53in your making it so painfully blatant.
00:49:56When you kiss a woman, she must feel the mere hint of hair, not a rose garden.
00:50:00My lips are free, see, but your lips are denied completely their right to the joys of the sun.
00:50:05The pulp must be bare.
00:50:07Yes, sir.
00:50:08My wife says the same thing.
00:50:10Knew that having her was so complicated, I'm shaving it off.
00:50:13Yeah, yeah, yeah. Get rid of it. Shave it all off. It's better.
00:50:16Yes, sir. Thank you, sir.
00:50:19Another marriage saved.
00:50:23Giuseppe!
00:50:25Vieni, sto qua!
00:50:28He's someone you should know.
00:50:30Born and raised in Catania.
00:50:32And one of the most famous fornicators in Europe.
00:50:35That was honed for many years in Paris.
00:50:37Montmartre, Spigal, the Latin Quarter.
00:50:40They named it the Latin Quarter because there you find the greatest Latin lovers of the world.
00:50:45And that's where they're noted for their bravura, you know.
00:50:48And you can guess what that one's noted for.
00:50:51Sit down, Giuseppe.
00:50:53I'm enjoying this informal assembly of time wasters here.
00:50:56Giuseppe.
00:50:59Now, you see, we are gathered here spontaneously to exchange perspectives, to talk of...
00:51:03The fun.
00:51:04No, no, no, no, no.
00:51:05Actually, we aren't talking of women.
00:51:07No, it's psychology this time.
00:51:09Yes, the psychology of women. Very intriguing.
00:51:11It is.
00:51:12You make love to one, and then afterwards she sees you in the street, you know.
00:51:16She never even notices you.
00:51:19Look, look.
00:51:21Oh, that woman.
00:51:22No, don't turn around. She'll know we've been talking about her.
00:51:24She had an attack the 24th time.
00:51:27What?
00:51:28The 24th time.
00:51:30Ah, Vincent.
00:51:31Nothing serious. A slight case of overstimulation.
00:51:34Now she passes without the slightest recognition.
00:51:38Female, I hate thee.
00:51:42Shakespeare said it so well.
00:51:44Honorable villain, damned saint, insidious, perfidious.
00:51:48That one was worth six.
00:51:50A very improper remark. Someone could hear you and take offense, or worse.
00:51:56It may be offensive, but she's married to a very small man.
00:51:59Now, you see, risks are no problem for suave seducer.
00:52:03A man gets old when he doesn't want to take her.
00:52:08He laughs instead, whose loins are dead.
00:52:11Never a secret.
00:52:13Giuseppe, you are being followed.
00:52:15No, no, don't turn around. It's Graziani.
00:52:19A cornucopia of charm.
00:52:22Mediocrity is going to spoil that.
00:52:25Why?
00:52:26Because my friend, she'll end up married to a waiter.
00:52:30And listen, what is going on?
00:52:32Is she spying on you, or is it the other way around?
00:52:37Excuse me.
00:52:39What did I say? Did I say anything?
00:52:42I didn't say anything at all.
00:52:51Giuseppe!
00:52:58Ciao, this is Billy.
00:53:00Giorno, hello.
00:53:01I thought you decided to go to the concert.
00:53:03I never said I was.
00:53:05I was sure you would.
00:53:07I'm not going to stay out, because I've got a lot to study.
00:53:09You want me to take you home, don't you?
00:53:11Yes, but only as far as the door.
00:53:13See you later. Bye.
00:53:31Ciao.
00:53:34Is that your boyfriend?
00:53:35Oh, nobody says that anymore.
00:53:38How would you say it?
00:53:39I see him sometimes, that's all.
00:53:41Is he just a friend, or the one that...
00:53:43Yeah, that's the one.
00:53:44But I haven't known him for very long.
00:53:47Were you planning to come here together?
00:53:50He did ask, that's true, but I said no.
00:53:53I told him things weren't like they were before.
00:53:56Before what?
00:53:58Let's go up, do you want to?
00:54:02Hey, wait.
00:54:04Ciao, Mama.
00:54:05I was having ice cream with Bibi, and he bumped into Giuseppe.
00:54:08Really?
00:54:09How was the brawl?
00:54:10Beethoven.
00:54:22It's sad.
00:54:24It's sad.
00:54:26How we get so lost.
00:54:30Go on.
00:54:33Because it's only by luck that you learn to love.
00:54:37You understand that, though.
00:54:41I'm lucky.
00:54:42I would say.
00:54:44Knowing I could have missed that is frightening.
00:54:47Our meeting.
00:54:49You looked, and you said,
00:54:50And that was the first thing you said.
00:54:53And you might never have said it.
00:54:56I've forgotten.
00:55:00You have a good memory.
00:55:05Touch me, please.
00:55:20Touch me.
00:55:50Touch me.
00:56:21Look.
00:56:46It's nothing.
00:56:47Shh.
00:56:51It was only a window, that's all.
00:56:55Your mother.
00:57:10Get out of this house.
00:57:12Catalina.
00:57:13Let me explain.
00:57:15Nothing to learn, get out of this house, I said.
00:57:17But nothing's happened.
00:57:18We haven't done what you think.
00:57:20Fine.
00:57:21Fine.
00:57:23Of course it was all a game, just kid stuff.
00:57:25I mean, hell, if you did nothing, if you never took your pants down.
00:57:28Listen to me.
00:57:31I'm not trying to excuse myself.
00:57:33I only know I love you.
00:57:35And you and I have got to remain the same.
00:57:41But this is evil.
00:57:43What you've done is evil.
00:57:45But why?
00:57:46Why, Graciela?
00:57:49My God, what's happening to me?
00:57:52What's happening?
00:57:54You've done this to a child of my own blood.
00:57:57Yet that meant very little, I imagine.
00:58:00Oh, God, how can I?
00:58:02I trusted you.
00:58:04All right, calm down.
00:58:06At least try.
00:58:08We'll get nowhere if you go on like this.
00:58:11I offered to love you and it seemed right.
00:58:13All I, all I had.
00:58:16I didn't hold back.
00:58:18It was too much to keep inside.
00:58:21So much love for you.
00:58:24And yet I know it hasn't gone.
00:58:27Only it's confused, so,
00:58:29with loathing you and the sick feel of nausea.
00:58:32But I know it's here inside me.
00:58:35Because you can't expect love to go away in a second.
00:58:39It dies slowly.
00:58:40It takes a while.
00:58:42And when it dies,
00:58:44whatever happens, I know,
00:58:46I'll feel only empty inside.
00:58:49Just empty dead.
00:58:51All right, I promise to go away from here.
00:58:53Just empty dead.
00:58:55But please, I beg you,
00:58:57forgive me, Gertrude.
00:59:00You've got to forgive me.
00:59:02No, I won't forgive you.
00:59:04I won't forgive you.
00:59:06I won't forgive you.
00:59:08You've got to forgive me.
00:59:10No, it's not that easy.
00:59:12No, that doesn't solve a thing.
00:59:14You can't get off that easy.
00:59:16My God, can't you keep it under control any longer?
00:59:18You bang it up there and you imagine everything's all right again?
00:59:21I love you just the same.
00:59:23You love an object, God damn it.
00:59:25You had the love of a woman only.
00:59:27It seems to have meant nothing.
00:59:29Meant nothing.
00:59:31It's all the same to you, isn't it?
00:59:33I'm only where you put it,
00:59:35whenever it gets cold, huh?
00:59:38Being in love for you is using that.
00:59:40Only you don't understand.
00:59:42Whatever the hell it's for, love doesn't mean that.
00:59:44No, my dear sir, get that into your head.
00:59:46No, that's not all there is.
00:59:48No.
00:59:50No, it's more.
00:59:52I thought you realized that you knew what it means.
00:59:57I couldn't have invented it all.
00:59:59You made a choice, so did I,
01:00:01because I needed you.
01:00:03I needed you.
01:00:05Oh, I...
01:00:07I know, of course.
01:00:09For the modern man, the word fidelity is out of use.
01:00:12But I trusted you entirely.
01:00:14And that's the one thing you ignored.
01:00:16You canceled everything.
01:00:18Just like that.
01:00:20But what's the use?
01:00:22What does it matter anymore?
01:00:24I'll get over this somehow.
01:00:26I'm old enough to take care of myself.
01:00:28But Gratella, no!
01:00:30Gratella, no!
01:00:33You see, I don't worry about Neat,
01:00:34but she, she's only a baby.
01:00:37She's got the right to be young a little while longer.
01:00:40Do you have to spoil that too?
01:00:42Another woman, that's easy.
01:00:44All right, I know, I understand.
01:00:46You took my daughter, though.
01:00:48How am I to forget that?
01:00:50I'm your child, can't you see that?
01:00:52Only a small child.
01:00:54I mean, is there a reason that your body
01:00:56demands the body of a baby?
01:00:58Because the baby kept me in the same state.
01:01:00They suffer inside.
01:01:02Their minds, their hearts are open.
01:01:04She doesn't know what these things are.
01:01:06She's incapable of that, she's incapable.
01:01:08That's enough.
01:01:10She's only a baby, can't you understand?
01:01:12There's time for her to learn,
01:01:14there's time for her to understand, there's time.
01:01:16There's time.
01:01:34I know, I know.
01:01:56Get dressed, you're going away.
01:01:59You don't want me to go to school?
01:02:01That's right, not today.
01:02:02At least until I find you a decent boarding school.
01:02:07I'm going to pee my pants.
01:02:11I'm not going away to any school.
01:02:15You're being nasty, that's all.
01:02:20I promise that I'll be good, Mama, but if I have to go away...
01:02:23Graciela.
01:02:26I don't think you realize.
01:02:29I don't think you know what you've done to him.
01:02:31I do, and I'm very sorry about it.
01:02:40I no longer feel I can count on him.
01:02:42Then you'll have to count on Giuseppe.
01:02:46Giuseppe has nothing to do with it.
01:02:48We're not speaking of Giuseppe. Giuseppe won't be coming back.
01:02:50You won't be seeing Giuseppe at all. Understand?
01:02:52You and I were talking about what happened last night.
01:02:54What you've done and what you've done to me.
01:02:56Do you have any idea?
01:02:58You're hurting me.
01:03:01Mama.
01:03:18Martin.
01:03:22Let's talk.
01:03:24Come here.
01:03:31I...
01:03:33Graciela, I don't want to punish you.
01:03:36That's not what I want.
01:03:38But...
01:03:40What happened is very serious, you know?
01:03:43Very serious.
01:03:50If your father were here...
01:03:53If my father were here, Giuseppe wouldn't be here.
01:04:03You're right.
01:04:06I've done everything wrong.
01:04:08Everything.
01:04:11But now I'll make up for it.
01:04:14Now I'll defend myself and I'll defend you too.
01:04:19At the cost of suffering.
01:04:21At the cost of being left alone like a dog.
01:04:25At the cost of sending you away.
01:04:27Giuseppe won't allow you to send me away.
01:04:40Giuseppe will do everything I say.
01:04:43That's not true.
01:04:45If you do bad things to me, he'll defend me.
01:04:48Graciela!
01:04:50I'm hungry.
01:04:52Can I have a coffee or not?
01:04:57Graciela.
01:05:00He doesn't have to defend you from me.
01:05:02I'll be the one to defend you from him.
01:05:05Mama, why don't you tell me the truth?
01:05:09But...
01:05:10What do you mean by truth?
01:05:14I think you're right to be angry with me and Giuseppe for what we did.
01:05:19But if we promise not to do it again...
01:05:32Graciela, listen.
01:05:34Listen, my love.
01:05:36I'm not angry.
01:05:38I'm hurt.
01:05:40And not only because of what you think.
01:05:44I...
01:05:45See, I have to reason for you.
01:05:48Even at the cost of looking bad.
01:05:51Mama, listen.
01:05:53I...
01:05:54I swear I'm sorry.
01:05:56I don't want to make you suffer anymore.
01:05:58That...
01:06:00Everything can go back to how it was, Mama.
01:06:07What do you mean by how it was?
01:06:09I mean...
01:06:11No...
01:06:12How it was...
01:06:14When...
01:06:15When...
01:06:16Nothing had happened.
01:06:27Nothing to remain but the memory?
01:06:33No, it isn't as simple as that.
01:06:37It happened, that's all.
01:06:39You must accept it. It's that simple.
01:06:41No.
01:06:42Not when there's suffering and agony.
01:06:47I think he should come back here right away.
01:06:49Come back here?
01:06:51What do you mean by that? You mean that he should stay here?
01:06:53I promise you nothing will happen.
01:06:56Please don't make me leave here, or you wish you hadn't.
01:06:59Touch with each other.
01:07:02It's very easy to get letters through a friend.
01:07:05We'll see each other.
01:07:07You won't force me into anything.
01:07:10Sending me away isn't going to help, Mama.
01:07:13I thought you could be trusted alone again.
01:07:21You can trust us.
01:07:23I mean it.
01:07:26I do. I swear I do.
01:07:32If you mean it.
01:07:35If you mean it, darling.
01:07:39Don't ever let me down.
01:07:42What about him?
01:07:53He...
01:07:57He'll decide for himself.
01:08:01Would you like some coffee?
01:08:07No.
01:08:09No, thank you.
01:08:11Graziella isn't in love with me.
01:08:13It was a game for her, and I fell for it.
01:08:16But knowing what happened between us,
01:08:18do you really think this is as important as what you give her?
01:08:21A game?
01:08:23Not to me. It's no joke.
01:08:25I only know that I'm in love with you. You're everything to me.
01:08:28But you're now suggesting something that is utterly stupid, stupid, stupid.
01:08:32If we have to go on this way, on Graziella's terms, then let's forget everything.
01:08:36It's pointless. It can only destroy you and destroy her and destroy me.
01:08:39You're shouting, Giuseppe.
01:08:41You ought to have seen your face just now.
01:08:43But this is no solution. To me it makes no sense, Caterina.
01:08:46Fine, go ahead. Let's talk of sense.
01:08:48You've no more brains than a peacock.
01:08:50Do you think I wanted this?
01:08:52Not at all. I don't believe it at all.
01:08:55But it'll be worse without you.
01:08:57She'll suffer even more. This I know.
01:09:00This I know.
01:09:02And so we don't forget about us.
01:09:05Is that it?
01:09:06Sure. It's going its own way.
01:09:08You can write the book. We have nothing left anymore.
01:09:14Don't be silly. I know that Mama knows that I see you here.
01:09:17I don't believe it.
01:09:18It's very true. It's just that she realized what she'd rather not say.
01:09:21I tell you, she does know. And I don't care.
01:09:28Why don't you care?
01:09:30Because I feel my mother's a perfect knucklehead.
01:09:32You shouldn't talk like that.
01:09:33Then you still love my mother?
01:09:35Yes. Even more.
01:09:38And me? Do you love me more than her?
01:09:41It's not the same thing.
01:09:43I decided I don't want you to love anyone else.
01:09:46You gotta love only me.
01:09:48Better wait till you know what it means.
01:10:03I love you.
01:10:33It was the moment the paper sent me to Korea.
01:10:36I stayed there for a year.
01:10:38But the most interesting thing I did
01:10:41was a report in Africa.
01:10:49On Guinea.
01:10:52You can't go there.
01:10:54You can't go there.
01:10:56You can't go there.
01:10:58You can't go there.
01:11:00You can't go there.
01:11:02You can talk, right?
01:11:04Why not?
01:11:06Why don't you tell me what you did last night?
01:11:08It'll be fun.
01:11:10Unfortunately, everything's become more fun than being here.
01:11:13And since you're not having fun either...
01:11:15I didn't say anything. I don't care what she says.
01:11:22I'm sorry, Giuseppe.
01:11:24I wasn't serious.
01:11:26I was joking.
01:11:31Let's go to the movies, shall we?
01:11:33No.
01:11:35I'm busy.
01:11:37You should study, too.
01:11:39It's not like you're doing it for your father's sake.
01:11:41Why don't you tell her you're going out to have fun?
01:11:44When are you coming back?
01:11:46We'll talk on the phone.
01:11:50Stupid!
01:11:54No, I mean, yes.
01:11:56I mean, I understand there's tension.
01:11:59But you know how Caterina is.
01:12:01And maybe you're right.
01:12:04But Caterina doesn't trust me for serious confessions.
01:12:09And I trust you, Luisa.
01:12:15I need a favor.
01:12:20I need someone who's not me to talk to her.
01:12:24Don't worry, dear. I'll give you a hand.
01:12:28Well...
01:12:30Between me and Caterina, it can't go on like this.
01:12:36The situation has become unbearable for me.
01:12:39But I don't care anymore.
01:12:41Good. That's the way to do it.
01:12:43Get rid of it.
01:12:47It's just that things have gotten complicated.
01:12:50Too much.
01:12:52And, no matter how hard I think about it,
01:12:56I can't help it.
01:12:59But, you see, Luisa,
01:13:02that's exactly what Caterina...
01:13:05If she refuses to understand,
01:13:08she thinks you don't love her anymore.
01:13:11But, Benedetto Giuseppe,
01:13:13why didn't you stay in Paris?
01:13:16Anyway, I'm on your side.
01:13:19I can try to talk to Caterina, but...
01:13:23Who knows who she is?
01:13:26Listen, Giuseppe, I don't know anything.
01:13:28I don't understand anything. I don't want to understand anything.
01:13:30And, in the end, I don't care about anything.
01:13:32And you don't have to care about anything.
01:13:33And then, excuse me, it's not nice that I have to know things from others.
01:13:35Leave me alone.
01:13:37I'm no prude, you know.
01:13:38I mean debauchery and triangles, quadrangles, orgies.
01:13:40I've done it all, but...
01:13:42But you're playing with a baby with a child.
01:13:44You're being loving to them both. It's immoral. Immoral.
01:13:46Absolutely wanton and depraved.
01:13:48Now you listen, you.
01:13:49I know what I've done.
01:13:51You might not understand me, but I didn't expect you to.
01:13:53You don't have to.
01:13:54Only please don't judge me either.
01:13:56I will answer for what I did.
01:13:58All your indignation is only with this talk.
01:14:00You're in that playboy provincial morality.
01:14:02You, you're joking.
01:14:14Yes, I know.
01:14:16I'm going out of my mind, I tell you.
01:14:18I can't take it.
01:14:20I know, of course, the simplest thing to do is to go away.
01:14:23I haven't got that kind of courage.
01:14:25But what I, what I frankly haven't gotten into my head yet,
01:14:28I, no matter how hard I try,
01:14:30I can't understand how you,
01:14:33for someone as innately intelligent as you,
01:14:36how could you ever get entangled in the situation of this kind?
01:14:39I don't understand it either. That's the whole point.
01:14:42I find that after living as I've lived all these years,
01:14:45I've probably lost all the good sense I had.
01:14:47So by the time I realized that I'd let myself become a child's toy,
01:14:50it was too late.
01:14:52Graziella isn't going to suffer.
01:14:54She was only playacting anyway.
01:14:56But I told you the truth.
01:14:58I love Caterina. I want her to believe me.
01:15:02God.
01:15:05I don't know what I'm doing.
01:15:07Do you understand? I don't know what to do.
01:15:15I don't know what to do.
01:15:17I don't know what to do.
01:15:19I don't know what to do.
01:15:21I don't know what to do.
01:15:23I don't know what to do.
01:15:25I don't know what to do.
01:15:27I don't know what to do.
01:15:29I don't know what to do.
01:15:31I don't know what to do.
01:15:33I don't know what to do.
01:15:35I don't know what to do.
01:15:37I don't know what to do.
01:15:39I don't know what to do.
01:15:41I don't know what to do.
01:15:43Don't you worry.
01:15:45I am not at fault.
01:15:47I just stole a doll.
01:15:49Stay focused,
01:15:50and get out of the door.
01:15:52What are you talking?
01:15:54What are you talking about?
01:15:56If I steal a doll,
01:15:58Everyone knows.
01:16:00No, no, no, no, no, no.
01:16:02That's behind you.
01:16:04No, no, no, no.
01:16:06No, no, no, no.
01:16:08No, no, no, no, no.
01:16:10No, no, no.
01:16:12I don't care what you do.
01:16:42But I will not see her in agony.
01:16:45Graziella, no, not her.
01:16:47I don't believe she is.
01:16:48She's a young girl after all.
01:16:50They suffer no more.
01:16:52Forget about this bit of dramatics.
01:16:54How do you know?
01:16:55They're not tough inside.
01:16:56They suffer and horribly.
01:16:58As a matter of fact, she's hardly a child anymore.
01:16:59Thanks. Thanks again.
01:17:01What do you want from me?
01:17:02Just to go on fighting?
01:17:03I want you to continue to see her,
01:17:05call her and ask her if she's all right.
01:17:07Don't let her think you don't want to see her.
01:17:09Don't always neglect her.
01:17:10You're the one I miss.
01:17:12I don't want to talk about it.
01:17:17There's nothing more.
01:17:18What would you do with the pieces?
01:17:21A woman demoralized without the respect of her own child.
01:17:27I deserve it, I admit that.
01:17:29It's all your imagination, I'm certain of that.
01:17:31Why worry?
01:17:32I've lost her.
01:17:33But Jerome, you feel that.
01:17:34No, Giuseppe.
01:17:35Don't you think I know?
01:17:37I don't know how I'm going to regain it.
01:17:39But you know, I'm not going to give up.
01:17:41I don't know how I'm going to regain it.
01:17:42But yet all this is proof to mean much more than that.
01:17:45And no one's as guilty as I because I deluded myself.
01:17:49But you're wrong, wrong, wrong.
01:17:50You're not responsible, not in any way.
01:17:52You're saying that isn't going to help me.
01:17:55Spare me your charitable manner.
01:17:58Why should you make my excuses?
01:18:01Listen, Giuseppe.
01:18:03I only ask you to do this.
01:18:05Be nice to Graziella.
01:18:06That's all, be nice to her.
01:18:08You don't sacrifice anything you owe her that much.
01:18:11Even if it's a lie.
01:18:12Don't let her feel you want to avoid her.
01:18:14You've got to make her feel that she matters to you,
01:18:16that she means something to you, please.
01:18:18To me that's useless, hopeless.
01:18:20To put an end to it would be sure the simplest way.
01:18:23Can't we be honest?
01:18:25God, how you talk.
01:18:27Could you explain yourself better?
01:18:30Oh, I see you're being honest because it suits you.
01:18:32It's got to end sometime.
01:18:33You ended it.
01:18:35I got my notice by messenger.
01:18:37You imagine by sending Louisa you can ease and soften my pain?
01:18:39That's amusing.
01:18:41And happily we end the story.
01:18:43Well, it was nice.
01:18:44Pity it's ended.
01:18:45Bravo, molto bravo.
01:18:47The man offers condolences a dozen roses and on he goes.
01:18:52So that's why we're here.
01:18:54You told me to meet you.
01:18:55But you didn't make that clear.
01:18:58I thought you came to talk about Graziella.
01:19:00Forgive me.
01:19:12Hey.
01:19:15Boom.
01:19:23A boom, a boom.
01:19:26Boom, boom.
01:19:42Can't you swim?
01:19:45Or are you waiting for Graziella?
01:19:48I feel more like reading.
01:19:51You're not afraid of me, are you?
01:19:52You're being funny.
01:19:54I wouldn't like to feel I'm boring.
01:19:57I'm a man.
01:19:59I'm a man.
01:20:01I'm a man.
01:20:03I'm a man.
01:20:04I'm a man.
01:20:06I'm a man.
01:20:07I'm a man.
01:20:08I'm a man.
01:20:09I'm a man.
01:20:10I wouldn't like to feel I'm boring.
01:20:13Where's Graziella?
01:20:16It's too early.
01:20:18And if she sees the two of us alone here?
01:20:20Why should it matter to Graziella if we're alone here?
01:20:23You and I know that.
01:20:24Yes, I know the whole thing.
01:20:26What are you saying?
01:20:27What are you hinting at?
01:20:30Watch now what you say because I'm onto your game.
01:20:33Graziella tells me all.
01:20:36It's juicy, lurid fact.
01:20:39If you let me use your cabin,
01:20:41I might let you buy me ice cream and candy.
01:21:09You gone bad, huh?
01:21:11Why didn't you tell me you were my friend?
01:21:12Giuseppe doesn't care about you.
01:21:14He can't.
01:21:15He doesn't mean anything to you?
01:21:17What did you do it for?
01:21:19I've been hoping to test this guy,
01:21:21but that can't affect you.
01:21:23He was fun, but frankly, a bit old-fashioned.
01:21:25Anyway, he was your mother's lover before
01:21:27and you didn't seem to care about that.
01:21:29You don't know anything about it.
01:21:31Giuseppe loves me alone.
01:21:33Giuseppe loves me.
01:21:35He's mine.
01:21:36He's mine.
01:21:40She really made a scene.
01:21:42Really belted it to Hong Kong.
01:21:44Giuseppe's mine.
01:21:46I don't want to hurt her anymore.
01:21:48Don't worry.
01:21:49She'll get over it.
01:21:51What do you care anyway?
01:21:52It's about time she grew up.
01:22:06Graciela.
01:22:37Graciela.
01:22:39Graciela.
01:22:41Graciela, what happened?
01:22:42What is it?
01:22:44Why are you crying?
01:22:45Tell me.
01:22:46Come on, please tell me.
01:22:47What is it?
01:22:51Tell me.
01:22:53I can't say anything, Mama.
01:22:56What do you mean?
01:22:57Try.
01:23:02Come on.
01:23:04Don't be afraid to tell me.
01:23:05I don't want to see you like this.
01:23:06Please don't.
01:23:07Don't cry, Graciela.
01:23:10She was there.
01:23:12I stood in front of his house.
01:23:17Who?
01:23:20Rosita.
01:23:23Rosita?
01:23:31I want him to love me and he loved her.
01:23:36And he loves me too.
01:23:37Graciela, listen to me.
01:23:38He loves you and he told me.
01:23:40You don't have to think about him anymore.
01:23:41And neither do I.
01:23:42We have to forget everything.
01:23:43You're big, take it back.
01:23:45Calm down, darling.
01:23:47You're big.
01:23:48He's not going to treat me like that.
01:23:52You have to do it for me.
01:23:54Don't, it's all right.
01:24:01No, don't cry.
01:24:05No.
01:24:10What should I do?
01:24:35No.
01:24:36No.
01:24:37No.
01:24:38No.
01:24:39No.
01:24:40No.
01:24:41No.
01:24:42No.
01:24:43No.
01:24:44No.
01:24:45No.
01:24:46No.
01:24:47No.
01:24:48No.
01:24:49No.
01:24:50No.
01:24:51No.
01:24:52No.
01:24:53No.
01:24:54No.
01:24:55No.
01:24:56No.
01:24:57No.
01:24:58No.
01:24:59No.
01:25:00No.
01:25:01No.
01:25:02No.
01:25:03No.
01:25:04No.
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