A succession of erotic encounters weaved into a daisy chain of delightful sensuality. DESEO is a modern-day adaptation of Reigen, the controversial stage-play by the celebrated XIX century Austrian playwright, Arthur Schnitzler.
Director
Antonio Zavala Kugler
Writers
Arthur Schnitzler, Antonio Zavala Kugler
Stars
Christian Bach, Ari Borovoy, Pedro Damián
*
#español
# película
#Comedy
#SciFi
#ScienceFiction
#BritishComedy
#FunnyMovie
#Hilarious
#SciFiComedy
#MovieNight
#FilmFans
#Cinephile
#FilmLovers
#MovieBuff
#2010sCinema
#ModernComedy
#FeelGoodFilm
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#Humor
#Aliens
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#Fantasy
#OutOfThisWorld
#MovieQuotes
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#Movie
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#EuropeanHorrorFilms
#EuropeanComedyMovies
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#EuropeanIndieFilms
Director
Antonio Zavala Kugler
Writers
Arthur Schnitzler, Antonio Zavala Kugler
Stars
Christian Bach, Ari Borovoy, Pedro Damián
*
#español
# película
#Comedy
#SciFi
#ScienceFiction
#BritishComedy
#FunnyMovie
#Hilarious
#SciFiComedy
#MovieNight
#FilmFans
#Cinephile
#FilmLovers
#MovieBuff
#2010sCinema
#ModernComedy
#FeelGoodFilm
#QuirkyComedy
#Humor
#Aliens
#Superpowers
#Fantasy
#OutOfThisWorld
#MovieQuotes
#CultClassic
#FilmReview
#MovieCritic
#ComedyFilm
#SciFiFilm
#FeelGoodComedy
#IconicFilms
#BritishFilm
#FantasyFilm
#LaughOutLoud
#FilmCritic
#ComedyGold
#MustWatch
#UnderratedFilm
#HilariousFilm
#Lighthearted
#FilmOfTheDay
#flightworldwarii
#actionmovie
#adventurefilm
#scifimovie
#timetravelfilm
#cinematicadventure
#filmlovers
#movienight
#scifiadventure
#indiefilm
#filmfestival
#mustwatchmovie
#filmcommunity
#watchfree
#Movie
#Film
#Movies
#MovieTrailers
#FullMovies
#MovieClips
#MovieReview
#ActionMovies
#ComedyMovies
#HorrorMovies
#DramaMovies
#AnimatedMovies
#RomanticMovies
#SciFiMovies
#ThrillerMovies
#EuropeanFilms
#FrenchCinema
#SpanishMovies
#ItalianFilms
#GermanMovies
#EuropeanMovieClips
#EuropeanFilmFestival
#EuropeanMovieTrailers
#BestEuropeanMovies
#TopEuropeanFilms
#ClassicEuropeanCinema
#EuropeanDramaFilms
#EuropeanFilmAwards
#ScandinavianMovies
#EuropeanHorrorFilms
#EuropeanComedyMovies
#EuropeanArtFilms
#EuropeanIndieFilms
Category
🎥
Short filmTranscript
00:01:003F 5.83 x (-1.00)(1.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(0.00)(
00:01:300.00?
00:02:00I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going
00:02:30to have to do it again, I'm going to have to do it again, I'm going to have to do it again,
00:02:59I'm going to have to do it again, I'm going to have to do it again, I'm going to have to
00:03:28do it again, I'm going to have to do it again, I'm going to have to do it again, I'm going
00:03:57to have to do it again, I'm going to have to do it again, I'm going to have to do it again,
00:04:26I'm going to have to do it again, I'm going to have to do it again, I'm going to have to
00:04:55Good morning, Pedro.
00:04:56Good morning, Miss.
00:04:57Hello.
00:04:58Hello.
00:04:59The coal has already been brought up to your mother.
00:05:00Thank you very much.
00:05:01Hello.
00:05:02How are you today?
00:05:11Good morning, Pedro.
00:05:12Good morning, Elvira.
00:05:14Hello.
00:05:15Hello.
00:05:16Your mother has already been promoted.
00:05:18Thank you very much.
00:05:33So?
00:05:34That's it.
00:05:35I have a new job.
00:05:37I'm very happy, Elvira.
00:05:38It's 50 pesetas a week and only in the mornings.
00:05:42How lucky.
00:05:43How are you? How is Lola?
00:05:45The same as always.
00:05:46The same.
00:05:47Send her lots of kisses.
00:06:08Thank you.
00:06:38Thank God, I'm finally here.
00:06:48The claustrophobia drove me crazy.
00:06:51You shouldn't yell so much, Mr. Von Bibera.
00:06:54These are hard times, especially.
00:06:56You're right, Mrs. Henkel.
00:06:58Please forgive me.
00:07:00Here are the names, the most important ones.
00:07:03I'm sorry, but we have to go back to Madrid tonight.
00:07:07We should have these papers as soon as possible.
00:07:10Right?
00:07:11A good meal is waiting for us at home.
00:07:13A hot bath, if you want.
00:07:17It looks like they're fine.
00:07:19Rogelio has gained a lot of weight.
00:07:21And he's more chubby than ever.
00:07:25But I saw them very well.
00:07:31I'm so excited, Mom.
00:07:32I'm starting tomorrow.
00:07:45This is the kitchen.
00:07:48What do you think?
00:07:50Beautiful.
00:07:52Come on, I'll show you the rest of the house.
00:07:56This is the dining room.
00:08:03A lot of money.
00:08:05Be careful, don't break anything.
00:08:07Don't worry, I won't break anything.
00:08:09Well, I'll leave you alone.
00:08:11The library is over there.
00:08:13It's a little big, but don't worry, Lola will take you.
00:08:15Thank you.
00:08:19See you later.
00:08:20See you later.
00:08:48How do I put the soul so that yours doesn't rub?
00:09:18How do I advance it over you to other things?
00:09:27Good morning.
00:09:28Good morning.
00:09:30Elvira?
00:09:31Yes.
00:09:32I'm Pablo Walter, nice to meet you.
00:09:34Rogelio told me you'd be here.
00:09:36Nice to meet you.
00:09:38Hello.
00:09:42Do you like Rilke?
00:09:44Yes.
00:09:46Me too.
00:09:49Well, I don't know if you want me to explain anything else about the house or...
00:09:52No, if you'll excuse me.
00:09:54Yes, of course.
00:10:00Rilke?
00:10:03Do you think it's normal for a woman to curse Rilke?
00:10:20Excuse me.
00:10:23I've finished, or I've left the food ready.
00:10:25If you don't need anything else...
00:10:27No, nothing else.
00:10:29Excuse me.
00:10:32You can take it if you want.
00:10:34He'll be back soon.
00:10:38Thank you very much.
00:10:40I'll bring it to you tomorrow.
00:10:42Whenever you want.
00:10:44Thank you.
00:10:45See you tomorrow.
00:10:54He's handsome.
00:10:55And polite.
00:10:56And well-dressed.
00:11:00But well, being rich is very easy, isn't it?
00:11:05Maybe it's the library, mother.
00:11:08It's beautiful.
00:11:10Ours was bigger.
00:11:12And it had more books, I'm sure.
00:11:15Do you remember how our father took care of us?
00:11:25I hope all this is over soon and we can have a decent house again.
00:11:32I'm going to get more water.
00:11:56Hello, Rogelio.
00:12:02Good afternoon.
00:12:03Good afternoon, Don Pablo.
00:12:04Rogelio.
00:12:05Yes, tell me, Don Pablo.
00:12:06What do you know about Elvira, the new maid?
00:12:10I don't know.
00:12:11It was my wife's doing.
00:12:12Is something wrong?
00:12:13No, no, no.
00:12:14Nothing's wrong.
00:12:15But tell Lola I want to see her.
00:12:16He's buying her.
00:12:17Tell her to come up when she gets back.
00:12:18Don Pablo, there's nothing to worry about.
00:12:20We've known Elvira since she was a baby.
00:12:22You know?
00:12:23She has a great family, yes.
00:12:27Her father was an extraordinary man, a doctor.
00:12:30The best man in the world.
00:12:32The thing is, he died today.
00:12:34And the family lost everything.
00:12:36Things happen.
00:12:38But they're great people.
00:12:41Very good.
00:12:42Thank you, Rogelio.
00:12:43Don Pablo, do you need Lola to come up?
00:12:45No, there's no need.
00:12:46Thank you.
00:12:51See you later.
00:12:52See you later.
00:13:07Good morning.
00:13:08Good morning.
00:13:09It's been a long time since anyone cleaned the library.
00:13:13I'll be back later.
00:13:14You can stay if you don't mind.
00:13:16I have to finish the kitchen.
00:13:19I see you brought Rilke back.
00:13:22How was it?
00:13:24Did you like it?
00:13:25Yes, a lot.
00:13:26Did you know him?
00:13:27Yes.
00:13:29Look, you should read it.
00:13:32If you don't, I'll read it.
00:13:36Here you go.
00:13:42I don't speak German.
00:13:44Of course.
00:13:46I'm afraid I don't have a translation.
00:13:48You can take whatever you want.
00:13:50As long as you give it back to me.
00:13:52Thank you.
00:13:53If I take anything, I'll tell you.
00:13:55Very good.
00:13:59Can I go?
00:14:00Yes, of course.
00:14:19Bye.
00:14:37They won the blanket.
00:14:39Imagine Romero and me sleeping together in the same bed,
00:14:43cold to the bone.
00:14:45What do you want?
00:14:47You never know how to play.
00:14:49I have to stay in Elvira for 53 days.
00:14:51They'll take everything.
00:14:54Not the food.
00:14:55You're too skinny.
00:14:57I'll make you soup when you get out.
00:14:59And Raquel learned how to make cakes.
00:15:04I want to play the piano again in Elvira.
00:15:08For now, I can work on anything.
00:15:12As soon as we have the money.
00:15:14Let's go.
00:15:20Of course.
00:15:37Good morning.
00:15:38Hi.
00:15:39It's heavy. Let me carry it.
00:15:40No.
00:15:41Yes, please.
00:15:43Thank you.
00:15:46Don't you want something to drink?
00:15:49No, thank you.
00:15:51Is someone waiting for you at my house?
00:15:55No.
00:15:56So?
00:15:58Come on.
00:15:59Cheer up.
00:16:00It's okay.
00:16:13Come on.
00:16:14Aren't you going to try it?
00:16:16Come on.
00:16:17Give it to me.
00:16:23It's strong, isn't it?
00:16:27It's good.
00:16:30It's good.
00:16:33It's good.
00:16:36It's good.
00:16:40I don't remember how I knew.
00:16:49Rogelio told me about his father.
00:16:51I know things have been very difficult since he died.
00:16:55It's a very common story.
00:16:57Yes, yes.
00:16:58My father also died because of the war.
00:17:01A year ago in Berlin.
00:17:03I'm sorry.
00:17:07Have you been there?
00:17:09No, no, no.
00:17:10I've been here since 1940.
00:17:12I came for business and I stayed.
00:17:15I thought you were Argentinian.
00:17:17Yes, yes, yes.
00:17:18I am.
00:17:19Like my mother from Buenos Aires.
00:17:21And your family is in Germany?
00:17:24No, no.
00:17:25Fortunately, my mother is in Argentina now.
00:17:27I'm trying to convince her to come, but well...
00:17:31She's a very peculiar woman.
00:17:34The Spaniards seem wild to her.
00:17:39Like they're behind.
00:17:41I don't know.
00:17:51Do you want anything else?
00:17:53No, no.
00:18:05Open up!
00:18:08What's that?
00:18:12Open up! Police!
00:18:18Open up, I said!
00:18:26Is that you, Pedro González?
00:18:30Come with me.
00:18:32Don't take him.
00:18:33For God's sake, he hasn't done anything.
00:18:36Come on.
00:18:37He doesn't leave the charcoal shop, but he never gets in.
00:18:41He hasn't done anything.
00:18:46He's never done anything.
00:18:50Shit!
00:18:52Sorry, mother. It was a scare.
00:19:20What were those papers, Raquel?
00:19:24What papers, Elvira? Papers, things.
00:19:29What if they come in here and catch us?
00:19:33Look what they've done to Pedro.
00:19:35Bad luck.
00:19:37What do you do if they arrest you, Raquel?
00:19:40What do you do in jail?
00:19:42Look, Elvira, I don't want to live in fear.
00:19:45I don't want to.
00:19:46Remember your father.
00:19:48You have to play the guy for what's worth it, no matter what.
00:20:00I'm not afraid. I'm angry.
00:20:02Then what do you want?
00:20:04What do I want?
00:20:07The same as you.
00:20:12I want food every day.
00:20:15And new shoes.
00:20:18And I want books and music and all the things you've always been good at.
00:20:22But they don't give you that in jail, my child.
00:20:25That's not there.
00:20:27What do you want for that? You have to fight.
00:20:35It's okay, mother.
00:20:37Don't worry.
00:20:45Don't worry.
00:21:15How are you?
00:21:17Hello.
00:21:19It's nice, isn't it?
00:21:21Yes.
00:21:22Yes, I love it.
00:21:29Elvira...
00:21:32Are you coming to dinner with me one of these nights?
00:21:36No.
00:21:37No?
00:21:38No, I can't.
00:21:40But we should see each other calmly.
00:21:43But we should see each other calmly.
00:21:46Sometimes it's not easy to find someone to talk to.
00:21:54Excuse me.
00:22:00Hello.
00:22:01Is everything okay in Bremen?
00:22:03Yes, everything's fine.
00:22:05And you?
00:22:06No problem, Walter. Over and out.
00:22:08I understand.
00:22:11Have you finished?
00:22:12Yes.
00:22:13Well, I'll take the roast out of the oven and I'll leave.
00:22:15Ah, you've made a roast.
00:22:17I found two kilos of veal.
00:22:19Two kilos?
00:22:21But two kilos is a lot for me alone.
00:22:23Well, but you don't have to finish it today.
00:22:26Well, but if you stay to eat with me, we'll finish it anyway.
00:22:36Wait.
00:22:38Wait a minute.
00:22:40Careful, it's going to burn.
00:22:44Okay.
00:22:54Imagine the time I had been waiting for that moment.
00:23:01Life really does have those opportunities.
00:23:31What time is it?
00:23:42It's nine o'clock at night.
00:23:49I didn't notice.
00:23:51I have to go.
00:23:52No, I told you to tell me tomorrow, please.
00:23:54I'll go with you to your house.
00:23:56No, I don't need to.
00:23:57Are you sure? But look, it's raining.
00:24:00Well, sit down, I'll get you a taxi.
00:24:16Hello.
00:24:17Hello.
00:24:18Wait, I'll get a taxi.
00:24:20Are you leaving?
00:24:21No, it's for Elvira, she's late.
00:24:30It's nine o'clock.
00:24:33Isn't it too late, Elvira?
00:24:40You have such nice skin.
00:24:43And what a mouth.
00:24:47You should let your hair down.
00:24:53You're very beautiful.
00:24:55Thank you.
00:24:57Beautiful things drive me crazy, you know?
00:25:03Elvira?
00:25:04Here's your taxi.
00:25:07I'll see you later.
00:25:17Here you go.
00:25:27See you tomorrow.
00:25:28See you tomorrow.
00:25:30Elvira is married.
00:25:37See you tomorrow.
00:25:39Elvira is married.
00:25:55This money has to be at El Paso tomorrow.
00:25:58Take care of yourself.
00:26:00Did you talk to Bremen?
00:26:02Yes.
00:26:05There are complications, right?
00:26:08We don't have much time.
00:26:10The Allies are gaining ground and General Franco doesn't want any problems.
00:26:13This is a war, Pablo.
00:26:15We're going to win.
00:26:18Did you sleep with her?
00:26:23How was it?
00:26:29Marina...
00:26:31This isn't between you and me.
00:26:34I don't like it.
00:26:36I don't like anything.
00:26:38She's a dead fly.
00:26:42I know exactly what I'm doing.
00:26:45Don't underestimate me.
00:26:47Are you sure?
00:26:51I'm going to find out who she is.
00:26:54I'll give you my reports.
00:26:56There's nothing to find out.
00:26:58People with bad luck, that's all.
00:27:02You have to confirm things twice, don't you think?
00:27:06You shouldn't forget that.
00:27:13Leave her alone.
00:27:16I'll think about it.
00:27:31I love you.
00:27:47Hi.
00:27:50Good evening, Elvira.
00:27:53Good evening.
00:27:59Where have you been?
00:28:01I know, I'm sorry, but I had to clean up.
00:28:04I couldn't say no.
00:28:12Good evening.
00:28:17I shouldn't have come so late.
00:28:20I didn't know how to tell you.
00:28:22I'm sorry.
00:28:27You can go to sleep now.
00:28:33Did she pay you separately?
00:28:36What?
00:28:38Did she pay you separately?
00:28:43No, but don't worry.
00:28:46I'm sure she will.
00:28:50Good night.
00:29:20Good night.
00:29:41Good morning.
00:29:44Elvira, I have something for you.
00:30:14Thank you.
00:30:22Do you like it?
00:30:24It's very pretty.
00:30:27Please, I don't mean to offend you.
00:30:30I just thought you might like it.
00:30:37Please.
00:30:41I don't need presents.
00:31:01I don't know what to say.
00:31:06Good evening, Elvira.
00:31:11What about that dress?
00:31:14They gave it to me.
00:31:19You know how rich people are.
00:31:22Do you like it?
00:31:40Thank you.
00:32:10Good night.
00:32:40Good night.
00:33:10Good night.
00:33:19I have a surprise for you.
00:33:22Any news?
00:33:24I'm not talking about us.
00:33:26I'm talking about poetry.
00:33:28Thank you.
00:33:31Your mother is a communist.
00:33:34I'm sorry I have to tell you.
00:33:38Yes?
00:33:41Did you know everything?
00:33:43Everything.
00:33:46That woman is seriously involved.
00:33:49Her father was shot by the French.
00:33:52Her husband is in jail for Bolshevism.
00:33:55She and her sister worked for the Republicans during the war.
00:33:58Do you want to know anything else?
00:34:00No, you should know better.
00:34:02She has nothing to do with this.
00:34:05Besides, I like her.
00:34:10Stop joking, Pablo.
00:34:12Someone who betrays his ideals, especially in bed...
00:34:15...is very dangerous.
00:34:20You can sleep with whoever you want.
00:34:23You know the consequences.
00:34:34Excuse me.
00:34:36I'm back from shopping. Do you need anything else?
00:34:39Yes.
00:34:41Excuse me.
00:35:04Thank you.
00:35:07I love you.
00:35:10I love you.
00:35:34She looks like an adult.
00:35:37You look like a child.
00:35:40Because I'm both.
00:35:43Does your husband live with you?
00:35:48He's out, but he'll be back soon.
00:35:51Does he live alone?
00:35:57With my mother and my sister.
00:36:01Let me take care of you.
00:36:07I love you.
00:36:37I love you.
00:37:07I love you.
00:37:37I love you.
00:38:07I love you.
00:38:33Mother.
00:38:37Look at me.
00:39:07Look at me.
00:39:17The best day was my birthday.
00:39:20We spent it together.
00:39:22It was his gift.
00:39:24They took me to the doctor's.
00:39:26To the café.
00:39:28To visit the sick.
00:39:31Wherever I went.
00:39:34It was the best day of the year.
00:39:39How did he die?
00:39:44He lost the war.
00:39:48The only thing I'm proud of...
00:39:51...is having that father.
00:39:54He's not even my grandson.
00:40:05When is your birthday?
00:40:09Why?
00:40:11Because I want to know.
00:40:13When is it?
00:40:15The 26th, but I don't want presents.
00:40:20Just one.
00:40:28I'll spend all the time I can with you...
00:40:31...and forget everything else.
00:41:01Everything is about to end.
00:41:04The days are getting longer.
00:41:07I have to think about you and your strength...
00:41:10...to face the long hours that await me.
00:41:15Now I can breathe again.
00:41:18Thanks to you, I know there are things that can never take us away.
00:41:24I want to hug you.
00:41:27And kiss you.
00:41:32I love you.
00:41:46I have a meeting tonight with the comrades.
00:41:49I have to go.
00:41:50We can't leave Mother alone.
00:41:52I know.
00:41:53But if you miss a meeting, nothing will happen.
00:41:56What?
00:41:59Raquel, I don't remember the last time I went to a party.
00:42:02Please.
00:42:06But what's going on with that man?
00:42:29I don't know.
00:42:59Your birthday present.
00:43:02Do you like it?
00:43:04A lot.
00:43:29She's the prettiest girl at the party.
00:43:59I love you.
00:44:26I love you.
00:44:28Yes, a lot.
00:44:29It was better in the fall, wasn't it?
00:44:31Of course, those were our times.
00:44:32It seems like a century has passed.
00:44:35My love, I have to leave you for a moment.
00:44:37There are some people from the neighborhood who have to talk to me.
00:44:40It will only be a minute.
00:44:41In the meantime, Mrs. Peremete can accompany us, right?
00:44:43Of course.
00:44:44We'll have a great time.
00:44:46You do your thing.
00:44:47Don't worry.
00:44:49I'm sorry.
00:44:51Just a moment.
00:44:54Business.
00:44:57Business.
00:45:12Hello.
00:45:15Are you getting married, my dear?
00:45:20Pablo is busy.
00:45:23But if you want, you can dance with me.
00:45:27If you want, you can dance with me.
00:45:57I love you.
00:46:28I love you.
00:46:41I'm here.
00:46:43What do you want to do?
00:46:44I want to go home.
00:46:45Already?
00:46:46Are you sure?
00:46:47If you want, we can dance.
00:46:48No, no.
00:46:49Okay, let's go.
00:46:53Mr. Velasco.
00:46:55What a surprise to find you here.
00:46:57No, Herr Walter.
00:46:58It is essential to be in certain places.
00:47:00This is also part of our obligations.
00:47:02I introduce you to Miss Fuentes.
00:47:04Mr. Velasco, a good friend.
00:47:06Nice to meet you, Miss.
00:47:08I'm glad that our German friends
00:47:10are accompanied by such beautiful Spanish ladies.
00:47:14I'll wait for you outside.
00:47:16Goodbye.
00:47:18We were retiring.
00:47:19Elvira is not well.
00:47:21Herr Walter, see you later.
00:47:28Elvira.
00:47:30What?
00:47:32Where are you going?
00:47:33To change, Pablo.
00:47:34I'm going home.
00:47:35My love, please forgive me.
00:47:38I know I ruined your party.
00:47:40But there were some guys who didn't count.
00:47:43Who were they?
00:47:44People from the embassy, businessmen, diplomats.
00:47:48What was I doing there, Pablo?
00:47:51Did you want to show off?
00:47:53No, no.
00:47:56Why are you treating me like this?
00:47:59I don't know what you're talking about.
00:48:01Elvira, Elvira.
00:48:04You are not my love, you are my love.
00:48:06Don't you realize?
00:48:18Don't you realize?
00:48:41What are you reading?
00:48:44Don't believe these things.
00:48:48What do you mean I don't believe them?
00:48:50There's a photo, Pablo.
00:48:51Photos don't lie.
00:48:53Photos don't lie.
00:48:54You are so naive, Elvira.
00:48:55Photos are manipulated, didn't you know that?
00:49:04Tell me.
00:49:06Don't worry.
00:49:08I'll do it right away.
00:49:15Where are you going?
00:49:18I'm going to smoke.
00:49:29I have to go on a trip right now.
00:49:32Is it something serious?
00:49:34I don't know, I hope not.
00:49:36But I have to go now.
00:49:38About what we were talking about.
00:49:41In a war, you always lie about the enemy.
00:49:44You've lived a war.
00:49:46You should know that.
00:49:48Okay.
00:49:55I'll miss you.
00:50:11I'll miss you too.
00:50:28Do you know what else we can do?
00:50:31Request the scholarship for the Moscow Piano School again.
00:50:35It would be good, wouldn't it?
00:50:42Did you get the last letter?
00:50:45Yes.
00:50:47It was very nice.
00:50:50Elvira, what's wrong?
00:50:53Nothing.
00:50:57Is your mother okay?
00:51:00Did something happen to Raquel?
00:51:11No.
00:51:41I don't know.
00:51:44Do you feel better?
00:51:47A little better, yes.
00:51:50It was a terrible trip.
00:51:53I'm sorry.
00:51:56I'm sorry.
00:51:59I'm sorry.
00:52:02I'm sorry.
00:52:05I'm sorry.
00:52:08I'm sorry.
00:52:11I'm sorry.
00:52:14I'm sorry.
00:52:17I'm sorry.
00:52:20I'm sorry.
00:52:23But there was no other way to get there, Clarita.
00:52:28You have it on a blacklist.
00:52:30They wouldn't have let you cross the border.
00:52:32Besides, they're trying to get along with the Allies.
00:52:36In case they need you in the future.
00:52:39That Franco!
00:52:41He's always been a treacherous eunuch.
00:52:43Damn pig! And now that it's getting complicated...
00:52:45No, please!
00:52:47I'm Spanish.
00:52:48I could never get used to that tongue of all devils.
00:52:51Even if it was my father's tongue.
00:52:54Anyway, we don't have to worry.
00:52:56We just have to be a little more discreet.
00:52:58Right, Captain?
00:53:00Yes. Everything is in order here.
00:53:02We have papers available and, above all, ships.
00:53:05That's the most important thing.
00:53:08And I have guarantees that the civil government
00:53:11won't raise any problems,
00:53:13at least if they don't force you to leave Madrid.
00:53:16The Nuncio of His Holiness is aware of the entire operation.
00:53:19Perfect.
00:53:21In Buenos Aires, everything is ready.
00:53:24General Perón is ready to welcome his friends with open arms.
00:53:28Our future president has always been a great admirer of the Germans.
00:53:33You know that very well.
00:53:35So let Lieutenant General Schinkel know
00:53:38that he and his family won't have any trouble getting there.
00:53:42Mrs. Herrera, who is a loving and lonely widow,
00:53:45much more loving and lonely than me,
00:53:48and also much older,
00:53:50has lent herself to adopt him and give him his last name.
00:53:55Don't you think it's the smartest thing to do?
00:53:57To make him go unnoticed if someone comes looking for him.
00:54:00Yes, that's an excellent idea.
00:54:02There's no one like you, Clarita.
00:54:04You're always an example to all of us.
00:54:06Thank you, Linda.
00:54:09General Perón wants you to understand
00:54:12that your situation right now is quite precarious.
00:54:16How much?
00:54:19Anyone can see that to stay in power
00:54:22you need a lot of money.
00:54:24There won't be any problems, Clarita.
00:54:28None.
00:54:29If you don't mind, I'm going to bed because I'm exhausted.
00:54:34Don't bother me.
00:54:39Don't worry about the money, Mom.
00:54:41There's a couple of tons of gold well kept.
00:54:43Where?
00:54:47You're going to laugh.
00:54:49In the basements of the Ministry of Foreign Affairs.
00:54:52No, Linda.
00:54:55That's how absurd they are in this country.
00:54:58On one hand, they put on a good face to the Allies,
00:55:00and on the other, they let us bury the gold in their own palaces.
00:55:08This is for Mr. Walter, the German ambassador.
00:55:11Thank you. Goodbye.
00:55:14Another one.
00:55:17What's this?
00:55:22This guy isn't clean. I like him less and less.
00:55:26What about Elvira?
00:55:43I don't know.
00:56:06What's this place called?
00:56:08The Tomb of the Nameless Woman.
00:56:10What a strange name for such a beautiful place.
00:56:14It's always hard for me to say goodbye to you.
00:56:17Don't give up so soon. It's not over yet.
00:56:21What's going on with that girl?
00:56:23Tomokama. Alina told me.
00:56:26That woman could be dangerous.
00:56:29Didn't you think about the risk?
00:56:31Not just yours, but everyone else's.
00:56:33Everything that's in our hands.
00:56:35There's no risk, Mom.
00:56:37Don't worry. She's different.
00:56:39I really think you'd like her.
00:56:42You seem a little weak, Pablo.
00:56:45Maybe you need a break.
00:56:48If it's all over soon, you could come home for a few weeks.
00:56:52I miss you, son.
00:56:54Yes, I'd be fine.
00:56:56I want you to take care of yourself.
00:56:59I can't forbid you from going out with that woman.
00:57:02But if you continue with her,
00:57:04you'd have to find something to protect your back.
00:57:07The next few months are going to be dangerous.
00:57:10It would be terrible if she started to suspect.
00:57:28Stay with me.
00:57:33Pablo, I can't.
00:57:35What can you do, Elvira?
00:57:37We're going to find someone to do the housework.
00:57:40Elvira, stay with me.
00:57:44No.
00:57:50I'm afraid.
00:57:53Why are you afraid?
00:57:56Because a lot of people depend on me.
00:57:59We're going to lose.
00:58:01Soon they're going to enter Berlin,
00:58:03and I have to get people out of there who love me.
00:58:09And I can't stand this without you.
00:58:17I have to go. I can go, right?
00:58:22Do you need to go?
00:58:31I have to go.
00:58:54Get ready!
00:58:57Get ready!
00:59:02Get ready!
00:59:15Go!
00:59:31Go!
00:59:47Attention!
01:00:01Attention!
01:00:12Elvira.
01:00:14Sister, are you asleep? You're going to be late.
01:00:21I'm not going to work, Raquel.
01:00:26I can't go back to that house.
01:00:28So what?
01:00:31So what?
01:00:45Where is she?
01:00:47Who, Don Pablo?
01:00:49Where is Elvira?
01:00:51She hasn't been home for three days.
01:00:53She had to quit her job.
01:00:55What do you mean, she had to quit her job?
01:00:58She's very sick. Poor people.
01:01:01Why doesn't anyone tell me?
01:01:03Sorry, Don Pablo, but Elvira sent a message.
01:01:05I forgot to tell you.
01:01:07We've had the flu these days.
01:01:09You know where she lives, don't you?
01:01:13No, I don't.
01:01:17Rogelio, tell me where she lives.
01:01:22If her mother is sick, I'd like to help her.
01:01:25They went to her mother's house, but I don't know where or when.
01:01:31Don't lie to me, Rogelio.
01:01:34It's not good for her.
01:01:45Coming.
01:01:56How did you find me?
01:01:59If you don't want to find someone, don't find them.
01:02:15Has your husband come back?
01:02:17Yes.
01:02:18Is that it?
01:02:20Enough!
01:02:22Is that it?
01:02:24Enough!
01:02:41I'm sorry.
01:02:44Please leave.
01:02:46No.
01:02:48I can't.
01:02:51I'm going to leave you like this.
01:02:53I'll take care of everything you need.
01:02:55And a job for your husband.
01:02:57Wherever he wants. If he leaves, he'll be able to play again.
01:03:00Elvira.
01:03:02Elvira, let me take care of everything.
01:03:14Hi.
01:03:16Elvira, you left the door open.
01:03:21Hi.
01:03:23I'm Pablo Walter.
01:03:27Leave my sister alone.
01:03:29No.
01:03:31Elvira is coming with me.
01:03:39No.
01:03:50No.
01:03:56Leave.
01:03:59Leave.
01:04:04Leave.
01:04:08Leave.
01:04:20Leave.
01:04:50Leave.
01:05:20Leave.
01:05:50Elvira.
01:06:21Things are going well.
01:06:23Helmut and Anna Schinkel will be Antonio and Anna Herrera.
01:06:27I don't know if we'll have the same luck with the others.
01:06:30What do you think?
01:06:36I'm saying something important, Pablo.
01:06:40I don't know.
01:06:50Did he leave you?
01:06:56Good.
01:06:59You know what I always thought about this subject, don't you?
01:07:04I hope he didn't leave with more than he should have.
01:07:07What are you talking about?
01:07:09Papers, information.
01:07:11I want to believe for everyone's sake that he only took money from you.
01:07:16I'm fed up, fed up with your cynicism.
01:07:19And I'm fed up with your unconsciousness, Pablo.
01:07:24I never thought you were so weak.
01:07:26I don't give a damn what you think.
01:07:30You're putting me in danger, Pablo.
01:07:33I won't let you make any mistakes because of you.
01:07:36And if I have to report your crisis, I will.
01:07:40Is that clear?
01:07:45Now do whatever you want.
01:07:50You're right.
01:07:53I'm weak.
01:07:58I always knew I had to make a change in my life.
01:08:03Of course you're not going to change.
01:08:05You can't.
01:08:19I love you.
01:08:49I love you.
01:09:19I love you.
01:09:44I have to go, Mother.
01:09:47If I stay here, I'm going to die.
01:09:55I'm suffocating without him.
01:10:08I'm coming to see you.
01:10:13This is for Raquel.
01:10:17But not me.
01:10:22I love you.
01:10:46I love you.
01:11:16I love you.
01:11:46I love you.
01:12:16I love you.
01:12:28Rogelio.
01:12:31Don't you remember me?
01:12:32Of course. You're Julio.
01:12:35How are you?
01:12:36What are you doing here? What did you want?
01:12:39Rogelio, I need to talk to a comrade.
01:12:43Wait.
01:12:53Elvira's husband is here, Julio.
01:12:56He wants to talk to me.
01:12:58Wait outside. I'll be right back.
01:13:06Rogelio.
01:13:08I want you to tell me what you know about that man.
01:13:11The owner of the house where Elvira works.
01:13:15Now.
01:13:17Go and tell me what happened to you after everything you've been through.
01:13:22But I can't do anything.
01:13:24Rogelio, please.
01:13:26Tell me what you know.
01:13:30I don't like anything, but nothing.
01:13:33I think he's a Nazi.
01:13:36What?
01:13:38Yes, he's half German.
01:13:40There are strange people in that house.
01:13:42Germans, Falangists, strange people.
01:13:45All the time, there are letters from Berlin, from the government there.
01:13:49I think he's a spy or something.
01:13:52They say that the war in Europe, in Madrid, is full of spies.
01:13:57To me, this is one of those.
01:14:02Thank you.
01:14:10You're welcome.
01:14:19Are you sad?
01:14:21No.
01:14:24No, it must be the rain.
01:14:28Do you want to go out?
01:14:30Let's go to the movies or somewhere.
01:14:35No, I'm fine here with you.
01:14:38You don't need anything else.
01:14:42Are you sure?
01:14:44Yes.
01:15:07Hi, Raquel.
01:15:10I see that things are going well for you.
01:15:14Don't tell me this.
01:15:16What do you want me to do?
01:15:18I'm here, working ten hours a day in a disgusting drugstore, playing the guy.
01:15:23And you, in the meantime, what do you do?
01:15:25Go with a fascist.
01:15:29I thought I was going to call my mother.
01:15:31She's going to be much better and you won't take care of her alone.
01:15:33Don't even think about it, Alvira.
01:15:35Mom is going to stay at her house with me.
01:15:38Do you see how crazy you are?
01:15:43It's not that simple, Raquel.
01:15:59I love you.
01:16:01You know that.
01:16:08I love you too.
01:16:23Pablo?
01:16:38Tell him to leave.
01:16:49Tell him to leave.
01:16:58He's dead.
01:17:01He committed suicide.
01:17:04The judge has committed suicide.
01:17:07It can't be.
01:17:09I just received confirmation from the chancellery.
01:17:16And he was dead.
01:17:21It's not the end.
01:17:23No.
01:17:24Yes.
01:17:25It's not the end.
01:17:27We were assigned a task and we're going to do it.
01:17:34To Hitler.
01:17:38To Hitler.
01:17:56What we need to know, without further delay,
01:17:59is if we continue to count on your support.
01:18:01How can you even think for a moment that things can change between us?
01:18:04Of course, the ladies of our social assistance
01:18:07will continue to help in everything that is in their hands to the Germans who need it.
01:18:11They can count on it.
01:18:13Thank you.
01:18:14The phalanx has always shown to be a great support for us.
01:18:17The government is currently in a very uncomfortable situation.
01:18:21The Allies have not stopped pressuring us for a long time
01:18:24to break our friendship with the axis.
01:18:27And although our difficult economic situation
01:18:30forces us to direct our gaze towards the British and the Americans,
01:18:34our feelings of admiration for the great German ideal have never ceased.
01:18:39And our grief for the death of the great leader is intense.
01:18:46We know you have an important matter in your hands.
01:18:49You will count on our help, of course.
01:18:52But we can only give you four days to carry out the operation.
01:18:56Four. That's all.
01:18:58If not, we will be forced to negotiate the delivery of the high character with the Allies.
01:19:05Unfortunately, that's how things are.
01:19:07Don't forget it.
01:19:12You have to tell him, Julio.
01:19:19I don't know how.
01:19:22He has to know who that guy is. You have to go and talk to her.
01:19:26Do you think she'll come back because I tell her that man is a Nazi?
01:19:32She loves him.
01:19:34She's in love with him.
01:19:37But why?
01:19:39How can she love a guy like that?
01:19:42What do you mean, why?
01:19:45Raquel, look around you.
01:19:48Look at me.
01:19:50What do you see?
01:19:53You want to tell me what you see?
01:20:01We haven't lost the war, Raquel.
01:20:04We've lost everything.
01:20:06No, it's not like that. You have to keep fighting until the end, and you know it.
01:20:12I don't know if I want to keep living if she's not there.
01:20:16Scare her, Julio.
01:20:18Come up with something.
01:20:20Tell her they're after him, they're going to kill him.
01:20:22Tell her he's in danger if she stays with him.
01:20:25We have to get her out of there, Julio.
01:20:27You have to do something.
01:20:29We have to keep fighting until the end.
01:20:32Yes.
01:20:46Come on.
01:21:13Come, Lionel, come.
01:21:17Come on.
01:21:24Good morning.
01:21:26Good morning.
01:21:31He followed me.
01:21:39Livia.
01:21:41I'll go with you.
01:21:47Livia.
01:21:49He's a German spy.
01:21:52You have to let him go.
01:21:53No, he's a businessman. He has German friends because his father was German.
01:21:57Look at me.
01:21:58I received this at his house.
01:22:01Letters from the Falange.
01:22:03From the German Ministry of Propaganda.
01:22:06From the DGS.
01:22:07Rogelio gave them to me.
01:22:09He's an enemy.
01:22:11I know him well.
01:22:13I've followed him, I've watched him, and Rogelio too.
01:22:16You have to believe me, please.
01:22:18You don't understand anything, Julio.
01:22:20Elvira, Elvira.
01:22:22You can't continue with that man.
01:22:24They're going to kill him.
01:22:27If you continue with him, you're risking your life.
01:22:32Yes.
01:22:34Julio, leave me alone.
01:22:46Come on.
01:22:58Come on, let's go.
01:23:17Here he is.
01:23:18Helmut Schinkel.
01:23:20Of course, it's him.
01:23:22It's him.
01:23:24What are you talking about?
01:23:27Oh, nothing, my dear.
01:23:33Rogelio.
01:23:38Be very careful.
01:23:40But, woman...
01:23:42What are you going to do?
01:23:44But, woman...
01:23:45What are we going to do if they catch you?
01:23:48Nobody's going to catch me.
01:23:51Don't worry, it's nothing.
01:23:53It's nothing.
01:24:00Ana, my nephews Hans and Adolf.
01:24:04My cousin Helmut.
01:24:06Nice to meet you.
01:24:07Elvira, my fiancée.
01:24:15Very nice to meet you, miss.
01:24:19Kids, you know I don't like it when you whisper.
01:24:25Will you marry me?
01:24:31Yes.
01:24:34Come on, Adolf.
01:24:37She's very pretty.
01:24:40Ana says you're very pretty.
01:24:42Thank you.
01:24:45I'm going to make tea.
01:24:59What's wrong?
01:25:03Why didn't you tell me your family was coming?
01:25:07There are things I don't have to tell you.
01:25:13No.
01:25:16But you don't tell me anything, Polo.
01:25:19When you leave, I don't know where you go, I don't know when you come back, I don't know who you are.
01:25:22Lower your voice.
01:25:34We live here isolated, as if there was nothing out there.
01:25:37But out there, people die of cold.
01:25:40And of hunger.
01:25:43And people are killed.
01:25:45People like your family, Pablo.
01:25:48Nazis.
01:25:50What do you know? Who is my family? Who are my people? What is being a Nazi?
01:25:54I already told you that you can't believe everything they say about us.
01:25:58But if it's not what they say, Pablo, it's what I see.
01:26:00And you too. If we saw the photo of the newspaper together, how can you say it's a lie?
01:26:04If we both want the same thing.
01:26:06I don't want a life for us either, just in this house.
01:26:09That's National Socialism.
01:26:11A new way of life, in my life.
01:26:15My love, don't be fragile.
01:26:18I know it's a difficult task, but beautiful.
01:26:21And worthy of all our efforts, I assure you.
01:26:26Listen to me.
01:26:36I love you.
01:27:06Good night, father.
01:27:36Thank you.
01:27:47Hello.
01:27:49Look.
01:27:52It's the one that arrived today with the war. Do you see it?
01:27:54I keep all the war press records.
01:27:56I spend the whole night reading them.
01:27:58As soon as I saw it today, I remembered this article.
01:28:00It's him. He's one of Hitler's favorites.
01:28:03I'm sure it's him.
01:28:06Let's go.
01:28:12Good night.
01:28:13Good night.
01:28:14Good night.
01:28:34Be quiet.
01:28:35Come.
01:28:36Come.
01:28:42What do you want?
01:28:43Look.
01:28:46Do you know who he is?
01:28:48Let's go to Hitler.
01:28:51Elvira.
01:28:52Elvira.
01:28:53You have to get out of there.
01:28:55Elvira.
01:28:57Elvira.
01:29:00Son of a bitch!
01:29:07Elvira is mine!
01:29:09Now!
01:29:16Sparta is my husband.
01:29:20Who sent you?
01:29:23Who sent you?
01:29:31Speak.
01:29:32He came for me.
01:29:34He came for me.
01:29:39Come in, Elvira.
01:29:40It's not your fault, Elvira.
01:29:47Send me two men. Right now.
01:30:05Pablo, don't kill him.
01:30:11I...
01:30:13He only came for me.
01:30:15That's all.
01:30:20You can get him a passport and send him wherever you want.
01:30:25Let him go, please.
01:30:27No.
01:30:33Not anymore.
01:30:57Let's go.
01:31:04Let's go.
01:31:27Let's go.
01:31:57Let's go.
01:32:28Documentation.
01:32:41Pueden pasar.
01:32:57Gracias.
01:34:27It's beautiful, isn't it? Do you know what this place is called?
01:34:31The tomb of the nameless woman.
01:34:35If I kill you here, you'll be a body lost in the water.
01:34:40No one will find you.
01:34:46Why did you do this to me? Tell me.
01:34:50Why?
01:34:52Why did you do this to me?
01:34:55Why?
01:34:59You were mine.
01:35:02My soul has betrayed me.
01:35:16We have lost the war, but they will not destroy us.
01:35:20All the important men are leaving there.
01:35:22Yes, and I... I take care of saving them, of hiding them.
01:35:29It is my duty to my country, to my dead Fuhrer.
01:35:35Because I have to take care of the future, do you understand?
01:35:41I have to put my life at the service of the future, and you are the enemy of that future.
01:35:46You, my soul.
01:35:52My soul.
01:35:57My love.
01:36:00Let me save you.
01:36:03Tell me you believe in me.
01:36:06That I can trust you, that you will not talk to anyone about all this.
01:36:10My love.
01:36:13Let me keep loving you.
01:36:19Let me keep forgetting you, my love.
01:36:23Tell me that it was not you, and we go right now wherever you want.
01:36:31Just that.
01:36:34I wish... I wish it had been me.
01:36:39I loved you.
01:36:53I love you.
01:37:06I have to kill you.
01:37:14Kill me.
01:37:20Kill me!
01:37:22Kill me!
01:37:52Kill me.
01:38:22Kill me.
01:38:52Kill me.
01:38:53Kill me.
01:38:54Kill me.
01:38:55Kill me.
01:38:56Kill me.
01:38:57Kill me.
01:38:58Kill me.
01:38:59Kill me.
01:39:00Kill me.
01:39:01Kill me.
01:39:02Kill me.
01:39:03Kill me.
01:39:04Kill me.
01:39:05Kill me.
01:39:06Kill me.
01:39:07Kill me.
01:39:08Kill me.
01:39:09Kill me.
01:39:10Kill me.
01:39:11Kill me.
01:39:12Kill me.
01:39:13Kill me.
01:39:14Kill me.
01:39:15Kill me.
01:39:16Kill me.
01:39:17Kill me.
01:39:18Kill me.
01:39:19Kill me.
01:39:20Kill me.
01:39:21Kill me.
01:39:22Kill me.
01:39:23Kill me.
01:39:24Kill me.
01:39:25Kill me.
01:39:26Kill me.
01:39:27Kill me.
01:39:28Kill me.
01:39:29Kill me.
01:39:30Kill me.
01:39:31Kill me.
01:39:32Kill me.
01:39:33Kill me.
01:39:34Kill me.
01:39:35Kill me.
01:39:36Kill me.
01:39:37Kill me.
01:39:38Kill me.
01:39:39Kill me.
01:39:40Kill me.
01:39:41Kill me.
01:39:42Kill me.
01:39:43Kill me.
01:39:44Kill me.
01:39:45Kill me.
01:39:46Kill me.
01:39:47Kill me.
01:39:48Kill me.
01:39:49Kill me.
01:39:50Kill me.
01:39:51Kill me.
01:39:52Kill me.
01:39:53Kill me.
01:39:54Kill me.
01:39:55Kill me.
01:39:56Kill me.
01:39:57Kill me.
01:39:58Kill me.
01:39:59Kill me.
01:40:00Kill me.
01:40:01Kill me.
01:40:02Kill me.
01:40:03Kill me.
01:40:04Kill me.
01:40:05Kill me.
01:40:06Kill me.
01:40:07Kill me.
01:40:08Kill me.
01:40:09Kill me.
01:40:10Kill me.
01:40:11Kill me.
01:40:12Kill me.
01:40:13Kill me.
01:40:14Kill me.
01:40:15Kill me.
01:40:16Kill me.
01:40:17Kill me.
01:40:18Kill me.
01:40:19Kill me.
01:40:20Kill me.
01:40:21Kill me.
01:40:22Kill me.
01:40:23Kill me.
01:40:24Kill me.
01:40:25Kill me.
01:40:26Kill me.
01:40:27Kill me.
01:40:28Kill me.
01:40:29Kill me.
01:40:30Kill me.
01:40:31Kill me.
01:40:32Kill me.
01:40:33Kill me.
01:40:34Kill me.
01:40:35Kill me.
01:40:36Kill me.
01:40:37Kill me.
01:40:38Kill me.
01:40:39Kill me.
01:40:40Kill me.
01:40:41Kill me.
01:40:42Kill me.
01:40:43Kill me.
01:40:44Kill me.
01:40:45Kill me.
01:40:46Kill me.
01:40:47Kill me.
01:40:48Kill me.
01:40:49Kill me.
01:40:50Kill me.
01:40:51Kill me.
01:40:52Kill me.
01:40:53Kill me.
01:40:54Kill me.
01:40:55Kill me.
01:40:56Kill me.
01:40:57Kill me.
01:40:58Kill me.
01:40:59Kill me.
01:41:00Kill me.
01:41:01Kill me.
01:41:02Kill me.
01:41:03Kill me.
01:41:04Kill me.
01:41:05Kill me.
01:41:06Kill me.
01:41:07Kill me.
01:41:08Kill me.
01:41:09Kill me.
01:41:10Kill me.
01:41:11Kill me.
01:41:12Kill me.
01:41:13Kill me.
01:41:14Kill me.
01:41:15Kill me.
01:41:16Kill me.