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Transcript
00:02:00♪
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00:03:16Who are they?
00:03:18Hello, darling.
00:03:19Hello, Mother.
00:03:20How are you?
00:03:21I'm fine.
00:03:24I'm sorry I'm late. Have you been waiting for long?
00:03:26Only a moment.
00:03:27Walk on.
00:03:28♪
00:03:33♪
00:03:38♪
00:03:43How was the crossing?
00:03:45It was okay, except some wretched chump
00:03:47had gone sick right next door.
00:03:50Did you enjoy the school?
00:03:52From your letters you seem to be quite happy there.
00:03:54Some of it, but I'd much rather be at home.
00:03:57It's wonderful to have you back. I've missed you.
00:04:00I've missed you, too.
00:04:02You've changed a lot.
00:04:04You're almost a woman now.
00:04:06♪
00:04:11♪
00:04:16♪
00:04:21♪
00:04:26♪
00:04:31♪
00:04:36Hello, Rachel.
00:04:37Welcome home, Miss Emily.
00:04:47Thank you, darling.
00:04:52Well, here we are.
00:04:54I'd almost forgotten what it looked like.
00:04:56Nothing's changed.
00:04:58I've arranged a little dinner party for you this evening.
00:05:00Really? Who's coming?
00:05:01Well, there's a friend of mine, Richard, coming from London,
00:05:04and there's our new neighbour, the Waynes,
00:05:06and a young American teacher, James Wise.
00:05:08Will I like him?
00:05:10I think you'll find him charming.
00:05:14Would you like to go upstairs and unpack now?
00:05:16Yes, I'll go help Rachel.
00:05:18See you later.
00:05:30You don't understand how lucky you are.
00:05:32You could be fat or thin, handsome or ugly.
00:05:34It doesn't matter.
00:05:35You can still be attractive.
00:05:37You can still be charming.
00:05:39You could be fat or thin, handsome or ugly.
00:05:41It doesn't matter.
00:05:42You can still be attractive to women.
00:05:44The class is different.
00:05:46We have to please to look our best to you at all times.
00:05:49If I might say so, you've succeeded admirably tonight.
00:05:52But I like my women always.
00:05:54The coin phrase, variety is the spice of life.
00:05:58And what does our young American friend think
00:06:01who's been silent for so long?
00:06:03Well, I don't have...
00:06:05Well, you're more experienced.
00:06:07Well, women are okay.
00:06:09Well, some are better than others, but okay.
00:06:12Such charming modesty.
00:06:15James has more serious subjects to think of.
00:06:17Margaret tells me you're a teacher.
00:06:19Right, I've taken up a post at a great new school.
00:06:21A steady job at an early age.
00:06:23You should enjoy yourself while you're young.
00:06:25James has a flying machine.
00:06:27A lunatic, bound to get himself killed.
00:06:30And a car.
00:06:31Ah, then there's hope.
00:06:33He's not so steady after all.
00:06:35He's quite a fine example to young people.
00:06:37No, Richard has a point.
00:06:39It's a mistake to settle down too early.
00:06:41There's always a side of Rupert
00:06:43who would like to go back to the fast society.
00:06:45Isn't it, darling?
00:06:46What happens in the fast society?
00:06:48That's what I would like to know.
00:06:49Then you'd have to read about it in my memoirs.
00:06:51Your memoirs?
00:06:52Oh, yes.
00:06:53I've already started volume one.
00:06:55Richard, really.
00:06:57Why do you laugh?
00:06:58I had a fascinating childhood.
00:07:00Will you tell us about it?
00:07:02All right.
00:07:04It was all in India.
00:07:06Somewhere between Calcutta and Delhi.
00:07:08On a train.
00:07:09My mother refused to believe she was pregnant, you see.
00:07:12My father was fighting the darkies on the northwest frontier.
00:07:15And she was convinced that the swelling in her belly
00:07:18was nothing more than a mixture of curry and wind.
00:07:23Imagine her shock when yours truly appeared.
00:07:27Very nasty.
00:07:28Mm.
00:07:29Oh, dear.
00:07:30She died two months later.
00:07:32She was struck by a polo ball.
00:07:34In the first chukka.
00:07:37Who looked after you then?
00:07:39Well, I had a nurse.
00:07:40And then there were the officer's wives.
00:07:42All tried to mollycoddle me.
00:07:44You see, I was such a pretty baby.
00:07:47What happened next?
00:07:48I became a sort of regimental mascot.
00:07:51Run like a goat.
00:08:02¶¶
00:08:12¶¶
00:08:22¶¶
00:08:32¶¶
00:08:45¶ Riding through the autumn ¶¶
00:08:48¶ Brightening up the day ¶¶
00:08:51¶ Give her some room, she's blossoming soon ¶¶
00:08:55¶ Sweet Emily ¶¶
00:08:58¶ The world and its wonders ¶¶
00:09:01¶ Vail as she passes by ¶¶
00:09:04¶ Just say hello, I'll go where you go ¶¶
00:09:08¶ Sweet Emily ¶¶
00:09:11¶ Seeing the sunlight fall on her shoulders ¶¶
00:09:15¶ As she breezes by ¶¶
00:09:18¶ Hey, do you want to try ¶¶
00:09:21¶ Galloping across the sky ¶¶
00:09:25¶ If I owned a rainbow ¶¶
00:09:28¶ And all of the autumn's hue ¶¶
00:09:31¶ I'd give it to you, I'd give it to you ¶¶
00:09:35¶ Sweet Emily ¶¶
00:09:38¶ Seeing the sunlight fall on her shoulders ¶¶
00:09:42¶ As she comes breezing by ¶¶
00:09:45¶ Hey, do you want to try ¶¶
00:09:48¶ Galloping across the sky ¶¶
00:09:52¶ If I owned a rainbow ¶¶
00:09:55¶ And all of the autumn's hue ¶¶
00:09:58¶ I'd give it to you, I'd give it to you ¶¶
00:10:02¶ Sweet Emily ¶¶
00:10:07¶ Sweet Emily ¶¶
00:10:14¶ My sweet Emily ¶¶
00:10:22¶ Emily ¶¶
00:10:39Hello? This is 3-5.
00:10:41May I speak to Miss Foster, please?
00:10:43No, she's out, sir.
00:10:45When will she be returning?
00:10:47I don't know, sir. She's gone out riding.
00:10:50Will she be back for lunch?
00:10:52Yes, sir.
00:10:54Okay. I'll call her later.
00:10:57Hello? Hello?
00:11:02Who was that on the telephone, Rachel?
00:11:04I don't know, ma'am. I forgot to ask.
00:11:06Rachel, I've asked you always to find out.
00:11:08Sorry, ma'am.
00:11:10Was it a man or a woman?
00:11:12A man. For Miss Emily, ma'am.
00:11:14For Emily? Yes, ma'am.
00:11:16Very well. Thank you.
00:11:25Hello!
00:11:42Hello. I didn't see you here.
00:11:44How are you? Fine.
00:11:46It's a lovely place.
00:11:48It's good to see you again.
00:11:50We didn't have much of a chance to talk to each other last night.
00:11:53I know. Richard seemed to be doing most of the talking.
00:11:56He's quite the character.
00:11:58Where are you going?
00:12:00Nowhere in particular. Shall we ride together for a while?
00:12:03Okay. Come on.
00:12:08Come on.
00:12:12Come on.
00:12:18What are you going to do now you're back?
00:12:20I don't know, really. Have fun.
00:12:22You must come over to White Rose sometime.
00:12:24I'd love to. You paint, don't you?
00:12:26Rather badly, I fear.
00:12:28And Dr Wayne?
00:12:30Rupert? He never stops working.
00:12:32By day, he's out researching,
00:12:34and most evenings, he works on his book.
00:12:36What's it about?
00:12:38You'll have to wait and see.
00:12:40Mother.
00:13:03Have you always lived in the country?
00:13:05Before I married, I had a studio in town.
00:13:10But I found it very difficult to work there.
00:13:12The noise, people dropping in.
00:13:14So many other things to do.
00:13:16I became very lazy.
00:13:18Then I met Rupert,
00:13:20and we came to live here in the country.
00:13:22I thought I'd never like it.
00:13:24I'd gotten so used to city life.
00:13:26Where were you born?
00:13:28I was born in New York.
00:13:30Then we moved to London when I was eight, and I loved it.
00:13:33Then when my mother told me we were coming to live in the country,
00:13:36I thought of cold baths and haunted houses.
00:13:39Do you think you would like it now?
00:13:41Now? Now I think I'll love it.
00:13:44I hope so.
00:13:46I must go.
00:13:58Will you come over to the house soon?
00:14:00How about tomorrow?
00:14:02Lovely. See you then.
00:14:05Come on.
00:14:07Bye.
00:14:09Come on.
00:14:15If you strike very hard,
00:14:17you can follow through.
00:14:19You're full of good advice, aren't you?
00:14:28Excellent.
00:14:30What are you going to do now?
00:14:32I'm going to hit you into that flowerbed quite hard.
00:14:36Richard, don't be so mean.
00:14:38Mean nothing.
00:14:40I intend to win.
00:14:42Serve you right if you miss.
00:14:44Oh, blast!
00:14:46Who's winning?
00:14:48I'm most definitely not.
00:14:50Would you like to take over?
00:14:52No, thank you. I'm hopeless.
00:14:54Mother, do you mind if I start lunch early?
00:14:56Why, dear?
00:14:58I'm going out this afternoon.
00:15:00To see you. To see you telephone.
00:15:02Yes.
00:15:03Where are you going?
00:15:04He's taking me in his flying machine.
00:15:06Flying?
00:15:08Very dashing.
00:15:10Do you mind?
00:15:11Yes, I do.
00:15:12Why?
00:15:13Well, you could get yourself killed.
00:15:15Oh, Mother, don't be ridiculous.
00:15:17Margaret, come.
00:15:18I thought the dangers you feared for your daughter
00:15:20were of a completely different nature.
00:15:22Don't be absurd.
00:15:23No, Emily, I forbid it.
00:15:24You're treating me like a child.
00:15:25You are still a child.
00:15:26Ladies, please.
00:15:28I need to be the judge.
00:15:30Now, your daughter is, well,
00:15:33let us say, maturing fast.
00:15:36In your eyes, she may still be a child,
00:15:39but in the eyes of this experienced observer,
00:15:43she's most definitely a woman.
00:15:48There, now, Mother, may I go?
00:15:52Oh, very well, then.
00:15:59Lucky chap, James Wise.
00:16:05All set?
00:16:06What?
00:16:07I said, are you all set?
00:16:09Yes.
00:16:13Okay.
00:16:14Okay.
00:16:35Okay.
00:16:36Fine.
00:16:44Okay.
00:16:45Okay.
00:16:46Okay.
00:16:47Okay.
00:16:48Okay.
00:16:49Okay.
00:16:50Okay.
00:16:51Okay.
00:16:52Okay.
00:16:53Okay.
00:16:54Okay.
00:16:55Okay.
00:16:56Okay.
00:16:57Okay.
00:16:58Okay.
00:16:59Okay.
00:17:00Okay.
00:17:01Okay.
00:17:02Okay.
00:17:03Okay.
00:17:04Okay.
00:17:05Okay.
00:17:06Okay.
00:17:07Okay.
00:17:08Okay.
00:17:09Okay.
00:17:10Okay.
00:17:11Okay.
00:17:12Okay.
00:17:13Okay.
00:17:14Okay.
00:17:15Okay.
00:17:16Okay.
00:17:17Okay.
00:17:18Okay.
00:17:19Okay.
00:17:20Okay.
00:17:21Okay.
00:17:22Okay.
00:17:23Okay.
00:17:24Okay.
00:17:25Okay.
00:17:26Okay.
00:17:27Okay.
00:17:28Okay.
00:17:29Okay.
00:17:30Okay.
00:17:31Okay.
00:17:32Okay.
00:17:33Okay.
00:17:34Okay.
00:17:35Okay.
00:17:36Okay.
00:17:37Okay.
00:17:38Okay.
00:17:39Okay.
00:17:40Okay.
00:17:41Okay.
00:18:12How do you like it?
00:18:19Exciting!
00:18:20More?
00:18:21Yes!
00:18:22Lots more!
00:18:24More?
00:18:25Yes!
00:18:26Lots more!
00:18:54Emily!
00:18:55The stick!
00:18:56What?
00:18:57The stick!
00:18:59Emily!
00:19:00The stick!
00:19:01What?
00:19:02The stick!
00:19:03Emily!
00:19:04Emily!
00:19:05Emily!
00:19:06Emily!
00:19:07Emily!
00:19:08Emily!
00:19:09Emily!
00:19:10Emily!
00:19:11Emily!
00:19:12Emily!
00:19:13Emily!
00:19:14Emily!
00:19:15Emily!
00:19:16Emily!
00:19:17Emily!
00:19:18Emily!
00:19:19Emily!
00:19:20Emily!
00:19:21Emily!
00:19:22Emily!
00:19:23Emily!
00:19:24Emily!
00:19:25Emily!
00:19:26Emily!
00:19:28Emily!
00:19:29Emily!
00:19:30Emily!
00:19:31Emily!
00:19:32Emily!
00:19:33Emily!
00:19:34Emily!
00:19:35Emily!
00:19:36Emily!
00:19:49Jesus!
00:19:51What the hell was going on?
00:19:57What were you doing in there, anyway?
00:19:59I was just holding it.
00:20:01Holding it?
00:20:03What for?
00:20:05We might have crashed.
00:20:07I didn't realize.
00:20:10Emily,
00:20:12the joystick is a very sensitive piece of equipment.
00:20:17It has to be handled very carefully.
00:20:20Okay?
00:20:22Okay.
00:20:24Okay?
00:20:26Okay.
00:20:29Come on. I'll help you out.
00:20:35Did you enjoy it?
00:20:37Fantastic.
00:20:41You weren't frightened at all.
00:20:43No. Well,
00:20:45maybe a little, just at first.
00:20:47Great. You'll have to come another time.
00:20:50Do you mean it?
00:20:52Of course I mean it.
00:21:22No.
00:21:28No.
00:21:52Honey, honey, honey, if you go,
00:21:57without you to care,
00:21:59I'd be a broken frigid air.
00:22:03Honey, honey, honey, don't you know?
00:22:09Honey, honey, honey,
00:22:13don't you know?
00:22:18Emily seems to have enjoyed herself with her handsome young hero.
00:22:22I was frightened for her, Richard.
00:22:25You don't understand what she means to me, do you?
00:22:28Hmm.
00:22:30All I know is
00:22:32she's a beautiful
00:22:34and alluring
00:22:36young girl.
00:22:39Mr. Walker's taxi's here, madam.
00:22:41Thank you, Rachel.
00:22:45Richard, your taxi's here.
00:22:47Coming. Coming.
00:22:49Come on. Hurry up. You'll miss the train.
00:22:52Yes, well, the train was late anyway.
00:22:54Cheer yourself up. You're not respectable.
00:22:56You can't go to London looking like that.
00:22:58I have no wish to go to London.
00:23:00I have no desire to be respectable.
00:23:02You're not respectable.
00:23:04I have no wish to go to London.
00:23:06I have no desire to be respectable.
00:23:08I'll see you Wednesday afternoon.
00:23:10Yes.
00:23:11You're bringing a friend?
00:23:12Of course. Gerald Andrews.
00:23:14He's terribly amusing.
00:23:15You'll love him, sir.
00:23:17Damn.
00:23:35Morning, Mother.
00:23:37Good morning, darling.
00:23:40May I take the trap?
00:23:41Yes, of course.
00:23:43Uh, where are you going?
00:23:44Over to see Mrs. Wayne.
00:23:46Is she expecting you?
00:23:47Yes, she said I could come.
00:23:49Well, have a nice morning.
00:23:51Thank you. Bye-bye.
00:23:53Goodbye.
00:23:54And don't forget to telephone if you're going to be late.
00:23:57I was.
00:23:58I was.
00:23:59I was.
00:24:00I was.
00:24:01I was.
00:24:02I was.
00:24:03I was.
00:24:22God, man, you're an ass.
00:24:24You're an ass.
00:24:25Wilhite.
00:24:29Oh, Emily.
00:24:30Hello. What's happened?
00:24:31Oh, damned if I know.
00:24:32Ask the driver.
00:24:33Engine's spoiled over, madam.
00:24:35The man's an ass.
00:24:36Look, Emily.
00:24:37Would you give me a lift to the station?
00:24:39My train leaves in five minutes.
00:24:40Ah.
00:24:41Excuse me, sir.
00:24:42Afraid I'll have to charge you.
00:24:43Listen, sir.
00:24:44You can go to hell.
00:24:45Pardon?
00:24:46Go to hell.
00:24:48All right, Emily?
00:24:49Of course.
00:24:50Thanks.
00:24:53Damn car was filthy.
00:24:55Sorry you'll have to make it snappy.
00:24:56You're welcome.
00:24:58Hey!
00:25:01Well, it's very good of you, Emily.
00:25:03I couldn't afford to be late this morning.
00:25:05Are you going to town?
00:25:07Yes, I have some business to attend to.
00:25:09Ah.
00:25:10Have you known Mother long?
00:25:12Yes, quite a while.
00:25:13About several months, in fact.
00:25:18Have you been here before?
00:25:20Yes, once or twice.
00:25:22Parties and things.
00:25:25You know, your mother's a very fine woman, Emily.
00:25:28Fine woman.
00:25:29She's very choosy.
00:25:30Nothing but the best for her.
00:25:33Well, I hope we're going to see more of you now that you're here.
00:25:36I expect you will.
00:25:39You know, your mother must be very proud.
00:25:43Having such a beautiful daughter.
00:25:49We're nearly there.
00:25:50Oh, yes.
00:26:01Well, uh...
00:26:08Another time, perhaps?
00:26:09Perhaps.
00:26:10I'll ask Mother.
00:26:13Well, thanks terribly, Emily.
00:26:17See you in a couple of days.
00:26:22Bye.
00:26:23Bye.
00:26:31Can I help?
00:26:33Yes, you could.
00:26:34Clean these brushes.
00:26:35There you are.
00:26:36Where?
00:26:38There's turpentine and rag by the basin.
00:26:49Look at my hands!
00:26:51You'd better put that smock on.
00:27:01Do you think it suits me?
00:27:02You look lovely.
00:27:05Oh, hello, Emily.
00:27:07My new assistant.
00:27:08Very pretty, too.
00:27:09I'm just on the telephone to the Davises.
00:27:11They want us to go up to town tomorrow to the theatre and stay the night.
00:27:14Would you like to?
00:27:15Well, why not?
00:27:16OK, it's settled.
00:27:17It should be fun.
00:27:18I'll see you tomorrow.
00:27:19Good night.
00:27:20Good night.
00:27:21Good night.
00:27:22Good night.
00:27:23Good night.
00:27:24Good night.
00:27:25Good night.
00:27:26Good night.
00:27:27Good night.
00:27:28Good night.
00:27:29It should be fun.
00:27:31Don't work her too hard now.
00:27:32Good assistants are difficult to find.
00:27:33I won't.
00:27:59Hello, Mother.
00:28:00Sorry I'm late.
00:28:02You were there a long time.
00:28:05It was such fun.
00:28:06You're right.
00:28:07You've telephoned.
00:28:08Telephoned?
00:28:09Why?
00:28:10Were you worried?
00:28:11No, not really.
00:28:12I can look after myself, you know.
00:28:14Just hope you weren't in the way, that's all.
00:28:16No, I was helping Augustine in the studio.
00:28:20She has some lovely paintings.
00:28:21Have you seen them?
00:28:23Why don't you get her to paint you?
00:28:25See myself hanging on the wall every day?
00:28:26No, thank you.
00:28:28She's asked me to pose for her.
00:28:30And you've accepted?
00:28:31Of course.
00:28:34What are you drinking?
00:28:36A cocktail.
00:28:37May I have one?
00:28:38No, you may not.
00:28:40But you can try just a little tiny sip of mine.
00:28:48Mmm, it's good.
00:28:51Can I have just a little?
00:28:53You're all right.
00:28:54Just a very little.
00:28:55Don't blame me if you're sick.
00:29:07Your young friend James called round.
00:29:09Yes?
00:29:13I think he wanted you to go for what he called a spin in his motorcar.
00:29:18Oh, lovely.
00:29:19Is he calling back?
00:29:20I invited him to tea tomorrow afternoon.
00:29:22Good.
00:29:24James is a pleasant enough young man.
00:29:26You like him a lot, don't you?
00:29:29He's fun to be with.
00:29:43Now, Rachel, you'd better leave the rest to me.
00:29:47I'm off to the baker.
00:29:49And don't you be leaving those eggs on too long.
00:29:55What's he doing here?
00:29:59I don't know.
00:30:00I'm not having your boyfriends in and out of the house all the hours of the day.
00:30:04You never told me he was coming.
00:30:07Morning, ladies.
00:30:09You've got a nerve barging in here.
00:30:11I've got to go.
00:30:12Morning, ladies.
00:30:14You've got a nerve barging in here like that.
00:30:16What do you want?
00:30:18A word with my girl.
00:30:19In private.
00:30:20You'd better not be here when I come back, or else I'll tell Madam.
00:30:28What are you doing here, Billy?
00:30:30I brought you a present.
00:30:31You shouldn't have come.
00:30:32If Madam sees you here, I'll be in awful trouble.
00:30:35Yeah, I've only come for a moment.
00:30:36Here.
00:30:39What is it?
00:30:40Have a look.
00:30:43Oh, they're lovely.
00:30:45I bought them for you to wear tomorrow night.
00:30:48Oh, they're really lovely, Billy.
00:30:51Oh, go on then. Try them on.
00:30:52What, now?
00:30:53Yes, go on.
00:30:54No, I can't. Not now.
00:30:56Oh, go on. Try them on. Then I'll go.
00:30:59Come on.
00:31:00Well, I shouldn't really.
00:31:02Come on, let's go.
00:31:04Come on, let's go.
00:31:05Come on, let's go.
00:31:07Come on, let's go.
00:31:08Come on, let's go.
00:31:09Come on, let's go.
00:31:10Come on, let's go.
00:31:11Oh, I can't really.
00:31:13Up.
00:31:14Sit here, Meg.
00:31:34Hey, what about those then, eh?
00:31:36Fancy.
00:31:42I never thought I'd love you but I love you now
00:31:44And how
00:31:45And how
00:31:46And how
00:31:47And how
00:31:48And how
00:31:52You scamp, you're a viper and a vamp
00:31:54You turn me off and on like a Tiffany lamp
00:31:57And how
00:31:58And how
00:31:59And how
00:32:00And how
00:32:01And how
00:32:02And how
00:32:03And how
00:32:04And how
00:32:05And how
00:32:06And how
00:32:07And how
00:32:08And how
00:32:09And how
00:32:10And how
00:32:11And how
00:32:12And how
00:32:13And how
00:32:16I used to always worry about paying the rent
00:32:19Now I even move into Valentina's tent
00:32:22You got ribbons and bows
00:32:25Even when you don't wear clothes
00:32:28You sneak, you're too much for this chic
00:32:32I'd rather hear you whisper than Winston speak
00:32:35And how
00:32:36And how
00:32:37And how
00:32:38And how
00:32:39And how
00:32:40And how
00:32:41And how
00:32:42And how
00:32:43And how
00:32:44And how
00:32:45And how
00:32:46And how
00:32:47And how
00:32:48And how
00:32:52Good morning, Miss Emily.
00:32:55Well, er, I'll be off now then.
00:33:07Is there any breakfast?
00:33:08Yes, Miss Emily.
00:33:10Who's that?
00:33:12Billy Edwards.
00:33:19Is he your boyfriend?
00:33:23In a manner of speaking.
00:33:25He's very manly.
00:33:28Is he the one who feels you?
00:33:32Oh, I'm sorry, Rachel. I was only teasing.
00:33:35You made me feel so ashamed.
00:33:38I didn't mean to upset you.
00:33:40Do you want to marry him?
00:33:43He's asked me to.
00:33:44Did he say yes?
00:33:46Well, yes.
00:33:48That's wonderful.
00:33:50When's it to be?
00:33:51I don't know.
00:33:52We haven't fixed a date.
00:33:54Can't afford to yet.
00:33:56I don't think I ever want to get married.
00:34:00I just want to have lots and lots of lovers.
00:34:04Does that sound shocking?
00:34:06Well, you don't mean it, do you?
00:34:08I mean, you'd not be happy.
00:34:10Would you?
00:34:13It's fun to imagine.
00:34:15Do you think you and Billy will be happy?
00:34:17I hope so.
00:34:19I really do.
00:34:20So do I.
00:34:23Will you bring the tray up when it's ready?
00:34:25Yes, Miss Emily.
00:34:55What's the matter?
00:34:56Can't we stop now? I'm getting very tired.
00:34:58Not yet.
00:34:59The longer the sitting, the better the result.
00:35:02How much longer?
00:35:04I'll tell you.
00:35:05If you want to be an artist model, you must learn to sit.
00:35:18Well?
00:35:19I don't know.
00:35:21You're more difficult to paint than I imagined.
00:35:23You have so many faces.
00:35:25A young girl, a knowing woman.
00:35:28Which would you like to be?
00:35:30A knowing child?
00:35:31Can I take a look?
00:35:32Yes.
00:35:36What do you think?
00:35:37Oh, I like it.
00:35:38I'm not sure.
00:35:39Couldn't we go on a little longer, please?
00:35:41Oh, can't I rest? My back hurts.
00:35:45You're like an old woman.
00:35:48Ow!
00:35:49Oh, come on. Is it really that bad?
00:35:51Yes.
00:35:52You should take a hot shower and then a cold one.
00:35:54It's the best thing to relax the muscles.
00:35:56Have you got one?
00:35:57Yes. It's Rupert's.
00:35:59But we won't tell him.
00:36:01Will you come with me?
00:36:02You can call me if you want.
00:36:04You can call me if you want anything.
00:36:18Augustine!
00:36:34Is it dry yet?
00:36:36Nearly.
00:36:39Do you think I'm a bad influence on you?
00:36:41No. Why?
00:36:44I don't know.
00:36:47I like you being here with me.
00:36:50But you seem very impressionable.
00:36:53I don't think it's good for you.
00:36:55But it's lovely. We're friends.
00:36:58And anyway, you know so much about everything.
00:37:02You should get James to teach you.
00:37:04He's a man and you like him, don't you?
00:37:08Yes.
00:37:09But I don't feel so close to him as I do to you.
00:37:13Is that wrong?
00:37:14Of course not.
00:37:17But we must take care not to hurt each other.
00:37:19Why should we?
00:37:20I have a husband, Emily.
00:37:22And I'm very happy with him.
00:37:25I don't want anything to happen that would change that.
00:37:28Do you understand?
00:37:30I think so.
00:37:32Come on. You must be off now.
00:37:34If you want to be home on time.
00:37:35Can I see you again?
00:37:37You want to finish your portrait, don't you?
00:37:40Thank you, Augustine.
00:37:56Sorry I'm late.
00:37:58Hello, Emily. How are you?
00:37:59Very well, thank you.
00:38:01Hello, Mother.
00:38:03I hope you haven't been waiting long.
00:38:05No, just a few minutes.
00:38:07I was with Augustine.
00:38:09She's painting me.
00:38:11Is it good?
00:38:12I think so.
00:38:13But she says I'm a difficult subject.
00:38:15Would you like some tea?
00:38:16No, thank you.
00:38:17Are we going driving?
00:38:18Honey darling, please. You're like a jack-in-the-box.
00:38:21Please give poor James a chance to finish his.
00:38:23No, I'm ready.
00:38:24Oh, please, James. Don't rush.
00:38:26Who's rushing?
00:38:29Cucumber sandwiches. How delicious.
00:38:35Where are we going?
00:38:37Anywhere you like.
00:38:39You tell me which roads to take and I'll follow your commands.
00:38:42You trust me that much?
00:38:44Well, we'll soon see.
00:38:59Good girl.
00:39:09There?
00:39:10Okay.
00:39:11Hang on.
00:39:20I hope there's another coming.
00:39:30This way.
00:39:32Which way?
00:39:33This way.
00:39:51He really did, I promise.
00:39:53He did.
00:39:54Yes, he did.
00:39:55Really?
00:39:56Good evening, Rachel.
00:39:57Good evening.
00:39:59Hey, promising. I told you, didn't I?
00:40:02Hello.
00:40:03Ah, Margaret.
00:40:05You look lovely.
00:40:11Margaret, this is Gerald Andrews.
00:40:14Terribly amusing.
00:40:15Enchanté, madame.
00:40:17Didn't I say?
00:40:18And this is Gerald's old friend, Rosalind.
00:40:22Of course, this is Rosalind.
00:40:25How do you do?
00:40:26Well, let's go through to the garden, shall we?
00:40:28Splendid idea.
00:40:47Still, trust me.
00:40:48She's not used to this kind of driving, you know.
00:40:51He did ask me to lead the way.
00:40:53True, but I hardly expected this.
00:40:57It's lovely here.
00:41:00I've got some wine under the seat.
00:41:03Do you fancy some?
00:41:04Yes.
00:41:05Come on.
00:41:12Right.
00:41:13You take the blankets, and I'll take the wine.
00:41:24Ah, this is the stuff.
00:41:28Have you a cigarette?
00:41:30You smoke?
00:41:32Well, sure, yeah.
00:41:34Here you are.
00:41:54Very good.
00:41:56You smoked a lot.
00:41:58Do you think it's very old lady-like?
00:42:00Smoking?
00:42:01Well, I don't know whether my mother would have approved,
00:42:04but Mrs. Pankhurst would have been all for it.
00:42:08Do you like me, James?
00:42:11Of course I do.
00:42:14I didn't know.
00:42:16You never say anything.
00:42:19Why shouldn't I like you?
00:42:21Why shouldn't I like you?
00:42:24Well, I thought, after last time...
00:42:29Look, I'm...
00:42:31I'm sorry about that.
00:42:33Doesn't matter.
00:42:35I just thought...
00:42:39Well, I thought perhaps you'd stop liking me.
00:42:42And I thought perhaps you'd stop liking me.
00:42:45No.
00:42:47My father once said,
00:42:49Treat a lady like a lady,
00:42:51and you'll always be a gentleman.
00:42:54I never knew my father.
00:42:56He died when I was still a baby.
00:42:59You must miss not having one.
00:43:02Why? Do you want to be daddy?
00:43:07I'd like a father.
00:43:09I always thought it would be fun to go to functions on my father's arm.
00:43:13Better to go on your husband's.
00:43:15Are you proposing?
00:43:17I wouldn't leave a fatherless child like you.
00:43:20Remember what Richard said.
00:43:22Bound to be killed.
00:43:24You sound almost proud of it.
00:43:26Death with glory.
00:43:28There's no glory in killing yourself.
00:43:31Oh, I'll survive.
00:43:33To wander the world, making love to hundreds of women.
00:43:38Lovely gardens, eh, General?
00:43:39Marvellous.
00:43:40Fine house?
00:43:41Very fine.
00:43:43Charming hostess?
00:43:45I'll drink to that.
00:43:47You have to leave in the morning?
00:43:49Unfortunately, yes.
00:43:50But if you like us, we can always come again.
00:43:57You can be off now, Rachel.
00:43:58Thank you, ma'am.
00:44:00Night off?
00:44:01Yes, sir.
00:44:03Boyfriend?
00:44:04Yes, sir.
00:44:05Who's the lucky chap?
00:44:06He's in the army, sir.
00:44:08Splendid.
00:44:09Where's he taking you?
00:44:11To the pictures, sir.
00:44:12She's going to the pictures, Gerald.
00:44:16Thank you, Rachel.
00:44:17You can be off now.
00:44:18Thank you, ma'am.
00:44:19Have a nice time.
00:44:22Lovely little bum.
00:44:30Have you done it hundreds of times?
00:44:33Oh, no.
00:44:35No, no, of course not.
00:44:38Many times?
00:44:42Well, once or twice, perhaps.
00:44:48Have you ever done it, Emily?
00:44:54Why do you ask?
00:44:56I'm sorry.
00:44:58I don't know what made me say that.
00:45:00Yes, I have.
00:45:02Once.
00:45:04When I was 15.
00:45:0715?
00:45:09God.
00:45:13It was with an uncle of mine.
00:45:15An uncle?
00:45:16Well, he wasn't really an uncle.
00:45:18A friend of my mother's.
00:45:20But I used to call him uncle.
00:45:24Well, you didn't let him.
00:45:27I mean, he forced you.
00:45:30No.
00:45:31No, I let him.
00:45:34You shouldn't be telling me this.
00:45:37I was curious, you see.
00:45:40It was at Brighton.
00:45:42We'd gone for the weekend.
00:45:44Where was your mother?
00:45:45Asleep.
00:45:46In the next room.
00:45:48At least, I think she was asleep.
00:45:51You mean she knew?
00:45:52No.
00:45:54Maybe.
00:45:58It's incredible.
00:46:00Did you believe me?
00:46:02Haven't you been telling me the truth?
00:46:05You really did believe me.
00:46:07Of course I believed you.
00:46:09You mean you made the whole thing up?
00:46:11I only did it to see if you'd be jealous.
00:46:13And you were, weren't you?
00:46:17Well, I suppose I was.
00:46:21A little.
00:46:22Perhaps.
00:46:25Really, Emily.
00:46:27What a fantastic tale.
00:46:30I wish you could have seen yourself.
00:46:34You were really jealous, weren't you?
00:46:38Yeah, I was.
00:46:52One day I want us to make love.
00:46:55I want you to be the first.
00:46:59Put your arms around me, Jane.
00:47:05Tighter.
00:47:20Emily.
00:47:23Excite me.
00:47:29Oh, no!
00:47:35Shoot! Shoot! Shoot!
00:47:37Shoot! Shoot! Shoot!
00:47:39God, you stinking beast.
00:47:41Look what they've done to my car.
00:47:43Damned animals.
00:47:48Smash the mirror.
00:47:51Seven years of bad luck.
00:47:54For the cow, I hope.
00:47:56Never mind.
00:47:57You'd better take me home.
00:47:59Mother might be getting worried.
00:48:01Good for Mother.
00:48:07What say you to a game of puff?
00:48:09Richard, must you?
00:48:11Oh, why not? I'm with you.
00:48:13What is puff?
00:48:14Aha! A novice.
00:48:16It's quite simple, my dear, you see.
00:48:18You just watch me, no questions answered,
00:48:20and then you do it, right?
00:48:22Now, here's to the health of Cardinal Puff for the first time.
00:48:25One finger round the glass.
00:48:28One sip. Glass down once.
00:48:30One finger. Top of the table.
00:48:32Table. Under. Under.
00:48:34Elbow. Elbow.
00:48:35One nod of the head. Right.
00:48:37Now, here's to the health of Cardinal Puff-Puff for the second time.
00:48:40Two fingers round the glass. Right?
00:48:42Two sips.
00:48:44One.
00:48:46Two. Two fingers.
00:48:48Two. Two. Two. Two. Two.
00:48:51Elbow. Elbow. Elbow. Elbow.
00:48:53Elbow. Elbow.
00:48:54Nod. Nod. Right.
00:48:55Now, here's to the health of Cardinal Puff-Puff-Puff for the third and last time.
00:49:02Now, finish the glass.
00:49:03Upside down on the table.
00:49:04Three fingers.
00:49:05One. Two. Three.
00:49:06One. Two. Three.
00:49:07One. Two. Three.
00:49:08One. Two. Three.
00:49:09One. Two. Three.
00:49:10One. Two. Three.
00:49:11One. Two. Three.
00:49:12Now, for every mistake, you have to drink a full glass of champagne.
00:49:16Think you can do it?
00:49:17Of course she can. Can't you, my lovely?
00:49:19I don't know.
00:49:20Well, I'm going to leave you to it.
00:49:23Richard, will you show them to the drawing room, please?
00:49:25Of course.
00:49:36Right. Here we go.
00:49:41Shall I start?
00:49:42We can't wait.
00:49:43Up. Remember.
00:49:45Think very carefully.
00:49:48Here's to the health of Cardinal Puff-Puff-Puff for the first time.
00:49:54Good. Good. Good.
00:50:00By God, she did it.
00:50:02Splendid. Now, keep it going.
00:50:04Here's to the health of Cardinal Puff for the second time.
00:50:08Puff-Puff twice, remember?
00:50:10Straight down.
00:50:11Here we are.
00:50:23Here we are.
00:50:45Here's to the health of Cardinal Puff-Puff-Puff for the third time.
00:50:50For the third and last time.
00:50:54Straight down. Straight down.
00:50:56Come on.
00:51:23All right?
00:51:24Yes.
00:51:27Not too cold, then?
00:51:28A little bit.
00:51:31Good night, Billy.
00:51:32Thanks.
00:51:33Oh, can't I come in?
00:51:37Well, just the back door, then.
00:51:48It was a nice evening, Billy.
00:51:51Good night.
00:51:53Oh, Rachel, you're lovely.
00:52:24No.
00:52:25Oh, come on, love.
00:52:27Haven't I waited long enough?
00:52:32Not now.
00:52:33I told you, not until we're married.
00:52:36You want it, don't you?
00:52:38I know you do.
00:52:40Yes, but we mustn't.
00:52:42We mustn't.
00:52:43We mustn't.
00:52:44We mustn't.
00:52:45We mustn't.
00:52:46We mustn't.
00:52:47We mustn't.
00:52:48We mustn't.
00:52:49We mustn't.
00:52:50We mustn't.
00:52:51Yes, but we mustn't.
00:52:53But we'll be married soon.
00:52:55Let's leave it till then.
00:52:56Please, Billy.
00:52:59Don't be angry.
00:53:00Good night.
00:53:03Come on, Billy, smile.
00:53:04It'll be so good when the time comes.
00:53:06Yeah.
00:53:11See you soon.
00:53:12Yeah.
00:53:21See you soon.
00:53:47Rachel, is that you?
00:53:49Yes, ma'am.
00:53:52Did you have a nice evening?
00:53:54Yes, thank you, ma'am.
00:53:55Good.
00:53:56Don't bother to clear anything tonight.
00:53:58All right, ma'am.
00:53:59Good night.
00:54:00Good night, ma'am.
00:54:09No!
00:54:10You should have put it upside down.
00:54:13See, now you have to drink full glass.
00:54:15I don't think the cellar can take much more of this.
00:54:17Now, my lovely, you're really going to have to concentrate.
00:54:47Trash.
00:54:58It's too expensive to be bought
00:55:02In any upper London store
00:55:06And if it's rotten to the core
00:55:10It even costs a little more
00:55:13Trash
00:55:15Can't be explained except to say
00:55:19It's more a feeling than a feel
00:55:23Sometimes it's not exactly real
00:55:27But might explain its wide appeal
00:55:33The Sheiks and the Sheibas
00:55:37Climax
00:55:38Climax?
00:56:08Climax?
00:56:23Promise not to scream.
00:56:26God, Bill!
00:56:28What are you doing here, anyway?
00:56:30Well, I couldn't leave you.
00:56:32Not feeling the way I was.
00:56:35Where have you been?
00:56:36I was downstairs.
00:56:38It's disgusting, Billy.
00:56:40They're all at it.
00:56:41And madam, too.
00:56:43Did you see them?
00:56:44Yes.
00:56:45Through the window.
00:56:47Dirty, bleeding sods.
00:56:49Yes.
00:56:50They're all at it.
00:56:51And madam, too.
00:56:53Did you see them?
00:56:54Yes.
00:56:55Through the window.
00:56:56Dirty, bleeding sods.
00:56:59Do you feel better now?
00:57:01I think so.
00:57:03My heart's beating awful fast.
00:57:06Give me your hand.
00:57:12I'm glad you came back.
00:57:15I love you, Rachel.
00:57:16Oh, Billy.
00:57:26Oh, Billy.
00:57:33Oh, Billy.
00:57:56Oh, Billy.
00:58:27Oh.
00:58:28Oh.
00:58:29Oh.
00:58:30Oh.
00:58:31Oh.
00:58:32Oh.
00:58:33Oh.
00:58:34Oh.
00:58:35Oh.
00:58:36Oh.
00:58:37Oh.
00:58:38Oh.
00:58:39Oh.
00:58:40Oh.
00:58:41Oh.
00:58:42Oh.
00:58:43Oh.
00:58:44Oh.
00:58:45Oh.
00:58:46Oh.
00:58:47Oh.
00:58:48Oh.
00:58:49Oh.
00:58:50Oh.
00:58:51Oh.
00:58:52Oh.
00:58:53Oh.
00:58:54Oh.
00:58:55Oh.
00:58:56Oh.
00:58:57Oh.
00:58:58Oh.
00:58:59Oh.
00:59:00Oh.
00:59:01Oh.
00:59:02Oh.
00:59:03Oh.
00:59:04Oh.
00:59:05Oh.
00:59:06Oh.
00:59:07Oh.
00:59:08Oh.
00:59:09Oh.
00:59:10Oh.
00:59:11Oh.
00:59:12Oh.
00:59:13Oh.
00:59:14Oh.
00:59:15Oh.
00:59:16Oh.
00:59:17Oh.
00:59:18Oh.
00:59:19Oh.
00:59:20Oh.
00:59:21Oh.
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