The Celebrity Apprentice features celebrity candidates vying for the title of Donald Trump's, "Best Business Brain," with the winner donating their proceeds to charity.
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00:00This season, on The Celebrity Apprentice.
00:06I've issued a challenge to 14 of the world's most successful celebrities
00:11to prove that they have what it takes to make it big in my world.
00:1714 celebrities, 14 egos, and more drama than even they can handle.
00:24Gone are their agents.
00:26Where is the producer?
00:27Gone are their assistants.
00:29Don't tell me that.
00:30Step right up, ladies and gentlemen.
00:32This time, the battle is to raise money for their favorite charities.
00:36I present this check to you.
00:38Are you kidding? $50,000?
00:40Oh, my gosh.
00:43For their first task, the celebrities were split between men and women.
00:47You're going to be selling hot dogs.
00:49And use their celebrity Rolodexes to bring out the big dogs.
00:53$5,000 for our water.
00:55This man is giving us $10,000 in cash, ladies and gentlemen.
00:58But when the results came in...
01:00Rates the total of $52,286.
01:04The men handed the women an embarrassing loss.
01:07That's a drubbing.
01:08And Stephen's charity reaped the rewards.
01:11The $69,324 is all going to go to your charity.
01:16After a stunning defeat, Omarosa attacked Carol.
01:20Now you're cowering from the fact that you're a charitable person.
01:23I'm not cowering at all. Don't you ever even say that to me.
01:25But Mr. Trump was disappointed in Playboy Playmate Tiffany.
01:28You didn't call New Afternoon.
01:30Forget about saving it for later. There is no later.
01:33Tiffany, you're fired.
01:42We got to make a pact before we go in there.
01:44We leave it in the boardroom.
01:46Absolutely. Deal?
01:47Yeah, yeah, yeah. Absolutely.
01:49Hello.
01:51I'm back.
01:55Is Tiffany okay?
01:57She was very sweet.
01:58I think in the end, what got her was that she held out with some of her contacts.
02:04Did you guys get really weird?
02:05We already made a pact to leave it in the boardroom.
02:07No, we left it in the boardroom.
02:08We left it in the boardroom.
02:09You left it in the boardroom? I don't think so.
02:12No, absolutely.
02:13Oh, Pierce.
02:15Oh.
02:16Oh, Pierce.
02:17Oh, Omarosa.
02:18Keep drinking. Tuck your shirt in.
02:21Hey, hey.
02:23Omarosa, Omarosa, don't be personal. All right?
02:26You made it personal.
02:28We hammered you today.
02:30We beat you into the ground.
02:33Omarosa.
02:34The gobby, self-confident creature we saw in the first series of Apprentice has been turned into a mutant.
02:44The breath, the alcohol coming in from your breath is embarrassing.
02:47I've had two glasses of wine.
02:49I'm not going to argue with an alcoholic.
02:51Oh, shut up, Omarosa. Go to bed.
02:54I actually feel quite sorry for Omarosa.
02:56She's now mixing it with the big boys, and it ain't going to be pretty.
03:01Embarrassing.
03:13Money, money, money, money.
03:21Some people got to have it.
03:26Some people really need it.
03:30Listen to me, y'all.
03:31Do things, do things, do things, bad things with it.
03:38Dollar bills, y'all.
03:40Bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things, bad things
04:10How are they?
04:23Welcome. Sissy. Come around here, girls.
04:27Okay.
04:28After the first task, I was project manager. The funds raised were going to be given to the Carol Baldwin Breast Cancer Research Fund.
04:34And for me, this cause for my mother, she's a breast cancer survivor.
04:38She's a very, very loving, caring woman.
04:41On behalf of Celebrity Apprentice, I present this check to you.
04:53Oh, my gosh.
04:56$69,000.
04:59Oh, that is so wonderful.
05:01Isn't that something?
05:02Oh, that's something.
05:03Isn't that great?
05:06I'm here to do my very best to raise funds and create more awareness to fight and battle breast cancer.
05:13Oh, thank you so much. I want to tell the Donald, I want to thank him.
05:17You will.
05:18She loves what she does, and I'm grateful to have an opportunity to support her in that.
05:22The goal is to ultimately find a cure, and I believe that's possible.
05:26I love you guys. God bless.
05:46Good morning.
05:47Good morning.
05:49On my right is Terry Lundgren. He's the head of Macy's.
05:54When it comes to marketing, nobody knows it better.
05:57Now, who loves animals?
06:00Tito?
06:01Yes, sir.
06:02No kidding. Lennox.
06:03What do you guys love? What do you like, pit bulls or what?
06:06Cats.
06:07Cats?
06:08Yeah.
06:09February is Pet Adoption Month.
06:12Four million dogs are put into animal shelters every year.
06:17Of the four million, only two million find a home.
06:21Now, over here is Rob Lieberwitz.
06:25He's with Pedigree, wonderful company.
06:27Thank you, Mr. Trump.
06:29It's because of the four million dogs in shelters
06:32that we created the Pedigree Adoption Drive.
06:35Your task is to create a 30-second TV ad for the Pedigree Adoption Drive,
06:40and we'll judge you on message, originality, and creativity.
06:45Rob is going to make the choice,
06:47but Terry, Ivanka, and myself will be looking over his shoulder.
06:51Now, we're going to do something a little different.
06:54I'm going to ask you to choose your project manager right now.
07:02Real quick, guys, can we just have a look?
07:04Empresario, who is your project manager?
07:07I'm the project manager.
07:09Oh, very good. Lots of luck.
07:13As a TV producer, I'm the queen of the Latino market.
07:16I know that my style can win.
07:18Hydra, who is your project manager?
07:21Gene Simmons.
07:22It's a very logical choice. Very logical choice.
07:25He's a good partner.
07:27He's a real character, this one, I'll tell you.
07:29He likes the women, though, don't you, Gene?
07:31Are you hitting on your opponents, Gene?
07:33Of course. It's my job.
07:34That's your job. That's your life. Forget about your job.
07:37My greatest strength as a project manager is,
07:40I see the big picture. I'm ruthless.
07:43I'll fire anybody. I'll fire Donald Trump.
07:46Due to the fact that we're not playing for money,
07:50the project manager of the winning team
07:53is going to be given $20,000 for his or her favorite charity.
07:58Okay? Good luck. Thank you.
08:01Thank you, Mr. Trump.
08:04Can everybody stand up?
08:19Can everybody just take big breaths, big deep breaths in,
08:25and just imagine white light coming through all of you
08:29and white light coming out.
08:32Everybody's got their own style.
08:34You know, sometimes you're asked to take off your shoes
08:37and everybody, you know, touch the ground.
08:39Yeah, I mean, I live in Los Angeles,
08:41so you can imagine how some meetings start.
08:43Everybody hold hands.
08:45We're getting ready to do something really great for animals.
08:51If Nelly wants to stretch and yawn and kumbaya
08:54and meditate in the middle of a task, what can I say?
08:57That's how she likes to lead.
08:58You know, I'm just really not into that existential bull----.
09:02Thank you for seeing us so quickly.
09:04First of all, we'd love to know
09:05what's the whole gist of what you're looking for.
09:08We had a chance to go and meet with the client
09:10to see what the client wants for us to do.
09:13What's really important is that you get in.
09:16When you buy Pedigree, we make a donation
09:19to help dogs find loving homes.
09:21Have you ever incorporated celebrities in your spots?
09:25If you want to include celebrity in it,
09:27then that's great, but what we really need
09:29are stories about dogs done in emotional,
09:32compelling ways to get people to want to act.
09:35We sat with the client for a good half an hour, 45 minutes.
09:39Okay, I think we've got it.
09:40We so appreciate your time,
09:42and I think that was a really great idea.
09:52If we can get a finished 30-second commercial,
09:55that's all done here.
09:56You'll have enough time to show a dog,
09:59to close in on a face, and very little else.
10:0130 seconds is like nothing.
10:03I made an executive decision.
10:05We're immediately going to the studio.
10:08The war room is the battlefield.
10:10I didn't want to waste time meeting a Pedigree official.
10:13I had to optimize every single second we had.
10:17We need to understand what the commercial is
10:22before we know how to move forward.
10:24The most important aspect of the challenge
10:28was to decide the concept for the film,
10:31because in the end, the winner was going to be the team
10:34that came up with the best commercial.
10:36Here's what I'd like to do.
10:38Three celebrities.
10:39Boom, boom, boom, dog, dog, dog.
10:42We have this dog, lonely, abandoned, needs a home,
10:47and at the end, it finds a home
10:49in the arms of a naked Lennox Lewis.
10:53Here's what I'm thinking though, see?
10:55You start out, he's holding the dog,
10:57he's got on silk gloves, you don't know who this is.
11:00Hold on.
11:01And you're going to pull back so slowly.
11:03Here's my vision.
11:05It's going to be a 30-second continuous shot.
11:08I don't buy that visual, but I don't want this to turn into...
11:11You don't buy that visual?
11:13May I speak?
11:15Because I've worked in film for 20 years.
11:18Yeah.
11:19I believe the commercial is
11:22International Championship Superstar Lennox Lewis loves animals.
11:28If we film him holding a puppy, that's heartstrings.
11:32I like that.
11:33For me, celebrity is a currency,
11:35so however I can use that, selling hot dogs, whatever,
11:39I believe that you should maximize that potential.
11:42Just really quickly, guys,
11:43I need to know from the project manager
11:45who is directing the commercial.
11:47It looks to be you.
11:49Yeah.
11:50Is that agreed?
11:51Yes.
11:52Okay.
11:53I said to the guys, if you make me director,
11:55then I'm just going to go...
11:57and get it going.
11:58This isn't rocket science.
12:00Once we have the 30-second done,
12:02we can start mapping out a view.
12:05Well, hello.
12:06Hello.
12:07Ah, hello.
12:09I'm the project manager.
12:10Are we hiring you to be our spokeswoman for...
12:14Not this one.
12:15I see.
12:16Should we be sharing something with you?
12:18Do you have a concept yet?
12:20All right, but please, let me finish the thought.
12:23Shall we?
12:24Can we tell Ivanka the concept?
12:26Because she's keen to know.
12:28Lennox is a world heavyweight champion superstar.
12:31He's also an unlikely guy to use in a commercial like this,
12:34so it's a surprise fact.
12:36Just a second, no side conversations.
12:38Just a second.
12:39Pierce.
12:40Okay.
12:41We're using a lot of time.
12:43Listen, we think it's terrific you're here,
12:46What wasn't smart was Gene Simmons to say,
12:49I'll wait, when I asked a question.
12:51Being the female of the species yourself
12:54does not mean that you are going to be talking to your sisters
12:58about what we talked about.
13:00To the women, because I'm a woman.
13:02No, I have no interest in doing that.
13:04That was not so smart.
13:06I think that was probably not a strategically intelligent thing to do,
13:10as I found it rather rude.
13:15Coming up.
13:16I need everybody out of my shot right now.
13:18Back up, guys.
13:20I need somebody to help me lock this up.
13:23Your guys are killing me.
13:25Lennox.
13:26Come on, Vinny.
13:27For whatever reason, Gene said get out of here now
13:29without any explanation.
13:30I really think that it's going to come back
13:32and bite him on his backside.
13:42Take your fingers, Lennox,
13:43and kind of pet right between her eyes.
13:48All right, hold on, Gene.
13:49Gene, Gene, Gene.
13:52The goal for us in this week's task
13:55was to create a 30-second community service ad
13:58within an extremely tight time constraint.
14:05Good girl.
14:07All right, cut. We got it.
14:08That's great. That's great.
14:10Is there an option to take Lennox to the shelter,
14:13photograph a dog, where Lennox goes into the cage,
14:17takes it out?
14:18No.
14:19No?
14:20No.
14:21Gene and Stephen were the producer and director.
14:22They made it absolutely clear to all of us
14:24they wanted to do everything on their own.
14:26I need to go outside with Lennox Lewis right away.
14:28B cameras ready?
14:30I need the leash for the dog and Lennox.
14:32Our director wanted a scene of Lennox
14:34walking the dog happily down the street.
14:37Ready? Roll the camera.
14:39Action!
14:41When we went out on the street, traffic stopped.
14:45I need everybody out of my shot right now.
14:47Back up, guys.
14:49Cars started to honk.
14:52All right, here we go.
14:54Okay, closing it up. Come on.
14:58It was Vinny on one end and myself on the other
15:01trying to hold back the public.
15:03Your guys are killing me.
15:05It was a bit naive to think that we could get a scene going
15:08on location.
15:09Lennox, go.
15:11Come on, Vinny.
15:13As the producer, I made the smart decision
15:16to stay inside the studio.
15:18You can control noise.
15:20As soon as you leave there, you don't have any controls.
15:22Here's my suggestion.
15:24Go upstairs together and make an overview
15:27of the different shots.
15:28For whatever reason, Gene said,
15:30get out of here now without any explanation.
15:32I don't mean to be a jerk, but I really think
15:34that it's gonna come back and bite him on his backside.
15:38I'm ready. We're ready.
15:40You guys, shoot, shoot. It's so good.
15:43Just shoot it.
15:44Nelly, do you need help with that?
15:47I got it.
15:48I know what I need to do to keep from being fired.
15:52It was very strategic on my behalf
15:54not to get involved in the creative.
15:56That's it. Move on. You got it.
15:58When we got to the studio and we started taping,
16:01clearly, I took over.
16:03That's great.
16:04That's beautiful. Perfect.
16:07Are you shooting?
16:08Because it's fabulous.
16:09I'm very comfortable in that space.
16:11I've been doing that many, many, many years.
16:13And unless Gene Simmons pulls some rabbit out of a hat,
16:16we should win.
16:17Put her on your lap.
16:18Kiss him a little bit.
16:20Okay, that's...
16:21We don't have to tongue kiss the dog.
16:23That's a bit much.
16:24Most people look at dogs in shelters and go,
16:27I don't want to take that dog home.
16:29So I wanted to show that those dogs were fabulous dogs
16:32that circumstantially were brought to this place.
16:35Okay, Nadia?
16:36I definitely am going to need a medium and a small cake.
16:42Okay.
16:43That's more important than the music.
16:45Music we can do at 6 o'clock.
16:46Nadia was not used to working for anybody.
16:48Whatever I would tell her to do, she did.
16:50But she didn't execute any of the things
16:52I told her to do very well.
16:54I just want to feed these people.
16:55Is the food not here yet?
16:56Yeah, let me get them.
16:57They all tell me they don't know about the food.
16:59I was supposed to order the food for the actors and the crew
17:03and to be sure that everybody on the set was happy.
17:06Just be there, supporting the team.
17:12In the real world, if I thought that Nadia wasn't good,
17:15I'd be like, Nadia, you gotta go.
17:19Okay, so I want to hear a lot of color in your voice,
17:21but I still hope...
17:22One of the commercials is kind of like sad,
17:25you know what I'm saying?
17:26Nelly has asked me to sort of assist her in the writing,
17:29the directing, sort of the producing,
17:31and I'm going to be helping her with the actors.
17:33I'll mix, I'll mix.
17:35No, don't act, don't act.
17:36You had it when we were here before, yeah.
17:39They did not sound right at all,
17:41so I knew that I was going to really, really, really
17:43have to work.
17:44I was a beauty queen in my day.
17:46No, in my day, I was a beauty queen.
17:49I was a beauty queen in my day.
17:51I don't want to hear acting,
17:52and I don't want to hear, like, sing-song.
17:54I just want to hear it just really simple.
17:57I had really no time to finesse their performances,
18:00but hopefully we'll be able to figure out
18:03some way to make it work.
18:16Let's record, Trace.
18:18Everyone needs a champ in their life,
18:20someone that loves them and cares for them.
18:22Take a beat after Doug's.
18:24Find a loving home.
18:26Okay.
18:27Stephen decided that Trace
18:28was invariably going to be our voice.
18:30Sadly, there are 2 million homeless dogs in America
18:34waiting to be adopted.
18:35As soon as I heard Trace's voice,
18:37it sounded like the voice of God.
18:40Sadly, there are 2 million.
18:42That's great stuff.
18:43Okay, that's my favorite tip.
18:45You're out of here.
18:46Let me say goodbye to the guys.
18:47Gene, we get to see the finished product
18:51before everybody else sees it.
18:53That's a mistake.
18:54When we hit the editing room,
18:56the entire team was asked to leave,
18:59go home, relax, watch cartoons,
19:01and Stephen and I were going to stay there
19:04and put this thing together.
19:06Before we disperse,
19:07could we just go through how you guys
19:10now visualize the commercial?
19:13Probably not a good idea.
19:15Gene and Stephen send us home.
19:17I'm always wary when that happens
19:19because if things don't go brilliantly,
19:21they can turn around and say,
19:22well, we were deserted by the other 5.
19:28Coming up...
19:29I don't want to go home
19:30because of something that was wrong.
19:32I run a multi-billion dollar company.
19:34Let's be honest here.
19:35We came down here
19:36because we thought there was a problem.
19:38I couldn't sleep.
19:39I wouldn't be able to sleep all night.
19:42Okay, so let's start with that.
19:45When we got in the editing room,
19:47you know, we had very limited time,
19:49so with all of that,
19:50you've got to push your brain
19:52to channel something fabulous.
19:54Don't we have an alternative dog
19:56because of the phone?
19:57I'm just saying,
19:58does he look appealing to one of you?
20:00You don't like it because he's slobbering?
20:02I don't know that much about synchronization.
20:04I don't know that much about synchronization.
20:06I don't know that much about synchronization.
20:08You don't like it because he's slobbering?
20:10I don't know that much about synchronization.
20:12They drew it.
20:13When Nelly did the close-ups of the dog,
20:15it doesn't look very good in a commercial.
20:17It's Beethoven.
20:18Everyone loves Beethoven.
20:20I don't know why you guys don't like it.
20:22I really like it.
20:23You don't have time
20:24to whine or complain or whatever.
20:26You just have to make something happen.
20:32Okay, so grab that piece.
20:34Originally, we set up the commercial
20:36to be three different dog stories,
20:38and you sort of see them get adopted,
20:40and then I come on and say, you know,
20:42dogs rule.
20:43I'm married to Heather.
20:44Adopt a dog today.
20:46See, everything's too big.
20:48Yeah, it's too big.
20:49But what happened was,
20:50the tones of the two pieces
20:52were so different that it was kind of jarring.
20:55I can do it as a voiceover,
20:56even if you've never seen it.
20:58Yeah, that's what we're gonna do at the end.
21:00What time is it?
21:0210 o'clock, we have 2 hours left.
21:07Yeah, I think that's brilliant.
21:09Hi.
21:10Oh, how are you doing?
21:12You're doing great.
21:13How are you all doing?
21:14Good to see you.
21:15Good to see you, too.
21:16So, how's it going?
21:17We're very pleased.
21:18What was the most important thing
21:20you think the client was looking for?
21:22The client wanted three things.
21:24Very strong messaging.
21:25He wanted it to be creative and original,
21:28and he wanted an authenticity
21:30and a realness to it.
21:31And we decided to take
21:32a very emotional approach
21:34to the storytelling.
21:38I want to hear the last takes
21:41of Trace's voiceover.
21:43A hero they can look up to.
21:45Someone that will protect...
21:47Start again.
21:49They're both terrific.
21:51You're good.
21:52I have been given a gift.
21:59Time check.
22:01One hour.
22:02All right, we're good.
22:03We're good.
22:04After we went back to the hotel room,
22:07I started getting a little worried.
22:09This is a teamwork thing,
22:10and I think all of us should have an idea
22:12of what's going to be shown,
22:14because if we lose,
22:15one of us is going home.
22:19From the beginning of the commercial...
22:21I walked in.
22:22Gene didn't know I was coming.
22:24Stephen didn't know I was coming.
22:26Seeing the expression on Gene
22:28and on Stephen's face,
22:29they were surprised.
22:32I got a call.
22:33We have 40 minutes.
22:34You understand this, correct?
22:35Yeah, we know.
22:36Don't distract us,
22:37or we won't make it on time.
22:38You're going to have to step out
22:39and let us finish.
22:40I sat back and let you guys do it.
22:41He's been the project manager.
22:42We're wasting time.
22:43Let's see.
22:44I was worried about
22:45when the other members of HYDRA showed up.
22:46If I'm the director,
22:47that I'm the guy
22:48that everybody's working for.
22:49So I turned around and said,
22:50guys, this is the agreement.
22:52We're going to screw up
22:53if we don't stick by that.
22:54We can't have this kind of committee,
22:56but we've got 40 minutes
22:57to finish this.
22:58You're right.
22:59You must let us finish.
23:00I'm very serious about this
23:01because this is about my charity,
23:03and I want to try to win.
23:04I want to make sure
23:05that we stay solid
23:06throughout the whole thing,
23:07and I feel like
23:08we're kind of being
23:09left in the dark.
23:10Under normal circumstances,
23:11let me tell you something.
23:12I'd say get the f*** out of here.
23:14Period.
23:15That's completely uncalled for.
23:17I don't want to go home
23:18because of something
23:19that was wrong.
23:20I run a multibillion-dollar company.
23:22We do commercials.
23:23We do exactly the same stuff also.
23:24Let's be honest here.
23:25We came down here
23:26because we thought
23:27there was a problem.
23:28I couldn't sleep.
23:29I wouldn't be able
23:30to sleep all night
23:31if that was the thing.
23:32I'm not going to lay my life
23:33in their hands.
23:34I'm a businessman,
23:35and my business model
23:36is making sure
23:37everything's right.
23:38I don't trust Gene.
23:39I don't trust Steven.
23:40I had enough.
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37:06I think, truthfully, I was too ambitious in trying to do great work.
37:10I wanted to outdo myself.
37:11Do you think you should be fired?
37:12I think that I should take responsibility for my actions.
37:15Nellie, it doesn't really sound like you're giving us any reason not to fire you in a lot of ways.
37:21And I don't think you brought Carol back.
37:23I don't get Carol.
37:24I do get Nadia to a certain extent.
37:26I don't get Carol.
37:27Why Carol?
37:28Well, you know, I had to bring two people back.
37:29But Mary Lou should have been back with you, not Carol.
37:31In all fairness, Carol, you're not going to be fired unless something really crazy happens.
37:36But she shouldn't be here.
37:38I see.
37:39Nadia, go ahead.
37:40We went the wrong direction.
37:41And I mentioned that many times.
37:43Whose fault is that?
37:45It's hard to say that somebody's fault.
37:47It's hard to say.
37:48Whose fault?
37:49I mean, you know whose fault.
37:50Whose fault is it?
37:51Well, if we go the wrong direction, I think it's the producer's.
37:53Meaning the project manager.
37:55Carol, do you think Nadia could lead a team?
37:58I don't think so.
38:00I found that she didn't have any contingency plans.
38:03Nadia, do you think really you could be a project manager?
38:06It's unbelievable to me.
38:08Because I watched you win the Olympics.
38:10So obviously you're highly competitive.
38:12I am.
38:13You're like this incredible person.
38:14I like to win.
38:15You don't have to convince me.
38:16Because I know a lot about sports and about athletes and about everything.
38:19If I don't know what I'm supposed to do, I step back.
38:24Sometimes you have to say, I'm not being told what to do.
38:27This is how I make myself an asset to my team.
38:30But I always said that we should use the celebrity from the beginning.
38:33Did she say that?
38:34We did decide to use Mary Lou.
38:37And when we were in the editing room, what Mary Lou shot didn't work.
38:41But why isn't Mary Lou back here, though?
38:43She was the director of a failed deal, right?
38:47Mary Lou is not in a team, the weakest link.
38:50Why should I keep you versus Nadia?
38:53Because I'm exceptional.
38:55I said that if we're going to lose, it's because we didn't use the celebrity.
38:59Well, that's a big statement.
39:00After we shot.
39:01After we shot.
39:02Did you say it before you shot?
39:03No, after we shot.
39:04Well, that doesn't do any good.
39:05I mean, what good does it do after you shoot?
39:07It's over.
39:08Nadia.
39:09Yes.
39:10Do you think you have the ability to lead?
39:12They both say you can.
39:13I can, but I wasn't given a chance yet.
39:15But did you want a chance?
39:17Did you want to be the leader of this task?
39:19This one?
39:20Yes.
39:21I would have done everything athletic because this is what I know.
39:24Well, athletic, unfortunately, at a certain level, ends.
39:28And I mean that with the greatest respect.
39:31Because very few people can lead themselves.
39:33Most people are losers, you know.
39:35I know a lot of people.
39:37Most people are losers.
39:38You're a winner.
39:39Nadia, why should I keep you versus Nelly?
39:42Well, she.
39:45Come on, Nadia.
39:46Come on.
39:47You got to.
39:48We, okay.
39:49This is no longer a gymnasium.
39:50This is now a boardroom.
39:51Look, look.
39:52First of all, here's the problem I have.
39:53Okay.
39:54I think Nelly has tremendous ability.
39:57She was like the star of the team.
39:59Carol, you would say it.
40:00Everybody, they just think she was great.
40:02And I think she had a very, very bad day.
40:06As far as Nadia is concerned, I think you're an amazing leader of yourself.
40:12And I think that's the ultimate tribute.
40:14You want to know the truth.
40:15I don't see you being able to lead the team.
40:20So, look.
40:21I think you are extraordinary.
40:23I am a huge fan of yours.
40:25I watched you win the Olympics.
40:27I watched you win so many contests.
40:29I love you.
40:30But, Nadia, you're fired.
40:35Thank you very much.
40:50I'm so sorry.
40:53My two little bees.
41:04That was tough.
41:05That was as tough as it gets, I think.
41:07But you made the right decision.
41:20I'm so sorry.
41:40I don't think I should have been fired because I could have been a good asset to the team.
41:47I was playing for Special Olympics International.
41:49I'm disappointed, but I know that everything that's going to be won here is going to go to some other charities.